#french retro pop

[nostolgic-retrosexual]

Alizée

[alphachromeyayo]

Yes I was listening to a lot of Daft Punk when I made this ok

Tuxedos and Tears ✨

[fl0pera]

Name: Lee Daniels

Age Group: 31

Pronouns: he/him

Orientation: Bi

Hometown: Del Sol Valley

Occupation: Actor (Uncredited Extra)

Traits: High Maintenance / Self Absorbed / Mean

Aspiration: Fabulously Wealthy

Likes: Guitar, photography, rock climbing, red, black, coompliments, deception, flirtation, gossip, small talk, lux décor, industrial décor, modern décor, funny sims, optimistic sims, spirited sims, alternative music, metal music, retro

Dislikes: Fishing, debate and research, robotics, brown, yellow, pranks, affection, complaints, basic décor, cosmolux décor, french country décor, ambitional sims, cerebral sims, egotistical sims (🤡), family motivated sims, americana music, baroque music, cottagecore music, jazz music, kids radio music, latin music, latin pop music

I won't list turn ons and turns off i chose too much stuff 😫

Gifts: Nothing, he is the gift.

In Depth: This guy is a d**k. He is 31 and has been an aspiring actor for a long while. He almost made it big but ended up sleeping with the wrong guy ( the husband of a famous producer) and he lost the role as main character in the movie adaptation of a very famous romance book (see erotica novel written by my boy Dylan Langley). He'd like to sleep around more but not everyone meets his standard. He loves attention and he is willing to do a lot to get it.

Watcher

Are you comfortable with your pixel person:

Flirting with other contestants? ✅

WooHooing other contestants? ✅

Flirting with/and or woohooing NPCs?  ✅

Flirting with the host? ✅

Changes to traits via gameplay prompts? ✅

Becoming an occult? ✅

@ethicaltreatmentofcowplants here he is, i hope he isn't too much. I tried keeping the cc count very low and tried only using mm 😇

[beyondfabric]

Brands to Know: Atelier Estorninho

Portugal is renowned for its fashion industry worldwide, with some the leadi ng fashion labels producing in its collections here due to the vast know-how and expert craftsmanship. It’s a fact that the quality/price ratio is virtually unmatched, what might lead us to think that we’d have a burgeoning market for new designers and independent fashion brands to pave their way into the mainstream market. However, that is not the case here, as let’s admit it, we lack the branding capacity to make it happen and government support is solely focused on massive scale internationalization.

Nonetheless, every now and then a new name pops that caughts the attention on both local and international markets with the prime players being Portuguese Flannel, La Paz and more recently, Ernest W Baker. As you may know by now if you’ve following me for a while, I’m a sucker for promoting local quality products and projects and on this note, today I bring you and up and coming label that has been gaining momentum in the local scene: Atelier Estorninho.

Inspired by a retro-vintage meets military aesthetic, Estorninho has been consistently putting out interesting designs that are thoroughly tested before hitting the shelves, a philosophy I can relate with including in my own project. I reached out to Hugo, the brands founder, to learn a bit more about his vision of contemporary menswear

1 - Hi Hugo. Can you tell us a bit more about what lead you to create this eponymous label?

The creation of Atelier Estorninho was driven by a desire to blend my personal interests in classic timeless garments, vintage aesthetics and military-inspired fashion with modern textile technology. I wanted to bring a unique perspective to the industry, offering pieces that are not only stylish but also functional and timeless.

2 - Do you come from a fashion background or is it born out of pure passion?

While I don't have a traditional fashion background, I do have a strong foundation in design. Since I was a kid, I always dreamed of pursuing a creative career. I was obsessed with video games like Medal of Honor, action figures like G.I. Joes and war movies, and I often funnily geared up in camouflage in kindergarten. My passion for creativity and design, combined with my fascination with military aesthetics, naturally led me to start my own label. Although I've never had any formal classes related to fashion, my journey into this field is fueled by pure passion and a lifelong love for innovative and expressive design. I've always been fascinated by how fashion can tell a story and express individuality, which motivated me to start my own label.

3 - You have a keen eye to create stand out pieces with heavy military influence but that simultaneously merge preppy elements. What inspired you to go this way?

The inspiration comes from a love of classic military uniforms and their functionality combined with the refined, versatile and polished look of preppy style. I wanted to create a fusion that captures the best of both worlds – ruggedness and elegance.

Specific army uniforms that have influenced my designs include the US Army's OG 107 uniforms issued during the Vietnam War, named after their color (Olive Green, shade 7). These uniforms inspired the cut of my cargo trousers and the rear patch pockets with flap closures. Another significant influence is the Gurkha shorts used by the British military, named after the fierce Nepalese soldiers. The wide fit of these shorts inspired the silhouette for my Ivy Chino Shorts.

Additionally, my Ivy Chino Trousers are inspired by the French Military M-52 trousers, known for their back flap pockets and shallow pleats. These trousers were adopted by the French army in 1952, during a time when iconic designers like Christian Dior, Balenciaga, and Chanel were active, marking the golden age of French fashion. This era also saw significant events such as the China War and the Algerian War, where military force played a crucial role. The M-52s were created in this historical context and were mass-produced as French uniforms for about a decade.

On the preppy side, the reason I named many of my clothing items "Ivy" is because I am very interested in the clothing worn on college campuses during the late 1950s in the Northeastern United States, particularly those of the Ivy League. These institutions were the predecessors of preppy style, and I wanted to embody the lifestyle of someone who lived in an Ivy League school environment. This includes a shared dorm room and a small wardrobe that demands a carefully curated selection of items elegant enough for classes, lectures, and school events, but also comfortable, stylish, and versatile enough for adolescent life—whether wrestling around at the park with friends or grabbing a beer at the bar. These clothes are meant to be reliable companions in every situation. My Ivy League Cardigan is inspired by the cardigans worn during that era too, but combining it's charm with a cozy feeling of a hoodie by utilising jersey fabric instead and kangaroo pockets, just like your favourite hoodie.

By merging these historical military elements, preppy charm and modern fabrics, I hope to create distinctive and versatile pieces that stand out.

4 - What would you say are the trademark features of an Atelier Estorninho item?

Simple: Timeless charm, deliberate craftsmanship, premium materials.

5 - You approach each design carefully, releasing limited styles and runs at a time. Is this a necessity due to the scale of the brand or a business model in itself?

It's both a strategic choice and a practical necessity. Being the sole designer, I take a hands-on approach to every aspect of the creation process—I love every bit of it, but it's a ton of work! Although I have a small team, this setup enables me to produce meticulously crafted items that stand out and ensures each piece meets exacting standards for quality and timeless design. Limiting our runs isn't just about enhancing exclusivity; it's about managing production sustainably and staying true to my commitment to quality over quantity.

6 - What’s your favourite item in the collection and why?

My favorite item would have to be our signature military-inspired Ivy Chino Shorts. They perfectly encapsulate the brand’s ethos, combining quality, practicality, and versatility with style. The attention to detail and the story behind their design make them a standout piece in the collection. Features like the double pleats, side waist adjusters, and flexible cotton fabric ensure comfort and ease of movement. The deep front slanted pockets and two back pockets with flaps provide convenient storage where your items won’t fall out. These shorts can be dressed up or down thanks to their classic and elegant cut. The use of Spanish luxury cotton fabric, Italian corozo buttons, and patterned pocket liners add a fine, luxurious touch to the detail.

