#for the record i think she was completely justified but it's probably the main reason why people hate her

[francis-ford-kofola]

When I showed my bf the godfather he said it was quite good ("solid four stars") but that the only character he liked was Kay. I told him that Kay was hated in some parts of the fandom, mainly because some of the fans think the stuff she did in Part II was fucked up (I didn't tell him any details). He said: "I don't care, she should have killed Michael," and honestly...

[marvelstars]

I think Anakin and Han and actually quite similar, not in their moral actions but in the way they are loyal to the people they love, coming from extreme poverty, Anakin from slavery and knowing the harsh part of the galaxy in the deeply personal way in a sense that their other partners could not understand.

Han just didn´t fall as much as Anakin did in many ways because he had good people around him who expected him to be better and could show him their unconditional loyalty and support, Chewie, Leia, Luke, Lando, etc and while Anakin had guidance and love, in many ways he didn´t have unconditional support except for his mother and Padme, everybody else saw him as a means to an end, even Obi-Wan who loved him, his main interest in him was the chosen one prophecy. I am not saying this to justify him but this is how his relation was shown with the characters around him.

I disagree about Leia, it always seemed to me extremely absurd to think wrong moral actions are genetic or try to blame the actions of the fathers/grand fathers on the kids, not only because Anakin had a lot of humanity, Vader was nurture not nature. Luke and Leia didn´t have an evil origin and neither did their children.

I agree the nuances are not handled in an orderly way at all, for example I see Anakin´s attack on the temple as the result of his deal with Palpatine, not anger, he didn´t like doing that, he didn´t want to do that but he rationalized it in order to comply with Palpatine´s orders, the horror of it all only came to him until he was already in the suit. So he probably said to himself, the jedi must be stopped or else we are going to have civil war and Padme will die, etc but the guilt made him decide to erase and keep away from Palpatine and the Empire the records of the new borns force sensitives that were at the temple, this happened in the comics and I guess is canon given this is the reason why the inquisitors were created, because they didn´t have the data to trace the new borns.

I believe this is a really different situation to the Tusken Raider massacre in which I believe he simply snapped and lost his mind because right before his mother died, he clearly just wanted to take out his Mom and leave, he didn´t even try to attack the tuskens who were guarding his mother when he got to the camp but he completely lost it when he saw how beaten she was, how her blood was taken from her and how her body just gave out from the pain. After a life of slavery in which she teached him how you just needed to "help everybody else in the galaxy" that woman was taken appart for no reason, no fault on her own, just pure malice and Anakin wasn´t there to protect her, Anakin wasn´t there to take care of her as a Son should and I don´t believe his mind could deal with that.

Were Anakin´s actions inevitable? No, Is he guilty of them? Yes, Was he in his right mind when he commited them? No, I don´t think so, if he was, he would not have been crying over that to Padme, saying he didn´t want to hate them but that he could not forgive them and blamed himself saying he was supposed to be better, a Jedi. (Sadly part of this conversation got taken out of the final scene) In a logical narrative this should have lead directly to Vader, not just be ignored until Ep III.

I totally agree with you that Anakin´s characterization in the PT is all over the place, I believe Lucas lost the ball when he tried to start Anakin´s fall to the darkside in the second episode when the audience was just meeting him as an adult and then expect us to be surprised by his second fall in ROTS.

I understand he probably thought to keep from romantizing Anakin´s fall as so many other movies and shows do, he wanted to show Anakin´s fall mattered and it´s a change to the person he was, a dehumanizing character journey, so he made him commit the most henious act he could think about but he didn´t show us his rise in the movies(imo that came until the clone wars cartoon and I believe it would have been better to show it in the movies) and we can´t as an audience properly appreciate a fall from grace from the tragic hero if we are already dealing with a crime as big as the tusken massacre.

So that´s why I don´t blame the fans who hate Anakin . I like him and sympathize with him and I see how he was indeed a victim, abused, used and groomed but I also see his actions and responsibility and I like the way Vader´s doesn´t shy away from his actions because I thought that makes sense for him and it´s needed for him to have a change of heart in ROTJ taking the ounce of good left in him.

This is my particular take on the character. I agree with them that Lucas definitely could and should have handled the narrative in a better way, this is why I believe the narrative, the logical sequence of situations in the OT is better handled than in the PT but I get what Lucas was getting at.

Palpatine commented on Plagueis novel that before he meet Anakin he planned to tell Dooku to assault the Temple and Lucas commented Anakin´s part in that was that of a pawn, not a main piece of the whole given this was something Palpatine had already planned for many decades. Without Anakin there Palpatine didn´t even need to confront the council,because Palpatine used Anakin´s sympathy for him and Mace attack to convince him the Jedi were corrupt which is something Lucas commented on an interview. Without Anakin Palpatine just needed to activate order 66.

Cheers

“He should have known better.” Leia passed the electrobinoculars to Han. “He was a Jedi.” “He was a kid with a dead mother.” Han raised the electro-binoculars, but he seemed to be looking more toward the banthas than the bones. “He vented his anger on the ones who killed her. I might have done the same thing.” “That doesn’t make it right,” Leia said. “And it doesn’t make me a Sith monster, either,” Han retorted. “What he did wasn’t evil, it was human. Later, he became Darth Vader and did a lot of terrible things, but don’t forget that he’s the one who killed the Emperor.” “You’re saying you forgive him?” Leia asked. “After he froze you in carbonite?” “I’m just saying that without him, Palpatine would still be Emperor.” “You’re saying Darth Vader saved the galaxy?” Han shrugged. “Well, Anakin Skywalker. Think about it. If he’d have been a nice guy, do you think he’d have ever gotten that close to Palpatine?” Han continued to watch the banthas through the electrobinoculars. “Maybe that was your father’s destiny all along, to save the galaxy just like his mother thought he would - well, maybe not just like she thought. But he did save it.”

Tatooine Ghost by Troy Denning

[anime-grimmy-art]

Told you guys I’d ramble in due time.

I absolutely adore Bravely Default 2. It came at a really bad time cos I can’t waste 70 hours on a jrpg, but well, it’s too late to be concerned about that now. And as is tradition with me obsessing over a new game / show / whatever, you’ll basically find a fullblown review disguised as ramblings right under the cut. Be aware that I’m gonna talk about EVERYTHING, so spoilers are a given. Some maybe even for the previous Bravely Default games.

Also, if you wanna talk about this game in any capacity, hit me up, I’m DESPERATE to talk more about it.

Just for reference on how long this is gonna be, I made a voice recording while driving to remember all the points I wanna make, and that recording is almost 2 hours long. I did cut it down but still, this is gonna be a lot.

I’ll start off with the things that actually bugged me about the game, since there are only 3 things that really bothered me. First of, I really don’t like that you can name Seth. He has too much personality to be a self insert and player integration is not that big of a part in the game that this decision can be justified. It wouldn’t bother me that much if it didn’t leave a bad mark on the ending. First of all, we were robbed of Gloria desperately shouting for Seth, which makes the impact work less, and it’s just so prevalent that the name can’t be said because you have all the normal sound design going. If they’d just let the credits still play I wouldn’t have batted an eye, but because every other sound comes in it’s so obvious they’re just silently shouting in this scene, which makes it look silly. Like I said, this decision is more a detriment than an addition, and it’s a shame it casts a shadow on an otherwise heartfelt ending.

Speaking about lost potential, the other thing that really bothers me is the lost potential in certain plot points and character conclusions. I mainly mean Adam and Edna here. Both of them have been built up to be these formidable foes but they just, die. If it was just Adam I’d be fine with it, since you expect Edna to backstab him and be the actual big bad of the story, but I cannot fathom why they dropped Edna this HARD. If not Edna herself, I don’t understand why we don’t get more of a reaction from the Fairies and especially Adelle. I mean, Edna was her sole reason she left for her journey in the first place, then Edna dies and that’s it? No part where she grieves for a second? No concern from the others about Adelle? Mind you, I haven’t finished all the Sidequests, so maybe there actually is one in which this is addressed, but I think even just a Party Chat after Bad End 1 would have been sufficient to show how Adelle suddenly feels about the loss of Edna. It would have made Bad End 2 / The Secret Ending even more impactful, because, yeah, of course, you kinda know Adelle isn’t going to turn her back on fairy kind, but one of the reasons she doesn’t leave is because if Enda didn’t get a happy ending, then she shouldn’t either. It would have been amazing foreshadowing if she showed this sentiment before this scene happened. Other than that, it’s a shame that we know so little about Edna, or rather, how she became “bad”. I get she’s supposed to be corrupted by the Night’s Nexus, but how did it even come to this? It can’t have been a gradual thing, after all, Adelle says Edna was always good natured and then just disappeared one day. Really would have loved seeing more of that plot point.

