#former emo future goth

[former-emo-future-goth]

I drew Jane doe from ride the cyclone! I've been obsessed with it for the past week and couldn't sleep until I drew her.

[quitealotofsodapop]

Refering to Twin Sun AU:

Wait, so where's Macaque when the pilgrims meet Wukong's brother? Where's his hot goth boyfriend to show off to the pig?!(He can so get bitches, he just has an acquired taste unlike the greedy piglet!)

Like, if Mac kept going back to the mountain while he was imprisoned, even if they argued a lot, wouldn't Macaque be on FFM helping take care of their home? Wouldn't he be there for introductions after they come to apologize? Was he hiding in wukong's room with him when they first showed up and comforting his crying boyfriend? Are they official at that point or just besties dancing around each other still? Is he visiting DBK's family? Will he show up during Redson's arc? I don't think he would miss out on the chance to show up and spook Wukong's new friends if given an actually valid chance to do so, he's kinda petty like that, the sassy bitch. Where's my favorite emo monkey?!

I feel like Macaque still takes a break from FFM for a bit after a few decades to find himself artistically - in a lot of aus I have him train under the Nine-Tailed Vixen. And since Luzhen is at home governing everything (albeit with a lot of help from the Stalwarts) Macaque wouldn't feel much guilt in going on the road.

As long as he's able to return to Five Point Mountain at least once a year.

I love the imagery of Wukong running home after the White Bone Arc, believing that he's lost the closest companions he's had in centuries - only to see Macaque standing there in their bedroom, pretending as though he hadn't rushed home at the sounds of his mate's release upon the wind.

Wukong collaspes into his mate's arms, sobbing from a mixture of frustration and loss of his party, and of relief and joy of seeing Macaque in their home again.

Macaque is ready to murder that monk if he ever dares step on to their island.

Luzhen almost beats his brother-in-law to the punch with that one. Luckily the Stalwarts, Sha Wujing & Ao Lie, and Wukong himself stop that from happening.

As they're all hashing out their demands, a deep enchanting voice comes from the Palace doors.

It's Macaque, deliberately unglamoured and dressed in silk bedclothes befitting a King's spouse. His hair toussled as if he'd just rolled out of bed.

Wukong is confused by Macaque's choice in fashion until he sees Zhu Bajie's expression.

The very same pig who had goaded their master out of spite of Wukong "ruining his chance" with the White Bone Demon, was now staring jaw-dropped at who Wukong had waiting at home for him.

Wukong's face goes red from blushing, and he socks Bajie in the face for oogling his goth bf.

Macaque still doesn't trust Tripitaka. His own sense of premonition tells him that the monk will betray their trust in the future. He wants Wukong's circlet off Yesterday.

But Tripitaka cannot remove the Circlet. Only the Buddha himself can.

Macaque growls with frustration - and threatens that if Tripitaka ever uses the Headache Sutra again, then Macaque will personally take the voice from the Monk's throat before taking his mate home with him.

Macaque occasionally pops up along the Journey - whether working/performing for his Vixen mentor, or just to check that the Pilgrims are keeping their promises. Even just to step out of the shadows and terrify them at quiet moments. And ofc to smooch Wukong as they did whenever they met under the Mountain each year - the Golden-Eyed king watching his mate emerge from the darkness like he's the moon itself.

Misfortune does happen to Macaque though. Something that leaves him minus an eye. Perhaps a version of what happens in the Jttw Stone Egged au between him and the Brotherhood - the shadow far more quick to denounce his former brothers with the confidence a healthy marriage and a supportive brother-in-law has brought him.

Luzhen is very proud of how Macaque makes things up to Wukong, though he'd never say it.

[louisupdates]

The fact that Louis Tomlinson performed two covers of One Direction songs at his May 26 show at the Mohegan Sun Arena should not be a surprise.

After all, he was a member of the best-selling boy band and one of its chief songwriters.

The fact that he performed a cover by Arctic Monkeys, however, would be a surprise if you had not updated your vision of Tomlinson since his pop days with 1D.

The rocking performance at the Uncasville arena, thanks to Tomlinson’s honesty and sincerity as he attacked his material, clearly indicated that his preferred sound of the moment is the Brit Pop pioneered by Arctic Monkeys– and not the boy band groove of One Direction.

While his former bandmate Harry Styles has gone all metrosexual sophisticated as he mines his own 21st century brand of smart pop, Tomlinson favors guitar solos and intensity in his post-1D universe.

The Brit has not gone completely Led Zeppelin on us, full of blues and devoid of hooks. There were plenty of catchy melodic turns of phrase that captured the ear beneath the power chords and helped grab hold of the hearts and ears of a primarily female audience that likely had not reached their junior year of high school yet.

The rocking sound was not about career opportunities or slumming. It was clear this is where Tomlinson’s heart and soul belonged.

That said, Tomlinson’s chosen genre also has been a good career choice.

By all rights, since One Direction was launched in 2010 (when Tomlinson was still in his teens), most of the 16-year-olds who swooned over him in the second decade of the 21st century would be at the cusp of their 30s at a concert in 2023. But most of Tomlinson’s fans at the Mohegan were on the younger side of the teens with only a scattering of old school 1D fans in the mix.

Tomlinson’s musical mood swing has revitalized his continuing commercial prospects. His current album, the mighty fine “Faith in the Future” debuted at number 5 on the Billboard charts.

All the more amazing at the Friday night show is that the young crowd at the Mohegan seemed to know every word from each song on Tomlinson’s setlist. At times, they even drowned out the artist.

Tomlinson clearly has snagged the hearts and souls of a new generation of fans.

When I first listened to “Faith in the Future” last year, I was hearing hints of old school emo. But in concert, the Arctic Monkeys’ references were clear. However, even more clear for me was Tomlinson’s fondness for Oasis. That 1990s-era band was prone to Beatle-esque flourishes with grand arrangements that caused the heart to swell and fists to elevate as they were pumped in the air. And many of the songs performed by Tomlinson in Uncasville on this Friday night had those sweeping moments that carried you along to emotional crescendos.

Tomlinson’s rock and roll inclinations carried over to the stage show itself.

The first night of the tour found Tomlinson surrounded by edgy lighting with oblique and abstract video projections. There were a couple of times where the lighting reminded me of something that a band like goth-godparents Bauhaus or Sisters of Mercy would implement. It also reminded me of latter-day David Bowie shows.

Rather than guiding the emotions with videos that tell a story (which many artists will do), Tomlinson’s stage set a mood for the songs and left the internal storytelling of the songs to the fans themselves.

The stage and lighting were the antithesis of what Tomlinson might have found himself in his One Direction days.

One Direction, for most musicians, would be a hard act to follow. But Tomlinson’s Mohegan show demonstrates there is quite a vibrant rock and roll life after Simon Cowell (One Direction’s one-time career commandant) for this singer.

Tomlinson set the stage for a night of rock with his selection of opening acts. Snarls offered up a hard-hitting punkish set with a heavy musical punch. The four-man crew The Academic gave the crowd a melodic new wave-twinged set that would easily have found favor in the colorful days of the 1980s.

PHOTOS 1, 2, 3

[fishgut]

after a nap thinking abt it im unsure if a greater criticism of solarpunk is the interchangeability of the genre and its real world equivalent ideology where the former's degradation in media into an aesthetic without any teeth in it (i think something like hippie as a counterculture being subsumed in consumerist ideas/livestyle until in present day its associated largely to racist appropriation of "fashion choices" more about what you buy than how a culture lives) as businesses and markets capitalize on selling back empty signifiers of solarpunk. (or how goth/emo culture was a counterculture lifestyle and way of thinking before being sold back to the masses in the form of torn faulty cloth safety-pinned back together by factory workers that get respiratory illness and more from working in poor conditions, an antithesis of what goth/emo was before)

or if a greater criticism is solarpunk in media and practice has a lot in common with issues cottagecore has, inherently idealized/glamorized worship of aesthetic signifiers, racist correlations with manifest destiny & 'return-to-tradition' escapism ignoring any reparation, and the like.

Ask someone what solarpunk is, the average person would probably not know or point to like, the chobani commercial rather than any real world application of its ideology. it does exist tho and the real world communities and cooperatives in practice i think are important to study as means to a portion of a clean future on earth and its one of 'soon to be lost to time as an simply an aesthetic' modes of anti-capitalist sustainability I'd be kinda sad was lost to time without being in portions interjected into larger culture

[booptunes]

WNSDY AT 7 - Shadows Got Darker

South Yorkshire has brought us many great bands, from Pulp to Def Leppard, and Bring Me the Horizon. More recently, it’s brought us WNSDY AT 7, who are set to release their debut single Shadows Got Darker tomorrow, 12th September.  

Formed at the start of the year, WNSDY AT 7 are made up of Ryan on vocals and guitar, Tom on guitar, Rob on bass and Joe on drums. They are evidently influenced by the likes of Green Day, Blink 182 and Yungblud. They are for fans of the classic pop punk and rock sound, but also more modern emo and goth music, other bands coming to mind being Ashestoangels, Rocket Pengwin and Pierce the Veil.  

Shadows Got Darker begins with a drum fading in, before the rest of the instruments play for a few bars, then it calms as the vocals come in. It is fast paced and fun sounding, despite the lyrics being about dark topics such as trauma from former relationships that now create anxiety with future ones, a topic that I find myself relating to. I particularly like the line ‘I’m not scared of the dark’ before the chorus kicks in. Although it’s not much in itself, it’s a classic trope of the genre and the isolation of the line creates a hopefulness around such a dark time.  

It’s a well-written song, and it shows that the band has dedicated time and effort to writing, recording and all-around perfecting it before the release, and makes me look forward to future releases from WNSDY AT 7. If you’re enjoying the pop punk renaissance that has appeared in the last few months, you’re certainly love what you hear from these.  

Shadows Got Darker out 12th September! 

[stu-evans]

Black Veil Brides -  Nick Rayns LCR

American Glam Rock, Goth Metal Icons open their UK tour in style right at the heart of our fine city. 

As the queue to get into the UEA snaked around many a halls of residence there was a real sense of excitement in the air for Black Veil Brides first UK show in over seven years. Fans filling the venue were certainly up for a great time and the band fed off that and delivered a storming set. 

BVB treated us to an incredibly strong 17-song setlist featuring a host of career-spanning tracks, opening with Crimson Skies from 2021 album The Phantom Tomorrow, and wrapping up with classic single In The End. In-between, they went back to fan-favourites like Rebel Love Song, as well as bringing things to the present day by airing Devil from 2022 EP The Mourning. 

We did however have a few incidents of said excited fans finding the gig too much to take and so on a number of occasions the band had to stop mid song to allow medics to attend or for folk to make their way out of the crowd. To their credit the band were brilliant about it and made sure everyone was safe. 

Lead singer and the one remaining original band member  Andy Biersack certainly had the crowd eating out of his hands and worshiping every scream. His laidback manner on stage somehow managed to fit the chaos and noise that was going on around him. Speaking of noise, I’ve been to this venue quite a number of times on the eight years I’ve lived in Norwich but Black Veil Brides are certainly the loudest band I’ve head in the venue, no wonder a few people fainted. 

Support came from the most excellent  Lillth Czar. The  former lead singer/guitarist for the emo-punk band Automatic Loveletter performed songs from her album Created From Filth And Dust with a Stevie Nicks cover thrown in for good measure. Czar’s powerful vocals blended fantastically with the soulful rock sounds her band was producing. You could tell she was loving performing in the UK for the very first time. The crowd were loving her performance too I could definitely see her headlining at say The Waterfront in the near future. 

Overall a brilliant night was had, full of wall to wall goth metal goodness, the crowd left the venue in just a good a mood as they left it, the make up may have run and the shirts may well have been soaked with sweat but the smiles were wide. Rock On. 

[nonbinary-sashannarcy]

Sasha Waybright headcanons

His full name is Sasha Amihan Waybright

He primarily uses he/it pronouns, with a preference for he pronouns most of the time. He also uses neopronouns from time to time, but that is only around close friends and family that he trusts.

He’s half russian and half filipino.