7 - We seem to share a common passion for unique trouser styles. In your opinion, what makes trousers so special?

Trousers are a cornerstone of any outfit, second only to shoes in their visual impact. They have the power to transform the overall look and feel of an ensemble. For me, investing in high-quality trousers is crucial; I'd prefer to pair a $100 pair of trousers with a $10 t-shirt rather than the reverse.

I have very specific rules for trousers: the leg opening shouldn't be tight on the ankle, but rather sit at least half the length of your feet. This ensures a comfortable fit and a balanced silhouette. I also prefer high-waisted trousers with a long fly on a man, as this enhances a man's physique and silhouette, providing a classic and flattering look. Additionally, a straight cut for a standard fit is my go-to, as it offers timeless elegance and versatility.

Personally, I prefer pleats for suit trousers and chinos, as they add a touch of elegance and functionality, providing extra room and comfort. For jeans, selvedge denim is my fabric of choice due to its durability and classic appeal. The meticulous craftsmanship involved in creating selvedge, indigo dyed denim results in a superior product that ages beautifully over time.

One of the reasons I focus so much on trousers is that they need to be both stylish and functional. People often tell me how much they appreciate the practical elements, such as deep pockets and durable fabrics, alongside the aesthetic appeal. For example, my cargo trousers, feature rear patch pockets with flap closures that are both stylish and highly functional. Additionally, the preppy influence in my designs, particularly seen in my Ivy Chino Trousers, offers a versatile option that fits seamlessly into various settings, from casual to more formal occasions, you'll always look appropriate and stylish.

Trousers not only provide structure and style but also offer versatility and comfort. They carry a lot of personality in a look, more than any graphic t-shirt ever can in my opinion. Their design, fabric, and fit can dramatically enhance personal style and make a strong fashion statement. The right pair of trousers can elevate any ensemble.

8 - You recently launched a capsule collection at The Feeting Room. What are the future plans in terms of collections and brand evolution?

I plan to continue exploring new design ideas and collaborations, maybe diving deeper into functionality, timelessness, and style. I aim to create clothing that is practical and comfortable for traveling or everyday errands, yet elegant. This includes incorporating classic visual influences, durable construction, functional pockets, and using natural and luxury fabrics.

For the long term, I hope to continue capturing an essence of timeless masculine charm, balancing ruggedness and elegance. Maybe including a women's collection too, with a different approach that merges seamlessly with the brand. I hope to expand internationally and eventually open a flagship store. I hope to create memorable pieces in my customers' wardrobes, prioritizing owning less but owning better.

9 - Where can we get your items?

Our collections are available at select boutiques, including The Feeting Room, and through our online store. We also participate in pop-up events and fashion fairs, which are great opportunities for customers to experience our brand in person.

[etherati]

My first bind for another writer! This is Whiter Fang by Doubledog, in which Trevor and Sypha are a hunter and scholar without their soldier, Alucard is a wolf that isn't a wolf, and literally everyone knows what's going on except for Trevor. And it is hecking hilarious. So happy with so many aspects of this--the HTV worked much better this time, and the edge gilding turned out lovely, and the charms are so cute and perfect. And when I saw the endpapers with the yellow googly eyes on one side, I couldn't resist.

Details under cut.

Typeset in Word, printed on French Smart White 80lb text, in Sylfean. Inside titles in Charlemagne Std, drop caps in TypographerWoodcutInitialsOne, cover titles in Gill Sans Ultra Bold Condensed with some raster editing. Animal Prints font for the pawprint. HTV is Siser, cut with cricut, applied with home iron. Endpapers are from a retro pop art paper pack, bookcloth is generic BbH, and edge painting done with FW acrylic ink in Imitation Gold.

[youremyheaven]

Vedic Astrology Observations

Uttarashada natives often have very mongoose like features (esp face shape) since mongoose is its yoni animal. Often times these natives have a very small head.

Jessica Parker Kennedy is an Uttarashada Moon

Jennie is UA sun & Jane Levy is UA moon. Notice how they both have a similar eye shape and tapered chin.

2. Punarvasu girlies have such doll like faces. Punarvasu is considered the most feminine nakshatra and I think that impacts the physiognomy of its natives, giving them very cute, dainty, hyper feminine features.

Isabella Moner & Billie Lourd are both Punarvasu sun

Both Karina & Miranda Kerr are Punarvasu moon

3. Hasta Moon women are celebrated for their femininity in the world of entertainment. Since Hasta is ruled by the Moon, these natives are endowed with pleasant demeanour and natural vibrancy.

Dita Von Teese, who is known for emulating a hyper feminine 1930s starlet glamour, has Hasta sun & mercury (her moon is in another feminine nak of Mrigashira while her Ketu resides in yet another feminine nak of Punarvasu)

Bae Suzy, who is known as "First Love of the Nation" in South Korea, because her youthfulness and innocence reminds people of their "first love" has Hasta sun.

A lot of Bollywood actresses have big 3 Hasta placements, Katrina Kaif, Kriti Sanon, Tamanna Bhatia and Tara Sutaria are all Hasta moon.

(I'll probably make a separate post about this but these women fit North Indian beauty standards and Moon dominant women are always considered the North Indian ideal)

(Notice how all of them have slightly thin long noses and big-ish foreheads and an elongated eye shape?)

Anne Hathaway, Emma Stone, Ariana Grande, Kate Winslet, Karlie Kloss, Anya Chalotra, Lili Reinhart, Kristen Bell, Isabelle Adjani are all Hasta moons and most of them are known for their grace and elegance, while others are known for their girl next door persona.

4. Uttarashada & Purvashada natives are drawn to grandness, luxury and big gestures. In music, I've noticed how many musicians who make music that synthesizes and integrates many diverse sounds, genres and perhaps cultural influences often have Uttarashada placements.

Ryuichi Sakamoto, who often mixed electronic music with African, Chinese, Indian (and many others) music and was known for his "East Meets West" style had Uttarashada sun.

Daft Punk, the French electronic music duo is also known for mixing funk, synth pop, techno, disco and other genres with electronic music. The duo consists of Thomas Bangalter, who has Purvashada Sun, Uttaradhada Mercury & Venus, and Guy Manuel de Homem Christo has Uttarashada Venus.

Cher, who was also known for working across genres has Purvashada moon.

Damon Albarn, who created the virtual band Gorillaz has Uttarashada moon.

Bjork who is known for her unique music has Purvashada Venus

5. A lot of musicians who have a robotic/virtual reality/futuristic concept often have Uttara bhadrapada, Punarvasu and Revati placements.

Guy from Daft Punk is UBP rising with Punarvasu saturn.

Damon Albarn who created the virtual band Gorillaz has UBP sun, Revati saturn amatyakaraka.

