#fuckin around in html

[thefouraboveall]

𝐓𝐙𝐄𝐄𝐍𝐓𝐂𝐇. - 04d6ff

𝐊𝐇𝐎𝐑𝐍𝐄. - 910813

𝐍𝐔𝐑𝐆𝐋𝐄. - 9b7b2e

𝐒𝐋𝐀𝐀𝐍𝐄𝐒𝐇. - 8a70cc

𝐔𝐍𝐃𝐈𝐕𝐈𝐃𝐄𝐃. - e05d25

[derelictwreck]

big things coming soon

[hyaeth]

working on muse pages -  adding some i’ve been meaning to so it’s all a mess on both the doc and the blog page

[empty-movement]

Empty Movement's 2023 Revolutionary Girl Utena UPDATE

Fashionably late? As always. 2023 was a HUGE year for Empty Movement, so much so that to confess, we did a big fail in actually keeping up with sharing the stuff we did! OOPS. So finally, we proudly bring you: all the Revolutionary Girl Utena content we dropped in 2023. Essays, artbooks, CD information, you name it. Click below for the entire site update, or get it at the source, as always, at ohtori.nu.

In Analysis (Fan Essays): • seebee's essay The Power of Living an Embodying Narrative is about more than Utena, it's about the fandom--including us. We were both interviewed for this piece, and the result is an absolutely beautiful essay that has helped inform how we do Utena stuff going forward. Thank you so much for letting us be part of this! • seebee's VIDEO essay FILM CUTS BACK | transfeminism in utena absolutely blew our minds and it's so good we're listing it. Look at the title. Just go watch it, it rules. • Nicole Winchester's essay No Choice But To Become Witches: The Bishōjo-Demonic Phallic Mother Dichotomy in Revolutionary Girl Utena catches you up to speed on the academic discussion around what might best be described as the shoujo manga iteration of the Madonna-Whore complex. Then, naturally, it finds plenty to say about Utena. Great work that was well worth the coding!

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In From the Mouths of Babes (Translated Meta/Creator Content): • Cross X Talk, A Round Table Discussion Commemorating the Second Musical Utena GOGAI FUCKIN' GOGAI. Nagumo and friends bring us the final untranslated part of the 2019 Black Rose Musical's program guide: the monster interview with Ikuhara and the director of the musicals, Yoshitani. INCREDIBLE content here that 100% lives up to the first musical's similar encounter! A must read!! • The Rose Apocalypse's Ei Takatori Interview The director of the mysterious 1999 musical (yes the machine gun one, and YES WE HAVE MORE INFORMATION ABOUT IT COMING) interviewed in The Rose Apocalypse book. This...is that. Thank you so much to iris hahn for translating, and I can't wait to bring you more of this mythology!!! • The Utena Dossier Animage Magazine's June 1997 supplemental, this 36-page Utena tome has ben translated by Nagumo with editing by Ayu Ohseki. Because so much of the content is in its visual presentation, I worked the translation into the original scans! Check it out! (PS. Yes that is an entirely different gallery on the emptymovement.com domain, no this won't stay there, yes it has been a weird couple years.) The Dossier includes two long interviews that are also worked into html pages for easy viewing! The Auspicious Joining of Manga and Anime: Saito and Hasegawa For Whom the Director Smiles: Ikuhara and Kitakubo