Ok, last gripe I have, some choices in the soundtrack and sound design. Don’t get me wrong, I absolutely love the OST, and I will get to that, but damn, whatever Revo used for the lead instrument in Wiswald hurts my ears. It’s a really good track, but I always have to turn down my volume because these high pitched sounds physically hurt. And for sound design. Dude, the Night’s Nexus is the least threatening, nightmare fueled abomination that ever existed. I get that its growl is kinda supposed to be layered with Edna’s or sth, but it, it just sounds silly. If they went the route of just swinging between different voices or began distorting it from phase to phase, it would have been fine. But the choice they made really made an otherwise creepy design just absolutely silly.

Ok, enough jammering, on to the good stuff. Like I said, there’s going to be a lot, so I’ll try to be brief in each aspect.

Gameplay

I honestly like the new battle mechanics more than the old ones. This individual, turn based system feels way more dynamic and it’s easier to strategies in battles. Because nothing made me more angry than setting up for a heal and the enemy suddenly being faster than me and killing my healer. Now it’s easier to plan ahead a bit.

I also found myself experimenting more with the jobs. Not sure what it really is, but none of the party members leaning more towards certain types of jobs and the job leveling being way faster probably helped.

And I know some people get up in arms because the boss sometimes can be a real pain in the ass (looking at you pope dude), I still found it very interesting getting around counters or even using these counters as a benefit. As an example, I made Adelle my main physical fighter and gave her lots of counter abilities to help her profit from being countered by enemies themselves. Now, she can attack enemies, get countered, automatically evade that counter and earn a BP at the same time. Made a lot of boss fights way easier and fun to exploit.

Music

Ok, I will try my best to be really, really brief, because in my recording this part takes up almost 40 minutes. Anyways, Revo might have just become one of my absolute favorite composers ever. I don’t know what kind of magic he used, but I initially wasn’t that impressed with the OST, but every time I listened to it, I just fell in love harder and harder. Before getting into specifics, I wanna highlight the two things that made me love this OST overall. First of all, this soundtrack almost seems like a refinement of BD’s. While losing some of that fairytale vibe, it sounds even more fantasy now. And in contrast to the original, this almost sounds more balanced? Like, BD’s OST felt high energy throughout, BD2’s on the other hand manages to find a good balance between high and low energy pieces. Like, the character themes or battle themes are absolute hype, but the overworld themes are a lot calmer and easier to listen to while exploring. Second big point that makes this soundtrack amazing is that Revo is an absolute god at using emotional progression/storytelling and leitmotifs in his songs. And heck, do I love myself my leitmotifs. You’ve got some obvious ones, like the final battle theme in which all the character themes and other leitmotifs are integrated. Then you got some maybe more subtle once, just like how the overworld themes are just the main theme, just a lot calmer and using the lead instruments of the towns of the areas.

But my absolute favourites gotta be the character themes and the main theme. I love how fitting the themes for the characters are and in general, each of them is such a bop. At first I prefered Elvis’, because I sure am a sucker for jazzy vibes, but over time Adelle’s became my fav. It’s just something about the trumpets, and how the theme almost sounds a bit melancholic and bittersweet, that drew me in. And considering her story, mostly her bad end, that the bittersweet tone really fits.

Then there’s the main theme. Just like BD’s it shouts “triumphant anthem” and it definitely gives you a very familiar vibe, but I’d argue it has even better emotional progression. Heck, the first time I heard the music start up in the reveal trailer, I didn’t have to look at the screen to know this is gonna be a BD game. Also, the credit song version had me weeping at the true end. I’m someone who’s very easily affected by music (if me shouting about soundtracks on this blog wasn’t proof enough) and just hearing that ending song, getting the after credits scene, just for the second credits to start as a freaking duet. Dude, at that point I just started sobbing, I’m not gonna lie. Just this little part showed how much Revo knows how to put emotion in a song and also write it in such a way that he can elicit strong, emotional reactions from you too. 

Story

People have been complaining how the story is too boring and kinda disappointing in comparison to the last one, but I just think the games tried to accomplish different things here. Since the BD series is a celebration of old, classic jrpgs, “cliche” storytelling is a given. Though, BD did throw a lot of meta stuff in there too. BD2 in contrast just feels like a direct execution of that initial idea. It feels familiar, it feels comfy and it feels safe. Except for the little things with the endings and then overwriting the Nexus’ “save file”, BD2 doesn’t really get that meta, which is totally fine. It doesn’t try to reinvent or innovate anything, it just wants to be a fantasy story, that might be cliche, but still fun and enjoyable in its own right.

I’d also argue that the pacing is a lot better than the old game, because with BD I sometimes found myself skipping through scenes to get on with the story. Not that this game didn’t have me rushing through stuff as well, but I found it kept my intrigue way better than the original.

Characters

Next to the music, this is the part that I absolutely love the most. While, yes, they did lose a lot of potential with some characters, mostly with the villains, the main cast is just so much fun. I love these 4 dorks so, so much.

I honestly can’t stand how much people compare them to the original cast. Yes, ofc, I’ve been doing my fair share of comparisons too, but calling these four a more boring version of BD’s party physically hurts me. Because except for some initial impressions, the Heroes of Light are completely different from our beloved Warriors of Light.

While yes, Seth and Gloria give off strong Tiz and Agnes vibes at first, they both grow into such different characters that they’re not really comparable. I think this shows with Adelle and Elvis even more. I do understand how people could compare Adelle and Edea, since they’re both the feisty girl type, but I can’t understand how people can see Ringabel and Elvis as the same character type. While those two are the “suave” party members, they act so differently from another. And that’s honestly apparent the first time you meet them. 

Anyways, I love these 4 so much.

We technically don’t know a lot about Seth at all, but they manage to pull so much out of just the fact that he’s a sailor, that it makes him really endearing, really fast.

I was kinda disinterested with Gloria at first, because again, the initial impression was Agnés2.0, but she grew on me a lot. Gloria is way more hard headed and honestly sassy in comparison to Agnés and I absolutely adore it.

Elvis. Elvis, my man. I love this fantasy scottosh wizard so, so much. He’s such a ridiculous character but so endearing at the same time. You got all this dorkiness, with him setting himself on fire as a student, him doing god knows what for a good drink or just laughing danger and prejudice in the face. But then you got his super empathetic and caring side. Mind you, most of his wise moments come from quoting Lady Emma, but still, as much as he’s hopeless with certain social situations, he’s actually still really good at reading the room and playing things smart. He’s a smart and powerful idiot, which makes him a danger to everyone and himself, and I love him for it. (I also can’t believe they called him Lesley I MEAN COME ON)

And then there’s Adelle. I liked her from the start, but I didn’t think she would stick out to me. I think now she’s my favourite character. Not even talking about all the stuff that happens in chapter 3 and onward, because these story threads are awesome in their own right, but there’s just something about her personality that’s interesting and appealing to me. Like I said, I’m not surprised people compare her to Edea, I did too at first, but while Edea walks very close to the line of a Tsundere, I was really surprised that Adelle is, well, not a Tsundere at all. Yeah, of course she’s putting Elvis down a lot, but that stems more from her preventing his ego from going to his head than her being all embarrassed. No, Adelle is actually really well adjusted when it comes to communication. While it’s hilarious that she and Elvis met with her chucking her shoes at him, the two just got along well right from the start. Adelle in general has this really open and helpful personality, but also doesn’t shy away from putting her foot down, even if that sometimes comes out as an embarrassed sputter. She’s also the mother hen of the group. She looks out for the other three and gets concerned about them real fast. 

I dunno, Adelle just really grew on me over the course of this game, and then her kinda being paired with Elvis too, as partners and as partners, makes me like her even more. Because as much as I like their personalities individually, I like their character dynamic even more. I honestly love the relationships between all four of them a lot. You really feel them grow closer as friends and all the little character sidequests just always made me really happy.