Grimes, known for her aliencore, cyberpunk sound/aesthetic has UBP sun

6. Punarvasu natives often make very airy,soft, gentle, "glam" music. They're often very synth heavy and very inspired by 80s esque retro pop. Kali Uchis who has Punarvasu sun, Dua Lipa, Chaka Khan and Mariah Carey who have Punarvasu moon are good examples.

(Notice how even these pictures radiate a very similar glittery, retro glam aesthetic)

[cipheramnesia]

Today I am asking myself why do I like Terrifier and Terrifier 2. There doesn't have to be a reason for it, and I struggle to find any merit to them other than the dubious quality, inventiveness, and excess of the gore and violence. Maybe that's it, and probably that is literally all there is to the movies - fans all say as much. And if your only thoughts on Terrifier are "I hate that shitty movie," honestly that's fair, more than reasonable, but this post isn't for you so kindly skip along by.

But also the movies don't hit for me in the same way as a bloody rollercoaster ride movie does. For some reason I am unable to comprehend, my mind is insisting the movies are good on an artistic level - my brain insists there is artistic merit, although it steadfastly refuses to disclose what that might be. This isn't an endorsement, by the by, the Terrifier movies are extreme in a way apart from even the French Extremity movement or the whole torture trap Saw era from the USA.

Although in some ways that may be a part of what makes the movies something more than graphic violence alone. They are unpleasant in a way that is malicious - a naked cruelty which in a perverse way is a form of open honesty speaking to truth. There is no detachment from the violence, no easy way to disconnect from it as some sort of mechanical function or take it in as a part of a story. Art the Clown embodies such a totality of unrelenting and unchecked cruelty that it comes around as confusingly refreshing, because it is so rare for any media to be so graphically violent without attempting some framing of the harm - even if only as a plot point. It's masochistic to watch but in a more literal kink way. The Terrifier movies are a safe space to engage with senseless violence and cruelty, to experience the emotional impact of the idea of an uncaring world design only to cause pain, and then to be able to safely leave this mental space physically intact, better equipped for the real world which by nature is not nearly so malicious as Terrifier. Cathartic in the same way as it can be to get whipped or beaten, followed by care and caressing. Maybe.

All that under consideration, a throwaway line from a review has raised a second consideration for me: Are these movies camp? They are wildly exaggerated performances which incorporate large amounts of generally discarded pop culture on purpose. They deliberately incorporate the cheap aesthetics of low budget video nasties, grindhouse movies, and direct to video 80s horror. Everything about Art the Clown and his violent acts is severely over the top from his facial features to his makeup to his mannerisms which are those of a mime rather than a clown. I think it's arguable that the Terrifier movies go beyond simply utilizing a retro aesthetic into performing a kind of horror drag - dressing up in the clothes of the 70s-80s but elevating the content into a hyper-grotesque persona that's almost like everything the film censors and critics from that era thought such movies actually were. It's a movie that purposefully becomes the kind of monster conservatives always imagine about horror, just to throw that right in their face. It is, I think, very arguably camp in how much it is purposefully over the top and self-indulgent about what the vast majority of people would (often rightly) dismiss as artless trash.

Which leads me back around to asking myself if I truly believe what I've written, or if I'm merely trying to find an internal and artistic justification for liking violent and misogynistic horror flicks with nothing of else of substance.

[fossil0000]

The following description was written by Sloane Angel Hilton, the creator of the facebook group for this aesthetic: Its rise and fall between the years 1996-2002 - a movement in pop culture that is spawned from the research of The Y2K Aesthetic Institute. A notable shift in the visual mood of pop culture happened during the turn of the millennium, but it wasn’t Y2K Aesthetic. One thing I have found is that it was en vogue to be between 25-35, the prime age of Gen X at this time. I think of the “Music First” era of Vh1 programming. Contrary to contemporaneous Y2K Aesthetic, and also McBling style of the early 2000s, Gen X Y/AC models in editorial fashion or artist marketing were much more "natural". You will see tons of nude lipstick, hair parted down the middle or natural textured hair, natural leathers, knee high boots, duster jackets, natural and muted colors - especially greens, beiges, tans, greys, and black. Design and fashion was moving from 60s revival into early 70s. Retro-futurism was Y2K Aesthetic, but Gen X YAC was more terrestrial. Its futurism was a mix of sterile and organic. McBling was a full blown disco revival, but here, we just see hints of the 70s. Depictions of city life through a colonialist lens. First wave gentrification. Urban life influenced graphic design, such as in the use of Helvetica as inspired by the NYC subway signs. The rise of a minimalist design revival. On the runway, the rise/peak of the modern supermodel - Naomi Campbell, Kate Moss, and Linda Evangelista, who were all peaking at 25. In photography and film, prevalence of bleach bypass, cross processing, “Lomo effect”, and other color grading trends. Hit music in the US was heavily influenced or even imported from the UK and Europe. Notably, we saw a surge in french house/disco, big beat, electronic, trance, uk garage, and “easy listening”/adult contemporary marketed for Generation X. Less Pure Moods and more Cafe Del Mar. Pop artists were reinvented to fit, like Madonna (Ray of Light). "Soft Club" refers to club culture trickling down into mainstream culture. As the style shifts into McBling, club culture becomes so huge that only the rich can enjoy it in Ibiza. R&B + hip hop had a marked shift in production, due to producers like Soulshock and Karlin, Trackmasters, Darkchild/Rodney Jerkins, in addition to many more who formed top of the millennium sounds working with both these genres. Pop music was equally transformed by club music, R&B, and Latin pop. Rock, pop and poetry were put over trip/hip-hop & breakbeats. Songs that may not have been written for the dance floor were produced as club music. See: soft club. Get X young adults were into entrepreneurship, which supposedly fueled the 90s economic recovery, especially via tech industry. This is why they have been considered a generation which "sold out". Discussion is much deserved regarding the nature of media diversity, both genuine (largely POC in leading production roles across mediums) and as a marketing tool, and the start of gentrification as it would come to be known in post-industrial cities.

[fallloverfic]

It looks like Captain Laserhawk: A Blood Dragon REMIX is getting another comic, at least in France. It's listed as Captain Laserhawk: A Blood Dragon Remix: Mega City Blues by Grelin and Faouz.b. Here's the summary:

"Elena "Mute" Hicks is a private investigator with no pending cases. A few years ago, she operated in the army of Eden where she was the partner of a certain Dolph Laserhawk. It was also at this time that she met her girlfriend, Linda. A beautiful story... But since their breakup, Elena has been drowning in the excesses of the nights of Mega City 4. And when she learns of Linda's death, which occurred in strange circumstances, Mute sinks a little deeper into her own abyss . The unexpected arrival of her former brother in arms, Dolph, since considered public enemy number 3, will push Elena to return to service. Together, they dive into the heart of an investigation across the four corners of the city... Discover the first comic book adaptation of Captain Laserhawk, Netflix's next animated event series! Produced by Ubisoft, written by Adi Shankar (Castlevania) and directed by Bobbypills (Les Kassos, Vermin, Crisis Jung), this dystopia with synthwave and retro gaming influences forms an explosive cocktail between anticipation story, action comedy and meta references to pop culture. Taking place a few months before the events narrated in the animated series, this comic book one-shot introduces new characters and is part of the DNA of the universe by multiplying references and mixing genres."