He doesn’t know any filipino aside from the swear words and insults, and while he can hold casual conversations every so often in russian when required, he isn’t proficient in it by any means.

He’s studying french. He started learning it to try and impress Anne, but eventually found the linguistics aspect of it captivating, though he won’t admit it.

He’s probably picked up a few phrases and sayings in thai and mandarin (though mostly the former) frim hanging around Anne and Marcy.

Anne and Sasha both went through an emo phase around the same time.

Later on he claimed that he’s past his emo phase, but that’s a lie. He listens to MCR and Linkin Park on the regular, and post Amphibia wears emo and goth clothes on the regular.

His playlists mostly consist of Taylor Swift, Ed Sheeran, MCR, Linkin Park, Imagine Dragons, and a smattering of jazz and classic rock songs that Grime made him listen to that he secretly liked.

Sasha has a half brother that he’s never met that he’s constantly compared to.

He also has a distant cousin named Hunter, that is the most tolerable person in his family, extended or otherwise, that Sasha’s met.

Sasha has a tendency to stress bake.

It’s favorite dessert are brownies.

His favorite food, nest to orange chicken, is baked salmon. Next to that is mac & cheese, mostly because it makes it nostalgic for when he was a young(er) kid, and his parents didn’t suck as much.

He has mild trypophobia.

Sasha’s hair is naturally black.

Post Amphibia, Sasha wears beanies and jackets a lot, out of dysphoria, because his parents are transphobic and he isn’t allowed to bind or cut his hair.

It rarely talks about it’s dysphoria, because it has heavy imposter syndrome.

Sasha ids as both nblm and nblw. Despite that, he usually calls himself a trans man when out in public around strangers as it’s simpler. Overtime it ends up giving him dysphoria however, because he doesn’t id as a man at all, binary or otherwise.

Sasha becomes a car mechanic because it doesn’t know what he wants to do post highschool, and well, he needs to support himself somehow, and being a car mechanic is well paying enough, right? Besides, though he won’t admit it, it’s always been fascinated by cars and their mechanics.

Sasha is demi romantic.

Sasha is in a poly qpp with Anne and Marcy, post highschool.

Sasha has a habit of taking chunks of cheese from the fridge and just nibbling on it for hours.

Sasha is autistic.

He has regular intrusive thoughts that are very violent, and his greatest fear of turning out to be a murderer. Post Amphibia he has many a panic attack upon thinking about how close he came to killing Sprig and how he could’ve let Hop Pop get killed, if Anne hadn’t stood up to it.

It likes playing hidden object games with Marcy.

Once Sasha graduates highschool and moves out from his parents home, he gets his hair cut into a mohawk.

He’s extremely embarrassed by that phase and refuses to acknowledge it. Nowdays he only has his hair in a mullet or cut super short.

Sasha starts questioning his gender and realizes he’s transmasc after he cuts his hair in a breakdown after he loses his eye and gets blinded by a possessed marcy, and his shitty mental breakdown induced haircut gives him gender euphoria.

Sasha is plural and part of a median system.

@lockandkeyhyena remember you reblogging a post saying you wanted your followers to tag you in transmasc sasha stuff. this isn’t transmasc sasha focused but touches on it.

(feel free to ask to not be tagged again in the future)

[former-emo-future-goth]

Say hello to izania! I've redesigned her for the rp/comic. She has a prosthetic arm and has the power to talk to animals. She often helps out. By hiring animals the be spies for her.

[jostepherjoestar]

Hey ✨queen✨ I was wondering if it’s alright if I ask what would happen to La Squadra if the child member’s future self got sent to the past and their child self got sent to the future. Their future self who’s a teen is wearing grunge clothing and is kinda going through the ‘screw off im a teen who wants privacy to do my own things’ type attitude.

La Squadra kid/Pomo as a teenager 😤

sfw // Pomo/LS kid

note: i changed the idea anon, so sorry to do it. It felt like a more suitable course for Pomo’s story to adjust it, I do still hope you’ll enjoy it without the time travel!

Absolutely adore the idea of Pomo-rino being a grungy/goth teen!! They’d 100% have a septum piercing and denounce capitalism (as they should) and just be all broody. I do think that the relationships they’ve built with La Squadra have become so strong and close that even though they enjoy their privacy, Pomo would still know they could count on all of the guys ���� enjoy!! 💖✨

As extravagant as the rest of La Squadra is, Pomo’s approach to life and fashion changed after turning 16. Before, they loved indulging in more experimental outfits, stranger styles and colours that seemed to make them fit among the rest of the lavish men. But now, after discovering the amazingness that is thrift-shopping and the angsty, introspective style of grunge and goth -that by the time Pomo reached age 17 had already come and gone out of style- there was no turning back.

Along with the style came the attitude: communication went a bit rougher and replies seemed shorter. Going out without letting anyone know when they’d be back or even with who they’d be going with. After some stern talks with a couple of eye rolls Pomo promised to text them whenever they went out.

Pomo had already finished their high-school diploma with little help and extremely high marks at age 14 so there was no need to even think about the highs and lows that came along with it anymore. That certain melancholy and emotional openness of the grunge and goth (music) genres brought Pomo some comfort; it felt a bit lonely, a former child assassin- now teen assassin- doesn’t make new friends that easily. Especially since that silent streak never quite left Pomo, preferring a quieter demeanour. They had become a little more vocal over time, offering the occasional opinion on serious work related matters.

God they were so well spoken too. A voice so soft- almost trained, letting out brilliant things like a calm stream manoeuvring a rocky valley, knowing just where to go and what places to avoid.

Being quiet had many upsides, most of them learned from Risotto who loved to spend time with Pomo, just observing the calamity that was their squad. That way no social queue was left unnoticed, navigating every situation with grace, often times coming to aid others in their reserved manner. Pomo will often bring warm drinks or snacks to their tired teammates who thoroughly appreciate the small gestures. Do not be fooled though, that dry wit also carried through with age. The comments often so unexpected which made them all the more hilarious, the squad is sure not to linger on sipping their drinks around Pomo. (lotsa spit takes lol)

Prosciutto and Ghiaccio have the most issues with Pomo’s new style and attitude. (they seemed more a bit more broody and open to talking back every once in a while) Zio Ghiaccio and papa Prosci especially hated the thrifting part! “Why would you buy worn clothes AND rip them even further? Pomo what’s the point?” Prosciutto just does not get it. Why pay any money for those strange clothes that smelled like mothballs?! “It’s not like like you don’t make enough money to buy clothes that aren’t ripped.” Ghiaccio prefers not to think about it too much, knowing just how much it riles him up. At some point he just has to let these damn teens be, no matter how much they annoy him with their “emo attitude”. These two will try anything, even gifting Pomo clothes they think would fit way better. Only for them to end up in a thrift-shop, Pomo likes being able to donate to the cycle of clothes, much to the two’s chagrin.

Formaggio and Risotto are WAY too lenient in letting Pomo do whatever they please. Attitude or not, they think it’s kind of funny to see them grow into such an open minded young adult with a headstrong attitude. Both are fans of experimenting with style and overall expression to find one that works in the end. The men both know Pomo well enough, they’ve already proved to be wise and capable of making well thought through decisions so they trust Pomo with this just as much. Although Risotto is not a fan of their choice in tight crop-tops. HAH! The irony! After some grumbling and Pomo assuring them that their jacket covers it up anyway, Risotto doesn’t have much ground to stand on (not that he ever had, the man’s tits are out at work). Formaggio truly couldn’t care less, showing a little skin never hurt him so why refuse them the expression? They look cool in those dark threads!

Who do you think drives Pomo to the thrift-shop? MELONE: eager father figure and fashion enabler! (with a cool motorcycle!!) He loves sticking it to the man just as much as Pomo right now. He’s really into the whole fashion aspect, picking out piles upon piles of possible pieces to try out. The thrift shop workers are less than pleased with the mess they leave but Pomo is sure to leave a sizeable donation after checking out! Melone is one of the few to voice their concern for Pomo’s change in behaviour. He just wants them to be alright and feel somewhat ok with their strange life, keeping in mind to frequently ask if they still want this lifestyle. Melone wouldn’t restrict them from doing more rebellious stuff, he’d just prefer to know what was going on so he doesn’t need to overthink or worry every time Pomo’s out.

Illuso LOVES encouraging ‘bad’ behaviour! Want to stay out past bedtime? Sure why not, come back by sun-up and just act like you woke up early to watch the sun rise. Snap back at Prosciutto or Risotto? Go for it, see what happens! Over the years he’s grown more fond of the kid but never really took up a big role in offering them any parental care. He cares of course, but just from a distance. Maybe he’s a bit intimidated by their smarts and those eyes that never really changed, still so intruding when they meet his, seeming to search his very soul. For once Illuso’s pride knows better than to get in Pomo’s way.

Pesci is so easy to convince to join the movement! He’s warmed up a lot more to Pomo, gone from thinking they’re some weird scary kid to an admirable and still somewhat scary teen. When Pomo starts becoming more goth/grungy he’ll be impressed with their style change, wondering if he should get a cool leather jacket too. Pomo still likes to prank him from time to time. Telling all sort of wild theories to impress Pesci and let him babble on about them to Prosciutto and the rest of the gang who already caught onto the whole charade. Strangely Pesci looks up to Pomo, admiring them for trying out new things and not being afraid to ruffle a few feathers in their team.

[thevisibilityarchives]

Tyler, The Creator (active 2007 - present)

The year was 2011. Barack Obama prepared to run for his second term as President of the United States. The burnt-orange spray tans popularized by Jersey Shore were still en vogue. Twitter was the “hip” social media platform of choice. The world of pop punk slowed to a shuttering halt, as kohl eyeliner and tripp pants were exchanged for the revival of ‘80s nostalgia, signifying a new(ish) cultural era.

It was during this time that Tyler Okonma – more commonly known as Tyler, The Creator—emerged as an angry shock-jockey whose violent and homophobic lyrics drew equal parts criticism, and cult following. From the lines of his opening track “Goblin” in which he argues with a fictional psychiatrist over the use of the slur f****t, an expectation could be made that like many male rappers, 10 years later would he would continue on this path.

But that didn’t happen. In fact, Tyler went on to prove himself not only as a talented producer and creative powerhouse but as being capable of unadulterated growth. With his most recent release CALL ME IF YOU GET LOST, he takes listeners back through his entire discography, addressing some of these controversies head on while revealing a version of himself no one ever would’ve foreseen in 2011; a man who can just as easily say “Men or women it don’t matter/If I seen ‘em I had ‘em” . Tyler’s evolution as an artist is a definitive example of the complexity of queer culture, how it intersects with race, and the ways in which we both identify and grow.

When Goblin dropped in 2011, it was in a time before the rabid aggression of “Cancel Culture”. Controversy certainly existed, but without the winding feedback loop of social media being as prevalent as it is today, indiscretions simply did not gain as much exposure. At its roots, Goblin is difficult to swallow. At the time, it was a calling card for any moody moshing teen who praised emo/goth culture and defied the inevitable transition to “adulting” that was loathed by the Millennial generation. The album featured many performers from the former supergroup Odd Future, introducing to us the likes of Frank Ocean, Syd, Earl Sweatshirt, and Matt Martians. A group based on nihilistic chaos, they eschewed both the chillwave identity of California and its alternate gangster rap subculture. Instead, they settled into a niche of rap for counterculture kids that probably would have made it onto a Dylan Klebold mixtape—even with his white supremacist ideology.

Over an hour of rants and raves about infanticide, sexual assault, murder, and homophobic slurs is the makeup of Goblin. It is a clear attempt to both vent and provoke, shocking some listeners, drawing in others, and showcasing a distinct brand of unexpected creative intelligence on Tyler’s part. Throughout the album he flows in and out of a conversation with a deep voice we clearly understand to be a therapist, churning up his innermost thoughts and darkest fantasies while stumbling through an emotional rabbit hole. Even for the vile lyrics, there is a lot to be said about the general composition of the album, as well as the production—mastered by Tyler himself.

