#frozen opinion

[ultraericthered]

Out of four consecutive Disney Villains that were defined by plot twists regarding them, I've often thought: what made Turbo and the Cybug he merged with in Wreck-It Ralph work out so well and deliver a villain so infinitely stronger than the villains that followed? I'd concluded that mostly it was because Turbo got to be around as an active and characterized antagonist as King Candy and the twisty nature of his villainy was more comparable to Judge Doom than following the Stinky Pete, Henry J. Waternoose, and Lyle T. Rourke route of only being revealed as a villain in the third act and getting to be actively antagonistic for a limited time while taking on drastically different characterization than before like the later Twist Villains (or in Bellwether's case, in only the final minutes of the third act!).

But there was something else too, and it recently struck me.

Hans, Callaghan, and Bellwether all adhere to basically the exact same formula, with only the specifics of their roles differing due to each movie being a different type of story - Frozen is a fantasy adventure-thriller, Big Hero 6 is a superhero story, and Zootopia is a buddy cop mystery. The formula is that not only is the villain introduced as a friendly character in the first act and ultimately shows their true villainous self in the third act, but during the story there's another villainous character thrown at the viewer to serve as the red herring. In Frozen, it's the Duke of Weselton. In Big Hero 6, it's Allister Krei. And in Zootopia, it's Mayor Lionheart. All of these characters seem more like the sort of villains you'd typically expect to pop up in stories of these films' natures, radiating such obvious evil energy that the viewer is naturallly meant to have their suspicions drawn to them rather than the unassuming nice person who turns out to be the real villain of the piece. I'd argue it worked best when first tried in Frozen because the Duke ended up having absolutely nothing to do with the main conflict or how it got resolved, his main contribution being to tell two men to be prepared to kill Elsa at one point and that's it: he was a red herring in the purest sense. With Krei and Lionheart afterwards, they both had increased prominence in the narrative, the former being responsible for what drove Callaghan into grief-stricken, vengeful supervillainy, and the latter at first being Bellwether's boss and actually serving as a secondary antagonist in the plot with his unethical captures and coverups in response to Bellwether's Night Howler conspiracy. And they both are such obvious suspects for being behind evildoing even in-story that it loops around to becoming obviously NOT the true culprits at all. (Not helping is how both the Duke of Weselton and Allister Krei are voiced by Alan Tudyk, at the time still most known for King Candy/Turbo!)

Whereas with Turbo, I think it was so effective because it was sort of flipped around. The story was leading us to look at King Candy as the red herring or ultimately just the diversion, continuing to remind us that the Cybug that Ralph accidentally brought with him into Sugar Rush was lurking below and breeding, which we knew could become a true threat to the game and to the whole arcade world given the way Calhoun talked the Cybugs up. Even when Felix goes into the backstory of "Going Turbo", we're not really linking that to what's currently going on with King Candy, who we at that point had not been given reason to think is anyone but who he appears to be, and King Candy's such a silly, whimsical doofus of an antagonist that we suspect he'll amount to nothing more than food for the Cybugs. How King Candy goes on to manipulate Ralph and the revelation about him as a usurper turns our perspective of him on its head as is, but then it's revealed he's not just any usurpeeeer - he's Turbo! This on its own makes him that much more villainous, but then still we get the kicker: Turbo gets eaten by the lead Cybug, just as we might've predicted would befall him....and his code overwrites the Cybug from within, making him even more dangerous and malicious than ever! So while the Cybugs do indeed become the endgame threat, they're also used as the actual diversion to get you not looking harder at King Candy and figuring out both his true identity and his true nature as the primary, most menacing villain in this story. It is ingenious.

Pulling off a Twist Villain is easy. It takes a lot more thought, skill, style and polish to pull off a Turbo-Tastic villain as Wreck-It Ralph did.

[crystallizsch]

Random Thought, please humor me.

SURPRISE: YUUSHA GAINS MAGIC (By absorbing the Magic around her & dealing with Overblots)! Even better, she doesn't need a Mage Stone to control it! What would Yuusha's Unique Magic be & how does she use it? How would Jamil react?

