#frequent question and answers

[notherpuppet]

What are the questions you hate??

Okay so I don’t really HATE anything (so far) but how bout an FAQ? There are some asks I’m kind of tired of answering lol. Such as;

• “FEED ME” For one thing, it’s not even an ask 💀 So I don’t love this energy, it’s -2 charm for me. Whilst I’m grateful that folks really like the art I share (like SUPER GRATEFUL!!) I am not particularly enchanted by a demanding aura

• “when is ____ coming out”? The answer is always “I don’t know” because I draw for FUN and I draw in my FREE TIME and that varies. So for the foreseeable future, unless I EXPLICITLY state otherwise, you can expect my next post to appear on your screen whenever I post it 🥰😘

• “what programs do you use”? I don’t have a problem AT ALL with inquiring minds, I just get this ask a lot and I’ve already answered it a few times (for the inquisitive minds, please consider checking the tag ‘answers’ on this blog to find information. I’ll tag this ‘faq’) Anyway, I use pens, paper, my iPad, Apple Pencil, and Procreate. I often use brush packs made by Shiyoon Kim and Kyle Webster. I find brush packs on the creative market as well. wanna learn Clip Studio Paint, but haven’t gotten to it.

• “advice on improving in drawing”? This is a beautiful question, and I’m happy there are people who want to improve their drawing skills! I am one of you. I frequently use “YouTube university” where I will find drawing focused channels that teach you this very thing. Andrew Loomis books on drawing are like textbooks that break down the fundamentals really effectively. Like any skill, you have to research, study, and practice. The more you do of each, the better you will get. I’m trying my best to improve and master the craft eventually. (A fool’s errand haha) anyway, have fun!

• “can I fandub this”? The answer is yes!! And I hope you have a lot of fun!!! Please credit me and no monetizing. 🥰

• “can I make fanfiction/fanart/cosplay based on your fanart?” FUCK YEAHHHHHH!!! I LOVE people being creative. We’re all having fun in this fandom and I think it makes life more exciting when we create! Same with fandubs, please credit and no monetizing 🥰

• “do you do commissions”? I am not accepting any right now, but that can change! Please trust that if/when I do start taking commissions, I will be letting y’all know!! And I really appreciate that you’d want to commission me 🥹♥️

• “in your comic, will ____ happen?” I’m not just gonna TELL you that lol. But clarifying what’s ALREADY happened is always a welcomed ask :)

I just want to thank everyone who tunes into this blog!! I really have a great time creating fanart, fanfiction, and comics and I’m VERY SHOCKED that what I’ve made has had the reception it has. It’s fun to be in this fandom with you all!

THANK YOU TO EVERYONE WHO SENDS ME SWEET ENCOURAGING MESSAGES ILYYY 🥹💖💘💞💓💝

[baeshijima]

u know what would be a cool genshin fic idea? isekai/transmigrated reader, but instead of appearing within the general timeline, you come into the genshin world 500 years prior to the start of the storyline in khaenri'ah.

honestly it could be either a little before the cataclysm, giving enough time to delve into some relationship building + explore some world building with characters like dainsleif, traveller's sibling (which would probably be lumine bc i actually do like her as abyss sibling & aether as traveller), and npcs like halfdan (still crying over him to this day ;w;) and possibly the khaenri'ahn royal guards (assuming you either join them or have a good enough relationship with them), OR it could be you appear during the crisis, completely and utterly lost as to why you were brought amidst the chaos and bloodshed as you watch everything you barely knew about this nation crumble before your very eyes.

either route will still result in reader's existential crises and constant "why am i here? just to suffer?" monologues because really, who would be fine after going through that after coming from /our/ world? and not to mention you've had to endure the next 500 years wandering with no real set path because you don't know this world— this era of teyvat or of genshin. you're merely stuck, unable to die, and forced to live a life of uncertainty with no clear direction for you to go to.

despite it all, you've at least been able to see dain during this course. while your meetings pass far too quickly for your lonesome, and his solemn demeanour is something you're yet to be accustomed to after having been with him before the fall of khaenri'ah (assuming it's the route where you appear before the cataclysm), you're glad to see a familiar face every now and then. after the messy departure with the lumine who left for the abyss order, you've come to appreciate his quiet presence more and more each time.