Wolf followed in 2013 in a similar vein, featuring appearances by the OF family and surprise appearance by Erykah Badu and Pharrell (often identified as an inspirational source of inspiration for Tyler). The album calmed down in tone somewhat, but still served to promote silly outbursts. There wasn’t much deep or important to say, and the controversy over Tyler’s evident homophobia continued.

An interesting note on that is around that time, many couldn’t help but question the context of his obsession with using homophobic slurs despite being in such close collaboration with members of the LGBTQIA+ community. In 2012 Frank Ocean publicly came out to drastic fanfare, and Syd had more or less been out of the closet for as long as we knew her to be a part of Odd Future. Neither seemed to hold any sort of vitriol against Tyler for it, leading to the idea that surely, there had to be something more to his behavior.

Whispers began to erupt with the release of Cherry Bomb as many questioned whether he was straight at all. Cherry Bomb was a clear attempt at a shift in direction that was met with mixed reviews by critics. It was the clear sign of a desire for growth and change, but full of missteps in execution. Tyler’s name continued to grow, as did the names of his former OF mates who went on to become successful in their own projects. Syd and Matt Martians went on to find success with the neo-soul band The Internet, Earl Sweatshirt went solo after being shipped off to a boarding school by his mother, and Frank Ocean further solidified his existence as Frank Ocean. Still, his fashion line was gaining steady traction, and the crew remained true to their antics on the Adult Swim show Loiter Squad, where they interacted with major forces in comedy ranging from Seth Rogan to Channing Tatum.

And then came Flower Boy, a definitive schism in Tyler’s discography and a clear indication of a new era. Alternately titled Scum Flower Fuck Boy, the lush albums’ theme of growth was bursting with insightful reflections, woozy chill-inducing synth, and the unexpected vocalists like Rex Orange County.

While community aggregate Ranker rates the album as his second best, there should be consideration to the fact that the album helped bring back fans he’d lost, introduce new ones, and effectively skyrocket him to the status of the elite. Without this album, he surely would not have made it to NPR’s Tiny Desk Concert, or a been recognized as a man who could clearly be defined as a creative genius.

The speculation about his sexuality once more peaked both owing to a line in the album many perceived to be a confirmation of same-sex attraction, and a joke made my Jaden Smith during an interview about their relationship. He never confirmed or denied exactly what he meant about “kissing white boys”, leaving many in a state of confusion that was not confirmed until the release of IGOR in 2019.

IGOR is undoubtedly Tyler’s most successful album to date, securing the rapper and producer Grammy Awards, contracted jobs for film soundtracks, and a nomination for the Best Album in the World from NME. His dark and disturbing penchant for violence appeared once more, though this time in the socially acceptable context of monogamous culture as he nonchalantly sings about the unrequited love of another man still in the closet.

There was no fanfare. No lengthy interviews or Pride Parade appearances. Tyler simply made the choice to live his life authentically with a type of visibility that’s complex in modern queer culture. While many sought to understand just why he never made this known sooner (ideally when Goblin came out), it is difficult for younger folks to remember that marriage equality has not even been in place in the U.S. for 10 years.

For black men this is even more complex, with many in the black community still maintaining active bigotry against gay, bisexual, and pansexual men. In 2019, BET reported the ongoing belief that black men who are not straight serve as an active "threat" to black woman, seen as dangerous harbingers of disease and abnormalities who do not participate within the frame of toxic masculinity as they “should”. The world of black queerdom is immensely loaded and layered, and in the world of hip-hop that appears to be tenfold.

Nonetheless, Tyler’s journey has ultimately been one of growth. Both visibly and in the form of his music, the transformation of Tyler, The Creator has been a fascinating metamorphosis with unending potential. Complicated, paradoxical, and evocative of mixed feelings—well, that’s just life. Life for him, and for all of us.

[surveyhoursss]

97.

For people that hate stereotypes: If you think people should just shut up and stop, put this on your profile. (BOLD the ones you are.)

Italics=partially me or used to be in the past.

I'm SKINNY, so I MUST be anorexic. (I quite literally am anorexic tho)

I'm EMO, so I MUST cut my wrists.

I'm a NEGRO so I MUST carry a gun.

I'm BLONDE, so I MUST be a ditz

I'm JAMAICAN so I MUST smoke weed.

I'm HAITIAN so I MUST eat cat.

I'm JEWISH, so I MUST be greedy.

I'm GAY, so I MUST have AIDS.

I'm a LESBIAN, so I MUST have a sex-tape.

I'm ARAB, so I MUST be a terrorist.

I SPEAK MY MIND, so I MUST be a bitch.

I'm a GAY RIGHTS SUPPORTER, so I WILL go to hell.

I'm a CHRISTAN, so I MUST think gay people should go to hell.

I'm RELIGIOUS, so I MUST shove my beliefs down your throat.

I'm ATHEIST so I MUST hate the world.

I don't have a RELIGION, so I MUST be evil and have no morals

I am LIBERAL, so I MUST be gay. (oop)

I TAKE (or used to take) ANTI-DEPRESSANTS, so I MUST be crazy.

I'm a GUY, so I MUST only want to get into your pants.

I'm IRISH, so I MUST have a bad drinking problem.

I'm INDIAN, so I MUST own a convenient store.

I'm NATIVE AMERICAN, so I MUST dance around a fire screaming like a savage.

I'm a CHEERLEADER, so I MUST be a whore...

I'm a DANCER, So I must be stupid, stuck up, and a whore

I wear SKIRTS a lot, so I MUST be a slut.

I'm a PUNK, so I MUST do drugs.

I'm RICH, so I MUST be a conceited snob.

I WEAR BLACK, so I MUST be a goth or emo.

I'm a WHITE GIRL, so I MUST be a nagging, steal-your-money kind of girlfriend.

I'm CUBAN, so I MUST spend my spare time rolling cigars.

I'm NOT A VIRGIN, so I MUST be easy.

I FELL IN LOVE WITH A MARRIED MAN, so I MUST be a home-wrecking whore.

I'm a TEENAGE MOM, so I MUST be an irresponsible slut.

I'm POLISH, so I MUST wear my socks with my sandals.

I'm ITALIAN, so I must have a "big one".

I'm EGYPTIAN, so I must be a TERRORIST!

I'm PRETTY, so I MUST not be a virgin.

I HAVE STRAIGHT A'S, so I MUST have no social life.

I DYE MY HAIR CRAZY COLORS, so I MUST be looking for attention.

I DRESS IN UNUSUAL WAYS so I MUST be looking for attention.

I'm INTO THEATER & ART, so I MUST be a homosexual.

I'm a VEGETARIAN, so I MUST be a crazy political activist.

I HAVE A BUNCH OF GUY FRIENDS, so I MUST be fucking them all.

I HAVE A BUNCH OF GIRLS WHO ARE FRIENDS, so I MUST be a player.

I have Big BOOBS, so I MUST be a hoe.

I'm COLOMBIAN, so I MUST be a drug dealer.

I WEAR WHAT I WANT, so I MUST be a poser.

I'm RUSSIAN, so I MUST be cool and thats how Russians roll.

I'm GERMAN, so I must be a Nazi.

I hang out with GAYS, so i must be GAY TOO (again, oop)

I'm BRAZILIAN, so I MUST have a BIG BUTT.

I'm PUERTO RICAN, so I MUST look good and be conceited

I'm SALVADORIAN, so I MUST be in MS 13

I'm POLISH, so I MUST be greedy.

I'm HAWAIIAN so I MUST be lazy

I'm PERUVIAN, so I MUST like llamas

I'm a STONER so I MUST be going in the wrong direction

I'm a VIRGIN so I MUST be prude.

I'm STRAIGHT EDGE so I must be violent.

I'm a FEMALE GAMER, so I MUST be ugly... or crazy.

I'm BLACK so I MUST love fried chicken and kool-aid.

I'm a GIRL who actually EATS LUNCH, so I MUST be fat.

I'm SINGLE so I MUST be ugly.

I'm a SKATER so I must do weed and steal stuff

I'm a PUNK so I must only wear black and date only other punks

I'm ASIAN so I must be a NERD that does HOMEWORK 24/7

I'm CHRISTIAN so I MUST hate homosexuals.

I'm MIXED so I must be screwed up.

I'm MUSLIM so I MUST be a terrorist.

I'm in BAND, so I MUST be a dork.

I'm BLACK so I MUST believe JESUS WUZ A BROTHA

I'm MORMON so I MUST be perfect

I'm WHITE and have black friends so I MUST think I'm black

I'm GOTH so I MUST worship the devil

I'm HISPANIC, so I MUST be dirty.

I'm NOT LIKE EVERYONE ELSE, so I MUST be a loser.

I'm OVERWEIGHT, so I MUST have a problem with self control.

I'm PREPPY, so I MUST shun those who don't wear Abercrombie & Hollister.

I'm on a DANCE team, so I must be stupid, stuck up, and a whore.

I'm YOUNG, so I MUST be naive.

I'm RICH, so I MUST be a conceited snob.

I'm MEXICAN, so I MUST have hopped the border.

I GOT A CAR FOR MY BIRTHDAY, so I MUST be a spoiled brat.

I'm BLACK, so I MUST love watermelon

I'm BI, so I MUST think every person I see is hot.

I don't like the SUN so I MUST be an albino.

I couldn't hurt a FLY, So I MUST be a pussy.

I support GAY RIGHTS, so I MUST fit in with everyone.

I have a DIFFERENT sense of HUMOR, so I MUST be crazy.

I tell people OFF, so I MUST be an over controlling bitch.

My hair gets GREASY a lot, so I MUST have no hygiene skills.

I'm DEFENSIVE, so I MUST be over controlling and a bitch.

I'm a NUDIST, so I MUST want everyone to see my boobs.

I read COMICS, so I MUST be a loser.

I hang out with a FORMER PROSTITUTE... So I MUST be a whore myself.

I'm TEXAN so I MUST ride a horse

I'm a GOTH, so I MUST be a Satanist

I'm a CROSSDRESSER, so I must be homosexual.

I draw ANIME so I MUST be a freak.

I am a FANGIRL so I MUST be a crazy, obsessed stalker.

I WATCH PORN so I MUST be perverted.

I'm an ONLY CHILD so I MUST be spoiled.

I'm INTELLIGENT so I MUST be weak.

I am AMERICAN so I MUST be obese, loud-mouthed and arrogant.

I'm WELSH so I MUST love sheep

I'm a YOUNG WRITER, so I MUST be emo.

I'm CANADIAN, so I MUST talk with a funny accent.

I'm a GUY, so I MUST ditch my pregnant girlfriend.

I'm CANADIAN, so I MUST love hockey and beavers.

I'm DISABLED, so I MUST be on Welfare.

I'm a FEMINIST, so I MUST have a problem with sexuality and I want to castrate every man on the earth.

I'm a TEENAGER, so I MUST have a STEREOTYPE.

I WEAR A BIG SUNHAT when I go outside, so I MUST be stupid.

I like BLOOD, so I must be a VAMPIRE.

I'm an ALBINO, so I MUST be an evil person with mental abilities and is A MURDERER!

I'm ENGLISH, so I MUST speak with either a cockney or a posh accent, love tea and cricket, and have bad teeth.

I'm WHITE, so I MUST be responsible for everything going wrong on the planet: past, present, and future.

I don't like YAOI or YURI, so I must be a HOMOPHOBE

I'm not the most POPULAR person in school, so I MUST be a loser.

I care about the ENVIRONMENT...I MUST be a tree hugging hippy.

I have a FAN CHARACTER, so I MUST be an annoying Mary-sue.

I CHAT, I MUST be having cyber sex.

I'm PAGAN so I MUST sacrifice babies and drink the blood of virgins

I'm PAGAN so I MUST worship Satan

I'm CONSERVATIVE, so I MUST be against abortion.

I'm SWEDISH so I MUST be a tall blond blue-eyed lesbian.

I'm a LESBIAN so I MUST want to get with every single girl that I see.

I like CARTOONS, so I MUST be IRRESPONSIBLE.

I like READING, so I MUST be a LONER.

I have my OWN spiritual ideology; therefore I MUST be WRONG or MISGUIDED.

I am WICCAN, so I MUST be a SATANIST.