Conclusion

You might not believe me, but I really held back there. This could probably have been 3 times its length. As much as I love this game, it’s of course not perfect. It struggles and flails in some parts a lot and it certainly has some aspects that might turn people off. But for me, it was just a very familiar and comfy game that didn’t necessarily deliver anything new, but that told its story in such a way that it still got me excited to keep going. The soundtrack is absolutely amazing and the conclusion of the story actually got me to cry. While not groundbreaking, this game is highly enjoyable and leaves you absolutely satisfied at the end.

Also, I would like to iterate that I am desperate to get more content about this game, so if you wanna chat about it, hit me up.

Anyways, anyone else felt like having a fever dream when everybody in chapter 2 started talking fantasy scottish? Cos I sure did.

[thevindicativevordan]

On Livewire

You know Leslie is probably the most popular and well known female Superman Rogue mainly because they use her so heavily in outside media.

Which makes sense given her debut in Superman: The Animated Series, but it still kind of fascinates me. They didn't bring her into comics continuity until 2006 apparently, with Gail Simone and John Byrne (Byrne of all the creators!) being the ones to finally fold her in. Even after they brought her in, they still have never given her that much attention or focus which is a disappointment for me frankly, because Livewire is honestly fantastic in Scott McCloud and later Mark Millar's Superman Adventures runs, and I would say with complete sincerity that those two are probably her best writers. "Millar writing a female character well?" you scoff at in disbelief. I know, I was shocked too! But she's funny, clever, and a huge pain in the ass for Supes. Reading how she was used there, and rewatching her STAS incarnation recently, really made a big realization for the character hit me like a lightning bolt (couldn't resist):

She's basically an evil superpowered Lois Lane! I know I can't have been the first one to realize that, although I haven't seen anyone else actually outright state it anywhere, but c'mon it's so obvious! She's a reporter of a sorts as well thanks to being a disc jockey, her debut in STAS even has her interviewing Lois and Clark! She's got strong opinions on Superman that conflict with the general opinion about him (Lois being pro-Superman when everyone else is more hostile towards him at first, Livewire being anti-Superman when everyone else has embraced him as their hero). She's rude and abrasive, and doesn't care if her opinions offend people, which sure does remind me of Lois at her meanest.

Livewire to me is an examination of what Lois would be like if she abandoned her morals or never really had them in the first place. Leslie doesn't care about the "truth" which is the big difference between her and Lois. Lois can be headstrong, willful, and outright rude, but it's all in service of her pursuit of higher ideals. Livewire doesn't care about that, she carries about getting people to pay attention to her, and getting the recognition and wealth she believes she's owed.

What I'd Do With Livewire

It wasn't until I had that big realization about Leslie that I figured out what role she should play with regards to Clark: She should be Clark's old college ex who was the one who got him into journalism in the first place.

Clark's college years are unexplored territory narratively, typically we jump from his childhood in Smallville right into his debut in Metropolis. Now I know Clark dated Lori that mermaid back in Pre-Crisis during his college years, and while that's a fun bit of trivia, it doesn't really add anything meaningful in the same way that I think Leslie and Clark dating could. So I'd rather go with Leslie because I think she makes for a better foil for Clark and because the two of them would benefit from having a deeper connection established, plus Leslie could get fleshed out as a character more.

I like the explanation that Clark chose journalism in part because it challenges him in ways his powers can't, but in the comics they've rarely bothered to explain how he chose that field in the first place. I would have meeting Leslie at college be that big moment where he starts to figure himself out. She's assertive and confident, and Clark is attracted to that for similar reasons he's attracted to Lois. Leslie would start out as an optimist and idealist in the same way Clark is, and the two would bond and go into journalism together, with Leslie being the one who really believes in the field initially. They'd both be big believers in the duty of the press to inform and the presses ability to shape public opinion, with Clark attracted to investigative journalism and Leslie attracted more to broadcast and digital journalism. They start to date and for a moment, Clark seriously wonders if this is the one.

The big break between them comes when Clark and Leslie go on a trip around the world during their senior year of college. That trip would be where both of them learn how crappy the world is. Clark always had some idea of how bad things were because of his powers, but the trip is where he really starts to realize that there is a real need for someone of his powers to step up, and that there are hard limits to just how much he can accomplish as a member of the press. That same realization is what shatters Leslie's idealism and optimism. She loses faith in the ability to make a difference, to punch through the wall of public indifference, and as a result she gives up that dream. Instead she decides that if you can't beat them, join them: she switches instead to telling the masses what the powers that be want them to hear in exchange for money, to saying whatever the masses will give her attention and prestige for, embracing tabloid journalism that prioritizes clicks and engagement over information. Ultimately it destroys the relationship between Leslie and Clark with her viewing him as a sap and him viewing her as a sellout.

I think that origin really would help flesh out her worldview and motivation a lot more. She's a former idealist who has been broken by the world in a similar way to Poison Ivy. Leslie thus acts as a foil to Clark and Lois in that she's someone who let the world rob her of her idealism and sold out on the truth in exchange for material success. She's what Clark or Lois could've been if they took Lex's offer to work for him, and they should recognize that to some degree. Clark should have conflicting feelings for her, not romantically that relationship is dead, but in terms of sometimes he wonders if he's just wasting his life trying to fight for truth and justice. So few people seem to care about those principles, why hold on so tight to them? Why not just look out for his own self-interest the way everyone else seems to? It's the refusal to give up even when it looks pointless that makes the two of them different, and makes Clark a hero and Livewire a villain.

How I'd Like Livewire To Operate

There's a lack of imagination in how Livewire is used on the comic side as I see it.

Like most Superman Rogues the typical Superman writer doesn't seem to have a clue what to do with her beyond generic "villain" stuff, but that does a disservice to what Livewire brings to the table. Livewire does want to fry Superman to a crisp, but that's not what her daily goal is to accomplish. More importantly, she wants respect and she wants money, and the way she gets both is not by trying to rob banks, it's by leaning into her background as a media personality combined with her new powers. Unleashing electric bolts is honestly the least impressive part of her powerset in terms of her ability to manipulate anything and everything technology.

The Internet? Livewire can crash the entire thing with ease, or restrict access to portions of it. She can do the reverse and smash through firewalls and encryption like it's made of paper. Imagine Livewire shutting off the power grid or causing it to explode, secretly using your "smart" tech to record your every move, uploading ransomware to every piece of technology in Metropolis, emptying the bank accounts of anyone who annoys her, or bringing Metropolis to it's knees thanks to the "City of Tomorrow" being a test ground for the Internet of Things, so everything is connected and thus easily manipulated. Smart cars crash into each other, elevators randomly drop, trains are unable to stop and simply accelerate onward unceasingly, plans attempting to land find their instruments on the fritz, anything and everything is Livewire's to control. But terrorism, while entertaining and occasionally profitable, isn't Livewire's main focus either.

One of my favorite Superman Adventures stories with her had Livewire manipulating TV broadcast signals so that any time there was a male news reporter on screen, the signal wouldn't come through. Stuff like that, where Livewire is making life hell for people in a way that isn't immediately life-threatening is what I envision as her day to day operations, but her bread and butter is fake news. What Livewire is REALLY good at doing is manipulating the public due to her journalism background plus her powers. She can make fake videos that look totally authentic, fake articles that seem to come from credible sources, fake voice recordings, she can make anyone appear to do or say anything through the Internet, and then she can upload that to the devices of every single person in Metropolis.

You can get stories about the mayor being framed for taking bribes, local activists cast as grifters, and supposed upstanding citizens such as Lois Lane and Clark Kent appearing to take orders from criminals like Intergang on what stories to run. Basically you lean into the journalism aspect for Livewire stories where Clark and Lois have to investigate to see whether what Livewire is putting out there is fake or legit, with peoples lives and reputations at stake (including frequently their own).

And when Superman and Livewire actually do clash physically? I don't care how it gets justified, Livewire simply being that powerful, her lightning being "special", she has the ability to manipulate Superman's bioelectric field, whatever: she can hurt him. When she hits Supes with lightning, it burns. It's painful as all hell. Livewire needs to be a threat and I'd like her to be treated as a powerhouse since I don't see a reason why that shouldn't be the case. Livewire is a really cool Rogue, there's a reason she's managed to keep getting used long after the DCAU ended. I hope the comics creators start utilizing her to her full potential.

[jayoctodot]

The Silent Patient vs The Maidens

I will start by saying that I understand the appeal of these novels as page-turners. They are easy to read and if you want a twisty reveal at the end, you will probably be entertained and satisfied. That being said, I am SO CONFUSED by the near-universal adoration of The Silent Patient and the reasonably positive reception of The Maidens. The weaknesses of the two are strikingly similar, as well, which doesn’t give me much hope of seeing improvement from this guy, though I am intrigued to see whether he keeps repeating the same (apparently successful!!) patterns. These books were at least super fun to hate.