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In Historia Arcana & The Bibliothèque (Untranslated Resources): • There are a lot of changes happening in this arena!!! How and where to place different materials has been a moving target, so I'll do my best! The sites don't quite reflect this yet, but Historia Arcana will be for cover to cover Utena media, including special magazine publications. Something Eternal's gallery, the Bibliothèque, will be for magazine articles, clippings, and other things. Major artbooks will likely be in both places, cross referenced. New books in Historia Arcana: • The Rose Spiral: Reflections on the Mythology of Utena While not strictly official, this is a fan published book of in depth analysis of Utena, circa 1998! Yep, cover to cover. • Revolution Dictionary (OST 1 First Press Bonus) Cross-referenced from Audiology, this is the bonus dictionary you only got if you grabbed it early! Cool! • Revolutionary Girl Utena Making of Visuals Book Art of UTENA I am mentioning this for completions sake and because I already uploaded it, but this is a cover to cover high resolution, uncleaned scan of the 1999 Art of Utena artbook. I am going to clean the scans, and ultimately be posting the official artbooks elsewhere. • Revolutionary Girl Utena Photobook: Rose Memories This special Animage bonus could be purchased for 700 yen, and back then, was probably a great way to keep the anime in your pocket! It's entirely shots from the TV series, though, so there's nothing specifically new. But I scan it all, baby. New books in the Bibliothèque: • Chiho Saito's 1999 Revolutionary Girl Utena Original Illustration Collection HI THIS IS A VERY BIG DEAL. Read more about why when you visit! TLDR? Here's some of the best artwork of Utena, rescanned and remastered by yours truly to be the best big big scans of big big beautiful Chiho Saito Art. This is a feast. I even made myself a calendar! (Note that the price is such that I don't make a profit on these, so if you're looking to donate, definitely go by other routes, haha.) You will find multiple ways to obtain the scans, and in more than one size. Either way you soak up the rays, enjoy 'em! New articles and clips in the Bibliothèque: • H! Rockin' on Japan Magazine Saito X Oikawa This fashion music magazine's July 1999 article has ALREADY BEEN TRANSLATED? Like, I am going to add the translation officially to the site of course, but holy hell Nagumo is amazing!! This article is actually the origin of a Saito art piece that uh, well. Now we know she went to a love hotel with movie Akio's VA. Cool! Anyway check it out! • Comickers Magazine, August 1997 This absolute monster find is an industry-focused magazine with this gorgeous spread and interview with Chiho Saito. It gets into how she does things. The making of Utena. All kinds of stuff. I'd LOVE to know more about this one!! • Comickers Magazine, June 1998 Again, an industry-focused publication, this time it's exploring the manga and the anime and how they compare. Again looks like a tasty meal!! • Volks Magazine, Spring 2022 YEP SCANS OF THE BOOK OF THE DOLLFIES. For a lot of us, this is at close as we get to these ludicrously gorgeous dolls. I included a few extra pages because they were just fuckin' cool and felt relevant. • Sega Saturn Magazine, December 1997 One of two grabs I got recently on Yahoo! Japan! This appears to be the first look announcement of the 1998 Utena video game! (Yes we have more on it, yes we will eventually post links.) • Sega Saturn Magazine, April 1998 This feature brings attention to the voice actors, who are all returning for the game! • Dengeki G's Magazine, January 1998 Another gaming focused magazine, with frankly a more adult edge, cheaply lets the readers know about Utena. These three game magazine moments are just a bizarre reminder of how we did things before the internet, LMAO

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In Audiology (Music and CD Information): • Complete information about the STAR CHILD - Girls Character Song Best album! You also definitely can't grab the two new remix tracks there. • Did you know there was a first press bonus dictionary for the first OST? I DIDN'T UNTIL RECENTLY. Now I know all about it, and so can you. Check it out! Obviously, scans available, both here and in Historia Arcana. • I FINALLY acquired a complete set of the Utena CD singles!! Check out complete track lists, scans, and information for ALL FIVE Utena singles. Yes. Including the movie Akio guy's one.

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In The Doujinshi Gallery: • Several dozen dounjinshi were uploaded earlier in the year, and can be found listed on the Site Update archive here.

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That's all for now, folks! There's so so so much coming. I have the episode 18 and 20 (!!!!) storyboards to scan, as well as a fully translated scanlation of The Duelist Bible. We're planning to do something for Anthy's rare LEAP YEAR birthday coming up, probably a musical stream or something! Love!