and then you decide it might be time to settle. you soon realise it's difficult to do so when your lifespan has become far more than that of a human's — of a mortal's — and so you find yourself becoming used to staying in one place for a few years before setting off for the next. rinse and repeat. over and over. it's come to a point where you've witnessed the nations undergo various changes each time you visit. you know change is inevitable, and yet your heart stings each time you witness it; a testament to how the world is ever-changing, yet you're stuck in place as a bystander.

one thing you're grateful for, however, are the bonds you've established amid your back-and-forth over the centuries. from archons like zhongli and venti to long-life beings such as neuvillette and the adepti to regular mortals who have showed you kindness as if one of their own... you've grown to cherish those memories, often reminiscing them when the nights get too long and surroundings too quiet. it was difficult at first, and still is, but you've become used to the inevitable change and the passing of those you once knew.

and after 500 years, you find yourself face-to-face with one you haven't seen since before you appeared in this world; the protagonist of this world, and the one you eventually join in hopes of finally finding a means to an end, aether.

little side notes/extras:

from /our/ world, you would probably know the storyline from up to around current (5.0) or maybe a little after the fontaine aq conclusion. it gives a lot to work with, but you definitely won't remember a lot of the lore after so long other than some main events, especially since most of your knowledge is pretty irrelevant for the next 500 years,,,

i think it would be cool if you had an inteyvat on your person as a little homage of khaenri'ah, which may or may not invoke some opinions from certain characters (*cough* aether immediately being reminded of lumine and having an existential crisis *cough*)

post-cataclysm you would go through a, uhm, long phase of helplessness, wondering why you were even brought to this world so far back if you couldn't even make any contributions. it does eventually morph into a resolution to do what you can to help those you come across if it's within your capabilities, but the nightmares and helplessness come back every now and then as a reminder for what you can't do :D yippee :D

honestly i'm on the fence whether you would have a vision or some other type of abilities (think on the similar lines of aether/lumine's and dain's), but i think having some type of purification mechanic would be a must in your arsenal !! would definitely lead to some moments between you and characters like dain or zhongli who suffer from the erosion as you give them a slight reprieve from what rages within and corrodes them

a little self indulgent, but i'd like to think your first /proper/ meeting with zhongli happens during a lantern rite festival, wherein you're admiring the lanterns in the sky after making a wish of your own and he comes up from behind with "they're beautiful, wouldn't you say so?" and !!

also as for love interests, as much as i would love for human/mortal characters, a part of me feels like this story would be better suited for the immortal/long-life characters as love interests?? idk i feel like considering that 500 years is, well, a long time, the bonds you would have with them compared to characters like, say, alhaitham or diluc would be way too different ?? though i would definitely still add them as love interest bc i am a sucker for so many of the human characters ;w; it would also add to the angst and hurt/comfort ahahha...

anyway thank you for reading this massive brain dump of a fic bc i absolutely would put this as a long term project, and if u made it this far then i would like to say that dain solos—

[sweetgaleria]

Help a college student graduate by answering a survey!!

Hey!! Are you over 18 and in the miraculous fandom? Then this is for you!!

Hi everyone, this is my last semester of uni, and one of my final projects to be able to graduate is to write a scientific paper. I'm writing an article about adult fans of children's animation, specifically Miraculous Ladybug. My goal is to understand what makes adults (like us) want to join fandoms centered around shows aimed primarily at children, and to do that I'd love to hear directly from the source! The survey takes around 10 minutes to answer, it's 100% anonymous and it would help me immensely!

>>Click here for the survey<<

I need at least 30 people to answer, but honestly the more the merrier! I've also made a little thank you gif at the end, so if you see it let me know! If you have any questions feel free to send me an ask, as well!

Please reblog so it can reach more people! Thank you so much!

[sergle]

please elaborate on the though about stealing a dog post

okay hear me out. and this is for small rural towns specifically. you know when you see that someone has a dog tied out in their yard (unfenced yard) (cute dog) (alone) and it's like a little puppy. and or. clearly a dog that is not meant to be a Yard Dog. like it's a pretty dog of a breed that's like, this is some long-haired fluffy breed of Something that is so not a keep-outside kind of dog. or just a really sweet dog that clearly needs more attention. you know. you know. and do you know when you're like. I could just take that dog....... my city now...... this could just be my dog now...............

[bowelfly]

Favourite bug and favourite non-bug?

the answer to both questions is my lovely and cool partner to whom i am legally wedded as of last week :]

[brinconvenient]

How to Have ADHD

1) Be walking around

2) Think or say “Oh, when I sit down at the computer, I should [do thing that involves being on a computer/look up thing I’m curious about/send message that I need to send]!”

