#forgedinthedark

[rollwithitap]

The Skylarks bring the circus to town - including a private show for a pair of noble kids since one is under bedrest… and has a direct connection to the crown prince.

Episode 34 of our Court of Blades series is out now!

Listen wherever you get your podcasts!

[dungeonofthedragon]

Reblogging for this very important elaboration! I like D&D, but I focus on promoting other games (I run @forgedinthedark as well as this blog) because I want to see the vibrant ttrpg community of my dreams- where people discuss, play and share a wide variety of games!

Currently I am playing ongoing games of Avatar Legends, Blades in the Dark, D&D 5E, and Fate (a Ngen Mapu 2-parter.) Next week I am running my first Cortex session. I have also recently played Mothership, several 24XX games (many of which are free), and Star Wars FFG. I have taken lessons from Blades into how I run D&D, and lessons from Avatar into how I create 24XX games. Playing a variety of games helps players and creators in so many ways!

I swear if I see another "go play something else" person on my dash I will get violent because y'all are so fucking annoying, how about you get a life and stop telling people what to play, you high horse riding jobless elitists?

am I going to buy any WoTC resource? no, they can go fuck themselves. but you know there is an option of... not paying for shit? like not a single dime?

so stop hiding your annoying elitism behind being "anti-capitalist" and "anti-corporation". there are people literally sharing free resources on this hellsite. I run an entire game with none of my players owning a single official thing from WoTC, neither do I.

shut up <3

[triptychgames]

The Big Four

I thought I'd kick of this inaugural blog post by talking about a design philosophy that I discovered (Adam Koebel is where first I learned about it) and am currently using to help shape what Fortunes & Frontiers will become.

The theory behind The Big Three Questions is something that was developed as a method for examining what the core elements of your game are while acting as a guide for keeping your designs inline with those elements throughout development. From what I have read, the concept was first talked about by Jared Sorenson and Luke Crane during design seminars they held at conventions. John Wick also appended an additional question to the mix that we will look at later. Asking yourself these questions can help you to look beyond any setting or mechanical noise to discover what your game is really about.

Today I am going to attempt to answer these questions about the game I am working on with hope that it can illustrate what I am trying to accomplish with the game and maybe even act as a tool to help you with your own designs. I will try to answer each of these questions as concisely as I can and then follow that up with a brief overview of what the question means and a few examples. The way I am presenting this is merely my interpretation of the idea and you can obviously retool this for your own needs.

Question 1 - What is your game about?

It is about feeling hopeless and desperate in a world that wants to break you and having enough courage and determination to do something about it.

Take note that nothing in that statement gives any indication of what setting the game takes place in or any of the mechanics or systems of the game. It merely sets up the notion that you are portraying a character who is fed up with the way things are and is ready to do whatever needs to be done to change it. Many people would initially think that a game is about its setting but what we are really seeking to understand is the idea or concept behind the game.

So, if we were having a discussion about Dungeons & Dragons and I were to ask you, "What is that game about?", you would probably scoff at me and explain that D&D is a game about brave adventurers in a fantasy world full of dragons and magic. Now, if we were talking about the setting, then you would be correct, but the question isn't asking about the setting or the characters...it asks what it is about. If you were to really pick it apart, D&D is about killing monsters, stealing their treasure, and becoming more powerful so that you can proceed to kill even bigger monsters and loot even more treasure.

Here are some more examples:

The Burning Wheel — It is about dynamic characters who are driven by their beliefs, instincts, and traits.

Blades in the Dark — It is about a group of scoundrels trying to build a criminal enterprise.

Question 2 - How does the game accomplish this?

The characters constantly face new threats and must push themselves to their limits and be willing to pay whatever cost necessary to overcome them.

We aren't necessarily looking for mechanics at this point. We are simply trying to understand how the game will allow the players to feel as if the answer to the first question is legit. Let's try to break this down even further—if the world that the characters are living in wants to break them, how do we simulate that? By always providing new or persistent threats and obstacles for them to overcome. They are always being tested and this can lead to feelings of hopelessness and desperation and forces them to push their limits and pay whatever cost needed to succeed.