Art preview from Grelin's instagram. And another.

On iOS it's listed as releasing (digitally, in French) on 8 November 2023 and 13 December 2023. Amazon lists the Kindle release (in French) as 8 November 2023. A lot of French release sites are showing it'll release in November. I'm not seeing this being offered in another language, or physical (though Amazon lists it as being 88 pages, hardcover, with other book dimensions), and this wasn't showing up in searches before. Sounds neat (mostly I like that Dolph canonically has a friend), and hope we get it translated.

(As a reminder, the art book for the show is out, and the boy's love comic for Dolph and Alex comes out digitally on 14 November 2023, and physically 12 December 2023. Also Netflix is still selling Bullfrog plushies).

[slocumjoe]

How the Companions would decorate their homes

...and how I would lose my goddamn mind wrestling with Tumblr's formatting nightmare hellworld.

sorry to anon who requested this, I deleted your ask while fighting for my life :[

Cait; The punkest of punk design; whatever the hell makes her happy. Would take interest in things she previously never cared much for, like music, or tinkering, or model making. So, you'll have posters and vinyls of her favorite bands and artists everywhere, tools and materials strewn about flat surfaces. Lots of reds and plaid/flannel. Likes big couches you can sprawl out on and thickly-knit, chunky blankets. Think of pop art with darker colors, chaotic patterns. Loves warm, bright lighting, dim areas remind her of the Combat Zone. Her spaces are messy, but freeing and charismatic. Her style is best described as rocker college dorm room. Reminiscent of Chloe Price's room, but more mature and with less teen melodrama. Would have lots of candles. Has a statement shelf with feature lighting for unique alcohol bottles.

Codsworth; Post-modern. Modern is medium-toned, neutral colored, and somewhat minimalist. Post-modern likes colors, soft shapes, having art as part of the house itself. Bright wood paneling, one-line artwork wallpaper, multiple colors in one room. It's very birds of paradise in color pallet. Brown suede couches are a classic. Lots of plants. It's inspired by 1950s, but with bouncier aesthetics, where 1950s can feel stiff. Codsworth wouldn't want anything too out there, though. Dani Dazey is kinda close to what he'd enjoy, but tone down the amount of color, go less crazy with the decals. But otherwise, bright colors, patterns, textures—that's the vibe. Just a less plastic 1950s, and it doesn't have the Great Depression's fingerprints all over it. I would have said something Colonial, or classic British, but I didn't want to think exclusively about his accent. Codsworth is chipper, he's friendly, he invites people over. Something fun, welcoming, and optimistic is up his alley.

Danse; However he got the house/apartment, it would stay that way. Danse does not provide for himself like that. It wouldn't be until he made friends that his residence would have personality. Nick gets him an orange-patterned bedspread that's a lot more neon than it looked in the store. Cait gets him a retro CD player and wall-mounted CD case displays. Preston and Deacon team up to repaint everything minty green and install walnut wood paneling. The furniture is gone the next day, replaced with lodge-style log-and-leather. Everyone pitches in something different, something from their own tastes. As a result, Danse's space would be a constant visual reminder that he's loved, and gaudy as fuck. Nothing matches. The colors are everywhere. Textures? A nightmare. You could kill Ty Pennington with this house. There's a giant mural of cats having mimosas and he isn't sure how or when it got there. Loves it, but...who...why...

Curie; I really struggled with Curie. I first went with French Provincial, then French Farmhouse, French Country, Rustic Glam, Scandinavian, Flemish, bauhaus, pastel bauhaus...I felt like I was trying to convince myself of everything. Nothing fit her. Eventually I settled on girly vintage. The thing with vintage is that technically, 'vintage' has like 70 years of vastly different styles. So...you get a little bit of Victorian-esque, a little bit of art deco, Hollywood Regency...imagine a really nice Barbie dollhouse. That's the vibe, just make everything blues, greens, and purples instead of pink. Curie has a bit of an older grandma vibe. Floral quilts, Wedgwood china dishware and cabinets, antique paintings. I imagine she'd repaint or reupholster her furniture, if not get it new. Definitely has white or blue painted furniture, rather than open wood. Ornate vanity, seashell wallscone lighting, embroidered curtains, kidney desks, corner cupboards...Curie's style is elegant, a little outdated, cherubic, and somewhat saccharine. Would have naturalistic wallpaper with flora and fauna.

Deacon; Like Danse's, but intentional. He's extremely fond of furniture made to look like other things. Mushroom ottomans. Fried egg light switches. Wall-mounted shelving/hangers that are open, grabbing hands. Toucan table lamps. Surrealist thrifter in style. Goes to yard sales, estate sales, those sales put by storage unit owners when a tenant doesn't pay. Grabs the weirdest shit he finds. A McDonalds sign from Thailand. A taxidermied rabbit. A Bigfoot track mold. His walls are never the same color or wallpaper. The kitchen is mint green, the living room is pink and orange, his bedroom is black and blue. Maximalist. There's a story behind every item in his space and good luck figuring out which are true. The least chaotic room is the bedroom, decorated simply with space/star aesthetics. Most chaotic? The empty hallway filled with wall-phones. Only one of them is real. The others go off only when the real one does. He won't tell you this before housesitting.

Gage; You'd think it'd be a Male Living Space. No. Gage is a mean, old, materialistic [sexuality redacted] man. He has tastes. He has standards. Will act like it's a Male Living Space keep up appearances, but his place is probably one of the more expensive. It's fine, money isn't an issue for him. Favors greens, yellows, browns, lots of swampy colors. Steals streetsigns and hangs them up. Weaved and leather furniture, linens, animal pelts, mounts. Worn teak wood, cream walls, travertine floors. If this sounds luxurious, consider that Gage lives here. Unclean. Has no bed frame, only a mass of sheets and pillows. The most pristine places in his house are the coffee maker's counter, and the spaces for his pet lizard, who roams freely like a small dog. The lizard is the only thing keeping him from smoking indoors. So many fucking books everywhere, all dog-eared to death. Has stolen something from every party he's ever been to. Keeps them on display. Has a worrying amount of wedding cake toppers.

Hancock; Psychedelic culture-nerd hippie meets a grizzled ex-starlet who moonlights as a show girl. Think Whimsigoth, without the victorian influence and a lot more drippy shapes. All light sources are lava lamps. Conversation pit that you could meet God in. Many colors, most of them moody and 'sleepy'. Stereo system through the entire space. Paints on his walls whenever he's feeling creative/high, they're constantly changing. Has to scrape off the paint every so often. Collects movie memorabilia, particularly horror movies. Has masks, outfits, props. His kitchen/dining room is unintentionally Japanese-eqsue in style, in that the table is low, and you sit on beanbags. Really not into dealing with chairs in the morning. Hancock's ideal furniture is made of moldable jelly, him being a cat in spirit. His office is a complete divorce from the other rooms. It's entirely 1700s luxury Colonial in style. Dark mahogany woodwork, deep reds and blues, a (electric) chandelier. Big library.

