#forging parts in india

[dyimpex]

[mamtamondal]

Forging Partnerships: Collaborations Driving Innovation in Forging Technologies

In the fast-paced world of forging technologies, innovation is key to staying competitive. In recent years, forging companies have increasingly turned to partnerships and collaborations to drive innovation forward. These strategic alliances bring together expertise, resources, and diverse perspectives to tackle challenges and explore new possibilities in the forging industry. In this blog, we’ll talk about the necessity of collaboration and how it brings changes in the industry. 

The Power of Collaboration in Forging Technologies:

Understanding the significance of collaboration in fostering innovation:

In the forging industry, collaboration plays a crucial role in driving innovation forward. By working together, companies can pool their resources, knowledge, and expertise to tackle complex challenges more effectively. Many renowned companies like Happy Forging Ltd. (HFL) are taking advantage of collaboration. Instead of working in isolation, collaboration encourages open communication and the sharing of ideas, leading to breakthroughs that benefit the entire industry. Whether it's developing new materials, improving processes, or exploring emerging technologies, collaboration enables forging companies to stay ahead of the curve and remain competitive in a rapidly evolving market.

How partnerships leverage complementary strengths for mutual benefit:

Partnerships in forging technologies bring together organizations with complementary strengths and expertise. For example, a forging company in India may team up with a technology firm to leverage their advanced manufacturing capabilities, while the technology firm gains access to the forging company's domain knowledge and experience. Similarly, collaborations with automotive manufacturers or aerospace companies allow forging companies to tailor their products to specific industry needs while gaining valuable insights into market trends and requirements. By combining their strengths, partners can achieve mutually beneficial outcomes, driving innovation and growth for all involved.

Innovation Ecosystems and Collaborative Networks:

The emergence of innovation ecosystems in the forging sector:

In recent years, innovation ecosystems have emerged in the forging sector, bringing together forging companies, suppliers, research institutions, and government agencies to collaborate on joint projects and initiatives. These ecosystems provide a fertile ground for innovation, fostering collaboration and knowledge sharing across the entire value chain. By connecting stakeholders from different sectors and disciplines, innovation ecosystems enable the co-creation of new technologies, products, and business models that address industry challenges and opportunities.

Collaborative networks connecting forging companies, suppliers, research institutions, and government agencies:

Collaborative networks play a critical role in driving innovation and competitiveness in the forging industry. These networks facilitate collaboration and partnership building among forging companies, suppliers, research institutions, and government agencies, creating synergies that drive collective progress. 

By sharing resources, expertise, and best practices, collaborative networks enable stakeholders to tackle complex challenges more effectively and accelerate the pace of innovation. Moreover, these networks provide a platform for forging companies to access funding, research support, and market intelligence, helping them stay at the forefront of technological advancements.

How these ecosystems foster idea exchange, technology transfer, and collaborative projects:

Innovation ecosystems and collaborative networks foster idea exchange, technology transfer, and collaborative projects through various mechanisms such as industry forums, research consortia, and joint ventures. These platforms provide opportunities for stakeholders to share insights, identify common challenges, and explore potential solutions collaboratively. 

By facilitating cross-disciplinary collaboration and knowledge exchange, innovation ecosystems enable the co-creation of innovative technologies and solutions that drive industry growth and competitiveness. Moreover, these ecosystems help forge companies stay agile and responsive to changing market dynamics by fostering a culture of innovation and collaboration across the entire ecosystem.

Benefits of Collaborative Innovation in Forging:

Improved efficiency and productivity through shared resources and expertise:

Collaborative innovation in forging brings together the strengths and resources of multiple entities. By pooling resources and expertise, Happy Forgings Ltd services in India have seen growth as companies after collaboration can optimize processes, share best practices, and access specialized knowledge that may not be available internally. This shared approach often leads to increased efficiency in operations and productivity, as each partner can focus on their core competencies while benefiting from the collective wisdom of the collaboration.

Accelerated pace of innovation, leading to faster time-to-market for new forging technologies:

Innovation thrives in collaborative environments where ideas can be freely exchanged and refined. By partnering with other organizations, forging companies can leverage complementary skills and perspectives to accelerate the development of new technologies. This collaborative approach reduces the time it takes to bring innovations to market, giving companies a competitive edge by staying ahead of industry trends and meeting customer demands more quickly.

Enhanced competitiveness and market positioning through joint R&D efforts and innovative solutions:

Collaborative innovation allows forging companies to tap into new markets and opportunities by combining their strengths with those of their partners. Joint research and development efforts enable companies to tackle complex challenges and explore innovative solutions that may not have been possible individually. By leveraging the collective expertise of multiple entities, forging companies can differentiate themselves in the market, enhance their product offerings, and better meet the evolving needs of customers.

