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ckret2 · 4 months ago

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Chapter 63 of human Bill Cipher trying to debate his way out of still being the Mystery Shack's prisoner. Soos has found the stolen Journal 4 in Bill's possession and has to decide what to do about it in light of everything else he's learned about Bill lately.

[*you may notice chapter 61 is missing! This plot was done sooner, so I'll be posting chapter 61 sometime after 64. It's not chronological so you're not missing anything!]

Soos stared dumbfounded at the journal with a 4 on the cover that he'd pulled from Bill's hiding place. Ford had lost Journal 4 last fall—he'd said gnomes had stolen it. How in the world had Bill gotten it?

Soos sat in the attic window seat and flipped through it. The first few pages were Ford's journal entries—his observations of the dimensional rips they were glueing shut in Gravity Falls post-Weirdmageddon, a hand-drawn map highlighting various places around the globe he wanted to investigate, a few drawings and observations of paranormal beings he hadn't seen his first time in town, half a sketch of a gnome that ended with a jagged scribble across the page followed by a page that said "Shmebulock" over and over.

And then a page that said, in an unfamiliar handwriting of jagged, narrow gray letters: "CURSED BOOK! If your name is Mabon Mason Pines, STOP READING NOW or ENJOY YOUR HEX!"

Bill had written page after page of some weird code of gray and yellow-green dots and dashes. A few sentences in English—every one of them was a threatening message to Ford. "Everything would have been fantastic if you'd just helped me finish, Fordsy." "You'll regret not siding with me when you had the chance." "You should have known better than to let your idiot brother turn you against me." "Sixer, you're lying to yourself every time you say you never worshiped me, and you know it. You spent the first third of your life running away from the god you were raised with and the second third chasing after me. Don't waste your last third denying it. YOU'RE MINE." A small, worrying diagram of what looked like the interdimensional portal. And a sticker.

Wait, hold on.

A sticker. One of Mabel's. The rest of the page was the same as the others, the two-tone dots and dashes, except for the sticker, and an arrow drawn from one paragraph to the sticker.

A yellow smiley, its round edges filled in with black marker to make a triangle, over the words "Good job!"

Soos stared at the sticker.

####

A couple of weeks ago, Melody had texted to let Soos know that there was a mess in the upstairs bathroom, and the kids said they'd been fighting a werewolf ghost.

When Soos had gotten home the next morning, Melody had pulled him aside and quietly told him she hadn't wanted to worry him and the Stans, but she did not think it was a werewolf ghost.

When Soos saw the bathroom, he didn't think it was a werewolf ghost either.

It was a scene from a horror movie. Menacing magical sigils painted all over the walls in blood and toothpaste, Bill's zodiac painted on one mirror, the other mirror broken, glass and water all over the floor. It looked like the site of a really wet demon summoning. This contained none of the hallmarks of ghostly or werewolfish activity. Why would Bill do this?

Soos was kind of reluctant to ask Bill. Bill still sorta scared him sometimes. Sure, he looked like a lost 18-year-old, but Soos knew what teens were like in a fight. So he asked Mabel instead.

Mabel pursed her lips uncomfortably. "Ask Dipper."

So Soos asked Dipper.

Dipper winced and. "Promise you won't get mad."

Soos considered that. "Yeah, I guess that's a fair deal."

Dipper confessed that Bill got accidentally locked in the upstairs bathroom for like a whole day, because he and Mabel didn't hear him yelling. Not because they were out of the house when they shouldn't have been. They were just... somewhere else in the house. Doing something loud. For the whole day.

While Bill was trapped alone.

####

Soos had vented to Abuelita about cleaning the bathroom. Like sure, he got Bill was annoyed about being stuck, but that seemed excessive.

Abuelita had made the observation that sometimes people in profoundly bleak and oppressive situations would just... destroy whatever was around them. Like punching a hole in the wall or snapping a pencil when you were angry, but much more so. Not because they wanted their surroundings to be destroyed, but because that was the last and only thing they had power over, and they needed to feel like they were in control of something. Even if that thing was merely changing their environment from ordered to chaotic.

Bill didn't have control over very much. He probably hadn't since he died. Soos didn't know what kind of space triangle afterlife Bill had been in before he showed up as Toga Lady, but it couldn't have been great if he'd come straight back here.

Soos could remember the one time weeks ago he'd let Bill into the bathroom to shower and forgotten to come back and let him out. How Bill had screamed so all the Mystery Shack's tourists could hear; how he'd seethed in Soos's face, how he'd said he'd rather blow their collective cover and throw them all on the mercy of the town's law enforcement than remain locked in the bathroom a second longer than they'd agreed upon. Soos had thought Bill was just impatient and hotheaded.

Standing in the bathroom, looking at the material evidence of Bill's claustrophobic terror—the broken glass, the spilled blood—he wondered.

####

The same day, he had felt a breeze in the gift shop and found the trap doors to the roof left open. He'd climbed up, shut them, and in between tours he'd visited his office to check yesterday's security tapes.

He saw Wendy coming into the shack to hang out the morning before. That was fine. Soos had discovered she did that from time to time on days the shack was closed, but she wasn't doing anything bad and she hadn't brought it up yet, so Soos didn't bring it up either. Maybe she just needed a private place to hang. Teen stuff. He was just glad Wendy felt that safe at the Mystery Shack. Maybe she'd just gone up to hang out on the roof and forgot to shut the trap doors...

And then, right there on screen, Soos saw Bill letting himself into the gift shop, through the door, which he shouldn't be able to open. A chill shot up Soos's back. The door curse was their only real means of containing Bill. If he could use doors now, he was out, there was no way they could trap him without doing something crazy like locking him in the bunker and hoping he didn't kill himself.

Or could he use doors? Soos thought back to the frantic messages on the bathroom wall, written in Bill's own blood—his desperation over being unable to escape. Maybe he could use doors but not doorknobs. That was okay, maybe?

On tape, he saw Wendy run into Bill. He saw Wendy take Bill onto the roof. Out in the open air, where he could just... do whatever. But he didn't do whatever. Soos fast-forwarded the tape until Wendy and Bill came back down, and Bill simply returned to the living room.

He'd had the perfect opportunity to shove Wendy off the roof or escape. He didn't take it.

If all Bill was using his new door skills for was ducking into the gift shop and hanging out on the roof with Wendy, Soos thought maybe it would be kinda mean to take that away from him. There weren't a lot of other places Bill could go in the shack. (Soos kept seeing the blood on the bathroom wall. He kept trying to imagine what kind of helplessness would drive someone that far.) Maybe Bill needed the open air.

So Soos had put the security tape on his desk, not sure what to do about it.

####

A couple of day after that, while Soos was restocking the gift shop in between waves of tourists, he'd seen Wendy reading an oddly dull-looking booklet instead of one of her usual magazines. He tilted his head to glance at the cover. The Oregon state driving manual. "Aw dude, gonna get your learner's permit?"

"Think so," Wendy said. "Don't tell my dad."

Soos remembered Wendy groaning about her dad wrangling her into doing errands if she ever got her license. "Your secret is safe with me."

"Thanks."

"What made you change your mind? You were totally against getting a license a week ago."

"It's probably those stupid Gleeful Auto commercials that have been worming into my dreams." Wendy laughed. "I'm just waking up in the morning like, neeeed caaar."

"Oh yeah! Heh, funny coincidence, Melody says she had a dream like that too. Sometimes she gets these like, dreams about monsters watching her in bed? But one time, the monster was Bud Gleeful, whispering in her ear about a big car sale. She totally woke up laughing!"

"Ha! Annoying car commercials should be banned, man. Why do we need to be told multiple times a day to spend thousands of dollars?"

"You make a salient point."

They fell silent for a moment as Wendy read a couple more paragraphs. Then she said, "That, plus... I was talking to Goldie the other day."

Soos looked up from the t-shirt he'd been putting on a clothes hanger. "Oh. Yeah?"