"Magic makes people feel too powerful. Too entitled."

"That is not what magic does. That's just your fear. Fear is what can't be trusted."

HELPPP anon your random thought sent me down into a rabbit hole and i was hyperfixated on this for at least a WEEK 😭

THANK YOU FOR THE ASK BTW I REALLY APPRECIATE IT I HAD SO MUCH FUN WITH THIS 💕💕💕

anyways i also had an agonizing realization that yuusha is somewhat twisted elsa/anna because she has:

braid in front ✅

light-colored hair streak ✅

love interest that used her for his schemes ✅

desire to connect with people bc of years of loneliness (and emotional instability) ✅

unresolved childhood trauma in general ✅

(and probably more idk, these are the ones that stand out to me at the moment)

i haven't thought about frozen for YEARS and somehow it's still haunting me.

i have a lot of mixed feelings about this realization in general but the reason i brought this up is because i ended up basing yuusha's unique magic on frozen (not the ice powers part, but more the emotions aspect since elsa's powers work based on her emotions) while also still having aspects of yuu's own personality on it.

(also I'm sorry in advance i keep on dropping random lore about yuu and jamil's dynamic that only makes sense to myself hndsfhdsj)

I'm your friend. You don't have to hide. SHOW YOURSELF.

"Show Yourself" forces the target to say what's actually on their mind as long as she touches them. Since she's not particularly powerful and skilled with her own unique magic in the beginning, it's limited to skin-to-skin contact, and it only lasts for as long as she's touching her target.

If Yuu trained it more, it doesn't have to be skin-to-skin, just as long as she makes some kind of physical contact with her target; and it could last for as long as she wants even if she is no longer making physical contact. (But the longer she keeps it up, the more blot accumulates.) Yuusha would mostly just use her unique magic to mess with people. It'll only be rare that she chooses to use it for something serious.

To add more onto how Jamil would react to these magic shenanigans: They've both agreed on not using their unique magic on each other. To do so would be a breach of trust. (Of course there would be special exceptions but generally that's their agreement.) And since Jamil is still a scheming prick (affectionate), her "Show Yourself" unique magic would be useful. Plus, Yuu would not be against using her unique magic 99% of the time since she is also aware of the usefulness of her ability. Jamil would insist on helping Yuu out on how to use her magic because there was no way she'd get the hang of it immediately. And he knows she would refuse to ask any other (capable) magician for help.

An alternate idea that I scrapped was "Let It Go" where it's essentially Yuu telling her target to let go of their (usually negative) emotions. But those feelings can't just disappear so Yuu basically absorbs them so now it's her burden to carry instead. I scrapped it because I can't settle on how it works. (But it still had angst potential so I couldn't help but draw a bit about it anyway.)

(extra rambling below about yuusha overblot thoughts if anyone's interested hdlfhjgj)

this is a brief tangent from the original question because i also thought, "hey what if she overblotted, wouldn't that be fun"

i could see the overblot going in either two ways:

yuu accidentally hurts grim (or another friend) with her magic. she’s so distraught thinking that even with magic she can't protect those who are dear to her. and so during the overblot she will not actively try to hurt anyone but instead exhausting her magic reserves in an intentional attempt at self-destruction. (yes i also see the frozen parallels shhhh)

OR

something happens that was simply THE LAST STRAW. now she’s too pissed at everyone that she no longer cares about what happens to her or anyone else, going on a destructive rampage. which can also be considered an intentional attempt at self-destruction.

either way, basically, if she can’t go home she’s just going to take herself out and/or the school instead. the girl is not okay.