[official-js]

chat i have a connundrum

so basically i fuckin hate dnd beyond bc it sucks ass esp for homebrewing shit so i decided "what if i made it myself but better for me and my usecase"

i had that idea back in like june and ive tried making it a good few times since then but restarting quickly due to either:

having a massive change in the design/functionality of the thing

getting sidetracked and coming back later

wanting to choose a diff framework/stack

ive written these all in js btw

ive found one js full stack framework which after messing about in feels really nice to use HOWEVER ive been watching some other web shit on yt and im kinda tempted to try using a different language so these are the options

(ill be away for a few days and i forgor which day i get back but ill check this when i do get back)

i have a decent idea of how chars/homebrew/etc would be stored in the json and thats independent of the framework

i have pretty good experience in js/ts/react and tanstack start isnt that complex + its only in alpha rn

ive spent like. 2 hours or smthn messin around w rust i havent got past chapter 2 in the book

ive never used go but ive heard good things about it and it seems a little simpler than rust

never used php and idk how it works really (its much better than it was in 2012 (source: youtubers with decent programing takes imo + the snippets in the examples of improvements look good))

ive messed w tailwind a little and i have (imo) decent skills in css and html so that wont be a barrier

note that im designing this in such a way that security and performance arent really concerns as it would be (ideally) deployed to something like a raspberry pi running on LAN and maybe using smthn like git or syncthing or ssh or something to gain access outwith the LAN if you need that

it would also be designed with trust of users in mind so stuff like proper auth and permissions wouldnt be in place it would be very simplistic (they may come later but not in v1 at least)

again its primarally for personal use but yeah

if u got questions abt how it works etc lmk also if u have any tips for go/rust/php development w this typa stack lmk!!!

note i havent done any research other than passive knowledge via yt and also breif google searches so ill prolly do a lil more research later :3

pre-emptive if ur gonna tell me to use pathfinder or some other ttrpg system: shut up please i know dnd kinda sucks but it works for our campaign, we r mid campaign, and this is what everyone knows so please. shush

edit: i just realised php doesnt let u edit the page contents without refreshing/redirecting and there would be enough interactivity (which to my knowledge could be done w htmx) that it wouldnt work well so php is out of the picture

[wrestlezon]

hurray! after two years of that timeline lying around unfinished, im finally free. formatting it for a tumblr post fuckin' sucked however, but idk what a better option would be. i dont want to make a google acct just to host a google doc (i already have lost so many google accounts...) so like. what. a pdf lol?? maybe a neocities page, then i could use the Fun HTML like <details> to contain sections in an open/close-able element for organizational purposes... hm

next i should do a writeup for their world tag league 2018 run, i thiiiiiink i saved enough stuff from before the njpw site got redone to pull that off

[thirstyforred]

honestly i prefer to work with Python than fuckin around with webpages, if I mess up in Python it will just be like "heh, go fuck yourself you newb"

if when i fuck up while editing page and then look at html and JavaScript trying to figure out what's wrong they're like 🥺 but it's fine, we just moved everything all the way to the left 🥺

[kevinsreviewcatalogue]

Review: Demolition Man (1993)

Demolition Man (1993)

Rated R for non-stop action violence, and for strong language

<Originally posted at https://kevinsreviewcatalogue.blogspot.com/2023/04/review-demolition-man-1993.html>

Score: 3 out of 5

Despite coming out well after the '80s "beefcake era" of action movies, in a time when that style was quickly falling out of favor in the face of more grounded films like Die Hard and the films of Steven Seagal, Demolition Man is a film that still gets talked about today, less for its cast or its stunts and more for its unique premise and creative worldbuilding. Taking the plot of your basic '80s sci-fi action flick and dropping it into a seemingly utopian future with a dark side straight out of Brave New World, a book whose author Aldous Huxley is homaged in the name of its female lead, it's a film that's been rediscovered and hailed over the years as a hilarious social satire, a fun sendup of its genre, and even an "anti-woke" classic (even though it... isn't, really?). It's this, more than anything else, that has kept this movie relevant over the years, as while I had plenty of fun watching it at a Popcorn Frights screening, I often found myself wishing that the action was as good as the premise and the comedy, with a lot of the action scenes feeling like they were going through the motions. It's the kind of film that's destined to be a cult classic more than anything, an imperfect action film that's elevated by the unique twists it puts on the basic premise, and is worth checking out for fans of both science fiction and the actors involved.

