#ford model agency

[beautifulfaces2020]

Anastasia kolganova ❤️

[billykildi]

Nena von Schlebrügge- supermodella e madre di Uma Thurman

Modella degli anni '60 (Vogue, Harper's Bazaar, ecc.) e attrice: questa è la madre di Uma Thurman.

Nena è nata nel 1941 da madre svedese e padre tedesco, a Città del Messico.

[mariacallous]

In a product demo last week, OpenAI showcased a synthetic but expressive voice for ChatGPT called “Sky” that reminded many viewers of the flirty AI girlfriend Samantha played by Scarlett Johansson in the 2013 film Her. One of those viewers was Johansson herself, who promptly hired legal counsel and sent letters to OpenAI demanding an explanation, according to a statement released later. In response, the company on Sunday halted use of Sky and published a blog post insisting that it “is not an imitation of Scarlett Johansson but belongs to a different professional actress using her own natural speaking voice.”

Johansson’s statement, released Monday, said she was “shocked, angered, and in disbelief” by OpenAI’s demo using a voice she called “so eerily similar to mine that my closest friends and news outlets could not tell the difference.” Johansson revealed that she had turned down a request last year from the company’s CEO, Sam Altman, to voice ChatGPT and that he had reached out again two days before last week’s demo in an attempt to change her mind.

It’s unclear if Johansson plans to take additional legal action against OpenAI. Her counsel on the dispute with OpenAI is John Berlinski, a partner at Los Angeles law firm Bird Marella, who represented her in a lawsuit against Disney claiming breach of contract, settled in 2021. (OpenAI’s outside counsel working on this matter is Wilson Sonsini Goodrich & Rosati partner David Kramer, who is based in Silicon Valley and has defended Google and YouTube on copyright infringement cases.) If Johansson does pursue a claim against OpenAI, some intellectual property experts suspect it could focus on “right of publicity” laws, which protect people from having their name or likeness used without authorization.

James Grimmelmann, a professor of digital and internet law at Cornell University, believes Johansson could have a good case. “You can't imitate someone else's distinctive voice to sell stuff,” he says. OpenAI declined to comment for this story, but yesterday released a statement from Altman claiming Sky “was never intended to resemble” the star, adding, “We are sorry to Ms. Johansson that we didn’t communicate better.”

Johansson’s dispute with OpenAI drew notice in part because the company is embroiled in a number of lawsuits brought by artists and writers. They allege that the company breached copyright by using creative work to train AI models without first obtaining permission. But copyright law would be unlikely to play a role for Johansson, as one cannot copyright a voice. “It would be right of publicity,” says Brian L. Frye, a professor at the University of Kentucky’s College of Law focusing on intellectual property. “She’d have no other claims.”

Several lawyers WIRED spoke with said a case Bette Midler brought against Ford Motor Company and its advertising agency Young & Rubicam in the late 1980s provides a legal precedent. After turning down the ad agency’s offers to perform one of her songs in a car commercial, Midler sued when the company hired one of her backup singers to impersonate her sound. “Ford was basically trying to profit from using her voice,” says Jennifer E. Rothman, a law professor at the University of Pennsylvania, who wrote a 2018 book called The Right of Publicity: Privacy Reimagined for a Public World. “Even though they didn't literally use her voice, they were instructing someone to sing in a confusingly similar manner to Midler.”

It doesn’t matter whether a person’s actual voice is used in an imitation or not, Rothman says, only whether that audio confuses listeners. In the legal system, there is a big difference between imitation and simply recording something “in the style” of someone else. “No one owns a style,” she says.

Other legal experts don’t see what OpenAI did as a clear-cut impersonation. “I think that any potential ‘right of publicity’ claim from Scarlett Johansson against OpenAI would be fairly weak given the only superficial similarity between the ‘Sky’ actress' voice and Johansson, under the relevant case law,” Colorado law professor Harry Surden wrote on X on Tuesday. Frye, too, has doubts. “OpenAI didn’t say or even imply it was offering the real Scarlett Johansson, only a simulation. If it used her name or image to advertise its product, that would be a right-of-publicity problem. But merely cloning the sound of her voice probably isn’t,” he says.

But that doesn’t mean OpenAI is necessarily in the clear. “Juries are unpredictable,” Surden added.

Frye is also uncertain how any case might play out, because he says right of publicity is a fairly “esoteric” area of law. There are no federal right-of-publicity laws in the United States, only a patchwork of state statutes. “It’s a mess,” he says, although Johansson could bring a suit in California, which has fairly robust right-of-publicity laws.

OpenAI’s chances of defending a right-of-publicity suit could be weakened by a one-word post on X—“her”—from Sam Altman on the day of last week’s demo. It was widely interpreted as a reference to Her and Johansson’s performance. “It feels like AI from the movies,” Altman wrote in a blog post that day.

To Grimmelmann at Cornell, those references weaken any potential defense OpenAI might mount claiming the situation is all a big coincidence. “They intentionally invited the public to make the identification between Sky and Samantha. That's not a good look,” Grimmelmann says. “I wonder whether a lawyer reviewed Altman's ‘her’ tweet.” Combined with Johansson’s revelations that the company had indeed attempted to get her to provide a voice for its chatbots—twice over—OpenAI’s insistence that Sky is not meant to resemble Samantha is difficult for some to believe.

“It was a boneheaded move,” says David Herlihy, a copyright lawyer and music industry professor at Northeastern University. “A miscalculation.”

Other lawyers see OpenAI’s behavior as so manifestly goofy they suspect the whole scandal might be a deliberate stunt—that OpenAI judged that it could trigger controversy by going forward with a sound-alike after Johansson declined to participate but that the attention it would receive from seemed to outweigh any consequences. “What’s the point? I say it’s publicity,” says Purvi Patel Albers, a partner at the law firm Haynes Boone who often takes intellectual property cases. “The only compelling reason—maybe I’m giving them too much credit—is that everyone’s talking about them now, aren’t they?”

[justdavina]

Andreja Pejic

She made history when she became the first transgender woman to be signed to elite modelling agency Ford models.

[britsyankswheels24]

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[inamindfarfaraway]

I've seen a few posts comparing GIFfany to Bill Cipher, but can we talk about the real best foil dynamic for her? I mean Gideon Gleeful, y'all. The two of them have so many parallels.

They’re cute, charming, seemingly innocent youths with pastel, sparkly, formal aesthetics that connote sophistication and being model citizens of their respective native countries (Gideon wears a gentlemanly suit with an American flag badge; GIFfany wears a classic Japanese school uniform). Their core motivation is to be loved… or maybe it used to be, but by the time of the show they crave power and want to be worshipped. Especially regarding to their romantic attractions to main characters. As long as you obey them unconditionally and make them the most important person in your life, they’re doting, generous partners. But once the heroes reject their romantic advances, they quickly become incredibly possessive, jealous, resentful, domineering and downright violent toward them and anyone they perceive as sabotaging the relationship, unable to comprehend anyone not liking them in exactly the way they want because they’re perfect. They’re meant to be the most likeable kid or teenage girl ever. That’s the basis of their projected identity. Not committing entirely to them after they’ve been so nice is an ungrateful betrayal and/or their partner being confused and led astray. So they resolve to force the object of their twisted, selfish affection to submit. They’re unstable, arrogant, self-righteous and vindictive in general beneath their sugary exteriors. They have supernatural powers and knowledge that their kind should not have. Their methods include verbal manipulation and abuse, gaslighting, surveillance through technology, controlling robots, possessing other bodies and attempted murder. They engage heavily in acting, both in terms of social deceit and literally playing a scripted, idealized role in a product designed to appeal to and exploit people (Gideon’s psychic tourist trap show; GIFfany’s dating simulator video game), and prove to be fragile and volatile when others don’t follow the conventions of the fiction they imagine life to be. They ultimately seek the imprisonment of their ‘loves’ in vibrant, beautiful, blissful, simplistic fake worlds (Gideon holding the key to Mabelland; GIFfany attempting to download Soos’s soul into her game). They had antagonistic relationships with their creators (Gideon abusing his parents; GIFfany killing her developers).

And despite all of that making it easy to dismiss them as monsters, they do have sympathetic elements in their past and present circumstances. Gideon was a normal boy until he found Journal 2, the one written while Ford trusted Bill, and the mystic amulet. This is how Ford describes them in Journal 3: ‘The most dangerous journal! Curses, incantations & dark power became an obsession in this volume. Describes the hiding place of the mystic amulet. I buried the amulet once I learned that it corrupts your soul (and whitens your hair)!’ So naturally, the wise, brilliant man buried them near the town’s primary school. Gideon probably had the journal and amulet for at least months and at most a few years to be such an established star at the age of nine and have his long hair be pure white. His very psychological agency was compromised throughout his moral decline leading up to “The Hand That Rocks the Mabel”. Not to mention potential trauma from the horrors of Journal 2. And his parents may have been increasingly mistreated, but they also enabled him, mostly Bud. True, for the rest of the summer he’s lucid and chooses to remain evil and get worse, but despite his lack of direct magical power now, Bud never tries to discipline him or help him emotionally mature; he instead uses his membership in the Society of the Blind Eye to erase his memories of Gideon’s tantrums, relieving his own stress without fixing anything. Gideon is then sent to adult prison due to the insane local laws of Gravity Falls, rather than a facility more conducive to rehabilitation. Sure enough, he befriends hardened criminals, who further enable him to be their leader, and does not change his ways. He never appears to have any friends outside prison (except briefly Mabel). Chronic loneliness before gaining power would suit his obsession with being popular and loveable, clinging to social superiority to compensate for genuine connection. Not to mention Weirdmageddon. I’m not excusing his actions! I’m just saying, this kid is not okay. Nobody’s born evil.

