#franz kirchner

[capndragn94]

Synopsis:

Lana is a super feisty, forward-thinking, and passionate 12-year-old girl, and the heir to her father’s adventuring ship, the Mighty Windbreaker. Along with her Viking dad and his diverse crew of rogues (a dwarf, an orc, a barbarian, and a cyclops), she sails across the Ten Realms, dreaming of becoming one of the greatest adventurers of all time. But first, she must overcome some challenging obstacles: impulsivity, stubbornness, extreme curiosity, disdain for rules, and love of pancakes. All the best things about her!

[cutehomeart]

Expressionism emerged in the early 20th century as a reaction against the naturalism and academic traditions of the time. This movement prioritized the subjective, emotional experiences of the artist over objective reality. Expressionism emphasized the use of bold colors, distorted forms, and powerful brushwork to convey raw emotions.

Munch's work was pivotal in the development of Expressionism. His art, which straddled the divide between Symbolism and Expressionism, pushed the boundaries of traditional artistic conventions. Munch's paintings paved the way for future Expressionist artists like Wassily Kandinsky, Ernst Ludwig Kirchner, and Franz Marc.

[joaquimblog]

A L'ENTORN DE LA DIRECCIÓ ESCÈNICA A LES ÒPERES DE WAGNER (5): DAS RHEINGOLD A BAYREUTH

Das Rheingold, disseny escenogràfic Bayreuth 1876 Amb aquest apunt inicio l’Anell dels Nibelungs, un repte més que una tasca laboriosa. Primer vaig pensar fer només un apunt per a tot el Ring, però aviat em vaig adonar que la quantitat de material el faria excessiu i feixuc i per tant, vaig creure més oportú fer el pròleg i les tres jornades seguides, com si anéssim al teatre. La llista de…

[fragrantblossoms]

Ernst Ludwig Kirchner. Der Bündner Knecht Franz Scherrer, 1930.

[arthistoryanimalia]

#ThreeForThursday:

Franz Marc (German, 1880-1916)

Grazing Horses IV (The Red Horses), 1911

Oil on canvas, 121 x 183 cm (47 5/8 x 72 1/16 in.)

On display at Harvard Art Museums

“In 1911, deep in discussions with other members of the expressionist group Der Blaue Reiter and preoccupied with questions of color, Marc began work on Grazing Horses IV. Wishing to give form to inner experience and to free himself from formal constraints imposed by the outside world, he aimed to detach color from its descriptive function and assigned each primary color a specific symbolic value. As this painting's numeric title suggests, Marc returned repeatedly to the horse as a subject. He became well known for his preoccupation with animals, seeing them as the embodiment of a better, purer world, the bringers of spiritual renewal to Western culture.

Grazing Horses IV became the artist's first work to enter a museum collection, the same year it was made. Like Heckel's triptych and Kirchner's self-portrait nearby, the painting first belonged to the Folkwang Museum in Hagen (later in Essen), which was at the vanguard of contemporary art collecting in Germany at the time.

The painting was removed from the collection in 1937 as part of the National Socialist campaign to rid German museums of ‘degenerate art.’”

Bonus #BookRecommendation:

Franz Marc: Horses (2000)

[anamelessfool]

What's your favorite art movement?

German Expressionism (1910s) specifically Die Brücke (Kirchner) and Der Blau Reiter (Kandinsky and Franz Marc)

Franz Marc (Blue horse) is my favorite artist.

Kandinsky

Special shout-out to Hannah Höch, but she was more of a Dada Artist

Thanks for the ask!

[opera-ghosts]

Bayreuther Bühnenfestspiele / Bayreuth Festival

THE SINGERS IN PICTURES FROM THE EARLY DAYS IN THEIR LEISURE TIME TOGETHER.

Ellen Gulbranson, Ernestine Schumann-Heink and daughter; Bayreuth, ?

