#for the tropes meme i went for what i was more likely to write for some of them

[blackidyll]

these are like a couple of weeks (or months) old /o\ but I promise I love doing these. RL is just insane so I'm doing all of them in one go!

Too tired to tag so please feel free to pick these up (but I'd love to see the three lovely folks who tagged me to do the other questions/memes if you're up to it!)

-- tagged by @qserasera! The rules: Choose one, both or none of the following tropes!

slow burn or love at first sight // fake dating or secret dating // enemies to lovers or best friends to lovers // oh no there’s only one bed or long-distance correspondence // hurt-comfort or amnesia // fantasy au or modern au // mutual pining or domestic bliss // canon-compliant or fix-it // reincarnation or character death // one-shot or multi-chapter // kid fic or road trip fic // arranged marriage or accidental marriage // high school romance or middle-aged romance // time travel or isolated together // neighbors or roommates // sci-fi au or magic au // body swap or gender bend // angst or crack // apocalyptic or mundane

-- I was tagged by @saint--claire for this one! rules: tag 10 (or less) people you want to get to know better

relationship status: single and happy about it

favourite colours: blue, especially the darker shades! i also like purple and silver; for clothing, it's always black lol.

song stuck in my head: Keeping Me Alive by Jonathan Roy.

three favourite foods: sashimi/sushi, lasagna, frankly anything potato-based but i guess if i had to pick potato wedges?

last song I listened to: All I Wanted by Michelle Branch (I was feeling nostalgic for older songs).

dream trip: Egypt for the pyramids, or somewhere to see the Northern Lights.

last thing(s) i googled: Definition of "monsoon". So. In my area of the world it's currently the monsoon season, where generally we get lots of rain and typhoon weather. I've always thought it just meant "the wet season". But throughout May we've had a heat wave in the region and all the official reports kept saying "due to the monsoon season the heat wave is expected to last through September" and I was like, HOW can you still call it the monsoon season it's too hot? So I looked it up. And it just means "weather changes", which although historically in this area was from baseline -> WET, this year it's baseline -> VERY HOT. It rains for 5 minutes and then it's just humid and hot and horrible.

The other day I accidentally took a nap in the middle of the afternoon and woke up feeling like a cooked lobster: boiling to death in my own sweat. I DON'T LIKE THIS YOU ALL :(:(:(

-- and lastly, I was tagged by @derpinathebrave to use this picrew!

I do like to wear my hair down but actually chances are when i'm anywhere outside of the work office (which has AC), i will have my hair tied up in a ponytail or in a bun because of the freaking hot weather. also, there was no option for ballet flats so i went with the closest looking alternative ^^;;

[amuyyi]

unfiltered y/n .

synopsis; two drabbles of y/n being the oldest of newjeans, yet arguably the most chaotic and childish. 21 year old y/n who's very gen z coded and borderline chronically online from a young age.

trope; platonic! newjeans x f!reader, just danielle + hyein bc im lazy

wc; 1.9k

cw; n/a

a/n; guys i think i fr forgot how to write erm so sorry this is dookie but i needed to write something lighthearted to keep my sanity even tho writers block is real rn thumbs up emoji ... also y/n is just me again LMFAO

Humming, your eyes glaze over the Phoning chat. You and Danielle sat comfortably within your practice room, the younger girl joining shortly after seeing you had started a livestream. There was no particular reason for this stream, you simply felt like entertaining your fans for the day. Throughout the livestream, you and Danielle simply talked, being some of the most social and extroverted members of Newjeans, it wasn’t hard for you two to popcorn different topics from one another.

“Did you ever read Warriors?”

“What, that book series about the emo cats?”

“They’re not emo– well…. Actually…”

Both you and Danielle burst into a fit of giggles as you tried to explain the lore of the Warrior Cats series, which then went into you making a powerpoint on why your company should allow you to have a cat in the dorms, which then went into a conversation about how you guys wanted to decorate your ideal home…

When you and Danielle were put into a room together, it almost seemed like you two fueled each other's energy in a never ending cycle. Still, as your laughter dies down, the pair of you decide to just chill, even for a moment. Your attention gets drawn back to the comments whilst Danielle aimlessly scrolled on her phone for a bit.

“y/n, who are your favorite kpop artists??” You read out loud.

Your eyes light up at this question. Before becoming a trainee, you were a die hard fan of many groups back when you were younger. Honestly.. You were a bit of a chronically online kid, despite your social tendencies. Back in the day, you ran a kpop stan twitter, and are well versed in the new vocabulary of online meme culture… as embarrassing as it was to admit the more you thought about it. 

After reading the comment, the mischievous and playful glint in your eye was impossible to ignore, and Dani seemed to pick up on the shift in energy. Shooting you a suspicious glance, you decide to speak up.

“Ah there are so many groups I love… But.. I’d have to say Red Velvet and LOONA...!”

It was an innocent enough answer at a glance, but to some, the underlying message behind it was glaringly obvious.

Almost immediately after speaking, in the most obvious and not discreet fashion, you freeze, arching a brow making a curious looking expression at the camera as you pucker your lips. It was undeniable that you were referencing an all too familiar meme within the LGBTQ community.

Honestly, you were never one to shy away from your sexuality. You were lucky enough to know who you were from a young age. (All of your odd childhood crushes practically spoke for themselves. Rain from the movie Spirit, for example. The horse.) 

It wasn’t long before the girls caught onto you, and they have been nothing but supportive since. Oftentimes they would tease you over your clinginess with your other members, or how you’d very publicly fawn over other female idols, while nearly all of the light drained from your eyes when approached by a man. 

In hindsight, it was a surprise that they didn’t catch on sooner. The way you acted so stiff around male idols when forced to do Tiktoks with them, or how you never entertained their advances. However, it seemed like Some fans did seem to notice faster than your own members, and deemed you “Irene's daughter” as a result— a title in which you wear with pride, might you add! 

That wasn't to say you didn't have your own hardships and struggles with your sexuality at the same time, though. Of course, being a part of one of the biggest kpop groups of your generation, you couldn’t express your sexuality publically. Not yet. It was too risky. A large chunk of your fan base consisted of straight men anyways… Potential backlash would be detrimental. You didn’t want to drag the others down with you. Not when you guys have so much ahead together.

So you keep your head low, put on your best smile, and focus on your members.

….Until moments like these, of course.

Eyes practically boggling out of her head, Danielle bursts into laughter, shoving your shoulder with one hand while she covers her face with her sweater sleeve.

“Unnie…!” she scream-whispers, baffled by your words. Of course she knew what you were hinting at, she didn’t live under a rock her whole life.

Seeing Danielles reaction only seems to egg you on though. What? You weren’t saying anything explicitly queer. Only the people that mattered would know. Worst case scenario, you’d be in some odd rumor or speculation that had no real evidence to back you up. Maybe you’d be seen as an ally. Humming once again, you pretend to think.

“Though if you want to know about male artists….” You take a significantly longer time to answer this as Danielle is left a giggling mess next to you. She seemed almost a little distressed through the laughter, but she trusted you.

“I would probably say I like EXO and Shinee the most.”

Once again, you make that damn face, and Danielle throws her head back in hysterical laughter. She grabs your shoulder and shakes you around, whispering quiet scoldings into your ear as you snicker, feigning an innocent look as the chat practically blows up.

[cha3wonz] – HELLO???? [kaheii] – y/n blow a kiss if u like women [luv__newjeans] – okay ally

Unsurprisingly, clips of your shared live with Danielle went viral. Many stan accounts on twitter began to speculate that you were queer, whilst others fully embraced it. Your favorite posts were the edits of you with the rainbow flag followed up by a question mark. It was all too good.

Honestly, you didn’t even think it was a big deal. You didn’t pay much attention to other male groups– you never did, really, but when you looked at the new incoming generation of boy group members… They practically had the whole pride parade following them. 

There were a few minor articles about you here and there, but you were mostly off the hook.

Danielle lay sprawled across your back whilst you lay on her bed, scrolling through Twitter aimlessly as she laughs at the comments on your recent instagram post.

“It seems that your fangirls can't get enough of you, lovergirl,” she teases lightheartedly as you wiggle beneath her weight, giggling.

Maybe one day you’ll share the news to your fans, and maybe one day they won’t even be surprised. But you’re glad to have what you have now. Just you, your girls, and your ever growing folder of queer y/n memes off of Twitter.

⋆ ˚｡⋆୨୧˚

Hyein was in the middle of a solo livestream within her bedroom, lying comfortably in her bed as she showcased various articles of clothing she had bought with Hanni the day prior.

The livestream was going well, peaceful as Hyein makes her way through several t shirts, sweaters, pants, and skirts of all colors and styles.

Right when Hyein was about to reveal her favorite article of clothing from the haul, loud, almost desperate banging rings throughout the room. An almost pathetic sounding yelp of surprise erupts from the girl before she curiously glances at the livestream. 

Leaning forward, she whispers to the camera, “I think… I think there's a creep trying to break in…” 

Suddenly, the door bursts open, with a very flustered and irritated y/n tumbling in shortly after. iPad in hand, you collapse into the bed next to Hyein

“Guys, guy, GUYS. The theme was scene!!! What the hell is this?! Look at THIS versus MY outfit!” You exclaim almost a little too loudly as you shove the ipad in front of the camera. Failing to focus on your screen properly, the viewers simply saw a bright white square as you groaned.

Baffled and still a bit in shock, Hyein speaks up, “Unnie, it's really not that serio–”

“This is bullsh–” You cut yourself off as Hyein snorts loudly at your near slip up. Clearing your throat, you grip your ipad a little tighter than needed, trying to calm down.

“This is unfair. And you know what's worse? Its probably some nine year old with their friends voting for them behind the screen!” You whine out dramatically. With how upset you were getting, it wouldn't be surprising if this genuinely was the one determining factor that would either make or break your night.

Hyein couldn't bite back the amused laugh at your seriousness. 

You took your games pretty seriously. Even if it was roblox. There was something familiar and comforting about it all, really. Lighthearted games like this  played a major part in your childhood— which was, of course, abruptly cut short once you became a trainee at age 14. Now that you were an adult with a job as an idol, you could buy your own robux, buy your own gamepasses and items… and most importantly, stomp on little kids in-game. You were here first, after all.

“Unnie, aren't you like, 21 years old? Don't you think you’re a little too old to—“

“And don't you like— what, 12?!” You shoot back without even missing a beat.

A brief, yet suffocating silence passes as the both of you stare at each other, wide eyed. Never in your years of knowing the younger girl have you ever been so.. sassy to her. You were the oldest, after all. It was your job to take care of her.

Almost instantly, you drop your ipad and tackle the younger girl in a hug, crying out, “BABY HYEIN!!! IM SORRY…!!!”

Hyein on the other hand, was not as reciprocal to your attempts at apologizing. Upon being tackled, half of the air in her lungs practically got knocked out of her, and she finds herself tumbling backwards into the blankets below. Instead of accepting your obviously very real and very distressed apology, she began struggling to wriggle out of your grasp as she yelled out, “NO! LET ME GO UNNIE!! LET ME GOOO!!!”

Though the youngest towered over you by over half a foot, your grip on her was borderline deadly. Squeezing your arms tightly around her neck in an attempt at being soothing and sweet (you werent) you scream at yourself, rocking her back and forth. 

“I'm so STUPID im SORRY IM SORRY IM SORRY I JUST WANTED YOU TO PLAY WITH ME.”

Incoherent screams and movement was seen from the livestream for about 5 minutes before Hyein tapped your arm, giving in.

“Fine, fine..! I forgive you unnie, just let me go…!”

The moments following Hyein’s acceptance of her fate seemed to actually go by pretty smoothly compared to the chaos that had just ensued a few minutes prior.

Laying in bed together, the two of you played dress to impress while on the live, occasionally interacting with the viewers, but mostly focusing on winning the game. A comfortable silence passes, the only sound being nails against iPad screens.

The pair of you would proudly showcase your creations to the camera, and shared mutual frustration when neither of you would even place despite the immense efforts you put into your outfits.

“I swear to god Hyein, I’m gonna buy both of us VIP and we’re gonna leave these girls in the dust…”

As you prepare to go up for your final round of the night, Hyein suddenly perks up.

“Oh look, unnie! This outfit is actually pretty good…”

“Huh? Oh!! You're right! This is super pretty…”

“…”

“…”

“Two stars?”

“Two stars.”

[yuri-is-online]

Hi Yuri! Have you ever considered the idea of there being an alternate version of the twst boys in Yuu’s world? Since we have no clue if it’s just another planet or an entirely separate universe, it’s theoretically possible. Poor Yuu would think they are going crazy seeing a familiar face or hearing a familiar voice in another world. Perhaps it is even painful to the point Yuu tries to avoid interacting with the boy in question. - 🦐

(Also, I am well aware of how often I’ve been sharing these thoughts. If they’re annoying you or you don’t feel up to it, I don’t want you to feel pressured to respond or anything. I’m just spitballing and posting before I forget. 👉👈)

OH BOY DO I HAVE SOME THOUGHTS ON THIS!!!!! (first and foremost being that you are very much not annoying <3)

An alt version of a twst boy in Yuu's world is just so yummy. There's so much angst potential depending on what the relationship is/was. Did their boy die in some horrible accident? Is he waiting for them, anxious and terrified about where Yuu went? Does this imply that twst also has a version of Yuu somewhere out there in the world? Questions questions. I did sort of write about this idea in the tags of this yan version of the soulbound au, wherein a cursed Yuu driven insane by their curse kills their soulmate before being isekaid to Twisted Wonderland and finding a different version of him, horrified with the realization that they could kill him again... but I want to cook up some dynamics for what the dorm leaders/overblot boys could be up to in Yuu's world first sooo...