(For context, I read The Maidens for a bookclub I'm in, because several of the members had read and loved The Silent Patient, and one of them gave me a copy of the latter to read on my own time. I loathed The Maidens and then read The SP for comparative purposes. And because I'm a masochist, apparently.)

SPOILER WARNING! Do not read on unless you've finished both books (or unless you care not for spoilers). Sorry if it gets a bit shouty.

Here are the similar weaknesses I noticed in both:

PSEUDO-PSYCHOLOGY

-> Weirdly similar “group therapy” scenes early on where a cartoonishly unstable patient arrives late, disrupts the meeting by throwing something into the middle of the circle, and is asked to join the group after the therapist(s) speechify on the importance of boundaries (HA! None of these therapists would know an appropriate boundary if it kicked them in the ass) and debate whether to “allow” the patient to join. Both scenes are so transparent in their design to establish the credibility/legitimacy of the narrators as therapists, but instead both Theo and Mariana come off as super patronizing. The protagonists are less and less believable as therapists at the stories progress (though at least Theo’s incompetence is explained away by the “twist” at the end; Mariana, on the other hand, is confronted in the opening pages of the novel by a patient who has self-harmed PRETTY extensively, and rather than ensure he get proper medical attention, she essentially throws him a first aid kit and tosses him out the door so she can pour herself a glass of wine and call her niece... and it devolves from there).

-> Ongoing insistence throughout the narrative that one’s childhood trauma entirely explains the warped/dysfunctional way a character behaves or views the world, which is why the books go out of their way to give EVERY potentially violent character a traumatic childhood; when Theo insists that no one ever became an abuser who hadn’t been abused themselves, I wanted to throw the book across the room. (That is a MYTH, SIR. GET OUT OF HERE WITH YOUR ARMCHAIR PSYCHOLOGY.)

-> Female murderers whose pathology boils down to “history of depression” and “traumatized by a male loved one/family member.” Because, as we all know, depression + abuse = murderer!

-> The “therapy” depicted in both books is laughable and so so unrealistic, mostly because neither narrators function as therapists so much as incompetent detectives, obsessively pursuing a case they have no place pursuing (or skill to pursue - both just happen across every clue mostly by way of clunky conversation with all the people who can provide precisely the snippet of info to send them along to the next person, and the next… until all is revealed in a tired, cliched “twist”). Their constant Psych 101 asides were so tiresome and weirdly dated (also, the constant harping on countertransference got so ridiculous that at one point during "therapy" Theo literally attributes his headache and a particular emotion he feels to Alicia, as though the contents of her head are being broadcast directly into his mind... and I'm PRETTY SURE that's not how it works???)

CHARACTERS

-> Psychotherapist narrators with abusive fathers and pretensions of being Sherlock Holmes, which results in both characters crossing ALL KINDS of ethical lines as they invade the personal lives of everyone even tangentially connected to their cases (and, in Theo's case, violate all kinds of patient confidentiality. Yeah, yeah, by the end, that's the least of his offenses, but before you get there, it's baffling that NO ONE is calling him out on this).

-> All female characters are either elderly with hilariously bad advice, monstrous hulking brutes, or beautiful bitches (except for ~MARIANA~, who is Bella Swan-esque in her unawareness of her own attractiveness, despite multiple men trying to get with her almost immediately after meeting her. I'm so tired of beautiful female characters being oblivious to their own hotness. Are we meant to believe all mirrors and male attention have escaped their notice? If it’s to make them “relatable,” this tactic really fails with me).

-> All characters of color are shallow, cartoonish side characters, and most of them are depicted as unsympathetic minor antagonists (the Sikh Chief Inspector in The Maidens continuously drinks tea from an ever-present thermos, and his only other notable characteristic is his instant dislike of Mariana, whom he VERY RIGHTLY warns to stay out of the investigation that she is VERY MUCH compromising… the Caribbean manager of the Grove is universally disliked by her staff for enforcing stricter safety regulations at the bafflingly poorly run mental institution, because HOW DARE SHE. There's a very clear vibe that we're supposed to dislike these characters and share the protagonists' indignation, but honestly Sangha/Stephanie were completely in the right for trying to shut down their wildly inappropriate investigations).

-> "Working class" characters (or basically anyone excluded from the comfortably upper-crust, educated main cadre of characters) are few and far between in both stories, but when they show up, he depicts them as such caricatures. We got Elsie the pathologically lying housekeeper in the Maidens, who is enticed to share her bullshit with cake, and then a TOOTHLESS LEPRECHAUN DEALING DRUGS UNDER A BRIDGE in the SP. I kid you not, a man described as having the body of a child, the face of Father Time, and no front teeth, emerges from beneath a bridge and offers to sell Theo some "grass." I was dyinggg.

-> There are no characters to root for. Anywhere. Partly because they’re all so thinly drawn — and because we’re clearly supposed to view almost ALL of them as potential suspects, so they’re ALL weird, creepy, or incompetent in some way.

-> The flimsiest of flimsy motives, both for the narrators and the murderers. Theo fully would have gotten away with his involvement in the murder if he hadn't gone out of his way to work at the Grove and "treat" Alicia and his justification for doing so is pretty weak; his rapid descent into stalking and murder fantasy and his random ass decision to "expose" Alicia's husband as a cheater with a spur-of-the-moment home invasion and staged attempted homicide is ONLY justified if the reader hand waves it away as WELP, HE'S CRAZY, I GUESS (after all, he DID have an abusive father and a history of mental illness, and in Michaelides novels, that's ALL YOU NEED to become a violent psycho). I guess we're lucky Mariana didn't also start dropping bodies (because the logic of his fictional universe says she should definitely be a murderer by now... maybe that'll be his Maidens sequel?). But she especially had NO reason to randomly turn detective - and she kept trying to justify it by saying she needed to re-enter the world or that Sebastian would want her to (??), even though she had no background in criminal psychology... or even a particular fondness for mysteries (really, I would've accepted ANYTHING to explain her dogged obsession with the case. WHY were Sebastian and Zoe so certain she would insert herself into the investigation just because one of Zoe's friends was the first victim? WHY?). As for Zoe and Alicia, their motives are mere suggestions: they were both abused and manipulated, and voila! Slippery slope to murder.

WRITING STYLE

-> Incessant allusions to Greek tragedy and myth, apparently to provide a sophisticated gloss over the bare-bones writing style, which opts more for telling than showing and frequently indulges in hilariously bizarre analogies. Credit where credit is due — the references to Greek myth are less clunky in the SP, and I liked learning about the Alcestis play/myth, which I hadn’t heard of before - but OMG the entire characterization of Fosca, who we are meant to believe is a professor of Greek tragedy at one of the most respected universities on the planet, is just absurd. His "lecture" on the liminal in Greek tragedy is essentially the Wikipedia page on the Eleusinian Mysteries capped off with some Hallmark-card carpe diem crap. The lecture hall responds with raucous applause, clearly never having heard such vague genius bullshit before.

-> Super clunky and amateurish narrative device of interludes written by another character; Sebastian’s letter reads like a mashup of Dexter monologues and Clarice’s memory of the screaming sheep, but by FAR the worse offender is Alicia’s diary, where we’re supposed to believe she painstakingly recorded ENTIRE CONVERSATIONS, BEAT-BY-BEAT DIALOGUE, even when she’s just been DRUGGED TO THE GILLS with morphine and has mere moments of consciousness left… and even before that, she literally takes the time to write “He's trying the windows and doors! ...Someone’s inside! Someone’s inside the house! ETC ETC” when she thinks her stalker has broken in downstairs. WHO DOES THAT?)

-> Speaking of dialogue, the dialogue is so bad. Based on his bio, Michaelides got a degree in screenwriting, which makes his terrible dialogue even more baffling.

-> HILARIOUSLY rendered voyeur scenes where the narrators spy on couples having sex. Such unintentionally awkward descriptions. First we had Kathy’s climax sounds through the trees and then the bowler hat carefully placed on a tombstone before the gatekeeper plows a student. Again, I died.

PLOT/"TWIST"

-> The CONSTANT red herrings make for such an exhausting read. Michaelides drops anvils with almost every character that are so obviously meant to designate them as suspects in our minds. There is absolutely no subtlety in his misdirections.