Challenges and Considerations:

Overcoming barriers such as intellectual property concerns and conflicting priorities:

One of the primary challenges in collaborative innovation is navigating intellectual property (IP) concerns and managing conflicting priorities among partners. Companies must establish clear agreements regarding ownership of intellectual property developed during the collaboration to ensure fair and equitable distribution of rights. Additionally, aligning priorities and objectives across different organizations can require careful negotiation and compromise to ensure the success of the partnership.

Building trust and fostering effective communication in collaborative partnerships:

Trust and communication are essential for successful collaboration in forging technologies. Building strong relationships among partners requires open and transparent communication, mutual respect, and a willingness to share information and resources. Establishing trust takes time and effort, but it lays the foundation for productive collaboration and ensures that all parties are committed to achieving shared goals.

Strategies for mitigating risks and ensuring equitable distribution of benefits:

To mitigate risks and ensure that all parties benefit from the collaboration, forging companies must implement robust risk management strategies and establish clear agreements from the outset. This includes defining roles and responsibilities, setting expectations for contributions and outcomes, and establishing mechanisms for resolving conflicts and disputes. 

Additionally, companies should regularly evaluate the progress and impact of the collaboration to identify areas for improvement and ensure that the benefits are distributed fairly among all partners.

Conclusion:

In conclusion, partnerships and collaborations play a pivotal role in driving innovation in forging technologies. By harnessing the collective intelligence and resources of diverse stakeholders, forging companies can overcome challenges, explore new frontiers, and stay at the forefront of technological advancement. As the industry continues to evolve, fostering a culture of collaboration will be essential for sustaining growth and maintaining competitive advantage in the dynamic landscape of forging technologies.

[unispares]

Unispares India is a prominent forging parts and component manufacturer, known for delivering high-quality solutions to meet the diverse industrial requirements. With a reputation for excellence, Unispares India is your trusted partner for top-tier forging components.

[aceforge12-blog]

Do you need Forged Copper Automotive Parts in India ? We Offer a Wide Range of Automotive Parts manufacturers Carried out by our  Accredited Engineers. Enquire Now .

Ace Forge Pvt Ltd (AFPL) is a Bangalore based forging company started in the year 1997.AFPL is a specialist cold forging company serving customers across various industries. Plant location has land area of 44000 Sq feet and built up area of 15000 Sq feet.

Visit : https://www.aceforge.in/forged-copper-automotive-parts-in-india.php

[cheriecelestial]

Batboys as Desi Films

𝐃𝐢𝐜𝐤 𝐆𝐫𝐚𝐲𝐬𝐨𝐧

Dilwale Dulhania Le Jayenge (1995)

Raj and Simran meet during a trip across Europe and end up getting stranded in the middle of nowhere after they miss their train. Despite their initial clashing, they fall in love. However, Simran’s traditional father has arranged her marriage elsewhere. Raj must win over Simran’s family to marry her, leading to a series of heartfelt moments, comedic misunderstandings, and ultimately, a dramatic climax where love conquers all as the couple fights for their happiness against societal norms.

Dick is so raj coded with his quips and charisma. Their chaotic banter and chemistry is off the charts. Any Indian who hasn’t watched this gets their desi card revoked immediately, I don’t make the rules. This movies fits Dick’s dramatic flair perfectly.

𝐉𝐚𝐬𝐨𝐧 𝐓𝐨𝐝𝐝

Goliyon ki Raasleela Ram-Leela (2013)

The modern adaptation of William Shakespeare’s “Romeo and Juliet,” set in rural Gujarat, India. It follows the love story of Ram, from the Rajadi clan and Leela, from the Sanera clan, who belong to rival gangster clans engaged in a long-standing feud. Despite the enmity between their families, Ram and Leela fall deeply in love, leading to a tragic and tumultuous journey filled with passion, violence, and sacrifice.

It fits Jason’s love for guns and classics. An absolute visual treat with cinematography and all the songs are absolute bangers.

𝐓𝐢𝐦 𝐃𝐫𝐚𝐤𝐞

Jab We Met (2007)

Aditya, a heartbroken business tycoon, someone who was dwelling in the lowest ebb of his life and was almost on the brink of giving it all up, aimlessly boards a train to escape his depressing life. On his journey he meets Geet, a talkative and vivacious young woman. Geet is on her way to meet her boyfriend, but her plans go awry, and she ends up stranded. Aditya, feeling sorry for her, decides to help her get to her destination safely. Along the way, they encounter various adventures and challenges that bring them closer together. Despite their contrasting personalities, they develop a deep connection. However, when they part ways, Aditya realizes his love for Geet and sets out to find her. In the end, they reunite, realizing they are meant to be together.

Grumpy x sunshine. The OG green flag. Epitome of ‘if he wanted to,he would’. Makes my chatterbox heart happy because of how much I relate to the FL. Favourite comfort movie of all time. ML kinda looks like Cillian Murphy’s scarecrow. “I like you a lot but that is my problem, you don’t need to worry about it.” Their fights and his little sassy comebacks and rants were so cute and fun to watch.

