#frozen forest of shadows

[allseeinganalyst]

Frozen II Novels - Review

It's been a while since I reviewed or analyzed anything here. This blog was made for that exact purpose, but I've posted one half-hearted review-ish thing about Mob Psycho and the Nanoha look-back is taking a while.

Part of that is due to being that I find myself in weird mental spaces more often than I'd like. The internet is a hell-hole, but it's also one that's borderline impossible (and certainly very impractical) to actually just sever ties to. I've ditched Twitter and I don't use TikTok (except to look at videos my partner sends me), but I still get, somehow, hit with a lot of LOUD, SHOUTY voices that seem to make it impossible to enjoy anything.

After about three-to-four midlife crises about things (i'm 30 this November), and a chat to my partner, I've managed to get the mental TARDIS that is my mind up and running again, ready to tour the fictional universe and enjoy what is has to offer, getting back into the things I love, without getting bogged down in the screeching of fandoms and social media.

Gods, that was a very long way of trying to say "I read a cool Frozen book."

Frozen 2 - Forest of Shadows and Frozen: Polar Nights - Cast into Darkness are two original novels set in the world of Frozen (Duh.) Forest of Shadows was released in 2019 and I actually read it back then, while Polar Nights was released in 2022, and I picked it up from Target and read it in march of 2023.

To get this out of the way, while it does sometimes throw people off, I am actually a big fan of Frozen. I've loved it since the first movie. It's not my favourite Disney film (that would be Tangled, and whoo-BOY, will we get to Tangled related media at some point on this blog!), it's probably a close second. I love the animation, I love the songs, I love the characters and I love the world. I was even sad when the hype for Frozen died down, and no, I don't think Enchanto is better - That's another LOUD SCREECHY OPINION that I'm not sad to hear less of.

These are obviously not the only Frozen novels out there. I do own "A Frozen Heart", which I've really got to get around to, because apparently it contains some Hans backstory, and Hans is a character I'm really interested in learning more about, and obviously there is a slew of additional Frozen media. Frozen-Mania gripped the world in a chokehold not seen since the god-damn Shrek movies, and it had an effect on our media and culture so great that no doubt, someday there will be an essay on youtube by Super Eyepatch Wolf explaining and analyzing the overwhelming impact of a Disney movie from 2013 and the INSANE fandom that sprung out of it - which I was a part of from very early on, and quite honestly you can use it as a self-contained example of how fandom has changed since then... BUT I'M DIGRESSING.

The point I was trying to make here is that, most of the media released post the original Frozen movie is fairly generic. Baring one or two things, and of course, the animated shorts, a lot of it is standard kids stuff - Storybooks, Quick Reads, Junior novels, picture books, etc. Some of it is really fun, and the art was almost always either a wonderful, bright cartoonish 2D style, or a painterly, soft style that's really pretty to look out - But not a lot of is espeically unique. It's got a "Frozen Flavour" to it, but it's all very standard. If you changed one or two things, you could swap out Elsa and Anna for Rapunzel, or Ariel, or any other number of Disney Princess characters and the stories would be more-or-less the same. Stuff that mum and dad can give to their kids to let them have their Frozen fix without having to endure "Let it Go" one more time. (Side note: If you do happen to be one of those people who're bitching about how over saturated that song is - Fuck you, I'm going to play it again on purpose.)

The point I'm getting around to is that these books, cheep target paperbacks they may be, are not that. There's a distinct world and continuity here, and it's even possible to place a timeline.

These books (I believe there may be a third between them for a reason I'll get too shortly) have recurring characters, direct continuity and callbacks. All of them expand on the world of Frozen, moving away from the generic Disney-Princess storytelling of kingdom mishaps and "oh-no! character X is lost/upset/lost a precious item/wants to do something special/has a special occasion/etc" and into a deliberately constructed world, with a soft but distinct influence from Nordic and Sandenavian folklore.

They are not perfect, but they are worth talking about. Spoilers abound below, for those of you who are interested!

I'm not going to summarize the plots. I want to talk what I find interesting, annoying, curious, fun or frustrating about these books. These reviews are intended as a form of looking after my own mental health anyway. If you're interested, I've given names and pictures of the covers. Go look them up. Or better yet, read the books yourselves and tell me what you think!

The coolest (pun 400% intended) part about these books is they are clearly on a timeline. They're designed to slot very nicely into Frozen canon, and do so very tightly I might add. The timeline that we can establish is:

Frozen > 3 YEARS > Forest of Shadows > Frozen 2 > Polar Nights.

Forest of Shadows leads directly into the events of Frozen 2, even referencing the scene where Elsa wakes up the spirits at the end, while Polar Nights is explicitly stated to be a matter of 2-3 months since Anna took the throne.

During that 3 YEARS period there, you can obviously slot in Frozen Fever, Olaf's christmas special and probably one or two of the storybook stuff released post Frozen. If the (hilarious) "Olaf Reenacts Disney Movies" shorts are in ANY way canon (and... They MIGHT be to some degree, I'll get to this later...) they almost definitely slot in between Frozen 2 and Polar Nights. Again, I'll get to why later.

I believe I am missing a novel or story somewhere that fits into the same timeline as Polar Nights references an event that's a bit too specific to not have been depicted in some form of media, but I can only work with what I find locally. Although I am in no uncertain terms a fan, I only have so many resources and time to put toward things, and Frozen isn't at the top of that list. If a novel appears on a store shelf, I'll buy it. If it doesn't, I go without.

While my thoughts are mostly focused on Polar Nights, because I read Forest of Shadows over 3 years ago. I'm talking about both novels for the most part.

They are decent in size. Small enough for kids to read with no trouble, but more than a short story. Both tell full length, original stories.

These books paint a slightly wider view of Arendelle and it's surroundings than what we see from the movies. Neighboring kingdoms are mentioned by name (including Corona - Rapunzel's kingdom from Tangled. - Again, I'm going to get back to this later), and there are several named, recurring characters like Tuva and Ada, lesbian blacksmith wives (explicitly mentioned as being married) or Sorensson, the Astronomer who lives far outside of Arendelle and is introduced in Forest of Shadows, then plays a small but significant role in Polar Nights. There's recurring references to Aren of Arendelle, the founder of Elsa and Anna's kingdom, and a secret room or passage discovered in one book is referenced and used again in the next. It's really consistent and it makes it feel rewarding to read these novels. I very much doubt that any future Frozen visual media will reference their events, but if the stories themselves can keep a continuity across writers, then that's good enough for me to feel like I'm really in a bona-fide expanded universe.

There's some stuff in these books that I have personally wanted to see since the first movie. Things like finding out how Anna never recovered the original memories the trolls took from her, or finding out what Elsa spends a lot of her time doing in Ahtohallan...

(conjuring ice memories, apparently. Yeah, seems like while she's not going to "drowning depth" again, she is using her magical ice powers to pull up home-movies of her parents... Gotta wonder if she didn't accidentally pull up one of their date nights and then shattered the whole thing into ice shards in a panic once her dad put on the Barry White music.)

The books ALSO give me something that I have held in my head since the very first movie - Anna cracking jokes about her past and her mistakes.

I've always loved the idea that Anna doesn't seem the type to get all "Shell-Shocked PTSD Veteran" over her traumatic memories. That's Elsa's job, so I've always imagined she makes a lot of jokes and lighthearted fun out of it. Like, she seems the type to go: "OH HEY! That's a great statue of me! And I'd know! I've been a statue! Made of ice! Wanna see me do the pose?"

And while we don't get that exactly, we do get her ribbing Elsa about having Marshmallow throw her out of her ice castle, grumbling about how "Hans isn't actually THAT good looking", and generally having a sense of "oh no, I remember what happened LAST TIME..." about her. It's not as explicit as I'd like, but it's there and it helps with that feeling of the world being alive and moving. These characters do remember what happened yesterday. They are actively learning their lessons and trying to avoid the mistakes of their past.

The stories are compelling enough. While not groundbreaking, edge-of-your seat page turners, they both offer an adventure that's very much on brand for Frozen, effectively utilizing the characters and the world. This isn't a story where you could change a few names and slap Aurora or Belle or Ariel in instead. These stories feel tailored to Elsa and Anna. Unfortunately, there's a bit of an issue that I assume arises from being an author hired to write your own original entry into a carefully curated, multi-million dollar franchise, owned by the real world's full on Mega-Corp.

See, while I love the connected, constructed world these novels build around the movies - They do in-fact, happen to be being built around the Frozen media franchise, and Disney have been notoriously strict with this before.

If you were a part of the early Frozen fandom (again, I was), you might remember the sheer excitement around when it was announced that Elsa and Anna, as well as Arendelle and a number of other movie characters would be coming to Once Upon a Time, flinging the universe of Frozen into unexpected live action.