-> The “crossover” scene between the SP and The Maidens makes no sense - when in the timeline does Mariana’s story overlap with Theo’s? They confer just before Theo starts working at the Grove, obviously (though Mariana appears to be the one who alerts Theo to the job opening there? Whereas in the SP, Theo has been obsessively tracking Alicia since the murder and had already planned to apply to work there?), but then are we supposed to believe that while Theo has been psychotically pursuing his warped quest to “help” Alicia, he’s also been diligently treating Zoe, so invested in her case that he repeatedly reaches out to Mariana to get her to visit Zoe and even writes Mariana a lengthy letter to convince her to do so??? And then a couple days after The Maidens ends, Theo is arrested???

-> But the thing I really did hate the most is how Michaelides treats his female murderers (who are both also victims themselves) as mere means to deploy a “twist”; there’s no moment spared to encourage our sympathy for Zoe, who was groomed and manipulated by the only trusted father figure in her life, and even after spending a decent amount of time getting to know Alicia via her ridiculous diary, where it’s so apparent that she’s been demeaned, objectified, manipulated, gaslit, and/or used by EVERY man in her life, she’s sent packing to spend the rest of her days in a coma… HOW much more satisfying would it have been for her to succeed in exposing Theo and reclaiming her voice? But no, she basically rolls over when he comes to finish her off (SPEAKING OF — ARE WE SUPPOSED TO BELIEVE THERE ARE NO SECURITY CAMERAS IN THIS INSTITUTE FOR THE CRIMINALLY INSANE????), writes one last diary entry, and drifts off forever. And then a couple pages of nothing later, the story is over. GOODNIGHT, ALICIA!

Both books kept me rolling throughout (by which I mean eye-rolling but also rotfl). Maybe I will check out his next effort — I’m morbidly curious what he’ll turn out. It does leave me wondering whether I should give up on thriller novels entirely, though. Are many of the weaknesses of these novels just characteristic of the genre? Maybe I'm just holding these books to unfair standards? I'm mostly only familiar with thriller films — many of which I think are amazing — but maybe you can get away with more in a film than you can in a novel.

...I really only intended to write a handful of bullet points, but more and more kept coming to mind as I wrote, to the point where subheadings became necessary. Whoopsie.

[wsdohee]

hello! it’s just little ol’ me, eunbin/yurim’s mun! i’m back here with my third muse. this is min dohee aka dandelion’s main vocal and leader! as always, here’s her profile & career page. an introduction to her will be below the cut. feel free to message me if anything catches your mind or just like this post if you’d like to plot! note: i'll be slowly following people because i heard t*mblr's been shadowbanning a lot of accts!!

BACKGROUND.

straight off the bat, she’s got abandonment and commitment issues because of her cheating father!! she thought they were the perfect family but then she soon learned that he’d been cheating on her mom even before she was born. naturally, dohee’s sort of the fix-up baby that they had, but she did not fix anything for them!!!

this only leads to her feeling like she needs to overcompensate by being the best at everything. she craves attention and approval from the people around her because that’s how she feels loved 

it’s not healthy but who said anything about dohee having a healthy outlook on life!!!

anyway, her mother’s a classical musician which means that dohee’s been to broadcasting stations starting from a young age. whenever her mother gets invited, she tags along. that’s where she first gets the idea of becoming an idol because she sees all the fans waiting in line to see their star and then the screams and yells. to her, it seems like the best way to feel validated

auditions for yuseong at 2016 and makes it in! gets passed up for etoile’s debut lineup though, but she thinks it’s because she’s young or whatever (tries to justify it). four years go by without nothing and then she’s told by yuseong that her contract has been bought out by wishbone records

i mean... she’s pretty mad lmao this is a completely new company in her eyes, and she feels like she wasted 4 years of her life at yuseong since she won’t be debuting under them!! nevertheless, she goes with it and then debuts in dandelion a year later in 2021!! happy ending, right? 

kind of. she’s pretty satisfied with where dandelion stands right now (that viral moment needed to happen for her), but she wants more. she’s the most ambitious out of my muses, and she literally [sharpay evans vc] wants it all 

wants to release solo music (she’s very confident in her voice and i blame it on her singing wendy’s lines for dandelion’s red velvet releases), wants to be on the cover of magazines, be the face of all these brands, wants to be a variety-dol and even write music sometime in the future

PERSONALITY.

as stated, she’s very ambitious. the type of person to fight for what she believes she deserves. career-driven because she thinks being successful is the only way to feel desired and wanted

that’s not to say that she’s a naturally extroverted person though. the persona she puts on for the cameras is pretty sejeong-esque where she’s bright and super energetic but that’s all dohee trying to squeeze out all that energy for the cameras

once the cameras go off, she needs to recharge. she’s a little more quiet and likes to keep to herself if she can. this has probably led to rumors about her being super fake and having an attitude when really it’s just her being exhausted after putting on a forced personality for the cameras

her fans like to label her as a born-to-be idol because of this reason though. she’s always doing what fans ask of her, and she doesn’t say no to fan requests. very likely to put on that girlfriend act and will do anything that makes her fans happy. gets complimented by non-fans too because she appears to be hardworking and knows how to feel thankful to her fans

honestly, she probably comes off as appearing to be super confident in everything she does, but other than her voice she’s kind of insecure? it’s why she seeks so much validation. if you catch her in one of her vulnerable moments, 99% likely to cry lol she doesn’t know how to express her emotions well but she cries waterfalls at any moment

really random fact but she hates her stage name lmao mainly because it doesn’t feel like she’s the one getting the love. has stated before publicly that she prefers to be called by her real name by fans

PLOT IDEAS.

anybody from yuseong at 2016-2020! i do think the dynamic of a relationship would depend on who you are, but there’s no way you haven’t bumped into her since she was there for 4 years. she was a very in-your-face trainee too because she wanted to appear good to her seniors

maybe you catch her behind the scenes somewhere and you’re super shocked to see how different she is off-camera! this could be negative or it could just be neutral. or if you want something deeper, maybe you think that dohee’s hiding behind a mask and you try to get her to talk about it 

because she can come off as being snobby and off-handish, i do think it’s very possible that there are people who don’t have a great image of her? again, i’m sure somebody’s bound to think she’s very fake and just doesn’t vibe with her

(would require some more intensive plotting) but someone please give her a slowburn romance? i think she’s perfect for that because she has a hard time committing to a relationship. the moment she likes someone and she learns they like her back, she takes like three steps back because she’s afraid it’s going to end up in a mess. blame her dad for that!! 

for the same reason above, i’m sure she has some exes that had to break it off because they felt like she didn’t feel the same. whether she really didn’t or not is up for debate, but there’s a good chance she only pushed them away because she doesn’t know how to be in a relationship

dandelion members: she’s a pretty good leader. kind of strict though. the type of leader who probably tries to stop her members from using even slang when they’re in front of the cameras because it’s not proper language to use. very professional and kind of protective of her members even if she doesn’t appear like it!! look, she spent 4 years training and then finally got a group to call her own. she’ll do anything she can to protect that and the rest of the girls

i think dohee’s the best if you want more dramatic plots? especially because of how ambitious she is in this industry! i’m all ears for any sort of ideas you decide to throw my way <3

[dianapocalypse]

so I’m having a very interesting (for me) mass effect legendary edition playthru and i wanna talk about it even tho no one but me will be interested so UNDER THE CUT WE GO!

this probably isn’t interesting to anyone but me but I wanted to write it down for posterity lol

so this time around, I spent a LONG TIME staring at the character creator, not even making anything. I couldn’t decide if I wanted to make my ‘main’ Shepard, play Jane just for the new model in ME1, or make a new Shep entirely. and if I did the last one, did I want to play differently this time??

i ended up making a shepard that was PRETTY similar to my main one. they’re both vanguards (didn’t want to learn a new kit bc my ability to hold a controller is pretty limited these days), both earthborn, same haircut but different overall appearances. this time I went war hero instead of sole survivor, since I’ve played those sidequests so many times at this point. I hit start and named her Kieran, not really knowing what I was going for with this shep and expecting I’d mostly make the same choices, romance garrus, etc

so the first few hours of the game I played p much like I always do. more paragon options than usual, but I attribute that more to me changing than character choices. I also started picking the middle options I always ignore just to see what they are. grabbed Liara, did bring down the sky, nothing new or unusual until I start talking to garrus.