(there's actually nothing good she can home to, but she's convinced she'll be happy again if she returns. but she doesn't know that because she can't remember shit about her home. that's a separate lore dump post hgdsjfkld)

also the blot monster behind her would look something like marshmallow (elsa's snow monster from frozen) :)

(i also used to have a similar idea for yuusha. i planned to have her be immune to magic *because* she was absorbing it and she didn't realize. leading to an inevitable overblot) (but i scrapped it because yuusha became my victim for jamil x yuu stuff) (like if i can't have the excuse to have jamil use snake whisper on yuu then what is the point)

[puppyeared]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[thecarnivorousmuffinmeta]

Little random, but you've answered asks about Disney Princess movies before a while ago.

What are your thoughts on Frozen and Anna and Elsa?

Thoughts on Frozen

People like it, but to me it's a thoroughly "ok" film. It's far from Disney's best, not one of the worst, but sort of middle of the road. The plot's a giant mess and was clearly subject to last minute revisions (Hans's sudden villainy comes across as so sudden that it fails to make the point it was trying to make. It wasn't necessary, as the point Elsa makes isn't invalidated even if he wasn't evil and Anna still could have dropped him at the end. And we just get this "YOU FOOL, DIDN'T YOU KNOW I WAS THE MUSTACHE TWIRLING VILLAIN ALL ALONG?!" To which I can only say, "No, Hans, I didn't know that, kind of makes that scene where you left the castle to look for Anna personally very pointless. Nobody would have questioned you, dude." It makes a lot more sense when you consider Elsa was supposed to be the antagonist/misguided in initial drafts and the then desperate need for somebody to be the bad guy.)

Tangled, by comparison, is a much more put together film and in my opinion is much better, but it didn't have a hit song sung by Idina or Anna's adorable nerdiness and Elsa's general angst.

So Frozen gets to be the beloved film for over ten years on, rejuvenating the Disney brand for another generation, and I just have to sit there and take it.

(Perhaps a hot take, I'm not tuned in enough to know, but I thought Frozen 2 was much better as a film in general, much more put together/hard hitting, though it had far less memorable music/the big numbers just weren't as good. It's also a lot more hard-hitting, with none of the comedy and very little of the narrative of empowerment.)

Anna and Elsa

I do like these two and they're very believable characters who do go through character development that feels very real.

In Anna we have an isolated, awkward, young adult who is convinced that 'love' will save her, doesn't know where she stands with what was once a beloved older sister, and when she fucks things up tries to fix it without really addressing the issues she had in the first place until the very end of the movie.

She's fun, she's relatable, if short-sighted and naive, and it's clear that she does have to learn something from her adventure, and that she really didn't understand her sister and what she was going through.

In Elsa, we have someone who has been under immense pressure her entire life while also knowing that she has this terrible secret which means she will never live up to what she has to be to rule a nation. She ends up isolated from her younger sister out of terror of hurting her, which damages their relationship, and she too has growth where when we first meet her in the film, she sees coronation as only a one-day event she has to simply get over with as quickly as possible.

She's also a very relatable character, her struggle is something that speaks to a lot of people and has been iconic for over a decade for a reason, and she's refreshing in that her problems despite being a female lead have nothing to do with men and a man never enters the picture for her.

Even her moment of "WHEEEEEEEE I'M FREEE!" to Anna arriving and "NOOOOOOOOOO! ALL MY ACTIONS HAD TERRIBLE CONSEQUENCES!" is a great one as Elsa is only then really forced to confront both herself, her loved ones, and finally accept who she is by the end of the film.

TL;DR

Basically, I like both characters and I think people really like them for a reason.

But I do think the movie's a hot mess.

[royalarchivist]

Bad: Maybe you're right, if I'm basing it off the same scale of where I would say I trust you, I'd put [Forever] maybe at a... 56% actually.

Etoiles: You trust me at how many?

Bad: Probably 85, 85%.

Etoiles: Only 85?

Bad: 85 is pretty good!

Etoiles: But I'm– I've never betrayed you? Am I the most trustful in the Island?

Bad: Well, it's just because of how strong you are. Being strong necessitates a slight lack of trust, you feel me?

Etoiles: Ok, but I never– I never like, did something wrong to anyone in the Island in like 4 month.

Bad: Exactly! That's why you're 85.