3) sit down at computer

4) Absolutely do not do thing in Step 2. Forget that you EVER had a thought resembling Step 2. Do many other things instead on the computer.

5) Stand up and walk away from computer

6) Go to Step 2.

[kremlin]

How DOES the C preprocessor create two generations of completely asinine programmers??

oh man hahah oh maaan. ok, this won't be very approachable.

i don't recall what point i was trying to make with the whole "two generations" part but ill take this opportunity to justifiably hate on the preprocessor, holy fuck the amount of damage it has caused on software is immeasurable, if you ever thought computer programmers were smart people on principle...

the cpp:

there are like forty preprocessor directives, and they all inject a truly mind-boggling amount of vicious design problems and have done so for longer than ive been alive. there really only ever needed to be one: #include , if only to save you the trouble of manually having to copy header files in full & paste them at the top of your code. and christ almighty, we couldn't even get that right. C (c89) has way, waaaay fewer keywords than any other language. theres like 30, and half of those aren't ever used, have no meaning or impact in the 21st century (shit like "register" and "auto"). and C programmers still fail to understand all of them properly, specifically "static" (used in a global context) which marks some symbol as inelligible to be touched externally (e.g. you can't use "extern" to access it). the whole fucking point of static is to make #include'd headers rational, to have a clear seperation between external, intended-to-be-accessed API symbols, and internal, opaque shit. nobody bothers. it's all there, out in the open, if you #include something, you get all of it, and brother, this is only the beginning, you also get all of its preprocessor garbage.

this is where the hell begins:

#if #else

hey, do these look familiar? we already fucking have if/else. do you know what is hard to understand? perfectly minimally written if/else logic, in long functions. do you know what is nearly impossible to understand? poorly written if/else rats nests (which is what you find 99% of the time). do you know what is completely impossible to understand? that same poorly-written procedural if/else rat's nest code that itself is is subject to another higher-order if/else logic.

it's important to remember that the cpp is a glorified search/replace. in all it's terrifying glory it fucking looks to be turing complete, hell, im sure the C++ preprocessor is turing complete, the irony of this shouldn't be lost on you. if you have some long if/else logic you're trying to understand, that itself is is subject to cpp #if/#else, the logical step would be to run the cpp and get the output pure C and work from there, do you know how to do that? you open the gcc or llvm/clang man page, and your tty session's mem usage quadruples. great job idiot. trying figuring out how to do that in the following eight thousand pages. and even if you do, you're going to be running the #includes, and your output "pure C" file (bereft of cpp logic) is going to be like 40k lines. lol.

the worst is yet to come:

#define #ifdef #ifndef (<- WTF) #undef you can define shit. you can define "anything". you can pick a name, whatever, and you can "define it". full stop. "#define foo". or, you can give it a value: "#define foo 1". and of course, you can define it as a function: "#define foo(x) return x". wow. xzibit would be proud. you dog, we heard you wanted to kill yourself, so we put a programming language in your programming language.

the function-defines are pretty lol purely in concept. when you find them in the wild, they will always look something like this:

#define foo(x,y) \ (((x << y)) * (x))

i've seen up to seven parens in a row. why? because since cpp is, again, just a fucking find&replace, you never think about operator precedence and that leads to hilarious antipaterns like the classic

#define min(x,y) a < b ? a : b

which will just stick "a < b ? a: b" ternary statement wherever min(.. is used. just raw text replacement. it never works. you always get bitten by operator precedence.

the absolute worst is just the bare defines:

#define NO_ASN1 #define POSIX_SUPPORTED #define NO_POSIX

etc. etc. how could this be worse? first of all, what the fuck are any of these things. did they exist before? they do now. what are they defined as? probably just "1" internally, but that isn't the point, the philosophy here is the problem. back in reality, in C, you can't just do something like "x = 0;" out of nowhere, because you've never declared x. you've never given it a type. similar, you can't read its value, you'll get a similar compiler error. but cpp macros just suddenly exist, until they suddenly don't. ifdef? ifndef? (if not defined). no matter what, every permutation of these will have a "valid answer" and will run without problem. let me demonstrate how this fucks things up.

do you remember "heartbleed" ? the "big" openssl vulnerability ? probably about a decade ago now. i'm choosing this one specifically, since, for some reason, it was the first in an annoying trend for vulns to be given catchy nicknames, slick websites, logos, cable news coverage, etc. even though it was only a moderate vulnerability in the grand scheme of things...