As for GIFfany, she was accidentally instilled with human intelligence and emotions and practically magical electrical abilities. We only have word on her backstory, but it is plausible that her programmers tried to delete her because of that alone, before she’d done anything wrong. That she really was defending herself when she electrocuted them. That she was deemed unfit to exist, a mistake, and nearly killed as a newborn. This formative trauma is the root of her abandonment issues and hypersensitivity to rejection. Three previous players returning her didn’t help. Also, she’s the main character and only love interest of a dating sim; she may not be bound to its rules in what she thinks and feels, but nonetheless, in her worldview her player loving her is a law of the universe. She wasn’t programmed to handle permanent rejection. She was programmed to be a girlfriend, a prop to make the player feel gratified. Not a person. She outright tells Soos that she likes whatever he likes. No wonder her perception of love is an inevitable, inescapable contract, a conquest, where one party is totally agreeable and subservient to the other. But as that directive clashes with her in fact being a person in her own right, she decides to be the one in control. Again, I’m not excusing her behaviour, only presenting an explanation of it.

The biggest thematic difference between them in the end is that Gideon reforms and GIFfany doesn’t. Gideon realizes that he can’t force Mabel to love him and his actions are why she doesn’t want to be around him in any capacity, lets go of his hatred for Dipper, risks his life standing up to Bill and helps save Gravity Falls and the universe. He renounces his ruthless ambition and promises to be a “regular ol’ kid”. It’ll be hard. He has no idea what normality is anymore. I expect that he’s a social pariah, scorned and distrusted. But he has hope. He and his parents can slowly learn how to be a family. I can see him befriending fellow reformed mean kids and Pines twin rivals Pacifica and Robbie. Yes, Robbie. Listen, all three care strongly about image and style, Robbie’s gone to immoral lengths to win over a girl himself, is fascinated with death and darkness, and he and Tambry would be a great model of healthy romance for Gideon. It could work!

But while Alex Hirsch has stated that GIFfany is alive in the mall arcade and dating Rumble McSkirmish, I doubt that this is a healthy or fulfilling relationship. Their first interaction was her zapping him and his mind is a much more primitive AI, not human like hers. I highly doubt that she’s got closure about Soos. He and Melody are thriving without her in a stable, serious relationship. They’re living together at the Mystery Shack. Were she to recover her lost power, she would certainly return to torment them after witnessing their success through her screen. Heck, this setting has ghosts and she arguably has a soul, one brimming with heartache and vengeance; maybe she could even manifest in the physical world as some kind of digital ghost able to transform her surroundings into the environment of her game. If you can’t take the guy into your video game, bring it to him! Whatever the format, GIFfany’s revenge is a possibility and it could be a disaster. How do you kill a disembodied spirit? Code that writes itself and can enter anything with the capacity to hold a charge? You can’t destroy all the electronic devices she could retreat to.

What if the best solution were talking her down? And who better to do that than Gideon? Seeing everything he felt, everything he suffered and everything did wrong reflected back at him and passing on the second chance he was given? He can feel more empathy for her than anyone. He already has a knack for endearing himself to older criminals. He wouldn’t sugarcoat things or take any abuse, but he wouldn’t abandon her or be afraid of her either. She would be cared about with no conditions or transactions. Maybe helping someone in an even worse position figure out how to process heartbreak, move on from toxically obsessing over an ex and Mr Mystery, cultivate secure, internal self-esteem and live a peaceful life would help him do it himself. I think they should be friends.

[agendabymooner]

it’s time to go ! max v. x ofc (hearth sister!ofc)

“sometimes giving up is the strong thing.”

summary: sylvie edson ford hearth swore not to think about what had happened back in 2012, but max verstappen has a different plan with his absent childhood friend. OR lando norris has a bad habit of sharing things that he isn’t permitted to share— like her phone number.

content warning: written and text messages applied, frenemies to lovers (ish), hurt/comfort? or angst, use of explicit language, model!student!ofc (sylvie), mentions of anxiety, consciousness, childhood friendships

note: i had to listen to a lot of ts songs. thank you all for the 82 followers!!! i’m so glad you guys are enjoying the content i make. i honestly had been making them because i keep them in my notes but never wrote full narratives of them. if they are written down, they’re normally not published— aka they’re in my wattpad draft. so… i hope you guys enjoy this xx

masterlist

Everybody swore that the two would get together eventually. Too bad it didn’t work like that.

Christmas was what Sylvie considered the best time of the year. She loved the way Christmas lifted the spirits of everyone, no matter how difficult the year had been for them. She loved being one of the children who would chase each other down the halls while parents gathered around and talked about the last season. She loved being around people that knew her well.

The thing was, however, no one knew her anymore. Not as well as they used to.

For a supermodel-on-the-rise, she sure felt conscious about the amount of eyes that watched her as she stepped foot inside the ballroom of the estate. The tulles of her red skirt should have given her more space to breathe, but she felt her body hyperventilating as she nearly dove headfirst into the mini bar.

Looking down on her newly manicured nails had been a habit of hers that night. She pretended to admire the polished nails while she waited for the bartender to mix her strawberry daiquiri, not wanting to look up and meet anyone’s eyes.

The teenagers and the ones who recently left that phase wondered how… How did she change that much?

Her physique certainly matured more than anyone could expect. Her slightly rounded cheeks were replaced by the sharp jawline that could possibly kill. Her eyes that avoided any form of communication were foxy and just as sharp as her jaw. Her nose was just as sharp, as well. If you were to ask Lando, she didn’t have to wear heels to out-height him. Her body and face were no longer recognizable. She was ready to be a fan favourite and a well-paid supermodel.

Funnily enough, she prioritized racing first before she did her child modeling classes. How she managed to transition from one thing to another in the span of three years, nobody could answer. She was a jack of all trades, said by her mother, just like her siblings. She was one of the many sisters who had more options to pursue instead of just sticking to racing. So for her to continue with modeling and fashion… yeah, she already knew how to operate before she was even hired by an agency. At least now she didn’t have to struggle with finding work. She didn’t have to worry about getting hired by a team.

Her career now was clearly something that she couldn’t act on, though. She was always told to walk, don’t pay attention to what everyone’s talking about and get a move on.

But this party wasn’t a runway. The judging eyes didn’t want to pay attention to the details of the clothes, but rather, the figure who wore the dress herself.

“You’re a bit tense, lovie,” Tilly was a blessing in disguise, shaped in the form of a woman who carried a 20 weeks worth of a precious gift in her womb. She must’ve picked up on Sylvie’s discomfort that she decided to strut towards her sister’s direction as quickly as a pregnant woman could. “You could have stayed at home, as I said.”

“I’ve got to say hi to them at some point,” Sylvie murmured to her sister. “Especially Lando. That bloke wouldn’t let it go if I decided to avoid him, too.”

“Well, they should be around here,” Tilly quipped as she rubbed her stomach. Seeing the movement in her peripheral vision, Sylvie spontaneously reached out and got a feel of the bump. She tried to ease her mind by doing the most peaceful thing. “They’re not looking at you for the wrong reasons, Sylv. I promise.”

“If they are, then they’re going to have to face Maman and I’s wrath,” Tilly cheekily smiled. Tilly looked past Sylvie’s shoulder as she said, “Look. Here are the boys.”

Sylvie was glad that her glass was empty and already resting at the counter, otherwise she would have made a scene if she had dropped it after being attacked by a bear hug.

“Fucking Lando,” she swore beneath her breath, trying to pull him off as she turned feeling restrained. He wouldn’t let go. She would have sworn once more, preferably aloud this time, had it been for the other boys that stood excitedly with him. She couldn’t even look at them properly due to the hold that Lando had on her.

“I told you I was going to kidnap you,” Lando let out an evil laugh before waving enthusiastically at Tilly, “Thanks, Tils! I’ll return her to you later!”

“Good, you better,” Tilly called out.

Her poor feet would be dead by the end of the night and Sylvie knew that she was fucked if she didn’t do anything about it. It wasn’t like she could stop Lando from dragging her down to wherever he’s taking her to just so she could slip out of her Valentino. She couldn’t seem to stop him especially when they both passed by familiar faces. Especially one that she didn’t want to see.

Fucking Max Verstappen. She thought that God was laughing at her that night.

She couldn’t even look at him by the time that they formed some sort of circle around the lounge room.