𝐃𝐚𝐦𝐢𝐚𝐧 𝐖𝐚𝐲𝐧𝐞

Jodhaa Akbar (2003)

The Mughal emperor Akbar, seeking to forge political alliances, marries Jodhaa, a Rajput princess. Initially a marriage of convenience, their relationship evolves as they learn to respect and love each other. Jodhaa struggles to adapt to Mughal customs, especially with their cultural and religious differences but her courage and integrity win Akbar's admiration. Despite conspiracies and opposition, including from Akbar's own court, their love prevails. The film explores the transformation of a young ruler, initially groomed for ruthlessness by his mentor Bairam Khan, into a wise and compassionate emperor who values mercy, diplomacy, religious harmony and cultural acceptance. Akbar's realization of the importance of religious tolerance, showcased through his abolition of discriminatory policies and his respect for all faiths.

The arranged marriage tag and the ‘raised as a weapon but softens and shows more compassion out of respect and love for his empress’ tag fits demonhead!Damian so much. The way he said mashallah after he pulled off her veil in the middle of a sword fight >>>>. I love how it captures the essence of India’s rich heritage and diversity. “Why seek paradise ? It is before me now.”

𝐁𝐫𝐮𝐜𝐞 𝐖𝐚𝐲𝐧𝐞

Khoobsurat (2014)

Milli, a free-spirited and eccentric young woman becomes the physiotherapist for a royal family. She brings her lively yet clumsy personality into the conservative royal household, shaking up their structured lives. It clashes with the formal atmosphere of the palace, especially with the stern matriarch, Nirmala Devi. Despite initial resistance, Milli's unconventional methods bring joy and laughter into the lives of the family members, including the brooding prince, Vikram. As Milli navigates the challenges of fitting into the royal household, she also finds herself falling in love with Vikram, leading to a series of comedic and heartwarming moments.

Very cliched (well it is a Disney film) and the second hand embarrassment is unreal but sometimes after a long day all you need is a feel-good cheesy rom-com. Oh to sit next to Fawad Khan in a red convertible while gazing lovingly at him. I like how she emphasises on improving the patient’s mental health to help him heal. Incase you haven’t noticed already, cold brooding™️ x silly goose is my favourite character dynamic.

𝐀/𝐍 - I’ll be honest with y’all, this was to satiate my desire of writing x desi! reader cuz I don’t have enough motivation or time to do it T^T

[fatehbaz]

A devastating rail crash that left almost 300 people dead has refocused international attention on the importance of railways in the lives of Indians.

Indeed, to many Western observers, images of men and women crammed into overcrowded cars serve as a metaphor for modern India. Take, for example, a report by German newspaper Der Spiegel on India’s population surpassing China’s. Published just weeks before the accident in Odisha province on June 2, the now much-criticized cartoon depicted a shabby Indian train crammed with passengers rushing past a streamlined Chinese train with only two people in it.

Where does this enduring image in the West of Indian railways – and of India – come from? As a scholar of Indian history and author of 2015 book “Tracks of Change: Railways and Everyday Life in Colonial India,” I believe the answers lie in the gigantic infrastructure projects of the 19th century – forged at the intersection of colonial dictates and capitalist demands.

---

A carrier of freight, not people

Railways remain the backbone of passenger traffic in India, transporting some 23 million people daily. In the pre-pandemic 2018-19 financial year, 7.7 billion passenger journeys in India. [...] Yet, when first planned in the 1840s, India’s railways were intended to primarily transport freight and livestock, not people. Indians were thought unlikely to become railway passengers by directors of the English East India Co., a merchant monopoly that gradually annexed and administered large parts of India under U.K. crown control. [...] However, early colonial railway policy was driven by pervasive Orientalist imaginings of a people rendered immobile by poverty, living in isolated villages [...]. The trope interlocked with colonial thinking that railways would foster greater industrialization which in turn would further a capitalist economy. They also aligned with the practical needs of a colonial trading monopoly which needed raw materials for English industries, such as cotton, to be moved swiftly and efficiently from India’s interiors to port towns [...].

---

Despite the doubters, the new Indian railways attracted an increasing number of passengers. The half-million passengers recorded in 1854 when tracks became operational increased to 26 million in 1875. By 1900, annual passenger figures stood at 175 million and then almost trebled to 520 million by 1919-20. By the time of the partition of India in 1947 it had risen to more than 1 billion passenger journeys annually. Indeed, images of overcrowded trains came to epitomize the upheaval of partition, with the rail system used to carry swaths of uprooted peoples across the soon-to-be Pakistan-India border. Third-class passengers, overwhelmingly Indians, comprised almost 90% of this traffic. These escalating figures did not, however, generate a lowering of fares. Nor did they result in any substantial improvements in the conditions of [...] travel. [...]

