#triptych
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uwhe-arts · 3 months ago
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. . . | uwhe-arts
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nyaa · 2 months ago
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richs-pics · 10 months ago
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Hunting kestrel triptych
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sennamaticart · 2 years ago
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Heavenly Bodies Triptych ⭐☀🌙
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hey-its-faye · 1 year ago
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Finished this just in time for pearlina concert love wins
Copyrights to frame and images used to photobash are not owned by me!
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attackedastoria · 6 months ago
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The Patron Saint of Liars and Fakes 💧
(Wood, watercolor, vid under cut / sh○ppe)
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eldrikdgt · 23 days ago
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Drew triptych of our late guinea pig as nobles.
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fireflower-alt · 1 year ago
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Hand, Face, Body
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Edit: Hey I put this on the wrong acct, if you like it follow @fireflower-dusk :0 A triptych I created for a Secret Santa in a One Piece server I'm in! Good old Crocodile and angst surrounding his scars. I don't know why the bottom one is blurry .-.
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swollenbabyfat · 3 months ago
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Triptych comm 🌲
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narumi-gens · 13 days ago
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Triptych | "Fate put us on the same path."
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Chisaki Kai x f!Reader
summary: Your life is nothing more than a triptych, a work of art in three parts with each panel depicting a distinct period — a beginning, a middle, an end. And in the triptych that is your life, the central figure has always been Chisaki Kai.
chapter warnings: 18+ minors/ageless/blank blogs dni, yandere, possessive behavior, emotional manipulation, complicated family dynamics, codependency, daddy issues, abandonment issues, reader says "faults" but should really be saying "red flags" lol
notes: this is from a non-chronological series so the parts can be read (mostly) on their own or in any order. someone left the nicest comment on this fic on ao3 and I felt like I needed to update this fic, so this is your regular psa on the importance of leaving comments!
words: 2.2k
SERIES MASTERLIST
minors, blank, and ageless blogs do not like, comment, or reblog
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The Middle
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You’re having trouble breathing. You’re having literal trouble breathing. 
The shiromuku is so heavy and tied so tightly that it feels like each breath you take requires a monumental effort. There’s an ache forming in your shoulders from the pure weight of it all. You’ve spent so much of your life in kimono that you can put one on blindfolded. But this? This wedding kimono is another beast entirely. 
“It’s a bit tight,” you wince, causing the two women currently in the process of tying the obi around your middle in an extravagant knot to softly titter. 
“I know. It’s all a bit cumbersome,” the older woman in front of you commiserates before smiling at you so kindly that it alleviates your discomfort for a brief moment. “But it’s worth it. You look beautiful, just as every bride should. Your husband is a lucky man.”
You let out a noncommittal hum, which is cut short by a soft grunt when the woman behind you gives your obi a particularly harsh yank. 
“How did the two of you meet?” she asks, trying to distract you from how uncomfortable you feel as they continue to tie you up in beautiful silk. 
“We grew up together,” you reply, deciding the simplest answer is the easiest. 
“Ah, so fate put you both on the same path,” she observes with a soft smile and her words have you suddenly feeling breathless for a reason entirely unrelated to the thick layers of fabric wrapped around you.
“I guess so,” you murmur, but before you can lose yourself in your thoughts, you wince when your obi is given one final tug.
“There we go,” the older attendant behind you declares proudly as she adjusts the obi knot. As difficult as it physically is to do so, you sigh with relief knowing that the fussing is almost over. It’s been over an hour by this point. “All that’s left is the uchikake.”
One of the women lifts up the final and thickest layer that will be worn over your kimono. You reach out to gently trace the beautiful designs embroidered on the white silk. As your finger follows the outline of a crane’s beak, you can’t help the frown that forms on your lips.
“Can we take a break?” you ask and there’s a pause at your unexpected request. 
“O-of course,” the attendant in front of you says as she carefully places the uchikake back in its box before she and the other woman leave the room. 
When you hear the door close behind you, your posture droops as much as it can in such a restrictive kimono. Instinctively, you tug at the collar to try and loosen it slightly at the neck only to immediately worry that you’ve ruined the women’s hard work. 
You turn towards the room’s floor-length mirror and feel a rush of relief when you see that the collar appears untouched. Your eyes then drift to take in your full reflection for the first time and your lips part slightly in surprise.