"About where we wanna go when we get out of town."

"Huh." Very casually, Soos asked, "What did Goldie say?"

"He wants to go on some big vacation. Like a world cruise or something, I dunno."

"Huh." Soos wondered if that was true. He tried to imagine Bill Cipher as a tourist. Floating triangle in a Hawaiian shirt with a camera hanging from a strap and a fanny pack. What kind of places would he even visit? Soos bet he wanted to visit the pyramids. Heh. (Was that stereotyping? Maybe that was stereotyping.)

"And I told him I'm moving to Portland for college."

"Oh, hey, I didn't know you were thinking about college."

"I... actually, never told anybody else before," Wendy said. "I've been thinking about it for years, but part of me felt like it's just a fantasy? But Goldie said when he got out of high school, he did the same thing—moved to another town, made a new group of friends, all that. And... I don't know, actually talking to him out loud about it just... made it feel real, you know? So I thought, if I'm gonna move to Portland, I should probably start planning for it. Starting with how I'm getting there." She held up the driving manual.

Soos nodded slowly. "Huh. Yeah. That's a pretty mature way to look at it."

And that was what Bill was talking to Wendy about on the roof? Just... listening to a teen vent and helping her figure out her future?

And so, Soos took the security tape off his desk and put it in a drawer.

####

A few days later, Soos had heard the downstairs bathroom sink running for several minutes, assumed someone had forgotten to turn it off, and went to turn it off himself—and had caught Bill, in the dark, half undressed, washing himself in the sink.

After Soos had backed out and profusely apologized, he'd asked, "But—how come you're washing in the sink? I can let you in the upstairs bathroom if you need—"

"Worry about your own grooming habits and leave mine alone," Bill snapped. "As long as I don't smell, what do you humans care how I do it. Soap is soap and water is water."

It took Soos several days to realize he didn't think Bill had had a shower since he got locked in the bathroom. And nobody had noticed, because Bill made sure nobody noticed, because he'd been keeping himself clean in the bathroom he couldn't get locked in.

####

Dipper would go all summer without showering if he could get away with it; Stan showered like once a week and had constant old man smell; Abuelita also showered weekly and had a more refined old lady smell; Soos didn't know when Ford showered, but he'd never caught him doing it and Ford always smelled weirdly like burned hair. Soos showered almost daily during tourist season—that Mr. Mystery suit was hot—but outside that might go three days at a time. Mabel showered near daily.

From what Soos had observed, Bill was showering like, at least twice a week. He didn't know how often Bill cleaned himself in the sink in between.

That meant he was showering more often than two-thirds of the house.

Yet he was the only one in the house living under the threat of being thrown in the tub at 3 a.m. if someone decided he hadn't bathed enough for their tastes.

The reason Bill had refused to shower during his first week of imprisonment was so he could use the condition of his body as a bargaining chip—with no physical possessions in the world, his own body was the only bargaining chip he had—to try to buy a little more dignity. In return, his captors had taken more dignity away. They permitted Bill less autonomy over how to take care of his body than the household's children had.

Dipper had never gotten forced into a bathroom he couldn't let himself out of.

####

The day after the eclipse, Ford had pulled Soos aside and said quietly, "Soos, as soon as you have some time—could you repair the door to the kids' room? Before the end of the day? The latch has been broken since the tooth fairy's attack."

"Uh, sure, I can probably do that," Soos said. "How come?" The latch had been broken for a couple weeks, and the Pines hadn't been worried about it before.

"Right now, the door can swing freely with just a push," Ford said. "I think Bill's figured out how to use that to get in. Which is worrisome, since he shouldn't be able to use any doors..."

"O-oh." Soos thought about the swinging door into the gift shop. "Yeah, uh... sounds bad. Byyy the way—how'd you figure out he knows how to use the door?"

"Dipper says Bill somehow got in and out of the room last night," Ford said. "Mabel fell asleep in the living room and Bill carried her upstairs. I really don't like the thought of Bill being able to get his hands on the kids while they're asleep and defenseless."

Ford was mad at Bill for tucking a kid into bed? That was the big red flag? "No problem! I'll fix the door right after work."

The next time Soos visited his office, he took the security tape out of his drawer, rewound it, stuck it back into the tape recorder, and let that day's security camera footage overwrite and erase the evidence of Bill's visit to the gift shop.

####

And now, today, carrying Journal 4 in both hands, Soos trudged downstairs, trying to figure out what to do with it. He had to return it to Ford, obviously—but Bill and the Stans were already in the middle of a discussion that sounded a lot more like an argument. Flinging a stolen journal into the middle of the proceedings would just make it worse. Maybe he should wait until they were finished and everyone had cooled down a little—?

While Soos was upstairs, the discussion had apparently moved into the kitchen. He hovered awkwardly at the bottom of the stairs, watching.

"What do you mean, you need kitchen access," Stan was asking, "you already have kitchen access. It's never been off-limits! Even after you peed in the sink!"

"It's not kitchen access if I need to ask someone else for permission to eat anything but snacks."

"No one's making you ask for permission! You can take what you want!"

"Okay, fine. So what can I eat?" Bill gestures at the shelves. "Go on. List anything you can think of. Anything."

Stan grimaced, and glanced at Ford to see if he was willing to walk into the obvious trap first.

Ford looked at the nearby shelves. "Cereal."

"One point for Stanford Pines! Cereal! So am I supposed to eat dry cereal for every single meal, or—?"

"No, of course not."

"All right, then what else?"

"Brown meat," Stan said. "We've got plenty of brown meat. It's good for you!"

"You didn't give me can opener rights," Bill said.

"Huh."

"So no brown meat," Bill said. "No canned soup, no canned chili, no canned fruit, no canned vegetables—"

Ford cut in, "Some of the cans have pull tabs, you don't need a can opener for those."

"Terrific observation! As soon as you realized I could open those cans myself, you moved them all under the counter because you thought I'd use the sharp edges as weapons!"

"It's... possible to open cans without a can opener, I did it sometimes while roughing it in other dimensions—"

"Yeah, wearing off the metal rim with a rock, right? Lemme just go outside and grab a rock—oh wait." Bill crossed his arms.

Ford sighed, and turned to Stan to suggest something else.

Stan surveyed the available supplies, spotted the bread, and said, "You could make sandwiches!"

"With what filling?"

"Uh..." Stan kept looking.

Meats and cheeses, of course, were kept in the fridge. Along with jelly, condiments, most vegetables... tuna or spam weren't options, they were canned... "Hey, we leave out some meats that don't need refrigeration. Sausages and stuff."

"Right, right. The ones that don't need refrigeration because they're wrapped in plastic you need a knife to cut," Bill said. "Sometimes I bite the plastic open with my teeth and rip off chunks of sausage with my fingernails, that's always fun! Then you put the leftovers in the fridge, and I'm out of luck until we buy another sausage."

"You could put... peanut butter on your sandwiches?" Ford tried. "Peanut butter's nutritious."

Bill fixed him with a hard look. "For the past five weeks, every time I've gotten a meal without asking someone else to help feed me like a baby, I've had nothing but peanut butter and banana sandwiches, peanut butter and jerky sandwiches, peanut butter and raisin sandwiches, and peanut butter and potato chip sandwiches. And we're out of bananas, jerky, and raisins." He pointed at the tortillas. "Once I decided to get creative and made myself a cold peanut butter quesadilla! I can't even add spices, because guess where the breakable glass spice jars are kept?"

"Pasta," Ford tried. "We could keep the pasta out."

"Oh, wow, that'd be great! I just love pasta! But I can't open the microwave and I can't turn on the stove! How do I heat the water, Stanford?"

Ford frowned. "Hm."

"I can cook, you know—not that any of you bothered to ask! It might not suit your tastes, but it suits mine! I wouldn't need your help to eat if you didn't make me need help! I am sick to death—" his voice went thick and took on an uncharacteristic waver, "—of having to beg to... eat." He cleared his throat, squeezed his eyes shut, and rubbed his eyelids with one hand. "Sh-shouldn't even—need to eat." He clenched his jaw to keep it from trembling.