Hugo Rüdel, Dr. Carl Muck, Anna Bahr-Mildenburg, Clarence Whitehill, Gertrude Rennyson, Lorenz Corvinus, Ellen Gulbranson (daughter), Hermann Bahr, Carl Braun, Fritz Vogelstrom and Marie Wittich; Bayreuth, 1906

Alois Burgstaller, Lorenz Corvinus, Gertrude Rennyson, Willy Birkenfeld, Otto Brisemeister, Emma Hesslöh, Martha Leffler-Burkhart, Hans Breuer, Alfons Schützendorf and Clarence Whitehill; Bayreuth, 1909

Karl Kittel, Hans Breuer, Alexander Kirchner, Rudolf Moest, Nikola Geisse-Winkel, Carl Braun, Ellen Gulbranson, Alois Burgstaller, Lily Hafgren-Waag, Lorenz Corvinus, Louise Reuss-Belce, Marie Wittich, Käthe Neubeck, Wilhelm Fenten and Otto Brisemeister; Bayreuth, ?

Lily Hafgren-Waag, Elsa Band-Agloda, Ellen Gulbranson, Fritz Vogelstrom, Nikola Geisse-Winkel and others (Could you identify all the singers?); Bayreuth, 1909

Ellen Gulbranson, Anna Bahr-Mildenburg, Ottilie Metzger-Lattermann and others; Bayreuth, 1912

Siegfried Wagner, ? Wieking, Ernestine Schumann-Heink, Eduard Habich, Michael Bohnen, Franz Stassen (illustrator), Prof. Khnopff (?), Hans Breuer, Winifred Wagner and others. Restaurant "Eule", Bayreuth, ?

Alois Burgstaller and Walter Soomer; Bayreuth 1897

Alois Burgstaller, Hans Breuer, Max Schlosser and Hans Schütz; Bayreuth 1896

[schorschidk]

Kalender - Bilder unserer Landschaft 1993 der Vereins- und Westbank mit den Inhalten:

- Abendstimmung in Hamburger Hafen um 1920: Friedrich Kallmorgen

- Hamburger Hafen 1909: Albert Marquet

- Morsum Kliff auf Sylt, 1878: Eugen Gustav Dücker

- Prospekt von Schwerin über den Burgsee gesehen, 1750: Johann Alexander Thiele

- Gut Staberhof auf Fehmarn, 1913: Ernst Ludwig Kirchner

- Wiesen bei Greifswald, um 1820/22: Caspar David Friedrich

- Helgoland, 1959: Franz Radziwill

- Hiddensoe, 1922: Walter Gramatte

- Schafherde in der Lüneburger Heide, 1904: Heinrich von Zügel

- Gewitterstimmung bei Ahrenshoop, 1913: Carl Wilhelm Malchin

- Der Plöner See, 1798: Ludwig Philipp Strack

- Braunschweig, Blick vom heutigen Ruhfäutchenplatz  nach Norden auf die Andreaskirche, 1832: Domenico Quaglio

- Jakobi-Kirche in Lübeck, 1958: Oskar Kokoschka

- Das Bild der Landschaft

Maße: 34 x 29

[el-artemoderno-y-contemporaneo]

Movimientos del Siglo XX Expresionismo

En una atmósfera pre-bélica de Alemania es cuando artistas de tendencias muy diversas y diferentes formaciones se unieron para la creación de un arte más personal e intuitivo donde la “expresión” no es lo mismo que “impresión”, la primera es el ser, el sentir del artista y el segundo concepto es la mera plasmación de la realidad.

El expresionismo viene a ser una deformación de la realidad para expresarla de forma más subjetiva; Se quería mostrar sentimientos, emociones, algo que ilustre la naturaleza y el ser humano desde una perspectiva interna. Este movimiento tuvo un gran matiz pesimista y fea, ya que los expresionistas alemanes no escatimaron en mostrar lo morboso, lo prohibido y lo obsceno.

Independientemente de sus estilos, los artistas expresionistas, fueron inspirados por el  trabajo de Vincent van Gogh. Emplearon paletas de colores fuertes y expresivos, trazos exagerados y deformados. Utilizando estas dos técnicas, estos fusionaban la ridiculización de esa misma sociedad con la expresión de su espiritualidad.