So much of your life has been dictated by tradition — from the way you were raised to the clothing you had been made to wear to the marriage that your father tried to arrange for you — that the last thing you wanted was a traditional Shinto wedding ceremony. However, as you see how beautiful the shiromuku is, and how elegant you look in it, you’re in awe. 
But the longer you look at yourself, the more reality begins to set back in until the small frown on your face is reflected at you in the mirror. Without the distraction of the two women dressing you in such an elaborate garment, all you’re left with is the image of someone you don’t recognize — or rather the image of a future that you never envisioned for yourself. 
Eventually, the reflection becomes too much and you turn away from it to look out the window into the shrine’s gardens. When you see how dreary the weather is as it continues to rain like it’s been doing all morning, you sigh and rest your forehead against the glass. Your fingertip follows the path of a raindrop as it runs down the window’s surface and you absently wonder if the weather is a poor omen for your marriage. 
Not that an omen would matter now, considering you and Kai have already filed your paperwork and have been legally married for weeks. This ceremony is just that — ceremonial. So you’re not what it is that has you feeling so out of sorts.
Maybe it’s the chaos of the last months. Your mind has been a mess as you’ve tried to navigate your grief for your father, your guilt over not having returned home sooner, your indecisiveness about what you were going to do next, and your conflicting feelings toward marrying Kai.
You hear the door open behind you and brace yourself for the gentle scolding that you’re about to receive from one of the attendants for wrinkling your kimono with your slouched posture. You drop your hand to your side with a soft sigh.
“Can I have just another minute or two?” you ask, not quite ready to bear the weight of the thick uchikake that they’ve come to drape you in. 
But when you look over your shoulder, it’s not the attendants who have entered — it’s Kai. 
Your eyes widen at the sight of him in his montsuki haori hakama. While you of course knew what a groom wore during a Shinto ceremony, seeing Kai in the outfit stuns you. With the black haori, matching kimono, and striped hakama, he looks every bit the part of the Hassaikai’s wakagashira. 
He’s always looked good in the suits he wears, but there’s something about seeing him dressed so traditionally that makes your cheeks feel warm. When your gaze finally returns to his face, you’re relieved that he’s chosen to wear a simple black face mask like you’re accustomed to seeing him in rather than the beak-like one that you detest.
As your eyes meet his, you give him a weak smile and turn back to the window. His steps are soft against the tatami as he moves to join you.
“It’s raining,” you needlessly point out with a small frown. 
“Rain washes things clean,” he replies and somehow, the simple statement manages to put you slightly at ease. Silence settles over you both and the longer that it stretches on, the louder you hear the attendant’s words echoing in your head.
“One of the women said something when she was dressing me,” you eventually blurt out. When you hesitate, he gives you a hum to continue. “She said fate put us on the same path.”
Even without looking at him, you can tell that the sentiment pleases him. 
“She’s right. This is where you belong.” It’s such an expected response that you would feel annoyed if your mind wasn’t already so preoccupied.
“With the Hassaikai?” you gently scoff.
“With me,” he’s quick to answer, his firm tone giving you pause. 
You glance at him to find that his attention is already focused on you rather than the view of the garden. The weight of his gaze feels almost as heavy as your shiromuku and when you can no longer meet it, you look back out the window.
“How…” you begin before trailing off. You hesitantly bite your lip as you consider your words. “How do you think Dad will react when he finds out we’re married?”
You try not to linger on how your question is predicated on the optimistic assumption that your father will wake from his coma. When Kai doesn’t immediately answer you, you sigh.
“He’ll probably be happy,” you say dryly. “All that work he did to force me into marrying a yakuza and he got what he wanted in the end.”
An unexpected wave of exhaustion overwhelms you, and you bring a tired hand to your forehead. You’re certain that right now, you’re the antithesis of a blushing bride. 
“I told the old man I would marry you.”
Your hand drops at the sudden admission and when you turn to him with wide eyes, you find that he’s now looking out the window. 
“When he tried to marry you off, marry you away, I told him that you should marry me.” His frown is hidden beneath his mask, but you can see the tension lining his eyes. “But he said no.”
The questions come to you in a flurry. Why did your father turn him down? Why didn’t Kai tell you? How long has he been planning this? Has he been waiting years to marry you? How different would your life be if you had married him? Does any of it really matter now that you are married?