Stan and Ford exchanged a guilty look. Stan said, "You don't have to beg— I mean, we know the, uh... position you're in..."

Bill was silent for a moment as he tried to get a tough face back on. His voice came out as a rough whisper—too thick to get any louder without breaking. "I had to negotiate to get burnt eggs."

Ford winced.

Soos was dumbfounded.

When had Bill had to negotiate for food? He could all too easily understand how it might have happened—Bill was an annoying guy, sometimes they had to pull out dumb bargains to get him to do stuff. But bargaining for food should never be on that list. Meeting Bill's basic nutritional needs couldn't be dependent on whether he was annoying that day. If it was, he'd starve.

It sounded like he was starving. Right under Soos's roof. He hadn't even noticed.

He thought about the piles of junk food trash upstairs and the bag of chips Bill had hurled across the room.

Ford said, "We'll... discuss it."

"We'll figure something out," Stan said. "I mean it."

Bill nodded silently. Head down, without uncovering his eyes, he hurried out of the kitchen and toward the stairs.

He nearly bumped into Soos's chest without noticing him. Soos backed up a step, tucking Journal 4 under his arm. "Whoa, hey!"

Bill froze, head jerking up. "You." His voice was thick and his glare was watery and poisonous. "Don't you have anything better to do than eavesdrop?" He tried to elbow past Soos, smacking his leg with his umbrella. "Move."

Soos realized uneasily that Bill's face looked a little slimmer than it had when he'd arrived.

He stepped in Bill's way. "Can't go upstairs right now. Attic's being cleaned."

"I didn't ask you to clean!"

"I'm not cleaning for you, dawg. It's just gotta be cleaned."

"Fine! Whatever!" Bill veered around the staircase and stomped down the hall, muttering, "Can't decide when I eat, can't decide when I shower, why should I get to choose when my hovel's swept..."

Soos's leg hurt where Bill had smacked it. (Bill couldn't even control whether or not he cried; all he had control over was making someone else hurt.)

In the kitchen, Stan murmured, "Didn't even realize we don't keep anything decent out on the counters. They're so crowded..."

"Chip bags take up a lot of space." Ford sighed. "I assumed he'd get a serving with everyone else whenever Mrs. Ramirez cooks."

"He does, but she only does dinners. And he'll only eat it if he watched her cook it. I've seen him get lunch with Mabel, but I don't know what he does when she's not..." Stan spotted Soos on the stairs. He tiredly called, "Soos? You need something?"

"Uhhh..." Soos hid the journal behind his back. "Nope! I just thought I'd come downstairs! For no reason." He awkwardly walked up the stairs backwards, journal still tucked behind him. "And—and now I'm going up again." He stopped at the landing and scooted sideways up the next flight of stairs. "See ya."

He pressed the journal to his chest and returned to the attic.

####

When Soos and Abuelita moved into the shack, the first thing Soos had done was turn Ford's ground-floor study into a bedroom for Abuelita. Because she was a little old lady, and not quite as steady as she used to be, so Soos didn't want her constantly going up and down the stairs—because falling once, just ONCE, could send her to the hospital or worse. That was how serious it was! You don't mess around with that!

Bill tripped and fell on the stairs so often that they could use it to tell when he was awake. And nobody had thought to offer him a cane? Did anybody even ask if he was alright?

When Bill first arrived and tried to murder everyone, naturally, he came out of it pretty banged up and bruised. That was to be expected. It was self-defense. They'd gotten used to seeing Bill with scrapes on his arms and legs, rope burns around his ankles, and the angry purple-black bruises of chain links over his arms. But in all the weeks since then, Soos hadn't seen Bill bruise-free once. Bruises on his shins and arms, scrapes on his elbows and knees. Soos had seen him with a four-inch burn on his forearm. Bill had brushed it off.

In Bill's first few days in the shack, he'd resorted to peeing in the kitchen sink because nobody had bothered to give a guy who couldn't open doors a way to use the bathroom. And they were the reason he couldn't open doors in the first place!

He threw up in the living room in the middle of the night and went upstairs to sleep on couch cushions on the floor and nobody had talked about it.

He burned off all his hair and was so upset about it that he stole Soos's zodiac blanket and hid under it for half a week, and everyone but Mabel just ignored him.

In less than a month in the Mystery Shack, Bill had lost a tooth.

He had been dragged out of the house during a weird weather phenomenon while terrified out of his mind. Soos had seen Bill cowering on the ground in fear, Ford looming over him, grabbing him by the collar and snarling in rage. Bill had been pleading with everyone in hearing range not to make him go, and had come back in such a state of shock he could hardly walk.

And yet, he'd protected the whole town from getting hurt in zero gravity—and he'd brought a pet for Soos.

They'd tried to execute Bill two days later.

####

Soos sat in the window seat, flipping through the remaining filled-in pages in Journal 4. The last few pages were packed with stickers. A cat that said PURRFECT! A smiling fish that said A REEL PAL! Bill had started a little collection of pizza slice stickers for some reason. A couple of holographic rainbows, a smiling scratch-and-sniff sun. (Apparently, the sun smelled like lemons and oranges. Astronomy facts!)

Soos reached the current page. Bill was using several pieces of paper—regular printer paper and notebook paper, folded in half—like a bookmark. Soos unfolded them. A list of animals ranked by fuzziness. (Soos was satisfied that he'd been placed under the "smooth and squishy" category, but wondered whether he should be bothered by the fact that he shared the category with pigs and slugs.) A drawing of Bill riding a looping rocket ship and waving a fishbowl helmet above him. A drawing of a blue house with a couple of kids and a pig in the window. Several drawings of shape people kinda like Bill: a pink heart person labeled "Me in Flatworld," a stern-looking red stop sign wearing sunglasses labeled "Bill's parole officer," Bill dancing, the pink heart protecting Bill from some villainous-looking shapes—all clearly Mabel's art.

Several notebook pages in someone else's handwriting detailing names, addresses, and contact information, with statements Soos couldn't make sense of—as if maybe someone had been asking somebody else questions and writing down their answers. He thought the questions might be about how some people had reacted to the end of Weirdmageddon. He got the impression the people being discussed had known that Weirdmageddon was coming. He got the impression they were disappointed it hadn't happened. There were several questions at the end: How will we rendes-vouz? (Whoever was writing didn't know how to spell rendezvous, but to be fair Soos wasn't 100% sure either.) What supplies do you need? What are your interim orders?

Soos stared at the notebook papers.

He flipped back through the journal again, looking at each page more closely.

Sometimes the two-tone dot-and-dash segments had a stray human word: a few characters he recognized from his Teach Yourself Japanese workbooks, sometimes words Soos thought might be Arabic but honestly he didn't have a clue. At one point he listed half a dozen human names that Soos didn't recognize. The most common character was a stretched-out letter M (Mabel?), followed by a 6 knocked on its side (Sixer?).

The dot-and-dash segments had occasional amateurish illustrations. Sometimes they were human stick figures; sometimes the stick figures' heads had symbols off of Bill's zodiac wheel. He saw Stan's fish symbol, Gideon's star symbol, and Mabel's shooting star symbol. Ford's stick figures were the only ones with hands; Bill consistently gave them six fingers. The doodles were like particularly esoteric cave drawings; they were so bad that Soos couldn't tell what most of them were supposed to illustrate.

Except for one featuring Bill (as a triangle) and Mabel and some other inscrutable figures in a really awesome car with flames on the side, its coolness limited only by the fact that it was all in gray and yellow-green crayon. When Soos had been in high school, there had always been a couple of kids who didn't know how to draw anything except expensive cars or name-brand sports shoes, but they drew them in extreme realistic detail. Apparently, Bill was that kind of artist. Nothing but stick figures and the sickest crayon car Soos had ever seen.