---

The generally British railway managers seemed disinclined to remedy systematic overcrowding, which included transporting passengers in wagons meant for livestock. Rather, they insisted that such overcrowding was caused by the peculiar habits and inclinations of Indian passengers: their alleged [...] inclination to follow one another “like sheep” into crowded carriages. These attributes were soon rendered into a more public narrative, especially among Western mindsets. Journalist H. Sutherland Stark, writing for the industry publication Indian State Railways Magazine in 1929, stated that though “unversed” in railway administration and traffic control, he knew railway facilities were not the problem. Rather, Indian passengers lacked the mental preparedness, “self-possession” and “method” necessary to travel like “sane human beings.” Stark suggested passenger education as a solution to the perceived problem, making railway travel a tool for “self-composure and mass orderliness.” [...]

---

More than a century later, this depiction endures, though, ironically, it now serves as a foil to understanding contemporary India. In a piece published in The New York Times on March 12, 2005, the author lauded the then-new Delhi metro, emphasizing that it had “none of the chaotic squalor of hawkers and beggars that characterizes mainline railroads in India, nor do desperate travelers hang from the sides of the trains.” As the debate rages on whether safety has taken a back seat to “glossy modernization projects” in India – early analyses suggest signaling failure might have caused June 2, 2023, accident – railways continue to represent India’s history.

In the heyday of empire, they were deemed the technology through which Britain would drag India into capitalist modernity. In 1947, they became a leitmotif for the trauma of the partition that accompanied the independence of India and Pakistan. As the coverage of Odisha accident reminds us, it continues to be a metaphor in the West for evaluating contemporary India.

---

Headline, image, caption, and all text above by: Ritika Prasa. “Overcrowded trains serve as metaphor for India in Western eyes -- but they are a relic of colonialism and capitalism.” The Conversation. 9 June 2023. [Bold emphasis and some paragraph breaks/contractions added by me.]

[beguines]

In 1942, shortly after emerging from underground activities, communist activists were caught up in redressing the food crisis, and organizing public rallies demanding controlled-priced food as prices rose and shortages became palpable. The worst off was Bengal, which was devastated by famine during 1942 and 1943; nearly four million people are estimated to have perished here from starvation and disease in the following three years. The famine galvanized communists into action, both politically and culturally. In the face of colonial censorship, they were among the first to publicize the disaster. Their analysis of the famine anticipated Amartya Sen's groundbreaking book, Poverty and Famines, which argued that famines are political not natural events, and that they have less to do with shortages offood than its unfair distribution. They spearheaded relief efforts, setting up food kitchens and shelters for those rendered destitute by the famine, while organizing political actions to demand rice at controlled rates.

Communist women were in the forefront of famine relief efforts, and their work catalysed the formation of a new kind of women's political organization—one which moved beyond the ambit of existing nationalist women's organizations, and simultaneously pushed the Communist Party to engage with women's political activities. But famine relief activities also cemented the formation and spread of the Indian People's Theatre Association (IPTA) and the Communist Party's Central Cultural Squad, as well as local cultural squads. The Bangalore unit of IPTA was formed in 1941, the Bombay unit in 1942, and the all India organization in May 1943. IPTA was not formally the cultural front of the Communist Party, but in practise it functioned like one. During the famine, the organization came into its own, as activists and artists graphically detailed the suffering the famine entailed, and, in the process, shaped new forms of art, cultural performance, and political outreach. As they did so, they travelled to different parts of the country, forging new political and artistic ties among themselves as well as their viewers. For women activists, singers and actresses, these efforts allowed novel experiences—performing before enormous audiences; travelling to different parts of the country; training, rehearsing and living with each other and male comrades; and becoming part of experimental artistic endeavours that remain important landmarks in the history of public and political performance in India.

Ania Loomba, Revolutionary Desires: Women, Communism, and Feminism in India

[adventure-showdown]

What is your favourite Doctor Who story?

ROUND 2 MASTERPOST

synopses and propaganda under the cut

Zagreus

Synopsis

Zagreus sits inside your head

Zagreus lives among the dead

Zagreus sees you in your bed

And eats you when you're sleeping.