El expresionismo se dividió en 3 tiempos:

 Pre-Expresionismo: Fuera de Alemania y antes del estallido de este movimiento aparecen artistas que comienzan a representar lo grotesco y lo extraño. Entre ellos encontramos a Edvard Munch, desde Noruega y a James Ensor, desde Bélgica.  vidas llenas de sufrimiento y angustia, como dicen algunos, en países donde no salia el sol; contribuyeron al desarrollo de su creatividad con la que trataban de “diseccionar almas”.

Die Brücke: Significa “El puente” y es un movimiento que nace en 1905 como un puente hacia el futuro. Este grupo, liderado por Ernst Ludwig Kirchner, pretendió influir en la sociedad destruyendo las viejas convenciones, dejando a la inspiración fluir libre y dando expresión inmediata a las presiones emocionales del artista. Mucha crítica social, colores fuertes, temáticas desagradables y aspecto inacabado, bruto, salvaje hasta su dispersión en 1911.

Der Blaue Reiter: Surgió en Múnich en 1911, se diferencian de Die Brücke por no tener una actitud tan temperamental, más bien, una plasmación casi fisiológica de la emotividad.  En vez de deformar, optaron por depurar, llegando así a la abstracción. Vasili Kandinski y Franz Marc fueron los precursores de este periodo.

[rafamontillaart]

German Expressionism

German Expressionism: Unveiling the Soul of the Early 20th Century

German Expressionism, a dynamic art movement that emerged in the early 20th century, is a testament to the power of inner emotions over objective reality. This movement, characterized by its bold use of simplified shapes, vivid colors, and expressive brushwork, sought to break free from the constraints of traditional representation. Instead, it delved into the depths of the human psyche, revealing a world of heightened emotions, societal critique, and existential pondering. One of the defining features of German Expressionism was its departure from the objective portrayal of reality. Artists, in their quest to express their innermost feelings, employed high angles, deep shadows, and chiaroscuro lighting to create an emotional landscape that transcended the boundaries of conventional art. This movement thrived on distorting the visual world to evoke intense moods and provoke viewers to confront their innermost thoughts. At its core, German Expressionism was driven by a desire to articulate emotional experiences and challenge the prevailing norms of art. In contrast to the detached, intellectualized art of the era, Expressionists focused on the raw and visceral. Through their works, they grappled with the complexities of modern urban life, the solace found in nature and religion, and the primal power of the human body. Their art became a means of confronting the profound changes sweeping society at the time. Expressionism in Germany was not confined to visual art; it permeated literature, theater, film, and more. It was a holistic movement that aimed to effect profound societal changes, reminding individuals of their inherent humanity. As the movement gained momentum, it extended its reach into politics, economics, social structures, publishing, music, film, and architecture, making it a cultural force that challenged the status quo. However, German Expressionism was ephemeral, existing in transition and change. Much of its output was printed on cheap paper, and as the National Socialists rose to power in Germany, Expressionism was condemned, destroying many works. Nonetheless, the legacy of German Expressionism endures as a testament to the power of art to reflect and challenge the world it inhabits. This movement continues to inspire and provoke thought, reminding us of the enduring allure of the human spirit in its rawest form.

German Expressionism Artists:

Ernst Ludwig Kirchner, a prominent figure in the Die Brücke movement, produced vibrant and emotionally charged artworks that epitomize the essence of German Expressionism. His paintings, such as “Street, Dresden,” are characterized by bold colors, jagged lines, and distorted figures, conveying a sense of urban anxiety and inner turmoil.

Franz Marc, associated with Der Blaue Reiter, explored spirituality and the connection between humans and nature in his Expressionist art. His masterpiece, “The Large Blue Horses,” is a prime example of his use of vivid, symbolic colors and abstract forms to convey a profound sense of harmony and spiritual unity.