It didn't do anything to dispel Soos's impression of Bill as a lost alien 18-year-old.

On one page, in sloppy lines of handwriting that meandered drunkenly up and down the paper, Bill had written, "I don't get why you won't give me a second shot. I asked you to join my gang. I serenaded you in a pyramid. I got a fantastic makeover. I offered you godhood. I showed you my dimension. I didn't torture you until I had to. I even made you a skin couch! I know how much you've always wanted a leather furniture set! I've given you everything from chicken zombification magic to jelly beans, what does it take? What am I missing?"

Soos reread Bill's other messages to Ford. All that "you'll regret not siding with me" junk wasn't threats. It was the impotent rage of a socially inept teenager who didn't understand his own creepiness had driven his friends away. It was the whiny moan of some guy going "Why doesn't she like me anymore" about an ex-girlfriend who had told him five times she didn't like him anymore because he didn't listen to her. Like that guy Wendy dated last summer. So like, a jerk, but not a terrifying world-ending monster jerk, just an annoying creep jerk. A regular jerk. A human jerk.

Soos stood, gave one last look at this journal—clearly stolen, definitely a violation of Bill's "no writing materials" restriction, completely stuffed full of mysterious messages to outsiders and some kind of weird alien code that could say anything at all and might have been super dangerous—and he slid it back into the ripped seam in the attic seat cushion where he'd found it.

He finished vacuuming up the potato chips Bill had flung across the room, thinking about how offended Bill had been that Soos had given him any food except what he'd asked for, remembering what Abuelita had said about people who destroy the things around them when they feel like that's the last and only thing they still have power over.

Enough was enough.

####

(Hope y'all enjoyed! Next week we may interrupt our regularly-scheduled programming to post a TBOB-based chapter I'm inserting early into the fic—it depends on if I get it done by next Friday. In the meantime, I'm looking forward to hearing y'all's thoughts on this chapter!)

#bill cipher #human bill cipher #soos ramirez #gravity falls #gravity falls fic #gravity falls fanart #fanart #my art #my writing #bill goldilocks cipher

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raguiras · 4 months ago

Text

TWST Olympics AU #1

Part 1: Heartshackle trio designs!

Reblogs are hella appreciated!! I'm likely shadowbanned 😭

As the Olympic Games are officially starting in a week, I decided to finally sketch some of the designs for my Twisted Wonderland Olympics AU! Next up are Riddle, Trey and Cater.

Everything about the AU below!

AU rules

Feel free to add your own OCs to this AU!

Fan content is obviously allowed! Just tag me in it, please.

AU summary

This is a magicless AU where all of the TWST characters are Olympic athletes in the real world. Some win medals, some barely qualify — but all of them live in the Olympic village. The students are aged up here (usually early to late twenties) while the faculty members have no set age and work as sports reporters.

♤ Character introductions ♤

ACE TRAPPOLA — A 21-year-old Italian prodigy basketball player. He's considered to be his team's ace (pun intended) and is great at tricking his opponents, making tons of baskets for the Italian team, and efficiently assisting his teammates.

DEUCE SPADE — A 21-year-old Japanese track and field athlete competing in various smaller disciplines falling under the "track and field" term. He's extremely average at most things other than sprints, often ends up in the bottom 3, and is secretly incredibly insecure about not being the best at anything.

ALLEN ALAGONA (YUU) — A 21-year-old Japanese-Italian gold-winning figure skater competing for his current home country, Ireland, along with his best friend and sports partner Alcestris. He gave up on his original dream — becoming a musician — and is now working hard to be the best male figure skater in the world, hoping to kickstart a career as a musician later on.

♤ Relationships ♤

ACE & DEUCE — Their friendship originally started when Ace posted a picture of himself watching a sprint competition while Deuce made a grimace in the background, causing the photo to go viral and become a meme. Deuce originally DMed Ace to take the picture down and got teased for it, but this teasing slowly developed into a friendship. While they get along well, Deuce is secretly a bit jealous of Ace for pretty much being a prodigy.

ACE & ALLEN (YUU) — Ace is a fan of Allen and views him as a fellow gold medalist. Being open-minded and "eager" to make new connections, Ace simply DMed Allen one day and the two became unlikely friends. Nowadays, Ace also functions as a matchmaker, being the only person to know just how much Deuce likes Allen...

DEUCE & ALLEN (YUU) — Deuce knows Allen as the most famous figure skater in the world and is absolutely stunned by both his appearance and humbleness. The two accidentally meet at a coffee shop during the games one day, decide to have a drink together, and strike up a conversation. Deuce is fanboying on the inside and trying to hide his surprise that Allen genuinely recognizes such an average athlete as him. Allen, however, already knows Deuce due to closely following all Japanese competitions, and has also noticed how incredibly ambitious Deuce is. Knowing Deuce's pain of carrying other people's hopes and never being the best at anything all too well from his teen years, Allen wants to get to know him better... and what starts off as mutual admiration and a celebrity crush on Deuce's side develops into full-blown love.

♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤

If this post/AU ends up being well-received, I'll introduce Riddle, Trey and Cater next!

♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤♤

More about the Deuce x Allen ship in the canon lore:

part 1 // part 2 // part 3

Friends who participated in the original AU development some months ago 🫶

@althea-and-alcestris @miss-atena @vanrouge13 @spookyavenuestreet @heyhellohihowareyou @nyx-of-night

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owliellder · 1 year ago

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The Finer Details

Post DI! Leon Kennedy x Painter f! Reader

MDNI 18+

(Session 1, Session 2, Session 3, Session 4, Session 5, The Reveal)

Description: Leon realizes that retirement is in his best interest now that he's getting older. All of his accomplishments as an agent mean he's truly earned a painting to commemorate..

Warnings: Not Proofread, Age gap! (reader is anywhere between mid-late 20's and Leon is 40), Porn w/ Plot, Use of she/her pronouns, Angst, Hurt/Comfort, Alcoholism, mentions of trauma/PTSD/depression, P in V smut (wrap it NEOW), Leon cries during sex 💔

Tags: Older Leon Kennedy, Younger afab!Reader, Leon is SAD but he is your muse, Crying, mentions of Leon masturbating, starts off with Dom! Leon and Sub! Reader, falls into switch territory because that man needs some serious TLC, Praise kink, Hickeys, Handjob, Nipple play, Oral sex (m! and f! receiving), and a heavy dose of Aftercare

Author Note: You know how each president of the U.S. gets a painting at the end of their term? I'm thinking like that. Plus, my favorite hobby is recreating renaissance art, so I figured this was a good fit (hopefully).

Cross posted onto AO3

Session 1: The Sketches

It was late at night when Leon made his decision to retire fully.

He had gotten home over an hour ago from reviewing mountains of paperwork, most of which pertained to missions that other agents have gone on or will be going on.

Younger agents. More energized agents.

The fact that he hadn't gone on a full mission since San Francisco was driving him up the wall. But that's what he wanted. He requested to hang back the last two years.

Both Chris and Claire had fully retired themselves right after San Fran, Claire being the first to retire to focus on her growing family with Chris following suit only a few months later. Jill was still around, but she was doing similar work that Leon was, only she was in a completely different department which was states away.

Of course Leon still talked with them all as regularly as possible, he'd go insane if he didn't, especially with Claire having a couple kids now. He wasn't the greatest with children, but it was refreshing seeing his friends achieve such normalcy. He wanted them to have the best life they could away from everything.

Having turned 40 a few some months ago, Leon was having a bit of a mid-life crisis. The mission to San Francisco a couple years ago had made him realize just how much toll the job itself had taken on his body. After being assessed and allowed home a few nights after returning from the mission, his body ached; joints creaking, back nearly thrown, just... tired.

Don't get him wrong, he was always tired after missions, but this was different. This wasn't just the regular aches and pains he dealt with after being tossed around like a rag doll, this was age.