is it just me, or does garrus.... kinda hit different in 2021? don’t get me wrong, still one of my favorite fictonal characters of all time, but also... garrus is a loose canon police officer who thinks regulations that, presumably, are in place to protect peoples’ rights, should be ignored for what he deems is the greater good. while we as players know garrus’s morals are in the right place, uh... if I met someone like that in real life I’d expect them to be a complete jackass. im also american so that contributes to my ill feelings towards police officers, and c-sec in the games is generally portrayed as being a much less awful organization than the american police state, but I’ve definitely gone from always supporting Garrus when he thinks a fucker needs to die to being like... garrus rules are there for a reason, people have RIGHTS

and then like. kieran shepard is earthborn, she was in gangs. she... probably doesn’t like cops either? my last shep was, too, but tbh I didn’t think about it all that much. for the first time I’m playing a shepard that does not trust garrus and that’s WILD.

so then I’m doing sidequests on the citadel, and earthborns get a gang member from their past who tries to blackmail shep into busting one of their members out of prison. for the first time ever, I actually didn’t have the paragon or renegade points necessary to resolve the situation in a ‘good’ way for me. I got to the end of it, and my only options were to bribe him to leave me alone, or shoot him.

i’ll say in my defense, I thought shoot him would be more ‘shoot him in the leg to show him i meant business’, but shep straight up killed him, and I was like, woah. I’m gonna have to figure out how to make THAT work with this character arc!

and the turian cop who he wants you to talk to, he’s right there, and says “wow, I guess maybe the first human spectre will get things done!’ or something, indicating like. that was the Right Thing To Do by his standards. just kill a dude in public for threatening blackmail.

so in role playing games, i try to justify decisions my characters make, even if it’s a decision that I didn’t make on purpose--it’s more fun for me to try to gather these disparate character choices and cohere them into a character than to try to get it ‘right’ for the character i’m playing, if that makes sense. so here, even tho I was definitely not intending to kill that dude, I wanted to find a way to make it work for Kieran Shepard. and it’s kinda ended up shaping the whole way I’m playing her, and it’s cool and interesting bc this is a shepard unlike any I’ve played before! i’m always so focused on min/maxing my character, especially their paragon/renegade points to get the ‘best’ outcomes, that ive never been faced with something like that.

so I think this is where I’ve landed:

Kieran Shepard grows up on the streets, she does not trust authority. all she has is her crew, and herself, more importantly. she does some bad shit, she gets into trouble, she’s strong-headed and stubborn. later in life, she gets recruited to the alliance military. frankly, I think she keeps a lot of the same attitude and distrust of authority, but this is a paycheck, and I think since the Tenth Street Reds are getting really human supremacist and xenophobic, she gets out and needs to go Somewhere that her past won’t follow her--space. off earth.

mostly she’s a shithead at first. gets into trouble with the brass all the time. but she’s got a really good head for tactics. she knows how to think like a merc gang, she thinks of strategies in simulations that higher ups wouldn’t ever consider. think like. star trek 2009 captain kirk basically lmao.

and then anderson gets a hold of her. for the first time in her life, she has like, a Parental Figure, someone who knows she can do better and expects her to. and she FLOURISHES. suddenly she’s got motivation, she’s straightening up. she’s positioned on elysium and the skyllian blitz starts, and one thing she knows how to do, something she’s always been good at, it surviving, and rallying people around her to fight, not roll over and die. her skills from her life as a gangster marry with her skills as a soldier and she rallies the colonists to beat back the invasion. with her STREET SMARTS!

now she’s a war hero, and she’s starting to feel the impostor syndrome set in. she gets a medal, she gets accolades, promotions--she’s just a scrappy former criminal and she doesn’t deserve this. she doesn’t deserve any of it, or anderson’s regard. she starts spending her time trying to be The Perfect Soldier to make up for her past. for the first time, it’s a point of embarrassment to her, not a point of pride. it’s public record, sure, but she needs her entire existence to refute it. she needs to be Commander Shepard now, she needs to be The First Human Spectre, she needs to be PERFECT.

and then Finch shows up, and he’s threatening her, he wants to drag her back into the Life and he’ll blackmail her if she doesn’t comply. she knows if she bribes him he’ll be back in a month for more, he’ll never stop. so she panics. she shoots this guy, kills him in cold blood, in public. old habits die hard. and the cop practically CONGRATULATES her for it.

kieran, now, is in full blown panic mode about Who She Is. she is very much not a fan of the ‘law and order’ of C-Sec, but she’s also not a fan of the spectres and how they operate, but now she’s becoming the thing she as a teen would have hated the most. and she’s being congratulated for it. can she be trusted with this kind of responsibility?? can anyone???

anyway that’s the last thing I did but I think... honestly? the only character that could help her sort out these feelings? is kaidan alenko.

so. i think this is it. this is the playthru i finally romance kaidan.

[365days365movies]

April 12, 2021: Mrs. Doubtfire (1992) (Recap)

Hey, Robin Williams. Been a while.

I’m sorry that I haven’t watched your movies for a while, and that I always skip your comedy stand-up when my phone’s on shuffle. I just...let me explain. Since I was a kid, you were one of my favorite entertainers. That might as well have started the day I was born, because...well, we share a birthday, fun fact. But it definitely continued with the first movie I ever saw in theatres.

While I don’t quite remember the first time I saw it, Aladdin was one of my favorite childhood movies, and I knew that you were the voice of the Genie from an early age. You might have actually been the first actor I ever knew by name. Which makes sense, because your stardom during the ‘90s was nearly unparalleled.

The next film I remember seeing (and hearing) you in was Ferngully: The Last Rainforest. That also starred Tim Curry, who would also be a major figure of my childhood. It also wasn’t the best movie, in hindsight, but it is the only time I’ve heard you rap since.

But eventually, I watched your forays into live-action, too. Jumanji, Hook, even the objectively bad Flubber, are all movies that I vividly remember watching during childhood. I was really excited for Flubber, even, and I LOVED Jumanji growing up. I liked Hook, too, but I appreciated that more as I got older.

Of course, during this time period, you also made less family-friendly films. The Fisher King, Good Will Hunting, Dead Poets Society, Good Morning Vietnam, and What Dreams May Come were all very successful, and cemented your reputation as an actor. I also haven’t seen any of them. In fact...I don’t think I’ve seen any of your dramatic roles, and that’s something that I’ll fix this year. Hell, in a few days, I’ll watch The Birdcage, another of your big hits of the ‘90s.

But why haven’t I seen them up to now? Well...I was going to watch these films, about seven years ago. But...I haven’t been able to bring myself to do it. Because it hurts. A lot.

I know that this is a downer, but my relationship with Robin Williams today is tainted by his tragic death. I was fucking BROKEN when his death was announced, and I really haven’t been able to watch him since. I’ve seen Aladdin recently, but that’s about all I could stand to watch. I mean, the guy shares a birthday with me! I’ve always loved his comedy stylings, and his improvisational skills are something I’ve internalized to a certain degree.

So, yeah. This one’s tough. But, it’s about time I moved on, and celebrated the man’s career for what it was: stellar. And that also brings up an important question, that some of you have probably asked by now:

HOW HAVE I MISSED MRS. DOUBTFIRE, WHAT THE FUCK

I KNOW I KNOW OK?

Look, I’m not entirely sure how I haven’t seen this movie, because I’m MORE than aware of it! I remember it airing during the ‘90s, my Dad AND girlfriend love this movie, and I know FOR A FACT that my family owned both the DVD AND THE VHS of this movie! So, how? HOW HAVE I NOT SEEN IT BY NOW?

I honestly have no idea, but let’s fix it now, huh? Yet one more man-dresses-as-woman movie this month! And no, I am not watching White Chicks...because I’ve already seen White Chicks. Also, it’s...problematic.

SPOILERS AHEAD!!!

 Recap

Daniel Hillard (Robin Williams) is a voice-actor, and a good one. Which, given that it’s Robin Williams, isn’t entirely inaccurate. He’s also a voice actor with a spine, as he morally objects to a scene in the cartoon that he’s performing for, in which the main character smokes. By the way, I’m 99% sure that this cartoon is animated by Chuck Jones, and it looks well-made.