Wassily Kandinsky, another member of Der Blaue Reiter, pushed the boundaries of artistic expression with his abstract works. His painting “Composition VII” is a symphony of colors, shapes, and lines that transcends reality, embodying the movement’s emphasis on inner experiences and emotional expression.

Egon Schiele, known for his raw and provocative art, captured the human form in a deeply expressive and often unsettling manner. His self-portraits and portraits of others, like “Portrait of Wally Neuzil,” are marked by contorted figures and intense psychological insight, reflecting the darker aspects of human existence.

Emil Nolde, a member of Die Brücke and later the Berlin Secession, brought a sense of mysticism to his Expressionist works. His painting “The Prophet” conveys a sense of spiritual ecstasy through bold colors and fluid forms, showcasing Nolde’s unique approach to the movement.

Paul Klee‘s art, influenced by Expressionism, Surrealism, and Cubism, is a testament to his innovative and whimsical style. Works like “Senecio” blend abstraction and childlike imagination, reflecting Klee’s exploration of the inner world and the fantastical.

Otto Dix is renowned for his searing critiques of German society during the Weimar Republic. His series “The War” presents a harrowing depiction of the horrors of World War I, combining graphic realism with Expressionist elements to convey the psychological trauma of war.

Käthe Kollwitz‘s emotionally charged graphic works, such as “The Mothers,” poignantly portray the human condition, particularly the suffering of women and families during times of war and hardship. Her powerful prints and sculptures exemplify the social conscience of German Expressionism.

Erich Heckel, a founding member of Die Brücke, played a pivotal role in the movement. His woodcuts and paintings, like “Roquairol,” often feature stylized, elongated figures in a raw and primitivist style, capturing the essence of urban life and human connection.

Oskar Kokoschka‘s Expressionist portraits, including “Portrait of Alma Mahler,” reveal a profound emotional intensity. His bold use of color and dynamic brushwork convey the inner turmoil and passion of his subjects, reflecting the spirit of the movement.

Max Beckmann‘s art, characterized by its dark and brooding themes, delved into the complexities of human existence. His painting “The Night” is a haunting reflection of the post-war disillusionment and moral decay, a recurrent motif in his Expressionist works.

August Macke, associated with Der Blaue Reiter, infused his works with vibrant colors and a sense of optimism. His painting “Tightrope Walker” exemplifies his playful and joyful approach to depicting life, capturing the movement’s celebration of the human spirit.

Karl Schmidt-Rottluff, a co-founder of Die Brücke, embraced the use of woodcuts and bold, angular forms. His graphic works, like “Two Men” and “Nude,” showcase his knack for distilling the essence of the subject and the emotional intensity of Expressionism.

George Grosz‘s satirical and critical approach to art is evident in works like “Eclipse of the Sun.” His sharp social commentary, often laced with dark humor, reveals the tumultuous times of Weimar Germany and the political turmoil through an Expressionist lens.

Max Pechstein‘s colorful and expressive paintings, such as “Indian and Woman,” reflect his fascination with non-Western art and cultures. His vivid use of color and flattened forms contribute to the movement’s exploration of primitivism and subjectivity.

Gabriele Münter, a key member of Der Blaue Reiter, produced vibrant landscapes and still-life paintings. Her work, like “Jawohl, Blaue Reiter,” radiates a sense of harmony and spirituality, in line with the movement’s ideals.

Alexej von Jawlensky’s portraits, characterized by their colorful abstractions and spiritual depth, are exemplified by works such as “Variation.” His exploration of the human face as a vessel of emotion and inner life aligns with Expressionism’s focus on the subjective.

Anselm Kiefer, although working in a later period, draws inspiration from German Expressionism. His monumental and layered artworks, like “Breaking of the Vessels,” grapple with history, memory, and mythology, reflecting the movement’s ongoing influence.

Georg Baselitz, known for his inverted and often provocative imagery, challenges conventions in his art. His expressive paintings, such as “Big Night Down the Drain,” confront societal norms and explore the depths of the human.