Deep in his mind, Leon was still that 21 year old boy in Raccoon City. He never got the chance to properly grieve and move on, his mind forever changed by that event. Mentally, he was stuck there and had been this entire time.

It had taken the man this long to truly recognize the fact that he's older now. He's not that boy from Raccoon City anymore. He hadn't been in a long time.

What was he do to now? Leon had wanted so badly to serve and protect the people, but not like this. Not like he has for the past 29 years.

He spent his most formative years fighting unimaginable horrors, watching people suffer, watching people die. You don't just come back from something like that.

And unlike the friends he's managed to keep close, Leon didn't have someone he trusted. Hell, he barely trusted himself most days.

So now here he was, sitting drunk in his shower with his legs pulled up to his chest, his arms resting atop his knees while the water pelted down on him, silently mulling over everything he's ever seen and done during his time as an agent.

The water had grown cold at this point, Leon having quickly lost track of how long he was sitting spaced out like that for. Thankfully, he'd already cleaned himself before he ended up sitting down, so the hardest part now was just standing back up to get himself back out.

It took him a couple more minutes before he finally hoisted himself up with a tired groan, both his knees popping from being stuck in position for such a lengthy amount of time.

Once out of the shower, towel loosely wrapped around his waist, Leon stared at himself in the mirror; busy studying the crow's feet on both outer corners of his eyes as well as the prominent bags sitting under them, the smile line around his mouth, his now brown hair, the stubble on his face and neck that's he's neglected to shave, and just how exhausted he looked.

How has he never noticed any of this before? Why's he look so different now?

Settling into bed after this brutal realization was a tough task. The man followed his nightly routine of taking four Tylenol and two of his prescription sleep meds before setting his a/c 65 degrees Fahrenheit. He learned quickly many years ago that tossing and turning at night would make him overheat and sweat.

But tonight, nothing Leon did could ease that sinking feeling in his chest, that feeling of unfulfillmemt and shame weighing on him more than ever before.

The poor man barely slept at all last night, hangover evident by the way he was still slightly uneven on his feet as he leaned over the center island in his kitchen, head between his forearms while his hands sat clasped together.

Leon knew what he had to do. He's been feeling it ever since Chris and Claire made their departure, but it was so easy to deny. How was he suppose to give up the one thing that made him important? Sure the stress of his work was heavily tasking on the mind and body, but it's what gave him purpose. He felt useful doing what he did.

The man showed up for work late that day, barely having managed to dress himself. He didn't know exactly who to go to in this scenario, but everyone seemed surprised that the Leon Kennedy would show up for work in some ratty t-shirt and grey sweatpants. The stares were making him incredibly uncomfortable and he was quickly regretting showing up at all.

After sitting in his own office for awhile to avoid the looks and whispers, Leon eventually sauntered over to his superior's office, an almost solemn look on his face as he let himself in after knocking.

Needless to say, Leon was relieved his superior knew this was coming. Slightly offended, but relieved nonetheless.

It had been a long time coming, and it was only a matter of time before Leon threw in the towel, especially since he was now just working behind the scenes instead of on the frontline.

He was allowed to return home for the rest of the day if he wanted to, which Leon quickly took. He really didn't want to be in that building for much longer.

As soon as he returned home he went right back to drinking. And as ashamed as he is to admit, he even cried a little, half empty whiskey bottle in one hand while the other was clenched tightly into a fist as he gripped the pant leg of his sweats.

There wasn't anyone Leon could talk to about this. Chris and Claire had their own respective partners to come home to after retirement, but Leon? Leon had nothing besides a dingy and cold two bedroom house with only the basics inside, including his alcohol cabinet.

The man didn't even give himself time to date, only the occasional one night stand with randoms from the bar. He was too afraid that he would endanger anyone he allowed into his life like that, not to mention he'd been betrayed one too many times to trust in someone that way again. It was his way of keeping himself and everyone else safe.

The therapists he was assigned throughout the years all had the same concern regarding his love life, and deep down Leon was just as concerned, but he rationalized it with that hero complex he developed.

But he just couldn't rationalize it anymore. Leon was alone. He was alone, sad, and afraid.

About a month after Leon's retirement was processed and announced, word spread quickly throughout numerous government branches. There was a celebration set up at the White House to honor his service as a field agent.

The President had separated him and Leon from the party to slowly walk through the many hallways in the building. The old man could tell just how bothered the now ex-agent was by his retirement, so he figured now would be the best time to talk to him about his final task.

"You know," The President spoke up after a couple minutes of the two walking in silence, prompting Leon to slowly turn his head to listen. "I'm sure you've heard it so many times tonight, but you truly were one of the best agents I've ever seen."

Leon chuckled quietly, shaking his head a bit at the compliment. He had heard it a lot tonight, but obviously it was different coming from him.

"I'm serious. This county, probably the entire world, would've been in shambles if not for your hours spent." The President continued, slowing his walking to a stop.

"It means more than you know." Leon responded simply, voice a bit gravelly from the few drinks he's had. He took a couple steps more before stopping as well, turning around to face the prominent old man.

The President sighed, giving him a sympathetic smile while nodding. They stood in silence for a brief moment before the old man spoke up again, pointing lazily down the hall. "Follow me, I've got something I want to show you."

From there, the two wandered further down the halls until eventually reaching one hall that had lights more centered towards the walls, highlighting the picture frames that sat evenly spaced out amongst them.

Leon seemed a tad confused until he was able to focus on the first painting they walked by. He knew each president got a portrait painted after their full term was served, but the man in this painting wasn't a past president.

He stopped walking to stand in front of the painting, admiring the details it had before glancing down at the bottom of the elegant frame, a placard reading a name he didn't recognize. What he did recognize, though, was the word Agent that sat in front of the man's name.

While zoned into the placard, Leon didn't register the gentle hand that had been clasped on his shoulder, the President's voice breaking through his trance. "For as long as there's been bioweapons, we've had agents fighting to stop them. But only a few agents have truly outdone themselves. Agents like you."

Leon blinked a couple times before turning his head to look at the hand on his shoulder, eyebrows furrowed. He wasn't quite understanding what he was saying.

The President took his silence as a cue to continue, his sympathetic smile turning into a happier one as he gently tugged Leon's shoulder to get him to start walking again. "The D.S.O. has produced some of the greatest agents since Benford created it back in 2011. You were amazing before, but you've outdone yourself time and time again."

Leon still wasn't quite understanding, really only half listening as he kept his eyes trained to the numerous portraits of agents as he slowly passed them.

The two stopped in front of the last painting in the hallway, only a few spots away from leading into another hallway. It was Chris and Claire in this painting. Chris was sitting down in a chair while Claire stood next to him, hand resting on back of it, both of them smiling.

He studied the painting for a minute longer before whipping his head around to face the President, who was still smiling, as the realization slowly settling in.

"I-" Leon struggling to speak, glancing back at the painting before quickly looking back at the old man standing next to him.

The President simply nodded his head, smile widening with a gentle laugh. "Right. The painting process takes a bit of time, but I think you've more than earned this."

The ex-agent had so many questions. Firstly, why hadn't Chris or Claire mentioned this? But more importantly, he gets to have his own portrait painted?

"The painter knows all about you. She's excited to meet you." The President started down the hall again, Leon not far behind, still stuttering out nonsense as he attempted to form even a sentence. "I'll give you the information you need to get started with her. I have it written down back in my office."

A painting?

A painting. A painting for him. A painting to honor him. What?

Leon was once again sat on his couch, blankly staring at the small business card with a date and time written on it in pen. He'd read the info on the card so many times already, wanting to make sure he got absolutely nothing wrong.

Apparently he didn't have to call and confirm, all he had to do was show up to this random address at a specific date and time, which was soon. In a couple days kind of soon. Also, he thought he was reading the time wrong, but no, it was four in the morning, not four in the afternoon. What an odd and rather inconvenient time.