I had a hard time thinking about Riddle until I remembered he's a horse girl and cast Yuu in the role of bad boy ranch hand whose dad's got a job at the barn so they're forced to help take care of the horses and warn all the would be YA protags about the "special horse" who doesn't take orders from just anyone. Not that Riddle is the protagonist... he's more the well established rich petty bitch who looks down on the new girls and especially on you because you're never taking care of his horse in accordance with all his stupid rules. And in stereotypical horse movie fashion Riddle has a massive not so secret crush on bad boy ranch hand Yuu who just doesn't get why he keeps trying to talk to them.

There isn't much royalty left in the world, but imagine Leona as the son of some rich business magnate whose older brother got the company and left him with "nothing." Maybe Yuu works at a liquor store part time and Leona comes in to pick stuff up every once in a while. You wouldn't call him a friend, but you guys shoot the shit enough that you have a general feel for each other to the point he joins you on your breaks to keep up the talk and play chess.

I love the idea of student president council Azul. He's made for that trope. Born for it, he'd be such a terror with Jade as his VP and Floyd as well. Floyd. I can't see him really being a part of the student council but I had this idea the other day based off this instagram post I saw about this mom who sews right? Her daughter was running for class president and she made these bracelets with little shrimp on them and attached them to cards that said "Keep it shrimple! Vote for (kid's name)!" And I was struck with this vision of Yuu doing that so like. Yuu running against Azul with that campaign slogan and he's tearing his hair out over it being so popular because people like memes (the original idea had Floyd running as Yuu's vp but they both dropped out at the last minute because neither him or Yuu wanted to do the actual work lol.) I also like student council president Azul and delinquent Yuu... but that's because of Tsuredure Children ha

Kalim and Jamil are hard... but I think the same set up of rich businessman's kid and his bodyguard in training still fits. How Yuu meets them is beyond me, but if you were friends with either of them could you imagine how painful seeing the same tragedy play out in this new world would be? Jamil doomed to always be a servant and Kalim doomed to be betrayed by his best friend... that would be so painful for someone who cared deeply about either of them I could see it motivating Yuu to try and resolve things for twst Jamil and Kalim that much harder.

Ok so hear me out... Vil still wants to be an actor in your world but he doesn't have the connections to his dad and is working as a pharm tech with Yuu at your local drugstore while going to school and hunting for gigs. He mentions being interested in cosmetics and magical pharmacology in game... and he also mentions knowing nothing about his mom so like. Your world Vil ended up with his mom instead of his dad and you get to see him on the cusp of his big break as one of his number one supporters from the very start, only to get isekaid to a world where you get to see what things could have looked like. It's strange how similar and yet not both versions of Vil are...

Idia is the guy who comes in to buy snacks at your convenience store during the night shift who you start talking to when you notice him buying a game time card for something you also play. You're stupid awkward around each other at first, but it's nice to finally have someone to talk about your niche interest with once you've passed each other's sniff tests. You don't actually know him know him though... so getting sent to another world where there's another version of him makes you worried the more you learn about his backstory that maybe you should have been there for your Idia more. Is he doing ok back home? Did he think of you as a friend? You hope he isn't blaming himself for any of this...

Malleus is an old money trust fund baby whose family was absolutely royalty at some point and is still overly attached to it. He likes old buildings, cemeteries, long walks in the fog, you know all those good goth things. He's tall and socially awkward and so grateful for you, his first and best friend who he met one moonlight night he swore was a dream in his favorite abandoned building who spoke at length with him about all sorts of things he liked. So you know. More or less the same. Just without the world ending powers... I think this is another one that would be quite sad. Which version of Malleus needs Yuu more? Which one is the real one? I'd hate the idea of him being destined to always be lonely and lose the ones he loves.

As for Yuu avoiding them... I could see that. It would feel weird seeing someone you love so much only for it not to be them at all. I know that the Lovebrush Chronicles kiiiiind of deals with this??? I wish I had the patience to play through it has an appealing glasses wearing ro but it's a mobile otome :/ but still. It's a concept I promise I am totally normal about.

[britt-kageryuu]

Raph is relaxing on stream while playing a cozy game. He has a very big fluffy blanket draped and wrapped around him, while leaning against a giant pillow. His mask is not on so some light scars around his right eye are visible, and his arm tattoos have a light glow to them.

Raph was chatting with the audience, though as time went on he was yawning a bit more often, getting a bit more tired, so some of the chat were betting on if he was going to fall asleep again.

Raph lets out a loud long yawn again, "Man, I sometimes miss when my sibs were tiny~ they were so cute~ even when they annoyed the heck outta me."

He pauses the game, and puts down the controller, "Like Mimi used to get so messy with his art stuff, I remember when he drew little versions of us on the wall, sure Pops was mad, but he just gave Mimi some books and paper to draw on instead." Raph sways side to side with a very happy expression. His tail is visibly wagging under the blanket with kinda audible thumps.

"I remember when Dee took apart a radio, the microwave, that one toaster. I don't think we could fully stop him from dismantling anything, but we did get him to start putting things back together." Raph lets out a happy sigh, "I could go on about Dees antics."

"Oh Blue, he used to be almost glued to Dee, but he would also spend hours trying to read the comics we had. He would constantly go to Dee for how to say words." Raph lets out another yawn though much smaller.

"Hmm, why didn't Blue come to me? Well I've always had a hard time with learning stuff. My mind couldn't hold what I learned. So to anyone it would seem like I'm a meathead jock type, like the dumb athlete tropes in old TV shows." Raph says while moving his legs into a different position. "But we figured things out. I got some plans to go into Sports Medicine, that way I can help prevent some of the common injuries in Wrestling, or at the dojo I volunteer at."

Raph gets a bit more sleepy, but keeps rambling, the audience and chat are all over the places, especially when he mentions Dee having an aggressive biting phase, and they would hold on like a cartoon dog.