I DISAGREE with my government, so I MUST be a TERRORIST.

I am a WITCH, so I MUST be and OLD HAG and fly on a broomstick.

I love YAOI, so I MUST be GAY.

I'm a PERSON, so I MUST be LABELED

I DON'T CURSE, so I MUST be an outcast.

I like GAMES, ANIME and COMICS, so I MUST be childish.

I'm SWEDISH, therefore I MUST be WHITE. (i mean, 3rd generation immigrant)

I SPOT GRAMMATICAL ERRORS, so I MUST be a pedantic bastard.

I'm GOTHIC, so I MUST be mean.

I'm STRONG so I MUST be stupid.

I'm AUSTRALIAN so I MUST hunt crocodiles and talk to kangaroos.

I go to RENFAIRES, so I MUST talk weird, be a loser, and not be up with the times

I'm GAY so I'm after EVERY straight guy around.

I don't want a BOYFRIEND so I MUST be lesbian.

I'm NOT CHRISTIAN so I MUST just need converting.

I love MARCHING BAND, so I MUST be a friendless freak.

I DRINK and SMOKE, so I MUST have no life.

I am friends with a CUTTER, so I MUST be a CUTTER too. (oop)

I CRY easily, so I MUST be a wimp.

I can't help pointing out mistakes so I MUST be an over-controlling perfectionist.

I'm a PERFECTIONIST so I MUST check everything ten times, them burst into tears at one mistake.

I DON'T LIKE to talk about my personal life so I MUST be having problems

I'm SCOTTISH so I MUST play the bagpipes and eat haggis.

[charliejrogers]

Wonder Woman 1984 (2020) - Review & Analysis

Here’s a non-controversial statement: 2017’s Wonder Woman is a legitimately great film (if you discount the last act’s boring battle). A fun, yet emotional anti-war tale with a great period aesthetic. What elevated it from greatness was its starkly bleak reveal that Ares does not start man’s wars, but he merely gives humans ideas for how to instigate them. Ultimately, it is Man who holds responsibility for our own destruction, and despite this Wonder Woman still chooses to help us poor creatures. Cool themes, cool hero, cool movie.

Wonder Woman 1984 shares the main character from its 2017 forerunner, as well as its dedication to recreating a particular period aesthetic (here the 1980s), but the brilliant writing from the first film is gone. The main themes are essentially… “be careful what you wish for” and “winners never cheat; cheaters never win.” Not the most grand and interesting follow-up to the prior film’s genuine insight into human nature.

But that’s OK. I’m really not sure why this movie is getting so much flak online. If DC’s recent prior history with filmmaking should have taught us anything, it’s that 2017’s Wonder Woman was a fluke. Remember that this is the same studio that brought us the outstanding climax to Batman vs. Superman where one grown man learns that another grown man’s mother is also named Martha. Oh, and did we all just forget that Justice League is one of the worst movies we have all collectively ever seen?

So let’s not be too hard on WW84 for not meeting the quality of 2017’s Wonder Woman. Few comic book movies can. In the more fair comparison to other movies in the DCEU, it sits below Shazam! and Aquaman, and just a smidge below Birds of Prey, but certainly above Suicide Squad, and then literally leaps and bounds over every other movie they’ve made.

Let’s start with the good. Honestly, despite my gripes about the themes of the movie not being very profound, I found the story to be interesting. The movie centers around Diana Prince (Gal Gadot in her role as an archaeologist for the Smithsonian and not as Wonder Woman) stumbling upon an ancient stone whose inscription invites people who hold the stone to make a wish. No one takes it really seriously at first, so two people make wishes without thinking they could come true. The first person is Diana herself who wishes to bring her boyfriend (whom she only knew for about a week, mind you) from the dead. As a reminder from the first film, her boyfriend Steve Trevor (Chris Pine) had died nearly 70 years prior to the start of this film in a dramatic, sacrificial, world-saving act. Apparently, Diana hasn’t moved on at all from the 1910s and still considers her short-time lover to be her forever lover. She’s not really a human and did not grow up a human, so I think we can forgive her for not moving on… but it is weird to imagine that Diana somehow works at the Smithsonian (without going to college? Or did she?) without developing any friends or interest in life. Wouldn’t she have moved on... like a little bit?

Anyways, she wants her boyfriend back, and that’s wish #1. Wish #2 comes from new character Barbara Minerva (Kristen Wiig… who I am shocked to find is 47 years old! She looks fantastic and far younger in this film). Were Barbara a man, the way she is treated by her colleagues would put them in the stereotypical role of a future school shooter. Barbara is a brilliant gemologist for the Smithsonian, but goes completely unrecognized for her brilliance. She is shy and unconfident, and subsequently people frequently forget that they have even met her. Add on to that the fact that she has to work in the same office as Wonder Woman, and her loneliness and subjective feelings of unattractiveness increase as male employees drool over Diana while they ignore and mock Barbara. Therefore, we would forgive her for having a chip on her shoulder. Yet, for all this, Wiig avoids playing her as an angry, emo goth. Barbara kinda has this air about her of “Well, this is just how life is, and there’s nothing I can do to change that.” Given the character’s lack of self-confidence and lack of social grace, it at times seemed like Wiig was just reprising her old SNL character, Penelope, the socially awkward one-upper. But that’s not fair to her character. Wiig portrays Barbara with an earnest goodness to her. She’s one of those people who when allowed to talk one-on-one proves to be more eloquent and interesting than you could have imagine. Far from being angrily envious of Diana’s confidence and beauty, she’s more sadly jealous. Naturally, then, she wishes on the stone to be more like Diana… unaware that this wish might have some unintended benefits.

But then, there’s a third key character to the film (and a third wishmaker), the main villain Maxwell Lord (Pedro Pascal). I cannot tell you if this was a good character or not… and I cannot tell you whether the imperfections of the character are more due to the film’s writing or Pascal’s performance. Lord is another loser, and like Barbara, his “loser” status is the result of being a victim of America’s prejudicial attitudes. But whereas Barbara fell victim to sexism, Lord falls victim to racism. Hispanic in origin, Lord grew up in America with an abusive father at home and racist classmates at school. Beaten down from an early age, all he wants in life is to make a name for himself, to prove he’s not a loser. In a clever twist, Lord (the person who originally ordered the wish stone to come to America before it was confiscated by the FBI and sent to the Smithsonian for analysis) does not simply use the stone to wish for riches and power… he wishes to BECOME the stone. That way, he can get nearly infinite wishes so long as he can con the people around him to wish things for him.

The scenes of Max Lord as a flawed human who just wants to not be a loser show Pascal giving a great performance as a human being at the ends of desperation. The scenes of Max Lord the supervillain are… not good. In a long string of over-the-top, eccentric, hyperconfident supervillains in countless superhero movies, Pascal’s Lord is just not interesting. In fact, he is literally a weak character. He cannot fight for himself as his body is crumbling (a side effect of wishing to become a stone). Furthermore, his initially grounded motivations to finally be respected and successful seem to be just utterly lost by the end of the film when he just wishes for world chaos… only then to turn around and declare undying love for his son. It doesn’t make a whole lot of sense.

Failure to understand a character’s motivations casts a shadow over Barbara’s character arc as well. It is explained that the wish stone takes something in return for granting someone their wish. So as payment for bringing Steve Trevor back to life, Diana loses some of her strength. Still… this strains to fully explain why Barbara, after gaining Wonder Woman-like strength, turns into a walking humanoid cheetah (complete with bad CGI like she walked straight out of the cast of 2019’s Cats.) Like I get that she lost some of her humanity and morality in exchange for strength… but Cheetah girl seems like a little much. And though initially it is fun to see Wiig get to play Barbara as a confident and sexy woman who fights back against the patriarchy, the movie (I think) unfairly pushes her into the villain role. In my opinion, she should be treated as a tragic character, something akin to a Harvey Dent in The Dark Knight, as her villainous tendencies are not really her fault. She literally had the part of her that cares about other humans taken away from her when she naively and innocently wished to be like Diana. Instead, the movie has Diana lecture her that she shouldn’t be so evil. She literally can’t, lady! Stop being so hard on her! In any case, it seems like a failed opportunity to generate sympathy for a genuinely likable character who tragically becomes a villain not through her own accord.

That failure to create genuine emotions extends to Diana’s story as well. As soon as Steve is resurrected, you know by the movie’s end he will be dead again. There’s no other way this movie ends. Yet, the fact that Diana is so stubborn in refusing to give up Steve makes it hard to sympathize with her. She is simply being selfish, making her eventual decision to say goodbye to Steve feel more like her finally doing the right (and obvious) thing, and not some heartbreaking decision. Also the fact that seemingly Diana hasn’t even tried to move on in the last seventy years doesn’t help matters for me: it more just feels like a lazy way to write in Chris Pine’s popular character into the second movie. The move certainly weakens the idea of Diana as a strong, independent woman by making her emotionally stunted and crippled for the last 70 years. It would have been a much more satisfying (and daring) choice if Diana had moved on from Steve emotionally and had to deal with the guilt of having brought him back by accident, particularly if he didn’t want to go back to being dead. Instead... Steve knows he has to go back and Diana feels no guilt keeping him around. It’s weak character writing.

These poor choices I contrast with two of my favorite TV shows that demonstrate perfectly how former lovers who miraculously reunite eventually have to say goodbye for good: Buffy the Vampire Slayer and Jane the Virgin. For risk of spoilers to those still watching Jane, I’ll stick to the Buffy example. There’s an episode of Buffy (though technically an episode of the spin-off show Angel) where Buffy and her vampire lover Angel are fresh off their recent and tumultuous break-up, but through some dark magic that neither seeks out, they are given the opportunity to live a life where Angel isn’t actually a vampire and their love can be fully expressed. Yet, in the end, Angel opts to give up his life as a human and return to being a vampire. The choice is so moving precisely because (due to circumstances I cannot begin to explain) in choosing to give up his life with Buffy, he saves her life as well. Whereas in this movie, Diana choosing to let Steve go is really just her choosing to undo her choice to essentially cheat death. Angel, however, is actively choosing to give up a life of happiness he never wished for but was just given on a silver platter, and will now live in a world where his lover will never know his selfless act and will go on hating him. It’s heartbreaking in a way Wonder Woman dreams it could be.

And not to get too Buffy-heavy… but that show also deals with the emotional consequences of being ripped out of the afterlife much better than this movie. Steve just kinda unrealistically adapts to being alive again in all of five minutes. If, perhaps, from the start he questioned why he was there and hinted to Diana that something was wrong, the emotional aspect of this story, the doomed nature, the feeling of “this is the last chance we’ll have together” could have made this a stronger movie. I wanted to find myself crying when Diana finally says bye to Steve, and I was no where close to that. Gal Gadot shares at least part of the blame. She’s a pretty wooden actress. It’s something I noticed in 2017’s Wonder Woman, but in that movie she was supposed to be a fish out of water so her stilted presence seemed appropriate. Here, where she’s supposedly become an assimilated American for 70 years… it is just bad acting.

Anyways, another aspect of this film that was lacking were the visuals. The bad CGI of Barbara as Cheetah is just scratching the surface here. The opening flashback to Diana as a girl performing in the Amazonian Olympics just… looks fake. I don’t know. The reliance on CGI over practical effects is clear and distracting. It’s only worse in the subsequent scene where Wonder Woman stops a theft from occurring in a mall. The effects are just bad. Like passable for a film in the 1990s or early 2000s. But for a 2020 blockbuster, it’s noticeably bad. And already the scene where Wonder Woman is running towards the camera with a weird green screen behind her seems to have become a meme given just how weird it looks.