I'm not going to get into my thoughts around OUAT, because... YEAH I'm trying to be focused and that is worth a WHOLE other blog post - which I don't have any REAL desire to write out unless someone BEGGED me to do it, but long story short, given that the show explicitly is alternate continuity for ALL Disney's franchises, it had a lot of leeway in what it could do with it's regular cast... But not the Frozen characters. Although the writers did get to play around creating new backstory and lore, and chopping and changing a bit, there was a strictness to what they could and couldn't do with the characters. They couldn't give Elsa a love interest. They couldn't dramatically change anything from the movie. Characters had firmly fixed personalities that were absolutely not allowed the usual "flex" of OUAT - No extra edginess snuck in, nothing out of character.

(They did have incredible costumes though. Way better than any other live action projects that I've seen).

My point in all of this is, that was explicitly in an alternate universe. OUAT had NEVER had any bearing on any of the franchises it pulled it's roster from, and was marketed to a whole different audience.

These books are NOT. They are marketed toward the same audience as the movies, and are intended to fit alongside it. And it is painfully obvious that Disney holds a tight leash when it comes to ways for writers to interpret their billion-dollar characters. Obviously this is pure speculation, but I would imagine the writers for these novels were given dedicated character bios of characters like Anna, Elsa, Kristoff, Olaf and not allowed to deviate or even go into much depth beyond what was listed in those bios.

I say this for a couple of reasons - The most notable of which is the dialogue, and to a lesser extent the character actions. Characters have an unfortunate tendency to sprout stiff, unnatural dialogue, based on certain things that were mentioned in the moves.

Nowhere is this more egregious than with Anna and chocolate. The movies mention her having it as her favorite treat, and she has like two memorable moments involving it in the first movie, but the books treat it like it is NEVER off her mind. If the books mention Anna wanting to do ANYTHING, most of the time, it involves chocolate in some way. She brings it with her on expeditions. She can't wait to get back to the castle and eat some. She has a "choco-versary" with Kristoff, the anniversary of the first time they ate chocolate together. It comes off as a weird obsession, instead of the favorite food it was in the movies. Similarly, she's mentioned as having "Sandwiches" as her favorite meal a few times. Not only is this FRUSTRATINGLY non-specific, it also seems PURELY based on her one line in "Love is an Open Door" and it's callback during her conversation with Kristoff in the first movie... Although to be fair, this did also get a call back in Frozen Fever where we see her be enthusiastic about one, so... whatever.

It gets stiff with dialogue between characters too. Almost every conversation with Elsa and Anna seems to drift towards "we were seperated, but now we are together again, and I love you and am so proud of you!". They'll discuss the plot, and they do have some genuinely great moments (like Elsa talking about the trolls and Anna pointing out, somewhat sadly, that "no, sis, I can't remember, they took my memories as a child...") but a lot of it is re-hashing their end-of-movie "sisterly bond" stuff. It's a real shame especially in Polar Nights, because that is set AFTER Frozen 2. We could have had scenes of Anna asking Elsa for help ruling as Queen, or Elsa observing how Anna does things differently from her, but we learn nothing more about how these two interact than what we already knew.

The other problem that I assume crops up from Disney's strict oversight is that it's obvious the writers are not allowed to affect the world too much. They can play with the figures in it, but can't change the landscape dramatically. This is understandable, as it's unlikely the Mega-Mouse wants some kids novel throwing out a detail that might force them to change how they write the next movie. They're not going to kill off Kristoff, or suddenly give us a Hans redemption arc - As interesting as that would be, the writers need the all clear from Disney, and Disney won't want some hired novelist to make a major change to their giant money making machine which is no doubt shaped like Elsa's head.

This means that, although the stakes do feel real for the books themselves, there's a sense that nothing that happens within really affects the world that much. Characters don't learn a vital lesson or change in any significant way, and those that do are new characters, constructed for the book, who can easily be ignored by the wider narrative - Polar Nights has a whole segment with a pair of sisters, obviously designed to parallel Elsa and Anna, who's past and backstory, and the mysteries and mistruths thereof, form more-or-less the basis for the entire plot, but our ACTUAL sisters can't have a chat more complex that "boy I'm glad we're not separated anymore, also we're proud of each other!"

The result is - and this is kind of what I've been driving toward this entire time - these books give me a VERY distinct feeling, and it took me a while to identify what it was. I didn't catch it when I read "Forest of Shadows", but it WAS there, and Polar Nights has it there in full force.

These novels feel like FILLER.

Traditional, ACTUAL, filler.

SIGH - Quick sidetrack.

The term "Filler" is thrown around a lot these days, often by people that I don't think realized the term originally had a more specific meaning - At least from what my experience is.

"Filler" was primarily a term used by the anime community, referring to episodes of a show that were not adapted from the original manga. This practice was done as most anime, especially Shounen anime like those pictured above, ran almost continuously, and when your airing an episode a week which is sometimes able to adapt multiple chapters from the manga, you're going to close the gap pretty quickly.

This meant that things would be done in the episodes to stretch them out. Anything from lengthening fight scenes, to additional dialogue, all the way up to - perhaps most famously - whole new arcs created purely for the anime. These arcs had to tell their own stories that were entertaining, but obviously couldn't massively shake up the status quo, as they had no idea what would be coming next for these characters and this story. They relied on events distanced, often entirely unrelated to the plot at large (in-fact, rather infamously, Bleach once went to a year long filler arc in MID-SWORD-FIGHT BETWEEN CHARACTERS). Often they would invent new characters, new powers, and often draw on events of the past, or spotlight background characters to create an unobtrusive narrative.

These arcs can, and have, been good. There's nothing inherently wrong with filler, but as TV Tropes says: "These arcs can, and have, been good. There's nothing inherently wrong with filler, but as TV Tropes says: "At their most extreme, absolutely nothing that happens in a filler episode will affect things going forward, even if it seems like a character developed or grew in some manner."

Filler's definition has expanded a lot, and was never really as fixed as I tended to take it, though I still see it used incorrectly. If an episode of a show had the characters sitting around talking, with the plot not advancing at all, but we still learn things about the characters that matter, and have an impact or call back later, or their relationships change in SOME way, then it's NOT filler. In the words of my Media Teacher: "Just because it didn't feature a car chase and a shoot out, doesn't mean it doesn't matter." - Filler doesn't matter. Slow paced slice of life episodes can matter a LOT.

As a side note, to this side note, Filler in it's most traditional sense is dying out, and has been largely, though not entirely, gone from anime by the mid 2010's. Anime have switched over to the "cour" style of episode production, with a season consisting of usually around 12-or-24 episodes (a little leeway in either direction is common, like having 26 or 10 episodes), which focus on tightly adapting one arc or novel or portion of the story. They then take a break, and return with the next season whenever, picking up where they left off. This is why you don't really see stuff running for 200+ episodes in a row anymore, and why something like, say, Attack on Titan has five seasons. This has allowed for MUCH reduction of filler, and virtually eliminated the need for the filler arc. They do still pop up, but notice how today's "big shots" like My Hero Academia and Demon Slayer have multiple seasons instead of just running for a billion episodes like shows such as One Piece, or Naruto.

Though speaking of that, apparently some new shows are determined to carry on the traditions laid by their parents... *side-eyes Boruto*

AHEM. I really need to drop this topic and get back on track. QUICK, what's an appropriate Frozen-related GIF to use to move on?

I fuckin' told you I was gonna play it again.

ANYWAY, so my point is that - despite feeling like we've really entered a living, breathing world, with its own history and people, it feels like we're never allowed to see that world DO anything.

This wasn't too bad in Forest of Shadows, because even though it couldn't do anything massive, it could create the illusion of movement, by transitioning characters from their Frozen selves to their Frozen 2 selves, laying down hints of what would be fully realized in that move, but it is REALLY on display in Polar Nights - The set up involves exploring Anna's first major kingdom event as Queen, and yet, we really don't get any meaningful detail about that. We don't get a sense of how it feels for her to suddenly wield all this power and responsibility when, not just a few months ago, she was more or less the spare princess that could spend her days having picnics with snowmen. I mean sure, there's mention that she's nervous, but it really doesn't go into much detail. She's just "Queen Anna", the same way we saw her at the end of Frozen 2.

(Elsa's also still referred to as Queen - sometimes she gets directly called "The Snow Queen" - but this is a detail I like. It's not like the people forgot or disavowed her as their monarch. The two are called "The Queens of Arendelle" at one point. It's an interesting touch.)

The events of Polar Nights involve a lot of things happening (including major characters losing their memories of each other), but it all amounts to a problem that's easily resolved with Sisterly Love, and by the end of the book, everything's normal. I know these books are not going to affect the movies, but one of the cool things, as I mentioned, was that they did have continuity between each other. Sorensson was introduced as a man of science in Forest of Shadows, and then in Polar Nights, Anna and Elsa go to him for help with something they want a scientific explanation for. While some of these characters might pop up again to be mentioned in the next novel, it's hard to believe it'll focus on Anna dealing with the fact that... Say Dragurs are real, and exist out there, and that things like grudges and nasty legends and rumors can bring unwelcome power.