Propaganda

ok so, its the 40th annivercery!! its not offical as the show was off the air at the time, but still!!!! every single companion and doctor actor Big Finish managed to get they got!! but do they play their parts? ...actually not really! here we have the end of an arc that two seasons coming, Charley and 8 has been through a lot, and at this point their story comes to a starteling and rather horrid conclusion! (OR IS IT?) Charley, who has been rescued from death by the eight doctor, rescuing her when he was not supposed to, has been through a lot, and even as that got solved last episode, by saving her from becoming a portal of death to galifray (a long and better constracted story XD), the doctor and the tardis has sufferd a huge explosen of an anti time bomb! making the doctor to become infected with an anti time infection! making him concive himself as the childhood time lord rhyme known as Zagreus! so now he must distory the entire univerce hahaha, because apperently Rassilon, ie one of the og creatorss of galifray socity wants to make the doctor into Zagrues so he can use him to distroy his emenies!! by distroying him body and soul!!! but what's this??? his former selfes as random people around the time stream coming in with the steal chair????? all led by a very rightfully annoyed Charley because the doctor refused to kill her as she asked because she loves him???? what the fuck will happen next!! all led delightfuly by Romana and Leela, and K9, and a rather jealous and EVIL tardis played by the Brigadier himself!! in between this 3 HOUR LONG epic and delightful advanture, apart from the absolote chaos of the event, you will get a suprisingly beutifull speaches filled with exploration of the meaning of love, of friendship! of a love so strong that it shall forfit between dimantions and also canon, the doctor explores what it actually means to be in love with a companion! and Charley, explores what it means to love him even more strongly back! what it means to be the doctor!! and the fact that the distruction of the tardis is actuall the thing stopping him from completely losing himself to loss and grief 😭, the absolote hammering in of the fact the coraption of time lord scoaity and Rasilon's bigotry, and finally someone understands that if you corrupt the Doctor, you have the absolotle potancial to distroy the entire univerce!! Paul Mcgann screaming for amazing hours, as he has the best time playing the baddy and people who are not the doctor!! India Fisher as Charley giving it her all and being amazing at it!! (also the fact that this delightful story is the leadthrough to one of the most terrefying stories of doccy who history, Scherzo! as it explores the themes of this story in a much more detailed way! but that's a horrefying story for another day XD) (@geronimomo-spd )

The 30th anniversary special is overly long and complicated but mostly it is INSANE ! Alice in Wonderlands, giant animatronic rabbits, Vampires and an evil doctor who hAMS it up,,,,that and 4 different doctors as well as TONS of companions plus the Briggs who is actually the TARDIS. it makes no sense! Compels me tho. Everyone says it with me : Zagreus sits inside your head Zagreus lives among the dead Zagreus Sees you in your bed And eats you when you're sleeping It's the best anniversary special day of the doctor whomst ? (@gnougnouss )

Arrangements for War

Synopsis

Onboard the TARDIS, nerves are strained.

After escaping the Forge and the murderous clutches of Nimrod, the Doctor and Evelyn have things to talk about. The Doctor's attitude towards death is a subject that these days is too close to Evelyn's heart, and eventually she demands to be set down somewhere where she can be free of him for a while.

And so they come to Világ, where the Doctor's meddling lands him in the middle of a truly dangerous liaison and Evelyn meets a man who wants to change the course of her life forever.

Love is everywhere. But then war is too.

Is it time for Evelyn to leave the Doctor? Or is the choice about to be taken out of her hands?

And who is to say what is the beginning and what is the end of love?

Propaganda

makes you go ough your feelings (october)

[mariacallous]

Since Russia’s full-scale invasion of Ukraine in 2022, the West has imposed over 16,000 sanctions on Russia, intending to cripple the economy driving the Kremlin’s war machine. But the much-anticipated collapse of Russia’s economy never came to pass. In fact, Russia’s wartime economy has proven to be surprisingly resilient, with the IMF estimating that Russia’s GDP grew by 3.5% in 2023 and will continue to grow by 3.2% in 2024. The Kremlin has managed to keep Russia’s economy afloat, in large part, by increased military spending and forging new partnerships with countries like China and India who don’t mind flying in the face of Western sanctions.

And although the Kremlin touts all of this as evidence that the West and its sanctions have failed in their endeavors to defeat Russia, a closer look under the hood reveals a more desperate disposition. A recent Financial Times article paints a more bleak picture of Russia’s relative power in the world's geopolitical hierarchy and the economic consequences it brings.

Financial Times’ Russia correspondent, Anastasiia Stognei, joined The Naked Pravda to reconcile these two vastly different images being painted of Russia’s economy and to discuss the potential long-term consequences of the war in Russia.

Timestamps for this episode:

(3:17) Sanctions and the Russian economy

(6:22) Russia’s wartime economic strategies

(15:23) Long-term effects on Russian society

(24:55) Future trade relations and economic outlook

[dyimpex]

[satoshi-mochida]

PlayStation India Hero Project titles announced – Meteora: The Race Against Space Time, Fishbowl, Mukti, Requital: Gates of Blood, SURI: The Seventh Note

From Gematsu

Sony Interactive Entertainment has announced the first five titles as part of its India Hero Project, a new initiative that aims to “unearth and empower India’s brightest game development talents to share their unique visions with gamers globally.”

Get the details on each game below.