The film starts out in Los Angeles in the dystopian near-future of 1996, a time when the city has fallen into anarchy, its streets resembling a post-apocalyptic wasteland run by gangs that the LAPD needs military-grade weapons and vehicles to fight. One of its top cops, John Spartan, is basically the closest thing the police have to a super-soldier, an ultimate badass who gets the job done and doesn't care about how much collateral damage he causes in the process. This bites him in the ass when he goes to capture Simon Phoenix, a notorious criminal and all-around psychopath who's kidnapped a bus filled with dozens of people. Spartan may have gotten the job done, but thanks to his carelessness, he got all the hostages killed in the process, and so both he and Phoenix are sent to a "cryo-prison" where they will be frozen for decades, subtly brainwashed all the while so that, when they're thawed out, they'll be productive members of society.

Where the film gets interesting is when it fast-forwards to 2032, where we see that San Angeles, the massive metropolis stretching from San Diego to Santa Barbara with Los Angeles at its center, has completely put the terrible '90s behind it. On the surface, San Angeles is a utopia, a land of clean streets, well-groomed gardens, advanced technology, and an extraordinary standard of living. The visual design is one of the most striking things about the film, framing the future as the kind of beautiful sci-fi city you see in sketches from that time and, more importantly, making it feel real. It's a very '90s future technologically, but even with how consciously sanitized it was, it still felt like a real, lived-in world thanks to some amazing set design. There's always a catch, of course, and the catch here is obvious when we see it: the people of this world are really, really fuckin' c- <*bzzt* YOU ARE FINED ONE CREDIT FOR A VIOLATION OF THE VERBAL MORALITY STATUTE>

...and there you have it. In ending the lawlessness and misery they suffered through in the past, San Angeles threw out the baby with the bathwater and got rid of everything that reminded them of the "bad old days". Cursing, tobacco, red meat, rock music, guns, violence in the media, sexuality just about anywhere, you name it, if society has deemed it harmful in any way, they've banned it and driven those who continue to embrace it literally underground. The result is a world so safe and squeaky-clean that even the police no longer carry guns, having not needed them in years, and so they have no idea what to do when Simon Phoenix gets unfrozen early and proceeds to go on a rampage. I've often seen this movie described as a parody of political correctness (to use the '90s term), but in truth, given how apolitical its writing was, it read more like a Howard Stern-esque mockery of moral crusaders of all stripes, from save-the-world liberals to Bible-thumping conservatives, perhaps best reflected by how they cast Denis Leary as the resistance leader Edgar Friendly basically playing his stock comic persona.

What's more, the intro does a great job showing why society at large might line up and embrace a world like San Angeles. The worldbuilding establishes how this is a city that, underneath its saccharine Brady Bunch surface to use Phoenix's description, has been scarred by the trauma of its past and is willing to do anything to go back to the chaotic nightmare that existed back then. Coming out of 1993 as this movie did, you can feel shades of how a lot of people at the time justified the "tough on crime" policies that arose from the crime wave of the '70s and '80s, and watching it today, you can see it reflected in how a lot of young people, who've grown up knowing the internet as a cesspool of bullying, bigotry, and toxicity and have spent their childhoods with active shooter drills at school, don't really see "censorship" as a dirty word like their parents do. If people are miserable, and they're given the opportunity to get rid of everything making them miserable, not only will they not care about the hidden costs, they'll think it's worth it. Throughout the film, no matter how comically cringe and uncool San Angeles gets, there's always that prologue, and all of the other horrors of the past that are casually brought up, to remind you of precisely why everybody decided to read Brave New World and think to themselves "y'know, maybe the World State had a point."