Some of the dialogue and phrasing is just plain awkward too. A lot of the time, when Anna spoke to Kristoff, it felt very bland, and forced-romantic, rather than their natural, more banter and warm interactions in the movies. We don't even get a call-back to "I prefer you in leather ;)" - Although that may have been pushing the biscuit. If they went any further with how Anna feels about that, the LOUD SCREACHERS might lose the ability to pretend she was being 100% wholesome and child-friendly with that line...

There's another line where Elsa's narration indicates she wants Anna and Kristoff to have kids so she can be "the cool aunt, literally" - A line that exists purely for that one lazy joke, since no other mention of them having children exists that I can remember.

(Though I am borderline certain that Frozen 3 will focus on their child, but again, that's getting distracted)

Polar Nights also avoids any direct appearances of Northuldra. No Honeymaron or Rider or anything - The only other significant characters that appear from Frozen 2 are Mattias (who fills a bit of a generic "general/captain of the guard" role, but that's his job so it's fine), as well as Gale and Burnie and the Water Nokk, who do have roles to play, but relatively minor ones. They are mentioned, but even when we see the Enchanted Forest, it's purely featuring the cast from Frozen, plus the wind and the new plush mascot lizard. Again, it's a shame because beyond: "Elsa loves the fact that she is living free" and "Elsa spends time pulling up home movies made of snow", we get nothing about how the former Queen is living as a spirit. Okay, I don't expect the book to explain about how Elsa hates needing to pee in a bush now or something absurd like that, but when you go from living in a castle to living in tents and caves, you've got to feel more than just "free" right? We don't even see how she interacts with the Northuldra. How do these people, who revered the spirits, interact with one who can speak to them in their language? Who can sit and chill out with them? Who can pop round for dinner? We get none of that, and it's sad, because it would have been nice.

Polar Nights features a mystery story between two sisters, one of whom is said to have outright murdered the other, several fights between Elsa and a Nordic zombie wraith that mimics her powers at one point, a Pirate Queen and her fleet sitting menacingly at Arendelle's borders, at one point escalating to firing on royal ships during a massive storm in an eternal night, Anna and Elsa traveling to a whole different neighboring kingdom, and Anna's fiance explicitly losing his memory of her, and anything they ever did together...

... and somehow it comes off as less compelling and impactful than Frozen 2, where - and I don't want to downplay or insult Frozen 2 because I think it's amazing and obviously it's themes run far deeper BUT - the main antagonist force boils down to "Dam that a bastard-man built one time".

(On that, Polar Nights is intent on reminding everyone that King Runeard was a Bad Man™ and every single character essentially goes "BOO! HISS!" whenever his name comes up. And yeah, the dude was an absolute bastard, and he only gets revealed to be worse in Polar Nights but you would think Anna and Elsa would have more complex feelings than "hate that guy" to their granddad who they believed was a bit of a legend up until the events of the second movie. Still, maybe they genuinely don't and at any rate, unpacking those feelings might be a bit more complicated than a novel intended mostly for kids is willing to get into.)

There's more that could be said, but I worry I've been sticking to the negative for too long. Yes, these novels do feel like anime filler. Lots of stuff happens, but it doesn't really impact anyone. There's new characters introduced and side characters discussed and all sorts of things that really don't mean that much to the world in the long run, and no doubt will be forgotten by the time Frozen 3 rolls around BUT...

BUT

The books are an enjoyable read. They let me return to the world of Frozen and explore a bit more of the land these characters live in. Yes, I wish the book featured a conversation between Anna and Elsa that didn't just feature them rehashing what they've learned in the movies, but it is STILL good to see them together again. It's heartwarming to know that Elsa still stays in the castle, that Anna let her keep their parents bedroom, that the people of her former kingdom still call her "Queen".

It's great to see side characters mentioned, and not just appear once. It's great that these books are allowed to look outside of the generic fairy-tale fare and bring up things like Dragurs and Huldrefólk and, while I do think the Sisterly Love being the solution to Polar Night's problem isn't the best ending, it does FIT with the themes for the franchise and it isn't a re-hash of Anna and Elsa, instead holding up a mirror to them and showing them what they could have been had their lives been but a tiny bit different.

They're good books, and I would rate them:

A solid B

Was originally a B-, but upon writing this out, I re-evaluated and I wanted to stress that I actually really do like them, and I hope they make more. I really want Frozen to be that thing that winds up having 20 different novel series, six comic books, two original TV series and a line of successful movies. It'd make me happy.

That is just about all I have to say on this topic except for:

OKAY SO YOU KNOW HOW I HAVE BROUGHT UP TANGLED A COUPLE OF TIMES AND I'VE BEEN SAYING I'LL GET BACK TO HOW I THINK IT INTERACTS:

Well - We all know Frozen featured Rapunzel and Eugene visting Arendelle and, ignoring some of the crazy and common fan theories (they're cousins I swear it still works if you squint), that suggests that there is a shared universe and I believe these books CONFIRM that when taken in conjunction with other evidence...

Consider that, Corona is directly mentioned in Forest of Shadows, and that would seem to confirm it, but I've still seen that, and the Tangled character's cameos waved off as cheeky Easter Eggs, BUT... REMEMBER THOSE FUCKIN' OLAF SHORTS? The ones where he re-enacts disney movies?

YEAH WELL, in the Tangled one, he has a bit of extra dialogue where he goes something like "this one is for one of my favorite people in the world, Rapunzel" or SOMETHING LIKE THAT THAT SUGGESTS HE'S MET RAPUNZEL PERSONALLY, and...

AAAAAND...

Polar Nights reveals that he and the others HAVE stayed in the Enchanted Forrest before, which gives him a timeframe where he could plausibly tell these stories in universe, AND AND AND AAAAANNNNND:

He also has a short where he re-enacts "The Little Mermaid" which IS CHEEKILY IMPLIED TO BE A BOOK THAT ANNA LOVES in Polar Nights, so Olaf has a REASON to know that story, AS A STORY--

AND BASICALLY THIS CONFIRMS THAT FROZEN AND TANGLED ARE SET IN THE SAME UNIVERSE AND THE FRANCHISE IS GOING TO CONCLUDE WITH AN ULTIMATE CROSSOVER THAT puts Avengers to shame and I SWEAR THAT IT'LL BE SO AWESOME AND--

The Analyst has been dragged off into the night by sensible people. Please ignore his ramblings.

[bigfrozenfan]

The History of Arendelle: A FROZEN Timeline

The History of Arendelle is much more than just a recap of Frozen I & II. In this video timeline we'll dive deep into Frozen lore that spans novels, comics, podcasts, and more! This video is made in close association with the Arendelle Archives, a group of Frozen superfans who've mapped out the lore and history very well. Find links to download some of their resources below! This video is also made in collaboration with ModernMouse and Josh Taylor plays a new in-universe Frozen character, named Josh Taylorson, a Royal Historian of Arendelle.

TIMESTAMPS: 0:00 Introduction 1:44 ch. i - How the Timeline Works 4:30 ch. ii - The 1790s: Arendelle's Grand Reinvention 6:23 ch. iii - April 1812: The Battle of the Dam 7:51 ch. iv - 1812-1840: Dangerous Secrets - The Story of Iduna and Agnarr 11:03 ch. v - 1830-1840: Arendelle's Dark Years 14:05 ch. vi - July 1843: Frozen 17:19 ch. vii - July 1843: Once Upon a Snowman 17:39 ch. viii - December 1843: Olaf's Frozen Adventure 18:49 ch. ix - June 1844: Frozen Fever 19:54 ch. x - 1846: The Joe Caramagna Graphic Novels 22:21 ch. xi - September 1846: Forest of Shadows 24:24 ch. xii - September/October 1846: Frozen II 27:44 ch. xiii - December 1846: Polar Nights - Cast Into Darkness 29:17 ch. xiv - Spring 1847: Forces of Nature - Season One 30:44 Conclusion

ARENDELLE ARCHIVES RESOURCES: Annals of Frozen 2nd Edition The FrozenVerse - A List of All Official and Licensed Works Frozen Canon Talk 4th Edition Maps & Geography Anna and Elsa’s Lost Family Members

Download a high-quality PNG of the Frozen Timeline on Patreon

[cloudberriesforaqueen]

"The hotter the tale, the better." - Olaf on Dante's Inferno 🔥

Finally read Forest of Shadows and uh...

Hmmm...

Uh...

Uhm...

Ugh...

Er...

Oh...

Huh...

But I loved the part where Olaf mentions Dante's Inferno though! 😅

"Where have you been?" Anna asked. Olaf wandered from pile to pile, "The village library, listening to a lecture on Dante's Inferno— the hotter the tale, the better."