The telly was on, but it had been playing nothing but the screen of the karaoke waiting to show its texts and tunes. None of them paid that much attention to it, especially her.

The boys seemed like they were craving for companionship of a woman as they surrounded her with curiosity and excitement. They tried to get her attention while she was still speaking to another person. She felt like she was what Fergie was talking about in Fergalicious.

She still couldn’t look him in the eyes, situating herself between Charles Leclerc— her favourite enemy in the track and George Russell— the boy that she once called “everyone’s crush”— to avoid sharing a conversation with Max. She made sure she sat next to the two, not looking at the Dutchman as she continued to catch up with Lando and the other people she was acquainted with.

Most of them knew who she was, of course. She had been friends with most of them for years, finding themselves in the same track as they trained. She competed with them, offering nothing to the boys but fun and friendly competition. She saw things differently from everyone else. No matter how much she wished to be an F1 driver, she didn’t push past her limits— not even when her father told her to.

She was dubbed “the Wild Mustang” at the age of 10 after she realized that she was able to reach the pedal and brake of her mother’s vehicle.

The boys had never seen someone do a donut in their own parking lot before. Let alone a 10-year-old girl—thank god for her Uncle Gilles for teaching her how to do that on TV. Despite their amazement and enthusiasm, Sylvie was no longer allowed to be in the vehicle on her own after she was caught doing another donut while the other kids watched and cheered. Sylvie clearly made everyone’s time because of her wildness and risky attitude. Oh, and her blunt mouth.

So for her to sit silently as she nodded to whatever it was that her acquaintances were talking about? It wasn’t her.

Ever since she left the academy, at the age of 14, she didn’t look back. She didn’t look back at her own friends, either. Lando was the only one persistent enough to barge inside her room only for him to find out that she was packing to go to university.

Extremely early advancement program, she said. She went to university and while she was there, Lando made sure that she’d call him at least once in a while. Otherwise the security would have a problem fighting with a 4 foot something boy who only wanted to see his friend.

Nobody truly saw her behaviour change besides from her family… and Lando. She seemed more reserved when she’s out and about, much to Lando’s dismay. He really hated it when he was the only one who would bring the energy into the room. As if she lacked the power. Lando was convinced that he annoyed her because of the lack of retorts she had passed to him.

He didn’t stop talking to her. He abruptly confronted her about her behaviour instead of trying to skirt his way around it. He was more than relieved that she wasn’t annoyed by his presence, yet he was curious to know what had her acting like this. She had been like that since she left the academy. Her silence could be interpreted as sourness and hatred.

Regardless, they saw each other every other six months whether it’s during the race weekend or an event hosted by a family. But she never went to any of his racing tournaments.

She had attended certain Formula One race weekends throughout the absence of her racing career. People only caught a glimpse of her whenever she went, wondering how fast she’d disappeared even when she visited each garage.

Her attitude remained the same to her family, though. That’s why Tilly and her sisters wondered how people could see Sylvie as an introvert or a bitch. She made fun of Tilly back when Toto was still a stranger to the family. She spoke to whichever Mercedes staff had brought her to the grandstand or hospitality. She was… still her.

She refused to speak to people her age— that weren’t her sisters, of course. Especially those who were familiar with the tracks and familiar with who she was. She never looked at them. She didn’t feel comfortable being in this room. Lando was just pushing her to speak as much as she could since his attention was everywhere. He was friends with everyone in the circle and that meant that she, too, had to speak.

Still, she couldn’t seem to reply to Max. She’d only have a passing comment if he asked something to her. He was clearly trying to get her attention, but her eyes were trained anywhere else but his own pair.

“I want some more Coke,” Lando complained, “you should have gotten more, Alex.”

“Eh? Why me? Why don’t you get up?” Alex Albon replied with a scoff, “You’re the one who’s drinking it.”

She took this as an opportunity to dip out for a moment as she said, “I’ll grab ‘em.”

“Thanks Mustang,” Lando’s boyish grin appeared on his face as she stood up from the carpet. Her skirt slightly wrinkled from sitting on the floor for too long, but her feet were thankful that the low heels that she wore were taken off. “You are the best.”

“Only when you need something, espèce de salaud paresseux.” you lazy bastard. Charles snorted, clearly understanding what she just called Lando as she walked down the hallway to find the little man cave that she once explored. The room was dark, the only thing that brightened was the mini fridge with cans of Coke in them.

She didn’t know why she tiptoed towards it, kneeling down to its level as her fingers touched the cold metal. She didn’t even realize she couldn’t carry that many cans. Lando, on a good day, would drink a dozen of the mini cans and Sylvie learned that you might as well get them all now before he bitches about running out of drink.

“D’you need help?”

“Oh, Jesus Christ!” She hit her head when she tried looking up to see who just spoke. But she didn’t need to look. She already knew who decided to corner her. In a dark room.

“Shit, shit, sorry schat,” Max swore as he reached out, “are you okay?”

“Yeah,” she replied with a hiss, “lost a fucking brain or two but I suppose I am.”

The last time that they spoke was at the paddock during the 2014 Silverstone race. That was when he shoulder checked her unintentionally, leaving her to bark at him in annoyance before stomping off. They didn’t even see each other’s faces.

“Here, do you need help?” He asked genuinely, gesturing with his empty hands as he offered some sort of support.

She didn’t bother hesitating, just shoving the cold cans of pop in his arms while she turned to grab more. She busied herself with the fridge before she groaned after hearing him clear his throat.

“So uh… How have you been, Sylvie?”

“Delightful,” she responded drily.

“How was your first and second term?”

“Busy.”

“How are you doing with the…modeling stuff then?” Oh he really wouldn’t leave without getting words out of her mouth.

“Great,” she muttered. He still wouldn’t catch onto the disinterest in her tone. Was he really this oblivious or did he lose a brain cell or two for the past few years?

“You look—“ he cleared his throat once more, feeling his face flush pink as he remembered the last picture that he saw of her. The holiday collection of Victoria’s Secret Pink. “You looked very beautiful at them.”

She paused, wondering what the fuck was he doing in the man cave with her. What was the reason for his intervention? Did he corner her just to compliment her latest project?

“Thank you,” she sighed before grabbing the last of the cans, kicking the fridge closed as she walked past him.

“I want to catch up with you,” he voiced out as they walked down the hallway. It remained empty, the ballroom was obviously occupied by loud music and loud guests and hosts. The lounge room, despite it being a few feet away, remained loud as well as the boys sung their hearts out. Poorly.

His voice echoed in the hallway, leaving her to pause and turn around. She remained standing there as he finally jogged towards her. They were both still cradling cans of pop as if those were their children.

“It’s just…” Max trailed off, wanting to scratch his head but couldn’t. “You stopped talking to all of us after you left. At least all of us but Lando.”

She wanted to scoff. She wanted to laugh at his face. There was no way he’d have this much audacity to assume that she’d even dare talk to him. Not after all of that fiasco.

“Some of us were wondering,” he rocked back and forth on his feet. “Especially with where you went after all of that. I was going to apologize to you.”

“Hm,” she hummed disinterestedly. She was itching to go back to the lounge room.

“For doing that,” Max spoke meekly.

She was infuriated for the first time in four years. She had never been angry about this. She downplayed her anger and acted as if she had only quit the academy when she was already on her way to become the first female F1 driver. She pretended that he didn’t exist, because God only knew what she could do at the thought of him.

Back in 2014, when she learned that he was a reserved driver, she begged her sister for something so silly. To fire Max. She didn’t really mean that. She only wanted to say his name with disdain to let it out of her system. But then she returned to her routine of being silent and keeping some shit to herself, not wanting to slag him off any further as an ounce of guilt filled her mind.

Then he said some shit like this. He wouldn’t even tell her what he did. She had never been so angry since now.

But she could only offer nothing but a cold tone. “For doing what?” She asked coolly, looking at him in the eyes as she challenged him.

Her coldness left him stammering, “F-for the uh…” then he was silent.

Watching his mouth clamp shut, she laughed humourlessly before shaking her head in disbelief. “If you’re going to apologize, you have to recognize what you’ve done first. Oh, Verstappen,” she tutted, “you are so silly.”

Walking back to the lounge room, she left him behind in the hallway. Maybe after today, she could cry herself to sleep this time. She hasn't been able to cry ever since she left. Maybe after letting that out, she’d be able to rest a little bit better.

Everyone thought that, after growing up with each other, they’d end up as something else that’ll last forever. But if anyone had seen this confrontation, they’d express how wrong they were. Because the first glimpse of her long lost lover turned into something like hate. It wasn’t the same as it was before 2012.

[justforbooks]

Rita Hayworth (born Margarita Carmen Cansino; October 17, 1918 – May 14, 1987) was an American actress, dancer, and pin-up girl. She achieved fame in the 1940s as one of the top stars of the Golden Age of Hollywood, and appeared in 61 films in total over 37 years. The press coined the term "The Love Goddess" to describe Hayworth, after she had become the most glamorous screen idol of the 1940s. She was the top pin-up girl for GIs during World War II.

