#forensic medicine

[forensicfield]

[dailycharacteroption]

Class Feature Friday: Forensic Medicine Methodology (Pathfinder Second Edition Investigator Methodology)

(photography by drop-the-dagger on DeviantArt)

It is gristly work, but there is much that a body can tell us about the events that lead to their death if we know what to look for. Such is the basis of forensic medicine, and therefore, the subject we are looking at today.

The exact shape and results of a wound can tell the investigator what sort of weapon was used to make it, as well as anything unusual about it, while the presence of carrion insects can tell a lot about the time of death, and small marks and wounds might tell more about the exact circumstances that led to the deceased entering their current state. Imagine how this is extrapolated in a fantasy universe where a victim might show signs of unusual necrosis from a necromantic wound, or how they might show signs of extreme fright from a phantasmal killer spell, and so on.

While other investigators may be called in to examine the evidence of any sort of crime, today’s subject is almost exclusively expected to be investigating scenes of murder and death. However, their keen eye for detail can be used elsewhere, and their medical knowledge can also benefit the living. Such is the nature of their chosen profession.

In any case, this methodology might not have any fancy tricks like their counterparts, but with a little creativity and love of investigation fiction, it can be a perfect way to add some fun flavor to investigating, giving clues to upcoming foes.

With their training, these investigators have a knack for gaining additional details from examining cadavers. What’s more, they’re trained in medical practices, and able to heal themselves and others much more regularly through completely mundane methods.

That may be fairly basic, but there is one feats out there specifically tied to this methodology: Scalpel’s Point, which lets them use their knowledge of anatomy to strike for their foe’s arteries to cause bleeding.

Of course, other feats might prove useful for them as well, such as Flexible Studies, Known Weaknesses, That’s Odd, Ongoing Investigation, Connect the Dots, Predictive Purchase, Thorough Research, Whodunnit?, Reason Rapidly, Strategic Bypass, Reconstruct the Scene, and Just the Facts, though obviously some may be more useful to you depending on your build.

While not as flashy as other methodologies, being able to gain information specifically from the dead can be quite useful. What’s more, it’s unobtrusive, letting you dictate most of the rest of the build based on your own preference as well!

It’s a long-running trope that coroners and others that examine the dead tend to be… eccentric, to say the least. Often talking to the deceased or behaving in strange but otherwise harmless ways. If that fits what you’re going for with your character, then go for it, but don’t feel forced into it. Also remember that often in real life, forensic science is not always the foolproof method they portray it as in certain shows.

Exceptionally old for even a ghoran, Tender has watched friends grow up and die, while their own cycle of rebirth only briefly has interruptions. This has given them a fascination with the state of a body after death, which they’ve channeled into their investigative pursuits to bring murderers to justice.

A common method of disposing of bodies in the Red City is to feed them to the khefaks, a species of mineral-eating arthropods. However, the half-eaten body discovered in the pits shows signs of radiation poisoning, suggesting they were still alive when the radioactive specimen consumed them. Now the investigation turns to identifying the body and the sadist that doomed them to such a fate.

A recent string of serial murders has the city in an uproar, the only connecting factor being the method. The victims literally have their hearts ripped out by violent force, as if by an impossibly strong hand. Some has suggested a warrior bolstered by some potion of strength, while others think it might be some powerful wizard’s construct. Finding the truth will mean combing each killing for evidence.

[doctorfoxtor]

Hi, what are your thoughts on MD Forensic Medicine? (For someone who loves clinicals and interacting with patients)

Hey! I personally chose general medicine specifically because I wanted patient interaction as well as the ability to practice my clinical skills.

With respect to forensic medicine, I don't believe you will get many chances to do that unless you also open your own private practice general clinic. At my college/hospital, FM department has a lot of work to do on the legal side of matters (consulting for the police, acting as professional witnesses, etc), and often the only direct contact they get with patients is by doing autopsies for foul play cases and other criminal/police cases. Live patient contact is less only compared to other 'completely clinical' specialities. I do not know if this is the case everywhere but I suspect so.

However, if you like the legal aspect of medicine, are fine with doing autopsies and are okay with opening a private clinic where you can have patient contact, then FM is worth considering. However, if you absolutely can't see yourself doing autopsies or interacting with law enforcement, or if you absolutely need to have patient contact throughout your working day, then I would suggest against it.

If anyone else has any advice for anon please do chime in! Maybe those who have done forensic medicine (in or out of India), or anyone who knows someone who's done FM?

[duchessofvastergotland]

29th November 2022 // The Crown Princess and Prince Daniel visited the Forensic Medicine Agency to gain a deeper knowledge of the agency’s work. The agency is an expert authority within the Swedish judiciary and functions as the medical link in the judicial chain. The authority works, among other things, with criminal investigations and forensic psychiatric investigations on behalf of the police, prosecutors, courts and correctional services.

[khushi156]

Forensic Medicine and Toxicology for Homeopathy | Arya Publishing

Explore forensic medicine & toxicology in homeopathy by Anil Aggrawal at Arya Publishing, a top medical book publisher in Delhi.

[diginerve]

Best Resources to Study FMT Online

In Forensic Medicine and Toxicology course, a medico is well informed about their medico-legal responsibility during MBBS. As a result, forensic toxicology is concerned with the medical and legal repercussions of the hazardous effects of substances on people.

The course’s goal is to increase undergraduate students’ ability for observation and legally sound inference. Additionally, the students are taught how to handle and manage medical-legal or criminal cases in an integrated manner.

It offers information about the administration, pertinent medical laws, practices, and requirements.

Forensic Medicine and Toxicology for UnderGraduates must be given equal importance as its significance is well-established during medical practice.

https://www.helpwithstudy.com/best-resources-to-study-fmt-online/

[a-life-in-medicine]

Highlight of the day was getting called by orthopaedics attending in the middle of forensic medicine lesson for him to show the anterior shoulder dislocation case he has just got and how he will reduce it. Was worth to leave the lesson suddenly. Like… Priorities, please 💅🏼

[jtt-033-1613]

every time another character refers to Scully as ‘miss’ and not ‘doctor’ i scream at the tv

[aesthetic--mood]

Maura Isles Aesthetic

[izvmimi]

i’m begging these people to stop putting mrn and name typos in this excel sheet if they’re expecting ME to review these patients for tumor board like who the fuck is the patient????????? how can i look them up?????????

[cathedralofghosts]

A Grim Glimpse into Anatomy

Trigger Warning: The following article discusses graphic content related to extreme gore, which may be disturbing to some readers. Please proceed with caution.

At its core, Herman the Shocker serves as a repository for images and videos that depict real-life injuries, autopsies, and other graphic content. These images, while deeply unsettling, reveal the consequences of trauma, disease, and violence on the human body. For forensic pathologists, coroners, and even medical students, such material can provide a harsh but real-world perspective on the fragility of life and the complexities of human anatomy.

Herman the Shocker, a notorious website known for its collection of graphic and disturbing images, offers a stark, albeit grim, window into human anatomy and the vulnerabilities of the human body. While the site is often associated with shock value and gore, there's a scientific aspect that can be examined, particularly from the perspective of medical and forensic professionals.

It's essential to emphasize that the content on Herman the Shocker is not curated with educational intent in mind. Unlike medical textbooks or professional training materials, the images are often presented without context, making them more suited for those with a specific interest or background in medicine or forensics. Additionally, the ethical implications of viewing and sharing such content must be carefully considered. The website operates in a gray area where the boundary between educational value and exploitation of graphic content can blur.

In the medical field, understanding the impact of trauma is crucial. The site’s content can illustrate the extent of injuries caused by accidents, violent acts, or self-inflicted harm, offering a visual supplement to clinical education. For instance, studying the images from a forensic standpoint allows professionals to learn about the mechanisms of injury���how different forces and tools affect the body differently—and to recognize patterns that can help in determining cause of death or in developing life-saving medical interventions.

While Herman the Shocker is primarily seen as a shock site, it inadvertently highlights the intersection of science, anatomy, and the macabre, offering a dark yet informative view into the human condition. This content should be approached with caution and a strong understanding of its intended use, whether for educational or professional purposes.

For those in the medical or forensic fields, sites like Herman the Shocker may offer a unique, albeit uncomfortable, opportunity to witness the extremes of human anatomy and the realities of life and death. Yet, it is vital to approach such content with respect for the individuals depicted and an awareness of the potential psychological impact of repeated exposure to graphic material.

Morbid Curiosity? Visit the link below.

[forensicfield]

https://forensicfield.blog/what-is-putrefaction/

[nerdgirlnarrates]

I've been on a forensic pathology elective the past few weeks, and I'm coming to the strange realization that sometimes it's easier to meet the patient when they're already dead. Once they're dead, it's over. They can't get hurt again. I found it far more stressful to care for patients who had been shot and survived, where lots of things can still go off the rails for them, than to autopsy patients who had been shot and killed.

[29625]

Forensic artist! Slider x FBI investigator! Mav AU WIP I’ve been hatching for a while.

Inspired by the UID community and its talented volunteers and professionals who contribute to the beautiful, humanizing facial reconstruction of some of the decedents! The case isn’t particularly based on the real event but rather a creation of a mish-mash of many different cases as well as fictional details.

Paring: Slider x Maverick, with forensic sculptor! Ice and FBI investigator! Goose.

Rating: Teen and up for now. Might throw some sexy stuff later.

Warning: graphic description of violence, dead body & suicide (no major character death). Very inaccurate description of how law enforcement works in the US (I’ll fix it later! Sry! Please let me know if there are something you’re familiar with because that’d help a lot!)

In 1991, a case reopens in San Diego, California. The case where a White woman aged between 30-45 was found deceased in a wooded area with a gunshot wound in her head in 1978.

She was not facially recognizable with decomposition and animal activities, as well as the wound inflicted by the impact of close proximity gunshot. A medical examination concluded she had large amount of alcohol and some sleep medicine in her system at the time of her death, possibly making her disoriented, and the purse containing her personal belongings left at the scene had a empty bottle of pills whose label had been scratched off.

She cut all tags off from her clothes which consist of a polka dot summer dress, a pair of white heeled sandals (size 5), blue bra and a white underpants with laces, all found on the decedent’s body except for one of her sandals, possibly due to animal activities as observed in her post-mortem scars on her right leg. She was approximately 5’ to 5’3 inches tall and weighed about 140 lbs. She had fair complexion with chin-length red hair, naturally straight and styled curly, but the advanced state of her decomposition hindered the examiners to determine her eye color.

The location she was found is close to the region where prostitutes and hitchhikers frequent and she is theorized to be particularly familiar with the area, suggesting she had been working in sex trade in San Diego area.

Even though she carried no ID or tax stamps, receipts, or credit cards with her at the time of her death, a possible clue to her identity was found in her purse, which is a piece of paper (approx. 4 inches wide and 1.6 inches long) with the message following:

I love you so much Jannie/Jennie/Jamie (the exact words differ depending on the sources) .

I can’t be there anymore but I’ll always love you & wish you the best.

To people this may concern Im [sic] sorry for every-thing [sic]. xxxx

The message was scribbled with a blue-ink pen, but it lacked her signature and nobody with the name in the letter has come forward after the initial information was released in California region.

It is theorized that the person in the letter is either her friend, family (possibly a sibling or a husband) or her child, who she might have been estranged with at the time of her death.

No foul play is suspected in her case and her death has been concluded as a suicide by gunshot.

“….And we’re renewing her facial approximation, which hasn’t been updated since the initial discovery.” Pete scans the case file containing the composite—a basic photomontage. Her silent face is devoid of any emotions he can tell right away, frozen in time, something he’s so used to seeing. “Right. Well, we gotta contact Tom about this.”

Tom Kazansky from Los Angeles Police Department. He’s a forensic anthropologist who specializes in sculpture. A great contributor of his and Nick’s cases with an ice-cold precision, he’s also been a close friend of them—with his great dedication for his job and his deadbeat sense of humor.

“About that.” Nick interjects. “I don’t think we can, Pete. Or we should, for that matter.”

“Why not?” Pete asks, slightly frustrated but mostly surprised at the statement. “We’re lacking a good reconstruction and he’s the best candidate we’ve ever got.”

“Yeah, yeah, I know.” Nick says with a small shrug. “But he’s on a family leave, remember?”

Oh.

Oh, right. Now he remembers.

“Good for him, yeah?” Nick smiles. “A kid is such a bundle of joy. I still think of the day Brad came home with my sweetest wife whenever I’m feeling low.”

“Shit, Nicky.” Pete groans as he rubs his face with his hand. Maybe two months without a break really does something to his memory. “I can’t believe I forgot that, man. I even sent some gifts for him back in October.”

“Workaholic.”

“Yo, shut up.”

He playfully smacks Nick’s head as they leave. The perk of having a witty partner is he never gets bored at work—with a side effect of never getting a break.

Finding another forensic artist was, to his surprise, a smooth process. Tom has assigned a substitute while he was away, taking care of his wife and his newborn baby girl.

Ron Kerner.

A forensic artist at LAPD, working in Tom’s lab. His portfolio shows a series of drawings of people. He seems to have worked on both the composites of criminals and victims, with him predominantly working on the identification of latter.

Flipping through the thick file, he reaches to the section titled ‘John & Jane Does’. And—damn, how lively and colorful those portraits are.

They are all smiling, some of their grins are wider than others with a more sly-looking expression. There are four comparisons between a then-unidentified person and their living photos, and Ron seems to have captured their unique facial features on point while…humanizing them, however tragic their last moments may have been.

Talented, indeed. Pretty empathetic, he might add. No wonder Tom has assigned his role to him.

“Bradshaw!”

A voice echoes in the hall as they finish talking to the receptionist. Nick turns around and waves back with a big grin on his face.

The man stands in front of them. He’s muscular, slightly shorter than Nick yet still way taller than Pete himself. Towering, but his relaxed stance makes him seem friendly, combined with the toothy grin on his angular face. His curly brown hair complements his tanned skin. Judging from the way he presents himself, Pete assumes he’s not a visitor here.

“Hey bud!” Nick says and shakes hands with the man. “Still dwelling in the lab, huh?”

“Oh you shut your pretty mouth, dickhead.” He chuckles almost affectionately.

“Pete, this is Ron. Ron Kerner from LAPD. Ron, this is Pete. Pete Mitchell.”

Ron Kerner.

The man looks at Pete and reaches out his hand, which he’s quick to shake.

“I really liked your portfolio.”

Pete mutters almost instinctively as he shakes his hand, realizing how awkward he sounds a moment later. Ron looks at him with slightly widened eyes, curiosity flickering in his beautiful hazel irises.

“Uh, I mean…I’m Pete Mitchell. Call me Pete.”

“Thanks.” Ron says with a smile with a tinge of shyness on the corners of his droopy eyes, although well-concealed by his bold voice. “It’s a pleasure to meet you, Pete. Tommy always talks about you guys.”

“Yeah.” Pete answers as their hands part, leaving a pleasant warmth on his cold skin. “Pleasure to meet you, too, Mr. Kerner.”

“Hey, Ron’s just fine.” He says. “We’re about the same age, right? Don’t make me feel old.”

“You can call him Ronnie if you want, Pete.” Nick says. “Bet you’ll get along just fine. He’s just as immature as you.”

“What did you say, jackass?”

Their eyes shot at each other as their voices almost synchronize, much to Nick’s amusement.

“Damn it, Nick!”

“Shit, Bradshaw.” Ron mutters at Nick’s smirking face that Pete’s so familiar with at this point of his career. “Let me be cool and act like an adult in front of this guy, alright?”

“Ha! Jokes on you, Kerner. You’ve already said dickhead like you always do.” Nick teases. “C’mon, Pete. You think he’s mature? With his taste in jokes like that? Betcha get along well, darling. Already in synch.”

Ron pouts at Nick with a small pfft sound, a gesture he didn’t think a guy this big could pull off.

“Get along well, huh?” Pete chuckles, lightly patting Ron on the shoulder.

“Great start, I guess.” He grins. “Though I can’t wrap my head around how you tolerate this bastard.”

“Me neither, man.”

Ron barks out a laugh as Nick pokes Pete on the arm, grumbling at how the table has turned.

Ron Kerner.

Today was the first time they’ve met. He’d been faceless to Pete for almost a month, ever since they first called in the most basic business-like manner, talking about grown-up stuff, in contrast to the almost overwhelming amount of portraits he sent him.

“Hey, Nick?”

“What?”

“Can you see an artist in his own work?”

Nick blinks a little, his eyes briefly shot up from the road. They are on their way to go back to their office in his car, idly listening to the local radio as the town passes.

“Don’t look at me like that.” Pete stretches his arms and loops them around the headrest. “It’s weird, I know.”

“I thought you lost your mind and decided to be a philosopher instead.” Nick says. “But I guess you can.”

“How?”

A few seconds of silence filled the car before Nick speaks, absentmindedly stroking his mustache.

“A part of your soul leaves your body to live in the world of your art, forever.” Nick mutters. “I don’t know, Pete. That’s just how I feel. A part of me becomes something not mine, and he dances with the music as I play it.”

Pete can only nod in response. Nick has always been enthusiastic about music. Tom has been artistic, too. He’s a professional artist as well as being a full-time officer, for God’s sake.

“I guess that’s true for Ron, y’know.” Nick says. “Considering the subjects he deals with daily.”

His fingers skim through the pictures. A Black teenager with shoulder-length braids, grinning widely in her denim overalls. A middle-aged Hispanic man with a box of tobaccos in his hand, smiling softly. One of the portraits depicts a woman and a child, possibly her son, chin-up and looking serene together in the wind.

“Ron’s a good guy, Pete.” Nick smiles and shoots a knowing gaze at his partner in the passenger seat. “I wasn’t joking when I said you’d get along.”

“Yeah.” He answers, lowering his eyes in approval. “I suppose so.”

He closes the file and traces the black lettering on the back of it.

Ron Kerner, it says.

Lined in ink, detailed with colored pencils and some markers. Pete can still feel the strokes of his pencils under his fingertips.

[theperrylleluniverse]

The fact that Perry just remembers this off the top of his head….

[khushi156]

Forensic Medicine & Toxicology for Ayurveda | Arya Publishing

Explore Forensic Medicine & Toxicology for Ayurveda by Anil Aggrawal at Arya Publishing. Trusted medical book publisher in Delhi, India. Order Now