MacCready; Eclectic. This style is defined by maximilism, mismatched everything, lots of tchotchkes. The core tenent of it is that it takes whatever looks good from other styles. It's magpie core. It's how the gremlin thief in your DnD campaign would style a home. So, lots of different kinds of fabrics, many shelves for trinkets, posters of all kinds on the wall. You ever make a wall with just the posters, signs, etc in your settlements? That's what he does. In canon, MacCready likes midnight blue and leopard print, but I can see olive greens as well. Very messy and busy. Raw wood furniture seems like it would be a good fit for him. Would have a big entertainment center, very nerdy space. I think Rodrick Heffley's and Eddie Munson's bedrooms are a good way of getting an idea. Kind of basementy, kind of glamrock. He's 22, what do you want from him? Very much "baby's first place." Duncan's room would be more child-friendly, lighter colors and softer furniture. His drawings always get hung up wherever there's space.

Nick; Also struggled with this one...I didn't want to just make him Victorian/Gothic, that felt too obvious. But...it's obvious because it's correct. It just is. His name is Valentine. He has a neon pink sign with hearts on it. This man is modern Victorian meets dingy alleyway in a Hollywood noir film. So, we're looking at victorian settees and woodwork (which is when the walls are carved all fancy, by the by), lots of dark colors, leathers, a fireplace to stare into broodily with a glass of whiskey. We'll also need a bit of industrial to blend the Modern Victorian and Urban Night vibes, so some dark brick/stone, perhaps? Or industrial light fixtures. In terms of materials, the aforementioned leather, but also velvet and dasask fabrics, marble, and rosewood, possibly treated to bring out the red, or be made darker. This space is mostly dark and black, with pops of pink, purple, and blues. Would definitely need an LED indirect lighting for mood setting. It's not as dark like X6-88's home, though, it's more intimate and warm. Heavier emphasis on coziness and inviting auras. Nick's home is an older queer man's home, so obviously it's a little extra, a little theatrical. Has a sweet cocktail bar setup, will make you a martini while you unveil your tragic backstory.

Piper; Also eclectic, but brighter and with some intellectualism. So, more vintage, but bolder and more assertive than Curie's vintage. The best thing I can do it point you towards Arianna Danielson's blog, and ask that you imagine most of those pinks to be darker, or just red. Similarly, Dani Klaric and Tay Beep Boop's viral design. That vibe of confidence, a little bit of feminine rebelliousness, and generally just spunky. A crucial item would be book paper lighting shades. It clashes but Piper would be into it. I imagine she'd want the place to be fun for Nat, satisfy that little girl urge for Maximum Colors. Piper would have a messy as hell writing room, papers everywhere, red-string corkboards, coffee cups. Collection of vintage newspapers, lots of plushy rugs and pillows, probably has weird little knickknacks hidden about. The type to have rubber ducks in her fridge and refuse to elaborate. Don't question the writing process.

Preston; Walnut, shiplap, rattan, navy blue. Reeves Connally put me on this combination and now I'm spreading the propaganda. People have feelings on rattan but it deserves more respect, just like Preston. His style is best described as hygge with a beachy edge. Hygge is all about neutrals, extremely soft and squishy fabrics and furniture, warm ambient lighting, and worn wood. Fairy lights everywhere. Cozycore, really. Blue and shiplap walls, walnut flooring, rattan furniture. Blues + white + sandy + rich brown. Best combo. Fucking fight me. Chunky wool blankets, velvet for more decorative cloths, like drapery or the fabric of the seat cushions. For decor, you're looking at handdrawn maps, paper light fixtures/shades, plants kept in colored glass vases, nature photography, a reading nook filled with historical fiction and textbooks. I can also see hanging greenery. Preston's space is refreshing, energizing, but not bombastic. I imagine he has a kitchen island with stools, but no dining table.

X6-88; Dark modernist, hands down. Crucial item is the Zaha Hadid moon sofa, in black. Steel, concrete, and sparingly, brass/brassy wood. Blacks, greys, and with the brass, an inoffensive pop of color. It's a minimalist style that, when darkened, takes inspiration from Gothic and industrial styles, but doesn't lean into them. Also has some futurism elements. X6-88's home is clean, elegant, sharp. It's designed to not be overstimulating, like the Institute's stark white plastic and fluorescent lighting is. LED indirect lighting + metal-caged hanging lights, velvet and taffeta fabrics, glass tables. There is no better kitchen for him then the Modern Kitchen 2020 from Burak LACFI on Behance. For the bathroom, Anna Kolos' work, also on Behance. His bedspread, the Ithaca Sateen set from Sleep by Sānti. I spent three years designing this man's home for a 40k word fanfic and I will hear no opposition.

[burlveneer-music]

大鬼众 Ghostmass - 大抱散 Improvisation for Dusty Ballz - I'm not super into noise rock, but once in a while something knocks my socks off, like this! (Dusty Ballz is the label co-releasing the album.) This album has regular-length tracks; they also have a new album of two longform tracks (below).

Dusty Ballz (UK) and WV Sorcerer Productions (FR) join forces to present two new releases by Beijing-based noise/drone/doom metal group, Ghostmass. In Chinese, “big ghost” is a phrase sometimes used to convey a sense of utter out-of-placeness. If you see a big ghost, you find someone who walks the corporeal world in their own preposterous ways. A big ghost is not a ghost, it does not terrorise, but neither does it belong. It occurred to Li Weisi that this speaks to the very essence of outside music making. One of these days, he started saying “I saw a big ghost playing last night” after going to a very good gig. Ghostmass, then, are a collective of such big ghosts doing music together. Started in 2021 as an improvisation unit based in Beijing, the project gathers kindred souls who share the vision for an open musical space where ghosts feel at home. To this day, the lineup has evolved into some kind of a supergroup of the capital’s music underground: Li Weisi and Li Qing are known more widely as the retro-manic electro-acoustic duo Soviet Pop, and as two thirds of the cult alt-rock act Carsick Cars; Yan Jun has been a veteran experimenter of sounds, words, and ideas for decades across various scenes; the most recent addition to the group was Yang KuKu (YKK), a professional aquascaper who plays music in a band for the first time. While the project grows from a joint passion for drone, doom, and extreme metal, each ghost attends its own duties in building and rebuilding the collective sound of Ghostmass, which stumbles across a trackless delta of harsh noise and free improvisation. In 2023, Ghostmass recorded an improvised session for Dusty Ballz on a hot summer day. The label was told that they would do something jazz. The two tracks on Side B are titled to pay homage to the legacy of late Coltrane. Side A presents an array of ghostly references from an everyday Chinese context: a martial arts fiction masterwork of the Taiwanese “ghost school”, an ancient Taoist master heralding from the ghost valley, a French DIY-music wizard who wanders in Beijing hutongs calling himself “ghost uncle”, and the famous ghost caverns in the Wuyi Mountains where smoky dark oolong tea grows – these references have warrantably turned into ghosts themselves, paling under translation. In a time when being human gives way to humanism, perhaps being ghost promises a more real living reality. Perhaps hell is what we live in right now - who the hell knows - perhaps this is what jazz music should be.