The worldbuilding in this was captivating enough, as both a product of its time and as something that still holds up today, that it was a shame the rest of the movie wasn't as good. Wesley Snipes steals the show as the comically over-the-top psycho villain Phoenix, Sandra Bullock was fun to watch as the future cop Lenina Huxley who's nostalgic for the gritty '90s but isn't quite as free of her time's uptight morality as she thinks she is, and while Denis Leary only gets a couple of scenes, his trademark rants are always a good way to make me laugh. Unfortunately, Sylvester Stallone was a weak spot in his own movie and felt like he was on autopilot for most of it. He's mostly playing his usual '80s action movie persona, a character type that he's done better before and since, and the scenes where he reacts with confusion at the world he's stepped into felt like there was a much better action-comedy lurking under the surface, one with him as the roughneck straight man remarking upon the bizarrely sanitized future. Most of that material instead went to Snipes, which is probably why I found Phoenix so entertaining. The subplot about how nearly all of Spartan's friends and family are now dead 36 years later was also treated as an afterthought, brought up a couple of times early on but never really built on after, even though it could've done a lot to flesh out his character beyond "super-cop". I would've liked to see him spend more time interacting with the one elderly cop on the force who still remembers him, or maybe have him try to locate his missing daughter and find that she's still alive, which, however it turned out, could've given him something personal to fight for in the future beyond his beef with Phoenix and his will-they-won't-they romance with Huxley. Nigel Hawthorne also felt wasted as Raymond Cocteau, the leader of San Angeles who released Phoenix in order to take out dissidents. He doesn't get to do much beyond make ominous remarks about social control, and he gets pushed aside quickly during the third act.

The action, too, was of its time, and not in a good way. The only scenes that were really worthwhile were the massive explosion in the prologue and the shootout in the museum, and in the latter's case, that's because it was the only one that really played around with the film's world, as Spartan and Phoenix both head there to get their hands on the only deadly weapons in the city and then proceed to duke it out in an exhibit dedicated to the gangland of '90s Los Angeles. Beyond that, however, the action scenes were all pretty middling, with characters throwing haymakers, shooting wildly, and wrecking cars but never really gripping me as they did so. Maybe I've been spoiled by years of John Wick movies and other modern action films both Hollywood and international that have stepped their game up when it comes to their shootouts, fistfights, and car chases, but this film was an unwelcome reminder that not every mid-budget action programmer from the "golden age of Hollywood action" was a John McTiernan or James Cameron film. There's a reason why this style of action movie was dying by 1993, is all I'm saying.

The Bottom Line

Then again, the action isn't what people remember about this movie. No, that would be the fancy Taco Bell, the three seashells, the fines for cursing, and all the other little details that make this world one of the more interesting sci-fi dystopias ever put to film. If you're a fan of creative science fiction worldbuilding, or you just wanna see Sylvester Stallone and Wesley Snipes duke it out in a thoroughly Disneyfied future that's not prepared for either of them, check this one out.

[bugtransport]

You should say more about your arg derailment

OH GOD OKAY here we go. so. this is a whole can of worms. back in 2018 i had just moved to a new city and i was working a job at a place that i ended up getting fired from because the owners ended up being wildly transphobic and were the kind of guys who would come up to you in the middle of work and ask you if you knew what "kinning" was and how are you supposed to answer this. to a 40 something married man. like is he asking me to drop a kinlist? here in the middle of work? wild shit. that's neither here nor there, that's just to set the stage for where i am mentally when i decide to do this thing.

anyway i hung out mostly in an area with a lot of foot traffic so there were a bunch of posters and stuff up for events and i didn't really go to too many but i liked looking at what was going on around me. started seeing this one popping up around that was a pretty simple cipher that i managed to get through in a couple minutes and gave me a url that pointed me to a couple pictures of places around town that were pretty famous and you had to visit them and get clues from there - you know, pretty standard arg stuff, whatever. follow all of this over the next couple weeks out of sheer curiosity and for lack of anything else better to do with my life. it's... fine as a little mind exercise but it's not THAT interesting. it doesn't seem like a huge big production.