I can imagine him reading it to his little brothers...

...and maybe even acting it out, probably terrifying them in the process. I wonder how that would look like. Maybe he could ask for Bruni's help with the special effects? 😆

Edits by me! — ♡

[virtual-spell]

Bjorn, Elsa’s Magical Snow Bear from the book Frozen II Forest of Shadows ❄️🌨️🧊🐻‍❄️✨

[true--north]

This is one of the early F2 concept arts. On the left we see Frohana in F2 costumes, and on the right an interesting mountain house on their way. It seems to me that this is the house of that mad scientist Sorensen from the Forest of Shadows. I think this art is from the Iduna's diary version, and having met him, Frohana would have found out that Iduna visisted him in the past, looking for secret knowledge. The Forest of Shadows has the largest number of pre-F2 materials and the most canonical book from the side stories, I think.

[tenshichan1013]

frozen 2 forest of shadows paperback edition 

[renegadewangs]

[ericmicael]

Perhaps my most controversial take on "Frozen": I don't like that KristAnna is canon in "Frozen 1".

I don't think this kiss is natural.

For me, it would have been much better if it had just stayed with the kiss on the cheek, hinting that they could become a couple in the future.

The reason is quite obvious and simple: one of Anna's arcs in F1 is precisely related to her romantic feelings and being "confused" between two guys, the prince she met for a few minutes before agreeing to marry him and the poor man that she met for a few hours... If there isn't yet a KristAnna fanfic of "Titanic", do it. I put the word "confused" in quotes because I have my doubts that she would care about Kristoff if Hans didn't act stupid at the end, but whatever.

This arc ends with Hans for some reason not wanting to kiss Anna and preferring the more difficult path that would need a lot of luck to work (and there are still people who say he is one of the smartest Disney villains, I'm curious what the level of the least smart then). And since Hans didn't want to kiss her and perform the act of true love, she tries with Kristoff, but in the end she also ignores him and sacrifices her life to prevent her sister from being decapitated by the sociopathic prince. And then reveals that the act of true love that would save Anna is an act of love between sisters.

Okay, beautiful message. But then why the kiss at the end between Anna and Kristoff? Anna considering Kristoff as an option for an act of true love already makes her feelings clear and the kiss on the cheek also confirms their future relationship. Was the kiss on the mouth just to make it clear that a kiss can happen for no particular reason other than the will? It would come as no surprise to me if someone who wrote the screenplay for "Frozen 1" reveals that the kiss on the mouth was a Disney imposition because that cliché could not be missing from the film.

But I like KristAnna. If "Frozen Heart" made me consider Hans as something more than an NPC and understand when Jeniffer Lee called him a sociopath, "Forest of Shadows" made me like and root for the KristAnna romance.

In the book that presents the first officially lesbian characters in the franchise and has Elsa making her disinterest in men clear (and some say that there is still doubt about Elsa's sexual orientation lol), the KristAnna romance is extensively explored and especially Anna's initial feelings. Although Anna and Kristoff had been together for almost 3 years, the romance still seemed to have some doubts that end up being resolved in the book. And don't consider this to be a mistake, if you consider the Frozenverse to have very little KristAnna content, most of the time if you consider them just best friends it wouldn't be so wrong.

Sometimes it even seems that Elsa is the sister more connected to the romance and not Anna: we had the quasi-affair with Marisol, the secret admirer and even the man from Weselton who seemed romantically interested in her. Elsa's love life, ironically, has always had more substance than Anna's.

[iseeawesome]

Snowy Sculpture

[person-of-indeterminate-size]

Reviewing Every Frozen Novel No. 1

Forest of Shadows:

This book starts out very strong but loses it's footing after the first few chapters. The writing in Forest of Shadows is meant to appeal people between the ages of to 10 and 12. There is nothing inherently wrong with the writing, it's just very predictable and the characters don't feel completely accurate to their movie counterparts. Where this book really shines however is with its set pieces. There are some very visually interesting scenes in this book that feel right at home in the Frozen universe, even if the characters do not. As well the action scenes felt exciting and there is a horror motif that was very refreshing for this franchise. Overall Forest of Shadows will scratch that itch if you're jonesing for another adventure in the Frozen franchise but really isn’t anything beyond that. It’s good.

Click Keep Reading for the in depth Spoiler Review

[SPOILERS] 

[SERIOUSLY COMPLETE AND TOTAL SPOILERS FOR EVERYTHING IN THIS BOOK]

The opening was very very good. Starting later that night when Anna and Elsa were 5 and 8 felt off putting in a good way. Having Anna’s parents there in her room sleeping alongside her to protect her and acting very sweet and nice to her felt unsettling, because you know the decisions that they had just made earlier that night. The wolf worked metaphorically as a representation for Anna’s fears. Having been unconscious of the events of that night I thought that her fears somehow knew subconsciously what had happened. She is playing with Elsa when suddenly, Elsa is gone and replaced with the embodiment of Anna’s insecurities which is what will hunt Anna down and destroy her. However it is later revealed that the wolf, even back then, was not conjured by Anna but by Elsa, who accidentally did an inception and implanted her fears into Anna's dream because she was repressing them. The wolf worked well as a metaphor for Anna’s fears but it works even better as a metaphor for Elsa’s. Elsa’s fear of being a monster that will only hurt Anna was born that night and continued to grow as she did. However the wolf stopped appearing in Anna’s dreams as Elsa learned to repress her fears (not good). Anna and Elsa’s relationship felt good in the first few chapters but as Elsa kept getting annoyed with Anna and Anna kept feeling too insecure to talk to her sister I felt more and more annoyed with their characters. Everything in this book could easily have been solved if the two just talked to each other; a trope that's common in a lot of fiction so generally couldn’t be faulted too much but this does take place after the events of Frozen 1. Their inability to talk to each other felt completely out of character. It didn’t help that the overall plot didn’t add anything new to their characters. It basically rehashed Frozen 1 again but with some details changed. Elsa accidentally threatened Arendelle with magic and the characters climb a mountain to talk to someone they believe can fix it, stopping at Oaken's on the way, then cross paths with magical creatures who send them back down the mountain in the false attempt to stop the problem when the actual solution is the true love between Anna and Elsa. True love being the answer is already what the characters learned in Frozen 1. The events in Forest of Shadows supposedly take place 5 weeks prior to Frozen 2. However, where the characters are at, emotionally, in Frozen 2 feels wildly disconnected to this book. One of the failings of this book was that Frozen has always been about Anna AND Elsa. I think this book would have been much improved if we had seen things from both of their perspectives. Not just Anna’s. I do like a lot of what this book does. The Nattmara felt powerful and frightening. It was a very creative creature. I liked many of the scenes in this book. Everything up to the Earth's giant passage under the fjord was great. I especially liked Anna and Elsa’s horse ride/SoYungs Blight encounter and the bold horror scene in the castle. The stand out scene in this book for me was The Ice Skating Scene on the river. It was a very clever set piece and Anna and Elsa actually talked to each other about how they were feeling. The magic in this book felt somewhat generic, and not from the Frozen franchise. The beginning of this book was very strong but the book overall got weaker over time. 

Some missed opportunities: 

The townsfolk should not have immediately woken up from their nightmares after the Nattmara was defeated. Instead they should have needed medicine. Specifically: Hot Chocolate. It felt like it was going to happen. They had set up that mint helped heal the animals somewhat and that when Anna and Elsa had nightmares that their parents would give them Hot Chocolate to help. Because the Nattmara's nightmare sleep was caused by Elsa it should have definitely been the cure. Like it felt so obvious to me but they never even resolved the mint thing.

They should have mentioned a purple cape in the library of missing objects. 

Overall Forest of Shadows will scratch that itch if you're jonesing for another adventure in the Frozen franchise but really isn’t anything beyond that. It’s good.

P.S. Elsa becomes a full on superhero.

P.P.S. Like for real there is this sequence where Elsa is wielding an ancient/powerful sword while staring down a monstrously tall white wolf. Black sand is seeping off of the wolf because the wolf is literally made of nightmares. The two of them are facing off on a bridge, the sun is setting, Elsa’s cape is being picked up by the wind. The two story tall white wolf and the bridge are all that stand between Elsa and Arendelle because the protective Ice Dome that Elsa put Arendelle under has shattered and has become a broken/jagged wall whose shards lay about the ground, and I need fan art of this scene right now.

[trixterdark]

I am very pleased that the blacksmith and her wife have appeared in Frozen canon once again

[sillyfudgemonkeys]

Frozen novel naming scheme rant

I'm finishing up listening to Frozen 2: Forest of Shadows (so far it's fairly good, at least I really vibe with the prose.....it has.....some hiccups but......maybe I can review it later).