李青 Li Qing: Drums 李維思 Li Weisi: Bass 顏峻 Yan Jun: Electronics, Voice 羊庫庫 Yang Kuku: Electronics, Voice

“The ghost it is, who has come into possession of the Tao, reigns over gods and demons, and gives birth to heavens and earth. It kills the undying, and breathes life into the unborn. The sounds it creates, there is nothing it cannot still, nothing it cannot heave, nothing it cannot destroy, and nothing it cannot make.” “Ghost Meditation” was recorded at GEBI, a legendary underground venue and studio in Yiwu, China. In this album, the band delves into a meditative sonic intensity that lies between drone/doom and harsh noise, drawing inspiration from artists like Sunn O))) and Merzbow, while adding their own eerie vocal and percussion elements. The album evokes a profound sense of stillness amidst chaos. Vast walls of sound blend seamlessly with fragmented noise, creating a heavy, mysterious atmosphere. Each side of the album features a long-form track—“Wu” on Side A and “Hu” on Side B. These titles, though merely onomatopoeic, carry the power to immerse listeners in the depths of dark mountains and rivers, the desolate landscapes.

[aromantisk-fagforening]

Music in various languages

I've talked about how interacting with different cultures is good, I figure I'll also try to recommend some songs. (many songs beneath the cut). I'm going to include a couple different genres, but obviously I won't be including every.

I hit audio limit :/

Norwegian language (Norway):

[Pt: Du må ikke sove by klarspråk]. [album: du må ikke sove. shows a warped photo of Donald Trump on tv.] genre: rock / (punk?) / spoken word / social criticism. it's an antifascist song, quoting a famous illegal WWII poem by the same title "you mustn't sleep".

[PT: regn & gitar by Jomas] [album: evig kronisk. shows man looking at a garden holding a retro phone.] It's a more soft quiet song about waiting for someone in the rain.

(I could recommend many more Norwegian songs so don't feel afraid to ask if you're at all interested)

Sámi language (Norway / Sweden / Finland / Russia):

I don't have the necessary letters on my keyboard to write PT. But this is a Inari Sami song by Amoc. I don't speak that language. here are the lyrics on genius. here's a dictionary, not sure if it's the right Sámi language. The genre is like atmospheric rock or something, the instruments are amazing.

[PT: áddjá by resirkulert] [album cover: áddjá] translation: grandfather (Sámi) by recycled (Norwegian). genre: yoik/joik - a Sami Music genre which is mostly about vocal technique.

French language (France / Benin / Congo / Democratic republic of Congo / Monaco / Senegal / Switzerland / Belgium / Ivory coast ++)

[PT: Soleil noir by 47ter] [album: petit princes. Photo of three boys on stairs]. A rap song by a trio from France. It's about "a black sun" about liking the dark and rain and not liking summer.

[PT: Déprime hostile by Pogo crash control]. [album: Déprime hostile. Shows a digital drawing of a head cut open with a cocktail]. genre: punk / metal. The band is from France. The song is about hostile depression or something.

[PT: plus rien ne m'étonne by Tiken Jah Fakoly]. [album: coup de guele. It shows a face pointed towards the ceiling]. The artist is from Ivory coast (AKA côte d'ivoire). genre: Reggae. It's about colonialism.

[PT: formidable by stromae]. [album: racine carée. it shows the side of a man's face, he has short hair]. The artist is Belgian. Genre: hip hop. The song is about a breakup or something.

Scots Gaelic (UK: Scotland)

[PT: Faileas air an airidh by Runrig]. [album: 50 great songs]. genre: traditional folk. The song is about waking up on a ship or something.

German language (Germany / Belgium / Austria / Switzerland)

[PT: 99 Luftballons by Nena]. [album: Nena]. Genre: synth pop / pop rock. This is an antiwar song from 1983 about the cold war.

A last song even though I hit Audio limit:

Kunst by Lebanon Hanover. (link). It is a gothic rock song about art.

[randomvarious]

Today's compilation:

McMusic 16 2001 Pop / Teen Pop / R&B / Pop-Rap

Resuming this intermittent Euro-trip that I've been on where I get snapshots of what different countries' pop landscapes were looking like at certain points in time, and today, for the first time ever, we're taking a look at 2001 Norway, with this 16th installment in one of the country's own Now That's What I Call Music!-type series, McMusic.

Now, usually when it comes to these types of ephemeral Euro-comps from yesteryear, I'm looking for three separate boxes to check off: one for a nice and poppy rush of nostalgia, another for a good tune or two that didn't do anything Stateside, and third, something that's so insanely dumb, bad, and Eurotrashy that you have to appreciate the beautiful mind that conceived of it. And while there is plenty of bad Euro music on here, unfortunately none of it falls into that highly sought after category of 'so bad it's good'; it's just unremarkably bad instead.

But with that said then, let's start with the nostalgia rush. There are a few instantly recognizable, intercontinentally classic y2k bangers on this album, but no tune among them happens to go harder than Destiny's Child's "Survivor," a song that took the group's criticisms and constant ribbing about their own personnel turnover to task and ended up resulting in the most ferocious and intense single that they'd ever made; an absolute, certified, string-frenzied bop that you can cathartically wallop a punching bag to 🥊😤. Beyoncé's entry is just so electrifying on this one, and the chorus' constant background chants of "What?" à la DMX, are super infectious too.

And then for something that didn't really do anything in the US, we have "Chillin'" by Modjo. Generally, before EDM got coined as a term, there was no outlet for electronic dance music on a mainstream level, discounting the largely cheesy 90s phenomenon of Eurodance. Some stuff managed to peek through a little bit, though, like Modjo's own "Lady (Hear Me Tonight)," but this French duo's follow-up single that sampled from Chic's disco classic, "Le Freak," was pretty sleek too. Shame America never developed much of a taste for house music back in these times, because with our total affinity for Daft Punk now, we seem to have societally missed out on a whole lot of this goodness.

And one last song I have for you all amounts to a Mandela effect kind of thing, but in reverse, because this is a track that apparently performed pretty decently in the US on a certain mainstream chart, but I don't think that anyone either knew it existed or that they remember it at all. But let's see. Ever heard of a co-ed rap group from Philadelphia and Brooklyn called Spooks? I have, but only because I've heard them on another one of these Euro-comps before. Spooks were enormous in Europe in the early 2000s, and one of their biggest singles, "Things I've Seen," which had a retro-60s cocktail lounge-Amy Winehouse-styled beat to it, was featured in the Laurence Fishburne-written, directed, co-produced, and starring direct-to-video film, Once in the Life, and also served as the theme song to the European version of the US TV series Dark Angel. And the music video for this song featured Fishburne himself in it too!

"Things I've Seen" managed to peak at just #94 on Billboard's Hot R&B/Hip-Hop Singles & Tracks chart, but it was #13 on the different Hot Rap Singles chart. And if you're an American who doesn't concern themselves with early 2000s Euro-popular music or has never seen that specific Fishburne project, then I think you're flat-out lying if you tell me that you remember this song. I feel like this thing has been memory-holed to the point of complete erasure.