Even after memorizing the business card front to back, Leon would be lying if he said he didn't forget about meeting up with this mystery painter. He'd been rather aloof the past couple months, it was hard to pull himself out of that funk. He'd been staying up late and sleeping in even later, so hitting snooze on his alarm a good few times was just muscle memory at this point.

It was almost 5am when he realized where he was suppose to be, eyes shooting open as he yanked himself out of bed, desperately trying to clean himself up enough to be at least presentable.

The man was mentally chastising himself the entire drive. It was a short drive, which he was surprised by, and the building seemed quaint; red brick with large windows that sat on what looked like either a second or third floor.

He parked his bike right near what he assumed was the main door, pulling off his motorcycle helmet before knocking and waiting.

The last thing Leon was expecting was you to unlock and open that door; young and pretty, so pretty...

"Mr. Kennedy?" You asked, eyebrows raised slightly with a small smile. He nodded, just barely noticeable, reaching a gloved hand up to wipe at his eyes as he caught himself staring.

Your smile only widened at his nod, stepping aside to allow him into walk in. It took him a minute to realize you were still talking, shaking his head out to refocus himself.

"-again, really, no need to worry about being late. I was trying to work with your schedule but I should've known it's changed up a bit by now, right?" You lead him up a set of narrow stairs, though he was mostly following the smell of your perfume. It was such a light smell but he definitely picked up on it.

You opened a door immediately to the left of the stairs, letting Leon follow you inside. The sun was just starting to rise, shining through the large windows in the open room.

The place was cluttered, yet organized. Crowded, but that just made it all the cozier to Leon. His house was bare and lacked any sort of personality, but this... this place was covered in you.

"I'm glad you like it in here." You said in a quiet voice, looking up at him as he took in your workspace. He was smiling ever so slightly, which you mimicked with a smile of your own. "I try to make it welcoming in here, my apartment is the same way.."

Your voice trailed off as you walked over to a mostly put together set up near the back of the room where the only wall without windows sat. There was a chair sitting close to the wall, the same chair Chris was sitting in for his portrait with Claire, along with your easel sitting empty a few feet away.

Leon stood frozen, only moving his head around as he took everything in. He followed you with his eyes as you fumbled around with something, eventually producing a blank 24" x 36" canvas that was still wrapped in thin plastic.

His mouth made an 'o' shape as he pulled himself from his small trance once again, beginning to slowly make his way over to the set up you've made. He placed his helmet down on the floor beside the chair.

After placing the canvas on the easel, you walked back over to where you'd gotten the canvas from before grabbing a heavily used sketchbook. It was a large one, the paper a light brown instead of white.

Leon had only just realized that there was a faint sound of some form of classical music playing from somewhere in the room, glancing around for speakers before looking back over at you.

"I'm not getting started today, we're a couple steps away from that, so don't worry about appearance just yet." You said softly with a breathy laugh, quickly making your way back over to where he stood next to the plush chair in your setup, his hand feeling over the worn maroon fabric.

Leon nodded silently, moving to sit down once you requested he did, furrowing his eyebrows as he watched you drag over a small table. You worked fast, that's for sure.

Eventually, you'd set up a little tabletop easel to sit on the table you'd dragged in front of him, grabbing your swivel chair to sit in as you placed your sketchbook on the easel, open to a blank page.

"I just need to get some basic ideas of your facial structure since that's most important when it comes to these kinds of paintings. You're gonna be wearing a nice tuxedo when I do the second- no, third sketch for the final painting, but this is just for me to get a feel for you and vise versa." You rambled quickly, pulling out a pencil from one of your pockets before fully sitting down on the chair, bringing your legs up to sit criss cross.

"Uh.. Alright..." Leon responded, clearing his throat a bit. He didn't really understand what you'd said, you spoke a little too fast for his tired brain to keep up, but it seemed like whatever you were doing was necessary so he just rolled with it.

He was left a little speechless again at how you just began sketching, glancing up to his face and down to the page you were working on over and over. "...do you need me to, I don't know, pose or something?"

The way you kept looking at him was making feel a little uneasy. Granted he's never been in this sort of situation before, this whole process was very unfamiliar to him.

"No, no. You can move your head around and stuff. Get comfortable." You waved off, eyes wrinkling as you smiled at him. Leon nodded again, deciding to take the opportunity to look around your workspace again.

It really was a cozy space. Full of color and life, even the curtains you had lining the windows offered so much pattern and detail to the room. The back of the room where the two of you sat was more cluttered with less decor, but the front of the room was a whole different story with those massive floor pillows, blankets of all sorts strewn about, that big fluffy looking area rug, it was all so... homey. It was even inspiring him to decorate his own house a bit.

The sound of your pencil scribbling on paper and the faint sound of the classical music playing was all Leon could hear for awhile, eventually letting out an anxious sigh before beginning to talk. "So... a painter, huh..?"

"Oh yeah, I've been doing this since I was little. Obviously I wasn't that good back then, but I really improved after high school." You immediately responded, voice a little louder than his. Clearly the topic excites you. "If you want, I can hand you one of my other sketchbooks to look at while I do my thing over here?"

Leon patted his hands against the arms of the chair before nodding to the side, pursing his lips slightly. "Mm, sure. Let's see what ya got.."

As soon as he agreed, you stood up and shuffled over to the corner of the room where some desks sat arranged in a makeshift cubicle. You opened a drawer and pulled out a couple sketchbooks, still as raggedy as the one you were using now.

Walking back over, you carefully handed them to him, which he slowly took after meeting your eyes for a brief moment.

Once you made your way back to your chair, he placed both sketchbooks into his lap, opening up the one on top first. The man flipped through them silently as you began to sketch him out again.

You'd zoned into your work, adding just a bit of shading to your sketches to help emphasis some features when Leon cleared his throat again. You leaned to the side to look at him, your smile quickly returning when you saw his baffled expression.

"These are... wow, okay, how old are you?" Leon asked, head jerking upwards to meet your gaze once more. You just giggled in response, using the pencil as a fidget before returning to sketching.

"Sorry-uh, I don't mean to come off as rude or anything, but to be honest, I was expecting you to be some old lady when I saw the portraits you've done." Leon was quick to try and explain, probably misinterpreting your lack of response for unease.

Your giggle turned to a small laugh, leaning to the side once more to look at the man. "Well, I'm glad I could surprise you a bit. Hopefully I don't look old."

Leon groaned and wiped his hand down his face. "Again, sorry. Didn't mean to imply." He shook his head and looked back down at the two sketchbooks sitting in his lap, continuing to flip through them.

It was only a couple hours until you decided you got a good enough feel for drawing his face. Grabbing the sketchbook, you stood up, pencil still in hand, looking down at the sketches you made as you slowly walked over to him.

The man noticed you standing up, quickly moving to close the sketchbooks you'd given him in favor of seeing your new sketches.

"I... I think this'll be enough today. I don't want to keep you too long." You said, handing him the sketchbook. Leon took it from you, careful not to smudge anything as he finally got to see what you've been doing for the past two hours.

He furrowed his eyebrows as he studied the sketches you'd made of his face, seeing all the different angles, even the smile, how'd you get his smile?

You seemed to grow nervous the longer he stared at your sketchbook in silence, his intense look making it seem as if he didn't really like them. "Are they... Are they okay?"

Leon jostled the sketchbook a bit in his hands before standing up, now towering over you as he kept his eyes on the paper. "Just okay? These are beyond amazing."

You let out a small breath you didn't notice you were holding, heat rushing to your cheeks as you smiled at his compliment. "Oh, thank you.. I'm sorry, normally sketches don't take this long but it was stressed to me that your portrait was very important so I wanted to get everything as perfect as I could.."

"Seriously, you're a mad woman if you think these wouldn't be good." Leon chuckled, handing the sketchbook back to you. He kept his eyes trained on you, even after you turned to look down and close the sketchbook. Only a fool would miss that blush on your cheeks, it looked good on you.

"Anyways, when should I come back for the next.. uh..." Leon paused, crossing his arms loosely as he struggled to think of the word.