Anyway, this leads to him quitting the cartoon altogether, and allows him to pick up his kids early from school. These kids are Lydia (Lisa Hykub), Chris (Matthew Lawrence), and Natalie (Mara Wilson), and it’s Chris’ 12th birthday. Daniel arranges a...surprisingly large party, given that it’s completely impromptu, and it comes with a petting zoo and complete trappings. However, it’s not a party of which his wife will approve.

This wife is Miranda (Sally Field), a successful architect and the breadwinner of the family. After getting a call from the neighbor about the party, she comes home and busts the outrageous party. And for the record, I’m entirely on Miranda’s side here. This party is INSANE, and very irresponsible, given the fact that Daniel currently has no job. And yeah, he’s a very loving father, and a good person, but...it’s too much.

Miranda feels the same, and after 14 years of frustration, she realizes that she no longer loves Daniel. In a genuinely sad scene, she tells him that she wants a divorce. And she goes through with it MUCH to Daniel’s detriment. He has no home, as he’s staying with his brother, Frank (Harvey Fierstein) and his partner Jack (Scott Capurro). He also still has no job, meaning that he has no way to provide for his children. This means that he has no ability to provide, and the judge awards Miranda full custody. Oof.

However, this is a conditional arrangement, as another hearing for joint custody will be held in 3 months, and if Daniel can get a home and job in that time, he has a chance. He performs a litany of voices and impressions with his court liason, Mrs. Sellner (Anne Haney), which amuses me, but not her, and he gets a job in order to be with his kids for more than one day a week.

Meanwhile, Miranda IMMEDIATELY starts dating fellow designer and old flame Stuart Dunmeyer (Pierce Brosnan), like, almost before Daniel leaves the house. He bids a heartfelt goodbye to his kids, with the promise that he’ll see them on Saturdays. And now begins the absolute hatred and petty bitchiness of Daniel and Miranda! Seriously, it’s...it’s fucking terrible, and it takes away from my sympathy from either side. I get that divorce is rough and ugly, but GODDAMN, neither of them perform the act with any form of tact or grace.

This is put on display during the kids’ visitation to Daniel’s semi-crappy new apartment, which doesn’t even seem that bad, to be honest. Miranda dropped them off late and picked them up early, as if to slowly starve Daniel of time with his kids, which is extraordinarily shitty of her, fuck me. Daniel’s not taking it well, understandably, but then does something...really dumb, when you think about it.

See, Miranda’s looking for a nanny, to help watch the kids and clean the house during the week. Daniel volunteers his services, which is actually a good idea, but Miranda says she’ll think about it, which we ALL know means no. I DO NOT like Miranda, even if I understand the initial reasons for the divorce. She’s being especially spiteful, and it’s not a good look.

Daniel’s stupid idea, though, is to change the phone number on the ad for the nanny, which Miranda shows him before she takes the kids. Instead, he calls her number, and pretends to be various terrible applicants, until finally supplying his own applicant: the completely fictional Euphegenia Doubtfire (Daniel Hillard).

Daniel plays Mrs. Doubtfire as an elderly British woman, and a seasoned nanny in her day. Which is why it’s weird to me that, when he does to Frank and Jack to help him make an elaborate disguise as Mrs. Doubtfire, that they go through various other impressions and get-ups. Which, yes, is goddamn hilarious, but also makes NO SENSE, given that they’ve already established her character to Miranda. Funny, but nonsensical.

But, regardless, Euphegenis Doubtfire comes into being, and introduces herself to Miranda and the kids. Mrs. Doubtfire is exactly what Miranda’s looking for, although the kids aren’t exactly overjoyed, ESPECIALLY the oldest, Lydia. Also, during this first meeting, Miranda openly bad-mouths Daniel in front of the kids, in just the WORST fuckin’ way. I genuinely dislike Miranda A LOT. Again, the divorce was certainly justified, but I REALLY don’t like her. Daniel loves his kids, and they’re HIS kids, TOO. Stop using them as weapons against him, OOOOOOOOOOOH I DON’T LIKE MIRANDA

Anyway, that evening, after she’s officially been hired by Miranda, Mrs. Doubtfire heads home, only to find court liason Mrs. Sellner waiting to speak with Daniel. After a litany of puns, and a humorous changing scene, Daniel accidentally throws the Mrs. Doubtfire mask out of the window, and is forced to improvise through equally humorous circumstances. Hence, the above meringue mask scene. Has anybody tried that, by the way? Could that work as a groundbreaking beauty technique? Or would the sugar just feed the skin bacteria and give you acne? Genuinely curious.

Now going between his job as Daniel and the nanny job as Doubtfire, Daniel’s not doing too badly for himself. The nanny job begins, and Mrs. Doubtfire IMMEDIATELY contrasts with Daniel, creating a disciplinarian atmosphere in place of Daniel’s formerly loosey-goosey attitude. Which is interesting, and it works! I mean, it’s not how I would parent, but it does work. Doubtfire makes the kids to their homework, rather than watch TV, and then attempts to make dinner. Instead, though, the dinner’s ruined, and Daniel orders takeout and makes it LOOK like homemade food. And it looks good, too! Daniel’s full of hidden talents.

After dinner, as Mrs. Doubtfire’s leaving, Lydia apologizes for backtalking her earlier, and thanks her for making her mom happy with everything she did that evening. he also says that she’s still a bit messed up about her dad being gone. And yeah, it’s sweet-but-sad. 

Going forward (and in a montage set to Aerosmith’s Dude Looks Like a Lady), Mrs. Doubtfire takes care of the family, and Daniel even betters himself to become a better Mrs. Doubtfire. Which...to be honest, Daniel REALLY should’ve done this before. I get that he needed the pressure of losing the kids to do this, but...look, Daniel really wasn’t that responsible of a parent, and the fact that THIS is how he learns to be so is...not great. Like, here’s an example, OK: take Donald Trump.

Yeah, I know, what’s this politics doing in my peanut butter? And WOW, that reference is older than me, but anyway. Let’s say that, in two years, a new politician comes on the scene, and her name is Karyn Walldottir. She has somewhat centrist views, and behaves in a way that’s inclusive to the majority, and backs up her claims and promises with evidence (at least true enough for us to suspend our disbelief). This is, of course, Donald Trump disguised as a woman in order to gain custody of the United States of America again. Naturally.

Karyn Walldottir gets elected in 2024, and all of her policies are markedly different from Trump’s and Biden’s, but leaning closer to Biden in progressive standpoints (assuming that that worked for him come 2024). While Trump is doing this specifically to be president again, he ends up revising his personal policies, and being a better person and president for the country. A literal impossibility, I know. But suspend your disbelief to ask this question:

WHY THE FUCK WOULDN’T HE DO THAT IN THE FIRST PLACE? IT MAKES NO FUCKING SENSE!

OK, now that that dumbass (and mildly horrifying) thought process is concluded, let’s get back to Mrs. Doubtfire. In the process of Mrs. Doubtfire’s ingratiation with the family, Miranda’s been dating Stu, whom Mrs. Doubtfire subtly insults when they meet. And yeah, Daniel’s being a little petty here, but it makes a bit of sense at least.

That night, after an accidental intrusion by Chris when Mrs. Doubtfire is going to the bathroom, Daniel’s basically forced to tell Chris and Lydia his little secret, which Lydia’s happy about, but Chris is understandably weirded out about. But, they agree to keep the secret from their mom and younger sister.

At his OTHER job, delivering film reels from a TV station, he witnesses the filming of an extremely boring kids educational TV show, and comments as such to another man watching. As he quickly learns, this is the owner of the station, Jonathan Lundy (Robert Prosky), on whom Daniel makes a good impression.

In the meantime, Mrs. Doubtfire has a talk with Miranda about their love lives, real and fictional. Daniel realizes how badly Miranda had been suffering in their marriage, which she never told him because...well, he never seemed to take anything seriously. Which is entirely fair...but this is why Miranda’s a tricky-ass character. She’s got two sides: there’s the justified caring mother and strong woman, and there’s the PETTY ASSHOLE who genuinely doesn’t care about Daniel or his feelings AT ALL. Jesus.

And Stu...look, Stu is LITERALLY a Gary Stu, who’s mostly perfect. Sure, he’s not always been that way, but he definitely is now! He’s responsible, wealthy, in love with Miranda AND her kids. And yeah, at a country club that he’s a member of (OF COURSE he is), he privately badmouth Daniel in front of Mrs. Doubtfire, calling him a loser, and...yeah, he’s not really unjustified in that statement. Fact of the matter is, Stu is barely even a plot device.