Before I even talk about the book....can I just say....Frozen Novel Naming schemes? Fucking ass. TT0TT Not a braincell was conjured for them I swear. orz A blind monkey could write a better title!

Frozen Twisted Tales: Conceal Don't Feel/Let it Go (US/UK titles respectively)......neither title fits the theme of the book kaljflkdsf CDF is more mysterious, LiG is more iconic....but the novel should've been titled "For the First Time in Forever" TT0TT Nothing is being let go, nothing is being concealed (at least to the extent of the OG story, in fact the whole story is trying to UNCONCEAL something). FtFTiF makes more sense bc FOR THE FIRST TIME IN FOREVER they can reunite TT0TT

Forest of Shadows isn't even an F2 book....IT TAKES PLACE BEFORE F2! TT0TT A month but STILL????? It's a prequel. Where tf does it get off being titled "Frozen 2: FoS"???? Just drop the 2 you wet nugget!

Then there's Polar Nights and....MKDLSJFDLSJF THAT'S THE ONE THAT'S A SEQUEL TO FROZEN 2!!! BUT IT LACKS THE FROZEN 2 IN THE TITLE????!!! WHY???? Is2g Disney I'm going to break into your house and rearrange your furniture so it actually makes fucking sense I hate it here TT0TT

[candy69gurl]

can you do hybrid! Wolf toji claiming you during his rut?

THE HOWL OF DESIRE

Hybrid! Wolf toji x f!reader

Warnings- 18+, dark, slight non/con (Toji does not intend to harm you), size kink (both are adults), cave sex, multiple orgasms, nipple biting & play, fingering (Toji has black big nails), raw sex (cumming inside many times), breeding, pussy eating

wc - 2.6k

ART NOT MINE !

As you traverse through the dense woods, you find yourself getting increasingly disoriented, unsure of which way leads back to civilization. The sun's rays barely penetrating the thick canopy above, casting eerie shadows on the forest floor. You begin to worry, knowing that spending the night here could lead to dangerous consequences.

Suddenly, your senses pick up on the sound of rustling leaves nearby. You freeze, trying to discern whether it is an animal or something more sinister.

A figure emerges from behind a tree, and you gasp involuntarily. It is a creature of height 6'1ft, he appears as a magnificent wolf-human hybrid. He is slender but muscular and athletic, and his wolfish aura makes him look intimidating. As he closes on your position you notice his ears flattened on his head and his tail is pointed upright, his body has chiseled muscles and trademark scars, his green sword-like eyes looking through your soul. His mouth bore fang-like teeth that you swear are more vicious than natural canine teeth of humans.

His eyes lock onto yours, a mixture of hunger and desire burning within their depths.

"Hello, human," he growls softly, his voice tinged with an animalistic quality. "Lost, are we? Well, I don't normally go for humans, but you seem intriguing enough."

As you stand frozen in fear and confusion, Toji takes a step closer, his form shifting slightly, the wolf aspects becoming more pronounced. His eyes gleam with lust, and you can faintly smell his pheromones in the air – a testament to his overwhelming need to mate. "Ah finally," he says, taking another step toward you. "It's just my rut, and I need a mate to breed with. Normally, I wouldn't ask a human, but I cannot wait anymore."

His voice is calm, almost soothing despite the terrifying situation. Your heart races as you contemplate your options, but you realize that running might only agitate him further. Nonetheless your legs unconsciously start to move. There is only one way to get out of this- by running.

"So," he continues, his back facing you but when he turns to you, he sees you running, " What's a prey if they don't try running".

With a grin spreading across his face, Toji starts running after you, muscles rippling as he leaps after you. His movements are fluid and quick, darting through the trees with ease. You feel your adrenaline surge, pushing your speed to its limit as you navigate the unfamiliar terrain. However, he seems to know these woods intimately, and your panic increases as you realize you're unable to shake him off.

"Caught you little bunny" he exclaims, grabbing your neck. Despite his triumphant words, there's a hint of concern in his eyes. He pauses, contemplating his next move. "Running isn't going to solve anything, and believe me, you don't want to get hurt.. Or do you?"

"P-please let me go.. I have to get back home."

Toji weighs your plea, his gaze lingering on you thoughtfully. His need for release is urgent, but he doesn't wish to harm you unnecessarily. "I can let you go, but I'm afraid you won't find your way back alone." His voice holds a note of genuine concern, his eyes softening momentarily.

Then, his expression shifts, the wolfish hunger returning. "But," he adds, "If you agree to stay and help alleviate my… condition, I promise to guide you safely back to where you belong. You won't regret it, trust me." He leans close, his breath warm against your ear as he whispers, "I'll make sure you enjoy it too."

You stand there, contemplating your options. The thought of being alone in these woods, possibly lost for another night, is daunting. On the other hand, submitting to Toji's demands is equally terrifying, but there's a strange allure to it as well. His promise of safety and pleasure seems almost too good to be true.

As you weigh the pros and cons, Toji watches you intently, his eyes never leaving yours. He can sense your hesitation, and it fuels his desire even more. "I understand if you're scared," he says softly, reaching out to gently cup your cheek. "But I promise, I won't hurt you. I just need someone to share this with, and you seem like the perfect one."

His touch is warm and comforting, despite the situation. You can't help but feel a strange sense of comfort in his presence, as if he truly means what he says. "So, what do you say?" he asks, his voice low and seductive. "Will you help me, and let me help you in return?"

"O-only if you promise to be gentle..", you reply, your voice shaking from his intimidating aura.

Toji's eyes crinkle at the corners, a rare smile gracing his features. "Gentle it is," he assures you, his grip on your cheek gentle but firm. "I can't promise but I will try since you are my first human mate.. Come, let's find a suitable spot. We don't want to draw attention, do we?" His voice is smooth, radiating confidence and control. You hesitate, but there's a sense of safety in his presence that you can't deny.

With a deep breath, you take his hand, allowing him to lead you deeper into the woods. The fear is still there, but it's tempered by a growing curiosity. You're stepping into unknown territory, but for some reason, you don't feel threatened. Instead, there's a strange excitement coursing through you, making your heart beat faster.

As you follow Toji deeper into the woods, you begin to notice subtle changes in the landscape. Brambles part before you, revealing a hidden trail leading to a small clearing. In the center of the clearing lies a cave, half-hidden by the surrounding foliage. This is where Toji leads you, guiding you inside with a gentle push.

The cave is surprisingly cozy, lit by the dim light seeping through the entrance. There's a palpable sense of warmth and security, and you can't help but feel a sense of relief wash over you. Toji observes your reaction, a satisfied smirk tugging at the corner of his mouth.

"This is my den," he explains, gesturing around. "Now, shall we proceed?" He tilts his head, his eyes holding a mix of anticipation and expectation. You can tell that his rut is still strong, but he's patiently waiting for your lead.

Your nod sends a wave of excitement through Toji, his eyes glinting with eagerness.. He quickly steps closer, nearly ripping your pants and panties off. He hovers over you, his eyes locked on yours as he positions himself between your thighs.

Surprised by his sudden movement, you struggle in his grip, "W-wait you need to loosen me up"

Toji pauses, confusion clouding his features for a brief moment. "Loosen you up?" he repeats, his voice heavy with confusion. Then, understanding dawns on his face, and he chuckles softly. "Tsk, I can wait no more but fine since you beg me so obediently", moving between your legs. He gently parts you with his fingers, feeling your dampness.

"You're already prepared," he murmurs, a note of approval in his voice.

"Ah~", your back arches at his finger movements, your back hitting the ground of the cave.

At your response, Toji's eyes darken with lust. He thrusts his fingers into you roughly. "Are ya loose yet?" His eyes remain locked on yours, his expression a mix of impatience and excitement.

"n-no not yet.. a-ah", your voice cracks up in pleasure.

Toji's eyes narrow, his brows furrowing in concentration. He inserts a third finger, thrusting harder this time, stretching you wider. You cry out, a mixture of pleasure and pain washing over you as you near your edge.

"Humans are so responsive..." he mutters, his voice thick with desire as he continues to fuck you with his fingers. His eyes never leave yours, the intensity between you and him building, is only heightened by the dim light of the cave.

Finally, after several more thrusts, you reach your orgasm and he withdraws his fingers, a satisfied smirk gracing his lips. "Ready?" He asks, his gaze locked on your face, waiting for your answer.

"mghh.. n-not now.. I need sometime.. I am sensitive right now", you protest.

Toji's eyes squint in annoyance "Shut up, I have been patient enough. I can't wait any longer."

With that, he positions himself between your legs again .With a sudden powerful surge, Toji thrusts into you, his giant cock stretching your poor hole wide. You gasp, your nails digging into the cave floor as you struggle to adjust to the intense sensation.