Luckily, you finished the sentence for him. "Session. Again, this painting's importance was stressed to me a lot, so probably the next time you're available?" You talked while you shifted the small table back to where it had originally sat under one of the numerous windows, tossing the sketchbook down on the chair cushion.

"Alright, since it's importance has now been stressed to me as well, I can probably clear up some stuff in my schedule. How's tomorrow sound?" Obviously, Leon had a completely free schedule, but you didn't need to know that.

"Tomorrow works great! The sooner the better!" You laughed, placing a gentle hand on his bicep as you walked past him to grab a sticky note. "I'll give you my personal number, just let me know when you're thinking of coming over and I'll meet you here, okay?"

Leon looked at your number before pocketing the note, nodding his head with a smile of his own. "Sounds good. Same way out?" He pointed to the door that you brought him in through, bending down to pick up his motorcycle helmet right after.

You confirmed with a thumbs up, now drinking water from your water bottle as you'd forgotten too while focused on drawing. You felt bad for not offering him any water while he was here, but you won't forget next time.

The man gave you a curt wave before leaving the room, quietly shutting the door behind himself.

You had to admit, you've worked with a very small handful of agents since it takes a lot for them to earn their own portrait, but Leon Kennedy had to be the one of the most handsome men you've ever worked with. Maybe even one of the most handsome men you've ever seen.

Lucky you pay attention to detail, cause you definitely didn't see a ring on his finger.

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slimeysodaa · 5 months ago

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mods are asleep, quick, post the redemption au sketches for pitch from rise of the guardians

literally none of this make sense without context so; years ago, i started developing an au where pitch black from rotg would go through a redemption ("but thats boring bc hes evil-" consider the books and also that i want this man happy for once, ok). This au follows pitch as he attempts to grow as a person and learn more about himself, while also trying his hardest to distance himself from what he once was and right his wrongs.

for design, the reason pitch's hair is longer is due to his power draining massively since his defeat at the end of ROTG, and his robes are gone bc he choose to rid himself of them since they just reminded him too much of what he was.

TLDR; its found family bc i think they all deserve to be happy and to be one big family. a family can be a fatherly old russian, an energetic hummingbird woman, giant rabbit, floating pile of sand, ADHD Frosty and just a mess of a man.

#the scariest part of putting your au into the world is hoping people dont completely misinterpret everything you've written ever #rotg #rise of the guardians #rotg pitch black #rotg jack frost #rotg bunnymund #rotg fanart #rotg au #also JACK IS A CHILD HERE SO YOU SHIPPERS NEED TO GO AWAY NOW

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nolita-fairytale · 1 year ago

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burn your life down | chef luca x fem!reader | chapter one

summary: leaving your old life behind, you move to copenhagen to follow your dream of opening a restaurant. almost a year after opening, luca's quest for inspiration brings him right to your doorstep.

warnings: fluff, eventual smut, eventual angst not use of y/n, second person pov, swearing, danish inaccuracies, very little connection to the world of the bear.

word count: 2500

a/n: remember when i said we'd get pastry chef luca fanfic whether we liked it or not? well, it seems i can't be normal about anything bc i have an outline of (potentially) 10 chapters right now based on this headcanon. while i try to keep reader characters pretty neutral so that you can picture yourself, i have this reader creating food from her own life experiences/cultures so do what you will with that. also, i tagged some peeps from my headcanon post, but please let me know if you'd like to be removed.

masterlist | part two

He’s in search of inspiration when he finds the restaurant – your restaurant.

It’s an American stagiaire and a single conversation that makes him realize that he’s missing something – that he’s been in need of something fresh, a new perspective– setting him on his quest.

The best things are inspired.

Luca stares at a blank piece of paper for what feels like hours, writing a few things down, sketching up an idea, before viciously crossing them out, hopelessly stuck on new ideas for the new menu. After a few half-baked ideas that go nowhere, It occurs to him that he may be in need of a little inspiration himself. He can’t think of the last time he’s taken his own advice, mulling over the carefully-chosen words of wisdom imparted to Marcus a couple of weeks ago, and he’s determined to change that.

A review in the paper, an old colleague’s recent trip there, and a glowing recommendation from a close friend are what bring him to the restaurant.

He’s not sure what to expect – having forgone any interest in cuisine described with the words trendy or fusion a long time ago – but Luca reminds himself that it’s the writer’s word choice, not the chef’s, when writing the article.

When Luca steps into the small home-turned-restaurant, he’s immediately inundated with a warmth, a homeyness, that takes him by surprise. From the open kitchen, to the golden lighting, it feels vastly different from the classic Danish-style, fine dining establishments that have swept the country.

But Luca reminds himself that the announcement of noma’s 2024 closure, has shifted the conversation around dining culture in Denmark, and already, he can feel that this is the breath of fresh air that he’s been looking for.

Luca’s seated quickly with care and hospitality by a highly-attentive host, which he only assumes is a symptom of the fact that he read somewhere that you’re an American. While Danish, the host is boisterous, as if he’s known Luca since childhood. Luca smiles politely in response, graciously thanking the man and his chocolate brown curls.

The menu is small, indicating that each dish receives enough care to be excellent and he likes that, despite being described as trendy and fusion-focused, your menu is creative. It’s different. It’s inspired.

He chooses the special of the day: the mapo tofu bolognese – a traditionally Italian concept done from an Asian perspective – and the suggested wine pairing.

It doesn’t take long for him to receive his glass of wine, or his food, and he’s pleasantly surprised by how efficient service seems. Stealing glances through the open kitchen, he watches as you and your sous lead dinner service with a kind of compassionate leadership and playfulness that warms him from the inside out.

“We recommend mixing the whipped tofu into the dish for a creamier sauce. Skal,” his waitress greets, with a warm smile on her face as she sets down the bowl of noodles.

“Cheers,” Luca replies, his eyes savoring every single detail of the dish.

It’s somehow elevated, thoughtful, and elegant, yet comforting all at once.

Luca picks up his fork, using it to collect a little bit of everything – a perfect noodle twirl with just enough sauce, and ground pork before running his fork the whipped topping – raising the fork to his lips for his first bite.

As the flavors hit his tongue, he closes his eyes, and it’s as if time has stopped, just for a moment.

The wheat noodles are perfectly al dente while the whipped tofu is almost ricotta-like, transforming into a silky smooth addition to the dish, cutting the tingle and heat of the Sichuan chili peppercorn-based sauce.

The corners of his lips turn up as he takes a breath, opening his eyes as he savors the delicate layers of flavors. With a crooked smile on his face, he decides that he’ll most certainly be back next week.

-------------------------------

You make peace with the fact that tonight is one of those nights – a slow night – as you finish washing your hands. It being a slow night, you’d encouraged your staff to up the hospitality at the pre-shift meeting. Treating guests with the utmost personal touches in an effort to build genuine connections would be the focus of tonight’s slow service. In fact, you and Mathilde, your sous chef, had been running dishes out this evening – something you rarely had the luxury to do.

“You should go say hello,” your sous encourages, nodding towards the dining room through the expansive window of the open kitchen.

“Thought it was your turn,” you reply in a casual tone, paying no attention to who she’s referencing.

“No, I think you should take this one,” Mathilde nudges you, causing you to look up. You shoot her a funny look, your eyes flickering over the mischievous expression she has on her face, to where she’s gestured towards.

“To-?” you begin to ask, before seeing exactly who she’s talking about.

“Ehm. Tall, blonde, and tatted!” she emphasizes in a whisper yell.

You don’t really need the description as you glance over at the dining room, easily spotting the man seated at a two-seater near the front window.

“You’re right. He’s become a bit of a regular,” you agree with a curt nod that means all business, no pleasure, as you move a few things as you walk and talk around the kitchen, tidying up.

“That’s not what I meant,” she scoffs with a playful eye roll.