[greatqueenanna]

I will be updating the Frozen 3 news post soon, but wanted to throw in some thoughts regarding the new info.

So, firstly, I’m happy that the film is being delayed to 2027. That may sound shocking, but this is a big relief to me. The first two films both suffered from trying to meet a deadline, and the creators (this is probably more on the company though) refusing to delay and give themselves more time. Thus, both films have rushed elements.

It gives me hope that not only is the story being written into two films, but now they are giving themselves even more time to polish it. Especially concerning the sheer amount of story content that they want to explore— and it’s a lot.

I’ve condensed all of the questions brought on during the announcement into 5 major sections, all concerning a specific idea.

*Quick Edit* I moved the question about the Frozen Heart down from More Ahtohallan Lore to the Prince Hans section because that was always more associated with Hans, so I thought it would be more appropriate to have under that section instead.

First Major Plot Point — More Ahtohallan Lore

Why Ahtohallan has castle ruins inside of it.

The previous Fifth Spirit.

Where did the Spirits come from?

Second Major Plot Point — Elsa’s Powers

Why are her powers still growing?

Who gave her the powers?

How are her creations, like Olaf, alive?

Why doesn’t Anna have powers?

Third Major Plot Point — Arendelle Royalty

How is Anna doing as Queen?

Is Kristoff going to become King?

Are Anna and Kristoff interested in having kids?

Fourth Major Plot Point — Kristoff’s Past

Where are Kristoff’s parents?

How did Kristoff meet Sven?

Why is Sven still full of energy if he’s so old?

Fifth Major Plot Point — Prince Hans

What happened to Hans?

Who exactly is the Frozen Heart?

With all this in mind, on the concept art, not only do we see people in the castle above the sisters, we also see an ominous, viking-like shadow behind Anna and Elsa — meaning that if these are new characters, then that means that we have a giant cast at the moment.

Elsa

Anna

Kristoff

Sven

Olaf

Mattias

Yelena

Honeymaren

Ryder

Hans

Viking Shadow Guy

Castle People

Like….they’re doing the “Too much stuff, not enough space” thing again and I’m genuinely concerned haha. Thus, the delay and split into two films is a smart move. But why not just make a show? Like this screams series. Idk haha.

Also, there are a few things here that I actually thought were answered already — like, who gave Elsa her powers? Ahtohallan because of Iduna’s sacrifice. Why doesn’t Anna have powers? She’s the human side of the Fifth Spirit. But I suppose that F2 wasn’t exactly clear on these things, so maybe they want to better explore these ideas and clear up some misconceptions. Makes sense I suppose.

Also, the fact that they’re asking if Kristoff will be King or not is giving me some validation lol. I always said that Kristoff would be called a King and not Prince Consort and so far it looks like they’re considering the King title and not anything else. But we’ll see haha.

Now I’m curious what you guys think. Poll time.

[neon-draws-sometimes]

If you voted in this poll, please considering helping out Waleed. His child, Ayman, loves ice cream too, but has been unable to taste any for a long time due to the destruction of Palestine. His blog was also recently deleted, which will make it even more difficult for him to raise the funds necessary for his and his family’s continued survival and escape to Egypt.

If you can donate even a small amount, please consider contributing. And if you can’t donate, you can still share.

Waleed is verified here on line 107

[natsuki208]

The Disney Revival Era! (Until the end)

After the failure that is Moana 2, I decide to do a moodboard about the 2010s Disney animated films - now with my own personal opinions.

Just like with the 90s, this era is a big fan favourite among a lot of people, and it’s not hard to see why. Each of these (except the last two) have a LOT of artistic merit to them that make them just as incredible and timeless; the stories, the animation, the music and likeable characters with relatable flaws.

Yes, this era does have its downsides, like the twist villain trope becoming the norm, and some meta humour thrown in, but those are very minor and can be easily forgotten if we try.

So what are your opinions on this era? Which one is your favourite?