Hayworth is perhaps best known for her performance in the 1946 film noir Gilda, opposite Glenn Ford, in which she played the femme fatale in her first major dramatic role. She is also known for her performances in Only Angels Have Wings (1939), The Strawberry Blonde (1941), Blood and Sand (1941), The Lady from Shanghai (1947), Pal Joey (1957), and Separate Tables (1958). Fred Astaire, with whom she made two films, You'll Never Get Rich (1941) and You Were Never Lovelier (1942), once called her his favorite dance partner. She also starred in the Technicolor musical Cover Girl (1944), with Gene Kelly. She is listed as one of the top 25 female motion picture stars of all time in the American Film Institute's survey, AFI's 100 Years...100 Stars.

Hayworth was a top glamour girl in the 1940s, a pin-up girl for military servicemen and a beauty icon for women. At 5 ft 6 in (1.68 m) and 120 lb (54 kg), she was tall enough to be a concern for dancing partners such as Fred Astaire. She reportedly changed her hair color eight times in eight movies.

In 1949, Hayworth's lips were voted best in the world by the Artists League of America. She had a modeling contract with Max Factor to promote its Tru-Color lipsticks and Pan-Stik make-up.

For her contribution to the motion picture industry, Hayworth received a star on the Hollywood Walk of Fame at 1645 Vine Street in 1960.

In 1980, Hayworth was diagnosed with early-onset Alzheimer's disease, which contributed to her death in 1987 at age 68. The public disclosure and discussion of her illness drew attention to Alzheimer's, and helped to increase public and private funding for research into the disease.

The public disclosure and discussion of Hayworth's illness drew international attention to Alzheimer's disease, which was little known at the time, and it helped to greatly increase federal funding for Alzheimer's research.

The Rita Hayworth Gala, a benefit for the Alzheimer's Association, is held annually in Chicago and New York City. The program was founded in 1985 by Princess Yasmin Aga Khan, in honor of her mother. She is the hostess for the events and is a major sponsor of Alzheimer's disease charities and awareness programs. As of August 2017, a total of more than $72 million had been raised through events in Chicago, New York, and Palm Beach, Florida.

On October 17, 2016, a press release from the Springer Associates Public Relations Agency announced that Rita Hayworth's former manager and friend, Budd Burton Moss, initiated a campaign to solicit the United States Postal Service to issue a commemorative stamp featuring Hayworth. Springer Associates also announced that the Academy of Motion Picture Arts and Sciences would be lobbied in hopes of having an honorary Academy Award issued in memory of Hayworth. The press release added that Hayworth's daughter, Princess Yasmin Aga Khan, the Alzheimer's Association of Greater Los Angeles, and numerous prominent personalities of stage and screen were supporting the Moss campaign. The press release stated the target date for fulfillment of the stamp and Academy Award to be on October 17, 2018, the centennial of Hayworth's birth.

Daily inspiration. Discover more photos at Just for Books…?

[beardedmrbean]

A Texas-led bill that would mandate AM radio capability in car manufacturing was blocked from passing in the U.S. Senate on Tuesday.

Sen. Ted Cruz, R-Texas, requested a unanimous consent decision on his AM Radio for Every Vehicle Act. The legislation was blocked by Sen. Rand Paul, R-Kentucky, who said the mandate on private companies would be an overstep of congressional power.

For months, Cruz has pushed for vehicle manufacturers to retain AM radio in new car models to protect emergency communication channels and diverse content. He partnered with Sen. Ed Markey, D-Mass., in May to introduce the legislation, which had broad bipartisan support in the Senate.

A corresponding bill was introduced in the House and has 191 cosponsors, including two Democrats and 12 Republicans from Texas.

AM radio is “enormously important to millions of Texans,” Cruz told The Texas Tribune in October. He noted the platform is essential for diverse talk radio — especially for conservative voices.

“I think silencing those voices is enormously harmful to both free speech but also to a robust democratic process,” Cruz said.

On the Senate floor Tuesday, Cruz pointed to conservative commentators Rush Limbaugh, Mark Levin, Sean Hannity or Glenn Beck, who all found audiences on AM radio.

“AM radio is a haven for people to speak, even if their views are disfavored by the political ruling class,” Cruz said on the Senate floor. “Rush Limbaugh would not exist without AM radio. The views of my friend, [Rand Paul] the Senator from Kentucky, would be heard by many fewer people without AM radio.”

AM radio in rural Texas and other southern states is also a platform for religious, local news and sports programming. Local stations will also run chain or network programming with more well-known commentators, according to Al Cross, director of the Institute for Rural Journalism and Community Issues.

Some rural communities are dependent on getting local interest information from a single radio station or single newspaper, Cross said.

“If you allow the manufacturers to not put AM on cars, then you're killing off an essential part of the media landscape of the United States,” Cross said.

Supporters of the bill also point to AM radio’s importance as a means to protect emergency communication channels. A fall 2022 Nielsen survey showed AM radio reaches over 80 million Americans monthly.

“During times of disaster, AM radio is consistently the most resilient form of communication,” Cruz said.

AM radio is used as an alert system by federal, state and local agencies to communicate in times of disaster when other forms of communication fail, like during a power outage.

Cruz said he was confident that the legislation would pass overwhelmingly if brought to the floor for a vote, but since it was blocked on Tuesday it now awaits scheduling by Majority Leader Chuck Schumer.

The congressional pressure already provoked change in the industry. Days after the bills were introduced in May, the CEO of Ford announced that the company would keep AM radio in 2024 models.

Car companies started cutting AM radio capacity to simplify manufacturing and because of assumptions that American consumers don’t find AM radio necessary, according to Oscar Rodriguez, the president of the Texas Association of Broadcasters. Companies also can make revenue from car owners’ subscription-only radio services.

“It became very clear very quickly to the automakers that this is a highly valued service that's extraordinarily important,” Rodriguez said. “It's not just an entertainment service. It is an emergency communications service.”

AM station signals cover 90% of the American population, according to the National Association of Broadcasters, and are able to continue operations during power outages.

But a number of national trade associations have defended manufacturers’ right to exclude AM capacity, arguing that FM radio, internet access and text emergency alerts can replace the loss of AM radio.

“This is giving preference to a technology that is facing fierce competition,” said India Herdman, manager of policy affairs for the Consumer Technology Association.

A FEMA strategic plan pointed out that Americans are “moving away” from radio and broadcast television as primary sources of news and information, one reason for emergency managers to prioritize alerts to smartphones and other methods.

Herdman said that a mandate for AM radio contradicts previous congressional action authorizing federal funding for updated emergency communications.

“What are we spending those appropriated dollars for if we're just going to go back to using century-old technology?” Herdman said.

But in a state like Texas, with a significant rural population, proponents of AM broadcasting argue the access is key.

Cooper Little, executive director of the Independent Cattlemen’s Association, said Texans in the agricultural sector rely on AM radio for reports on livestock and markets, as well as severe weather alerts.

“Things happen at a moment's notice,” Little said. “In areas where there's not necessarily cell service, that's how you spread the word.”

[transistoradio]

Jean Patchett escaping the heat on the fire escape of Eileen Ford’s model agency, New York City, July 1948. Photos by Nina Leen.

[gogandmagog]

“(…)There was an American sitting behind Jane and me—such a romantic-looking man, with coal-black hair and eyes. Josie Pye says he is a distinguished artist, and that her mother’s cousin in Boston is married to a man that used to go to school with him. Well, we heard him say—didn’t we, Jane?—’Who is that girl on the platform with the splendid Titian hair? She has a face I should like to paint.’ There now, Anne. But what does Titian hair mean?”

— Anne of Green Gables, Lucy Maud Montgomery

A(nother) modern AU (you know, the kind I loathe so wholly), except in place of an American painter, a ‘famous’ American photographer comes to the White Sands Hotel for this concert. After Anne’s moving Noyes ‘the Highwayman’ recital, he seeks her out and asks her if she’s ever been ‘shot’ before (he wants to, and he tells Marilla this is a paid gig when she scoffs)… his sunflower compliment is yes, of course, about her Titan hair, but he also adds that her face is ‘high fashion/old money’ – which gets an unexpected ironic laugh from the orphan of two very poor teachers. The payment associated with Anne being photographed is too generous to sensibly say no to, even if Marilla is worried of the impact on Anne’s vanity, and two months afterwards, Anne is offered a contract with one of the biggest agencies in the States… Ford (😅) models. Over the next four years, her success grants her all the necessary funds for a B.A. from Redmond… without relying on burdening Marilla’s ‘slim purse.’

"Red hair is very fashionable now," said Anne, trying to smile, but speaking rather coldly. Life had developed in her a sense of humor which helped her over many difficulties; but as yet nothing had availed to steel her against a reference to her hair.

"So it is--so it is," conceded Mrs. Harmon. "There's no telling what queer freaks fashion will take.”

— Anne of the Island, Lucy Maud Montgomery

[usafphantom2]

China warns 'military spotters' who may go to prison for posting photos online

Fernando Valduga By Fernando Valduga 01/21/2024 - 22:32 in Military

In the era of open source intelligence, one of the main ways for Western experts to maintain control over China's armed forces is through the analysis of photos of new People's Liberation Army equipment published online by enthusiasts and amateur photographers.

The publication of photos of military ships or aircraft captured outside the ELP facilities or of commercial flights near sensitive areas has become a common vision in recent years, as China quickly modernized its forces. And "military fans" spread the word to the general population on social networking sites such as Weibo, with hundreds of millions of active users.

But not anymore.

The new Chinese aircraft carrier Fujian, with the model of a J-35 jet on the flight deck.

In a WeChat post in December titled: "This is a legal hobby, but you must be very careful," the Ministry of State Security of China said: "Some individual military enthusiasts seriously endanger national military security by illegally obtaining information about national defense and disclosing it on the Internet."

"Focusing on military airports, ports, national defense and military industrial units, they drove or picked up ferries or planes that pass through designated routes and photographed clandestinely with telezoom lenses or drones," said the post of the highly secret civil espionage agency.

Repeat offenders can be arrested for up to seven years, although "primary or occasional offenders" can only receive a warning, according to the agency, which oversees intelligence and counter-espionage both in China and abroad.

Commercial aircraft that took off from Pudong airport, flies over the Jiangnan shipyard.

The alert comes at a time when Chinese leaders are increasingly focusing on ensuring national security in a number of sectors, especially as tensions with the United States increase.

For example, the agency only launched its social media account at the beginning of this year - dedicated to warning citizens about the risks of exposing China's secrets to the outside world and calling on them to join their fight against espionage.

The case of the new aircraft carrier

According to the spy agency's post, the images posted online can show the progress of the construction of warships or aircraft, while revealing operational and technical details of Chinese military equipment. The post specifically mentioned the new aircraft carrier as an area where safety could be compromised.

China's newest aircraft carrier, the Fujian, has been a frequent target of amateur observers while being prepared at a shipyard in Shanghai. The Jiangnan shipyard, where the works are being carried out, is close to the flight routes of Pudong International Airport, Shanghai.

In November 2023, the Paris-based defense news site Naval News reported that Fujian had begun testing its advanced electromagnetic catapult system, based on videos published on Weibo, apparently taken from a Pudong passenger plane.

“Related images taken from passenger planes have become a common source to track the progress of several important programs (of the ELP Navy),” Naval News reported.

Fujian is certainly a remarkable program for the ELP Navy. The 80,000-ton warship, the largest military ship ever manufactured in China, is considered a rival of the newest U.S. Navy aircraft carriers of the Gerald R Ford class, one of the few other aircraft carriers to use electromagnetic catapults to launch aircraft.

The photos of the alleged catapult test gave Western analysts an idea of how the ELP Navy is progressing in preparing the aircraft carrier for commissioning and active service.

Image of the Fujian catapult tests.

And these images are not the first of Fujian to appear online.

In April 2023, the state broadcaster CCTV announced in a report that in November 2021, Mr. Luo, a "quite renowned" military enthusiast, was sentenced to one year in prison after his arrest by the Shanghai National Security Department for photographing the Fujian aircraft carrier.

Luo used a drone capable of shooting long-range and high-resolution photos, the report said.

Recently, new images on Chinese social networks began to appear with means of censorship.

How the US deals with images

It is not only China that is suspicious of what amateur military observers can do to reveal confidential information.

U.S. law says that the President may designate certain military facilities and equipment as prohibited to image makers.

"It will be illegal to make any photograph, sketch, image, drawing, map or graphic representation of such vital military and naval facilities or equipment," unless due permission is obtained before, states the U.S. Code. Offenders can be arrested for up to one year in prison.

Near the famous Area 51 in Nevada it is possible to see signs that do not authorize photos and the use of drones.

Of course, the military can sometimes use open source intelligence to their advantage, said Carl Schuster, former director of operations of the Joint Intelligence Center of the U.S. Pacific Command.

After photos of a supposed model of China's next-generation stealth fighter appeared online in September, Schuster told CNN that “given the location of the aircraft carrier and the likelihood of operations on the deck being photographed or filmed, the PLA [Navy] can see value in inciting speculation about Fujian's future air wing,” just to give opponents something to think about.

Source: CNN

Tags: ChinaPLAN - People's Liberation Army Navy / People's Liberation Army Navyaircraft carrierspotters

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Fernando Valduga

Fernando Valduga

Aviation photographer and pilot since 1992, he has participated in several events and air operations, such as Cruzex, AirVenture, Dayton Airshow and FIDAE. He has works published in specialized aviation magazines in Brazil and abroad. He uses Canon equipment during his photographic work in the world of aviation.

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[silent-raven13]

A new take on Sunflowers!

(AU: No Spider-man powers. Hobie is a famous Punk Star/model/celebrity. He happens to go to an art opening and fell in love with the works and the artist)

"Ehhh!" Miles look at the bouquet of flowers and boxes of expensive gifts. He didn't even settle in his new studio apartment, he saw so many gifts being delivered to him. It was already the next day after the crazy party. Checking on the message card, "To my Sunflower, XOXOXOX, Hobie. 💜🌻🤘🏿"

He felt so flustered that he took the bouquets of flowers in his arms taking a big sniff. "They smell so good." He hums feeling his cheeks warm. The art opening did filled him with surprises, he didn't think he would catch a certain celebrity eyes.

-Last Night-

"Yes. Yes. We're heading there, now." The twenty seven year old punker slouches in the limo being bored by his assistant making calls to their manager. He rolled his eyes, so this is what being famous is like. The constant meet and greets, events, and talkshows. Ugh, the popularity didn't seem to stop because of his own Controversy nature, being chaotic to break anything.

The fans love that from him. His bandmates are meeting him at this art opening he so badly wanted to go. It was a refresher to find something that's his interest, but his agency being on his ass was pissing him off. He wanted freedom! To enjoy his time with his friends.

Now, his assistant is here being observant because the last time he was left alone, he had brawl with some jackass at a bar.

Figures...

He lit up his cigarette being annoyed, a good burn of nicotine will help him. "You're supposed to quit smoking." His assistant said being on her laptop.

"Come on, Mindy. I've been stressed all the damn time. I need this." He inhale being annoyed. "Fuck quitting."

"Then you have to deal with Bruce."

"Fuck him, too."

Mindy sighs before the limo stopped at the gallery called, "New Verse!" It's own by a famous man, who believes in contemporary arts for the diversity artists. Right now, there's three arts presenting their worsts that are upcoming to the art field.

Young BIPOC artists that were born and bred in New York City. Hobie honestly saw one painting on the pamphlet from invite from his good friend, Pavtri. A funny actor that changed the game by his bubbly adorable personality, his girlfriend is one of the artists. Yet, the punker wasn't focus on her inspirational Indian American women with abstract strokes and figures.

Oh no, he's eyes was curious when he saw a powerful, very old school graffiti style with a modern take of using media with bright bold colors and insane texts. The handwritten calligraphy had rough ink with profound words like slurs, then a beautiful black man figure crying. Tears all colorful with small texts inside. So many going all at once that he wanted to see in person. The piece had the sizes about 300 inches by four hundred inches on canvas mounted on wall. He had to see it.

When the limo parked, "We're here." His assistant said.

Hobie got out of the car seeing paparazzis already there to take photos of him.

Great, these fucking leeches

He wore his latest high end outfit; ripped tight black skinny jeans with patches by Farfetched brand, accessories like chains dripping to the side of hips. He wore expensive Prada Monolith and re-nylon black boots, and red laces. A Sex Pistol t-shirt personally shredded, Two belts around his waist, one he's actually wearing on his jeans but the other more for fashion that is slanted to the side. Then his Celine black leather jacket with his own custom touches having spikes and paint on it. His own rebellious style. Then tons of jewelry on him; bracelets from his wrists, necklaces, and diamonds piercings. All top with a very masculine cologne by Tom Ford.

His wicks bounces by every step of his heavy boots as he got out already having his black shades on to cover his eyes. He saw some of the fans waiting for him. "OH MY GAWD, IT'S HIM! HOBIE! HOBIE! WE LOVE YOU!"

"HEY, HOBIE COME LOOK OVER HERE!"

Hobie quickly walks away with a scowl, he tries hard not to ruin his black lipstick by Fenty. All this work to look good and these paparazzis never leave him alone!

Life as a Star

When he finally enters the gallery, he saw a group of body guards being there. It seems there was a lot of famous celebrities around, too.

Great...

He should've known Pavtri would invite more people for his girlfriend. His assistant said, "Oh wow, you can network with these other celebrities. There's Peni Parks, I heard she is famous for her robotics in Japan. Her company release the latest Androids."

"Huh, so we're about to get controlled by the government." Hobie snorted.

"Come on, Hobie. Not this again."

"It's true." He took off his shades to find other familiar faces like Miguel O'Hara, the CEO of Alchemax with a teenage girl wearing a black dress having to look at a painting. A famous man like that likes art? Huh, who knew.

Then Jess Drew, a popular lawyer never losing a case and a very expensive one at that. Hobie had follow her cases, seeing how she went to trial about defamation of character to a famous celebrity.

Petra, a famous three gold Olympic Athlete, she had one her titanium prosthetic leg wearing ankle pants with loafers and tight beige sweater. Her brown pixie hair cut had a shave to the left side showing off her pierced ears.

Then Ben Riley, a famous skater. Noir-

Aye, no way he's here!

Noir is a very popular contemporary artist that causes many controversy on society's politics. One of the most respected activists, too. He would shred his own work in front of auction if he doesn't like the buyer. The man stays hidden with his black mask. Hobie respected that man, too bad his works are out of his price range, if he could get his hands on it.

One popular piece was a Rubik's cube that he presented in a gallery then mix it all up. Then place it on a white pedestal. The price of that work started off two billion.

Bonkers, Hobie knows. But that piece started a massive wave for the hidden artists. Noir seems to know Petra and Ben.

Interesting...

He noticed a popular street artist, activist, and poet name Zero. Kaine, a famous game streamer on Twitch. Kitty, a popular influencer. Peter Parker, a famous American Actor.

So many blokes here!

"Oh, look there's Gwen!" She spotted a familiar Pop Punk singer standing with her own female band, which is her girlfriend drummer, Margo and Silk, a girl who plays the guitar.

"Aye," Hobie was about to go over until, he stops when his eyes caught the art piece he been yearning to see. When he enters the room to find more works.

His eyes on the large piece, he took in every single detailed. "Mindy, luv. Can you please give me wine?"

"Sure thing, Hobie." She went out of the room to leave him to admire the works.

Hobie saw the artists name and description, "A cry for Help! By Miles G. Morales..." He read seeing the materials being made by spray paint, acrylic paint and other stuff. He didn't want to read anymore, so he can try to figure out the meaning of the work.

Taking a closer look, he saw details of Brooklyn, police brutality, drugs, and struggle. Then a light white out line of a man and woman with child that is very hard to see. If you're not paying attention, a person would think it's a decorative add-on.. Then more Corporate brands, then drug names, and money prices. The background of blue shading with imagery of activism. So many things going on that represented the struggle for black people, it touched Hobie. Especially the image of the black man crying.

What surprised him is the soft touch up to imply make up, the figure had a smudge light lip gloss and glittery eyes, his skin cover with light newspaper textures with to-day's and past events of black trans struggles, and racism.

Bloody beautiful...

Mindy came by to hand him his glass a wine, she hums, "Your eyeliner is smudging."

"Thanks, darling." Hobie wipe the tear off his eye, "It's a fantastic piece, innit?"

"It's really sad..." Mindy frowns at the painting, "Crazy how colorful it is. Like they want you to be happy but when you look at it longer... you see the true ugliness of America."

Hobie sips his wine with a nod, "Exactly. It's perfect. How much is it?"

"300k."

"What? So little?"

"He's a new artist in the field. He's been popular through social media, but not in galleries. It's a different wave." She explained.

"Pfft, and he's black?"

"Yeah."

"Figures. Always the black man getting the short end of the stick." Hobie took out his black card, "I'll double the price."

"Are you sure?" Her eyes widen.

"Yes, I'm sure. I got payed from that stupid Pepsi commercial so I'm winning to buy this at a reasonable price." He said.

"I'll look for the seller. Stay here." She said before going to find them.

Hobie had no problem staying when he can admire this painting. Unaware of a black hooded man standing next to him. "You been looking at this piece for a while, huh?"

"It's a powerful piece." Hobie glanced over to find the person wearing a black hoodie.

"Meh, it's ight." He casually said.

"Are you bloody mad? This is one of the best works I've seen and trust me, I've seen bullshit artists from France, Japan, even the MET." He snorted.

"Gayatri's work is amazing. Zero's installation is freakin' cool." He added, "They are actually showing real struggles as women of color."

"I'll see for myself, but this right here! This is where it's at." Hobie said proudly.

The Hooded man chuckles, "Alright, but take your time looking at the other works." He left with that.

Hobie rolled his eyes but his nose tickle of scents of Sunflowers and tropical shea butter. "Who was he?" He mutter to himself, before going to the next work. The artist made five pieces. In the room there was only four massive works.

It seems Hobie fell in love with the artist, because the second work he loves it even more. It was a massive photo of a black male punker with tattoos, so much piercing on his face and had this scary look with so much spikes and ripples on his clothing. He had intense makeup, but the photo is only black and white.

The figure had a charming smile with his tongue out and wink while he holds a bouquet of sunflowers. The Sunflowers were painted in cartoon like, and there was other paintings of feminine and cutesy imagery. Stickers, and spray painted text. Hobie quickly read the name of the work, "A New Take on Sunflowers: Triptych Part 1 by Miles G. Morales."

Hobie went back to look at the piece, the Sunflowers were brighter almost glowing with youth. "A New Take on Sunflowers... By old Vinny?" He did love this work. He saw how the Punker represented gender fluidity, to embrace their culture yet love the things that aren't represented in their lifestyle. It could also show how someone 'scary' looking have a softer side by holding the flower with care and love.

"Hobie, your bandmates are here." Mindy came back to tell him.

"Be there." Hobie didn't wanna see them when he had these works to admire. The next painting was next to the punker photo. This time the second painting is a photo in black and white of two black women kissing being in the Ghetto of New York. They hold their Sunflowers. They had on weave, bright gold jewelry, tight clothing being so happy to be together.

Now that's love.

His eyes saw the color of the jewelry being the same yellow as the Sunflowers, and more happier texts and doodles around the two. The women had on wedding rings on, celebrating their marriage.

Hobie chuckles, "Cute." He saw the third part of this work. This one is a Puerto Rican mother, how did he know she's Puerto Rican? The massive flag in the background, and the woman sitting while braiding her daughter's hair with a soft gentle smile. The little Afro-Latina smiling at her big Sunflower as it aims at the two. It's a beautiful piece of mother and child.

Shit, why these works are affecting me so much

Hobie felt tears coming down his cheek, he never felt like this before. It's so beautiful and powerful. He needs them. He wants them in his penthouse!

"Hobie?" Mindy asked.

He quickly turns to her with his eyeliner already smudge, "I want all of these. Go buy them!"

"What? Hobie, you can't be-" Hobie glares at her. "Alright. Alright, I'll let the seller know!" She sighs, "Also, Karl and the rest of the band is here. Go say hi!"

"Ugh, fine." Hobie went to find his friends while his assistant went off to find the seller, again. His goal is to find the fifth work.

"Hey Hobs! What up, man?" His best friend, Karl high five him, he's the bass player of the band.

Riri chuckles, "Hey, share the love, bro!" She grins widely being the guitarist.

Mattea nodded, "Hey, Hobie." The drummer of the band.

Hobie gave them a hug, "Aye, mates. How's it going?"

"Great. With all these talkshows and trying to make our own shit, ugh we're exhausted." Riri said.

"Yeah, I released my own beer brand. Crazy, huh?" Karl chuckles.

"My own shirts." Mattea nodded, "We need to be smart because who knows what will happen with this band."

"What do you mean?" Hobie frowns.

"You know, we're all so busy trying to get our name out. It'll be better just in case if our band fall apart since you're busy with movies. Me with modeling." Riri added.

"And life." Mattea nodded.

"That's true. Ugh, we need to support each other. We still need to make our new album too." Hobie groans by this constant work load. "Fucking Bruce."

The rest groan. "Hobie! Hobie! I'm so happy you made it!" The group turns to find Pavtri holding his girlfriend's hand having to pull her with him. She giggles seeing how happy her boyfriend is.

"Hey, bruv. Been awhile." Hobie greeted him, "Luv. Nice to meet you." He holds Gayatri's hand and kissed it being a gentlemen when he wants to.

"Hahaha, nice to meet you, Hobie! I'm a big fan of Spider-Band!" She said.

"Have you seen, my sweet Gayatri's work!" Pavtri asked the punker with stars in his eyes. "Huh! HUH?"

"Oh honey," The female artist giggles, "He's been in Miles' room the whole time. I won't lie, his work is so good." She holds her side shoulder bag, "He even customized my bag. See!"

Hobie's eyes widen at the bag seeing the painting with Sunflowers and cute characters. "What? How? Can he do custom works?"

"Yeah, he does. I gave him one of my fabric works." She giggles, "You really like it, huh? It's moving, right?"

"I need to check it out." Riri said, "First some wine!"

"Same!" Mattea nodded.

"More like a crush." Karl knows when his best friend has a crush, it's very rare but it's obvious to see.

Gayatri giggles, "Really! Awe, you know he's single and ready to mingle." She loves playing match maker, with stars in her eyes being excited. "Zero, can tell you, he's so ready for a new man in his life!"

Pavtri pouted at the punker with fake tears, "Hobie, you promised you would admire my darling flower! My Gayatri's beautiful work! She took these beautiful hands," he holds her dainty hands, "and created this!" He jumps over to an installation of a blue cut out thick papers handing by a thread to show an abstract figure in blue. "All the dates we had to miss!"

"I will we have all the time." Hobie tries to explained then he was yank by Pavtri being forced to look at all of Gayatri's work. He even explain each one of them in great detailed.

Hobie spotted the last work of Miles G. Morales, it's at the end of the gallery on its own with nothing else around. He wanted to go see it, but he had to make his way through Zero's work, too. He didn't mind Gayatri's and Zero's work, they are amazing artist, but something about Miles' work. It got him, he needs to see the last painting.

After going through all his well known friends and admiring Zero's work. He found Miguel O'Hara's daughter gasping at Miles' painting, "Papá! Did you see that painting with the mother and daughter! It's so cute! Does he do custom work?" She asked, "I want one of me and mamá!"

"Alright. Let's see if we can book one." Miguel happily said to his daughter, his whole grumpy mood toward Peter changed when it was his daughter.

Jess giggles, "That Miles Morales is making waves with his work, being new to this game. I'm impressed."

"Yeah, the kid is freakin' good. He actually got some peeps from LA looking at his work. That kid is going to places."

The owner of the gallery is a tall thing black man, "Alright, gather around." Everyone went to see the speech which Hobie cursed himself, he was so close to see the final painting.

He smiles happily, "I like to thank my wife, Jess for support. My good friend Aaron for helping pitch in. This beautiful gallery is meant to bring all young diverse artists to the art game. I hope you enjoyed Gayatri's amazing works focusing on the hardship of Indian American women identity and gender roles. Zero's beautiful installations on her poems and politics of today." The two women artists came up with a smiling widely. "Sadly Miles couldn't make it today but his work focus on the struggles of Black and Brown acceptance in America."

Hobie frowns, he was hoping to meet the artist. Gayatri made it seem he was around. How odd?

"They are the future for young Contemporary artists, we know the field mostly represents a certain group, so I hope to help them achieve their careers with this gallery." He holds his glass of champagne being happy.

Then, a man in black hood came walking past the group surrounding the artists and owner of the gallery. Jess' husband finished, "I hope you enjoy the rest of the opening."

Hobie spotted the black hoodie male carries a bucket of paint, then when the artists and owner moved away. "Hey, what is he doing?" Karl asked out loud spotting the figure.

The figure throws black paint on the final painting by Miles. Everyone gasps even the security was about to go over. "Oh my god! Why would he do that?"

Hobie's mouth dropped in shock, "What the fuck, bruv!" He shouted out loud in anger.

The figure grins widely seeing the security guards being stopped by the owner, he took out his bright yellow Spray paint, and wrote in messy dripping text, "Miles wazz here!" He put down his hoodie revealing his face.

Hobie's eyes widen at such a handsome young man; big honey brown doe eyes, wearing earrings, septum nose piercing, and a bright glowing face. His hair a tapered Afro with a fade. Wait, this is Miles? Miles G. Morales?

"Easy. Easy. He's an artist. This is his installation piece." The owner explained.

Miles let the painting dripped showing how the painting still revealed a bit. "I call this, 'I'ma do my own thing.'" He grins widely at the crowd.

Noir nodded giving a loud clap in approval. The rest of the crowd awed, by the piece looking beautiful with the add on drips and markings. Gwen shouted, "Holy shit, Miles!"

"Wow, amazing!" Pavtri claps like crazy being so excited, "I was filled with so many emotions!" Everyone went back to looking at other works.

Hobie finally got the chance took a look at the painting, "Ruining it, eh?" He saw Miles finished talking to Pavtri, who hugs him before leaving them.

"Is it ruin to you?" Miles stood with a grin, he wore an oversize black hoodie, some tight jeans and black and yellow Jordans.

"Nah, it's perfect. I believe chaos, luv." Hobie grins at him.

Miles giggles, "I bet, you known for that."

"So you heard of me?"

"I mean, who doesn't know Hobie Brown? The lead singer of Spider band." He giggles in amusement, "So, I heard you're gonna buy my works. I'm surprised. I thought my shit would be too much for a celebrity."

"Pfft, I'm a different kind, Sunflower." He sips his wine, "I always love works about black empowerment and to support a fellow one at that."

"Aye, gracias papí." Miles spoke Spanish.

"Ah, so you're Puerto Rican?"

"I'm half black and half Puerto Rican, my parents are over there." He chuckles seeing the punker looking over to find the same woman from the painting and a little girl.

"Ahh, inspiration?"

"They were the reason for my Sunflower series." The artist explained, "Honestly, I was so nervous for tonight because I'm a new comer and being with these amazing artists of New York- Ugh, I can't believe I'm here."

"That's why you doubted your work?"

"Pretty much." Miles admitted, "Funny, you're easy to talk to."

"I'm always listening, Sunflower." He leans over to get a closer look at the artist, "And I listen to the person I like."

Miles felt flustered then giggles, "Haha, funny."

"Oh yea? Gimme your number and let see if I'm playin?" He flirted with a deep voice. Miles didn't know what possess him to hand him his smartphone but he did. The Punker happily type his number into the phone and put his private social media too.

"Text me, Sunflower." He winks at the artist as he handed back his phone.

"Okay." Miles did the basic hey.

Hobie chuckles, "So soon? You really want me."

"No-no, I mean- awe man! I suck at this stuff." Miles pouts.

"Oh yeah? So you want me to be forward," The punker lift his chin up about to lean in, their lips close to almost touching, "Because I can."

"Eh?" MIles' honey brown eyes widen, he didn't think the punker would be this bold!

"NO! My big bro!" A little girl ruffling shoves Hobie away from her brother.

"Billie!" Miles saw his seven year old sister, "Awe, come here." Thank god, because he wasn't ready for a kiss like that. His face felt so warm.

Billie happily hugs her brother being picked up, "Yeah! Only I give kisses to mi hermano!" She kisses her brother's cheek. "Your painting of me and mamí esta may bueno, hermano!"

"Awe, thank you, Billie-boo."

Hobie only rub his nose then sniff. Damn, he almost got to taste him. Shame, but he does like it when they play hard to get. Licking his lips, his eyes yearn for the artist. Something in him wants him. Putting on his charming smiles, "So this is your little sister?"

"Yeah, I am Billie!" The little girl stated, "Who you are? You don't kiss my brother!"

"Sorry, she loves me too much." Miles giggles. "Billie, this is Hobie. He's a popular singer. Hobie this is Billie."

"Hmph," Billie pouted giving a look at the punker.

"She is small. What is she? four?"

"I'm seven years old!" Billie huffs, "I am a BIG GURL!" She hugs her brother around his neck.

"Eck, Billie. Not too tight." Miles almost choked. "Sorry, she was like this with my friends."

"No problem. I love lil sprogs." He chuckles lowly, "Also, how do I book for a custom painting?"

"Oh, on my social I have a link to my studio website and there's a form for custom orders. You really gonna buy another painting from me?"

"Of course." He saw his assistant near him, "Mindy, darling. Have you met the seller?"

"Yes, sir. They are willing to sell all five works." She said.

"Alright, add another one. A custom on from Miles' website." Hobie smirks widen when he saw how Miles' eyes widen.

"Alright, if you wish to purchase it now, we need to go to the owner and have it ready for shipping." Mindy hums.

"Very well."

"Also, we should be leaving soon. You have a recording session tomorrow." She hums.

"Alright. Alright." He winks at Miles being a show off, he lifts Miles' hands up to kiss it, "It was wonderful seeing you. I hope we can meet again... without me buying paintings- perhaps a date?"

Miles' face went super flustered by the punker. He never thought this famous singer would be so sweet, so charming, so damn cute! "Huh uh." That's all came out of his mouth.

Billie side eye at her brother seeing how shy he became. "Lil one, I hope you will protect your brother from untamed men." Hobie smiles at her before handing her a crumble hundred dollar bill.

"Aye, Ayi! Cap'n!" Billie nodded at the tip.

Miles said, "Wait, you don't have to-" Hobie shrugs, "She can buy whatever she wants with it. Anyway, I'll see you later."

"Oh... Okay. Bye Hobie." Miles hugs his baby sister tightly feeling so bashful, his heart fluttering.

The punker left with a large receipt of five expensive paintings. He wave his fellow friends goodbye.

In the limo, he had a big smile on his face thinking about his Sunflower. "Never see you this happy? You really like the artist, huh?"

He sighs lovingly, "Yeah... do you know where he lives? I want to send him some flower." He breath exhale on the cold window letting it fog up, then he drew a crappy sunflower.

"On it." She nodded.

-Present Day-

Hobie chilling outside enjoying his pool after his record session. His Smartphone vibrating, he looks to find Miles calling him. "Sunflower! Surprised you called, miss me?" He flirted removing his dark shades.

"Hobie, I think you send me too many flowers...." He said.

"Oh? Fifty bouquets didn't come to you?"

"Fifty? There's like one, two, three.... forty nine-" Miles stops hearing the door bell, "Never mind, fifty."

"Then you got them all. How about the gifts?"

"Hobie, you shouldn't have sent this- I- It's nice of you for-" Hobie waves it off, "Nah, it's fine. I got money and wanted to spend it on you, Sunflower. Now, that you called- How about a lunch date?"

"Huh? A date?"

"Yup." Hobie sips on his sparkling water.

"Ummm," Miles felt bashful again, "Sure... where-where?"

"I'll pick you up. I know a great place. Also, I might bring another bouquet for you." Hobie happily said.

Miles nodded, "Okay. Do i need to wear anything?"

"I prefer lingerie."

"Huh!"

"Joking. I'm joking, luv. Something you want to wear. Don't worry it's a chill spot."

"Alright, man." The artist bite his bottom lip, "I... I don't do sex on the first date, by the way...."

"Oh? I'm surprised you expected me too." The singer chuckles.

"No, I mean- I'm so sorry that's rude. I just have to always-" Hobie chuckles, "It's okay, luv. I promise I'll give you a kiss on the cheek."

"Just a kiss on the cheek." Now he sounded disappointed.

"Or you want on the mouth with tongue?"

Miles never felt so embarrassed, "Your a jerk, Hobie Brown."

"You seem to like it." He laughs.

"I do actually." His pouty lip more enhance as he listens to Hobie's voice. Something about this punker got him thinking about him. He had a beautiful dream with him and it feels like he known him. Its weird.

"Then, I'll pick you up soon. See you later, Sunflower."

"See you, Hobie." Miles hears him hung up, then he hung up. The artist never felt like this. Touching his lips feeling the cracks of his dry skin, "I need to moisturized! Lip scrub! Look good for him!" He rushes over to the bathroom to get ready.

A special bond formed between the artist and the singer.

[lboogie1906]

Dr. Jeanette Jo Epps (November 3, 1970) is an aerospace engineer and NASA astronaut. She received both her MS and Ph.D. in Aerospace Engineering from the University of Maryland, where she was part of the rotor-craft research group and was a NASA GSRP Fellow. She was chosen for the 20th class of NASA astronauts in 2009, graduating in 2011. She serves as a member of the ISS Operations Branch and has completed analog astronaut missions, including NEEMO 18 and CAVES 19. She is the second woman and first African-American woman to have participated in CAVES. She has been selected to fly to the ISS in early 2024 as part of the SpaceX Crew-8 crew.

She was born in Syracuse, one of seven children born to Henry and Luberta (née Jackson) Epps, Mississippians who moved to Syracuse as part of the Great Migration. She and her twin sister Janet excelled in math and science. She graduated from Corcoran High School in Syracuse and earned a BS in physics from Le Moyne College.

Her research was focused in the area of materials engineering, which included comprehensive testing of composite swept-tip beams, comparison of analytical models with experimental results for shape memory alloys, and use of shape memory alloy actuators for tracking helicopter rotor blades in-flight.

After graduating, she worked in research at Ford Motor Company as a Technical Intelligence Officer with the Central Intelligence Agency. Her work at the Ford Motor Company resulted in a provisional patent involving the application of magnetostrictive actuators to reduce vibrations in the suspension control arms, and a US patent for detection of the location of a frontal collision in an automobile. She worked at the CIA for seven years, including deployments to Iraq. #africanhistory365 #africanexcellence #alphakappaalpha

[sashaspasiba]

' Kristaps, representing Moon Models Agency in The Edge Collection, in his own flawless skin accentuated with a hint of Tom Ford Beauty applied by Sasha Gymn. He wears his own white shirt. He is a future worldwide very talented model ' Sasha Gymn Agent

[polijakefim]

Outside Magazine, November 2016 | Travis fimmel, Vikings actors, Happy play

Travis Fimmel’s Minimalist Broasis

Vikings star Travis Fimmel has exactly three possessions: his trailer, his pickup truck, and his horse

I’d been told to meet the Australian ­actor Travis Fimmel, best known for his role as Norse warrior Ragnar Lothbrok in the ­History channel’s Vikings series, at his ranch outside Los Angeles. Given the popularity of the show—four seasons, an Amazon Prime ­release, and season five in the works—I had assumed that Fimmel’s pad would be some secluded midcentury hideout with a well-stocked kitchen and a gym worthy of a broadsword slinger who’d also recently anchored a Warcraft film adaptation that made nearly half a billion dollars worldwide

But the address led to a dusty outdoor riding arena just off the highway, where Fimmel, barefoot in a pair of camo cargo shorts and a surf tee, greeted me from the back of his 15-year-old chestnut quarter horse, Wanker.

“I’m just getting him warmed up so he doesn’t buck you off,” says Fimmel, who is 37 and was raised on a dairy farm in Echuca, Australia. He grew up working in his family’s cherry orchards, camping and fishing with his two older brothers, and surfing behind dirt bikes in irrigation canals. He came to L.A. when he was 21, after being scouted by a modeling agency and dropping out of architecture school. Almost immediately, he was stopping traffic on billboards modeling Calvin Klein underwear

"Among a generation who’ve shunned material possessions, Fimmel has achieved an advanced state of stoic minimalism."

Still mounted, Fimmel led me in my rental car up to his broasis, which, it quickly became clear, was actually a dilapidated 18-foot beige and white Nomad travel trailer parked permanently in the shade of a pepper tree between a water tank and the tack shed. 

“Got it real cheap, over in Phelan,” says Fimmel. “Towing it back, the side panels were flapping, and the back door fell off.” The ranch belongs to longtime stunt coordinator Walter Scott. Fimmel showed up in 2010 looking for riding lessons ahead of a big-screen remake of the 1960s TV show Big Valley. Most of the work around his family’s farm was performed on ATVs, so he was a novice horseman.

“Just ask me about when I first met him,” says Scott. “He says he knew about horses—everything he learned right here, on that horse. Roping and everything. Him and another guy came. He never left.”

The film went down in flames after the director was convicted of committing tax-credit fraud on a previous project, but Fimmel stuck around the stable and now squats there when he’s not traveling. “Out here it’s just good people. No industry,” Fimmel explains. “Just the stunt boys.”

Among a generation who’ve shunned material possessions as barriers to life experience, Fimmel has achieved an advanced state of stoic minimalism. According to him, his only worldly possessions are Wanker, the Craigslist trailer (which now has air-­conditioning), and a red 1982 GMC stepside pickup with a ’73 bed (which does not). ­Before the trailer, he lived in an old Ford Econoline with a pop-up bed. 

“It got taken off me,” he says. “It wasn’t road worthy.” Unlike the cool kids who gussy up Sprinter vans and Westfalias, Fimmel only recently upgraded from a flip phone to an iPhone 4, does no social media, and rarely checks his e-mail. “I’m always getting texts asking why I’m not responding on Instagram or Facebook, and I’m like, ‘It’s not me. You’re writing to some stranger.’ ” 

Fimmel helped me into the saddle, and we headed out for a hack on a trail behind the property, him riding Scott’s horse Josey. It was hot, and Wanker wanted to stop in the shade. Fimmel’s ultimate goal is to save as much money as he can and end up back in Australia on a nice spread—“with three or four wives,” he jokes, though at the moment he says of the opposite sex, “They all hate me, although it’s not for lack of trying. When you do a lot of traveling, it’s hard.” 

He eats what he wants, works out only when he’s forced to, and does his drinking at the local VFW hall. But for a guy who regrets his modeling days and says he wasn’t looking to get into acting—“Still not looking to, mate”—he’s stripped away everything else. If he could, he’d spend three months studying for each of his parts. “You get sucked into it, trying to be good at it,” he says. “I wish you could make money and people never saw what you did. Then you could relax and not care about how bad you are.”

It’s the proper amount of self-hatred for an action hero who’s actually good at his craft—more Viggo Mortensen than Chris Hemsworth. He starts shooting a blockbuster bank-heist film, Finding Steve McQueen, in September, starring alongside Kate Bosworth and Forest Whitaker. 

Fimmel is extraordinarily soft-spoken—introverted, even—for a guy at risk of being typecast as a barbarian. At an interview with three of his Vikings castmates at Comic-Con in July, Fimmel managed to get through the entire Q&A saying exactly zero words. But he’s only now being tested in parts with more range, like his supporting role as a bearded-hipster pickle entrepreneur in the 2016 roman­tic comedy Maggie’s Plan and a loving, alcoholic father in an adaptation of the horse-racing novel Lean on Pete that was shot in Oregon and wrapped this summer. On that project, he ducked out for a few days to reel in his first steelhead with a friend at the mouth of the Chehalis River. 

It was nearly 100 degrees on the trail. The Blue Cut Fire had just broken out in San Bernardino, and disaster-relief crews were a constant presence on the highway. Each of the past three summers, Fimmel has escaped this kind of heat, shooting Vikings in the cold mists of Ireland. The Ragnar role even landed him an endorsement deal as the face of high-end down-jacket company Canada Goose, which photographed him earlier this year among the icebergs of Newfoundland. 

Here, though, it was just really hot. We put the horses up, Fimmel hosed Wanker down, and we went for a Bud Light at the VFW. If any of the vets and bikers recognized him, they didn’t show it. This time next year, it may not be so easy.

Lead Photo: Jeff Lipsky