Falling back on our Dungeons & Dragons example, you might say that the game accomplishes its core concept because the characters are given weapons and abilities that allow them to kill monsters and take their loot.

Once again, the two examples from the previous question:

The Burning Wheel — The Game Master is encouraged to create problems and challenges that test the beliefs and instincts of the characters which then fosters significant changes in their motivations.

Blades in the Dark — Players seek out opportunities that force them to take risks and put their characters into danger. Everything the characters do has consequences and shifts the balance of power in the city.

Question 3 - How does the game encourage or reward this behavior?

Players are rewarded for making desperate choices, overcoming obstacles with their specific abilities, acting on their beliefs, desires, or heritage, or when stress or trauma causes them to struggle.

The players are encouraged to push their characters to their limits to achieve their goals. These characters are desperate and should be willing to do whatever it takes to survive. They are hopeless and using their abilities to overcome struggles should be a beacon of hope—an indication that they can make a difference. Sometimes the choices characters make in desperation bring about more stress or harm. Players should be rewarded for their willingness to take action knowing there will likely be consequences.

This question seeks to understand why the players should care about the first two questions. Why should I care about my character feeling hopeless and desperate? Because you are rewarded for taking desperate action despite feeling like there is no hope.

Looking back to our Dungeons & Dragons example, we see that the players care about killing monsters and looting treasure because they are rewarded with better gear and more powerful abilities for doing so. If killing monsters didn't make the characters more powerful then why bother fighting them at all? This was especially true in old school D&D. Players earned way more XP for the treasure they looted than they did for killing things. This reward structure encouraged players to try and avoid fighting monsters because it was more profitable to avoid them and focus on looting.

The answers to the third question for our two examples:

The Burning Wheel — Players are rewarded for acting in accordance with or in opposition to their beliefs, instincts, and traits.

Blades in the Dark — Players are rewarded for making desperate choices, overcoming obstacles with their specific abilities, expressing their core values, or when vices or trauma causes them to struggle.

Notice how similar the answer for my game reflects the answers from these two examples?

Question Four - How can I make this fun for the players?

Even though the game is difficult by design, the players should always feel like they are in control of their character's destiny. In order to achieve this, players ALWAYS get to decide AND describe how they succeed AND how they fail and they should ALWAYS have the opportunity to resist the consequences of a failed roll.

Fortunes & Frontiers is a Forged in the Dark game. As such, it employs fictional positioning and the effect of an action is determined by how well you rolled against the determined position. If you fail or succeed with consequences, the GM will offer a number of different options based on the results of the action roll. You get to decide which option happens and you also have the opportunity to describe what happens to your character as a result. The Game Master never gets to force actions and consequences on the players' characters. Their job is to help with the narrative and provide opportunities for the characters to propel the story forward.

The inspiration for this occurred while watching John Wick talk about his game, Houses of the Blooded, in which he detailed how much he wanted to avoid what he called 'the whiff factor'. I don't recall the exact details of how he mechanized this concept, but it essentially boils down to giving players control over what happens to their character even when they fail. You set your character up for this big, pivotal moment and then the dice cause the whole experience to come crashing down because the roll failed. Using the above idea we can mitigate that feeling by allowing the player to decide and describe what happens even if their character failed in their actions.

In summary, Fortunes & Frontiers is a game about feeling hopeless and desperate in a world that wants to break you and having enough courage and determination to do something about it. The characters constantly face new threats and must push themselves to their limits and be willing to pay whatever cost necessary to overcome them. Players are rewarded for making desperate choices, overcoming obstacles with their specific abilities, acting on their beliefs, desires, or heritage, or when stress or trauma causes them to struggle. Even though the game is difficult by design, the players should always feel like they are in control of their character's destiny and they always get to decide and describe how they succeed and how they fail and always have the opportunity to resist the consequences of any roll.