And yet, for all the negatives I’ve listed, this is a decent action flick. There’s even some nice set pieces like the one in the White House. As little as I liked Max Lord as a supervillain, I found figuring out the other half of each of his various Monkey Paw wishes (i.e. the downside of each wish) to be clever. unfortunately, each of the main three characters fails to have a story line that takes full advantage of their emotional potential, or they are just poorly acted. With few exceptions, the film eschews “fun” in favor of “seriousness.” Really the only exception is, as in the first film, the chemistry between Pine and Gadot. Their chemistry makes for some of the movie’s best moments, like when Wonder Woman makes the plane they’re flying in invisible and the pair flies over fireworks on the fourth of July. But that sense of whimsy in their scenes is largely absent from the rest of the film. This is particularly true of the action sequences, especially those at the climax. The seriousness makes them rather boring. Really, I’m comparing these action scenes with the last half hour or so of Birds of Prey which really set the bar for superhero movie fight choreography. So in the end, it’s overall an OK movie. It certainly isn’t as bad as others make it out to be, but I cannot believe I’m saying this… in 2020 if you’re in the mood for a fun superhero movie, you’re better off with the Suicide Squad sequel than the Wonder Woman sequel.

**/ (Two and a half stars out of 4)

[popculturebuffet]

X-Men Evolution Reviewcaps: Rogue Recruit

My series long look at X-Men Evolution rolls on as eveyrone’s favorite goth reworking of everyone’s faviorite southerner debuts. The X-Men and Mystique race to bring Rogue to her side after her powers accidently coma a boy. The X-Men try the usual compasion.. while Mystique just tries attempted murder and gaslighting while wearing a wolverine costume. Mother of the year! Meanwhile Kurt tries to get Kitty to likes him, Kitty does something profoundly stupid to prove Wolverine wrong that ends up proving him right, and Wolverine grumbles and is kind of an asshole. Well at least one of those is just an average tuesday for him. We’re going Rogue, Rogue, Rouuuuggeeee under the cut. 

Onto episode 3 though this time I did actually get around to watching a few in a row, so while i’m not MILES ahead of this episode, I do have a better sense of where things are going and where this falls in line with everything else. And this is a big one as it’s the debut of Rogue, easily one of the shows more popular characters from what I can tell and it’s no real suprise. In most incarnations Rogue is a huge fan faviorite, with a tragic but very useful and intresting power that makes for good stories.. and okay in the comics and carton she’s also fanservice incarnate, but that’s not exactly a factor here so moving on.  And here is no exception as naturally, with her goth apperance, and general moody outsider atittude, she was a huge hit with goths and emos one and all! And eveyrone really, it’s a good take despite being almost the oppsite of the angsty but still fesity and funloving 90′s version.. and the ironic part is BOTH are entirely accurate to the comics. And yes like the last time about to dive a bit into the comics.. but unlike the shiar thing this is throughly relevant to how the character is portrayed here and a neat history less for those not in the know, so buckle up. 

What’s intresting is both adapt the character.. just at vastly diffrent points. See most probably think of Rogue as she is now: Bubbly, Scrappy and able to throw a man into a mountain, if still understandably mopey about not being able to touch anyone, thoguh that issues come and gone a dozen times by now because comic books can’t resisit undoing things to meet fan expectations despite most dedicated fans wanting some fucking change once in a while. 

But that’s due to years and years of character development: When Chris Claremont first intorduced her, in an avengers annual no less.. she was a villain, a member of her adopted mother Mystique’s brotherhood of evil mutants, and unlike here, we’ll get into that, she was a fully willing member at first, gleefuly following her mama’s orders to drain the powers of one of Mystique’s most hated enemy: Carol Danvers, aka Ms Marvel and the future Captain Marvel. Yeah this one takes some explination for you non-comic fans, and even some of you comic fans who might not get how one of the more iconic x-men villians has personal beef with Carol.... granted i’m pretty sure half the marvel unvierse has personal beef with Carol in present day after Civil War II, especially tony for murdering him, but story for another time.  It’s actually pretty simple: Chris Claremont was writer of x-men for a decade and easily the most important x-men writer period who created a ton of iconic and well loved characters and shaped Cyclops, Charles Xavier and Magneto into the characters fans know and love among others. And around the same time as his x-men run’s early years in the late 70′s, he was writer of Ms Marvel, and took Carol from a half hearted girl counterpart to the first Captain Marvel with a wonky two identties gimmick, into the asskicker and feminist icon we know today. As such Mystique debuted there and when that book ended, Claremont slided her over to the x-men and the rest is history. And this wasn’t an isolated incident: Sabertooth, aka wolverine’s arch enemy and one of hte more famous mutant baddies, debuted in, of all comic books, iron fist, with Claremont bringing him back years and years later as part of the mutant massacreing Marauders, while Misty Knight and Coleen Wing were breifly supporting characters in x-men inbetween Iron Fist’s cancelation and Iron Fist becoming bros for life with Luke Cage and forming the heroes for hire, bringing the two along as supporting characters in the process. It’s a process writers have contiuned to this day; Bringing a character from other unrelated comics in to keep them out of comic book limbo and one i’m in favor of: as long as their writing the character well and they fit why not.  And like her momma Rogue DIDN’T debut in the pages of X-Men, but in Avengers Annual #10. And no Chris wasn’t writing avengers, though it wasn’t really unusual for another writer to hop in for one annual to pinch hit for the regular writer for whatever reason, with Chris Claremont being one of the few who wrote every annual himself for his run on X-Men. What was is he did so for one reason and one only: To get justice for Carol Danvers after a recent story had screwed her over BAD. Two things before we start: If you haven’t heard of this debacle, my apologizes and rape and abuse trigger warning. If you want to skip this portion of the review just ctrl f HIGHER FASTER FURTHER MORE and you can move right on past this clusterfuck and the aftermath. Anyways in Avengers 200, Carol gave birth via terribly contrived mystical pregnancy to Marcus, son of avengers foe and sometimes ally immortus and creepy asshole. Marcus is revaled to have brainwashed carol into loving him , and making love to him so yeah he raped her physically and mentally and the story ends iwth the “Happy ending” of him whisking carol away with him to his limbo dimension while everyone else is fine with it despite him admitting to using the “subtle manipulations of his machines” to make her love him. So yeah, he kidnapped carol to his limbo dimension, mind controlled her, had his way with her, had her give birth to him so he could come to earth then took her back with him.. and not ONE avenger raced a hand, shield, repulsor or hammer, and yes the big three avengers were very much present for this debacle and very much cuplable. IT’s a throughly disgusting hideous story i’ve only see played out thanks to Linkara, long time comics reviewer and all around sweet guy, reviewing it, though with the panels show to show yes all of this is there, and have no intrest in EVER reaading this vile piece of garbage. If your still curious or after just hearing about it want to see it torn to shreds, here’s the review for you. 

It’s terrible for a variety of other reasons. Naturally Chris, who’d put a LOT of time into building up carol and like any creator who sees their character throughly dragged through the mud, was PISSSSSED.. and so were fans who rightly rioted at the issue, so editorial was more than happy to let one of thier biggest draws  right the ship and also allowed him to take Carol back home to the x-men with him. As for how that happened, after Rogue stole her powers, Carol fell in a river and was rescued by her best friend and fellow Chris Claremont alumnis Spider-Woman, Jessica Drew, who brought her to the x-men since she was a friend of theirs, where charles fixed her mind, though Carol was left with no emotoins attached to most of her memoreis. When the avengers, after scrapping with the brotherhood in some neat bouts, came to visit their friend.. Carol instead laid into them for letting Marcus take her, poitned out just how fucked up it was as well as how, and this actually happend, the avengers downplayed her concerns and tried to get her to connect with her demon spawn instead of worrying about her while others made jokes. Basically just one long page of chris claremont unloading on the issue and Carol unloading on her former friends before staying with her new ones. And to the issues credit the rest of the team. .takes it, is utterly devistated to realize what they’d done, and reflects on if they can ever make up for it or if they even deserve forgivness. She would eventually, mostly because people wanted to forget this story after that for good reason, but it’s still a damn cathartic moment.  HIGHER FASTER FURTHER MORE.. so yeah Carol was now with the x-men, who did end up meeting Rogue during a mission to wipe themselves from goverment records for good reason. And to his credit Chris not only used Carol’s lack of emotions tied to her memories for good drama but gave carol a huge power upgrade as binary, if your curious as to where her glowy headed distctrugion of an entire starfleet in her solo film came from. So okay after about a paragraph not really involving her we get into why this is so important to rogue’s character; Rogue now had Carol’s personality and memories trapped in her head and her mind was blurring between them, something this episode would use, and was falling apart as a result and with her moms Mystique and Destiny unable to help a despearate scared and repetnant Rogue went to her last hope for help saving her sanity and her soul: The X-Men. The X-Men, having both fought her and bonded heavily with her victim, naturally were less than pleased about this, and Colossus outright attacked Rogue before charles stopped him, not unresonably given the circumstances. However after talking with her and realizing both how badly she needed her help and how genuinely she wanted to change, going from a brat in love with her own power to a scared young woman terrified of what she’d done and what she was becoming, decided to roll her into the x-men. And everyone revolted: Carol was understadanbly piss and famously punched Rogue into orbit, while the rest of the x-men threatned to walk. Charles however refused to back down and gave one of his finest speech and one of the characters best moments:

To me this is Charles Xavier, a man who will accept and try to help anyone, regardless of their past, because it’s the right thing.. because they deserve a chance and he will GIVE IT TO THEM. It’s a powerful and well done moment and the x-men relucntantly take her in as a result, eventually seeing her as family as she proved herself.  So yeah  THAT is why I took so long to get here and went through ALL of this: Because this series adapts this period in it’s own unique way, taking out Rogue’s outright villiany mind, but leaving in her being a moodier, more closed off person who is constantly afraid of once again stealing someone’s very soul. She still has her confidence, as idd the comics version, it’s just tempered by a wall she puts up between her and everyone else that wasn’t as present by the time the 90′s series adapted her. And there are other bits i’ll get to as we go and in future episodes, I just felt this story was important as it colors Rogue’s journey here, hence me taking a good portion of the review to dive into it and even then I have more bits to give as we go. So with all this exposition that’s probably lost ya’s out of the way, this is Rogue Recurit. Pitter Patter.  We open in the mighty Missisipi, neighbor to my home state of missouri and home of the deep fried shoe. No wait that’s connecticut my mistake. We meet our unfriendly neighborhood goth moping outside, not really enjoying the dance and probably only having gone because her mom told her not to.. Destiny not Myistque mind. More on that in a minute. She’s being watched by two guys: Cody, who if you know your x-men lore you know this never ends well for him, and his friend uh.. let me check my noootes (Checks wiki while shuffling papers to simulate notes) Ty. Turns out Cody’s been starring at Rogue all week but dosen’t even know her name which to be fair, minus the muscles and being on the football team, is pretty much me in high school and is just as pathetic in 2000 as it would be from 2007-2010. I mean if I just went for it I PROBABLY would’ve been shot down, and the one time I did I indeed was, but at least I would of went for it and maybe learned more about women and not been such a dipstick for the next decade.... “sigh”

Point is Cody awkwardly asks Rogue to dance but like most cool kids, including the kind I hung out with in high school and tended to crush on, she’s there to look COOOOL and mope a bit.. and again tell her mom she can’t tell her what to dooooo. But Cody’s awkwardness and sincerty gets her to say why not, he means well.. a little pity dance can’t hurt. So they dance and then Ty causes this entire episode, yes really, by shoving Cody into her because they happen to be dancing seperatley because Cody’s a goddman gentleman ya maroon, and is respecting her personal space, and IS actually hitting it off as she seems to be enjoying herself. Had he not done that, he at least MIGHT have gottne a kiss before what happens next.. during the fall he accidently touches her skin, which had been mostly covered up and goes into a Coma while Rogue is now stuck in a stupor wondering who she is. Yeah as I omniously hinted at Cody is the guy in every version of Rogue’s origin story,  including I assume the 2000′s one where until doing some research i.e. going to wikipedia then letterboxd to find out if his name was given, who she has her first kiss with.. and thus the poor sap who first gets hit with her absorbtion power and traumtizes her. And here it’s no exception. Cue the opening credits. Which despite this setting up the slow arc of Rogue joining htem.. has Rogue in an x-men uniform with the team. Not that the arc is particuarlly subtle about hiding it, we’ll get there but still.  After the credits Ty is wondering what she did to him.. even though she barely moved when he fell on her, and Ty shoved Cody into him, and for all we know Cody just went into shock. He also easily could’ve fell on an epi pen or something.. I mean she could’ve stabbed him wiht one but that’s more of a candian thing than a southern thing. 