Meteora: The Race Against Space Time

Platforms: PlayStation 5, PlayStation VR2, PC

Developer: Big Boot Games

Official Website: meteorathegame.com

Shoot yourself into the nebula and join a race for survival. In this arcade combat racer, you’re not just a meteor but a force of nature. Cascade your way through a volatile universe of awe and wonder as you outmaneuver, pursue, and obliterate rival meteors in a dazzling display of strategy and skill. Harness the power of the cosmos, level up your abilities, and climb the leaderboard in an experience that’s as thrilling as it is unforgiving.

Fishbowl

Platforms: PlayStation 5, PC

Developer: imissmyfriends.studio

Official Website: imissmyfriends.studio

Fishbowl is a slice-of-life story that takes players on a journey of nostalgia and melancholy, exploring themes of grief, connection, and self-discovery, set in the cultural landscape of urban India. The world is filled with crafted pixel art and an original Lofi soundtrack that forms the backdrop of our game. Fishbowl weaves together a multigenerational narrative, following the aspirations of Alo as she embarks on her first job in a new city, although working from home. Your decisions throughout the game will shape Alo’s journey, leading to moments of reliving the past and coming to terms with the present through a month of challenges and discoveries with Alo. Prepare for Fishbowl’s robust storytelling and immersive gameplay.

Mukti

Platforms: PlayStation 5, PC

Developer: underDOGS

Official Website: muktithegame.com

Mukti is a first-person story exploration game set within the immersive environment of an Indian museum, delving deep into a critical social issue: human trafficking. In Mukti, players embark on a journey of discovery as they navigate the labyrinthine corridors of the museum, uncovering the harrowing truths and hidden narratives behind the scourge of human trafficking. Through rich storytelling and immersive gameplay mechanics, Mukti invites players to confront the realities that victims and survivors face, shedding light on this pressing global issue. Drawing inspiration from authentic narratives and meticulously researched historical contexts, Mukti aims to raise awareness, provoke thought, and inspire action. Each interaction within the game is designed to provoke empathy, spark dialogue, and ignite change. Mukti offers an impactful gaming experience that enlightens and empowers.

Requital: Gates of Blood

Platforms: PlayStation 5, PC

Developer: Holy Cow Productions

Official Website: requitalthegame.com

Requital: Gates of Blood is a 2D side-scrolling action platformer inspired by Egyptian mythology set in the mystical underworld of Duat. Players assume the role of Zahrah, traversing the afterlife to defeat the mighty guardians of the Gates of Duat. Through a series of intense boss-rush-like encounters, players confront powerful gods, demons, and beasts. Embark on your journey of retribution from the celestial Nile, delving into the dark and twisted realms of the Duat. Engage in the immersive interactions with entirely hand-drawn characters and environments as you unravel the lore that permeates this enigmatic underworld. Traverse the Gates of Duat and forge a path through the afterlife.

SURI: The Seventh Note

Platforms: PlayStation 5, PC

Developer: Tathvamasi

Official Website: surithegame.com

SURI: The Seventh Note is a 2D action exploration game set in the enchanting backdrop of mythical India. A world brimming with captivating Indian mythology-inspired narratives, vibrant characters, and mythical locales, from the floating temples in the Himalayas, the lost forts of Rajasthan, ancient jungles nestled in the Western Ghats, and many more. Platforming meets a unique musical dimension as the game’s world synchronizes seamlessly with an enigmatic beat. Uncover the connection between rhythm and the mystical realm of Ragamandala as you traverse its landscapes and unravel its secrets. This journey promises to transport players to a realm where every step is accompanied by the pulsating heartbeat of the game’s universe. Get ready to embark on this extraordinary adventure.

[jessicalprice]

you got your known Minoans and your unknown Minoans (part one)

(reposted, with edits, from Twitter)

Image: The famous “Ladies in Blue” Minoan fresco.

I’ve been thinking a lot about the Minoans. Everyone loves the Minoans, right?

(If you love the Minoans, you are not going to love this series of posts.)

Part One: The Case of the Very Victorian Goddess

Let’s start with a description of the pop culture perception of the Minoans: a peaceful ancient Greek culture with sophisticated, surprisingly modernist art, and extremely sophisticated technology like running water, who were lovers of beauty and peace.

So, I read Mysteries of the Snake Goddess: Art, Desire, and the Forging of History by Kenneth Lapatin. The author focuses on the (now, I believe, pretty thoroughly debunked) Boston Goddess, a supposedly Minoan ivory figurine of a snake-handling woman. She was an absolute SENSATION when she was first displayed.

Image: The Boston Goddess

Sir Arthur Evans, the most famous archaeologist of the Minoan civilization, dubbed her the "Minoan ambassadress to the New World." She made a 1967 issue of Mademoiselle's list of "art sensations" alongside Rembrandt, Picasso, and Rodin. The Museum's monthly bulletin for Dec 1914 proclaimed her an icon of a "wonderful prehistoric civilization which, after having lain submerged, like the lost Atlantis, for three thousand years, has been brought to light again..." 

