#francesco podesti

[art-allegory]

The Judgment Between Virtue and Vice

Artist: Francesco Podesti (Italian, 1800-1895)

Date: 19th century

Medium: Oil on canvas

[illustratus]

The Rape of Proserpina by Francesco Podesti

[cristianesimocattolico]

Il beato Pio IX e il dogma dell'Immacolata

Oggi ricorre la memoria liturgica del beato Pio IX, il papa che definì solennemente il dogma dell’Immacolata Concezione. Una spinta fondamentale fu data dalle suppliche dei fedeli e dall’ampio consenso tra i vescovi. E in più c’era il voto che lo stesso Pio IX aveva fatto alla Santa Vergine. (more…) “”

[italian-lit-tournament]

The participating authors for the Italian Lit(erature) Tournament: the general list + a google form to add other proposals

Podesti Francesco - Torquato Tasso reading Jerusalem Delivered to the Estensi court

The start of the Italian Lit(erature) Tournament (first edition) is getting closer, but first I want to post the general list of the authors partecipants.

The principal issue is that every literary canon is constantly changing, with more critical studies over the years. I've thought about it, read and searched, and the solution I found has two parts:

I will take the principal authors from this list, which in turn is based from the studies of Gianfranco Contini and Asor Rosa. The list is too long and many names are only chronicles and essayists, so I'll chose the principal ones, trying to balance between north/south Italy and male/female authors (taking into account that many authors that we study are men). As you will see below under the cut, the list is already pretty long, doing some math the challenge will be 2/3 months long.

Still, I recognise that this isn't 100% unbiased and fair, so I opened a free and quick google form when you can add a maximum of two authors that you don't see in the list. This considerable limit is to avoid having too many names - if in some answers I see more than 2 names, I'll take into account only the first 2 listed.

IMPORTANT! 👇

After much thoughts, I also chose to don't include living authors or authors death only recently (before January 2023). The reason is simply to avoid potential issues in the community, like bashing between fandom or admirers of some specific author, or going too far like offending some people near the author still alive or recently deceased. Maybe if this tournament will end well, a second edition could be made next year and maybe with the addition of living authors! (I'm already thinking to do an italian or european cinema tournament in the future but this is still in the draft).

Under the cut, you will find the list of the authors already part of the challenge, name-surname with the surname in alphabetical order. If you don't see a name that you want to see, use the form to add it!

edit: I added the ones from the surbey so far, all in italics. There are names that have been sent but already on the list.

Dante Alighieri

Sibilla Aleramo

Vittorio Alfieri

Cecco Angiolieri

Pietro Aretino

Ludovico Ariosto

Matteo Bandello

Anna Banti

Giambattista Basile

Giorgio Bassani

Cesare Beccaria

Maria Bellonci

Pietro Bembo

Matteo Maria Boiardo

Giovanni Boccaccio

Giordano Bruno

Dino Buzzati

Italo Calvino

Andrea Camilleri

Giosuè Carducci

Guido Cavalcanti

Carlo Collodi

Vittoria Colonna

Gabriele D'Annunzio

Giacomo da Lentini

Caterina da Siena

Alba de Céspedes

Cielo (Ciullo) d'Alcamo

Edoardo De Filippo

Federico de Roberto

Grazia Deledda

Umberto Eco

Beppe Fenoglio

Marsilio Ficino

Dario Fo

Ugo Foscolo

Veronica Franco

Carlo Emilio Gadda

Natalia Ginzburg

Carlo Goldoni

Antonio Gramsci

Francesco Guicciardini

Tommaso Landolfi

Giacomo Leopardi

Carlo Levi

Primo Levi

Carla Lonzi

Niccolò Machiavelli

Alessandro Manzoni

Giovanbattista Marino

Giovanni Meli

Pietro Metastasio

Eugenio Montale

Elsa Morante

Alberto Moravia

Anna Maria Ortese

Giuseppe Parini

Goffredo Parise

Giovanni Pascoli

Pier Paolo Pasolini

Cesare Pavese

Francesco Petrarca

Luigi Pirandello

Angelo Poliziano

Luigi Pulci

Salvator Quasimodo

Gianni Rodari

Lalla Romano

Amelia Rosselli

Umberto Saba

Emilio Salgari

Jacopo Sannazaro

Goliarda Sapienza

Leonardo Sciascia

Matilde Serao

Gaspara Stampa

Mario Rigoni Stern

Italo Svevo

Antonio Tabucchi

Torquato Tasso

Giuseppe Tomasi di Lampedusa

Pier Vittorio Tondelli

Giovanni Verga

Giambattista Vico

Renata Viganò

Elio Vittorini

Giuseppe Ungaretti

[apenitentialprayer]

detail of Francesco Podesti's Promulgation of the Dogma of the Immaculate Conception, 1865.