"Please.. A-ah .. be gentle"

"Shush..I am trying .. You humans are so fragile.. But", he grunts in pleasure, "ya feel so good. I never thought humans feel this good"

Though he is trying to be gentle, but your insides feel so good that he can't help but move relentlessly, his hips pumping in a primal rhythm. Each thrust sends shockwaves of pleasure and pain through you, your body responding to his dominance.

Despite your initial protest, you can't help but moan loudly, writhing beneath him. His roughness sets you ablaze, and you find yourself meeting his thrusts eagerly. His scent, his strength - everything about this experience overwhelms you. Your body cries out for release, and you know you won't last long.

"That's it, take it!" Toji growls, his eyes locked on yours. His primal nature is on full display, and it's intoxicating.

Your toes curl up as Toji's thrusts intensify, his eyes widening at your reaction. "Fuck, you're tight," he groans, his voice thick with lust. "You feel incredible." His pace quickens, his hips slamming into you with brutal efficiency. You cry out, the cave echoing with your sounds of pleasure and pain.

His rut is nearing its peak, his body trembling with suppressed energy. With one last powerful lunge, he buries himself deep within you, filling you with his seed. "Take it all," he rasps, his breath hot against your neck.

In that moment, you surrender to the sensations, your own climax washing over you. Together, you collapse onto the cave floor, feeling spent but incredibly fulfilled. Your legs wrap around him instinctively, holding him close.

As he recovers, Toji nuzzles your neck, his breathing ragged. "I hope I was gentle enough," he murmurs, his voice filled with satisfaction.

"No .. you are so mean..", you reply panting.

Toji laughs, his chest rumbling against your throat. "Mean? Maybe, but effective, wouldn't you agree?" He teases, his grip on you tightening. "Besides, don't lie, you enjoyed it too."

He's right, you did enjoy it - despite the roughness. The intensity of the encounter left you shaken yet exhilarated. He turns you on your stomach "don't think it's over yet.. It's just a starting"

"w-what?", your pupil dilates at the though.

Toji pushes you on your stomach and he enters from behind. You moan, feeling him stretch you once again. With a smirk, he begins to thrust relentlessly, his body slamming against yours. His large hands grip your sides, holding you steady as he takes you from behind.

"We are going to do it whole night" he growls, each word punctuated by his thrusts.

You cry out, your body responding eagerly to his advances. You can't deny the pleasure surging through you. His dominance excites you, the raw intensity of his actions sending you spiraling towards another climax.

"God, you're so good," he praises, his voice thick with lust. "I could spend hours with you, sweet human."

"P-please can't no more", you plead.

Toji stills, pulling his cock out, your body shaking from oversensitiveness. "Already?" then he thrusts into you again. "I know you can handle this."

You cry out, feeling him entering you again.

Time skips, and you and he are still at it, you don't know what time it is, you don't know how many orgasms coursed through you.. The only thing you know is the pleasure you are getting from this.

Toji's eyes shine with lust, his hands firmly grasping your hips as he bounces you on his lap. Your hair falls in disarray around your face, your skin flushed from exertion. Each thrust elicits a soft moan from you, your body responding to his every command.

"Feel good?" he asks, his voice low and sultry. His eyes hold a mixture of satisfaction and hunger, his gaze never leaving your face. You nod, breathless, your nails scratching lightly at his shoulders.

"Good," he growls, increasing his pace. "I knew you'd love this." His hips buck, driving into you harder, faster. You cry out, your body reacting to his every touch.

"p-please play with my nipples too.. mhmm", your face flush with shame as you beg him to pleasure you. Unknowingly removing your hands remove your top and push up your bra, revealing your breasts with stiffening nipples.

Toji's eyes light up at your request, his hands immediately moving to your breasts. He pinches your nipples gently, then harder, eliciting a mix of pleasure and pain from you. You cry out, your body arching in response.

"You like that?" he asks, his voice thick with lust. "Is this what you wanted?"

You nod, your breath coming in short, ragged gasps. He leans to catch one of your bouncing tits in his mouth, licking and sucking. His fangs brush your nipples, nibbling on them gently

"f-fuck .. dont bite them.. ahhh."

Toji pulls back, releasing your nipple with a wet pop. He looks at you, a mischievous grin tugging at his lips. "My apologies," he says, feigning innocence. "It seemed to please you though."

He resumes his thrusts, his movements fierce and unrestrained. His hands pinch and twist your nipples, his tongue lashing over them in turn. Each touch sends waves of pleasure-pain coursing through you, your body responding eagerly.

"I'm close," you whisper, your voice hoarse.

"Not yet," he growls, his eyes darkening. "I'm not done with you."

His words send a fresh wave of arousal coursing through you, pushing you closer to the edge. You cry out, your body writhing beneath him as he plays with your nipples, fucking you relentlessly.

"R-really can't anymore.. please let me .. let me cum", you beg him, tears falling from your cheeks.

Toji's eyes meet your teary eyes, his breath ragged.

"Don't cry little human", he licks your cheek wiping off your tears. "Then cum," he growls, his voice rough with pleasure. "Let go."

With a final, hard thrust, he drives into you, the motion perfectly synchronized with your climax. You cry out, your body shaking as you crest over the edge. He follows suit, his cock pulsing within you as he finds his own release. He growls which sounds more like a howl, as he fills your womb with his thick seed.

Exhausted, you slump against him, your breathing ragged. He holds you close, his arms wrapping around you protectively.

Soon you pass out. Toji catches you easily, his grip firm yet tender. "Awww. I wanted more though," he whispers, his voice softening, "but fine.. I have had enough fun.. I will help ya return tomorrow"

He gazes at your sleeping form, a hint of tenderness in his eyes. Despite his rough exterior, he cares for you. He wraps his big arms around you covering your fragile body, ensuring you stay warm throughout the night.

You awaken slowly, feeling warm, wet warmth between your legs. Your eyes flutter open, landing on Toji's face, his eyes gleaming with desire as he licks your cunt. The sight is both erotic and overwhelming.

"Morning," he greets, his voice thick with lust. "How are you feeling?"

You swallow hard, your heart racing. "W-what are you doing?"

"What does it look like?" he responds, his eyes twinkling with mischief. "Cleaning you up after last night's fun."

You blush, your body reacting to his touch whether you want it to or not. Your eyes squeeze shut as he licks and kisses your most intimate places.

"Mmm, you taste delicious," he murmurs, his voice vibrating against your skin. "Like sweet honey."

"H-hey you said.. you will help me return back home.."

Toji raises his head, his eyes locked on yours. "Go home?" he repeats, surprise clear in his voice. "Oh yes.. But I want to fuck you before I leave you alone for good"

Your skin is already sensitive from his licks and touches, your body ready for more. You bite your lower lip before nodding.

He grins, his eyes filled with lust. "What we waiting for then?" He quickly moves, positioning himself between your legs.

He chuckles as your walls devour his huge girth. "I love how good your taking me.. Fuck.. I'll always find you during my rut, my little bunny."

[true--north]

«Everyone seemed to think she was so wonderfully collected, but in truth, her quitness wasn't composed thinking, but a deer-in-the-path-of-an-arrow kind of fright»

Forest of Shadows

«Elsa reminded him of a deer — timid and easily frightened, with large blue eyes that held pools of sadness»

Conceal, don't feel

[lovedrruunk]

'A Fresh Start 𓏲*ੈ✩‧₊˚🎐[part ii]

When the mysterious new girl in town makes a lasting first impression, you make it your goal to befriend and welcome her to the town. [Part i] playlist!!!

self deprecating stalker jinx ill luv u 4eva & eva & eva...

"Hey."

"Hi!"

“. . .”

“. . . ?”

“. . .”

“. . . ???”

You blinked, waiting for her to say literally anything else, but nope. Just “hey.” and now she was standing there, looking like she was on the verge of shitting her pants while you wondered if this was how all her conversations went.

Surprisingly you didn’t feel awkward or uncomfortable, more so confused. Looking around, your eyes landed on your old neighbor who’s own eyes were on the girl in front of you. He was giving her this look of judgment. It wasn’t obvious or harsh but it was still there. And then it clicked.

This was her.

The newcomer who moved into that old cottage on the outskirts of town. The one Mrs. Van Dee Kamp couldn’t stop speculating about, the one Mr. Gallagher said “looked like trouble”, and the same one you were so curious about. 

It wasn’t long before your group started to shuffle awkwardly, clearly ready to move on. They glanced at her, the kind of quick, hesitant looks people gave when they didn’t want to seem rude but also didn’t want to linger. One by one, they made their excuses, mumbling something about needing to get back to their stalls. They took a couple of steps away, looking back once they realized you weren’t following.

“I’ll catch up with you guys later!” you called, waving them off.

Turning back, you realized she was already staring at you, her wide pink eyes locked onto yours like you’d just caught her doing something she wasn’t supposed to.

“Hi!” you started... for the second time now.

“Uh… yeah.” she said, her voice flat as if responding to a completely different conversation.