I hope this was informative and gives you an idea of what the design goals are for this game. Please feel free to hit me up on Twitter if you have any questions or ideas that you'd like to share!

[the-unburned-witch]

Map commissioned for DC’s Mutants in the Night.

“Mutants in the Night is a Forged in the Dark game about experiencing cultural and political marginalization through the lens of mutated human beings. You play a band of EMPs, empowered mutants, with a range of supernatural abilities. Your goal? To bring your city peace and freedom from poverty, oppression, and strife. As much as one can when the world stands against you. “

Purchase Mutants in the Night 2.0 here: https://dungeoncommandr.itch.io/mutants-in-the-night

Patreon.com/theunburnedwitch Twitter: unburnedwitch Instagram: the_unburned_witch

[davidbru]

Folks! It is happening! Tonight, at 8PM ET, we're running our Season Finale session live on @manapotstudios Join me & the cast on Twitch as we bring this arc of our Gotham City Blades in the Dark game to a thrilling(?) conclusion . . . #ttrpg #tabletop #actualplay #roleplaying #rpg #bladesinthedark #forgedinthedark #batman #gotham #arkhamasylum #fanfiction #streaming #twitch (at Gotham City) https://www.instagram.com/p/Ckq3yYBuvHu/?igshid=NGJjMDIxMWI=

[dailytabletop]

HACK THE PLANET CYBERPUNK FORGED IN THE DARK THIS IS NOT A DRILL! Ugghhh. Gonna wait for the print version of this one, but danggg...

[rollenspiel-freiburg-blog]

#ScumAndVillainy a #ForgedInTheDark (aka based on #BladesInTheDark from @john_harper) game from @EvilHatOfficial - it's like it's #BitD but in #space. Imagine #firefly meets #StarWars like in #EdgeOfTheEmpire from @FFGames https://t.co/RJ5aAohFhY

[gdrunplugged]

Parliamo di QUIETUS di Oli Jeffery Dopo averlo provato parliamo di un gioco di ruolo forged in the dark di malinconico orrore. Sono le 3 di notte, c'è qualcuno in casa e sta cercando di ucciderti. Puoi trovare il gioco qua: http://quietus.co.uk Se ti piace quello che facciamo sostienici con RESHARE, LIKE e se vuoi anche PATREON! Basta 1 euro al mese e un click a questo link: patreon.com/GDRunplugged Se ti piace giocare di ruolo e vuoi fare parte della crew vieni nella nostra chat Telegram: T.me/GDRunpluggedTelegram #gdrunplugged #giochidiruolo #LETSPLAY #GDR #bladesinthedark #forgedinthedark #horror

[rollwithitap]

Step by step the Skylarks work on their first errand, but a ball offers so many distractions. Paramours and rivals, dancing and duels. Will our heroes allow themselves to become distracted by passion? Episode 7 is out on all your favorite podcatchers! #ttrpg #actualplay #courtofblades #ttrpgs #actualplaypodcast #forgedinthedark #ttrpgpodcast #actualplayrpg #fitd #ttrpgcreators #actualplaypodcasts https://www.instagram.com/p/CnpXukguYSP/?igshid=NGJjMDIxMWI=

[gdrunplugged]

Giochiamo a QUIETUS di Oli Jeffery Un gioco di ruolo forged in the dark di malinconico orrore. Sono le 3 di notte, c'è qualcuno in casa e sta cercando di ucciderti. Puoi trovare il gioco qua: http://quietus.co.uk Se ti piace quello che facciamo sostienici con RESHARE, LIKE e se vuoi anche PATREON! Basta 1 euro al mese e un click a questo link: patreon.com/GDRunplugged Se ti piace giocare di ruolo e vuoi fare parte della crew vieni nella nostra chat Telegram: T.me/GDRunpluggedTelegram #gdrunplugged #giochidiruolo #LETSPLAY #GDR #bladesinthedark #forgedinthedark #horror