So that's a little taste of the Norwegian commercial pop landscape of 2001. Didn't find anything mesmerizingly and uniquely awful here, but still ended up getting what I came for on two other critical fronts—some memory lane tunes and stuff that I've never really had much of an opportunity to be exposed to, outside of sifting my way through other releases just like this one 👍👍.

Highlights:

Destiny's Child - "Survivor" Nelly - "Ride Wit Me" Spooks - "Things I've Seen" Opus X - "Girl What's Up" Jennifer Lopez - "Play" Eve - "Who's That Girl" Modjo - "Chillin'"

[fullgrownpalace]

Hi! I just wanted to say I adore the way you draw Ma'am! She's really pretty in your style ^^

Question wise though, do you have any headcanons or anything like that for her or any of the other characters?

I wish I hadn’t accidentally privately responded to a previous question about my headcanons for her, because it was a LONG LIST, but I’ll try and list a few!

This’ll be long so it’s all shoved under the cut, minus some more private HC’s-

Full Grown/Ma’am

• She’s a huge sweets fan, and once Big Deal gets better at cooking and baking, she has a habit of stealing away muffins or cookies, much to the exasperation and chitterings of him.

• I give her battle scars beneath her suit!

• She has some sort of connection to Reggie which royally pisses her off for A WHILE, especially as Endless tries to push for their friendship. In comes my mentor!AU where a greater looming evil forces them to call a truce and they eventually become like family.

• She’s the original leader/Queen of Endless before Bad Things happened and shunted her into the volcanic stasis until Reggie revives her.

• She’s the original creation of Endless. She was made by a very, very lonely little girl who desperately needed a friend and was scared of growing up, who got whisked away to Endless at its most baby state. Full Grown bloomed into life just about the same age as the girl who created her, and she ages alongside her until the girl grows away from Endless and finally stops coming to Endless. Ma’am stops aging from there.

• She likes wrestling, obviously, but she also likes hockey. She likes the fighting lol

• Big Deal’s affections scare her and make her anxious, she’s scared of niceness and affection in *general*, so she acts up, acts out, lashing out and thrashing and acting petulant in her denial to try and create distance. It doesn’t work.

• She can play a few musical instruments! Namely the piano and guitar, but a few others too.

• She can speak a few different languages, mostly because one of my favorite Matt Berry songs has French in it and I said she can.

• Her music tastes are very wide and varying but she favors acid jazz, psychedelic rock, and hypno-pop.

• Ma’am is OLD, lmao. She clearly is themed around astro-retro futurism of the 50s and 60s, between her house, her theme song, her aesthetic, so I like to put the height of her leadership around those eras.

• She /likes/ entertaining guests. Beneath all her bristle and coldness and axe-crazy mania, when she’s not putting out her icy, angry exterior, she *likes* having guests and being able to entertain. We see her even say that she likes having guests when Brown Roger comes around (poor Brown Roger lol)

• She likes roller skating

• She’s got a closet full of unique clothes, but after Bad Things and her stasis in the volcano, she sticks to wearing her Endless suit because her clothes feel too personal and vulnerable for a long time.

• She’s a hopeless romantic at heart, though terribly scorned, so she hides it beneath briars and thorns and chaos. She loves chick flicks and romance novels and she values loyalty and respect.

• Her and modern technology are Not Friends. Her range in technology goes up until the late 80s/early 90s, and I KNOW the show is technically supposed to take place in that era but that completely bypassed me back in 2019 when I started making my AUs, which take place 2015 and above, so modern technology makes her curse and sneer and growl in frustration.

• She just really likes food. Big Deal has to learn fast how to cook and bake properly for her because she gets very cranky when she’s hungry and she eats A Lot.

• She’s like a giant lizard cat. She’s very bendy and flexible, likes climbing trees and crawling around searching for shiny things, and she likes basking under the sun, even if she complains about being around others the whole time (she’ll also grab Big Deal and curl around him because he’s a little furnace, much to his flustered-ness)

• She’s genderfluid and queer. She doesn’t care about earth terms, she’s a shapeshifting alien queen in a different dimension, human customs and opinions don’t really matter when it comes to who *she* is.

• She and Big Deal manage to cross over onto earth at some point and she creates earth human forms for them.

• I technically have a full name for her but thatsss a bit private and will only be revealed if I talk to you for a while hdhfjd

I have a lot more but for the sake of saving time, I just have those for now for her.

Reggie

• CHAOS GIRL- she maintains her chaotic, bright, colorful nature even into adulthood. I really like focusing on her and her friends growing up into young adults because like.. self projection and also because this show is *about* growing up, and it’s SO interesting exploring that facet and seeing how their personalities, ESPECIALLY Reggie’s, grow and flux, yet how they still stay true to themselves.

• She /can/ sing a lil bit but it’s one of the few things she’s very shy about, between bullying and befriending people like Todd and Esther, and eventually Gwen, who are all so musically oriented, so she kinda just.. hides that she can kinda sing by being so overly dramatic about *badly* singing.

• She grows a steady mentorship/apprentice dynamic with Full Grown (though it depends on AU for how old she is when that mentorship starts, for my main one, she’s almost 13, for a few of my others, she’s older teens) who eventually becomes a like a very dear family member to her

• She’s a sporty girl when she hits her teens. She’s got a LOT of energy and frustration to expel and she winds up enrolling in volleyball, hockey, and rollerderby throughout her teen years to help her adrenaline junkie life and it helps with the frustrations of Having To Grow Up.

• She keeps her tooth gap, she never gets it corrected, and she’s got a very crooked and mischievous smile that lasts her whole life.

• She’s COVERED in freckles.

• She’s very shy around Conelly for a WHILE, they don’t even start dating til Reggie’s like 16.

• She’s actually very good with science, it just takes Ma’am’s mentorship to help her realize that ‘hey she actually sometimes likes learning’ and she likes astronomy, astro-physics, physics, and chemistry (she finds interest when she’s being taught magic and finds out there’s a lot of science behind potions and magic)

• She’s forever a foodie, always munching and eating SOMETHING. She’s a frequent food thief and steals snacks from Mack and Beefhouse, from Full Grown and Big Deal, and from her friends.

• She’s the championed Knight of Endless, in all essential aspects. She undergoes weapons training from Full Grown when she hits adulthood due to other threats on Endless.

• She LIKES dressing up, she LIKES dresses sometimes, she just doesn’t like dressing up the way Judy wants her to, and she doesn’t like feeling clumsy and doesn’t like feeling like she’s just playing dress up to be someone she’s not (unless it’s cosplay, she gets her friends into cosplaying with her).

• Most of her wardrobe I draw her in comes directly from my closet or from my style.

• She gets rebellious with her friends when they’re 16/17 and Todd’s older brother takes them to get ear piercings together, so she’s got two lobe piercings and industrial piercings on both ears. When she’s older, she also has a tongue piercing, because she thought it was Cool™️ and she likes to stim with it.

• In my main mentor!AU, she chops all her hair off to her shoulders directly after her 18th birthday in a fit of frustration and rage and panic. Mood.

• She also puts colored streaks in her choppy hair when she’s older, regardless of shortness or longness, she’s got green, pink, and blue streaks randomly smattered through her hair.