Raph eventually does fall asleep, and the chat goes nuts again until Mikey came to check on him for missing dinner.

~~~~~~~~~~~~~

Dee would later get a bit mad at Raph for inspiring their fans to create some Feral Dee memes, and that they were editing their head onto cartoon dog biting into things.

---------------

Masterpost

I had this idea in my head for a couple days, and when writing almost made it a bit dark, I didn't want to do that so I restarted with a better start.

How was this going to be dark? I was about to start it with Raph venting about being basically racially profiled as a teen, but then remembered 'this is supposed to be Raph sleepily gushing about his siblings, how am I supposed to turn it to that?' So I just backed it up, and wrote the above.

[seventeendeer]

TF2 analysis - on cultural references, context as characterization, and how to analyze comedy

-taps mic- HELLO, TEAM FORTRESS 2 COMMUNITY !

A while back, I received an ask requesting analysis of one of my favorite video games of all time and special interest of 12+ years, and you know I just had to go and turn that into a several thousand word essay for the reading pleasure of the people.

Because that shit got way too long, I’ve decided to put it into a post of its own. Hopefully a big title and no previous context being necessary will give more people an incentive to read it. I spent a long time on it and I think it’s pretty cool, and I would love some nice attention for my effort. ;w;

The ask I received went a little something like this:

Below the cut, I will be replying to these questions individually. It touches on everything from Cold War propaganda to the media landscape at the game’s launch in 2007 to first-person shooters as a genre - all to gain a better understanding of author intent, expected audience reaction, characterization and themes.

Anon previously requested help writing more accurate fanfiction, and damn it, that is what they are going to get!! and MORE

Introductory disclaimer:

First of all, for clarity's sake: this analysis is going to specifically talk about TF2 as seen through a fandom lens. I'm going to be talking about the game as a piece of media, creator intention, and the fandom's reactions to the game and extended canon - that is, the slice of the TF2 fandom that is interested in the characters, in the world and in doing at least semi-faithful fanworks.

I will not be touching on TF2's wider playerbase or meme culture. I greatly enjoy both, but they are not relevant to the post I made that sparked this anon's questions (I will link this post in the replies, in case anyone is curious).

I also have to disclaim that any references I make to real world history in this post have to be taken with a hard grain of salt. I've done my best to fact-check everything, but I am not infallible! For a better understanding of the historical elements I talk about here, please do your own research, and approach my claims with a healthy amount of scepticism, same as you would any unsourced social media post. (Readers may notice examples I give below primarily feature Soldier, Spy and Scout. This is because I feel I have the most solid grasp on the historical events and media that informs their characters, compared to the other classes. All the classes contain these contexts and meta complexities, but in an effort to not talk out of my ass too much, I have decided to focus on the characters I feel the most confident dissecting.)

>1) What tropes was the game parodying/what cultural contexts would you say are essential to understand, in order to better understand the game?

The characters of TF2 were specifically designed as satiric takes on national stereotypes depicted in American propaganda media during the Cold War. Two easy-to-explain examples to illustrate:

- Soldier embodies the ideal of a "red-blooded American" who is strong, brave, hyper-masculine, hates foreign superpowers, loves the vague ideal of "freedom" and firmly believes America is the greatest nation in the world. He prides himself on having personally murdered nazis in the past, despite actually having accomplished no such thing (comparable to the US taking a disproportionate amount of credit for defeating Nazi Germany in World War 2; at the time, WW2 was a very recent cultural memory that made for good propaganda fodder). He fears, hates and dehumanizes communists (as Soviet Russia was the US's highly-villified opponent during the Cold War). The satiric angle: he is depicted as so brainwashed by propaganda that he has become immune to facts and logic. He is horribly sadistic, brutal, paranoid and xenophobic. The ideal he is based on is portrayed as shockingly and disproportionally violent and illogical to the point of being laughable.

- Spy is based on how the US viewed France during the Cold War: as a weak, cowardly, “unmanly” nation. At the time, France was depicted this way because they were perceived to have surrendered to Nazi Germany early on in World War 2 out of cowardice. Spy is one of the least macho of the mercs, he is ineffective when fighting enemies head on, and his main method of attack is reliant on trickery and “not fighting fair.” The satiric angle: Spy isn't actually much of a coward - he is more intelligent, more tactical and more resourceful than many of the others, and simply doesn’t feel the need to risk his neck when he could be working smarter, not harder. The other characters are portrayed as a bunch of meatheads for picking on him. The negative stereotype he is based on is portrayed as largely unearned and ridiculous. (Though note that Spy is also depicted as an upperclass prick to contrast with Engineer being working class; in that dynamic, Spy is depicted as a pompous asshole, while Engie is depicted in a more favorable light. The characters are multi-faceted and no class is universally “better” or “worse” than the others, but right now I'm specifically focusing on the "Cold War stereotype" aspect.)

Notice how, while these two characters have different nationalities in-universe, they are both based on stereotypes seen through an American lens. Notice the way the American character is based on a comedically deconstructed ideal, while the character from a nation the US did not view favorably at the time is depicted as falsely judged by an unfair and ridiculous metric.

The entire TF2 cast and universe revolves on this axis! It takes old American ideals and prejudices and uses them for comedy, adding exaggeration and caveats to make those ideals look absurd.

It’s a parody of media produced in the US during the Cold War, which contained massive amounts of propaganda. It satirizes the political ideals that were glorified in said propaganda media.

Very important extra cultural context: this satiric depiction of old war propaganda was specifically designed to be instantly recognizable to TF2's central demographic at the time of release in 2007.

Older Valve games like TF2 were very specifically made to appeal to pop culture-savvy, nerdy young adult gamers. This demographic was expected to see the characters and think "oh hey, it's like a funny version of X character type I've seen in movies!"

Because those kinds of movies were still everywhere at the time. The Cold War ended in 1991. TF2 was released only 16 years later. To put this into perspective: the Legally Blonde movie came out 22 years ago, in 2001. Think about how many Legally Blonde memes are still floating around the web today, how fondly remembered this one movie is and how often it’s still referenced in contemporary media. Now consider that media produced during the Cold War was fresher in the cultural memory at the time of TF2′s release than Legally Blonde is for us today.

TF2 was never meant to be seen in a vacuum. It was always meant to be in conversation with old media that it expected everyone playing to be extremely familiar with.

I'll say that again: the cast of TF2 are based on Cold War stereotypes - comedically exaggerated - so they would clearly read as parodies to people in 2007.

Those are 3 different overlapping lenses to consider when approaching the characters.

The characters are more than just funny cartoon men with guns and an unusual amount of differing accents. They are commentary on older media trends.

Now, someone might ask - why did the developers choose this specific aesthetic and tone for their online shooter video game?

The developers have stated multiple reasons, including wanting the characters to be immediately recognizable both physically (they generally look like the stereotypical depictions they're based on) and audibly (the differing accents and regional dialects make it easy to identify which class is yelling in your ear mid-combat during gameplay).

However, I also have another theory:

It's been confirmed TF2's comedic tone was designed to combat a lot of negative aspects of shooters in the genre at the time of its creation. I have seen developers discuss that they were going for a lighthearted atmosphere to discourage player hostility.

I, personally, also think it is extremely likely the developers opted for satirizing old war propaganda partially in order to combat the tendency of other shooters often being war propaganda. Valve has always been a politically left-leaning company, with a history of depicting military-like forces and unchecked capitalism in a negative light (see the Half-Life and Portal series, respectively).

By depicting the cast of TF2 as generally unhinged, illogical and clownish, they were able to communicate to players: "War is dumb, nationalism is dumb, whatever Call of Duty has been telling you is cool is actually illogical and copying it makes you look like like an idiot. That being said, we all sometimes wish we could beat the shit out of other people in the desert with a shovel, so let's get our aggressions out in a safe, non-serious environment with no consequences. Come play pretend you're a murderous sadist blowing up equally unhinged people with us, it's silly, but it's so fun."

I believe everything from the cartoonishly over-the-top, non-permanent deaths to the deserted, remote environments, to the lack of any truly innocent or defenseless characters was all a carefully crafted foundation made to encourage players to make the informed decision to leave their inhibitions and moral hangups at the door. They wanted players to have fun and go nuts engaging in military-like violence, without encouraging pro-military attitudes in their playerbase.

For an example of a game that royally screwed up doing the same thing, just look at Overwatch - it tried to preach a "wholesome" vibe that was completely mismatched with its gameplay. Overwatch tries to justify extreme violence as Okay When Good Guys Do It To Bad Guys, which ... yeah, again, that is straight up modern military propaganda, on purpose or not (and knowing the US military’s tendency to pour money into video games that glorify war, “on purpose” isn’t as much of a stretch as one might think). Paradoxically, TF2 comes out both looking and feeling better to play, because it handles aligning player emotions VS in-game actions much more elegantly. It accounts for common pitfalls in its genre. OW jumps into those pitfalls with both legs and instead ends up looking shallow and nauseatingly twee.

Of course, all of this is personal speculation. Whether or not this was the reading that Valve intended, I do believe it's a big reason why TF2 has remained so profoundly loveable over the years - it uses its writing and art direction to put the player in the perfect mindspace to Fuck Shit Up.

It's a fantastic example of how to carefully and artfully craft something extremely stupid for maximum intended effect. It uses the strengths of comedy as a genre to its absolute fullest.

Unfortunately, because of cultural shifts since the game's release, newer fans do end up missing out on a lot of what makes this game so expertly done. Many newer fans don't come into the game with the base cultural knowledge it expected of its original audience. To gain a better grasp on the characters and enjoy this piece of media as it was intended, I think it will be extremely helpful to familiarize yourself with the material it is referencing.

For an introduction to media produced and influenced by the Cold War, I would recommend the Wikipedia article Culture during the Cold War as a starting point.

(I have skimmed, but not read, the full article; I encourage readers to be especially source-critical when engaging with pages like this that detail themes of history and propaganda - it's a starting point, not a finish line!)

>2) What themes/layers do you feel the fandom has lost sight of, over time? (or never really managed to acknowledge to begin with?)

Some of this is covered in the previous section, but I'll use this question as an opportunity to talk about another thing I feel is overlooked by fans (and, frankly, the writers of the newer comics too), especially when creating fanworks:

The fact that the characters are extremely dependent on their setup and narrative context to be likeable.

Something I think fandom culture struggles with in general is interpreting and handling fictional characters not as real, independent people who exist in a vacuum, but as the sum total of countless moving parts inside a narrative all working together to create the impression of a real person.

In a comedy, characters are especially dependent on presentation to feel like themselves. It is not enough to loyally recreate an arbitrary list of personality traits in order to create accurate fanworks - recreating the sorts of situations they get into, the kinds of people they interact with, and cherry-picking the information they have access to is neccessary for bringing out what makes the characters so charming!

This is especially important when interpreting and handling a cast made up exclusively of characters who are mean people with bad intentions, bad opinions and a complete lack of adequate self-reflection across the board.

Canon makes them all come off amazingly likeable, but this is because the writers were manipulating tone, relationship dynamics, setting, and much more to show off the characters at their most distinct, least detestable and absolute funniest.

Overlooking this aspect of writing comedy characters often leads to a very common pitfall in many, many fandoms out there - following the logic of a character's canon personality to a place they don't like, and getting rid of those personality traits to combat their own discomfort.

Making characters too kind, too understanding, too progressive, etc., is an endless source of micharacterization in fandoms in general, but especially in fandoms of media where the characters are a bunch of dicks in canon.

To be clear, I fully understand where this is coming from. Fans get attached to characters like these because they're funny (and intended to be loved!) - realizing that a character you really like would logically react in an unlikeable way if you put them into certain situations feels bad. No one wants to turn a character they love into something they find they don't love anymore.

But this is where carefully engineering your setup and narrative comes into play.

Example:

A lot of TF2 fans are queer. Queers flock to TF2 because let’s face it, the campy vibes and silly fun masculinity and weird women are like catnip to us.

But a lot of queer fans go into the fandom aspect of the game and find that ... wait, shit, these characters are not exactly pillars of progressiveness. Reconciling some of the extremist political views of the characters with queer narratives, with queer values, seems a daunting task to some. Because what’s a queer fan to do? Portray a character they love in a way that makes them unloveable? Painstakingly depict shitty, uncomfortable characterization in the name of “realism” that ultimately detracts from their own and other people’s enjoyment of the story? That’s not fun. Fandom is supposed to be fun. So, what, do they just portray the characters as miraculously having perfectly amicable social politics by the standards of the larger queer community in 2023?

Some do, of course, for their own comfort, and it’s understandable, but it’s not good storytelling. It’s an excessively shallow way of interacting with media - the fanfiction equivalent of confidently sitting down to write an in-depth, flowery review of a horror movie you watched with your hands over your eyes during all the scary parts. You cannot create fanworks that are even remotely faithful to the spirit of the canon while deliberately ignoring the core themes and author intention of the canon you’re working with. These things are, unfortunately, mutually exclusive. TF2 characters are meant to be wrong about most things politically. Hopefully my reply to the first question in this post adequately illustrates why that’s so important.

But the good news is that bastardizing canon in order to avoid making characters unlikeable also isn’t necessary.

There’s a reason Soldier, in canon mocks his enemies for everything from failing at masculinity to being disabled, yet doesn’t have a single homophobic line:

The people writing his lines figured it would detract from the character. It would hurt real people’s feelings and make the character less fun to play as, so they didn’t include it. No excuses, no explanation; it is simply omitted for the sake of likeability.

(For contrast, notice that the writers did not extend the same kindness to certain other minorities, like fat people - playing as Heavy fucking sucks when you’re fat, because every other class hurls fatphobic abuse at him. This is a fuck-up on the writers’ side; they failed to identify this type of humor as meaningfully detracting from the experience for a significant amount of players, and so ignorantly decided to include it.)

This is what I mean by “setup and narrative context.” I also like to call this “maneuvering”, because it involves selectively portraying a character in contexts and situations where they shine and instill the intended audience reaction, while steering them away from situations where they would logically act in ways that counteract how the audience is intended to feel about them.

Fanworks can absolutely do the same thing! Fanworks can even take the technique further, because they’re not bound by limited time and focus, the way the original work is!

Sticking with the above example of wondering What The Hell To Do when portraying a character who, due to the ideal he’s satirizing, should by all rights be on the wrong side of history in relation to queer rights, let me make a bold statement:

Soldier TF2 is not homophobic. He's a nationalist, a right-winger, a sexist, a xenophobe - but he's not homophobic.

Why? Because he just so happens to never encounter any gay people in canon. They happen to never cross his mind. He's thinking about other shit. If there's a Pride riot in Teufort, he just so happens to be looking the other way.

Soldier TF2 is not homophobic, because he can't think for himself. He's an idea, a fraction of a bigger narrative that he does not exist outside of.

And if he needs to encounter gay people in a fanfiction, don’t just passively follow the logic of his character to that uncomfortable place none of us enjoy going to - use that maneuvering! Make him misinformed, make him misunderstand, give him incomplete information - the character is not only a face with personality traits attached, his soul is also in the context of the story!

Make him homophobic, but he's pretty sure only Europeans can be gay (just look at them!), and it's already so damn sad that they weren't born in beautiful, paradisical AMERICA, so he pities them instead of hating them. Make him think he's successfully being homophobic, but he has misunderstood what a gay person is and thinks it's a particularly venomous type of snake (men who kiss other men are fine, why would he care about that when there are HORRIBLE HOMOSEXUALS slithering around in the desert that he needs to go blow up right now before they bring this glorious nation to ruin). Make him homophobic, but literally "phobic" - he's shaking and crying hiding inside a cupboard, and his newly-outed gay friends have to lure him out with canned meat and a trail of small American flags, treating him like a feral cat that needs a little time and space to get used to people.

That's funny. It's likeable, it's charming. He isn't portrayed as a good person, or woke in a way that clashes with the themes of his character, but with a little maneuvering, he is faithful to what makes him such a legendary character in canon - being a silly caricature that brings us joy.

If Soldier himself needs to be gay? There are ways to make it happen. Same approach. Get creative. Make it silly. Go for thematically appropriate comedic explanations, not cop-outs or realism*.

That is what I think the TF2 fandom is lacking - understanding of how to manipulate context to make a character feel like their own unique, lovable selves.

Characters are not just visuals and personality traits. They are also what happens to them, what they conveniently find out, what they happen to miss.

This is the same for every story, but it is especially important to understand in a comedy. Doubly so in a whimsical, hyper-violent, morbid comedy like TF2.

It's one of the most important layers to be able to recognize, and an even more important one to be willing to try to recreate.

*Unless you feel like doing a deliberate deconstruction, in which case, go ham, sometimes actively engaging with canon means doing some real weird stuff to it to make a certain point on a meta level. This is obviously different from the issues I described above.

>3) "even the newer official comics don't even seem to really "get" the original game" … I've had a nagging sense for years now that the TF2 comics don't really match the game, tonally -- which has admittedly soured my enjoyment of them -- but I've never been able to put two and two together and fully determine why that is. What would you say they've failed to "get" about the work they're based off of?

While I very much love the newer comics on their own merits, I do think they are wildly removed from the game, and lack a lot of depth by comparison.

I believe the greatest failing of the comics, especially the long-form comic, is that the writers do not seem to be aware of either of the subjects I covered above.

They do not handle the satirical aspect well. The newer comic writers don't even really seem to be aware that there is a satirical aspect - they treat the world as just a silly version of mid-1900′s media, with a narrow focus on silver age comics (which were primarily superhero comics, not an easy genre to match with TF2′s more grounded setting - see the comic’s limp attempt at doing a Superman parody with Sniper) + a dash of the Man’s Life magazines (would have been a good match, if not for the fact that it’s primarily used as aesthetics, with no attention given to themes the way the game does with its own media references). They attempt to write parody only, and even the parody aspect is a hollow effort. Crucially, the writers don't seem to have much of an opinion of the old media properties they're parodying, and without opinions to guide a parody, it becomes shallow and lifeless. "Mid-1900′s media was a bit silly, right?" isn't enough of a hot take to justify its existence. It needs an axis on which to spin to feel complete.

Reiterating the point I made in my answer to question 1: the game's satirical aspect circled the point that was "American media made during the Cold War pushed a narrative that was illogical and ridiculously misaligned with reality."

Its absurd humor is grounded in reality and follows a thematic red thread that the comic does not. As a result, the comic (again, primarily later entries) loses a lot of the sting and edge of the game.

Even though the comic attempts to be more serious and "dark" at certain points, the much more silly and easy-going game (and Meet the Team videos, not to mention) comes out looking more mature, interesting and layered, even though many of the layers remain subtextual. The game is fully married to comedy and has no intention of "getting real", but it is loyal to the spirit of satire. It has opinions. It has bite.

In the game and early supplementary material, there is a dread and horror in the subtext that the comics tried to bring to light later on, but the comic writers didn't know what the scary thing behind the curtain was.

The scary thing was - is - the Cold War.

The scary thing is the dread injected into the genre it's satirizing by people who wanted American readers and movie-goers to be afraid. Scaring people into compliance, into finding a sense of safety and comfort in their national identity, was the entire purpose of many, many pieces of media released at the time.

The comic writers didn't notice the subtext and figured they had to make up their own reasons for why the world of TF2 is so utterly fucked.

They didn't understand the cultural context, and they missed the mark entirely.

This also hindered the comic writers' ability to reproduce the game's humor and characterization. Without understanding where exactly the game's humor was coming from or why the characters were so likeable despite being horrible people, they lacked direction. They made the characters at the same time too impassionate, too stupid, too uncaring, and too nice. All together, the characters became less interesting, less likeable.

Example:

- In the game, Spy was not intended to be Scout's father. Spy having a relationship with Scout's mother emphasized Spy's craftiness and intelligence (undermining the enemy team not only through brute force, but through infiltrating their personal lives), and showed off the strengths of his aforementioned "softness" and sentimentality (he's the only mercenary shown to have consistent luck with women). It also emphasized the flaws in Scout's worldview, and his status as the team underdog, and showed a clear contrast to Scout's non-existent love life. Spy came out of the situation funny and likeable because he 1. was portrayed as cool and capable in a way the other mercs aren't, and 2. his softer side is simultaneously humorously endearing, consistent with the rest of his characterization, and highly informed by the satirical aspect of his character in a way that clicks perfectly thematically. Scout comes out of the situation likeable because his ego is balanced out by his bad luck - you can simultaneously see that he's trying too hard and why he's trying too hard. Spy and Scout's dynamic in-game is also fun and interesting, because you have a tough, hyper-violent, wannabe-macho young man who is desperate to gain the respect of both his team and his enemies getting freaking owned by a guy who is nowhere near the impressive-tough-guy ideal Scout strives to embody. The game's satirical points inform the characters and their actions, which gives the comedy depth and nuance, which in turn makes all characters involved fun to watch and easy to get invested in. It is the establishing of and subsequent pointing-and-laughing-at an ideal that produces engaging, character-driven comedy in this situation.

- By contrast, the comics decided that Spy was Scout's father. Spy's motives for getting involved with Scout's mother is no longer about gaining intel on his enemies. In this version of events, his motives are reduced to merely wanting to reconnect with an old flame. This completely undermines the dynamic described above, for multiple reasons: the situation no longer shows Spy as having a particular skillset that sets him apart from the other mercs, he is no longer portrayed as emotionally "softer" than the others (in fact, having left a poor woman to raise and feed 8 kids on her own while he was off enjoying his upperclass life makes him look incredibly cold in a way that is distinctly unfunny; I don’t think the writers thought this part through), Scout's comedic poor luck is no longer on display, and the "macho character is humiliated by the type of guy he respects the least" satirical aspect no longer works. There is an attempt to replace it with a mutual "ugh, I'm related to this guy?" running gag, but it's a very pale substitute for the layered, strongly characterized, thematically appropriate dynamic present in the original game. Spy comes out of it looking like more of a cowardly, cold-hearted fuck-up than a hilariously brilliant tactician with a heart. Scout comes off way too pitiable, because he is not responsible for his own misery here, and the person horribly bullying him and picking apart his self-esteem on the battlefield is his absent father who abandoned him as a child. He's not an objectively badass character who nonetheless fucks himself over in humorous ways trying to chase an ideal that objectively sucks - he's just a regular shitty guy who ended up in bad circumstances because of things outside of his control.

The comic writers didn't understand what Spy and Scout respectively represented in the game, and because of this, they didn't realize they were taking the characters off the rails and making them much less interesting as a result. They didn't realize they were killing off an endless source of comedy that supported the game's satirical angle in a fun, unique, dynamic way.

It resulted in a flat, flavorless subplot. It had some superficial attempts at "heartwarming" moments ...

... but here's my take: if the writers wanted to include more warmth and sincerity in the comics, wouldn't it have been way more heartwarming if Spy started treating Scout as his son even though he wasn't?

Would it not have been way more endearing to see him look out for his girlfriend's child, not because he has any personal ties to him himself, but because he knew if anything happened to Scout, his mother would be devastated?

Why not build from there? Why not make it an active choice? Why not preserve the existing dynamic and themes, and just follow that narrative thread to its logical conclusion?

Spy has an established sentimental side. Scout is desperate for approval. The reluctant surrogate father/son development practically writes itself. It would have been such a good way to explore TF2's themes more explicitly, too!

But again, the comic writers did not seem to realize the game even had themes.

I do like the newer comics. I do think they're really fun, and I did even enjoy the "Spy is Scout's father" subplot in its own way. But this complete inability to identify the game's themes, and thus the source of all its comedy, and thus the red thread defining characterization - it resulted in supplemental material that was lackluster, directionless and unable to scratch the same itch the game does.

They're good comics, but they're hardly TF2 comics.

>4a) … Sheerly out of curiosity, how do you feel Expiration Date holds up, in comparison?

Similar to the way I dislike Spy being revealed to be Scout’s biological father for coming off as a stilted, superficial attempt at being “heartwarming,” I also immensely dislike later supplementary material trying to promote Ms. Pauling to Scout’s recurring love interest for the exact same reason. Expiration Date pushes this subplot way past its breaking point and shows off extremely well why the “jerk characters are secretly a bunch of softies” treatment is so deeply, deeply out of place in TF2.

Back in the early comics, Scout hitting on Miss Pauling was played as a joke at his expense. He was an idiotic, sexist guy incapable of talking to a pretty woman without trying to fuck - she was a highly skilled and deviously manipulative minor character who mostly existed to show off how dangerously competent the Administrator and her people were. Scout acting like an utter dumbass too entrenched in his own limited worldview to notice what was happening right in front of him was important characterization for him, Miss Pauling’s quiet, calculating efficiency was important characterization for her boss, and their clashing personalities set the tone for the dynamic between the entire team of mercenaries and the conspiracy going on right under their noses.

Expiration Date chose to eliminate these layers and invent a completely new conflict for these two specific characters to go play with in a corner, which had nothing to do with their original characterization or the larger plot. Scout is now portrayed as being genuinely in love with Pauling, even noticing small details about her mannerisms and knowing about some of her interests, even though the entire point of their original interactions were that Scout was so busy trying to live his tough-guy-with-a-pretty-girl-on-his-arm fantasy he did not bother to listen to or learn anything about the women unfortunate enough to cross his path, allowing Pauling to carry out her job without causing suspicion.

Instead, Scout’s sexist approach to interacting with women is played for sympathy (”he’s actually a romantic underdog because the lady he likes accurately clocked him as an idiot!”) and inadvertently validated (”once she gave him a chance, she found out he’s actually a pretty okay guy!”).

In the process, Miss Pauling loses far too much of her usual competence, being visibly freaked out over having to perform a job she’s been shown to handle with grace in the past, and being taken aback by what should by all rights be routine weirdness in this world, all so she can have an eye-roll-worthy forced positive reaction to the entire experience at the end of the short, in a weak attempt to justify why she comes to like Scout more despite all the trouble he’s caused for her and wants to spend more time with him in the future.

The romance subplot is only made possible because the characters are heavily edited compared to their past portrayals, is only able to develop in the direction it does by aligning itself with the values of a character who existed to be a laughable, obviously-mistaken caricature, and is only able to distill a happy ending to the whole mess by stripping the other character of personal standards and agency.

Scout and Pauling are frankly two halves of a whole shitshow in Expiration Date, because the writers either didn’t notice or didn’t care about what older works were gunning for - all they saw was that Boy Liked Girl, Girl Did Not Like Boy, and that just wouldn’t stand! After all, everyone likes romance, right?

Scout, as he is portrayed in the game and in the early supplementary material, is one of my absolute favorites of the mercs. I find him incredibly funny, and the way his hyperactive, fun-loving, jokey traits overlap with his intense bloodlust (literally - he’s the class with the most weapons available that cause bleed damage!) and barely-suppressed rage makes him fun and fascinating. The little man has so much unchecked ADHD and cultural trauma he just has to go and kill people about it, which is just so intensely relatable in the “forbidden mood” way TF2 handles so well.

Unfortunately, I get the impression he has in later years fallen victim to the curse of being a skinny young white guy character, making him a target for writers who think every series needs a relatable everyman protagonist for either themselves or the audience to project onto (and who think skinny young white guys are the most relatable people around, for reasons you can probably imagine I’m not personally very fond of).

TF2 absolutely does not need a character like that, and butchering Scout’s established personality in the name of “relatable” and “wholesome” is first of all Some Bullshit, and second of all a lost cause. The character simply has too much baggage as an over-the-top caricature to be comfortably rewired into an author- or audience-surrogate. He’s always going to come out looking like an asshole - whether this aspect of his character turns out likeable or unlikeable is entirely controlled by whether the story itself acknowledges it.

I did find Scout and Spy's dynamic to be quite well done, though, especially if you ignore the "Spy is Scout's father" reveal from the later comics.

The idea that Spy didn't have to go and do all that, but has grown a soft spot for Scout purely because his girlfriend clearly loves her incredibly annoying boy and her happiness is his happiness, is perfectly in-character. Scout has also long been established to desperately crave approval from his teammates, and on paper, the idea of putting him in a situation where he had to let go of some of his macho man dignity, imitate Spy more closely and ultimately win a tiny bit of that approval he's been looking for is interesting and plays well with the game's existing themes.

It's just a shame Scout's motivations ended up being conjured out of thin air, in direct conflict with past characterization, for the purpose of enabling a schmaltzy, tonally dissonant romantic subplot.

tl;dr, I'm conflicted on the subject of Expiration Date. It's funny, it's cute when it's not trying too hard, and seeing the mercs dick around off the clock getting into stupid shenanigans together is something I've always wanted to see in a longer animated format. It’s largely a good time and a fun watch, despite its questionable gender politics and trope-y execution.

However, like the newer comics, it suffers immensely from writers who are simply unable to identify the themes, characterization and comedy style of older material, and thus, in my opinion, falls way, way short of its potential.

>4b) I'd be very curious to hear your thoughts on Emesis Blue, should you end up watching it.

I'll be sure to share my opinions if I ever get around to watching it!! I'm super curious about it. As I mentioned in another post, what little I've heard of it seems much more on-point thematically, and even with the characters being so far removed from their official characterization, I really get the impression this is a deliberate, informed choice, in stark contrast to the newer official supplementary material. I’ll be sure to drop some words on it if I ever get around to watching the full thing!

Anyway, that about wraps up my thoughts! If you’ve read this far, thank you for sticking with it, and please do consider reblogging - I’ve spent an insane amount of time writing and re-writing and fact-checking this, and I would love for it to reach just half of all the people who were curious about my initial posts on the subject. :’)

Follow-up questions are very welcome, though to be clear: I’m not really interested in “debating” the subjects I’ve talked about here. I know I posit a lot of hard opinions in this post and not everyone is going to agree with me and that’s fine - if you feel differently, I invite you to simply ignore me and write your own take on your own blog. No hard feelings, I just don’t enjoy those kinds of discussions. (Corrections on any factual mistakes I’ve made are of course encouraged).

[olderthannetfic]

https://www.tumblr.com/olderthannetfic/751011464262860800?source=share

Seeing the numbers compared, I realized that you are right, anon. It's a privilege to be able to write long fics, regardless of them thinking they're unable to write short fics because short fics are mostly scenes so it's not that long fic writers are incapable of writing short stories, deep down, they don't want to. Maybe it feels wrong for them since they've made an impression they always write long fics, maybe they find short fics less impressive, or believe that people won't give the same feedback as when they post something longer.

But I would like to argue that longer doesn't mean it has a plot. I've read 80k words of a character getting tortured with no chance of figuring things out or getting out of that situation and ended quite the same as the start. I've read 25k fic of characters just hogging. These fics have no stakes, no crisis, no buildup, no development, nothing just series of the same scene over and over with different sets or different positions.

Fanfic is free and that is why you encounter things that are, in a way, out of the box and technically are not allowed in the publishing world. But that's the beauty of it. Is it really that big of a gap for people who can write long fics vs people who can only write short fics? Because of how free fanfiction is, most things are okay to do, including only being able to write plotless or short.

One reason why I get jealous of other authors who manage to write longer fics than me is because I was too busy at the time. I found a good system for myself (dedicating a certain time to finish a chapter and then uploading them as I edit and so on) and you can build your own. I think with the right system, anyone can do it.

Pantsers, plotters, and hybrids are equal to me and it's true because how do you know that a person didn't just recycle the same plot they use from their previous fics, thus being able to write different versions of that story? We've seen the viral meme abt fic writers recycling the same thing and a lot of people admit to doing it. Does this mean they're mediocre or bad writers? It's not like that's against the TOS or illegal. Nobody paid us to keep making fresh new ground-breaking stories. The quality of a fanfic is decided from how you treat it. Do you still like it even after five years? Do you think about it sometimes? Do you feel so ashamed you'd rather put it in an anon collection or close your acc completely and orphan it? Do you wish for it gone to the point you delete every trace of it?

It's not from the amount of kudos, hits, or comments, tho yes it is easier to find good ones if you filter by kudos but there are lots of underrated ones and I've DNF a lot of fics that are not to my liking but have high-kudos because people keep rec-ing it. I want underrated fics to be more popular but not because it needs to be popular but because I hope to be in a community with more like-minded people. Fanfic has no publisher, we can't earn from it so traffic is merely informative so it's the community that matters the most.

In fact, to tell you the truth, after 17 years of being in ao3, I've curated my tag very specifically and stopped using the fandom tag and went straight to the ship tag. I also mostly rely on bookmarks, private collections, word from mouth of people I trust or believe to have the same writing style and taste as me. So it was very niche and limited.

Lots of stories have plots but not all must be in your favor so you gotta figure what you like to start. Are you team canon divergence or AU? what trope do you like? Telling someone to stop comparing is ineffective. We always compare because that's how we communicate. But people feel inferior because they don't feel worthy of themselves. If you start to know what you want, it's easier for you to write more. Whether you're still stuck on making 1k-2k, etc, at least you don't waste your time feeling sad or down and you keep writing. That'll help stimulate your brain and you will improve.

(Also maybe just don't listen to authors who you think are humblebragging. Mute or block them if you need to because I know, to some people who are in the same fandom, these types of attitude have more context to it. Idk abt anon, but in some cases maybe they were moots or the account was owned by another fan they've encountered on tumblr or other social media often, a BNF maybe, or just a popular author that other fans praise or talk about often, and things could get personal. Shit can go south quickly in the community tbh)

--

There's definitely an art to condensing one's thoughts into only a few words.

[redsixwing]

Dear Fia Elden Ring for the character meme?

It's time for more fun with the character meme!

How I feel about this character

Fia, O Fia.

She's Tarnished like us, who-knows-how old and relegated to the back room of the Roundtable (or possibly she chose it herself?) All the symbols around her at the start are for comfort and vanity - the fireplace, the bed she sits on, the mirror. She is far from 'the nice lady who gives me hugs,' even if I did lean on her blessings in some early boss fights.

Fia, the Deathbed Companion, the intro proclaims - but we don't learn right away what that means.

Fia, who can bring life from death. Fia whose intimate connection with death sets her at odds with her former allies/lovers, and with the Golden Order, too. Fia, whose pride does not permit her to stay in that back room, but sends her through Hell to find Godwyn - and she succeeds.

Her complications make her fascinating and challenging. She refuses to abide with someone hunting her charges; she deals death, real death, with precision.

(How she manages to kill a Tarnished before the restoration of Destined Death is left unanswered. Perhaps her faith granted her that.)

I'm already a big fan of the "sacred prostitute" trope, and to have everything else she does added in? Chef kiss. I'm so glad they wrote her this way.

All the people I ship romantically with this character

Er... I'm not sure Fia leans that way.

My non-romantic OTP for this character

My Tarnished - who said that.

Also Rogier. They certainly went to bed; he's a devoted enough ally for her to summon his soul phantom even after his death. If those two aren't conniving and snickering together while the Tarnished is out, I'm shocked.

My unpopular opinion about this character

She's the only one of the Roundtable crew who gets how important Death is. Despite her ghastly trappings, she's right. The Lands Between are trapped in a horrible half-life, and the only thing that can fix it is the restoration of Death.

(Why yes, I did choose Duskborn, why do you ask.)

One thing I wish would happen / had happened with this character in canon

D the Second shouldn't get to kill her unless I refuse to interfere.

Thank goodness writing exists, where I can set her up as the custodian of the Nameless Eternal City.

[phantomrose96]

Okay since I'm waiting for laundry, I'm gonna write up some fuller thoughts on the new Spider-verse. Spoilers abound beneath the readmore!

So I'm gonna start with the good, because it really WAS a good movie. The main thing working against it is that it's the successor to the original Spider-verse, which was such a master-class in style and storytelling.

Things I loved:

I'll shout out the animation to start, because how can you not. Absolutely lives up to the original Spider-verse and more with "oh this is giving me chills" style and animation. The whole sequence of Gwen saving people at the Gugenheim absolutely awed me.

Speaking of Gwen, Gwen. That whole first half-hour-ish of Gwen-focused screentime was so, so good... Loved her character-development. Loved her banter. Loved all the jokes and goofs and punch-out back and forth during the Gugenheim fight against... villain whose name I'm forgetting. Miguel showing up was great. Jess showing up was even better.

Gwen unmasking herself to her father was so so good... That was the precise moment I went "oh, yeah, I want to come see this again." This then rolled into Miles's part of the story, and his whole sequence with fighting Spot while trying to get to the parent-teacher conference *chef's kiss*. Amazing animation. Amazing goofs. Amazing humor.

Then... hmm, I have some critiques about much of the middle of the movie... I'll get back to that in the next section. But it still had its highlights: Spider-punk and Pavitr were fantastic, and I feel they were used just the right amount. The gags at Spider H.Q. were excellent. Spiderman-pointing-meme my beloved.

Then when the twist hit... my jaw was on the floor. I'd noticed Rio's eyes were green instead of brown, and just chalked it up to maybe a small production error or an effect of the lighting. Even the "Who's Spiderman?" I was willing to count as just the most hilarious possible identity reveal, to a mom who's just not really paying attention to the street vigilante scene. Then it hit... and the fact that Gwen and Miles were not experiencing the same reality just ah... AH!!!

Things I felt kinda so-so about:

The middle part of the movie felt a bit... lacking in tightness? The tension with his parents felt a bit meandering, seeming to wrap up and then come back, and I feel Rio's attitude toward Miles changed without much reason to have caused it to change.

There was a discomfort to the scene with Miles and Gwen spidering around the city... which I know was largely intentional due to the romantic tension and the "Gwen lying to Miles", but I just Do Not Like romantic tension between characters that did so well as friends. I really didn't care for Miles's jealousy over Hobie.

The Spider H.Q. stuff... I really WANTED to like... but I always feel a sort of perhaps second-hand embarrassment for the kind of stories that are like "yeah there's literally thousands of us in on this, but we didn't invite you because ummmmm 😬".

In addition to that, I also have a distaste for the trope that's like "Every single rational and highly-qualified individual knows that 'X' is a terrible and destructive idea that can get people killed. However our naive and head-strong main character thinks we should do 'X'! So he fights off literally everyone else (and wins, for no reason, considering any one of the highly qualified individuals should out-class him) because he's the main character, and it'll work out okay just because." Like.. personally I had a very hard time rooting for Miles in all that.

Additionally... why did Miguel even tell him that they were all just gonna sit back and let Miles's dad die? Like I get it was necessary for the plot, but it was done with this expectation that Miles would just be like "oh okay I guess :(".

What I would have liked way more would be this: After Miles saves the (should have died) Police Chief from Pavitr's world, Miguel says Miles has "proven himself" and can come to Spider H.Q. to come be trained. (Really, Miguel has recognized Miles is an active threat as a canon-breaker, and he needs to keep Miles distracted for a few days while the canon event of Miles's dad dying takes place in his own dimension.) Gwen and Peter B. understand what's happening, but are forced to go along with it, behaving strangely the whole time. Then when Miles catches them in a lie and the truth comes out, THAT'S when Miles rebels and tries to fight against everyone to get home...

I also would have liked it if maybe there was like... more of a hint of hope for canon-broken universes to be saved. Like if Miguel's policy was "a universe can be saved after canon-breaking, however it's too risky for all the people in that universe to it's Spider Law that we must let our canon events occur. We all make this sacrifice for everyone's mutual protection." then I'd see Miles's defiance as more of a "well I'm breaking from you and will succeed at the risky thing of saving my universe and my dad". They did a little bit hint at this possibility with the fact that Pavitr's dimension is not necessarily doomed, but like if they made this clearer I'd feel better about Miles's defiance being not doomed to kill his entire dimension.

Hmm, I also wanted more out of Peter B. I know this wasn't his movie, but I didn't totally love that so much of his role in this movie was being against Miles. (Next movie, I guess).

And all of this felt just, way less tight than the OG Spider-verse. The OG hit all its marks like a perfect run of Guitar Hero and exploded into an amazing finale. This one... just meandered a bit. In the OG, Miles's leap of faith hit so perfectly. That was THE moment he could make that leap. Vs in this one when he tells his mom ("mom", lol) that he finally faced everyone and won and whatever... it just didn't really hit right.

BUT, I don't wanna end this on a negative note, so actually I wanna talk about the twist again.

Actually before I talk about the twist again, I wanna talk about the scene with Gwen and her dad. The "I quit being a cop halfway through your speech" (and the fact that this may present the loophole that saves her father now). The unspoken fact that Gwen was maybe avoiding coming back because she knew her dad was doomed and didn't want to deal with it. Her dad choosing her over everything. It just. It's good...

BACK to the twist. I am NOT a "talks in the movie theater" person but I couldn't help going "OH his dad is dead in THIS universe :000000" once the reveal hit. And that reveal was like 10 reveals all at once that had me just :0000000

Aaron walking in. The reveal that the whole city is aflame because, as Miguel had called out earlier, this universe doesn't have its Spiderman. The "what did you do to your hair". The mural for Jeff instead. The reveal that Gwen and Miles are nowhere near each other. The overlap of Jeff returning him in the universe Gwen is in with Aaron returning him in the universe Miles is in. Miles getting knocked out and I instantly knew it was Dimension42!Miles that did it to him. The Prowler is thriving and it's Miles this time.

[caparrucia]

Hi there! Few days ago my brain randomly reminded me of Kingsglaive and hours later I ended up scrolling ao3 looking for fics that feature Nyx, any fic, hoping there're more fics for him than the last time i checked (years ago, i think?) and surprised there's a Cor and Nyx ship??? I mean... HOW? And why? But somehow I spent past three days reading your Cor/Nyx fic in ao3. Started with your "flower soulmates AU", classic trope, figured it'd be hard to go wrong with that. First sentence intrigued me, 8000 words later I was whisked away by the imagery, feelings and humor also a bit wistfulness sometimes. And then "glitter and gold". And then "the sun is out, the day is new" It was a JOY to read it! (holding back to read "always darkest before dawn" because, was it discontinued?) Your worldbuilding of Galahd culture (the Walk! the. WALK) it just fills this pockets of imagination for all these cultural aspects we’ve only got tiny glimpsed before. Your words pulled me in and now I am well and truly hooked on this ship hahaha. Just wanna say you're amazingly talented (superpower with words I swear) and thank you for writing about Nyx. 💜

So, first of all, thank you for your kind words and welcome to the CorNyx fandom, it's cozy and fun!

I do want to say I am not and have never claimed to be patient zero for the CorNyx ship, but I did write a fic specifically to infect as many people as possible with my ship because... you know. I'm a writer, that's what I do. :P

Why Cor and Nyx? To me personally because I watched Kingsglaive, watched the speech Nyx gave the Lucii and went "huh, so he's just Cor but younger" and that thought immediately spawned a need to see these two butting heads (and other things!) ASAP. Cor is my darling boy, mostly because he's a shonen action hero that grew up, and he's forty fucking five years old and still wears red sole shoes and three shirts layered like it's cool. He's a moron, I love him.

Nyx is Nyx! Kingsglaive spent so long painting a picture of an interesting main character shafted into side character status - a thing that XV does a lot, in that the bros are all flavor of Main Character, while Noctis is very much refusing the call at every step he can - and I'm so very fond of him.

So hey, let's write a story to chew on the idea and see if I can convince people to ship it. The story was the sun is out, the day is new, and the answer was overwhelmingly yes! And so here we are. XD

always darkest before dawn is and isn't abandoned, in the sense that I realized I needed to rewrite some bits and I might as well scrap it all and rewrite it from scratch but that takes time and I've been drowning in work and getting swallowed by other fandoms in the meantime so it's been a while. I need to get to it because I need people to know what's the deal with Prompto, because it's so good. SO GOOD. I love my boy.

glitter and gold exists purely because of the awesome @garbria, and if you want some quality CorNyx, well. /Will Smith memes. She's got you covered, trust me. /chef kiss

And if you've still got a hungering for more CorNyx from me, I know it's still on going and truth is I update once a year at this rate, but it is my baby and I try my best not to post cliffhangers (or to resolve them quickly, lmao) but you might want to give nature of the beast a try. It's got teeth, for all it's very soft and squishy in its own way.

[daisyishedwig]

Writing meme about me!

@lusthurts tagged me over two weeks ago but I have been so busy with work I haven't had a chance to answer it.

How did you get into writing fanfiction?

Unofficially I just liked messing around with the characters in the media I consumed, I've always had a habit of pausing in my watching or reading to daydream and theorize about what could happen, or maybe just what my brain wished would happen and so at a very young age I started writing those ideas down.

At some point when I was twelve or so I discovered FF.Net through the Supernatural fandom, I don't remember exactly how. But that was when I went from writing Stargate and Inuyasha fanfiction purely for myself and started writing and publishing Supernatural fanfiction. I really love the weekly 100 word drabble challenges that fandom had back in the day and most of my oldest surviving fic are for those prompts as most of my other stuff I've deleted over the years.

2. How many fandoms have you written in?

So Glee is obviously my most prolific, and then Supernatural would be just behind that. In the past I've also written for Stargate, Inuyasha, Naruto, Buffy, Harry Potter, The Vampire Diaries, Doctor Who, and Takin' Over the Asylum, but most of those have been deleted and lost over the years. I do have unpublished WIPs for Stranger Things, OMGcheckplease, The Real O'Neals, Captive Prince, Magnus Archives, Hatchetfield, and probably more, no idea if any of those will actually see the light of day though.

3. How many years have you been writing fanfiction?

I've been publishing it for about fifteen years but writing it for probably twenty which is an insane number to type out. Like I know I've been writing for pretty much my whole life but seeing it in words puts it in a new perspective. But yeah, my earliest posted work is from 2009.

4. Do you read or write more fanfiction?

It depends on the era? Currently I've been writing more fic than reading, purely because I've been focused on reading so many regular books at the moment (my roommate and I are in a race to read the most books this year, and I'm currently winning, but the rules are that I can't count anything that isn't already on StoryGraph and most of the fics I read are not).

5. What is one way you've improved as a writer?

I think my ability to write banter has improved a lot. I've been writing for so long that everything has improved, but the most noticeable to me is my dialogue, especially when it's witty. I used to struggle so hard with that even though I loved good banter in stories. It's part of why I used to not write Kurtbastian, because banter is so integral to their relationship, but I've been getting more and more comfortable with it .

6. What's the weirdest topic you researched for a writing project?

I'm going to ditto Lusthurts Ohio geography, which is especially frustrating considering how much Glee itself ignores Ohio geography so there's this line of making it not sound completely stupid while also remaining true to Glee's own absolute disregard for it. Also songs and movies that came out in 2012 specifically since I write a lot of stuff set in season 4 of Glee and I try to keep the media I reference contemporary.

7. What's your favorite type of comment to receive on your work?

I love all comments! But if I had to chose my favorites it's probably anytime that I drop subtle hints or foreshadow something and people pick it up and point it out, either on the original read through or during a reread. I also love when people point out symbolism I didn't intend or realize I was making.

8. What's the most fringe trope/topic you write about?

Idk I kinda write a lot of infidelity and toxic relationship stuff. Seblaine is the main ship I write for nowadays, and the nature of their relationship lends itself to a lot of infidelity in their process of getting together. I also just love writing angst, so even when I'm writing established relationships, they end up being sort of toxic throughout especially given the traits of both characters. I just find it more fun and probable to write a slightly toxic relationship than a 100% healthy one.

(I did not intend to just leave Lusthurts answer for this one, but also, ditto. I love the messy toxic relationships, they've always intrigued me and they're so fun to sink your teeth into. I also love writing a lot of polyamory, which idk how fringe it is nowadays but I've been trying to breakaway from the throuple mold and branch out into more interesting, complex, and realistic polycules)

9. What is the hardest type of story for you to write?

I tend to stick very much to the emotional side of things, so stories that get too physical or actiony are the ones I struggle with. Since I've been reading more I've been getting better but it's still not great.

10. What is the easiest type?

Hurt no comfort, lol. Like I do enjoy writing the comfort but sometimes my brain gets hung up on it not being realistic, things getting better too quickly, things like that. But it gets less anxious about just having the angst, even with no happy ending.

11. Where do you do your writing? What platform? When?

I tend to write on my couch, I do like going to the library down the road when I really want to focus, but usually I just write in my living room. I usually just write to google drive, I'm interested in alternatives but I've been using google since jr high so I'm just very used to it and it has so many years of documents. And I just write whenever, but usually in the evening after work, but really whenever I have time.

12. What is something you've been too nervous/intimidated to write, but would love to write one day?

I love ensemble fics and all the distinct personalities of the different characters and I would love to write one that focuses on many characters one day. I'm kind of trying that with my Season 2 AU but that still mostly focuses on Kurt, Blaine, Sebastian, and Sam, which is exactly who most of my fics focus on, so I'm not sure if it will fit full ensemble status by the time I'm done.

13. What made you choose your username?

So Daisy is an old nickname of Darren Criss' (he's talked about it in a few interviews, how he was studying abroad in Italy and when you say his initials in an Italian accent it sounds like Daisy) and when he was in Hedwig and the Angry Inch the username DarrenisHedwig was already taken but I thought DaisyisHedwig would be fun and I've been it ever since.

Oh boy, I'm going to tag @kurtsascot, @calsvoid, @fallevs, @cryscendo

@bitbybitwrites, @annepi-blog, @sperrywink, and @backslashdelta

[1863-project]

I am, admittedly, very, very tired.

Fandom was a safe space for me growing up in the 2000s. I turned 14 in 2003, and I was spending a lot of my spare time online at the time because it was a place that people accepted me. I liked that it wasn't too fast-paced, and I liked that I was allowed to be weird there. I got to just be me, no judgment. For an undiagnosed autistic kid, that was revolutionary. It was a subculture, to be sure - we had to keep things quiet because in real life we were mocked for liking things, and this was an era where people sometimes did get fired for writing fanfiction off the clock. But it was safer than my real life, where I was being bullied constantly to the point of permanent trauma.

Fandom isn't like that anymore, because capitalism found us.

At some point, people realized they could make serious money off of fandom, and it became an industry. Fandom changed with it, and not necessarily in good ways. There were, of course, some good things - it was easier to get good merch for a lot of things, for one - but the cultural shift from smaller, more subcultural spaces into the mainstream has ultimately changed the culture of fandom in ways that have harmed creators. Fandom went from being about creating to being about consuming. Things are now moving so quickly that fic writers and artists can't keep up with fans' demands. If you're late to a meme by a week, you're "too late." And it's not a subculture anymore, either - it's mainstream. The things we were actually made fun of for liking are now cool to like, which in some ways is nice but in other ways feels weird, because now our safe spaces are dealing with an influx of people, many of whom were actually the people who made fun of us in the first place.

This isn't to say that fandom was all rosy when I was a kid. There were a lot of issues, it could get really cliquey, and there was a lot of drama, as you'd expect from fandom spaces. But it was still more of a place where you could explore yourself and who you were instead of a place where you had to police your own behavior because people were watching and waiting to go after you for any perceived mistake. You didn't have to be pure and perfect. You didn't have to keep up with trends constantly. You were allowed to go years between fic updates, and people were just excited to get an update instead of acting entitled for one after a week of no updates.

I love talking about things I like with my friends, and I generally do so in small Discord servers these days, because it's the closest thing to what I grew up with. In those spaces, we can discuss things seriously and in funny ways, and we can safely be critical of trends in fandom spaces, like racism and ableism, that have permeated modern fandom more than ever. They were always there, but as fandom becomes more of a reflection of mainstream society than ever, prejudices become more and more obvious in these spaces. People don't like it when you point these things out, though, because they're stuck in that idea of having to be perfect, because they don't want to be called out.

The fact of it all is this: fandom is now just a reflection of mainstream culture, because that's what it's become. It isn't a subculture anymore. And it looks just like regular culture, with all the sexism, homophobia, transphobia, racism, ableism, ageism, etc. that you'd see there. These are all topics worth going into in depth, and they're all things to be aware of. Depicting things and characters thoughtfully goes a long way for people - even if you're fixing canon because God knows canon itself is also deeply reflective of these things. Stories are a product of the society they're written in, after all.

I decided to start looking into ableism in fandom specifically because I'm autistic and certain tropes actively harm people like me and perpetuate prejudices against autistic people, but there's so much to be gleaned from disability and fandom beyond autism. If you're disabled yourself or have disabled friends or family members or other people you care about, you've probably seen something that rubbed you the wrong way or felt uncomfortable at some point (mental illness is especially deeply stigmatized in society and is treated accordingly in both canon and fanon). There's just so much to talk about and this is only scratching the surface.

But right now, I'm tired and I'm angry that the space that has been there for me my entire life, the space that was a place I could safely be myself, has become what it has and has essentially pushed me out - of a space I was helping build in my younger years. That shit hurts. I can't go home anymore, and it really, really stings. I'm building new homes with new, safe friends, of course, but to know I can't go back to what I had just...it's really hurting me right now.

I know I just have to move forward, but I think it's important for me to acknowledge the anger and mourning I've been dealing with, too.

[captain-aralias]

randomised trope/tag grading game

clearly today is a day of doing memes (i posted a list of 9 favourite books earlier today). i know it's a tuesday and normal people are at work, but i'm writing some posts, hello!

Rules: Generate your own personal list of 10 AO3 tags to rate. How much do these tags affect your decision to click on a fic? -10 -> very dissuaded 0 - don’t care either way +10 -> very enticed nope -> if it’s a hard no and you’d never click on a fic with that tag or or you even have the tag blocked or you’d insta click out of the fic if it wasn’t tagged Bonus points for explaining the rating and whether it’s conditional.

i was tagged in a very similar post by @bookish-bogwitch a few weeks ago. at the time i read her post, i felt like our opinions were so aligned that there wasn't a good reason for me to write my own post. (well done, great opinions!) the only exception really is that if a snowbaz fic was tagged age gap i might choose to read it - less because the trope is for me, and more because that's kind of weird for snowbaz. so, maybe it would be interesting! and i guess i feel pretty meh about H/C, sorry folks.

anyway - i decided to tweak the meme into the form that you see in this post. here's my 10 random things and what i think about them👇

Amusement Parks: -2

harsh judgement right out of the gate. i've read some good ones but i feel like generally a fic about an amusement park is likely to be some quite gentle fluff, maybe a modern AU, and that's not my favourite.

Unconventional Families: 0

maybe all slash fics that are kidfics are unconventional families? if so - i actually quite like kidfic, a not that secret shame, but i sort of like it less if the fact that they're gay parents is now worth flagging because it makes life difficult - since i am a gay parent. and i dont want to read about how it will be hard. so it averages out to a 0. if the family is more unconventional.... who knows? i would neither click nor not click.

Rough Sex: 8

how sad for me that this is my first clear yes and highest rated. i probably would click unless other tags or the summary put me off.

Public Transportation: 3

i went with a yes here, as i'm intrigued. it's oddly specific and suggests an interest in the specifics, and i am a fan of public transport. i've read some nice fics where snowbaz meet on trains (yes, often modern AU, but i dont dislike them all), like the classic 15-across by @ninemagicks and the equally classic remix 2-Down (A 15-Across remix) by @carryonvisinata (who also wrote a theme park story i like, so the -2 is definitely feeling mean. ah well, press on.) Bickering: 7

i mean - i prefer banter, but i assume if someone has written bickering they kind of mean banter. unless it's like sibling bickering and then maybe not.

Phone Calls & Telephones: 0