So Ty, who while understandably given Mutants aren’t public and Rogue herself had no idea still casued this by shoving Cody into her without thinking about if either had any medical conditions or if Rogue you know WANTED to phsyically touch him that soon, and yes diffrent standards and all but even 2000 this was stupid, decides to mess up things further when Rogue tries to run and tries to block the way. Now granted I get it on some level: For all he knows Rogue drugged his best friend and she needs to be there anyway to answer the police.. but counter arguments 1) She may have a record (She dosen’t) and while not having DONE anything may get brought up on charges anyway.  2) If she DID drug cody with a needle of something WHO SAYS SHE DOSEN’T HAVE MORE AND CAN’T JUST STAB YOUR DUMB ASS 3) she’s got a VERY distinctinve haircut with a white streak, wears a very specific outfit she probably son’t have time to change out of , and everyone there saw her. YOu can tell the police what she looks like. They will find her.  No instead she tries blocking her and she football tackles him.. because Cody is a footballer because this show, much like Tommy Wiseau, weirdly loves football. though unlike the room most instances it comes up, the first episode, cody being one here, and a future episode where the objective is to get the ball from your opposing x-man, all make some sense versus “Let’s go put on tuxes and play football because that’s what friends do huhhhhh?”. But yeah THIS is why I brought up Rogue’s past: becuase this episode heavily uses the part where she had Carol’s memories.. and would occasionally get messed up between who she was, with one issue having her lapse into being carol to rescue her ex from capture, which he dosen’t take well for obvious reasons. This episode uses something similar with Rogue’s brain a bit fried from taking in cody and thus not being sure where she ends and he begins, which is a very intresting idea and was a cool wya to go about having her powers activate. I mean sure it’s the second time in two episodes a mutant’s powers have traumatically awkaned. but both were distinct and interesting and it’s a staple of x-men stories to have this sort of thing happen. 

Meanwhile Rogue’s caretaker Destiny, who we flashed to a bit during the awakening of her powers, calls Mystque. I mentioned her ealrlier in jokes but for those unaware both here and in the comics Destiny is a pre cog, although sh’es an elderly woman in the comics, or rather was having died decades ago in real life, meaning she can see the fuuuuttureeeeee. And thus she saw what was about to happen but couldn’t prevent it. Mysitque is apparently railing her out on the other end over it.. and not in the fun way they usuallly do. And that’’s not crude ininsiuation.. in the comics.. Chris Claremont wrote them as a gay couple and only didn’t explicltly say anything because Jim Shooter was a homophobic moron, even if he had the common sense to stop the kitty and colossus thing because dear god why was that a thing, chaste or not dear god why. The point is Chris fully meant both as lesbians though Mysitque became bisexual under other writers, and the two finally kissed on panel, in flashback last year and Msique wanting her revivied, the x-men can come back from the dead now in comics and Xavier and Magneto refusing for complicated reasons I won’t go into here, and Desitny herself knowing they might not and telling her to burn Krakoa to the ground if she dosen’t get to come back is a major bubbling plot point that got set up earlier this year. So yeah I fully see them as a couple here. ANd yes mistue was with her even as an old lady, it’s really sweet and misty is also immortal so they’ve been together a long time. Also fun fact you probably dind’t need to know: Chris Claremont FULLY inteded to have it turn out the two were Nightcrawler’s biological parents. Mistque is a shapeshifter and can become a man after all.. I like to think that’s what happened here since thankfully the show decided NOT to go with the “kurt’s dad is a demon” explination from around the same time.. and yes that’s a thing and yes it’s fucking stupid and only ever worked under jason aaron who made Kurt’s dad into a pirate who raided heaven and lead to the x-men pirating up alongside a about to come back from the dead nightcrawler to kick his ass. And yes much like the misqute shapeshifting a dick to make a child being shopped around, this actually happened. Comics are awesome sometimes and I genuinely wish Destiny was kurt’s mom. Also yeah spoilers Mystique is nightcrawler’s mom here as usual, including possibly in the movies but it’s kept vauge in both timelines. 

Destiny explains that while she kept Rogue’s powers under wraps, giving her a phony skin condition and having her wear skin covering clothes, she couldn’t keep her away from teenage things forever and figured she’d be fine.. she was wrong but hey her precontion isn’t something she can control and she can still see the fucking future, so it’s not like it’s a bad trade off. Myistque is of course coming to collect her but Destiny warns her that, naturally, the x-men are going to be there soon. 

Speaking of the X-Men, Wolverine is breaking into the x-men mansion in a ninja costume while storm tries to thrwart hm. Yes there is actual context to this and he is a trained ninja so this fits.. yes really he apparentlyt rained with ninjas as part of his backstory and later had a samurai sword fight iwth his girlfriends dick of a dad twice and has had many since then since even with his claws the image of wolverine wielding a sword is fucking awesome. He crawls through the vents but Storm freezes them and he’s forced to enter the danger room and then tears some machines apart because chuck stops him because APPARENTLY their expesnive.. even though he can afford to buy his teenage son a sports car and himself a fucking rolls, so no Chuck I don’t see why Logan would assume you can’t afford to buy more death machines. 

Scott rightly asks what the hell their supposed to learn from one of their teachers putting on his ninja robes and trying to sneak into his own house while another teacher tries to murder him. And yeah with enoguh episodes I can fully say my assement was accurate, and not only that this scott has a bit of a temper at times, being a bit quicker to fly off the handle while also having a clear sarcastic streak, something his comics counterpart would thankfully soon pick up and that’s come back in full under jonathan hickman:

It’s.. a long story.. a bunch of racist genocidal scientests decided to inject themselves with devolving serum to protect their project from the x-men.. okay maybe not that long a story. BUt I LIKE that this scott is flawed, but not enoguh to make him unlikeable just enough to round him out: He’s charming, empathetic and a tactical genius.. but he can also be hot headed, sarcastic and impulsive. I’ts a nice ballance that dosen’t prevent him from being likeable or useful to the team, but keeps him intresting and gives him room to grow.  What I really am liking about the series so far is the team is fairly fleshed out.. except Jean and Storm unforuntantley as Storm really hasn’t gotten enough screne time to shine like her comics counterpart and Jean is just sort of “popular girl type a who’s sweet to everyone, but also still badass”. She’s still better than the 90′s cartoon, as she can actually do stuff more often and is a vital member of the team, and has mor eof a personality, but I hope we get more to her as we go. But otherwise the characters are layerd, flawed but likeable, and enjoyable to watch, and it helps with these earlier more awkard episodes, papering over the weaker aspects with strong character. 

Anyways Logan explains why they did all this: both to show the kids how to infiltrate big complexes, which given most x-missions are “investgate a base of some sort wher eno good is coming of anything”, case in point the mission in the picture above, it’s a valid and useful skill, and to test the mansion’s security, suggesting since the vents are crawlable to electrify them and add poision gas. Storm objects to the poision gas part as well.. their only enimies besides mystique are two teenagers who while dicks don’t really deserve to choke to death. Wolverine’ relucntantly agreers.. he’ll get em next security update. Next timeee.  Kitty meanwhile wonders if anyone else is freaked out and just gets blank stares.. a great gag and a great bit of character as she just joined and had a fairly normal life before all this. Kurt assures her she’ll get used to it, but his telporting over and offering popcorn fails to impress her and she nopes out of there, though Jean reassures him chicks will dig the fuzzy eventually. This is a nice nod to the comics where , with Kurt being the only non-human passing x-man, Kitty was afraid of him for some time, but slowly came around going from being horrified to him to defending him to evelangenlical lunatic reverend stryker, he was a preacher in the comics but no less vile or murder happy, telling him that kurt was one of the noblest souls she ever met after he angrily lambasted him as not in god’s will because you know, he looks like a demon.. and apparently is half of one but let’s ignore that bollocks shall we? Here i’ts more he’s coming on a bit strong on top of that, but it still works reconfigured like that.  Anyways enough teen romance, to me my x-men as Charles needs the full team for a mission and it’s the first time we’ve HAD a full team mission which makes sense: Episode one only had two active x-men and one who just joined and episode 2 only needed a smaller team for both subplots so we split the team minus storm in half. Here we have our first full mission: To find Rogue as Xavier believes she’s a danger to herself and others.. which isn’t exactly wrong when her power can abosrb at a touch and she has two entirely diffrent minds overlaping in her head. I do questoin however going in full combat gear, as they do. Bringing it, no sweat what if someone shows up to attack them, their apparently aware of the brotherhood as of next episode... which makes little sense but whatever. But when they land they go out in full superhero gear which not only ends up playing into myistques hands , more on that in a bit but makes htem look super supscious. And this could just be wanting more costume action early on which would be fine.. if the previous episode hadn’t had jean in plain clothes to talk to kitty, because yeah most people freaked out about their powers probably wouldn’t assume the best of someone in tactical gear iwth a big x on their costume! Gah. I”m glad I went ahead simply to know the x-men do get smarter.. a little. 

Anyways, that stupidity aside on the jet Kurt is flying for the first time with Scott proud of his skill saying he’ll be an ace.. and taking it back when Kurt starts driving with his feet.. even though to me that’s just as impressive as while he has that classic arms behind the head relaxed pose, he is still paying attention, has his feet on ten and two and, and it’s a fact that I forget sometimes: His feet are just as, or at least, almost as good at gripping as his hands. It’s why he can wall crawl like spiderman. Their llike gorilla feet but better. So yeah that joke dosen’t really land.  Meanwhile it’s time for what an older man thinks two teenage girls talk about.. and I just noticed looking at the credits this episode is written by Simon Furman, one of the more renowed transformers creators and write of the UK comics and later the US comics, as well as the first few mini series and one shots for the first idw continuity.. granted the latter is a bit infamous for what he did to arcee, which I both don’t know enough about and don’t have enough time to get into here, nor have I read enough of his work to gush, but I sitll felt it worth mentioning. ANd it’s not uncommmon for comic book writers to write for animation: Greg Weisman started in comics before moving to animation with Captain Atom’s post-crisis solo series, Dwayne McDuffie had a rather sizeable career in comics as a writer and editor and returned to writing comics in the 2000′s for a stint, and Marv Wolfman helped make the treatment for beast machines, while Peter David’s done scattered episodes of various shows, most memorably for me Ben 10. So not a HUGELY uncommmon thing but still worth noting.  Anyways legend or no, he still makes the rest of this scene awkward as Kitty fawns over scott, Jean ends up agreeing and in annoying fit of jealously kurt ports to the roof to do .. some sort of stunt to impress kitty and end sup having to come back in due to wind resitance, teleproting on her by accident and pissing her off. It’s not a terrible scene, as it shows some vunerablity in kurt and furhters the jean scott love triangle but in revisiting it it just feels a tad awkardly put in there, especially since so far kitty having a crush on scott goes nowhere and love triangle wise it’s more Jean, Scott and Rogue.. more on that next time. Wolverine mutters about kids in annoyance.. so for the first and probably last time in my existance I feel the exact same as wolverine for one shining moment. 

Mysitque arrives and is angry at her wife for letting their daughter get away, Irene reitrates the dance thing.. you get it. Luckily having a precog for a wife is handy for more than timing your orgasms to happen at the same time, and Irene knows she’s going to Cody’s hosue which she thinks is her own and that’s where we see her next. Now while this episodes quality is mixed... I do like this element of Rogue torn between two identites not sure which is her.. it’s thorughly intresting and hasn’t been used enough in adaptations, though the 90′s series did do a good job with it’s own take of having Carol and Rogue fight for Rogue’s body. 

At any rate wolverine attacks.. wow jesus wolvie I know you don’t like kids but this is a bit far.... at least go back home and take it out on duncan if you need to murder a teenager sheesh. Of course it’s actually mysitque whose trying to make her afraid of the x-men, shifting into storm next. It’s not a terrible tactic.. it has specific faults i’m saving for the end, but in the short term using the x-men in costume to scare her, then having Irene show up and tell her their mutant hunters.. it’s not bad. It also nicely back fries when the x-men arrive, charles unable to pointpoint her due to her brain being scramble, and end up going down the alleyway with Wolvie in tow causing her to book it. 