Not exactly the warmest start, but you continued. “You’re new in town right? People have been talking, but you know, nothing bad! They’re just curious.”

Her eyes glanced left then right as you were talking, like she was scanning for an exit. “Yeah. New.”

You tilted your head. “Well, welcome. I’m–”

“Okay.” she cut you off, her tone abrupt.

“...Okay?” you repeated, blinking.

“Yeah. Thanks. Bye.”

Before you could say another word, she spun on her heel and started walking… no, speed-walking, towards the dirt path that lead into the forest.

You stood there, frozen, your brain scrambling to process what had just happened. Did she seriously just… run away? Mid-conversation?

It took you a solid few seconds to realize your jaw was hanging open. Shutting it quickly, you looked around, half expecting someone to jump out with a camera and tell you that it was a prank.

But no. The mysterious girl who had everyone talking had just bolted, leaving you standing there like an idiot.

And for some reason, instead of being offended, you couldn’t help but laugh.

Who was she? And what kind of person walked away from a perfectly normal greeting? Mind you, a greeting she had started. You didn’t know why, but suddenly, you were dying to find out.

. . .

This feeling wasn’t technically new.

For weeks, you’d felt it, that weird sensation on the back of your neck, like someone was watching you. At first, it had been easy to ignore. You told yourself it was just your brain playing tricks. It was harmless. Whatever.

But now? Not so much.

The feeling wasn’t just there when you stood still like it was before, it followed you now. Around the market, down quiet streets, even when you stopped to chat with neighbors. You’d catch glimpses, a blur of blue hair disappearing behind a corner, the faintest sound of boots on the gravel.

More than once, you were so sure you’d catch them. You’d spin around at the sound of a shuffle or a shadow that felt too close. But by the time you looked? Nothing. Just an empty alley or a completely innocent looking street lamp.

It was driving you nuts.

You didn’t have to guess who it was either. You knew it was her. The girl from the square, Powder, or whatever her name really was. The way she’d bolted last time you tried to talk to her? That had to mean something.

Now it wasn’t just about being watched. It was about her. What was her deal? Why was she sneaking around? Why couldn’t she just talk to you?

You're own feelings about the situation were confusing you. You didn't necessarily... mind it. Unlike the other townsfolk, you didn't see her as a threat. She didn't seem like the type who would go out of her way to harm you. So 'why' was the question, and you were determined to figure it out.

Every time you caught a glimpse of her, something tugged at you. It wasn’t just the mystery of it all, though that was definitely part of it. There was something about her, it's like she didn't want to be seen yet wanted all of your attention.

And you wanted to know why. Why so secluded? Why so interested in your mundane countryside life?

It wasn’t like the townsfolk were any help either. They whispered about her, sure, 'the new girl with the blue hair and the weird vibes' but that’s all they did. Whispers. Speculation. None of them had actually tried to get to know her as far as you could tell.

Which left it to you.

The more you thought about it, the more determined you got. You didn’t want to believe she was some big, bad menace just because she didn’t fit into their little box of what people here were 'supposed' to be like. She was human, and just as deserving of a community as anyone else. So, yeah, you had questions.

And, apparently, she had no intention of giving you any answers.

It was almost funny how good she was at avoiding you. You’d be walking down the street, sure you'd spotted her near the bakery, and then poof. Gone. Like she had been a figment of your imagination. It was starting to feel like a game, except you knew something she didn't. How to cheat.

. . .

“Alright, I know you’re in there!” you yelled, leaning closer to the door as your fist continued to bang on the wood. “You can’t hide forever!”

Silence.

You squinted at the cottage, the place looked... interesting. It was still that run down creepy cottage you remembered always seeing whenever you passed by, but it was strangely... lively. Big scraps of metal and parts outside, colorful flowers (although wilted), and colorful graffiti that seemed to cover every side.

Snapping yourself out of your thoughts, you knocked again harder, this time raising your voice. “I’m not leaving until you open this door!”

Still nothing.

“Powder! Or... whatever your name is!” you shouted, hoping the use of her name might get a reaction.

From inside, you swore you heard a faint creak. A floorboard, maybe? It was hard to tell over the sound of your heart hammering in your ears. You leaned forward, pressing your ear to the door.

“I can hear you in there, you know.” you tried, softening your tone just a bit, stepping back from the door. “I’m not mad or anything. I just want to talk! That’s all.”

The silence that followed felt even more deafening than before. For a second, you wondered if you’d imagined the sound altogether.

And then, just as you were about to knock again, the door creaked open.

Barely.

A narrow space, enough for one pink eye to peek through.

“What do you want?” came a voice.

It wasn’t hostile exactly, but it wasn’t friendly either. Cautious. Suspicious.

You blinked, caught off guard by just how intense her gaze was up close.

“Uh, hi?” you started, scrambling for words that didn’t sound totally ridiculous. “We’ve been running into each other a lot lately- well, okay, more like you’ve been running away- but I just wanted to…” You trailed off, realizing you hadn’t actually planned this far ahead.

Her eye narrowed slightly, not moving to open the door any wider.

“...check in?” you finally finished, wincing at your own words.

The door inched shut a little more.

“Wait, wait!” you said frantically as you held up your hands.

“I mean it! No tricks, no weird town gossip or whatever. I just… I think we got off on the wrong foot. Can we maybe start over? I'd love to be friends.”

Her eye flicked to your hands, then back to your face. For a moment, you thought she was actually gonna let you in.

Instead, she sighed. “You shouldn’t have come here.”

Her voice was quieter now, laced with something you couldn’t quite place. Regret? Fear?

“Why not?” you asked gently, lowering your hands.

But she didn’t answer, instead she gave you this long silent look. And just as you were about to speak up again, the door shut and the bolt slid into place.

“Well, okay then.”

. . .

when i talk abt the town pls imagine a Minecraft village or something of the sort ...

this chapter was SOOOO SELF DIVULGENT btw lololol was totally laughing my ass off writing it. I hope the difference in the way i write their povs is noticeable!!! also its 2am rn ill make sure to proof read in the morning... maybe...

part 3 sometime this week probs! it'll go back to being in pows pov ≽^•⩊•^≼˚

notes r appreciated & thx 4 reading as aaalways XOXOXOXO

[Teensy taglist (ˊᗜˋ)]

@cattjull @kenqki @powderbomb-jinxed

[messylustt]

݁   𓂃 ៸៸៸ little red — miguel o’hara + reader: an innocent walk in the woods to your grandmother’s, with your red hood and basket turns a little different than expected.

contents : intended age gap. non con/dub con. dark!miggy. red riding hood au. kinda monster kink. primal kink. size kink wc 2.5k.

the whole town had heard the stories. a monster who lived in the woods. woods that parents used to let their kids frolic in, now turned into a desolate area everyone steered clear of. there were the occasional hunters who brought back food for their families, but they never travelled too far past the less denser trees. a horror story. that’s what it was. one kids told others to freak them out in the dark. the beast with claws, fangs, and blood red eyes. he ate anyone who dared venture too far. at least that’s the story the townspeople were going with.

“oh please, there’s no such thing as that beast.” your mother says as she tucks your hair into your hood. your hands clutch a basket, filled with breads and pastries that you insisted on baking yourself. “now, head straight to grandmothers cottage. no dawdling.” she speaks sternly, knowing how easy your attention can sway. you nod, adjusting the red hood around yourself. your grandmother was sick. ill to the point of staying bedridden. she hadn’t wanted to die in this dirty town, as she had put it. she wanted to die peacefully, alone in the woods. your mother was against it, but ever since you were young every argument had always been won by your grandmother.

you make your way out the door, as your mother calls behind you ‘to be back before the sun sets’. you raise your hand to acknowledge her words as you continue on to the edge of the woods. you could hear the distant birds chirping, the woods looking far less scary than normally portrayed. the way the sun gleamed through the gaps between the trees was actually rather beautiful. with a growing smile you skipped over a small running lake, the wood’s animals darting away from your feet.

you made it through the first section of woods with ease, your lips pressed together in a hum. but the moment you edged into the shadier parts of the bush and shrub the singing birds had fallen silent. your own soft tune slowed too, as you gazed around. most hunters stopped here, where the denser trees casted heavier shadows. grandmothers cottage shouldn’t be far. she had chosen a spot in the midst of the forest, as far in as she could make it, without being too close to the fast rushing lake.

you switched hands, holding the basket as your feet softly slipped past large twigs, the grass now a dark shade as the sun became blocked by the heavy leaves. you spared a look up, seeing less animals scurrying about in the trees, and even less on the forest floor. and that’s when you hear it. the faint snap of a branch that has you spinning on your heels. but the moment you turn you’re pleasantly surprised to see a small patch of sunlight, almost acting like a spotlight on bundles of flowers.