[nikographyart]

The Intersection of Expressionism in Modern Fashion and Home Wall Decoration

Introduction: Art, in its myriad forms, has always been a reflection of society’s emotions and desires. One such artistic movement that emerged during the early 20th century is Expressionism. With its bold and emotive brushstrokes, Expressionist art aimed to capture the inner complexities of human emotions. In today’s modern world, we witness how various art movements influence different aspects of our lives, including fashion and home decoration trends. This essay delves into the incorporation of Expressionism into contemporary fashion choices and explores how it has found its place in innovative frame wallpapers for TVs, monitors, homes, offices, and bars.

Expressionism in Fashion: Fashion has long been regarded as a means of self-expression. It serves as a canvas upon which individuals showcase their personalities and unique identities to the world. Drawing inspiration from Expressionist art techniques allows designers to infuse garments with vibrant colors, exaggerated silhouettes, asymmetrical shapes, and chaotic patterns.

Expressionist fashion encourages individuals to embrace their innermost feelings through clothing choices that defy societal norms. These designs often evoke strong emotional responses by challenging conventional aesthetics with avant-garde concepts. From runway shows featuring abstract prints reminiscent of Edvard Munch’s “The Scream” to garments adorned with unconventional textures emulating Ernst Ludwig Kirchner’s expressive brushwork — expressionistic influences can now be seen on global catwalks.

Home Decoration Meets Expressive Brushstrokes: The desire to create visually stimulating spaces within our homes has led interior designers to experiment with diverse artistic styles like Expressionism when it comes to home decoration trends. Embracing these abstract forms adds depth and character to living spaces while evoking emotional connections between inhabitants and their surroundings.

One notable trend inspired by Expressionism is the use of bold color palettes reminiscent of artists like Wassily Kandinsky or Franz Marc who employed vivid hues to convey intense emotions. From vibrant reds symbolizing love and passion to deep blues representing tranquility, these expressive colors find their place on walls, furniture, and decorative accents.

Another way Expressionism is manifesting in modern home decoration is through the integration of abstract forms and patterns. Furniture pieces adorned with dynamic brushstroke-like designs or wallpapers featuring distorted figures echo the unrestrained energy found within Expressionist artworks. By incorporating these elements into interior design, homeowners can imbue their spaces with a sense of artistic freedom and self-expression.

Frame Wallpaper: A New Canvas for Expressionism: The rapid advancements in technology have revolutionized how we consume media, leading to a rise in the use of televisions and monitors not just for entertainment but also as design focal points within homes, offices, and bars. To elevate the visual experience further, frame wallpapers have emerged as a popular choice for enhancing these screens’ aesthetics while paying homage to various art movements like Expressionism.

By selecting frame wallpapers inspired by Expressionist art styles, individuals can transform their screens into captivating works of art. These wallpapers often feature bold brushstrokes, exaggerated shapes reminiscent of human figures or landscapes found in famous expressionistic paintings. This fusion between technology and art allows users to immerse themselves in visually stimulating environments that go beyond mere functionality.

Conclusion: Expressionism’s influence extends far beyond traditional canvas boundaries; it has permeated contemporary fashion choices and innovative approaches to home decor seamlessly. By integrating elements from one of history’s most influential art movements into our daily lives — be it through expressive fashion statements or thoughtfully designed living spaces adorned with abstract motifs — we embrace individuality while indulging in the rich tapestry of human emotions depicted by expressionistic masterpieces. As we continue evolving creatively alongside technological advancements like frame wallpapers for TVs and monitors, let us celebrate the harmonious union between past artistic endeavours and modern trends that enhance our surroundings aesthetically while allowing us to connect with our innermost selves.