———

Tagging: @rascalentertainments and @diamondglitter23

[gqa-lite]

Listen, I’m very excited to learn more Ahtohallan and Spirits lore in F3, and explore more of magic and Elsa’s powers.

But you know what’s really getting me excited? The possibility (heavy on the possibility, as nothing is confirmed) of Hans returning as a villain and taunting Anna about her role as Queen. I’ve mentioned it before on my main blog, but I need to speculate and make myself more excited at this possibility.

Imagine—Hans learns that not only is Anna now Queen of Arendelle, the thing he was trying to accomplish before Elsa set off the winter, but she is also choosing a commoner Ice Harvester with no known family to be her King.

Can you imagine how pissed off he would be? That he was so close to getting what he wanted, all he had to do was wait? His reaction is definitely something to think about, especially if he returns as a villain.

Hans coming back as a villain to taunt Anna, criticize her choices as Queen and make Arendelle and/or other nations question her?

Make Kristoff nervous at becoming a King because he doesn’t know if he could do it?

And then we get Anna trying to not let his words bother her anymore, but she still feels guilt about letting him in in the first place, and maybe even has some trauma left over from her relationship with him?

A freakn’ dark reprise of Anna and Hans singing Love is an Open Door?!

The drama, the development, the depth— I’m just like, so excited at the possibilities that could come of Hans’ return and how it would affect him, Anna, and Kristoff.

[doctorwhoisadhd]

[ID: dialogue from the final draft script of the pilot. BILL: Look. I know you know lots of stuff about … well, basically everything. But do you know any sci fi? He gives her a look which says basically I’m Doctor Who. /end ID]

the funniest thing about this is the fact that. genuinely. canonically. 12 knows NOTHING about sci fi. remember in last christmas how he had never heard of the movie alien. and in empress of mars when he had never heard of the terminator.

[locitapurplepink]

Taglist: @bigfrozensix , @lucy-shining-star and anyone else who wants to vote.

Note : Any comment, opinion or reblogged would be appreciated

[potatoesarecheese]

it's hilarious to me that Disney is going to be dropping Moana 2 in November, and thinks it's going to be a good idea. I'm sorry, I'm going to be in the basement watching Arcane on loop, I don't know who you think you're impressing with ANOTHER sequel

[themattress]

"Moana 2" is Reverse "Tangled the Series".

Tangled the Series (Rapunzel's Tangled Adventure) was pitched as a movie, but people at Disney had the good sense to say "this concept would work a lot better as a TV show".

Moana 2 began development as a TV show, but people at Disney stupidly said "we should turn this into a movie; maybe even two movies!" even when it doesn't conceptually work.

In other words, five years later and it's Frozen II all over again! God damn it, Disney!

[sboochi]

What do you hope to get in Frozen 3?

It's probably not surprising at all, but I'm a big fan of Frozen :D the first movie holds a special place in my heart (the opening actually makes me emotional) and while I have a few issues with the second, I'm weak for the Frozen Aesthetic™, the characters and vibe.

I have no idea what the story for the threequel is gonna be, but I do have a wishlist!

A proper character arc for Anna. Elsa went through a great journey of self discovery+acceptance, but Anna's arc never felt... concrete?

Same for Kristoff!!!! Please please please gove him SOMETHING that doesn't revolve around Anna

And a solo song!! That isn't silly!!! (Lost in the Woods I love you but I want more)

Speaking of songs, besides Into the Unknown (my fave), Show Yourself and Lost in the Woods, the others felt a bit of a letdown. Idk maybe it's just personal taste

More outfits!!! One of my favorite parts of the movies are the pretty clothes

I know the lesbian headcanon for Elsa is popular but in my heart she's aro, so yeah. Hashtag don't give Elsa a partner at all (again, you can ship her with whoever you like obv. This is just my opinion™)

New secondary characters that don't get thrown away after their introduction. Basically what happened with everyone from Frozen 2

Let Anna use a real sword (optimistic. I believe disney has a rule for not letting their heroes use weapons against people)

[thecarnivorousmuffinmeta]

What if Elsa and Anna’s parents survived their trip to Ahtohallan and back?