Kurt, whose really on the ball outside of the plane stunt this episode, comes up with a better plan than “Chase the frightened teenager around missiipi and hope it works” and realizes since she’s clearlys cared of logan, even if they don’t know why he can try talking to her while in inducer form. Logan relucntantly agrees but tells kurt to keep an the rookie, i.e. kitty which pisses her off. Remember this for a second from now. 

So Kurt.. actually succeeds in calming her down, pointing out he like her was once freaked out, that being diffrent is okay etc, usual line but it works.. then ... yeah that second from now is now now as Kitty decides “she dosen’t look so tough” AND TACKLES ROGUE. Who they know has the power to absorb things by touch even if she’s mostly covered, and who was about to turn to their side. Just because Logan, it turns out CORRECTLY, insulted her. Just.. jesus this is bad writing.. Kitty isn’t this obnoxious or usless later on and while she could sometimes fuck up in the comics..it was less noticable since she was the ONLY teenager, and still once fried a demon with a jet engine. Here? She hasn’t done any of that so she just comes off as a dumbass brought on a mission too soon who causes her friend to not long after this get his powers absorbed by rogue.. though weirdly she dosen’t get his blue skin, which annoys me a bit but whatever. Animation budgets. Point is kitty lost their target and got kurt comaed.  Kitty paniced realizes she can reach the professor telepathically, and we do get a great gag of her doing so too loud, while Logan grumbles about not going with them.. which is a godo point.. why didn’t he just.. you know take the costume off. even if she panicked if she learned who he was later, they would at least have her on the plane and could easily knock her out gently, especially logan since he recovers fast and would the instant his healing factor came back, and then deal with her panic and her fear of them they didn’t know about back home versus here. He didn't even have to come with her just hang towards the back in plainclothes. Instead his telling Kitty she sucks caused her to prove that assessment accurate. So Charles goes to help while Storm, Cyclops and Jean continue the search They find her and Jean shows her empathy again, and I have to admit the character really isn’t that bad in moments like this.. the only reason I ragged on her coming to kitty last time is she made the rookie mistake of telling Kitty about her telepathy, which, while better sooner than later, was done so clumsily it backfired. Here.. she genuinely and softly talks to Rogue, and offers her a communicator which looks like a neuralizer for some reason.. seriously why not just hide it in a compact or a watch or something Chuck? But that aside i’ts a nice moment.. that storm accidently ruins by showing up and terrifying her away. Yeah that’s PART of my problem with the episode right there is jwhile it changes up setting and what not it’s still just “The x-men find Rogue , get her calm, then she runs when one of the x-men mystique traumatized her with shows up”. It just gets old fast despite some clever switches here and there. 

Thankfully we’re at the climax and since Mystique saw all that she shifts into Cyclops.. and up until now I haven’t mentioned this but it becomes a glaring issue here: Mystique’s dialouge when shapeshifted when coming up is basically variations of I’M GOING TO KILL YOU. Which not only is a bit dull, as she apparnelty knows the x-men and at least could make them sound like evil versions of the people we know but also REALLY dumb... again i’m saving this for the end of the episode because it all comes together with her endgame for Rogue, but even if you haven’t watched the show given what’s happened with Toad and Avalanche you can probably guess. But yeah while watching I WAS going to lambast her for not using Jean.. but she’s actually clever here, using Scott who Rogue hasn’t met to unerve her already, then shifting into Jean to take back the chance she offered. IT scares Rogue out who naturlaly books from Jean. 

Rogue then touches storm.. and Cyclops promintently craps himself as he realizes “Oh shit an already scared and psonically scrambled teenager just got an omega mutant’s levels power but with none of the experince and 80 times the angst”. So yeah Rogue’s powers spin out of control in what’s a great sequence and she hit sa transformer but ends up running. Xavier decideds to call this one a wash, and can’t find her anymore anyway as Cody has faded and decide she has to come willingly. Kurt reawakens to Kitty’s delight. Yay that mildly annoying subplot is done.  We end at the school and this is what i’ve been building towards folks: Myistque enrolls Rogue in the school, comersrates on magneto on a job well done and Rogue looks at her commincator. And now for the reason I was a bit patient on this: Mystique’s plan is really shortsighted and dumb. Now pretending to be the x-men, that works.. but her impersinations are so shallow, ESPECIALLY for an experinced shapeshifter that the minute Rogue gets to know any of the x-men, her entire facade will start to crumble. Or if she touches one of them and gets their memories.. which never happens even when she borrows one of their powers next time but hey. Instead of making the x-men seem like gaslighting manipulators she makes them seem like petty murderous villians.. when 5 minutes with Scott or jean or just watching either will cure that. And sure as we see next time she TRIES keeping her from talking to them for too long.. but as we also see school projects happen and she can’t control EVERYTHING without raising some red flags with her faculity. She’s principal, if a teacher’s supscious she’s abusing a student she brought in, they hopefully won’t hesitate to call someone to look into it and as a shapeshifter running a dodgy mutant milita made up of students you brought in that’s the last thing you fucking want. It’s really not even a remote surpise this only lasts three episodes before she turns, and makes me question why do this arc if it’s going to be so half assed? In the comics Myistque was not only a master planner, even getting her team jobs as goverment enforcers when she realized being anti-human terrorists in a very racist climate was just going to get them all killed, but she also CARED about Rogue and her using empathy and kidness on TOP of the manipulation would make Rogue trusting her so much make more sense than “Well it’s you or the attempted murderers”. It’s just really fucking sloppy and to it’s credit Wolverine and the X-Men ended up doing this sort of plotline 80 times better, with Rogue being a villian for a while AFTER the x-men had broken up, left her with nothing, and things had only gotten worse for mutants.. and I think bein ga double agent, it’s been a while, but her reasons for turning there feel natural in comparison to this. The x-men aren’t much smarter as they only connect the dots that maybe it’s a shapeshifter, a shapeshfiter I belive xavier, storm and wolverine alread know about and coul’dve told the students. Gah. 

Final Thoughts:  This episode isn’t very good and in reviewing it I really realized it when it took me 4 or so diffrent sessions to finish this thing. While it has good parts, like a lot of ROgue’s stuff, the danger room break in, it’s held back by stupid decisions, a stupid villian plot, and a waste of great POTETIAL stories for a half assed one from a writer who clearly can do better and a show that will soon enough. Glad to finally be done with this one.. I might not come back to evolution for a second, but when I do I promise it won’t take this long. 

Next Time on X-Men: Evolution: Blob debuts, crushes on jean to an obssesive and quickly very stalkery degree and also nearly murders duncan with a locker... so he’s clealry a mixed bag. Meanwhile Scott and Rogue get paried up on assigment and Paul wears out his welcome Like this if you enjoyed it, I have other x-men evolution reviews in the x-men tag on my blog, as well as other animation goodness, and if ther’es an episode of another x-men show, including the gifted and legion as i have hulu, or marvel show in general you’d like me to cover just drop me a pm to comission it for a reasonable fee. ANd until next time, courage. 

[listen-to-miracles-again]