For it is thus that all Church dogmas have arrived, in the past, at their promulgation: they live first of all in the hearts of the believers, then influence more and more the liturgical life of the Church, in order —lastly— to be promulgated as formulated dogmas. Dogmatic theology is only the last stage of the "way of dogma" which begins in the depths of the life of souls and results in ceremonious promulgation. This way is exactly what is understood by "the direction of the Church by the Holy Spirit". The Church knows it and has the patience to await —even for centuries— the time when the work of the Holy Spirit will have attained to maturity.

Anonymous (Meditations on the Tarot: A Journey into Christian Hermeticism, page 551)

Concerning the teaching of the Immaculate Conception, important theologians like Duns Scotus enriched what the People of God already spontaneously believed about the Blessed Virgin and expressed in acts of devotion, in the arts, and in Christian life in general with the specific contribution of their thought. Thus faith both in the Immaculate Conception and in the bodily Assumption of the Virgin was already present in the People of God, while theology had not yet found the key to interpreting it in the totality of the doctrine of faith. The People of God therefore precede theologians and this is all thanks to that supernatural sensus fidei, namely, that capacity infused by the Holy Spirit that qualifies us to embrace the reality of the faith with humility of heart and mind. In this sense, the People of God is the "teacher that goes first" and must then be more deeply examined and intellectually accepted by theology. May theologians always be ready to listen to this source of faith and retain the humility and simplicity of children!

Pope Benedict XVI (General Audience given on July 7th, 2010)

[imkeepinit]

I giocatori di backgammon by Giulio Rosati

Giulio Rosati was an Italian painter who specialized in Orientalist and academic scenes.

Giulio Rosati was born in Rome in 1861 into a family of bankers and militarists. He did not follow his family's career and instead studied art at the Accademia di San Luca under Dario Querci and Francesco Podesti. He also studied with Luis Álvarez y Catalá (1836-1901), director of the Prado Museum, Madrid. He worked mainly in watercolor, and occasionally in oil, and focussed most of his entire painting career on Orientalist art. He devoted himself particularly to representations of the Maghreb, that he never visited himself. His painting, Oriental Scene was exhibited at the Exposition di Belle Arte, in Rome in 1900. He was part of a large group of painters, who at the time were depicting similar Middle Eastern subject matter. He became one of the most prolific Orientalist painters of the 19th century. Unlike other Orientalists, he never journeyed to the Middle East. He rarely participated in exhibitions, preferring to sell his works directly through art dealers. - Artvee

[history-of-fashion]

ab. 1831-1835 Francesco Podesti - Portrait of Pietro Girometti

(Museo di Roma)

[artthatgivesmefeelings]

Francesco Podesti [Italian. 1800 - 1895] The Storytellers of the Decameron "Detail" 1851

[lescuriositesdelafoire]

Francesco Podesti  (1800–1895)

The Birth of Venus

[justineportraits]

Francesco Podesti    The Triumph of Venus

[mysterious-secret-garden]

Francesco Podesti - David playing his harp to Micol (engraving).

[ilariapapillo]

Madonna con bambino, Crivelli, tempera e oro su tavola, 1480, Pinacoteca civica Francesco Podesti, Ancona

[nonunbuonnome]

Carlo Crivelli Madonna col Bambino 1473, Rinascimento Tempera su tavola Pinacoteca civica di Francesco Podesti, Ancona

[the-paintrist]

Lord Frederic Leighton - Portrait of Professor Giovanni Costa - 1878

48.5 x 39 cm, now in the Leighton House Museum, London

Frederic Leighton, 1st Baron Leighton, PRA (3 December 1830 – 25 January 1896), known as Sir Frederic Leighton between 1878 and 1896, was a British painter, draughtsman and sculptor. His works depicted historical, biblical, and classical subject matter. Leighton was bearer of the shortest-lived peerage in history; after only one day his hereditary peerage became extinct upon his death.