Meanwhile, in Daniel’s day job, he finds himself alone in the studio, where the toy dinosaurs from the TV show are still sitting on the table. He plays with them, gives them voices, sings some songs, and impresses Mr. Lundy, who’s there in the shadows after all that. He’s impressed, and invites Daniel to dinner to talk about a potential future show at the network.

But then, it’s also Miranda’s birthday coming up, and Stu’s holding a dinner for her, to which Mrs. Doubtfire is invited. Trouble is, it’s at the OH FUCK IT. YOU know what this is. It’s at the same time and place as the Mr. Lund meeting yaddayaddayadda LOOK. We ALL know how this is going to end. It’s the GODDAMN LIAR REVEALED TROPE AGAIN. And here’s the thing:

I FUGGIN’ HAAAAAATE THE LIAR REVEALED TROPE

You know, that thing in movies (especially family movies of the ‘90s) where somebody starts off a situation with a lie, they get deeper and deeper into that lie, grow close to people under false pretenses, and then OH NO! THE LIAR IS REVEALED! And everybody’s angry and/or sad, the liar slumps off, defeated and broken, but then realizes the error of his ways, while everybody else realizes the same thing, and he comes back to vindicate himself, and is welcomed back with open arms. And it introduces unneeded tension AND I HAVE ALWAYS FUCKING HATED IT.

Let’s list the examples, shall we? A Bug’s Life, Aladdin, Mulan, The Road to El Dorado, Chicken Run, How to Train Your Dragon, Klaus, Madagascar 3: Europe’s Most Wanted, Megamind (SUBVERSIVE MY ASS), Over the Hedge, Rango, Toy Story, Steven Universe (the whole Pearl/Sardonyx arc, which went on for WAY too long), the list goes on and fucking on. And I GODDAMN HATE IT. Not to say it can’t be done well. Disney actually usually does a pretty good job with it, and Dreamworks uses it A LOT, but almost always pretty well. But sometimes...GOD. Either way, it’s still used FAR too fucking much. And look. Here’s another one. Joy.

Look, at this point...I will freely admit that I'm biased against this trope, but it’s also obvious where this is headed. Basically, Daniel switches back and forth between the dinner with the family, and the dinner with Mr. Lundy. With Mr. Lundy, he gets absolutely SMASHED. Great. Great decision, Daniel.

So, yeah, Mrs. Doubtfire’s also smashed, which is pretty goddamn apparent to them all. At this point, I’m wondering why Daniel, as Mrs. Doubtfire, didn’t just say she was sick as hell, and had to go home. Or, considering the fact that Daniel proposes her as a show idea regardless, the switch wasn’t even necessary! And that means that none of what’s about to happen, happens. Or, here’s a crazy thought, maybe Daniel shouldn’t have POISONED STU’S FOOD WITH CAYENNE PEPPER THAT HE’S ALLERGIC TO! 

YEAH! Because that causes Stu to go into anaphylactic shock for a hot sec, causing him to choke. Mrs. Doubtfire does the right thing and gives him the Heimlich maneuver, and in the process, SURPRISE! IT’S BEEN DANIEL ALL ALONG! BUH BUH BUHHHHH DA DA DA DAAAAA DA

Yeah, so Miranda is understandably ENRAGED by this revelation, and it’s all over. Daniel represents himself in court at the custody hearing, but the judge deems his “lifestyle” dangerous for children. Which...yikes, Judge, that statement didn’t age well AT FUCKING ALL. But, given Daniel’s admitted stupidity with this whole idea, he’s not wrong about the dangerous part. But, I have to say, Daniel’s speech in his own defense is nice...although he also says he’s addicted to his children, so let’s throw a second yikes on there for good measure.

The speech moves Miranda...but not enough to prevent Daniel has his custody stripped away from him! GOD THEY BOTH SUUUUUUUUCK. Daniel’s a broken man, and Miranda and the kids are similarly broken without him and Mrs. Doubtfire. However...Daniel’s career isn’t broken AT ALL, as Mrs. Doubtfire is now a kid’s show host! Yeah! And she’s a hit! And again, it brings me to wonder why Daniel DIDN’T APPLY HIS OBVIOUS TALENTS LIKE THIS IN THE FIRST GODDAMN PLACE

Realizing that she made a mistake, she goes to the set during the filming of a show. She congratulates him on the show, and he replies by stating how broken he is now! Thanks, Miranda! Well, after an argument, and after Miranda sees how badly she’s messed up someone she used to care for, they come to an agreement: joint custody. FINALLY GODDAMN IT

And good, because I don’t want them back together. I have to give this film props for that: they acknowledge that these two are NOT good for each other, and they deliver a message in the end: families are families, no matter how they’re shaped. One mom, one dad, uncle or aunt, grandparents, adoption, two separated or divorced parents...oh, also, two dads or two moms. Yeah, that isn’t said in Mrs. Doubtfire’s final monologue, which is odd considering Daniel’s brother and his life partner...but it’s also kid’s TV in the ‘90s, so I guess that sadly makes sense. And with that, and their new family arrangement, Daniel takes his kids on an afternoon out, as himself.

...Look. That’s Mrs. Doubtfire, yaddayaddayadda LOOK. I don’t dislike this movie. In fact, here: have this mini-Review:

Cast and Acting - 9/10: Good, although Brosnan was a little stiff.

Plot and Writing - 5/10: It’s an idiot plot, what can I say? It’s actually based off of a book, which was a surprise to me, but it was adapted by Randi Mayem Singer and Leslie Dixon, and...eh. Still an idiot plot.

Directing and Cinematography - 8/10: It’s Chris Columbus, you get what you get. Definitely has that Home Alone flair to it.

Production and Art Design - 8/10: I mean, yeah, the Doubtfire disguise was good most of the time, but...I dunno, I could still tell it was Robin. But, still, it was good. Took 4 hours of makeup, fun fact.

Music and Editing - 8/10: Music by Howard Shore (ooh, Howard Shore!) was pretty nice, especially the ending theme. Editing by Raja Gosnell was...RAJA GOSNELL???

OH GOD. Yeah, OK, I see what happened here. Also, I didn’t know he was an editor! I just know him as the director of the Scooby-Doo films, Beverly Hills Chihuahua, The Smurfs films, Big Momma’s...

...OK, no, I am not doing Big Momma’s House OR the Madea movies. THE TROPE-BUCK STOPS HERE! I am moving on to something else! But, of course, I have to sum this up in a Review. See you there!

[indecisive-behaviors]

Okay so I just reblogged a thing talking about season 2 and 3 of Cobra Kai and I have some Thoughts about what they did to everyone’s character arcs in this so if you’d like a rant it’s under the cut with spoilers from all 3 seasons plus spoilers for all 3 Karate Kid movies

Okay so my issues start with one very key scene that I personally think fucked up the whole rest of the narrative, and by extension everyone else’s character arcs: which is from Different but Same. And no not that scene- not yet at least.

The first scene that I think fucked over the narrative and killed several character arcs was the beach scene. Miguel, reasonably distraught over the idea that Sam is hiding him from her dad(which she is actually doing to be fair), gets completely drunk and when Sam and Robby arrive together he loses it, pushes Sam and subsequently gets dumped. Now why do I think this ruined everything? It completely goes against Miguel’s character up to this point. Miguel is absolutely trying to mimic Johnny in a lot of key ways but also up to this point Miguel has also been Johnny’s conscience; he’s smart and kind and had not at all shown to be anything even close to what Johnny was in KK1. He’s stood up for his friends, defended the girl he likes from bullies, he’s a huge mama’s boy and a bit of a hopeless romantic. In no episode up until that point does he ever display any tendency towards unnecessary violence, despite Johnny’s “strike first” motto. Miguel getting wasted and violent does not add up in my mind. Miguel is supposed to be a narrative parallel to Daniel for fuck sake. Also, and this is my main complaint, there is no fucking reason for Miguel to immediately jump to the conclusion that Sam is seeing Robby- literally none. They look very much alike, hell Robby looks a little like Amanda honestly, he could very well be her cousin for all Miguel knows. Robby and Sam don’t even act like a couple in the shot- they’re literally just sitting next to each other at family dinner. None of this subplot makes any fucking sense.

And then, obviously, there’s the very next scene- Johnny goes with Daniel back to his place, tipsy and happy and seemingly in a very good place with each other. Then Robby shows up, Johnny loses his shit and Daniel proceeds to get pissed and kick Robby out. