#for tumblr reading comprehension purposes these are both actions that I have taken
Explore tagged Tumblr posts
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You either die insisting that Patroclus and Achilles were gay in Latin class because you took “Song of Achilles” as a scholarly document or live to see yourself complain that a tumblr post specifically about the Odyssey did not tag the Odyssey but did tag “Epic the Musical”
#for tumblr reading comprehension purposes these are both actions that I have taken#odyssey#tagamemnon#song of achilles#epic the musical#queueusque tandem abutere catilina patientia nostra
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AO3′s users alert! Unauthorised fanworks copying
26/09/2019. Important update on this mess: we found a way to delete fanworks via take down request to the hosting provider. Please check it here https://do-a-reference-properly.tumblr.com/post/187926459079/finally-some-good-news
Dear AO3 users,
We would like to bring your attention to an ugly situation with unauthorized copying of works posted on AO3.
A lot of works from AO3 have been copied to fanfics.me (we’ll call this site FFM for brevity’s sake) and are still being copied right now, either:
— automatically by a code specifically created by FFM’s owner for this purpose, or
— by unaware or unscrupulous FFM’s users via semi-automatic method (by inserting a link to a work from AO3 into a web-worm on FFM).
All works from AO3 — with a few exceptions (I’ll elaborate on this below) — can end up on FFM without authors even noticing. Even fanarts or podfics.
FFM doesn't comply with DMCA which means that such reposts endanger fanworks' creators in case the copyright holder demands to delete the fanwork.
Authors of the copied works do not have any control over them; if the work is edited it won’t be updated on FFM until someone manually updates it.
Additionally FFM’s owner makes money out of reposted free fanworks from numerous Google and Yandex ads on each and every FFM’s page by having people go to this site when searching for fics on Google etc. So we recommend using an Ads Blocker when visiting this site in order to prevent the owner from earning more. Ghostery or Adblock Plus work just fine, but you can use any other Ads Blocker that is convenient to you.
Oftentimes FFM even shows up before the original post with the work on Google search results.
The owner’s e-mail: [email protected].
The owner at AO3.
We are trying to bring AO3’s users attention to this situation and help authors with taking their works down from FFM.
Briefly about the website and its owner
Let me start from the very beginning as it will bring into the light the nature of FFM and give a good example of its owner characteristic behavior.
At first, some person with nickname Refery created FFM as a web archive where authors — mostly from Harry Potter fandom — could publish their fanworks.
Time passed, the site grew and added some features (blogs, pre-moderation and etc.), and all was good and well up till the moment when Refery decided that it would be a great idea to copy to FFM fanworks published on other Russian fanfiction archives — among them from the biggest and most known site ficbook — without asking authors for permission. Even those works that had “Ask me before posting the story somewhere else” mentioned in its text or summary were copied.
For some time nobody noticed, but when finally and inevitably this came out the authors were outraged. It took a lot of time to finally persuade Refery to at least not to copy fanworks bearing a special tag “Уточнять у автора” (Ask the author first).
But after some time Refery — without giving any notice — violated his own promise and resumed copying to FFM fanworks that had the agreed upon tag. The authors complained again, so very reluctantly and after many painful discussions this feature was reinstalled.
So FFM has been notoriously known, mostly amongst Russian fandom, for claims on re-posting fanworks without the consent of the authors.
We're mentioning this situation just to give you a detailed portrait of a person we are dealing with here.
Not only fanworks are copied to this website, but original works, too. Even those which were already published. There were all 7 of Harry Potter novels (both original text and translation), The Hobbit: There and Back Again (translation) and Vorkosigan Saga (translation) available for everybody to read and download. They were taken down only recently due to the attention this whole situation had drawn, but nothing ever goes away once it’s posted online and you can access the proof via Internet Wayback machine. We know for a fact there are other books on FFM and some actions have been taken in this regard, but still it takes time to find published books on this site.
Recently Refery decided that Russian archives are not enough for him and started copying all fanworks into FFM without any permission from the authors from numerous sites, like AO3, fanfiction.net, fictionpress.com, fanfiktion.de and likely other web-archives.
Moreover, the authors of these works can not delete their works from FFM and/or manage them. The site is in Russian only and, hence, we strongly believe that non-Russian speaking authors even do not know that their works are reposted somewhere else.
As a Russian fan-community, we have tried to stop such activity of FFM many times; however, we have not been successful in achieving our goal completely. Our most recent achievement is that the FFM’s owner implemented the "Don't copy to another site" tag created specifically for AO3 (here is the link to FFM’s owner post on his personal blog regarding this tag. Please use Ads Blocker!). This tag should be added to each work presented on AO3 in case the author does not want their works to be copied to FFM.
We are of the opinion that no work should be taken without permission in the first place, but this tag is all we’ve got.
Please note that it seems that some time ago there was similar case of unauthorized copying with other site. Please check this link, they give useful advice.
How to prevent copying from AO3
If you check AO3 you may notice that "Don't copy to another site" tag has hugely emerged in the recent weeks, but mostly amongst Russian users and there is a good reason for this: the owner of FFM announced this tag only in Russian and only on his private blog, so naturally there is no way for non-Russian speaking AO3 users to know about this — albeit non-satisfactory — solution.
There are no guaranties that the FFM’s owner won’t change the rules again as has already happened numerous times before (few examples we described above) and that works with this tag won’t be reposted in the future, but for now it’s the only quick and working solution besides making your works visible only to registered users, which is not ideal.
This situation is highly unpleasant, but we ask you not to delete your works from AO3, because if the work is deleted from AO3 it will be nearly impossible to delete it from FFM: we won't be able to refresh it manually and remove the text.
Please note that adding this tag won’t work for texts that have already been copied. Only users who have accounts at FFM will be able to delete them. Each work needs to be deleted manually.
However, the Russian fandom — except for the owner of FFM — strongly condemns reposts without the consent of the author, so feel free to contact our volunteers (through DM or Ask on our tumblr page) providing the links to the works stolen from AO3, so we could delete them for you.
Unfortunately, it is not possible to cover all authors and works manually. So, we contacted AO3’ Technical Team with the aim to bring their attention to this situation and inform about it all AO3 users, and hope that AO3 team will find a general solution to resolve this problem, possibly, in collaboration with the AO3 lawyers.
We are trying to warn as many authors as possible and recently started spreading this information via comments on AO3; but considering the number of works copied to FFM informing all authors will take considerable time, and we can easily miss someone, especially since the copying is still in progress and new works from AO3 are appearing on FFM every day.
Please help us spread the word!
We tried to make a comprehensive FAQ about this. Feel free to ask if anything is unclear!
FAQ
Q: Can I check if my work was copied to FFM?
A: Yes, you can.
FFM makes money on Google and Yandex ads, so we recommend turning on the Ads Blocker of your choice before visiting this site.
Please follow this link, insert the title of your work or your AO3/other web-archive nickname into the field containing the words "insert-title-nickname" and hit "Искать" (Search).
For works rated Mature or Explicit you will be able to see only the caption "Текст произведения доступен только зарегистрированным пользователям старше 18 лет" ("The text of the work is available only to registered users over 18 years old"), but FFM users are able to read and download the story.
Q: My work from AO3 was copied. How can I take it down?
A: First of all add the tag "Don't copy to another site" (without “ “) to the stories you want to be taken down.
Actually we would recommend adding this tag to all the works you don't want to be copied.
Contact one of our volunteers (through DM or Ask on our tumblr page) providing links to your works or send an e-mail with your deletion request directly to the FFM owner at [email protected] or at AO3.
There is a third option: to register on FFM and delete the work yourself by hitting the refresh button, but considering that the site is in Russian we do not think it will be very convenient to those who do not speak Russian language.
Q: I got the message that my work has been deleted. How can I check if it is true?
A: You can go to FFM, search for you work, click on its title and scroll down.
After the summary there is a field that should look like this for those fics that have been deleted.
Basically it says that the author of this particular work has forbidden its copying and that only the information on its title, author’s nickname, rating, pairings, summary and the link to original post on AO3 are available.
For works that are still available on FFM this field looks like this (if the work is open for non-registered users).
Q: My work copied from AO3 was deleted, but FFM still shows some information on it. Can it be deleted?
A: Even though the text of the fic is not going to be on FFM anymore after it has been deleted, the fic's title, author's name, rating, pairings, summary and link to original post on AO3 will remain there.
The deletion of this leftover information can be done only by the site owner himself.
Some Russian authors tried to make him to delete it, but in most cases the FFM’s owner refused them mentioning that publication of such information is in line with fair use concept and doesn’t violate authors’ rights.
We are yet unsure how to delete this leftover information. In case you need it as well, try contacting the FFM owner at [email protected] or at AO3. Maybe e-mails of a large number of authors will work, but unfortunately we can’t guarantee anything. In case you need it, we can provide Russian text for you to send by e-mail (please contact our volunteers through DM or Ask on our tumblr page).
Q: My work from fanfiction.net/fictionpress.com/fanfiktion.de/other web-archives was copied to FFM. How can I take it down?
A: Unfortunately, there is no possible way for us to delete from FFM the fanworks that are copied from web-archives other then AO3. Only FFM’s owner can delete these works, please try contacting him at [email protected] or at AO3. In case you need it, we can provide Russian text for you to send by e-mail (please contact our volunteers through DM or Ask on our tumblr page).
Please do not delete your works from the web-archive it was stolen from, because if the work is deleted it will be nearly impossible to delete it from FFM.
Also it seems that some time ago there was similar case of unauthorized copying with other site. Please check this link, they give useful advice.
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Preliminary Syllabus
NYIT’s NEWS 660-M01 – Practices of Photography with Professor Susan Landgraf [email protected] Photography Workshop and Lecture – Spring 2018 Tuesday 9:30 am-12:20 pm Room 922
https://photographasdocumentspring14blog.tumblr.com/
Taking pictures is like tiptoeing into the kitchen late at night
and stealing Oreo cookies. - Diane Arbus
Photo by Diane Arbus, Color courtesy of tumblr
Required texts
Readings in copy form or digitally will be distributed as relevant to the assignments and class discussions.
Materials and supplies
A working digital camera, SLR or point-and-shoot, is required. Cell Phones are acceptable as image making devices. Flash drives or other external portable hard drives will be needed to transport images to and from class. A notebook is recommended for notes and handouts. The only costs will be for entry to museums and other events
Every picture I take is like a diary entry
. -
Gilles Peress
Ireland
1960’s
Rwanda
1990’s
Course description from catalog
Go to www.nyit.edu
Course goals and introduction
We live in a visual culture, bombarded by images continuously. Yet which ones speak for us and to us and our perceptions of our own lives and of our understanding of contemporary culture? Each individual has their own way of seeing yet progressively our vision is narrowed by the abundance of images we see every day and cultural constructs which constrict our vision. We shut down, put on the sunglasses, pull up the hood, put on the earphones, all to avoid overload. And yet with these actions we are denying ourselves empirical knowledge (that based on observation or experience) from which to grow and expand our awareness and the possibilities for our future.
Questions need to be asked for answers to be found. It is human not to know yet to seek greater knowing. What are your big questions? The questions that continue to arise, to stimulate your interest and curiosity, yet remain mostly unanswered? Once the questions are posed, articulated, you have entered into a journey as a seeker of answers. In this class your camera provides you with a tool. Coupled with imagination and thought your camera is that helpful animal in Fairy and Folk Tales. It records your adventures, your experiences, holds your memories, allows you to time travel and lets you live the life of an explorer in your search for your answers. With the passing of time aka Life, you realize you have lived into an answer that satisfies you, at least for the present. Your questions inform the process of your life being lived, not solely, but significantly. It is consciousness of these processes that propels you forward.
Photographic images have both function and purpose. They exist as still images and with movement. They function in many contexts. We will address the uses of photography with critical awareness and thinking. Photographic usages in advertising and marketing, photojournalism and editorial and all forms of commercial photography are determined by different markets. Personal documentation of events and experiences are not. All functions and purposes share communication of some form of meaning, some idea behind their creation.
Each opening the shutter of your camera based in your choice informs your photographic practice, and hopefully allows you a conceptual understanding of individual realities and how they connect to the world we inhabit.
Classes will consist of short lectures, workshops, discussions about the history and contemporary practice of photography as a means of communication, sharing of student work and visits to various locations in NYC where photographs are displayed or where we can photograph. Critiques of existing professional work and student work will be carried out throughout the semester.
•Social Media as a tool for communication: Using www.tumblr.com as a forum for discussion and comment as well as for viewing each others work. Students must comment on at least two posts by fellow students each week, hopefully more. This communication between students over the course of the semester is crucial to the learning process and to your own developing knowledge about photographic imagery, ways of seeing and your insights into your own uses of photographic imagery. In class viewing of work and comments on work will also support this.
•Participation and Assignments: Student assignments will be given weekly. All photographic and written assignments will be uploaded weekly by each student to their blog on www.tumblr.com . All written assignments should be handed in as hard copy and posted to the student’s blog. Critiques of the photo work will be made in class and between all students within the structures of this social media, the classroom and excursions into spaces available in NYC useful in the consideration of photographic images and their creation and uses.
Meeting deadlines for assignments will be an important part of a student’s participation grade. Participating in class discussion is important. Doing the assigned readings to be able to participate in related discussion is important. Any questions that emerge from the readings are welcome in the classroom or can be posted on tumblr.com for opening discussion amongst the group. There are no “bad” questions. If you have any questions, please ASK.
Upon successful completion of this course, students will be able to:
· Demonstrate an ability to assess the meaning and use of photographic images and provide a primarily visual narrative about them.
· Demonstrate knowledge of the various and evolving forms of visual communication and the developing aspects of social media for image dissemination.
· Develop critical ability in viewing how photographs are used and for what purposes in various cultures and how we can use them for our own purposes.
· Demonstrate technical facility with a digital camera, including printing and disseminating photographs with captions using a computer and the internet.
· Create a photography blog using one of the free programs available on the internet, and develop a system of categories or themes for the presentation of their work.
· Discover uses of Web Resources and Social Media for the study and practice of Image Making.
· Develop a sense of their personal way of seeing and style of image making. Understand how they can apply what they have learned for their career goals.
· Complete a final project, using photographic images, which can be used in a portfolio.
Methods of assessment will include:
READINGS: Comprehension will be evaluated through in-class discussion and written assignments.
PHOTOGRAPHY & TEXTS: Learned criteria include the basics of photographic production and will also include clarity of narrative content in both photographs and captions. Meaning will be understood as integral to photographic production.
CRITIQUE is the art or practice of critical thinking. Critiques will be a regular part of classroom process during this course. Critiques are based in the intention of improving the possibilities of the work under discussion, not destroying it.
TUMBLR: The use of personal blogs for the posting of all assignments and the sharing of work and ideas with fellow students and the instructor is integral to the success of the seminar and your participation in it.
PARTICIPATION: based on attendance and meeting assignment deadlines.
CLASS ATTENDANCE is important. After a second unexcused absence, or in the event of chronic tardiness, grades will be affected. Tardiness is defined here as being more then ten minutes late for class. Three times tardy equals a full absence. Four absences will result in an automatic failure. If you need to be absent please email me to let me know.
Grading formula
Grading is based on completion of photographic and written assignments in a timely manner, blog maintenance of weekly assignments and in class work including participation in discussions. Attendance is required. 55%
Midterm Review 15%
Final photo project 30%
Policy for make-up exams and missed or late assignments
Make-up projects are only permitted with a valid medical excuse. After mid term, no late assignments will be accepted for projects due.
Program Learning Outcomes- Graduate Program
Upon graduation, graduate students will be able to:
Choose appropriate research techniques, analyze and interpret data and recommend an appropriate course of action for a variety of audiences.
Demonstrate professional level production skills, incorporating emerging technologies as appropriate.
Collaborate effectively, assuming a variety of job responsibilities, in a professional environment.
Have a developed sense of their strengths as a creative producer within the current image-laden culture.
NYIT Global Competence: NYIT is an institution of higher education where students can identify inter-dependencies among cultures and are able to collaborate effectively, participating in social and business settings globally.
Upon graduation students will be able to: Recognize the impact of the global interconnection of issues, processes, trends, and systems on their academic specializations and worldviews.
Practice well-researched oral, written, visual, and digital communication in its diverse cross-cultural forms.
Describe a complex global issue from multiple cultural perspectives and explain how those perspectives affect the treatment of the issue.
Employ effective and appropriate interaction and teamwork with people of different nationalities and cultures, demonstrating respect for social, cultural, and linguistic diversity.
Course Schedule and Requirements:
•Students must photograph at least 20 photos a week (the more the better) regardless of other assignments and post them to their blog. After your Blog has been created, all photos taken must be uploaded to your blog for ease of viewing and sharing. Once class has met following each assignment and your photos have been shared through tumblr or in class, your online photos can be edited. You must comment on at least two blog posts made by your fellow students online on tumblr each week. Carry your cameras with you at all times, bringing them to class every week.
http://photographmag.com/exhibitions This is a link to an online list of photography exhibits in NYC and elsewhere. You may be interested in visiting galleries in Chelsea, the Lower East Side or Brooklyn to see what work is being exhibited.
The contemplation of things as they are, without error or confusion, without substitution or imposture, is in itself a nobler thing than a whole harvest of invention. - Dorothea Lange -
Photography is a small voice, at the best sometimes – just sometimes – one photograph or a group of them can lure our senses into awareness…. Someone – or perhaps many – among us may be influenced to heed reason, to find a way to right that which is wrong….The rest of us may perhaps feel a greater sense of understanding and compassion for those lives which are alien to our own….Photography is a small voice….It is important voice in my life, but not the only one. I believe in it. - Photo and quote from Minamata by W. Eugene Smith
Class 1 - January 23 – Introduction: The Practices of Photography- Some Purposes and Functions toward Representation – Camera as tool/instrument
In Class: Introductions. Review class requirements with syllabus.
• Establish tumblr.com blogs [Once you have set up your account add your username to sheet provided so everyone can follow each other on tumblr.com].
"Photography is the only language that can be understood anywhere in the world" - Bruno Barbey, Magnum Photographer
Workshop: Explore online either:
Magnum Photographers https://www.magnumphotos.com/photographers/ OR Photographers represented by a Commercial Gallery in NYC- Edwynn Houk http://www.houkgallery.com/artists - Select a photographer who grabs you, write why and then post your answer and two photographs of this person’s work to tumblr. If you do not finish during class time please complete by next class.
Assignment for next week: Post to tumblr ten of your own photographs that are most meaningful to you. Give each a caption which can use any language you feel suits the image post. Also: How do you use photographs in your life? List at least five ways.
Class 2- January 30 – Beauty, Wonder and Desire in Time – Exploring, Collecting, Classifying, Encountering
In Class: Visit to American Museum of Natural History for photographing
Meet at the main entrance on CPW at 9:45am
Assignment for next week: TBD
Class 3- February 6 – Light, Shadow and Color as Visual Materials,
Spaces – Landscape/Cityscape, Architecture
In Class: Workshop to review photographs taken on Museum outing, Brief Visual Presentation.
Assignment for next week: Photograph Light, Shadow, a single color of your choice and some urban spaces or architecture. Bring your photographs to class for review, comments and edit before posting to tumblr in class.
Class 4- February 13 – You are my mirror -The Mirror in Objective Reality, Metaphor, Psychoanalysis ---and in Your Camera
Cindy Sherman Untitled #2 Lola Alvarez Bravo Two Fridas
Murray Fredericks’ Vanity https://arcone.com.au/murray-fredericks_vanity_2017/
Robert Mann exhibit http://www.robertmann.com/upcoming/
Robert Smithson Photoworks: Mirror Trails and Displacements https://www.robertsmithson.com/photoworks/pw.htm
In Class: Short presentation. Workshop for work done on assignment for this week.
Assignment for next week: Photographic Portraits: Of Self and Another
Class 5 – February 27 – Who Am I/ Questions of Identity and Embodiment- The Mind- Body Balance- The Binaries of Life
“Humans are just the sort of organisms that interpret and modify their agency through their conception of themselves. This is a complicated biological fact about us.” Amelie Rorty
In Class: Lecture and workshop
Assignment for next week: Create five diptychs which address one of the many dualities a person faces in life, often necessitating a choice about one or the other, or simple a tension which exists between the two that one comes into acceptance of.
Class 6 – March 6 –Manipulating the image, Staging the Image
Long before digital photography emerged photographers were using photographic practices to alter the straight photograph required for documentary work.
Joan Fontcuberta, a Spanish photographer thinks of the computer as “A sophisticated technological prosthesis we cannot do without.” It is “not surprising that a photographer would use it like a different lens or filter.”
http://www.houkgallery.com/exhibitions/sebastiaan-bremer-ave-maria?view=slider#13
Assignment for next week: A written evaluation of the progress on your project to date with five photographs that realize your intention. This should also be posted to tumblr before class on March 13th
• Make two photographs ( more if you choose); one staged and the other manipulated
Class 7 - March 13 – Project review- Status of project to-date
In Class: View work from prior assignments
Assignment for next class:
Photograph during your Semester Break. Subjects are your choice. Bring images on a flash drive or have access to them through another way as during class we will be reviewing, discussing and editing your images. You will post them to tumblr during March 27th Class
March 17-25 Spring Recess- Enjoy!
To be continued ….
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What to do when you're stuck with a lazy group? I'm with two guys and we still haven't chosen a topic. We have to present in two weeks. Nobody replies to my messages and both left after class this week. I just wanted to choose a topic and leave!!!! So I booked a study room today and they all made excuses. Ugh. I'm gonna be the one who's doing all the work. This is worth 40% of our grade. Same as the exam. FML
Hi there, thank you for asking, as this is a super common problem in high school, university and the workplace! I’ve never seen this question answered in depth on studyblr, so I’ll give it a go!
NB. It depends on your personality as to the approach you want to take, so let everyone who’s reading this not pass judgement upon others in such a situation~ Remember in all of this to be polite, understanding and gracious no matter how much you want to flip tables. The following 5 Options go in order of how many bridges you want to burn :’)
Option 0. Wait for a bit longer and try communicating with them again.
I have seen a similar question asked once on tumblr where the studyblr blogger answered “two weeks is plenty of time, you’re probably over-reacting”... Obviously, I’m not going to trivialise your answer by giving you just one option like that - I frankly thought that studyblr was quite rude for answering so shortly to someone who took the time to ask them a question.
How to do it: The way you communicate with them now might not be effective, so make sure that you’re ticking off the following boxes if you choose this option, rather than just letting nothing change: meeting face to face, setting mini-deadlines for each part instead of just allocating once at the beginning, and make sure each member knows what and when they have to complete something.
This option is best suited for people who:
really don’t want to create a commotion and would rather wait a little longer and reduce the time available for them to do the project,
or people who would answer ‘Strongly Disagree’ to “Being organized is more important to you than being adaptable“ and “In a discussion, truth should be more important than people’s sensitivities.” in a personality quiz (a strong prognostic factor for Option 1 tbh),
or people who know they can tackle everything in less than 1 week,
or people who just realised/kind of know they’re actually overreacting,
or have just realised whilst reading this that maybe they didn’t actually try contacting the other group members all that well (i.e. don’t have enough evidence for Option 3).
Pros:
Nobody gets angry at anyone, and it doesn’t reflect badly on you either (because no one finds out if you don’t say anything - people tend to be judgemental if you pick one of the three options below).
Less stressful for some people than confrontation.
You might get eventual cooperation.
Cons:
You might not get eventual cooperation, and end up being stuck with all the work anyway (hence resulting in options below).
More stressful for other people as you feel time is ticking away and nothing is changing.
The time you spend waiting for the others will result in less time for you to tackle all the actual work.
Pro-tip: doing as much individual work as possible sometimes will egg those team members to finally start pulling their weight, or can help you with Option 3 if you do end up going for it.
Option 1. You make all the decisions and do all the work.
Best suited for people who: are academically gifted, like doing work independently, have excellent time management skills.
Pros:
You can ensure the quality of the work will be excellent.
You get to choose what topic to do and direct the overall project turnout.
No one hates you for anything, but NB. your friends and family relationships that suffer as a result of the time you have to sacrifice might not have anything pleasant to say about it all.
Cons:
You need an extraordinary amount of time.
The other people in the group get a free ride and in nastier words, some would say you get taken advantage of for your goodwill.
Lack of group opinion may make the quality of your work suffer.
Other subjects you’re taking may suffer.
Option 2. Badger the other group members until they do some work.
Best suited for people who: don’t want to be stuck with Option 1, but don’t want to escalate to Option 3. Give them an ultimatum about the work, or just decide the topic by yourself if they don’t step up.
Pros:
Very similar to Option 0 in that you wait a bit longer before taking drastic action, so you might get eventual cooperation, and you don’t bother your professor.
Cons:
You stress yourself out badgering other people.
Other group members get annoyed at you, and your classmates that happen to watch you badgering have a not-so-great impression of you.
Option 3. Document a significant amount of evidence that shows your effort to get them to contribute and contact the professor about it.
Best suited for people who: would like to do things independently but just cannot afford the time because of other commitments.
Pros:
Professor can step in and (hopefully) offer some sort of alternative solution.
Your other subjects won’t suffer.
Sometimes you have a really great professor and they end up taking into account that you’ve done the project by yourself and mark super nicely/give a bonus mark, or even penalise the other students.
Cons:
Professor may snuff you and say “the purpose of this project is also to learn about team cooperation��. Had a prof before who told us straight up at the beginning of the project that “you work it out, not me”
Professor may help you out, but in a way that doesn’t really end up helping e.g. he just emails the two members of your group to tell them to start working once and that’s it.
Other group members hate you for life (and I know this bothers some people enough not to go through with it, again pls remember no judgement fellow readers)
How to do it: Email should be along the lines of the following:
Dear Professor _______,
I am a current student undertaking [course code]. I am sorry to contact you in unfortunate circumstances, but I have been having severe difficulty convening with the other members for the remainder of the _____ project. While I am aware that group projects have a dual purpose to both educate us on the academic topic as well as to improve our cooperation and communication skills, I have tried [insert whatever means you attempted to contact them by, attaching evidence is up to you]. I have already completed the intro/background research/other individual task, however I cannot complete the ______ by myself/without group input.
I would appreciate any guidance you could offer/I would greatly appreciate your help/If it is possible, could you please [insert action depending on how desperate you are - don’t ask for anything unreasonable!]?
I apologise for having to inconvenience you, and thank you for your understanding on the matter.
Kind regards,
[Name and student number]
Option 4. You do all the work and then leave their names off the work.
Best suited for people who: work independently, don’t mind burning a few bridges. I won’t actually recommend this option, but I’ve seen this happen in real life.
Pros:
Sense of self-satisfaction for some people when the lazy members don’t get a free ride.
Again, you make sure the project quality is exactly what you want.
Cons:
Similar to Option 1 minus the free ride bit.
Not only do the other group members hate you, but their friends in your cohort will too. At least in Option 3, those guys can’t try and gossip behind your backs because whoever they tell will realise that they didn’t do the right thing either.
Do this at your own risk, as it can backfire depending on the professor - if anyone’s watched Cheese in the Trap - the main character does all the work but the professor managed to suss out that the other group members didn’t do anything, and as a result penalised her with a D grade for failing to make it “group” work despite the fact she would’ve gotten an A. Some profs are really... they just don’t see it your way :/
Hopefully things don’t have to escalate to Option 4, but whatever you choose to take, I’ll wish you the best! I’ve given quite detailed instructions and written comprehensively, but feel free to contact me any time if you need any more help :)
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ship manifesto: jyn erso/cassian andor
Fandom: Star Wars: Rogue One Pairing: Jyn Erso/Cassian Andor Recced on livejournal by: sugangel7
What do you get when a headstrong, fiery rebel meets a cool, reserved captain?
ALL OF THIS:
He hadn’t known her, didn’t know her, of course. There wasn’t the time.
Credit to: http://cassianskywalkers.tumblr.com/post/155918947283/he-hadnt-known-her-didnt-know-her-of-course
I’m not used to people sticking around when things go bad.
Credit to: http://wrinchester.tumblr.com/post/155693213487/im-not-used-to-people-sticking-around-when-things
Credit to: http://jedileiaorgana.tumblr.com/post/155282010231/jyncassian-text-post-meme
Why write a ship manifesto for these two? Rebelcaptain stole my heart and then some. The one thing that soothes my soul is that there is a whole community of like-minded folks who have written tons of seriously beautiful fic that pretty much meets every single desire you had for this unwitting rebel and intelligence captain after watching the beautiful action-packed war epic that was the movie Rogue One. And you probably read the novelization too, which just whetted your appetite even more. (And let’s not forget about the official Star Wars Spotify playlist for Cassian Andor which just reaffirms their tragic, beautiful love story even more.)
I could’ve spent ages longer on this manifesto, and there are still some gorgeous fics out there that I have not yet read that I am dying to read, but I hope this serves as a somewhat comprehensive look at what the rebelcaptain fanfiction fandom has to offer. (Also look at the het-reccers tag, because a few of my favorites of theirs have already been recced). And check out the rebelcaptain tag on tumblr because there is so much good stuff to be found on there.
Rec #1: If you’re in the mood for some really well-done slow burn...
Title: semantics (it’s a series of one-shots!)
Author: katsumi
Link: http://archiveofourown.org/series/631220
Rating/Warning(s): Teen and Up
Word Count/WIP?: ~2000 words for each one-shot / four one-shots with perhaps more to come
Why This Must Be Read: This captures the careful hesitation on the parts of both Jyn and Cassian while all their friends just don’t quite get it while some of them do. Fluffy, humorous, and heart-wrenching by turns.
“How is sleeping not the same as sleeping?” K2 asks, and shit, this is not a path Cassian wants to go down with him. He closes his eyes, pinching the bridge of his nose.
“Semantics,” he says, and he can hear the clink of bolts as K2 slumps a little. K2 has always been moody about that human tendency to say things that don’t mean what they’re supposed to mean, a tendency the droid finds “complicated” and “uselessly theatric.” “Oh,” K2 says, voice dripping with disdain. “I see.”
Rec #2: If you’re in the mood for some gorgeously romantic hurt/comfort...
Title: you will hope in something real
Author: tryalittlejoytomorrow
Link: http://archiveofourown.org/works/9119407
Rating/Warning(s): Teen and Up
Word Count/WIP?: 4590 / No
Why This Must Be Read: This is a brilliant character study of Jyn and is just soft, quiet, and utterly, utterly romantic.
Rain catches on his eyelashes, and she becomes fixated on that, too. His face is a blur but she sees the little drops so distinctly, can count them, and he's beautiful, she can't deny it, and she wants to kiss him all of a sudden, or maybe it's not so sudden, after all. Jyn's been wanting to kiss him since that long ride in the elevator. Wanting to kiss someone when you feel like you're about to die is not exactly the same thing as wanting to kiss them every day, in the aftermath, Jyn's painfully aware. She's never wanted that before. She can't say that she hates that her life is now divided between before and after Cassian. It's another warm, stupid feeling Saw never took the time to explain.
Rec #3: If you’re in the mood for a true action-heavy war fic...
Title: spes semper mihi adest
Author: rain_sleet_snow
Link: http://archiveofourown.org/works/9228242/chapters/20928818
Rating/Warning(s): Teen and Up, Major Character Death
Word Count/WIP?: 26945/ No
Additional Pairings: Chirrut Îmwe/Baze Malbus, Leia Organa/Han Solo, Shara Bey/Kes Dameron, Leia Organa/Luke Skywalker/Han Solo, Jyn Erso/Han Solo
Why This Must Be Read: I love this fic because it feels very much like the movie: Jyn and Cassian’s relationship is basically taken as a given with a lot of plot and action in a world where a war keeps on going, even as two people find themselves entwined in the midst of it. A poignant, engaging fic.
Cassian is half-awake. His clothes are bloody and partly shredded, and beneath them and the bacta Jyn can see scars that are healing and the distinctive marks of a torture droid, which are not. He looks thin and sunken and sick and he needs a shave. He also looks quite surprised to see Jyn; for a moment she isn’t even sure he recognises her. “Hello, Cassian,” Jyn says. Her tongue is crowded with words that won’t come out. She swallows them down. “Have a blaster.” She offers him the lighter of the blasters she stole, and he takes it with a familiar, easy grip that reassures Jyn that he’s still in there. “If this is a dream,” Cassian announces, swinging his legs off his bunk and staggering towards Jyn, “it is a beautiful dream.”
Rec #4: If you’re in the mood for a fantastic rendition of the soulmates trope...
Title: this is the fate you’ve carved on me
Author: Selkit
Link: http://archiveofourown.org/works/9372218/chapters/21217277
Rating/Warning(s): Teen and Up
Word Count/WIP?: 17465 / Yes
Why This Must Be Read: I’m such a sucker for the soulmarks trope, and this author manages to pull it off in a way that feels so perfect for these characters and this film. I appreciate the author stays true to the essence of Rogue One, but isn’t afraid to adapt the film’s plot for the purposes of making this trope work. It builds an added layer of complication to an already complicated relationship and boy does it make for some fun and suspense and angst.
It occurs to her, very dimly in the back of her mind, that it would feel right to reach out and trace her fingers along the curving script, to see what her words feel like on his skin. She doesn’t.
Yet she does feel an odd sensation steal over her, like the not-quite-unpleasant ache in her shoulders after setting down a heavy load. It’s not relief, not entirely, but it’s something close.
Rec #5: If you’re in the mood for a fix-it, bed-sharing fic because hey this is rebelcaptain after all...
Title: we were secrets to keep
Author: mollivanders
Link: http://archiveofourown.org/works/9352454
Rating/Warning(s): Teen and Up
Word Count/WIP?: 3270 / No
Why This Must Be Read: This fandom is chock-full of fix-it and bed-sharing fics but this is definitely one of the best. beautiful, flowing writing style that captures these two broken souls in such stark relief.
She's not sleeping, for one. Not sleeping well, at least, judging by the dark circles under her eyes and the way her shoulders are slumped.
His training also whispers to him that everything in her file suggests she's about to run, about to disappear, and he tries to shrug it off. (Still, the thought nags at him like an open wound.) So when she knocks at his quarters that night and slips inside, he doesn’t protest as she curls up next to him. She’s warm and solid against him, and he hasn’t been this close to her since Scarif. He doesn’t ask questions, and he drifts off listening to the sound of her shallow breathing, one pounding heartbeat at a time. (They’ll figure out the rest later.)
Rec #6: If you’re in the mood for a college AU...
Title: you might just go under
Author: andromeda3116
Link: http://archiveofourown.org/works/9780254
Rating/Warning(s): Mature
Word Count/WIP?: 8076 / No
Why This Must Be Read: This is one of the best college AU fics out there. It captures that instant attraction between the two in a realistic way, and it features the rest of the Star Wars gang in a super fun way that truly does justice to all the characters.
Walking into the apartment (where, she could not stress this enough, she was supposed to be meeting two or three people for a study group after being on her feet all day behind the bar) was like walking unfortunately back in time, to the English department parties at Northeastern -- complete with the now-dated Lady Gaga music playing. Bodhi heaved a sigh when they walked through the door.
“I tried to wrestle the playlist away from Kay,” he said. “But he’s stronger than he looks.”
Rec #7: If you’re in the mood for an epic, action-packed fic that features the entire crew of Rogue One...
Title: floating, sinking
Author: shuofthewind
Link: http://archiveofourown.org/works/9053302/chapters/20596522
Rating/Warning(s): Teen and Up
Word Count/WIP?: 135568 / Yes
Additional Pairings: Chirrut Îmwe/Baze Malbus
Why This Must Be Read: With alternating POVs, this fic is a beautiful homage to the entire crew of Rogue One. So if you want something that features Bodhi, Baze, and Chirrut in spades while still doing justice to the beauty that is Cassian and Jyn’s relationship, then read this. The action and plot are just as substantial and important as the romance. It basically reads like another movie, and runs through A New Hope.
Jyn looks at the bedspread. She’s still confined to the sickbay, even though she could walk. There are guards on the door, Rebels in helmets. She can’t make out their faces, but they stop her when she tries to leave. If she wanted she could take them both out and vanish, but Cassian is in the next bed over, still kept sedated, and Bodhi wanders in and out when he needs quiet in this noxious jungle prison, and Baze is—untethered, is the word she wants. Baze is untethered. Chirrut is still hovering somewhere between life and death, and Baze is lost in space for as long as the question remains. She cannot be their fixed point, not the way they want—she isn’t a leader, for all she dragged them into hell—but she sees no point in leaving when they cannot come with her yet.
Rec #8: If you’re in the mood for a hilarious modern-day take on the friends-with-benefits trope
Title: I’ll Be There For You
Author: caramelle
Link: http://archiveofourown.org/works/9422429
Rating/Warning(s): Teen and Up
Word Count/WIP?: 4215 / No
Why This Must Be Read: This is one of the best modern-day takes on Jyn and Cassian I’ve read. It’s quite funny with Kay and Bodhi acting as kind of intermediaries or peacekeepers in Jyn and Cassian’s evolving friends-with-benefits relationship. This is such a delight to read, and characterizes Jyn and Cassian’s dynamic so wonderfully with her insecurities and his patient waiting.
Jyn scoffs. "I mean, at this point, they might as well just come out and say it to my face, right?" She drops her voice into a low imitation of Chirrut's stately drawl. "'Jyn — no one cares about your feelings.'"
Cassian snorts. "Well, to be fair," he says conversationally, "everyone's still on the fence about whether you actually have feelings."
Rec #9: If you’re in the mood for a historical AU...
Title: Resistance is Built on Hope
Author: ChronicOlicity
Link: http://archiveofourown.org/works/9079141/chapters/20644807
Rating/Warning(s): Teen and Up
Word Count/WIP?: 117509 / Yes
Why This Must Be Read: This is the rebelcaptain WWII AU that you’ve been waiting for. The author has done a marvelous job of adapting all the elements and characters of Rogue One to this historical time period with great pacing, dramatic, action-packed scenes, touches of humor, and the most beautiful simmering romance between our favorite spy and unwitting rebel.
For Jyn, that was a measure of trust. A feral animal wouldn't let another see its wounds — Cassian knew that firsthand. Battlefield instincts powered Jyn, no question about it, fight-or-flight instincts drawn even closer to the surface than anyone else he’d seen before. Dangerous and unyielding and all the more compelling for it.
More than that, Cassian was beginning to see her hunger. Not the appetite that Kay was constantly complaining about, but a kind of visceral need, elemental and nearly irrepressible. Now and then he caught glimpses of it behind Jyn’s eyes, in the stubborn set of her shoulders, the flash of something — like the electric shock from a fleeting, triggered memory — when she was caught by a seemingly innocuous scene. A picture of a lone child. Two, three figures disappearing into the snow, without a backward glance. A plane taking off and vanishing into the sky. Pieces of a puzzle, and Cassian had them in his hands, but in many ways, Jyn Erso was still as much an enigma to him as she’d been the day they met.
Rec #10: If you’re in the mood for a glimpse of domesticity for these two...
Title: That Would Be Enough
Author: mosylu
Link: http://archiveofourown.org/works/9272258
Rating/Warning(s): Teen and Up
Word Count/WIP?: 782 / No
Why This Must Be Read: Cassian and Jyn rarely get quiet moments, and this is a short but sweet look into them enjoying something approximating domesticity in the midst of the war. Well-written dialogue and bed-sharing FTW!
On Echo Base, Jyn and Cassian shared a bunk. Or to put it more accurately, they both had a bunk that they could sleep in on the rare occasions they were planetside, and it just happened to be the same one.
The both of them planetside together, at the same time, for more than a few hours (days, Jyn had said, awed, when they compared schedules, at least two, multiple) was like finding a kyber crystal rolling around on the snowfield outside.
Rec #11: If you’re in the mood for an EU fic set 20 years in the future during The New Republic...
Title: the road that sets into the sun
Author: lyin
Link: http://archiveofourown.org/works/9268955
Rating/Warning(s): General
Word Count/WIP?: 5189 / No
Why This Must Be Read: This is a poignant look into what these two aged warriors would feel like in The New Republic. While it draws heavily on EU canon, it is not necessary to appreciate this beautiful rendering of how these two have given so much to the cause.
There are names written in the lines of his face. Jyn doesn’t even know them all, but she knows Cassian thinks they deserved to live more than him, that the universe plays games with the life of men. That Cassian has always thought he had a righteous cause, but has never thought himself a righteous man. That the cause is slipping from his grasp.
Rec #12: If you’re in the mood for a funny, fluffy one-shot...
Title: flight lessons
Author: ignitesthestars
Link: http://archiveofourown.org/works/9276590
Rating/Warning(s): Mature
Word Count/WIP?: 1044 / No
Why This Must Be Read: Jyn is all kinds of sassy, and it’s such a delight to read. This is a hilarious look at another mission that almost went wrong and some lovely Jyn/Cassian and all of their feelings to boot!
“Ah,” she says, and the breath turns into a shriek of agony as white-hot pain lances through her body, and really, dying doesn’t seem like all that bad of an option right now. Except for the part where it will probably piss off Cassian and make K2 happy, and there’s a lot that Jyn is willing to do just to ruin that droid’s day.
Rec #13: If you’re in the mood for some seriously beautiful angst...
Title: where my caution should be
Author: rosaxx50
Link: http://archiveofourown.org/works/9822866/chapters/22055765
Rating/Warning(s): Teen and Up, Major Character Death
Word Count/WIP?: 1237 / No
Why This Must Be Read: Poignant, heartbreaking, and oh-so-poetic. This shows the beauty of their connection post-Scarif while also demonstrating the natural consequences of war.
I am glad you're here with me, he says, or she says, or both. Their hearts beat in time, slow and restful.
The plans stream across countless stars. He chooses to believe, because she does, that somewhere, someone listens to the greatest difference he has ever made to the galaxy. Their names will turn to dust like their bodies, but this legacy will live on.
Rec #14: If you’re in the mood for sassy K-2SO...
Title: The Genre Does Not Support This
Author: nymja
Link: http://archiveofourown.org/works/8977609
Rating/Warning(s): Teen and Up
Word Count/WIP?: 990 / No
Why This Must Be Read: K-2SO being K-2SO while Cassian and Jyn must act like normal human beings without copious amounts of UST between them. Fluff and humor while everyone is still so in character FTW!
“I have decided to be proactive,” the droid responded primly.
“Proactive? For what?” Jyn leaned forward in her chair. “Sexual tension will increase mission failure by approximately 12.95%.”
Rec #15: If you’re in the mood for a tragic modern-day AU...
Title: Emergency Contact
Author: randomdreamer101
Link: http://archiveofourown.org/works/9541490
Rating/Warning(s): General
Word Count/WIP?: 3420 / No
Why This Must Be Read: Post-divorce, modern-day Cassian/Jyn is just as tragic and heartbreaking as you thought it would be. This is the last in a series, and I haven’t read the rest of the series yet, but this fic really captures brilliantly, how, even in a modern-day setting, Cassian and Jyn’s relationship has the potential to be very complicated and not at all easy.
“This is not exactly what I'd imagined meeting you again would be like," she says.
“What? You in critical care? Me holding back your hair while you vomit into a bin? What part of this scenario is lacking in romance?” Her mouth twitches. “The hair-holding was sort of romantic.” “Oh, I beg to differ," he says. “Well, I’ve always preferred life-threatening situations to flowers and chocolates.”
Originally Posted At: http://het-reccers.livejournal.com/1104941.html
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