Giovanni Costa (15 October 1826 – 31 January 1903), often known as Nino Costa, was an Italian landscape painter and patriotic revolutionary.

Giovanni Costa was born in Rome on 15 October 1826, the fourteenth of the sixteen children of Gioacchino Costa (died 1842) and Maria Chiappi (died 1857). His father was from Santa Margherita Ligure and as a young man had moved to Rome, where he opened a wool-spinning factory and achieved wealth and position. The family lived in a large house in Piazza San Francesco a Ripa, in Trastevere, close to the factory.

When he was 12 Giovanni was introduced to the neo-classical painter Baron Vincenzo Camuccini, who encouraged him to work from nature and from what he saw around him. Soon after was sent to the Jesuit college at Montefiascone, where remained for five years.

Costa returned to Rome in 1843, the year after the death of this father, and for two years attended the Collegio Bandinelli in the via Giulia, founded by Bartolommeo Bandinelli in 1678, where he was taught drawing by Luigi Durantini. He then worked for short time in the studio of Vincenzo Camuccini before entering the schools of the Accademia di San Luca, where he studied under Francesco Coghetti, Francesco Podesti and Filippo Agricola.

He fought under Garibaldi in 1848, and served as a volunteer in the war of 1859; his enthusiasm for Italian unity was actively shown again in 1870, when he was the first to mount the breach in the assault of Rome near the Porta Pia.

He had settled meanwhile at Florence, where his fight for the independence of art from worn-out traditions was no less strenuous. Here he completed a Donne sulla spiaggia di Porto d'Anzio (Girl on the Beach of Porto d'Anzio). He also became known as a landscape-painter of remarkable originality, and of great influence in the return to minute observation of nature. He painted, mainly rustic scenes involving herders and cattle. He was a major inspiration to the artists known as the Macchiaioli, and also had many English and American friends and followers, notably Elihu Vedder, Matthew Ridley Corbet (1850–1902) and his wife Edith Corbet, and Lord Carlisle, and was closely associated with Corot and the Barbizon school, whom he met while visiting Paris.. In 1853, he established a lifetime friendship with a young Frederick Leighton, who was then sojourning in Rome.

His exile from Rome lasted until 1862. An exhibition of his pictures was held in London in 1904, and he is represented in the Tate Gallery. He died at Marina di Pisa on 31 January 1903.

[lamilanomagazine]

Ancona, seconda edizione di “Ancona By Wine”

Ancona, seconda edizione di “Ancona By Wine”. Dopo il successo della prima edizione, torna a fine agosto Ancona by Wine – degustare il territorio, uno dei principali eventi dell'estate anconetana, che si svolgerà il 26, 27 e 28 agosto 2022 con mostra mercato, degustazioni ed eventi dedicati, valorizzando i luoghi più significativi della città. Organizzato dal Comune di Ancona, dall'Associazione Italiana Sommelier, patrocinato dal Ministero alle Politiche Agricole e supportato da Università Politecnica delle Marche, Direzione regionale Musei Marche e Regione Marche, Ancona By Wine  promuove la cultura del vino legata al territorio ed è un'occasione per i visitatori, per conoscere le eccellenze della città. « » «Ancona by wine – afferma l'assessore al Turismo e cultura Paolo Marasca - ha tutte le carte in regola per diventare una grande attrazione fissa. È un tassello che unisce un territorio ampio e valorizza il nostro centro, storico e commerciale». Chi parteciperà a questa manifestazione potrà scegliere il proprio itinerario di assaggi tra le numerose cantine del territorio, partecipare alle degustazioni in luoghi esclusivi, assistere a eventi a tema e concerti. Sono circa 40 i produttori della provincia di Ancona che interverranno ed è prevista anche la presenza di quattro eccellenze del territorio di Montefalco. Il programma si articola in quattro percorsi fondamentali: la Mostra mercato con i produttori in Corso Garibaldi, i Salotti del gusto nei luoghi simbolo della città, (dalla Caserma Villarey, alla Mole, alla Terrazza del Museo archeologico). Il vino e l'arte, conferenze e visite guidate al Museo Archeologico e alla Pinacoteca comunale Francesco Podesti; gli appuntamenti con la musica dal vivo che si svolgeranno in piazza Roma, animando il centro città con due gruppi: sabato 27 agosto alle 21,30 BARO DROM Orkestar e domenica 28 agosto alla stessa ora RUMBA DE BODAS.... Read the full article