this is almost text fic (which i like less than most people like it) but not. i often write in a phonecall, it's part of what i think of as the friendship to lovers arc...... idk. i'm also going to add here that i keep thinking about plots that rely on people not being able to call each other, which is kind of the opposite. or you have to get to a pay phone - i dont know that i would want to read a fic like that, but there are some fun movies and books that you'd have to rework now. most recently i was watching madonna in 'desperately seeking susan'.

Redeemed (character): 7

this really depends on who they are, obviously. i can imagine it being really annoying if they never show any redeemability, but i've given it a strong 7 because i come from a world of redeeming the master from doctor who over and over again, so it would feel silly not to have it as a yes. and i kind of want to redeem the mage....... but it would be weird if he just was redeemed in a fic, and so too the master. it would have to be kind of about it.

Quests: 7

yes. not a 10/10 insta-click , because i can imagine it going on a bit too long if it was a fic about a quest rather than, say, two people realising they loved each other, but i would like it to be in the background. snowbaz has some good quest fics. Song of Sirens (rated E) by @scone-lover is such a fic or A Gift From the Propheseals (rated M) by @skeedelvee and @letraspal another.

Cats: 3

this feels mean, i have 3 cats myself - i like cats to be in a fic because cats are nice, but i also dont have many feelings about animal transformation and if snowbaz adopt a cat in the future... that's fine by me, i hope they do, but i probably don't want to read about it for more than a few lines.

Sociopathy: 2

probably not if it's a serious examination of this, but plenty of my villainous favs could be described as sociopaths, so... i give it a 2!

--

anyone who wants to do the meme in this form - please do!

i tag everyone already tagged in this post, the people i tagged last post, and a few others: @giishu @orange-peony @you-remind-me-of-the-babe @carryonvisinata @alleycat0306 @fight-surrender @cows4247 @messofthejess @mysterioussheep @ivelovedhimthroughworse @nightimedreamersworld @cutestkilla @fatalfangirl @artsyunderstudy @larkral @forabeatofadrum @ileadacharmedlife @facewithoutheart happy tuesday.

[rainbowmewz]

edward nygma (gotham) and OSDD-1a

hi! welcome to my hellhole!! i’ve been thinking about the topic of this post for a while and i just needed to yell about it here bc yelling about it on twitter under a meme post wasn’t enough for me xD

SO! let’s talk about this. i was highly generalizing in the tweet above because i personally don’t think edward nygma suffers from dissociative identity disorder. instead, i believe he suffers from other specified dissociative disorder, specifically subtype 1a.

below the “keep reading”, i will discuss a general overview of DID and OSDD, why i think this is the case for edward nygma, and a review of the representation of it in gotham. be warned that this post has a general trigger warning for discussions of abuse, self-harm, suicide, and drug abuse. this discussion is not in depth at all, but just as a warning if you wanna avoid this post! this post also has a trigger warning for discussions of negative portrayals of DID/OSDD (such as in films like m. night shyamalan’s split and discussions of tropes such as “evil alters”).

OSDD-1 is a subtype of OSDD that is very similar to DID. to get a general gist of what OSDD is, we first have to define DID. DID (dissociative identity disorder), which used to be referred to as MPD (multiple personality disorder), is a dissociative disorder that forms in early childhood as a reaction to prolonged and/or severe trauma (abuse, for example). this causes a child’s brain to split into multiple parts, called alters, and experience amnesia/dissociation between these parts. in OSDD-1 (other specified dissociative disorder), there’s two subtypes, 1a and 1b. in 1a, there’s dissociation between parts, but their parts aren’t as distinct as someone who has DID. on the other end of the spectrum, in 1b, alters are highly distinct but experience little to no amnesia between them. as stated previously, i believe gotham’s portrayal of edward nygma/the riddler has OSDD-1a.

to avoid confusion, in this post, i’ll be referring to the two as a whole as “edward nygma”, “edward”, or “nygma”; i’ll refer to the alter we’re first introduced to as “ed”; and the alter we’re introduced to next as “the riddler” or “riddler”.

while we don’t know anything about edward’s childhood in gotham, many other portrayals of the character (arkhamverse, general comic lore, etc.) mention an abusive past, specifically at the hands of his father. in general comic lore, this abuse explains where his compulsions for showing his intelligence comes from. if this backstory is true for gotham’s portrayal of nygma, which we will assume for this analysis, this is the trauma element of OSDD.

our first introduction to the idea of edward having a dissociative disorder is in season 2 episode 1. while this is our first introduction to the difference between ed and the riddler, the two seem to have a history of co-existing before this scene (ed tells riddler stuff such as: “i get nervous when you talk to me with other people around like that” and “i know where this is going. i told you, leave ms. kringle alone”).

now that we have those basics down (trauma and evidence of a long-standing dissociative disorder), i’ll be referring to an article written by DID-Research.org titled “DID Versus OSDD-1″. this will hopefully help my thoughts be more concise, since i tend to.. go all over the place with this stuff. i tried to write my thoughts on this topic in a discord server before and it went in 50 different directions x3

DID-Research’s article discusses how the parts in OSDD-1a are different from disorders such as borderline personality disorder, posttraumatic stress disorder, and complex posttraumatic stress disorder. while OSDD-1a’s parts are way less differentiated as ones in DID or OSDD-1b, since individuals “are more likely to present as the same individual”, these parts can have “different skills, emotional reactivity, or ways of interacting with the world”. to me, this sounds exactly like what riddler and ed go through throughout gotham. as early as season 2, riddler is shown as more confident, brash, and witty than his counterpart. ed is more focused on living a normal life, he wants to live out this fantasy with kristen, then isabella, then lee. this is all he craves, to be seen as normal and not a freak. riddler on the other hand, isn’t as concerned. sure, he originally wants to pursue kristen, but in a way to introduce a sense of excitement and power in him and ed’s life.

this mention of ed’s craving for a normal life is something.. very interesting as well. according to the theory of structural dissociation, there’s two types of parts a person with OSDD/DID could have. these are referred to as Apparently Normal Parts (ANPs, these alters take care of daily life, often are avoidant (or unaware) of trauma, and have a need to appear high-functioning (sound like anyone we know?)) and Emotional Parts (EPs, these alters represent dissociation and trauma through memories, internalized beliefs, and learned responses). ed seems much like an ANP, while riddler seems more like an EP. an article discussing the differences of ANPs and EPs states that an ANP “might engage in self harm or use psychogenic substances in attempts to forcefully tether themselves to the present and prevent EP from intruding”. this sounds very familiar, does it not? his abuse of hallucinogens in season 3 to see oswald again, using pills again in season 4 to try and get rid of the riddler, and if i remember correctly, plotting to kill himself in season 4 as well.

as i stated, the article talks about how OSDD-1a is different from an identity disturbance in disorders such as BPD, PTSD, and C-PTSD. the article specifically says that people with these disorders might feel a loss of control, but never “feel that different parts of them are capable of acting independently or that different parts of them have and express their own views or goals”. this exact quote proves that what nygma might be experiencing is OSDD-1a. our introduction to the two psyches of edward nygma show their differing goals and views. as another example, in season 5, riddler is completely unaware of ed’s plan to destroy haven and is shown as extremely distraught when he appears in different places without knowledge of what happened beforehand.

so.. it seems obvious that edward nygma has OSDD-1a, right? so... how would i, as a psychology major, someone who possibly has DID/OSDD, and someone who’s known multiple people with DID/OSDD, review this representation?

i’d say... it’s pretty good for what it’s worth!! gotham as a tv show has always dealt with terrible writing and a lot of things could have been written better, but this topic is surprisingly one they handled pretty okay. there was... a lot of room for more and it’s quite strange to see the dissociative disorder representation go to edward nygma instead of a character such as harvey dent (who’s a whole other can of worms and has been stated to have “MPD” in the past).

it’s really refreshing to see representation of DID/OSDD that doesn’t rely on played out and disgusting tropes such as “evil alters”. while it seems like riddler might play out as an evil alter, both ed and riddler are both messed up in their own ways. there’s no evil alter to stop, they’re both.. villains in their own ways (blowing up a place w/ the most vulnerable members of the city vs hiding your dead gf’s body parts over a police precinct, pick your poison). i also enjoy how cory michael smith portrays the two psyches of edward nygma and portrays the way the two switch in and out!

you’re free to disagree with my opinion as well. i’d love to have a discussion in the comments or reblogs :DD!! i just... really enjoyed writing this up. if i missed anything, just tell me :33

[ksbbb]

ur okay to answer all of the questions? 🤭😅😆

😂😂😂 for you? I will 🫂

list 3 positive things about your current fandom(s)? A lot of material to work with considering we have to fill in gaps. Multiple characters to use. Lost of works to explore and plus there’s so many head canons that you can get lost and have a whole day to fill. 😂 they finished the show too. I will add that. Some shows get canceled.

A head cannon you weren’t sure about at first but you have come to like?

Liam not being able to cook. It sounds silly but at first I wanted to give him the benefit of the doubt and I enjoy the thought of Theo being the cook and perfectionist with it.

a character that fandom has helped you appreciate?

Derek Hale. LISTEN. Don’t come for me. Originally I didn’t like Derek because he was mean to Scott at first and I didn’t like how he threw Isaac out of the loft with no place to go. 😤 however, I’ve come to the conclusion through the fandom that he has grown and he went through a lot. He also did come back to help Scott.

say something nice about a ship you don't ship (it can be another ship in your fandom, a mutual's OTP, etc)

Stalia. Stiles helping Malia and them looking out for each other was always really sweet to me.

Something you see in fics a lot and love

Theo moving in with Liam. I think we have established this happened for real in our teen wolf world.

Something you see in art a lot and love

Theo and Liam in Theo’s truck driving around.

your favorite tropes to read/write/draw

Enemies to lovers

Sharing a bed

Reluctant friends/allies

you hope more people will come to appreciate ___ (a ship, a trope, an episode, etc)

Season 5 . Yes it was a little rough and a lot of holes, but we got Theo and the chimera pack. It also gave a horror type vibe which I loved .

Plus plus… we were introduced to

A ship that isn’t your OTP but you enjoy

Scisaac. I don’t think anything else needs to be said.

a blog (mutual or one you follow) that has made your fandom experience brighter

@thiamsxbitch @wolfboy88

If you’re a writer or an artist what work are you proud of making? 

Hmmm. I think I always come back to this but

your favorite type of fandom event (gift exchange, ship week, secret santa, prompt meme, etc)

Thiam gift exchange was fun. I also liked the thiam reverse big bang and seeing all the artwork

Compliment someone else in your fandom

Well… that’s hard fjfjfj. I like everyone but I will say that green zone is the best written fic I’ve read in a long time. @chasing-chimeras

A ship that always makes you smile 

Scira . 💙💙 so wholesome

A character that always makes you smile

Scott

A thing in canon that everyone loves that you also love

Morey. I mean, Jeff didn’t screw that up in in the show. The movie we won’t discuss .

tiny detail in canon that you want more people to appreciate

The development of Derek and Scott’s relationship from angry stand offish allies to brothers. I think it’s cute and now that I like Derek I love it. 😂

Your first fandom

Vampire diaries but I wasn’t a writer or artist for it

Your current fandom

Teen wolf

All American

Shadow and bone

Supernatural

a fandom you're not active in anymore but that you still really like

Vampire diaries

A fandom friend you have known the longest

@waterloou 🫂

the fandom you're curious about because of a mutual

Hmm 🤔 idk. I’d have to think but one tree hill has been on my mind to watch because of you @thiamsxbitch

how has fandom positively impacted your life?

I met some fantastic people and for that I will be eternally thankful

A piece of advice for taking care of yourself in fandom spaces?

Take breaks and don’t look at numbers. It’s easy to get lost in it but what’s important is that you enjoy what you’re doing. If you don’t like it and it becomes a constant stress for more likes or comments, then it’s time to step away.

It should be fun

[chocochipbiscuit]

20 Questions for Fic Writers

I was tagged by @anneapocalypse, thank you Anne! <3

And I would like to tag @replicafatale. @formlessvoidbeast, @bittylildragon, and @meikuree if you are so inclined!

Blank questions for your convenience! My answers are below the cut.

1. how many works do you have on ao3?

2. what’s your total ao3 word count?

3. what fandoms do you write for?

4. what are your top five fics by kudos?

5. do you respond to comments?

6. what’s the fic you wrote with the angstiest ending?

7. what’s the fic you wrote with the happiest ending?

8. do you get hate on fics?

9. do you write smut? if so, what kind?

10. do you write crossovers? what’s the craziest one you’ve written?

11. have you ever had a fic stolen?

12. have you ever had a fic translated?

13. have you ever co-written a fic before?

14. what’s your all-time favorite ship?

15. what’s a WIP you want to finish, but doubt you ever will?

16. what are your writing strengths?

17. what are your writing weaknesses?

18. thoughts on writing dialogue in another language for a fic?

19. first fandom you wrote for?

20. favorite fic you’ve ever written?

1. how many works do you have on ao3? 178, over almost 10 years! Though I suspect if I actually went back to tally them, the vast majority would be skewed towards my early years, back when I’d crank out a fic or two every week for the kink meme then post with minimal editing. Ah, youth.

2. what’s your total ao3 word count? 910,453! Again, I strongly suspect they’re skewed towards the beginning.

3. what fandoms do you write for? I started out pretty intensely monofandom for Fallout, but I write a lot of Dragon Age these days. Which is ironic because I don’t consider myself ‘that’ big a Dragon Age fan, but the fandom exchanges are fun and I’m familiar enough with the setting and characters that I don’t mind picking up pinch hits or writing impulsive ‘what if’ fics.

In general, I almost exclusively write for video game fandoms. (with a few books thrown in…)

4. what are your top five fics by kudos?

The Vashoth and The Qunari (Dragon Age, The Iron Bull/F!Qunari Inquisitor, rated E)

Belief (Fallout 4, Cait/F!Sole Survivor, rated G)

A Dream of Red (Dragon Age, Leliana/Morrigan, rated E)

And They Say Size Doesn’t Matter (Fallout 3, Fawkes/F!Lone Wanderer, rated E)

Data Collection (Fallout 4, Cait/F!Sole Survivor, rated E)

Basically: they’re all older fics, mostly smut, and mostly written while the fandoms were still new (or new-ish) and popular. The Vashoth and the Qunari was written before Inquisition even came out, and was written mostly from frenetic fandom speculation. I wouldn’t call it my best fic, just one that happened to strike while the hype machine was still active.

And They Say Size Doesn’t Matter has the questionable distinction of being the longest mutie smut fic on AO3, mostly because each chapter was written for various kink meme fills and then put somewhat in order. It makes me cringe a bit to reread it (I could do it so much better now! I could write with so much more nuance! I would have made less questionable decisions about characterization and description, or at least different questionable decisions!) but I still look back fondly on it.

5. do you respond to comments? Absolutely, though I’m rather late to respond sometimes! The only ones I don’t respond to (and usually just delete) are comments that make demands without any other attempt at interaction. (Ex: “next time write X/Y with New Kink” or “tag your trans characters” when there’s a perfectly nice author’s note at the beginning if you feel shocked or scandalized by the existence of trans characters in a fic that doesn’t focus on being trans and where the trans characters are minor or background!)

