Carolus-Duran (1837-1917)
"Merrymakers" (1870)
Oil on canvas
Located in the Detroit Institute of Arts, Detroit, Michigan, United States
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Pair of firedogs representing Venus and Mars, designed by Quentin-Claude Pitoin and modeled by Etienne-Maurice Falconnet
French, c. 1769
gilt bronze and iron supports
Art Institute of Chicago
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Study in Synth Anatomy
Based on gen. 2 models
Finally done with this! It was very difficult to find good references for their insides, but I'm pretty happy with how this turned out. Wanted to give it a vintage medical book vibe ^^
(the French words are names I gave to the parts lol)
Edit: changed my signature and fixed this mistake that was driving me mad lol
Translation for the text, clockwise from the title:
'Anatomy of the Synthetic Man
Coolant Filter
Fuse Box
Reactor Casing
Coolant Pump Motor
Torso Mobility Joint
Auxiliar Coolant Tank
Negative Pressure Pump
Coolant Tank
Upper Limb Motor
Upper Limb Pulley Array'
There are a lot of HC parts that I ended up not including, because it would be wayyy too busy
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Pink silk ball gown, ca. 1867, French.
By Emile Pingat.
Albany Institute of History & Art.
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Institute of France (Learned Society)
College of the Four Nations -&- French Academy
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Allegory of the Birth of the King of Rome, 1811
Ernest Joseph Bailly
Museum of Fine Arts Ghent
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Study of a Cow, Émile van Marcke, between 1870 and 1890
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Dress match-up: a painted dress and its exact dress or a close match.
French • 1864 • Metropolitan Museum of Art
A rounded shoulderline that enhanced the length of the neck was prized through most of the nineteenth century. From the 1830s to the 1880s, it was accomplished by the lowered splayed stance of corset straps. The open neckline apparent in this wedding dress and the underbodice of this summer gown from the period suggests its romantic effect. – Metropolitan Museum of Art
Franz Xaver Winterhalter (German, 1805–1873) • Adelina Patti • 1863
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Do you think things would've been different had Louis and Marie Antoinette accepted constitutional monarchy.
Oh, definitely. I am bad at alternate history (which I dislike about myself, because it is super interesting), so I can't guess how, but it would sure be a very different situation if they honestly accepted constitutional monarchy.
There is this misconception of the French revolution as the "mob"/revolutionaries jumping at the first opportunity to crush royals, but in reality, Louis and MA were given so many chances and things dragged for several years until it became clear that they were uninterested at being constitutional monarchs. Then and only then the republic was founded and monarchy abolished. (And all of this before any of them lost their head).
We know is that the people of France - revolutionaries at least - wanted constitutional monarchy more than Louis and MA did. National Constituent Assembly prepared everything for it to be put into place, all while the royal couple pretended they wanted to play along. In the writings and speeches of many prominent revolutionaries, there is a clear will and hope for constitutional monarchy. Only a minority (mostly among Girondins) called for a republic. Still, the project of the constitutional monarchy was well underway and constitution prepared when Louis and MA decided to flee the country.
It became clear in the summer 1791 that Louis never really supported the idea of a constitutional monarchy. And yet, they did not proclaim the republic then and there - Louis got another chance. So things dragged for another whole year, but this is where the idea of a republic was truly born: through Louis' actions and treason.
So given that the king's treason and unwillingness to accept the constitutional monarchy led to the proclamation of the republic (and (in)directly, other things, such as the war with foreign powers and a surge of counter-revolutionary efforts to name a few), I can definitely say that things would've been different if he and MA honestly accepted constitutional monarchy.
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Edouard Manet
Moss Roses in a Vase
1882
Clark Art Institute Collection
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Alexandre-Jean Dubois-Drahonet (1791-1834)
"Portrait of Achille Deban de Laborde" (1817)
Oil on canvas
Located in the Clark Art Institute, Williamstown, Massachusetts, United States
Painted during the Bourbon restoration, this portrait depicts the son of a fallen Napoleonic hero during a time of anti-imperialism in France. Eight-year-old Achille wears a miniature version of the embroidered Hussar uniform his father, Baron Jean-Baptiste Deban de Laborde, would have worn. His father’s military awards, notably the ceremonial sword and Légion d’honneur hanging in the upper left, surround the young boy. Achille would ultimately rise to the rank of colonel in the French cavalry.
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27 février 1594 : Henri IV est sacré roi de France à Chartres, Reims étant tenue par la Ligue ➽ http://bit.ly/Sacre-HenriIV Le roi avait résolu de se faire sacrer, mais la ville de Reims était au pouvoir de la Ligue. Son conseil décida que cette cérémonie aurait lieu dans l’église de Chartres, « pour la particulière dévotion que ses ancêtres y avaient toujours portée »
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Pink Silk Afternoon Dress, 1890-1891, French.
By Maison Félix.
Albany Institute of History & Art.
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"We therefore need to separate out the 'facets' of [Anne de Pisseleu's] life, the way she was perceived by different groups and individuals. According to these, she could be viewed as an ornament to the court, a grasping favorite, a desired patroness, an able businesswoman, later on as a pillar of the reformed church and cantankerous old woman. At different times and over a long life, Anne de Pisseleu played all these roles."
David Potter, "The Life and After-Life of a Royal Mistress: Anne de Pisseleu, Duchess of Étampes"
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