• She’s got severe ADHD and is possibly autistic

• She ALSO likes wrestling, so her and Full Grown cheer and snicker and snort over wrestling.

• She maintains her artistry as she grows and is quite successful with her art on the occasion. She’s the designer for Dustin’s podcast’s merch, Space Draculas. His podcast focuses on mythological legends, paranormal encounters, and supernatural beings with Todd’s older brother a few friends. Any pics of Reggie I draw wearing an alien with fangs is for this podcast of his.

• She and Judy mend their bonds over the years, and Judy is definitely the Team Mom for all her friends.

• Reggie’s first car is a Volkswagen Beetle that’s got a yellow body, but the hood, front two doors, and trunk are all different colors. The car is littered with car stickers and it has pins all in the roof from the inside, and she’s got worm on the strings tied to the rear view mirror.

• She ends up being a very good babysitter, it’s her job as a teenager, so she winds up being very good with kids.

• She curbs her dirty, messy habits as she grows older, but sometimessss she still gets down and dirty on Endless, she’s got no problems with getting muddy and dirty, covered in paint, sticky with sweat and sand, and she has to be reminded that showers are REQUIRED /more/ than twice a week.

• Full Grown regularly chews her out because she tries to enter the witch’s home with her sandy boots on. That’s like.. a YEARS long habit.

• She winds up being a rather well skilled magic user

Big Deal

• Learns much of his cooking skills from infomercials after Ma’am falls asleep, alongside with tentatively befriending Mack and Beefhouse and learning from them. They reach out to him first, with much grace and forgiveness, one day when he’s searching for recipe ingredients and they end up being well friends to him, and eventually, Ma’am as well. (She’s much more resilient and hesitant to befriend the others after everything and many of them are just as hesitant of her but Reggie growing under her mentorship helps)

• He whacks Reggie in exasperation when she tries to steal food.

• He was made by Endless to protect his Ma’am and be a tiny little plush dragon to her.

• He purrs when he’s comfortable and happy, and so does Full Grown (though she represses it for a very long time). He also trills and chitters and chirps in feral little noises to her and she’ll make noises back.

• he looks smooth and round but he’s made up of really smooth feathers and he’ll puff up and flair out in high emotions or shock.

• He’s SO little and she’s SO big. My Ma’am is around 7’0” and he’s like.. thigh/butt level to her.

• He’s the first being to see her cry after her revival from the volcano, regardless of my AU and how long it takes for her to finally cry, he’s always the first one to see her cry.

• He’s a very enthusiastic learner and absorbs knowledge like a sponge, and he loves listening to his Ma’am talk so he’s willing to sit and listen and learn until he’s falling asleep.

• He does NOT like horror movies. He does not care for wrestling, or hockey, it all makes him cringe and fret so much, but he LOVES fantasy, adventure, romance, and music, so Full Grown introduces him to musicals and romcoms.

• he LOVES entwining his tail with his Ma’am’s tail, which, for a long time, is a very rare thing, but it grows more constant as time passes.

• he’s got little padded pawed hands! Tiny hands with little heart shaped paw pads!

______________

Okay these are all I can think of tonight but I WILL update this as I think of more, or feel free to message again with individual characters!

[dengeki-gs]

a “tag people u wanna know better” game!! its been a while, im very honored. Thank u @occulticsnomajo!!! sorry it took me a minute

last song: french navy by camera obscura! I’ve been on a big twee pop thing recently, and daydreaming about a house in the PNW where we have warm lights on all the time. Back then, someone’s job could be “blogger”. i yearn for those days

favorite color: green as well! It’s going to be hard to not have green hair anymore, when I have to chop the dye out. Or who knows! Maybe I’ll have enough money to keep it maintained forever.

currently watching: umm. seinfeld reruns. also started watching danganronpa 3 with friends. im sorry

last movie: i recently watched high sprits with a friend!! It was not the movie we thought it was gonna be, so we stopped right at the ending. Too much straight ghost sex.

currently reading: i just finished Memories of Amorous Gentlemen and it was so fucking good. Binged the whole thing in like an hour. But I should check out something new from the library!! I think i’m well enough to get started on house of leaves…

sweet/spicy/savory: all three at same time. but watch out

relationship status: if u know u know if u dont im not telling

current obsessions: I’m daydreaming about how to set up an emulation station now that I have a TV in my room! so that? Cause I wanna play retro games in bed.

last thing I googled: i have too many privacy related extensions for google to successfully keep track of my searches, so no idea, sorry. oh wait i have it open in another tab. "alias python on mac"

currently working on: AH!!! so much. but I’m taking my game to a dev meetup on saturday, and I have to get back to that after i'm done writing this, so probably that??

i taggggggg @mevil @snoozaga @gummyache @plaant @keygen @shogas @squigglewitch @silmist @heckmaster2000 @lolbatz and this is a pretty random selection so anyone who wants to do this... or if i somehow skipped you, i didnt mean to >_<

also @occulticsnomajo i have a dress of your header!! i wore it to a wedding recently, it's my fav :00 i know there's no question about that on the tag game...but i like the dress, so thanks for letting me show it off >_<

[andthemoonsingswisely]

Pretty little words by Savitri* (aka my introduction post)

*not my real name, but a pen name

she/they, 16, ace, aro-spec

ENTP-T, Virgo, flautist(Carnatic & classical western), writer(poetry, prose-poetry, flash fiction), coder (JavaScript, Python, MATLAB)

Likes: Fashion, aesthetics, retro feels, petrichor, sarees, fast cars, roller coasters, Hindu goddesses, those little moments when you just feel so whole and complete

Dislikes: people who value you solely for entertainment purposes and do not see you as human beings capable of deep feelings and thoughts

Music: Old Hindi & Tamil songs (Lata Mangeshkar, Susheela), Carnatic music, classic rock (Livin’ on a Prayer, Free Bird), everything by Madonna (QUEEN OF POP frrrr), classical western music(particularly the impressionist ones like Debussy’s Syrinx and Poulenc’s flute sonata)

Literature: Ocean Vuong, Richard Siken, K-Ming Chang, The Grishaverse, A Song of Ice and Fire, Red Queen, Anna Karenina, The Color Purple, Beloved, Mahabharata (and no, Karnan is not some tragic hero; he sucks), TONI MORRISON I LOVE HER SHE'S THE BEST ICON <3

TV: Breaking Bad, Suits, Shadow and Bone, Gilmore Girls, Crash Landing on You, Our Beloved Summer, Twenty-five Twenty-one, Avatar: The Last Airbender, Yellowjackets; Currently watching: House, M.D.

Nationality: Born and raised in the US, somehow has a very thick Indian accent which makes nice people ask “were you born in India?” and annoying ones reply to me in an over-exaggerated version of how I speak 💀

Languages: Tamil and English, I’m learning French as a second language in school. I can read the Hindi script but can’t really speak or understand it :/

Religion: Hindu

Aspires to study economics and decision science :)

This is going to be a studyblr and a place for all my weird feelings to coexist + my weird fandom obsessions, so yeah, it’s gonna get at least a little weird (aka ✨quirky✨) in here.

Follow to be 💕moots💕 & friends 🫶🫶🫶