…anyways, mild aside: I consider tagging to be both warning (“please don’t read if X, Y, or Z bothers you, or at least prepare yourself”) and advertisement (“please do read if Tropes A, B, or C are appealing to you!”) rather than simple description. If I went out of my way to describe everything that might be relevant in a fic, including every single minor character who gets a single line of mention, then my tags bloat beyond what I consider useable. I try to include notes at the beginning to clarify or mention content that I don’t think needs to be warned/advertised for. Which is part of why I find it weird and borderline hostile to have specific identity tags demanded without explanation.

(And that said, I tag myself biracial bisexual….nah.)

6. what’s the fic you wrote with the angstiest ending? I don’t write a lot of angst, but I do have a story that ends ‘unhappily for now’!

Schroedinger’s Pussy (The Locked Tomb, Gideon/Harrow, rated E) is a fic about yes, pussy spanking, but also denial of feelings and ends with an unresolved sex thing that Harrow refuses to talk about, and Gideon in an empty room. In my head they’ll work through it (eventually) but obviously, not in this fic!

The weirdest dark fic I’ve written was an older kink meme fill, and it’s something that I promised from the beginning would only end in pain.

Pain (Fallout: New Vegas, Vulpes Inculta/Rose of Sharon Cassidy/Boone Craig, rated E) is morally dubious not-actually-a-love-triangle fic with under negotiated BDSM and an ambiguous ending that most likely ended with Vulpes’ off-screen death at Cass and Boone’s hands. It’s a fic I still think about sometimes, not because I think it was the best, but because I feel like it shows when I was more willing to be weird and experimental around fraught topics and messy dynamics. I don’t write that sort of thing now simply because I don’t enjoy it, but I’m still glad I had the experience of experimenting. 

7. what’s the fic you wrote with the happiest ending? I love happy endings, but don’t often enjoy fluff! By which I mean: I want a happy ending to feel earned. I prefer desserts that have a little salt or bitterness to cut through the sweet and add balance. I want a fic to feel the same way.

That said: I think most of my fics have happy endings, if not always fluffy one.

That also said, I think never gonna say I’m sorry (Borderlands 3, Amara/Tyreen Calypso, rated E) fits the bill because it’s both a fix-it fic and villainous decay arc and I love that for Tyreen, the emotional journey and character growth she goes on from wanting to destroy the world to being willing to destroy herself in order to save it, and ultimately being pulled back to be told no, sometimes you gotta live even when it feels so much harder.

Fun fact: this fic has two endings, one in which Tyreen murders her brother (because just because she’s trying to be a good guy doesn’t mean she’s actually a good guy yet!) and one in which she tries the harder and messier path of not murdering him. I originally wrote the murder chapter because I didn’t think Tyreen would be at the point of being willing to forgive her own brother for attempting to kill her, but @bittylildragon made a note that essentially Troy was being punished for twink crimes, so I decided what the hey, I’ll try an alternate ending. And now I think that’s actually my favorite!

8. do you get hate on fics? Not on AO3. Some on Tumblr before I closed my inbox to anons. A couple on the old kink meme, back when it was self-destructing from the weirdly polarizing “Gay Wasteland” vs “the icky hets” arguments.

Funnily enough, I don't think I ever received a homophobic comment from a straight person! (Straight hate?). But I sure got comments accusing me of being ‘secretly het’ or a ‘proghet’ or ‘trying to trick lesbians into reading Big Dude/Smol Lady’ fic! Because fandom forbid being a bi woman who prefers to read and write fic that centers women! Even if that means that sometimes this means reading, writing, or recommending F/M fic instead of M/M!

Anyways. My AO3 bookmarks and works list are free for anyone to peruse, in case you want a statistical breakdown of my preferences for F/F >>> F/M > M/M so you can yell at me about not prioritizing M/M. /sarcasm

(And as always: I do read, write, and enjoy fics that feature nonbinary characters. I always feel weird including that as an aside, because there’s so little nonbinary rep in general that it feels weird trying to analyze anything from that, and ‘nonbinary’ is a big enough umbrella that even as someone who sometimes prefers they/them, I don’t necessary resonate with or feel represented by all nonbinary characters in fiction. Which is fine! When there’s so few examples, it feels even more fraught because no single character or person can Be All The Rep, and it feels like a weird sort of pressure to presume that they are, can be, or should be. Sometimes a character should just be allowed to exist, be interesting, and be nonbinary, without going ‘oh they’re such a good role model!’)

9. do you write smut? if so, what kind? I cut my teeth on a kink meme, of course I write smut! As for what kind…whatever catches my interest, really? Which means mostly F/F, if there are dudes involved at all they’re usually Real Big Dudes. There’s usually loving attention to oral sex. Often size kink. I also like including bondage and anal sex.

I’ve been writing a lot less smut in recent years. (I’ve also been writing a lot less in general, or at least posting a lot less, for various reasons. Mostly because now that I’m no longer working graveyard shifts and am out of a time-consuming bad relationship, I have more time for non-fandom hobbies!) Partly it’s because…well, repetition. When I first started writing for kink memes, my purpose was just to write; pick a prompt, bang something out, post. It was the exhilaration of writing, of starting something new.

Now: if I’m going to write, I want to do it in a way that feels new or fresh to me, whether that means in terms of prose, emotional depth, or characterization. There’s also, admittedly, some self-consciousness: I’m no longer ‘just’ writing for prompts on a kink meme, I have the (gasp) terrible responsibility of admitting that I wrote a thing just because I like it, or think it’s interesting! It’s the tension between realizing that nah, I haven’t written anything that truly makes me blush in ages, and then the mortification of going “but who else is gonna be interested in this weird goofy playful fic where Piper sits on a birthday cake???”

10. do you write crossovers? what’s the craziest one you’ve written? I’m not usually a fan of crossovers; I prefer looking at a character in their ‘home’ story and setting and how their environment shaped them. Some crossovers can be interesting if they add a new depth or layer to the existing canon (which I think is one of the reasons that Pacific Rim AUs were so popular for a while; drift-compatibility is an interesting way to explore characterization and relationships!) but I don’t often write them myself.

That said, ‘often’ doesn’t mean ‘never.’ I’ve written some AUs (unfinished Cassandra/Leliana werewolf fic, the moody cannibal mermaid AU with Aveline/Isabela) but full on crossovers are a different entity.

The closest to a crossover that I currently have is the still untitled Fallout Necromancy AU, in which I merge some of The Locked Tomb’s approach to necromancy with Fallout 4 for some incredibly unhealthy cav/necro codependencies for necromancer Hancock and cavalier Danse. It’s more true to Fallout’s canon than TLT, and still unfinished. Alas.

11. have you ever had a fic stolen? I’ve had some of my fics scraped and posted to shady publishing sites (“only $5 for all the stories you want!”) and submitted takedown requests. No in-fandom stealing that I’m aware of.

12. have you ever had a fic translated? Yes! Here is a Russian translation of what we don’t talk about (Mass Effect, Zaeed Massani/Karin Chakwas), which I was absolutely tickled pink to receive!

13. have you ever co-written a fic before? Technically, yes. The fic has been subsequently deleted and I have abolished all ties to that person, so that might be a warning. /tongue in cheek

More seriously: I don’t think I can. I’m idiosyncratic and particular about my process, and I just don’t think I’m very good at co-writing with someone. I can take an idea and feedback and process that into my fic, sometimes very heavily, and I can work off someone else’s outline or prompt, but to the level of co-writing, assuming we’re taking equal claim and responsibility for the work? It feels profanely intimate in a way that makes me deeply uncomfortable, which unfortunately probably says more about me than anyone else!

That said: I have been fortunate enough to have truly excellent friends who have also played cheerleader and beta for me, sometimes offering me substantial notes that meant I had to fundamentally rewrite portions of a story. Does this make them co-writers? I don’t think so, but it’s definitely a more intense collaboration than I usually request, and it’s something I reserve for only a few people.

14. what’s your all-time favorite ship? How dare you ask this of a multi-shipper!!!!

I don’t know that I have a real answer for this. In my head, I try to split it by fandoms (but wait! Would I consider Dragon Age Origins, Awakening, DA2, and Inquisition to all have different fandoms?), but some fandoms are only occasional urges and others are more consuming passions, so….

I’ll leave it at this: if I’ve written it, I probably ship it on some level. And not all ships are “oh I think they’re gonna live happily ever after,” some ships are “hm, that could be interesting” or “oh, they could be so bad for each other in such compelling ways,” and others are “they’re good for each other at this point in time, but maybe not beyond that,” etc etc.

15. what’s a WIP you want to finish, but doubt you ever will? If I want to finish it, I assume I eventually will. ‘Eventually’ may take a while. Life is short, love is long, and I do love stories.

16. what are your writing strengths? *hour-long fart noise* Strengths? Idk. I always feel strange talking about my strengths to begin with, and this year has been particularly rough for that because I’ve been taking more deliberate time doing writing exercises and reading different books about writing. It makes me more critical of my own work.

But if I must: sensory immersion. Character interiority. Basically, I try my best to love a character—or at least find something I can love about them, something that evokes care and pity if not admiration—and let that shape how I write them, even if they don’t love themselves. If that makes my authorial bias a bit kinder, then so be it. I feel like the world needs a little more kindness.

17. what are your writing weaknesses? *hour-long fart noise* What about my love of obscure words? If I had a nickel for every time I tried to sneak ‘palimpsest’ into my prose and been called out by a beta, I’d have two nickels! Which isn’t that often, but weird that it happened twice! (Other amazing words I often fight over including or not: phosphenes, mordant, triptych, chiaroscuro, bellicose, gelid. I get a daily word of the day from Merriam-Webster and I don’t know if it’s actually improved my vocabulary or only made me more insufferable!)

I fully admit that sometimes I get overly compelled to write something ‘pretty’ and linguistically clever than fully in the character’s voice. I jump around with sentence fragments and don’t link my scenes; sometimes it works (choppy, disjointed prose for characters who themselves are extremely angry or disconnected from their environment in some way) and more often it doesn’t.

I have mild synesthesia and an idiosyncratic interpretation of certain stimuli, and often need to revise to ensure it makes sense to anyone else. Or if I can tweak it just enough to sound refreshing and vivid. (Example: low musical notes feel ‘blue’ to me, and often bitter. Higher notes can be sharp-sweet or acidic, but usually don’t have a color association. Yellow is rancid. This only becomes a problem when I’m sleep-deprived or highly-caffeinated, as when I once had to stop my playlist because the rapid taste/sound/smell combos were making me nauseous.)

I often want to write characters as softer, kinder, or gentler than they are in canon. Does that sand out their complexity? Yes. Is it because I want them to have a kinder, softer, or gentler future than what their story gave them? Also yes.

18. thoughts on writing dialogue in another language for a fic? OH BOY DO I HAVE THOUGHTS.

Okay, so! First of all, I need to foreground this: as a Chinese-American living in the US, I find it extremely off putting when I read a story and the mere choice of capitalization and italics make it clear who the author thinks their intended audience is, and who is ‘other.’ If an author bothers capitalizing or italicizing “Pad Thai,” “Sushi,” or “Shu Mai,” (as in: “I ordered some Shu Mai.”) but not, say “Pizza,” “Burrito,” or “Croissant,” there are some pretty big assumptions going on already that make me feel alienated from the text. (As always, there’s some room to play with: if the author is intentionally writing their POV character as having those particular biases, that’s one thing. When it’s a completely unexamined bias, that’s another.)

Translated text doesn’t need to be italicized or marked as other, unless again, there’s a specific reason that the POV character might see it as ‘other.’ Most people won’t interpret their home language or heart languages as ‘other.’ A dialogue tag like ‘said in Cantonese’ or ‘said in Spanish’ is sufficient, I’ll trust in the reader to pick it up!

I am a first-generation Chinese-American who can’t read the Chinese syllabary. (And what little I speak is Cantonese, not Mandarin. The loss or use of heritage languages across the diaspora is an entire topic by itself, so please understand that this is one person’s view and experience.) Some Chinese writers prefer to write with hanzi; I prefer to write Romanized versions but what goes in a fic will depend on the POV character’s relationship to the language and how intelligible (or not) it’s meant to be to the reader. I generally include context or a note if it’s meant to be clear; if it’s something that the POV character won’t understand, I often prefer to leave it as “speaks in another language” or “said something in another language.”

In general, I find most fictional languages to be intellectual masturbation (there, I said it! :P) and am less interested in those than in how real-world languages are depicted in fiction, especially when read by people who may or may not be familiar with those actual languages and the people who speak them.

19. first fandom you wrote for? While the first fandom I ever posted for was Fallout…very technically I suppose the first fandom I ever wrote for was Pokemon. Because back when I was 9 or 10, I was very invested in Misty and Jesse because they were the only two girls who got a lot of screen time in the anime, and I just really wanted them to be friends!

In hindsight…I don’t think I was consciously thinking of it as shipping terms or romantic interest, but I thought it sucked that the only two girls who really showed up couldn’t at least be friends. So I wrote a lil’ story in which they got trapped in a cave…and obviously they had to camp together…and save each other as they looked for a way out…

Scandalous!!!!

20. favorite fic you’ve ever written? I try to love every fic at least a little before I share it with the world! But this one’s my newest baby:

(love is) the suture and the wound (Dragon Age, Leliana/Morrigan, rated E)

Thank you for reading this far! Now please drink some water and get up and stretch. :P

[corvidcrybaby]

6, 11 and 16 for the WIP ask?

6. Describe a trope present in your WIP?

Brat taming. Zemira's entire story is essentially a long, drawn-out form of brat taming. This goes for the more traditional sense of the word, where in the hot and heavy scenes Zemira is often spitting up a defiant storm with her respective doms (Alucard and Integra), until eventually they inevitably get her to crack and lapse into submission. But this also applies in how they approach their relationship with her - meeting her aggression and mistrustful behavior with harshness and anger is what she wants. That's her comfort zone, unhealthy as it is - but the real way to forge a meaningful relationship with her is to understand why she is the way she is, and give that wounded inner child of hers space to heal and grow. It's the same sort of dilemma that brats tend to elicit in IRL discussions of kink and BDSM - bratting is just another language of submission, and it often comes from a person who struggles to open up, to trust others, to voice their needs and their desires, et cetera. Zemira is an ode to the traumatized brats of the world, because we deserve representation too, dammit.

11. Write a 5-star review for your WIP.

Oh, boy. This was tough.

"Every word is so polished and meticulously thought-out, you can really tell how much thought went into every line of this thing - down to the little extreme metal references woven into the prose and the painstaking detail of the characters' body language. Trans women don't often get this kind of rep even in fanfic and it's wonderful to see. The plot was kinda clunky but the ideas were so novel I didn't even care. Also, the smut was really fucking hot. 5/5."

Why did that feel like breaking the rules to write. LOL.

16. Make a meme for your WIP.

WOW it's fortunate I had one sitting in my head waiting for a chance to be made so here ya go LMFAO

Old fella just trying to help 😭

Thanks for the ask!!!