The thing is, there were answers in Ahtohallan, but they weren't very actionable or useful for your average person.

Elsa gets something out of it because she dies, turns into snowflakes, and is resurrected as the fifth element. The movie tells me this is the same Elsa we know and love but, well, we'll never know.

For Elsa's parents--they might find out Elsa's the fifth element, but probably not as the guardian horsey isn't going to let them get that close. The other part about shafting the natives that Anna and Elsa found out as the story progressed, well, they probably already have some idea/I can't imagine either of them are naive enough to really believe it was all a terrible tragedy given what happened.

And ultimately, the problem Elsa was having wasn't something that could be solved by the Ahtohallan trip in and of itself. Elsa had to learn not to fear herself, which up until this point everything her parents had done to try and help her had only made things worse.

Which means no matter what they find out, we're right back where we started at Frozen 1. Anna and Elsa have a strained and distant relationship that Anna is extremely frustrated about, but their parents are young and Elsa is highly unlikely to be coronated anytime soon. As a result, the gates are still not open for coronation day and there's no impetus to change (in fact, there might be less, as Elsa's parents are going "fuuuuuuuuuuck" upon coming back and not having an answer to Elsa's problems).

Where things get... interesting... is down the line.

Now, the couple has two daughters. On the one hand, Elsa has been preparing to be queen her entire life, she has sacrificed so much to do so. She's very intelligent, pragmatic, and capable of being queen. But, her powers are out of control with no solution in sight. Sooner or later, she's going to slip, and they can't lock up the fucking country forever.

However, the second daughter, has not been trained for being queen at all and is... Anna. I'm sure her parents love her, they seem to from what we see of them, but Anna, especially as of Frozen 1, does not walk around with the comportment of a queen. Anna's a charming but clumsy goof who is also, at that point in time, swayed by romance and fantasy. Anna wants an adventure, a grand romance, that she might get as a princess who could be married off to a foreign kingdom.... but not as a crown princess/heir apparent.

Not to mention Anna has given 0 indications she wants to be queen, at all, and Elsa really really really does want to live up to expectations.

THOSE POWERS THOUGH.

I imagine there's much debate of "do we send Elsa up north to the wilderness where she can make as many snow things as she likes and cover it up somehow? or do we keep her here and hope for the best despite it just getting worse :/"

And Anna, I imagine, is losing her patience. She's getting close to marrying age, she can get out of this fucking kingdom. She wants to meet handsome princes and LEEEEAAAAAAAVEEEEEEE. This is bad because a) it means no backup for Elsa b) Anna you haven't even met these fucking princes.

But Anna also can't be shut up forever and she really should leave and get married, you know, eventually.

So one of a few things happen:

Under Immense Stress, Elsa Causes Eternal Winter

Sooner or later, probably when some public appearance is mandated with no wiggle room, Elsa fucks up as she did in canon. Maybe Anna is insisting she's going to run off with Hot Prince Hans who is so Hot and Of the Souther Isles, but the way things were going--the pressure was unbearable, and she was near her breaking point.

At this point, we pretty much get Frozen as Anna (probably the catalyst) goes after her sister to find out "what the fuck?!" and is also going after her sister to prove a point to her parents "WHO LIED?! THIS WHOLE TIME?!"

Hans may or may not be involved, but if he is, then he has a lot more royalty to go through this time so is probably not scheming to murder absolutely everyone and "I AM SUDDENLY KING!"

Not quite the same situation as when the king and queen were recently dead, the country in a panic over whether Elsa could handle it, then Elsa's suddenly a fucking witch and oooooof Anna's queen... and she just ran off to the mountains...

Anna of the Souther Isles

Anna gets set up with a match just as she wants and ships off to somewhere warm without any fear of being shut out. Problem is, Anna has no idea who these people are or what she's getting into and it will likely be a fucking mess. Except she's also married to a man she doesn't really know and there's now no easy way out.

"hooraaaaaay" - Anna