A comparison to Atlantis here is telling.

Victorian "race science" and Victorian occultism were inextricably linked, the latter demonstrating a passion for interpreting the myths of non-European cultures to reflect the ideas of the former. (Its descendants live on as Ancient Aliens theories, etc.) As archaeology became more popular and contact with ancient, sophisticated, and enduring civilizations such as those in India and China increased, white Europeans (especially the Brits) and Americans started to get uncomfortable.

So they started coming up with theories that hey, those people in the East who built all that amazing stuff, who were the "cradle of civilization," who invented the alphabet? They must have been taught by an even OLDER white civilization, now lost.

Image: The Palace of Atlantis by Lloyd K. Townsend, late 19th century, everyone is very Nordic-looking.

Hence the passion for stories about Atlantis and other lost continents. It just couldn't be true that those non-Europeans were building bigger, more sophisticated civilizations long before most (northern) European civilizations built recognizable cities at all.

That longing for proof of ancient European cultural superiority was in the air when excavations of Minoan sites began.

We must have The Oldest Masters

Now, back to the Boston Goddess. Lacey Caskey, writing for the museum, noted that the statuette's distinctive posture "seems not to have been an artistic convention, but a feature of the actual appearance of this aristocratic race."

This aristocratic race. Oof. 

Lapatin observes, in the book, that "Minoan civilization was all the rage, for it seemed to provide Europeans with not only the roots of the ‘Golden Age of Greece,’ long considered the foundation of Western culture, but also a sophisticated early society in its own right, a rival to the 'Oriental' cultures of ancient Egypt and Mesopotamia--known as the cradle of civilization..." 

Victorian occultists, of course, tended to claim that their practices were derived from ancient Egyptian or Chaldean rituals. And again, even as they attempted to partake of the antiquity and sophistication of those cultures, they were also trying to prove that white people, or at least divine beings (rather than non-Europeans), built them. (It's always been a bit ironic to me that the Victorians clung to the idea of the superiority of Greece and Rome as the foundation for their ideas of the superiority of white people, while considering contemporary Greeks and Italians not fully white, but I digress.)

And lest you think that I'm hammering too hard on this point, some of the most prominent descriptions of Evans' finds praised the Minoan frescoes as "the Oldest Masters," and his work as proving the culture "bid fair rival to those of the Orient, and to give European Civilization an undreamed of antiquity." 

It's hard to overstate the degree to which the archaeological motivation here was European insecurity.

High-Bred Beauty (and I Am Not, Alas, Describing a Horse)

And why was the Boston Goddess herself such a sensation? Her "exquisite characterization of fragile beauty," her "delicate, high-bred beauty." She is "demure," and "full of resolute charm." Professor Ernest Gardner, at Yale, described her head as "recall[ing] rather the sculptures of Gothic cathedrals of the thirteenth centuries."

Or, to be more explicit and just say the quiet part out loud, her face has also been described as "Anglo-Saxon," "European-looking," "Victorian," "Edwardian," and "Parisienne."

To understand what they’re talking about, let’s do a little compare and contrast. Here are some examples of faces from figurines that, to the best of our knowledge, are actually from Crete c. 1500-1200 BCE.

And here’s a close-up of the Boston Goddess’s face:

And here’s the face of a now-probably-debunked “Minoan” goddess at the Royal Ontario Museum (read more about her here):

To cut to the chase, eventually they did radiocarbon testing on the Boston Goddess, and the ivory was found to date from between 1420 and 1635 CE. (Not BCE. CE. As in the Renaissance.) A similar figurine, the Seattle Boy God, is made from ivory that's about 500 years old. That in itself is pretty fascinating! They were using old ivory for the forgeries.

What do these proven and suspected fakes have in common? Well, among other things, their very Victorian facial features: inset eyes, small pouty mouths, delicate noses.

Spoiler for where I’m going with this: There are reasons why the Minoans were such an archeological craze, and those reasons are highly political. Because of the ways in which a very specific agenda shaped it, fakes that showed people what they wanted to see were accepted as real (and in some cases, are still sort of accepted as real), and we can't trust a lot of what we supposedly "know."

In Part 2: Bagging On Sir Arthur Evans Forever.

[aceforge12-blog]

Steel Cold Forged Parts India

Do you need Steel Cold Forged Parts India ? We Offer a Wide Range of Automotive Parts manufacturers Carried out by our  Accredited Engineers. Enquire Now .

Ace Forge Pvt Ltd (AFPL) is a Bangalore based forging company started in the year 1997.AFPL is a specialist cold forging company serving customers across various industries. Plant location has land area of 44000 Sq feet and built up area of 15000 Sq feet.