The article uses author paintings images from NikoGraph’s Etsy Shop

[expressionismusfraujacob]

Bekannte Künstler

Paul Klee

Ludwig Kirchner

Emil Nolde

Franz Marc

Edvard Munch

[artemartinpietro]

Expresionismo: La revolución artística del siglo XX

El expresionismo es un movimiento artístico revolucionario que surgió a principios del siglo XX, principalmente en Alemania, como respuesta a los fracasos del naturalismo y el impresionismo. Este movimiento se caracterizó por alejarse de las técnicas tradicionales y centrarse en las emociones y experiencias individuales, con artistas que se esforzaban por representar el mundo de forma subjetiva en lugar de objetiva. La poética de la emoción no se limitó a las artes visuales, sino que también influyó en la literatura, la música y el cine.

En esta entrada explicaremos la historia, las características y el legado del arte revolucionario.

Historia del arte revolucionario

El expresionismo surgió en Alemania a principios del siglo XX, tras el final de la Primera Guerra Mundial. El movimiento fue una respuesta a los fracasos percibidos del naturalismo y el impresionismo, que se consideraban limitados en su capacidad para captar la complejidad de la experiencia humana. Esta corriente de vanguardia rechazaba la noción de realidad objetiva y se centraba en las emociones y experiencias individuales, con el objetivo de evocar una respuesta visceral en el espectador.

El primer grupo expresionista, Die Brücke, fue fundado en 1905 por Ernst Ludwig Kirchner, Emil Nolde y otros artistas en Dresde. El grupo era conocido por su estilo crudo y expresivo, caracterizado por colores vivos, formas distorsionadas y un énfasis en la figura humana. Otro grupo expresionista notable fue Der Blaue Reiter, fundado en 1911 por Wassily Kandinsky y Franz Marc en Múnich. Este grupo se centraba más en temas espirituales y en el arte abstracto.

Características del expresionismo

Este movimiento de vanguardia se caracterizó por varios rasgos clave:

El movimiento rechazó las técnicas tradicionales del naturalismo y el impresionismo, consideradas limitadas en su capacidad para captar la complejidad de la experiencia humana. En su lugar, los artistas expresionistas trataron de representar el mundo subjetivamente, desde su propia perspectiva.

El arte expresionista se caracterizaba por su intensidad cruda y emocional. Los artistas solían utilizar colores llamativos y formas exageradas para crear una sensación de emoción y dramatismo exacerbados. La figura humana era un tema común en el arte expresionista, y los artistas solían representar de forma distorsionada o estilizada para transmitir una sensación de agitación interior o tensión psicológica.

El expresionismo fue un movimiento muy individualista, en el que cada artista se esforzaba por expresar su propia visión del mundo. Este énfasis en la expresión individual es lo que diferencia a la poética de la emoción de otros movimientos artísticos de la época, como el Cubismo o el Futurismo.

El legado del arte revolucionario

El expresionismo tuvo un profundo impacto en el mundo del arte y sigue influyendo en los artistas de hoy. El movimiento allanó el camino a otros movimientos de vanguardia como el Surrealismo y el arte Abstracto, y su influencia puede verse en la obra de artistas como Willem de Kooning y Jackson Pollock.

Este arte revolucionario también tuvo un impacto duradero en la cultura popular, con su estilo audaz y emotivo que influyó en todo, desde el cine hasta la música. El género de terror, en particular, debe mucho a la poética de la emoción. Películas como El gabinete del Dr. Caligari y Nosferatu se inspiran en el uso que hace el movimiento de las formas distorsionadas y la iluminación claroscura para crear una sensación de inquietud y tensión.

Conclusión

El expresionismo fue un movimiento artístico revolucionario que surgió a principios del siglo XX como respuesta a los fracasos del naturalismo y el impresionismo. Caracterizado por centrarse en las emociones y experiencias individuales, la poética de la emoción rechazó la noción de realidad objetiva y, en su lugar, trató de representar el mundo subjetivamente. El impacto del arte revolucionario aún puede apreciarse en el arte contemporáneo, en el que muchos artistas se inspiran en su emoción cruda, su expresión individual y su perspectiva única del mundo.