For people that hate stereotypes: If you think people should just shut up and stop, put this on your profile. I'm SKINNY, so I MUST be anorexic. I'm EMO, so I MUST cut my wrists. I'm a NEGRO so I MUST carry a gun. I'm BLONDE, so I MUST be a ditz I'm JAMAICAN so I MUST smoke weed. I'm HAITIAN so I MUST eat cat. I'm ASIAN, so I MUST be sexy. I'm JEWISH, so I MUST be greedy. I'm GAY, so I MUST have AIDS. I'm a LESBIAN, so I MUST have a sex-tape. I'm ARAB, so I MUST be a terrorist. I SPEAK MY MIND, so I MUST be a bitch. I'm a GAY RIGHTS SUPPORTER, so I WILL go to hell. I'm a CHRISTAN, so I MUST think gay people should go to hell. I'm RELIGIOUS, so I MUST shove my beliefs down your throat. I'm ATHEIST so I MUST hate the world. I don't have a RELIGION, so I MUST be evil and have no morals I'm REPUBLICAN, so I MUST not care about poor people. I'm DEMOCRAT, so I MUST not believe in being responsible. I am LIBERAL, so I MUST be gay. I'm SOUTHERN, so I MUST be white trash. I TAKE ANTI-DEPRESSANTS, so I MUST be crazy I'm a GUY, so I MUST only want to get into your pants. I'm IRISH, so I MUST have a bad drinking problem. I'm INDIAN, so I MUST own a convenient store. I'm NATIVE AMERICAN, so I MUST dance around a fire screaming like a savage. I'm a CHEERLEADER, so I MUST be a whore... I have Big BOOBS, so I MUST be a hoe. I'm a DANCER, So I must be stupid, stuck up, and a whore I wear SKIRTS a lot, so I MUST be a slut. I'm a PUNK, so I MUST do drugs. I'm RICH, so I MUST be a conceited snob. I WEAR BLACK, so I MUST be a goth or emo. I'm a WHITE GIRL, so I MUST be a nagging, steal-your-money kind of girlfriend. I'm CUBAN, so I MUST spend my spare time rolling cigars. I'm NOT A VIRGIN, so I MUST be easy. I FELL IN LOVE WITH A MARRIED MAN, so I MUST be a home-wrecking whore. I'm a TEENAGE MOM, so I MUST be an irresponsible slut. I'm POLISH, so I MUST wear my socks with my sandals I'm ITALIAN, so I must have a "big one". I'm EGYPTIAN, so I must be a TERRORIST! I'm PRETTY, so I MUST not be a virgin. I HAVE STRAIGHT A'S, so I MUST have no social life. I DYE MY HAIR CRAZY COLORS, so I MUST be looking for attention. I DRESS IN UNUSUAL WAYS so I MUST be looking for attention. I'm INTO THEATER & ART, so I MUST be a homosexual. I'm a VEGETARIAN, so I MUST be a crazy political activist. I HAVE A BUNCH OF GUY FRIENDS, so I MUST be fucking them all. I HAVE A BUNCH OF GIRLS WHO ARE FRIENDS, so I MUST be a player. I'm COLOMBIAN, so I MUST be a drug dealer. I WEAR WHAT I WANT, so I MUST be a poser. I'm RUSSIAN, so I MUST be cool and that’s how Russians roll. I'm GERMAN, so I must be a Nazi. I hang out with GAYS, so I must be GAY TOO I'm BRAZILIAN, so I MUST have a BIG BUTT. I'm PUERTO RICAN, so I MUST look good and be conceited I'm SALVADORIAN, so I MUST be in MS 13 I'm POLISH, so I MUST be greedy I'm HAWAIIAN so I MUST be lazy I'm PERUVIAN, so I MUST like llamas I'm a STONER so I MUST be going in the wrong direction I'm a VIRGIN so I MUST be prude I'm STRAIGHT EDGE so I must be violent. I'm a FEMALE GAMER, so I MUST be ugly.. or crazy. I'm BLACK so I MUST love fried chicken and kool-aid. I'm a GIRL who actually EATS LUNCH, so I MUST be fat. I'm SINGLE so I MUST be ugly. I'm a SKATER so I must do weed and steal stuff I'm a PUNK so I must only wear black and date only other punks I'm ASIAN so I must be a NERD that does HOMEWORK 24/7 I'm CHRISTIAN so I MUST hate homosexuals. I'm MIXED so I must be screwed up. I'm MUSLIM so I MUST be a terrorist. I'm in BAND, so I MUST be a dork. I'm BLACK so I MUST believe JESUS WUZ A BROTHA I'm MORMON so I MUST be perfect I'm WHITE and have black friends so I MUST think I'm black I'm GOTH so I MUST worship the devil I'm HISPANIC, so I MUST be dirty. I'm NOT LIKE EVERYONE ELSE, so I MUST be a loser. I'm OVERWEIGHT, so I MUST have a problem with self-control. I'm PREPPY, so I MUST shun those who don't wear Abercrombie & Hollister. I'm on a DANCE team, so I must be stupid, stuck up, and a whore. I'm YOUNG, so I MUST be naive. I'm RICH, so I MUST be a conceited snob I'm MEXICAN, so I MUST have hopped the border. I GOT A CAR FOR MY BIRTHDAY, so I MUST be a spoiled brat. I'm BLACK, so I MUST love watermelon I'm BI, so I MUST think every person I see is hot. I'm an ASIAN GUY, so I MUST have a small penis. I'm a GUY CHEERLEADER, so I MUST be gay. I'm a PREP, so I MUST be rich. I don't like the SUN so I MUST be an albino. I have a lot of FRIENDS, so I MUST love to drink and party. I wear tight PANTS and I'm a guy, so I MUST be emo. I couldn't hurt a FLY, So I MUST be a pussy. I support GAY RIGHTS, so I MUST fit in with everyone. I hang out with teenage drinkers and smokers, so I MUST smoke and drink too. I have ARTISTIC TALENT, so I MUST think little of those who don't. I don't like to be in a BIG GROUP, so I MUST be anti-social. I have a DIFFERENT sense of HUMOR, so I MUST be crazy. I tell people OFF, so I MUST be an over controlling bitch. My hair gets GREASY a lot, so I MUST have no hygiene skills. I'm DEFENSIVE, so I MUST be over controlling and a bitch. I'm a NUDIST, so I MUST want everyone to see my boobs. I read Comics, so I MUST be a loser. I hang out with a FORMER PROSTITUTE… So I MUST be a whore myself. I'm TEXAN so I MUST ride a horse I’m a GOTH, so I MUST be a Satanist I’m a CROSSDRESSER, so I must be homosexual. I draw ANIME so I MUST be a freak. I am a FANGIRL so I MUST be a crazy, obsessed stalker. I WATCH PORN so I MUST be perverted. I'm an ONLY CHILD so I MUST be spoiled. I'm INTELLIGENT so I MUST be weak. I am AMERICAN so I MUST be obese, loud-mouthed and arrogant. I'm WELSH so I MUST love sheep I’m a YOUNG WRITER, so I MUST be emo. I’m CANADIAN, so I MUST talk with a funny accent. I’m QUIET if I don’t know you so I MUST be emo or anti-social. I'm a GUY, so I MUST ditch my pregnant girlfriend. I'm CANADIAN, so I MUST love hockey and beavers. I'm DISABLED, so I MUST be on Welfare. I'm a FEMINIST, so I MUST have a problem with sexuality and I want to castrate every man on the earth. I'm a TEENAGER, so I MUST have a STEREOTYPE. I WEAR A BIG SUNHAT when I go outside, so I MUST be stupid. I like BLOOD, so I must be a VAMPIRE. I'm an ALBINO, so I MUST be an evil person with mental abilities and is A MURDERER! I'm ENGLISH, so I MUST speak with either a cockney or a posh accent, love tea and cricket, and have bad teeth. I’m WHITE, so I MUST be responsible for everything going wrong on the planet: past, present, and future. I don't like YAOI or YURI, so I must be a HOMOPHOBE I’m not the most POPULAR person in school, so I MUST be a loser I care about the ENVIRONMENT...I MUST be a tree hugging hippy I have a FAN CHARACTER, so I MUST be an annoying Mary-sue. I CHAT, I MUST be having cyber sex. I'm PAGAN so I MUST sacrifice babies and drink the blood of virgins I'm PAGAN so I MUST worship Satan I'm CONSERVATIVE, so I MUST be against Abortion I'm SWEDISH so I MUST be a tall blond blue-eyed lesbian. I'm a LESBIAN so I MUST want to get with every single girl that I see. I like CARTOONS, so I MUST be IRRESPONSIBLE. I like READING, so I MUST be a LONER. I have my OWN spiritual ideology; therefore I MUST be WRONG or MISGUIDED. I am WICCAN, so I MUST be a SATANIST. I DISAGREE with my government, so I MUST be a TERRORIST. I am a WITCH, so I MUST be and OLD HAG and fly on a broomstick. I love YAOI, so I MUST be GAY. I'm a PERSON, so I MUST be LABELED I DON'T CURSE, so I MUST be an outcast I like GAMES, ANIME and COMICS, so I MUST be childish I'm SWEDISH, therefore I MUST be WHITE. I SPOT GRAMMATICAL ERRORS, so I MUST be a pedantic bastard. I'm GOTHIC, so I MUST be mean. I’m STRONG so I MUST be stupid. I'm Australian so I MUST hunt crocodiles and talk to kangaroo’s I go to RENFAIRES, so I MUST talk weird, be a loser, and not be up with the time I don’t want a BOYFRIEND so I MUST be Lesbian. I'm NOT CHRISTIAN so I MUST just need converting. I love marching band, so I MUST be a friendless freak. I DRINK and SMOKE, so I MUST have no life. I am friends with a CUTTER, so I MUST be a CUTTER too. I cry easily, so I MUST be a wimp. I can't help pointing out mistakes so I MUST be an over-controlling perfectionist I'm a PERFECTIONIST so I MUST check everything ten times, them burst into tears at one mistake I’m GAY so I’m after EVERY straight guy around. I CURSE A LOT so I MUST be a bad kid and have problems I DON'T LIKE to talk about my personal life so I MUST be having problems PLEASE READ WHAT'S UNDER THIS!! I am the girl kicked out of her home because I confided in my mother that I am a lesbian. I am the prostitute working the streets because nobody will hire a transsexual woman. I am the sister who holds her gay brother tight through the painful, tear-filled nights. We are the parents who buried our daughter long before her time. I am the man who died alone in the hospital because they would not let my partner of twenty-seven years into the room. I am the foster child who wakes up with nightmares of being taken away from the two fathers who are the only loving family I have ever had. I wish they could adopt me. I am one of the lucky ones, I guess. I survived the attack that left me in a coma for three weeks, and in another year I will probably be able to walk again. I am not one of the lucky ones. I killed myself just weeks before graduating high school. It was simply too much to bear. We are the couple who had the realtor hang up on us when she found out we wanted to rent a one-bedroom for two men. I am the person who never knows which bathroom I should use if I want to avoid getting the management called on me. I am the mother who is not allowed to even visit the children I bore, nursed, and raised. The court says I am an unfit mother because I now live with another woman. I am the domestic-violence survivor who found the support system grow suddenly cold and distant when they found out my abusive partner is also a woman. I am the domestic-violence survivor who has no support system to turn to because I am male. I am the father who has never hugged his son because I grew up afraid to show affection to other men. I am the home-economics teacher who always wanted to teach gym until someone told me that only lesbians do that. I am the man who died when the paramedics stopped treating me as soon as they realized I was transsexual. I am the person who feels guilty because I think I could be a much better person if I did not have to always deal with society hating me. I am the man who stopped attending church, not because I don't believe, but because they closed their doors to my kind. I am the person who has to hide what this world needs most, love. I am the person who is afraid of telling his loving Christian parentshe loves another male. Re-post this if you believe homophobia is wrong. Please do your part to end it Sorry for the long post. I just think this is important. I got this from Ivory’Lee Lambskank on m.fanfiction.net

[altpress]

#mychemicalromance #mcr #theblackparade The Jonas Brothers set the internet aflame last weekend when Joe Jonas claimed he heard My Chemical Romance rehearsing near them in New York. Reunion theories ran wild, and skeptics instantly started listing off, first, what it could’ve been (see Frank Iero And The Future Violents) and second, all the reasons it couldn’t possibly be happening. We’re here to chime in on the latter, listing off arguments why this isn’t the right time to reunite. From the former members being engrossed in their respective personal lives to successful solo careers, here are 10 reasons My Chemical Romance shouldn’t get back together. While you're waiting for the reunion, make sure to pick up our MCR Collector's Edition featuring everything we've EVER published about your favorite Killjoys. Get it here! https://ift.tt/30HY2bL Visit https://ift.tt/2MjKsbo for Emo, Pop Punk and Goth culture merch and mags! ALTPRESS All Of YOUR Favorite Bands. All the time. https://ift.tt/2qzxFY5 Facebook: https://ift.tt/1Y1Ulq4 Twitter: @AltPress Instagram: altpress by Alternative Press

[kidsfromyesterdaypod]

Here Come the Emo Girls

We’ve made two episodes about misogyny in emo music; the first one was Episode 4 ‘Girl All the Bad Guys Want’ and the second Episode 8 ‘“All Panic, No Disco’’’. We wanted to highlight how sometimes subcultures like emo or punk or scene are believed to be made up entirely of men, with women as secondary features or afterthoughts. There’s been tonnes of studies over the years on women in punk music, and we wanted to talk about women* in emo because we believe the girls buying tickets and merch and setting up fandom spaces and creating and believing in these bands are what makes emo such an amazing movement.

In episode 4 we talked about “if you can’t see it, you can’t be it” which is to say, if you don’t see yourself represented on stage, in the crew, in the industry in general, it’s much harder to see yourself doing it because you have to be your own idol. You have to be your own inspiration, and that’s hard. In episode 8 we included a list of women in emo that inspired us – though this is a non-exhaustive list as even now I keep thinking about people we left out. We included women like Avril Lavigne because she was the first example of an alternative woman we saw in the early 2000s, and women like Billie Eilish because we think she is the future of the 4th (or even 5th) wave of emo. A lot of people had an issue with this, but we talked it through in the episode. Not only that, in 2006 when Panic! and MCR were becoming what we think of as emo today, the emo fans from the 90s/early 00s were all too keen to say: “that’s not emo it’s just ____”. Not only that, but there hasn’t been a single emo band in existence that has been happy to be called emo or that embraced the label. Not a single one.

Tay Jardine /SAINTE: we actually played a round of Real Lyric, Fake Lyric using Tay’s songs. She arrived on the scene around 2011 (I think) with We Are the In Crowd. She was dismissed a lot as wannabe Hayley Williams, but her music was just the style of the time and we think a lot of the flack came from the fact that there weren’t many female-fronted bands around. (Plus, nobody is out there telling those groups of white cis dudes that they all sound the same, even though they all too often do.)

Cassadee Pope: former frontwoman of Hey Monday, Cassadee is now a country music star and she’s still emo af. We don’t make the rules. Hey Monday were synonymous with bands like All Time Low and hung around in that scene. We also featured Cassadee songs in Real Lyric, Fake Lyric.

Hayley Williams: the OG. Comparison is the thief of joy but it didn’t stop anyone comparing every single small white emo woman to her. If you’ve ever listened to our episodes you’ll know we love her a lot.

Jess Bowen: Kickass drummer formerly of The Summer Set. I remember the first time I saw her play, at Slamdunk (UK). I knew some TSS songs but I didn’t know anything about the band; it’s weird to be surprised by a musician’s gender. I kind of hate it, it shouldn’t be a surprise, but it doesn’t take away from how awesome Jess is.

Nicole Row: current Panic! at the Disco bassist. As Clodagh said in episode 8, how incredible to feel like you could play with one of the most famous emo bands in the world. She’s awesome.

LIGHTS: I was never into her music but a lot of emo people I knew when I was in school loved her. Her music is kinda electro-synth but still pretty cool, and her aesthetic is like quintessential emo girl.

Hey Violet: described occasionally as pastel goth, we think HV are the emo sound of the future. Or the present. Is this the future?

We talked about tonnes more; if you’re interested, listen here to the episodes

Much love from Dark Basement HQ,

Courtney ^_^

[*this is not to exclude nb people, we focused on the binary because we were retrospectively looking back on emo from the late 2000s. Although obviously nb/trans people existed then too, the LGBT focus was on sexuality. It hasn’t been that long but LGBTQ+ inclusion in alternative subcultures has changed a lot since. In our upcoming 9th episode we talk about the focus on gender binary in emo a little more. We are two cis girls and don’t want to speak over anyone’s experiences, especially as we can only speak to our own. In fact we totally invite you to email us (kidsfromyesterdaypod[at]gmail.com) and we would love to chat with you if you have anything to add, whether that’s about being LGBTQ+ in emo or specifically about being nb, or something else entirely – we’d love to hear from you!]