Visit :  https://www.aceforge.in/steel-cold-forged-parts-india.php

[gaypiratepropaganda]

gay pirate glossary

articles- ship's articles. the papers you sign to join a crew. different ships have different rules. pirates got to make up their own.

bosun- boatswain. in charge of things that happen on deck. pretty sure there's supposed to be an apostrophe in there somewhere (bo'sun? bo's'n?)

bosun's chair- the swing thing for working on the side of the ship or bringing breakfast up to your co-captain.

bow- front of the ship.

bridge- the higher deck on top of the cabin? where you steer the ship from. only certain people are supposed to go up there, usually.

brig- the jail place below deck where you keep people who are annoying you.

captain- you know this one for sure, but pirate captains were a bit different than other captains. since they weren’t backed by any kind of government and could be mutinied or voted out at any time, they had to earn their crew’s respect. they needed the crew to see them as an equal, but still an authority on certain things. sometimes there was no captain, or they took turns.

doldrums- when the wind isn’t blowing for a while and everyone kind of loses their minds

flogging- punishment used on sailors in which a person is tied up and whipped a certain amount of times, depending on their transgression (30 lashes, 40 lashes, etc). It could get pretty bad, people died from it. allegedly you could volunteer to whip your friends so that it wouldn’t hurt as bad. people say this is where the phrase "I’ll scratch your back, you scratch mine" comes from, but that doesn't seem true

galley- the kitchen on a boat. sometimes doubles as the infirmary.

grog- daily rations of rum, mashed fruit, sketchy water, and sugar mixed into a delicious punch.

gun- the thing that shoots cannonballs.

hardtack- hard sad little crackerbreads that keep well but are very bland. sometimes there were bonus bugs in (extra protein!)

head- the toilet. it’s basically a board with a hole in it at the front of the ship. it goes straight into the ocean.

keelhauling- tying someone to the end of a rope and dropping them off the front of a ship so that they’re dragged under it and they drown or their skin gets ripped up by barnacles. fun.

(note: pirates didn’t usually use torture methods like keelhauling or flogging, especially not on their own crewmates. that was the navy and the merchant ships. a lot of people started out on those, mutinied because of the harsh conditions, stole the ship they were on, and became pirates. if a pirate captain tried that shit, they would not be captain for very long.)

kohl- black eyeliner made by the indigenous people of africa, india, and the middle east. i think it was invented in egypt? if pirates wore it, then tragically no one wrote about it. but it’s part of the lore at this point and it’s pretty. just accept it.

letter of marque- papers that prove someone is a privateer.

matelot- pirate husband. there was a matelotage ceremony, papers to sign, and a party afterward. a mate served as, like, next of kin. they made decisions if the other couldn’t, shared quarters and possessions, all that. some people insist it was only a financial arrangement, and maybe sometimes it was. but so were straight marriages, especially at the time.

port- left when you’re facing front (like stage left)

press-ganged/shanghaied- being drugged, stolen, and sold to work on a ship involuntarily. the recruiters just had to forge your signature and then you were stuck. some people became pirates to escape. it’s press-ganging when the navy does it, shanghaiing for the merchants.

privateer- like a pirate, but authorized by the state. they were allowed to kill and steal but only enemies of the crown and they had to give everything to the king. it was a good way to get a pardon and avoid being hanged. privateers often went right back to being pirates at the first opportunity.

quartermaster- first mate, also elected by the crew.

raid- when you go on another ship and take their things. pirates weren’t really out there stealing fabulous treasure or anything. It was more basic necessities like food, water, medical supplies, clothes, dishes, money, sugar, spices, and anything of value they could find to sell. they tried to be as scary as possible so that people would surrender and they wouldn’t have to kill anyone unnecessarily. if you could get them to join your crew, even better.

rigging- all the ropes. you can climb around on them.

round robin- when you sign your names in a circle so that no one gets singled out for signing first. used in the navy.

salty- of or related to the sea, experienced as a sailor

sextant- that thing you use to measure the stars so you know where you are at sea. i think you can also use your hand somehow? i don't understand it.

shanties- those songs sailors sing. you know the ones. they were work songs, to get everybody in the same rhythm, but they were also for entertainment. there’s a lot of downtime on a sailing ship. my favorite thing is that when singing a song from the perspective of, for example, a woman waiting for her bonny lad to come back from the sea, they would sing in their man voices without changing the words.

shares- an equal cut of the loot. some people might get a share or half share more or less than other crewmembers. sometimes the captain was the one who got less? this was decided by vote. it’s like a non-profit stealing co-op.

starboard- right when you’re facing front (like stage right)

stern- back of the ship.

watch- everyone took shifts staying up to watch for other ships and make sure they stayed on course.

yardarm- the horizontal thing that the sails are on. yardies!

some basic pirate terms for you in case you need them. I did not do any research, this is 100% organic vibes-based pirate lore in honor of our boy david. i have read a lot about pirates over the years, though. fiction, nonfiction, and primary sources. these are just the fun bits that live in my brain <3