“You know, Jesper thought he was Swedish because… look at him… but he’s apparently a Brit,” she gossips with you, her eyes stealing a glance his way. “We’re slow tonight. He’s here every week. Sure he’d appreciate a direct thank you from the chef!”

“I-,” you hesitate, wondering why she’s so damn insistent on this. “... yeah, alright. I’ll go.”

“That’s my girl!” Mathilde cheers, in a sing-song voice, she hands you the beautifully plated bowl of pasta to take out to the dining room.

As you walk over towards his table, you make a note that it seems as if the mystery man has made this a bit of a routine. He shows every Saturday at exactly 7 pm, week after week, for the past month or so, as if it’s a standing date he has with himself. After his first visit, you half-expected him to bring a date when he returned, or bring a group of friends, or for something different to happen.

But it hadn’t and you’ve watched him come in, week after week, with a different book each time. He always orders the special of the day and whatever suggested wine pairing Jesper’s recommended that week.

Most Saturday nights you're busy leading a kitchen or cooking on the line – having little to no time to fixate or wonder curiously over your weekly diner – but tonight’s pace affords you the luxury to spend more time at the front of house. Truthfully, you know it’s the thing that sets you apart. Sure, the hospitality here in Copenhagen is excellent, but you bring an American hospitality-style to this restaurant – and above and beyond mentality – that feels welcoming, personal, even, as if your restaurant itself is just an extension of your home.

You’ve heard your staff – front of house and back of house – whispering about him, all seemingly enamored and enchanted by the charming Brit. All any of you knew about him was that his name was Luca and that he’s always more than kind to your front of house staff.

He doesn’t say much when he comes in, you’ve noticed, but every Saturday at 7 pm, he’s pushing his way through the front door with punctuality and a gentle ease.

The whisperings from your staff had all revolved around who your mysterious regular must be: whether he was Danish or Swedish, that someone that good looking must already have a partner, that he doesn’t wear a ring.

You hadn’t paid much attention to the gossip (or at least that’s what you’ve told yourself) more focused on running dinner service then trying to piece together the story of your handsome, mysterious regular.

“Hello,” you greet him warmly. “I just wanted to come introduce myself and say thank you for becoming one of our regulars. Your support means a lot to all of us.”

“Hi, I’m Luca.”

You share your name with a smile as he shakes your hand.

Luca turns his attention down to the bowl you’ve put in front of him, his eyes taking in the beautiful presentation hungrily.

“Wow, this looks… incredible,” he marvels, returning his gaze back to you.

“Thank you. I’m sure my front of house already walked you through this but if you’d like for me to-,” you begin.

“Yes, that’d be great, thanks,” he interjects, a crooked smile on his face that makes your heart skip a beat.

You have to pull your attention away from him, hoping he doesn’t notice that you’re quite possibly gawking at him.

He’s kind, charming, and he’s easy on the eyes (easy on the eyes, really being an understatement here).

“Today’s special was inspired by a childhood favorite of mine,” you begin, walking him through each component of the dish.

Crispy Rice. Caramelized marinated trumpet mushrooms and charred broccolini. Your mom’s sauce approached with classic French techniques, courtesy of your sous, Mathilde, a classically French-trained chef.

It’s a marriage of your story. Of the people around you. It’s your heart and theirs, put into a dish.

“You’re the chef?” he asks, unable to hide the surprise in his voice.

“Yes,” you answer, trying your best to get a read on him.

He balks, and you’re unsure of how you’re supposed to respond. Was he surprised that you’re a woman? That he’s been eating your food the whole time and expected a male chef? Before you can overthink it, Luca clarifies with:

“I’m sorry. It’s just-, I can't think of the last time I saw a head chef work front of house, let alone with this much care.”

Oh.

You let down your guard, wondering why you’d assumed the worst when the man’s been nothing but kind to you and your staff so far.

"We're a little short staffed tonight. And I love getting to talk to diners… especially on nights like this,” you explain, trying your best to sound like you hadn’t just assumed that he was a sexist asshole.

He shakes his head in disbelief, looking down at the picturesque bowl, then back to you.

Luca is impressed, and he has no intention of hiding it.

He picks up his wine glass by the stem, raising it to you.

"Cheers,” he says. “And thank you. This is a really beautiful dish.”

“Of course. Enjoy,” you reply, giving him a polite smile, before heading back into the kitchen.

-------------------------------

“Good service tonight, everybody!” Jesper, your front of house manager, announces while clapping a few times to signal to staff that it’s time for a post shift meeting.

As you all gather in the pristine front of house space. Some of your cooks have taken their aprons off, others haven’t had a moment to unwind from the shift yet – business picking up in the last hour or so of service.

Jesper goes through his nightly wrap-up notes, celebrating the wins of tonight, and making sure to celebrate how everyone rallied to pick up pace when business spiked. He’s gregarious, larger-than-life, the kind of person who can talk to anyone about anything, making him an excellent front of house manager, and even better sommelier. You really lucked out with the twins, you think to yourself – with Jesper and Mathilde – when they were more than eager to work with you on opening this restaurant.

“Oh, and before we go, a client left a gift… table number four,” Jesper says, in reference to Luca’s table. He pulls a tan-colored pastry box from another table, setting it down on a table where everyone can take a look.

“As a thank you. He requested for me to share. So have it and let’s make a note next time he’s in to really treat him like a VIP.”

One of your most-talented servers opens the box, eliciting a chorus of gasps, giggles, and excited whispers as soon as the assortment of croissants and pastries are revealed.

You and Mathilde exchange a look as everyone else busy themselves with unpacking the pastry box. Mathilde raises an eyebrow and you’re not sure what to say. Witnessing your silent exchange, Jesper makes his way over to the both of you, before extending his arm to reveal the card he’s holding.

“And this, my dear…” he begins, exchanging a look with his sister. “...is for you.”

“What do you-, just me?” you ask as you take it, hesitantly.

“I think so, yeah,” he nods, confidently.

To the Chef, the front of the card reads.

“Jesper, let’s check out some of these pastries, yeah?” Mathilde suggests, not so subtly hinting towards her brother.

He nods, giving you a little space so that you can read the card Luca’s left for you.

As your staff divvy up the box of laminated pastries, sighing with joy as they taste the decadent, hand-crafted sweets, you take a few steps away to open the note. His handwriting is pristine – perfectly neat in every way, like he’s written over carefully measured invisible lines.

Chef,

Thank you for all of the great meals. I'd like to return the favor, that is, if you're open to it.

Tomorrow. 5 pm. Dronningens Tværgade 2, 1302

While Luca’s gift has been more-than-generous, you find yourself overwhelmed by questions. Was he a chef too? And why had he not said anything? And what was this gesture all about anyways?

You read the card a few more times, turning the words over in your head as you try to make sense of it.

Mathilde can see your overwhelm, your eyebrows knitted into one confused expression as she saunters back over to you.

“What does it say?” she asks, curiously. “A love confession perhaps?”

“Mathilde, you really have to stop reading all of those French romance novels!” you tease her. “It’s giving you too many ideas.”

“It’s the only way I keep up with my French!” she defends herself with a lackadaisical shrug, earning a laugh from you.

“Uh no… it’s actually a thank you card… only I think he… wants to feed me,” you share with her, holding the card out so that she can take a look.

“He’s a chef too?” she asks, taking the card from your hands.

“I think so, yeah,” you reply, letting out an exasperated laugh.

“Oh shit!” Mathilde exclaims, as soon as she sees the address that Luca’s written down.

“What?” you ask her, wondering if there’s something you missed.

“The address… that’s AOC. I think he’s a chef at AOC, babe,” she gasps, shaking her head as she hands the card back to you, sending a ‘you lucky, bitch’ look your way.

Oh shit, is right.

#chef luca #will poulter #luca the bear #the bear season 2 #the bear headcanon #luca x reader #the bear hulu #the bear fx #the bear fanfiction #chef luca x reader #pastry chef luca #burn your life down

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