uhh. so. eventually the clues come together to lead to a place and a time to meet up with "someone" and i'm like. lol no fuckin way that i'm actually doing that, buddy. like there's a certain kind of responsibility you gotta put into doing something like this right and it just seemed very off. there was nothing about who was running it or whatever and no ties in to anything else that i could actually find online soooooo... i decided to just fuck with it and make my own ending. so i spent an afternoon and threw together a flier and a simple little code and had a bunch printed at fedex and got up early the next morning and absolutely plastered them all around the area where the meeting was supposed to take place.

i only did like 2 rounds because i couldn't be assed to do any more than that but i do remember that one of the clues in the actual game involved inspecting the html on a webpage they threw together so as my message i directed every one to a page where i just had an image that had no other additional meaning. it was just an image and that was the end of the game. i did have a counter on there so i know that i actually did get some hits on it at the end of the day so i did. i did derail some people. anyway for those people i got this was the image that they saw.

and that was the end of the game

[goblinrockcandy]

hey guys im BACK baby and i have some words

here are links so you can still find everything, but be wary that these links are probably gonna break any minute when i start moving everything around. lets hope i can remember to fix them and that i dont take a year to get to doing that: ARCHIVE    MY ART    OTHER ORGANIZATION TAGS

IM STILL ALIVE. i like to think that i never rlly left, but I havent posted in a damn while and part of that is because life stuff caught up with me and moreso because uhhhhhh Well im not quite satisfied with the way my blogs formatted right now, it makes posting and organizing and navigating harder than it has to be and it makes it Not Fun to post things.

SO. what we're gonna do is revamp things a lil bit. we're fucking doing this we are Making It Happen. what this'll do is itll make it easier for me to post things without having to remember every silly tag and rule i have set up here, and ill also just have a bit more of a laid-back and fun kinda art blog. i tried to do an elaborate tagging system, but MAN i am too forgetful for that.

so im just gonna keep it simple. character, fandom, content warnings, and maybe some other flavourtags. the sorts of things thatll make it easier for me to just pop up a quick drawing on even a busy day without having to go through a silly step by step process on how to tag things. because i love sharing my art and posting :)) but not so much when it is difficult </3

but hell who knows how thisll go after i reboot my bloggo. i think she was due for some maintenance for a long while. *pats the sidebar like you would soothe an agitated horse* there there girl, its gonna be alright. maybe ill even start making... casual posts? text posts? things like that??? damn Maybe.

im also gonna private some organization posts until i can properly wrangle then and sort out their kinks and oddities, and im gonna disable my blog theme for a bit. when i get a braincell on how to do an html and a css properly, THEN i can have a pretty theme. in the meantime, ill probably just set myself up with one of the tumblr defaults.

anyways. *ahem* for anyone who doesnt know me and this is their first stumble upon my blog while i move things around. feel free to click the read more if you want to subject yourself to the silliest introduction i could make for myself possible.

hi. i like to draw but lately my art skills have been a bit shakey, i think im out of practice so im probably gonna start out doing some studies. my styles and designs for characters are always changing, but lately ive been trying to cement some designs that are in my brain Onto Paper.

im goblinrockcandy but you can call me GRC if that's a mouthful (thats what i call me because i do not have time for 5 syllables). im a Knight of Heart and sometimes that gets shortened to KoH and so sometimes people call me koh. now KOH is also the chemical formula for potassium hydroxide, but no one calls me that (a real shame, it flows right off the tongue and i think its a lovely set of sounds), but potassium hydroxide also goes by another name and that is lye. so sometimes people call me lye. i don't have a name so if you want to refer to me you have to get creative or pick up my blog by the scruff of its handle like a really ugly cat and point at it and say "this motherfucker right here".

same goes for pronouns. my pronouns are none/applicable. you gotta BE CREATIVE if you want to refer to me... pronouns are a crutch. they were your training wheels and now im the final boss. you have to fight me with your other words, this is what you have been training for.......

im trans queer person of colour, painfully unfunny and addicted to bad jokes, and i love homestuck. my faves switch up every once in a blood moon but right now i really fuckin love jake english. you might have discerned that by the very subtle hints of I talk about Him all the time & dirt striber avatar.