the gorgeous colours made your feet move, crouching down as you brushed your hand over the different petals, the worry from the snap gone entirely. “she’d love some…” you speak to yourself, thinking of your grandmother. along with the bread, some flowers would do nicely. a pretty touch. don’t dawdle. you could hear your mothers voice. “it won’t take long.” you say softly, as you fully kneel and begin to pick some of the flowers. “what brings you here, little girl?” a low voice has you pausing, hand midway from picking a tulip. you swiftly turn on your knees and gaze up.

there, standing before you is a man. no…your eyes dart down to his flexing hands. claws. you shift your gaze back up to his slightly shadowed face. and as he takes a step closer to you your breathing gets caught. fangs and red eyes. you stare at him, your body seemingly frozen. “well?” he asks, his tongue moving to run along his lower lip as he stares down at you. you rush to a stance, quickly looking around for your basket. “you make these yourself?” he speaks again, and you shift your gaze back to him to see him holding up your basket.

you’re hesitant to grab it off him, hesitant to even speak. “you’re a quiet thing, aren’t you?” his tone has shifted a fraction. his view of you originally being ‘intruder’, now instead…something else. something…small. something that smells so so sweet. “can you…can you give that back please?” your voice is so soft. almost like a caress to him. this only makes him tighten his hold on your basket. he keeps his eyes on you as he grabs out one of your pastries. he takes a bite as you hold back your protest. “mm.” he hums, still keeping those red eyes on you. “so…sweet…delicious.” he licks the small crumbs off his lower lip, giving you another view of his fangs. his eyes haven’t strayed from you. and the way he stated those words of praise. you had an uncomfortable feeling that he wasn’t praising the food. you carefully reach over, stepping closer to take the basket off him. “those aren’t for you.”

he watches as you near, letting you take the basket. he then leans down to your height, making your body stiffen. “what a shame.” his hand moves up to brush away a strand of hair, before his claw flips your hood down. he drags that same claw over you cheek, just feeling your skin. “maybe i’ll just have to try something else.” at first you don’t catch the look of hunger in his eyes, before his hand is drawing you closer by your neck. with wide eyes, you try and struggle away from him. “no, please, you don’t have to eat me. i’m…i won’t taste very good.” you try and persuade him, thinking him licking his fangs is a sign that he wants to kill you.

but he just chuckles, slipping that hand at the back of your neck, down your spine, making you straighten. his claws slip past your dress and coat, softly scratching at your back as he draws you closer to his large frame. “eat you?” he practically coos. “why would i eat you?” he’s still stroking the skin of your cheek, before he tilts your chin further up. “because…because you’re a…monster.” you tilt your head further back to get away from his grip, but he’s then picking you up, hiking your skirt along your thighs as you gasp and instinctively grab onto his shoulders.

“now that’s a little rude. you don’t even know me.” he says, claws nearly sinking into your legs, keeping you straddled around him as you do your best to try and struggle free. “i know of you. the beast in the woods. the one who eats those who trespass.” you breath out, gripping the material of his shirt tighter as you wriggle. his grip on you only harshens at your movements, as he manhandles you over his shoulder. you screech, your hits on his back doing nothing. with the fast flip, and the state that your dress was already in, your panties are now on display. cute, innocent panties that have easily captured the attention of the monster.

he tilts his head as he stares at your covered pussy, his mouth already salivating. “maybe i do eat those who venture too far into the woods.” he plays along with your fear, as his hand pushes your dress even farther over your ass. “no—“ but your words cut short when you feel two claws run right down the middle of your panties. your hips shift as you bite your lower lip harshly. “please…” your anger has dissipated, leaving you with only your fear. “begging already?” he coos, sticking his two claws right against where your entrance is. he can see the stain beginning to form. you’re soaked, and the sight makes his grip on you tighten.

he suddenly flips you back around, manhandling you onto the ground, where the shadows create a little nook. his hands are fast as he rips the cotton of your panties. “what are you—“ you try but choke on your words the minute the monster slips two of his fingers inside you. your legs shake as you push up on your elbows. the sound of his fingers going in and out of you is embarrassing. you grab at his wrist, your legs already shaking as you try not to succumb to the immediate pleasure you had begun to feel.

“n-no.” you breathe. “yes.” he breathes back, curling his fingers inside you. any further words are choked, as your lips part in a pathetic whimper. “aw.” he coos, now holding you down with his other hand on your stomach. “stop…no—god.” your pleas fall on deaf ears. “yeah…you’ll do nicely.” he hums, continuing to fuck you with his long fingers. too long, in your opinion. his claws scrap against your already sensitive insides, as you squirm on the ground.

your cheeks and nose are flushed, your mismatched breath almost egging him on. “stop squirming or maybe i will have to eat you.” those words have you pausing, fists clenching around the grass. “please…” you gulp out, stomach contracting. but all the beast does is finger you harder, pushing at your thighs so he can get a good look at what a mess he’s already made of you. and just as you’re about to cum, your legs shaking, he pulls away. this fact seems to make you squirm again, as he pushes you completely onto the ground, before fully hiking your dress up and over your breasts.

“i’m only inspecting you, sweetheart. not to give you pleasure. so, stay. still.” he speaks as his hands grab at your breasts, beginning to squeeze and fondle them as he pleases. he bounces them, while pinching your nipples, as you try to gulp down any arousal you still feel. “you’re a very pretty girl, aren’t you little red?” he hums, glancing at the red hood surrounding you on the ground. “tell me, why aren’t you some hunter looking to kill tiny animals?” he hums out as he keeps playing with your breasts, pushing them together, before circling your nipples.

through hard breathes you manage “i’m going to see my…my grandmother.” the monster grins. “with these breads? how sweet of you.” he coos, as he nudged your legs apart again, flicking at your clit experimentally, as he keeps playing with your tits. “i don’t usually get little things wandering into my forest. and certainly not this far in.” he then catches your gaze as he leans towards you. “now be a good girl f’me, and flip over.” he whispers, so close to your lips. after your pause he continues. “eating you is still an option. i haven’t had something delicious in a whi—“

but he’s cut off as you quickly turn around on the ground, his grip on your hips keeping them raised, as he grins. “that’s it…” you’re now pressed up against the grass, your ass stuck out for him as he taps at your pussy, making you jolt a fraction. “you’re rather tiny…” his tone gives away that he likes this fact, his fingers spreading your pussy lips as you then feel something hard pressed against your clit. you can’t see him, but can instantly tell what he’s about to do. you grip the grass again, looking for stability in this unstable situation.

from the taps of his cock against your pussy you can feel how weighted it is. the hint at his size making your fear accelerate. he then begins to push the head of his cock into your entrance making a small cry leave you. and once he begins to rut into you relentlessly, your body moving along the ground at his harsh thrusts, your mind turns dizzy. your lips parting as you claw at the grass, ripping out strands. “are you drooling, sweetheart?” he hums. “open your mouth wider, let me see.” he gazes at your face, pushed up against the ground, as he fucks you from behind.

you slowly open your mouth, as his fingers slip down and drag at the flesh of your inside bottom lip. “just as soaked as your cunt is, huh?” he then begins to play with your tongue, coating your spit over his claws and fingers. “making such a mess.” he coos, as his balls slap against your clit making a small whimper fall past his fingers. his free hand grips your hair, pulling your head slightly back as his cock goes deeper, making you cry out, drooling even more over his fingers. “how bout this…” he says, a little breathless from how well your hole is taking him. “your grandma can have your breads and pastries.” he glances at the basket, haphazardly thrown to the side. “and i can have you.”

he sticks his fingers further into your mouth until you’re practically gagging, your tits bouncing as he thrusts his hips into you. “that sounds fair doesn’t it?” he’s nodding, licking at his lower lip as he murmurs “dios…” you can hear his breathing change, showing he’s getting close. as his cock twitches inside you, he pulls out, bringing you around to kneeling by the grip of his fingers in your mouth. he holds your mouth wide open as he rests his cock on your tongue. “give it a lick, little red.” he’s so close. with drool coating your lower lip in a shimmer, and his fingers hooked inside, you drag your tongue over the tip of his cock, as his hips shudder, finally spilling down your throat.

he makes a mess of your mouth, your only solution being to swallow. you gulp down as much as you can, though some spill out due to the unwavering grip of his fingers in your mouth. he stares down at you, a new emotion behind his eyes, that says more than a passing hunger. he grabs your chin and leans down to lick the remaining mix of cum and drool off your lips. your mind is reeling, this whole situation feeling like a fever dream.

“i’m sure your grandmother is worried about you.” he hums, running his thumb over your chin and swollen lips. “you should get going. and don’t forget the pretty flowers.” his words are far too sinister to make you stand with a skip in your step. as he soothes your dirty dress down and fixes your hood, his cock away as if nothing had happened. he hands you back your basket, your shaky hands gripping it. “now run along, little girl. and please do remember to visit your poor, sick grandmother more often.”

it was a demand. not a suggestion.

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