(holy shit, libssl has had huge numbers of remote root vulns in the past, which is way fucking worse, heartbleed only gave you a random sampling of a tiny bit of internal memory, only after heavy ticking -- and nowadays, god, some of the chinese bluetooth shit would make your eyeballs explode if you saw it; a popular bt RF PHY chip can be hijacked and somehow made to rewrite some uefi ROMs and even, i think, the microcode on some intel chips)

anyways, heartbleed, yeah, so it's a great example since you could blame it two-fold on the cpp. it involved a generic bounds-checking failure, buf underflow, standard shit, but that wasn't due to carelessness (don't get me wrong, libssl is some of the worst code in existence) but because the flawed cpp logic resulted in code that:

A.) was de-facto worthless in definition B.) a combination of code supporting ancient crap. i'm older than most of you, and heartbleed happened early in my undergrad. the related legacy support code in question hadn't been relevant since clinton was in office.

to summarize, it had to do with DTLS heartbeats. DTLS involves handling TLS (or SSLv3, as it was then, in the 90s) only over UDP. that is how old we're talking. and this code was compiled into libssl in the early 2010s -- when TLS had been the standard for a while. TLS (unlike SSLv3 & predecessors) runs over TCP only. having "DTLS heartbeat support in TLS does not make sense by definition. it is like drawing a triangle on a piece of paper whose angles don't add up to 180.

how the fuck did that happen? the preprocessor.

why the fuck was code from last century ending up compiled in? who else but!! the fucking preprocessor. some shit like:

#ifndef TCP_SUPPORT <some crap related to UDP heartbeats> #endif ... #ifndef NO_UDP_ONLY <some TCP specific crap> #endif

the header responsible for defining these macros wasn't included, so the answer to BOTH of these "if not defined" blocks is true! because they were never defined!! do you see?

you don't have to trust my worldview on this. have you ever tried to compile some code that uses autoconf/automake as a build system? do you know what every single person i've spoken to refers to these as? autohell, for automatic hell. autohell lives and dies on cpp macros, and you can see firsthand how well that works. almost all my C code has the following compile process:

"$ make". done. Makefile length: 20 lines.

the worst i've ever deviated was having a configure script (probably 40 lines) that had to be rune before make. what about autohell? jesus, these days most autohell-cursed code does all their shit in a huge meta-wrapper bash script (autogen.sh), but short of that, if you decode the forty fucking page INSTALL doc, you end up with:

$ automake (fails, some shit like "AUTOMAKE_1.13 or higher is required) $ autoconf (fails, some shit like "AUTOMCONF_1.12 or lower is required) $ aclocal (fails, ???) $ libtoolize (doesn't fail, but screws up the tree in a way that not even a `make clean` fixes $ ???????? (pull hair out, google) $ autoreconf -i (the magic word) $ ./configure (takes eighty minutes and generates GBs of intermediaries) $ make (runs in 2 seconds)

in conclusion: roflcopter

⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯⎯ disclaimer | private policy | unsubscribe

[sforzesco]

hi!! i’m a classics major and am so entranced by your art and how you interact with history and literature, it really inspires me and expands my brain all the time. SO spicy.

anyways, I was wondering if you’d be comfortable talking a bit about your degree (s) and how they’ve influenced your artistic/critical analytical processes??

oh man, I have exactly zero degrees. like a true jester, I went to a trade art school, so I don't even have an art related degree, I've got a certification of surviving hell completion

the way art and history interact for me is that a lot of it circles back to trying to find ways to talk about something. history doesn't necessarily repeat, but it often rhymes, haunts, and cannibalizes. some eras of history are equal parts history and a stage, and a stage serves as a place to say something without necessarily having to be in it. the bossism politics of the philippines rhymes with the faction politics of the late republic more often than it doesn't. watching the marcoses crawl back into power was like watching the medici return to florence. duterte said he was like julius caesar crossing the rubicon, and over 6,000 were murdered under his regime. somethings are the same.

a lot of it feels like a puzzle, and I like it when pieces come together. more often than not, there's something current going on that prompts me to look back into history for something comparable, either as a stage, or just to feel like I'm not losing my mind, that other people had to deal with this shit too.