[cutemeat]

hey do you have any thoughts abt dee + waitress in s15? I feel like there’s something there that I’m not picking up on but you might have thoughts on lol

Oh boy DO I anon!!!!

I’ve already pointed out before how s15 brought s5’s “cat in the wall” metaphor full circle, wherein s5 the "cat" (dennis) goes into the "wall" (closet) then comes OUT of the wall in s15 ep07 (“i'm sure he’ll come out at some point ... Got himself in there… I'm sure he’ll get himself out”) but then in that same s15 episode (s15 ep07), Dee gets the Waitress stuck after Dennis comes out of the wall.. So basically what I inferred from that is that Mac/Dennis’ whole long-ass slow burn “will-they-wont-they” is about to get some resolution onscreen soon, since it felt like that was one of the storylines being toyed with and pitched in s12-s14… and while s15 was setting up for that kind of arc they pitched to have some actual PAYOFF in the future, that may mean that after that will-they-wont-they gets resolved, they’ll need a new one: and that’s where Dee/Waitress come in... I believe that since Dee gets Waitress stuck in the bog at the end, this is basically the Cat in The Wall metaphor from "Break Up" rebooted but for Waitress/Dee (since also the breaking up plot beats are echoed in 15x07 by Frank/Charlie's tense arc in that episode) now instead of Mac/Dennis.

My theory here also has threads that began in “Frank’s Pretty Woman" since threads from that episode were brought up again in "Gets Romantic"... in s14 as a whole actually, Dee is clearly struggling with being alone more and more as the show progresses. She needs a sidekick, as Frank n Charlie said at the end of "Mac & Dennis Break Up"... And in s15 they were talkin abt how they needed someone else to work at the bar... so why not Waitress? yknow... <3

Now another reason why I think this is actually a possible plot line and not just totally out of the question is because back in 2018, there was talk about a pilot (entitled “Mean Jean” on IMDB) being developed by Rob McElhenney and Rob Rosell which centered around a lesbian couple. Now, the reason why this is interesting to me is because 1. Rob Rosell had stopped working on Sunny after s10.. but he came BACK for s15 where this deetress stuff really picked back up to me and 2. One of the characters in the couple was supposed to be played by Kaitlin (named “Birdie” lol) so uh… I just have a bit of a HUNCH here ok.. .

https://variety.com/2018/tv/news/fox-comedy-pilot-from-rob-mcelhenney-rob-rosell-1202795531/

https://variety.com/2018/tv/news/leah-remini-rob-mcelhenney-rob-rosell-fox-pilot-1202847084/

https://deadline.com/2018/08/kaitlin-olson-to-star-in-foxs-rob-mcelhenney-rob-rosell-comedy-pilot-1202438553/

https://www.yahoo.com/entertainment/kaitlin-olson-joins-rob-mcelhenney-170751000.html

https://deadline.com/2018/05/rob-mcelhenney-rob-rosell-comedy-pilot-order-fox-1202381433/

That being said, I am a big pattern-seeker and could 100% just be seeing what I want to see rather than picking up on any real hints here so keep that in mind. rcg may very well have no fuckin clue about any of this n never intended it LOLL. So as always take what I'm saying with a big grain of salt... I just think it'd be pretty cool if that was the direction they were going in so its fun to entertain the possibility. Tbh even if there was a plotline between Dee/Waitress that wasn't romantic, I'd still personally love to see Waitress become part of the main cast and move in with Dee or smth...

Cuz again the subtext of that s15 Bog plotline to me was that she has gotten so sucked into the gang's bullshit despite her best efforts to escape them that she'd probably fit right in with 'em.