Además, la influencia del expresionismo en la cultura popular es innegable, con sus repercusiones en el género de terror, el cine, la música e incluso la moda. El legado del movimiento sigue inspirando a artistas y creadores hoy en día, recordándonos el poder del arte para captar la complejidad de la experiencia humana y evocar una respuesta visceral en el espectador.

Originally published at https://artemartinprieto.com/on March 14, 2023.

[nous-dormirons-ensemble]

Cinq œuvres et un mouvement #5

L’Expressionisme

Wassily Kandinsky - Improvisation 28 (second version) (1912)

Max Beckmann - La société de Paris (1931)

Ernst Ludwig Kirchner - Rue Berlin (1913)

Franz Marc - Le pauvre pays du tyrol (1913)

Gabriele Münter - Intérieur (1908)

L’expressionnisme est apparu au début du XXème siècle en Europe du Nord et atteignit son apogée entre 1905 et 1920. Il est caractérisé par un langage émotionnel véhément et spontané, remontant à Van Gogh, Edward Munch et James Ensor. Les artistes de ce mouvement explorèrent la destruction des sentiments authentiques par une société qui, à leur avis, devait être “purifiée” et ils expriment cette exploration par des images simplifiées, déformées, brutalisées ou abstraites.

Très présent en Allemagne, il fut porté par 2 groupes d’artistes : 

- Die Brücke (= le Pont), groupe fondé à Dresde en 1905, composé de 4 étudiants : Fritz Bleyl, Erich Heckel, Ernst Ludwing Kirchner et Karl Schmidt-Rottluff. Die Brücke rejeta l’héritage classique et se tourna vers la nature et le primitif pour renouveler l’art allemand. Leur expressionnisme était lié à une étude de l’identité et des traditions allemandes. Le groupe se déplace à Berlin en 1910 et se dissout 3 ans plus tard.

- Der Blaue Reiter (= Le cavalier bleu), groupe fondé à Munich en 1911 et ses principaux membres sont : Gabriele Münter, Franz Marc, Vassily Kandinsky et Paul Klee. Der Blaue Reiter était plus ouvertement mystique et visait à relever la vérité spirituelle cachée dans l’univers. Il utilisait une gamme de couleurs plus variée et plus subtile que les artiste de Die Brücke. Le groupe se dissout à l’arrivée de la première guerre mondiale. 

[mozartalive]

"Music is energy in itself, yet not as idea, rather in its actuality. I call your attention to the fact that that is almost the definition of God. Imitatio Dei - I am surprised that it is not forbidden."  - Thomas Mann, Doktor Faustus

[revolutionoftenderness]

“Don’t bend; don’t water it down; don’t try to make it logical; don’t edit your own soul according to the fashion. Rather, follow your most intense obsessions mercilessly.”

~Franz Kafka

[Ernst Ludwig Kirchner, Portrait of the Poet Guttmann, 1910, Nelson-Atkins, photo by Sharon Mollerus]

• Franz Kafka was born into a middle-class, German-speaking Jewish family on July 3, 1883 in Prague, Bohemia, now the Czech Republic. Franz was the eldest of six children. He had two younger brothers who died in infancy and three younger sisters (Gabriele (1889–1941), Valerie (1890–1942), Ottilie (1892–1943), all of whom perished in concentration camps.

His father, Hermann Kafka (1852–1931), was described as a huge ill-tempered domestic tyrant, who on many occasions directed his anger towards his son and was disrespectful towards his escape into literature. More: https://www.kafka-online.info/franz-kafka-biography.htm

• Ernst Ludwig Kirchner was born on May 6, 1880 in Aschaffenburg, Bavaria, and began studying architecture at the Dresden Technical High School in 1901 at the encouragement of his parents. While attending classes, he became close friends with Fritz Bleyl, who shared his radical outlook on art and nature. During this time, Kirchner chose to dedicate himself to fine art rather than architecture. More: https://www.theartstory.org/amp/artist/kirchner-ernst-ludwig/life-and-legacy/#nav

#ernstludwigkirchner #revolutionoftenderness