But with all of the questions that your mind is racing with, there’s one that comes to the surface. Is he in love with you? 
You feel stupid for thinking it. It’s a dumb thing for a wife to wonder about her husband, even if the labels are still new. But mostly, the idea of love is something that you’ve never considered of Kai. 
You’re not so naive as to think that his intentions toward you have only ever been chaste or innocent. In fact, innocent is a word you would never use to describe him. He’s spent enough nights in your bed over the years for you to know that he’s attracted to you on at least a physical level. 
Likewise, you’re not blind to his faults. He’s a dangerous man who does violent work. He’s obstinate to a frustrating degree. And his nature has always been possessive — of the Shie Hassakai’s power and reputation, of the territory that he perceives as rightfully theirs, and of you. 
Maybe for him, that is love.
And he’s always watched over you. He’s protected you. He never abandoned you. He kept you from harm. That’s more important than something as ephemeral as love could ever be. 
“What were you going to do? If I ended up married to some other yakuza?” you finally ask. When Kai turns to face you, you’re unsurprised by the dark look in his eyes.
“I would have killed him.” His response is a threat, but there’s no heat or anger in his tone. He tells you his plan to free you from a forced marriage with the same sort of indifference he would if he were telling you the sky is blue. 
You should probably be horrified that he’s talking so easily about murdering someone. But the tears that you can feel beginning to form aren’t from fear. You take a step toward him and close the gap between you before dropping your forehead to his chest. A gloved hand immediately comes up to rest on the back of your neck and keep you close.
“Always looking out for me, huh?” you murmur with a wet laugh, a faint smile tugging at your lips. He gives your neck a reassuring squeeze. 
Ever since you first brought Kai to your father all those years ago, he’d treated him like the son he never had. You had seen him look past Kai’s flaws as easily as you always have. But if his adopted son had openly gone against him to kill the man he intended for you to marry, you don’t know what he would have done. 
He was willing to risk it all to keep you safe. If that isn’t love, then you’re not sure what is — you don’t care what it is. To you, it’s everything. 
You clutch the fabric on his haori in a pitiful attempt to tug him closer. Despite your best efforts, you can feel a tear escape and roll down your cheek. You quickly brush it away with another sniffle.
Once you no longer feel like you’re about to shed any further tears, you lift your head, although his hand on your nape doesn’t let you go far. Slowly, your hand releases its grip on him and you run your palm over the material to smooth over any wrinkles you may have caused.
Your gaze settles on the symbol embroidered over his chest — the Shie Hassaikai’s emblem in place of where a family crest would traditionally be. You carefully trace the white thread.
“You know, it suits you,” you tell him with a soft smile. You glance up at him and nod meaningfully to his haori, the one in the style of the Shie Hassaikai’s kumicho. With an affectionate touch, you then straighten the front of his kimono, although it’s a needless gesture. You then give him a gentle push. “Get out of here. I have to finish getting ready.”
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jinxproof · 15 days ago
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Xiao Wen Ju | © Leslie Zhang
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writing-for-life · 6 months ago
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Morpheus—Ingrid Gala
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whatermelown · 10 months ago
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"My favorite spell is a spell to make a field of flowers..." 💐✨
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Plate: Oil pastel Techniques- Triptych: Continuous Narrative
"Lieblingszauber"
Oil Pastel and Color pencil on sandpaper
13in x 20in
4/10/24
one of my favorite plates so far ;w; Chose to do Frieren because what's more of a continuous narrative than a thousand year-old elf mage ;0; <33 inspos with Monet impressionism esp for his way with flowersss
shoutout to @antenenaa for helping me start a bit HAHAHA GO COMMS THEM NOW PEOPLE
my first uno plate tooooo,,,, I'm so happyyy... the first time I really made this plate with fun and the first to get a high grade,,, such a frieren coded ep HAHAHHAHA CHZ
Magic is supposed to be fun and I guess that goes with art too
over all im super happy with how it turned out and might make a print of it soon :33
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killherfreakout · 10 months ago
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SAMIA Triptych - NME Home Sessions
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propalahramota · 10 months ago
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Life Triptych by Fedir Krychevskyi, 1927, on display at the National Arts Museum of Ukraine in Kyiv
photo by NAMU
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andillwriteyouatragedy · 4 days ago
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"perhaps it is my difference that will make me more useful."
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