[ender--slime]

spent alllll night fuckin around with html for the cookiefish mspfa…and the playable thing for out of game is coming along really nicely too! learning html and renpython at the same time is kinda hard but i’m having a good time!! and it’s always nice to code a line and then reload and see it actually WORK!! :D

[animelga]

im fuckin around with html dont mind me im posting him for the sake of file hosting

[kingnin64]

Atom is Pulsar

So, thanks to Tumblr, I decided to play around with HTML again. I went to web design classes for three whole ass years, but I never used the skill because 1) I hated it, and 2) sites like Wordpress made it feel useless.

Considering the scope of Tumblr and the relative "deadness" of the site in 2023 with no visible hope of growing this late into its lifespan, it's probably still a pretty useless skill. However, I like to customize and write a lot of shit, so it seemed like a fun idea to make some cool sites for my blogs :3

When looking for a text editor, my first option was Atom, which is what I used in my web classes. I found out that the program had actually sunsetted, and the package support was no more. Disappointed, I decided to use Sublime. Didn't really like it, but the most annoying part is that you have to register it for a hundred fuckin bucks, unlike the open-source Atom.

So, being the thieving fox I am, I turn to piracy. I look for cracks, patches, etc. While searching for through some Reddit posts for a solution, I saw someone mention Pulsar. After reading a bit, I realized Pulsar was just the official successor to Atom.

I downloaded it, and I swear to god it looks almost entirely identical to Atom and has the exact same package manager. Now I feel like I know what I'm doing.

[biglisbonnews]

Matty Healy Mocks Yungblud After Controversial Podcast Criticism Matty Healy is lashing out after he was seemingly called out by fellow musician Yungblud.Earlier this month, the "Tissues" singer took to his Twitter with some pointed criticism that was widely believed to be about Healy's controversial appearance on a recent episode of The Adam Friedland Show podcast. During the conversation with comedians Adam Friedland and Nick Mullen, The 1975 frontman made a number of racist and homophobic comments, including a request for an impression of a Japanese person working in a Nazi concentration camp and saying that Harry Styles "gets a pass" amid ongoing queerbaiting allegations. That said, what seemed to bother him the most was speculation on Ice Spice's heritage, which led to the subsequent mimicry of Hawaiian, Inuit and Chinese accents, even though the rapper is of Nigerian and Dominican descent. So in response, Yungblud ended up sarcastically tweeting about how much he loves "listening to three privileged white dudes sit around and objectify a young Black female artist who’s blowing up" before adding, "Welcome to your 30’s I guess."love listening to three privileged white dudes sit around and objectify a young black female artist who’s blowing up. welcome to your 30’s i guess …— YUNGBLUD (@yungblud) February 11, 2023 But while Healy initially stayed silent, he's since hit back at Yungblud in his Instagram Stories from this past weekend, where he appears to imitate the star while using a black-and-white filter that places the word "emo" underneath both eyes.“I feel a bit responsible and i am really sorry," Healy said in one clip, where he poses as Yungblud reading a book and smoking a cigarette during a performance. The 1975's Matty Healy makes fun of Yungblud in newly shared video. Yungblud recently condemned Healy’s questionable comments about multiple racial and ethnic groups. pic.twitter.com/WRgj7Rjy8w— Pop Crave (@PopCrave) February 19, 2023 In another video, Healy also goes on to make fun of the singer's northern English accent and social views by saying, “Guys, I’m so fuckin’ angry, cause someone's blown themselves up in the Ukraine and we're not gonna stand for that because we're the fucking children, the fucking underrated youth.""I don't stand for stuff. i stand against stuff, and it tends to be the most morally obvious stuff," Healy continued before adding "fuck the patriarchy!"Yungblud has yet to respond to Healy's video.Photos via Getty / Shirlaine Forrest / WireImage & Jenny Anderson https://www.papermag.com/matty-healy-yungblud-podcast-criticism-2659450105.html

[benzeneteen]

kinda want to start a livejournal but also. nobody uses that site