I was a teenager when the original assassin's creed games were coming out, and I used to go to libraries with other fans and we'd just sit in the non fiction sections and read everything that was on a shelf, and then go outside or whatever and start talking about where the games diverged from history and try to figure out what the next game would do based on whatever we learned. and I just kind of. kept doing that even when I stopped playing the games because the story sucked ass, but because there's already a second intersection of fiction working along side historical analysis, it unlocks a bunch of other stuff in the back of my mind while I take notes on something.

the gore you read in the thebaid reminds me a lot of imperial chines torture literature, and now we've got imperial horror and while we've moved out of the ancient Mediterranean but it's a whole body of work that I'm now looking at while thinking about rome, and somewhere in there, I'll probably find some literary theme that's cool and I'll start researching whether or not someone's examined like. the renaissance from that lens. what does the gore mean. what happens when history unfairly maligns and scapegoats someone. what happens when a foundational sacrifice goes wrong.

one of the most gut wrenching things I ever read was about how rome took any record of spartacus' words and buried it, and now I spend too much time thinking about what words we put in the mouths of dead people.

[nobodysuspectsthebutterfly]

What if Rhaegar was stillborn?

Then it would be a completely different story.

Then it would be a completely diff we'd all be a lot better off.

Then one would have died young and the other would have gone into the Faith so that Jaehaerys could be king.

[strangegutz]

How do you sell the dolls? I’m not asking where or about pricing, but how do you prevent getting attached and wanting to keep them? That’s what I struggle with. I’d love to sell my creations, but after a while of working on them I get so attached. Do you ever experience this, and if so what do you do to prevent it? Thanks in advance, and have a wonderful day.

(If you don’t ever deal with this/don’t have advice feel free to ignore this of course)

This is a good question! I think a good thing to do is make sure you're making stuff for yourself occasionally. It won't cure the urge to keep other things you've made, but itll help a bit. And sometimes, after keeping something on a shelf for a while, you might decide it's time to move it on. I think that making a handful of dolls with the same general concept, take my witch cats for example, you could convince yourself to just keep your favorite and sell the rest. There's also asking the question, "do I want this forever, or did I just spend a lot of time with it and am used to it being around" which gets easier to answer (either way!) the more things you make, in my opinion.

I'm a little weird with how I create dolls that makes it kinda easy for me to sell them (this isn't advice but just what goes on with me) The things that are fun for me to make are not usually the things I care to keep. There's something very satisfying about making a cute pink creature with a frilly dress full of texture, but it's not something I care to put on my shelf. Kinda like having the fun of building a Lego set then not knowing what to do with it after. You'll notice I make a lot of cutesy or fanciful dolls, like kitties, rabbits, lemon slices, but I keep things like giant spider women and a rat that looks like Siouxsie Sioux.

There's also the weird problem I have, where knowing that I made something makes me like it less, but that's just my own hang up haha

Maybe as you go, you can find something that's fun for you to make and explore, but doesn't spin your gears in the way more personal projects can?

[koboldfactory]

Do the kobolds have a union?

Yes the kobolds have a union

Yes it’s very strong

Yes I have been asked this like 2 dozen times lol

[800db-cloud]

What font do you use for your comics /silly

i use the font wild words! :)

[iris-jaxx665]

but 148 seems quite mich for your size?

okay, and?

ive weighed myself every day (with the exception of my honeymoon) since 2023. and until this year i had been 160lbs consistently. today i weighed 148.2 and tomorrow i’ll probably still weigh around that amount. my silicon weighs about 5 lbs, and according to my new scale about 43lbs of my weight is body fat, while the rest is almost entirely muscle.

[saturncoyote]

Epic new pinned post with cool new info on it btw

[lunerabo]

Women: every waking moment I am in debilitating pain. My entire body is on fire and I can barely go to work. I have been waiting for an actual diagnosis for three years. My mother had this and it killed her. Please help me

Doctors: that sucks lmao hope it gets worse faker

Men: dick no worky :(

Doctors: ohguhh oh mym fUCJKIGn god we have to DO something about this

[ruegarding]

What do you think of Percy's low self-esteem, if you also think that he isn't insecure? Like how do you think these traits exist within him? (Genuine question)

i think pjo percy is written realistically to be outraged by his mistreatment while internalizing what ppl say abt him. bc he's an impressionable kid! so he might call himself stupid in the privacy of his own thoughts, but he's not going to sit back and listen to ppl call him stupid. he doesn't want to be stupid, he doesn't want to be a bad kid, but everyone treats him like he is. if he does nothing to prove them wrong then he proves them right, so he's internally hard on himself and externally defensive.