#from all over my interests

[whoisnotmyname]

A very short and messy How I draw mabari!

[ruporas]

kiss the pain away

[unproduciblesmackdown]

Lackadaisy Enrichment

[ganondoodle]

you know im unable to shut up when i have any opinion on zelda (though i try and have thus far succeeded at not commenting on any other concept from the darn book)- i find most totk ganondorf concept art worse than what we got to insulting even (of those i have seen) ..... this one though

much more the one in the background than the one up front, still at least he has the collar and the weapon we saw in the first trailer of things that never happen in the end (like so much else)

[arcticclimes]

Bonus:

[a-study-in-dante]

August 11th (13th) 2024 | Started reading The Lord of the Rings in English! I read it first in French something like... 15 years ago now ? 😅😂

Decided to keep track of some themes because putting tabs helps me stay focused on the reading somehow, let's see how my copy ends up looking!

[prolibytherium]

Just in general I think trying to look to pre-late modern period history for validation of LGBT+ identities is an absolutely useless venture. Every single underlying human experience defined through the lens and framework of LGBT identity has always existed, but it's impossible to pin down Exactly who and what a figure might have been if they existed in this contemporary context and decided to self identify via these labels.

It's also a wildly reductive lens that flattens the complexity and variety of how sex and gender has been constructed across time in different cultures, how sexual norms have varied, etc. This is not a constructive approach to learn about history and you're never going to be able to fit historical figures neatly into little identity categories.

[potatopassenger]

Luffy proudly showing off his crew to Ace is so cute

[welcometogrouchland]

I understand that literature nerd Jason Todd is kind of overblown in fanon compared to it's actual presence in canon (a few issues during his pre (and post?)crisis Robin tenure that highlight it) BUT consider that I think it's hilarious if the unhinged gun toting criminal has strong opinions on poetry

[joodles98]

we all trying to make sense of swsh story. no problem ☺️👍🏼

[mymothergotmarriedinpants]

so I'm scrolling on goodwill online for fun and I want to see what they have in terms of anime stuff, right? so i look up "anime" and I'm just looking at what they have and

it's just Len. It's ALL Len. somebody somewhere donated a massive pile of lens, which they had for god-knows-what reasons, and now it's being sold on the internet for 46$. oh and some other guys too, but mostly len.

[bigskydreaming]

Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....

And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.

The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.

And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.

Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.

HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.

But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.

That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:

His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.

Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.

[otaku553]

More reluctant king sabo au! I realized recently that this au is an excellent excuse for drawing sabo in pretty outfits that he would be absolutely miserable in :)

[sciderman]

Yk, I hate that adaptations keep making Peter a high schooler, and not just because it means he never evolves, but because the adaptations now also include wider Marvel, whitch usually (thanks to the MCU) is at the modern day stage with legacy characters and new age teen heroes, meaning that Peter is taking up Miles' spot and you can really tell when they put him next to someone like Kamala Khan or Sam Alexander who are Miles' pals. Tho Peter taking Miles' stuff is just a modern issue overall, just look at MCU whitch just stole and re-skinned Miles' personality, characters, story-beats, even the costume to an extent and then made it worse.

agree 👏

[doveywovy]

:( its sad nobody does aus where izuna comes around on the concept of the village and then madara still eventually leaves it and izuna stays behind. like izuna is famously stubborn so i think if you've written him as actually being convinced that Konoha is worth it, he'll stick it out to an insane degree. that includes staying even if madara leaves.

i could imagine him becoming the second hokage, partially out of people respecting his commitment to the cause after his brother abandoned it. honestly you could even get interesting with tobirama in this version of it because you have a lot of canon paths to go down with this. Izuna picking Konoha over Madara would firmly place him in the same mental space as Itachi or Kagami to Tobirama ("he chose the village over X and thus is a wonderful shinobi who i respect") leading to an overly respectful tobirama, which would completely alter his legacy. like you as the reader might know hes kind of insane about the uchiha but the village would just see him dutifully supporting an uchiha hokage.

Alternatively Tobirama's deep seated issues with Izuna specifically could make it difficult for him to see Izuna in that way and he could have a total crash out, ruining his legacy (lol) and slotting him in the same historical space as madara, ironically.

OR third option, he's weird about Izuna but also cautiously supportive, so he's just like a really helpful assistant to him who happens to constantly be checking Izuna for signs of what he considers mental degradation. Izuna is either slowly poisoning him or slowly sowing political rumors about him, either way he's putting in the effort to keep tobirama weak enough (mentally/politically) that he can't do anything against him but is also still around to assist because he is a useful second. I think in this version Izuna would pick Kagami as his heir, both because Kagami is the best trained for it and because Izuna would ensure power remains with the Uchiha, but also somewhat because Tobirama cannot argue against it (Thats HIS student) but wouldn't have picked him first out of all his students (As we know canonically).

this would mean during canon when all the hokage are brought back tobirama isn't and Izuna is, which would do a lot to the plot but this post is long enough so im leaving it there. immovable force vs unstoppable object izuna vs madara essentially

[likealittleheartbeat]

I try to generally be constructive and engaged with the show I love on here, so on this day, I’ll just say that one of the most thematically important aspects for me from the original ATLA is Aang’s emotional core of real shame for running away when he was hurt by the monk’s decision to send him away. People who feel the kind of deep-seated shame that Aang feels from this decision can understand how that kind of all-encompassing shame is not built around a simple failure or a lie they tell themselves; it’s constructed from real misbehaviors and transgressions of their own sense of ethics—lashing out, telling lies, attempting to hurt others intentionally—that then have consequences (abuses, abandonments, or deaths) which seem to far exceed their expectations or even basic logic.

The combination of the misbehavior with exaggerated existential punishments (along with a lack of support and amend-making in the immediate wake of the events) is what transforms a sense of guilt (I fucked up) into shame (I am a forever fuck-up). Then shame, that sense of being a secret monster ‘no matter what I do or how good everyone thinks I am,’ invites all the avoidance strategies (Aang puts on big smiles, makes lots of jokes, constantly tries to make everyone happy, hops from town to town without building deeper connections). One doesn’t want to acknowledge one’s true feelings or let others in to see those feelings and experiences because it’s too painful to face the grief at the same time that you have to look at yourself for being responsible—even when you recognize it wasn’t totally your fault. It’s just that if you had just been good, less emotional, less human, then maybe the world wouldn’t be so messed up. Of course, in a zen view of things, the world will always be messed up in the same way it will always be beautiful. These are constant facts that always coexist in balance, and this is the truth that Aang learns and that undergirds the whole series.

So I always loved that Aang ran away. It was his sin and his salvation. And it becomes this constant tension for the series—he gets hurt in Bato of the Water Tribe and starts to run away from Katara and Sokka, he runs away to the Guru in the Crossroads of Destiny and his best friend is attacked, he and the gaang retreat after the Day of the Black Sun failure, he runs away to meditation in Sozin’s Comet when everyone wants him preparing for war. Aang’s reluctance to be a hero and the attachments and petulance for which he gets criticized are what metamorphasize to become his most noble attributes. They allow him to empathize with others shame and, ultimately, wield the kind of compassion that can deconstruct the power and perfectionism of imperialism.

So yes, Aang ran away from his temple 100 years ago. It wasn’t the mentally healthy choice. It wasn’t the ethical choice. It wasn’t the wise choice. It was human and emotional and shameful and real. Aang is a better character for it. ATLA is a better show because of it. And we are better people when we understand these kind of tragic emotional experiences that people are trying so hard to grow through.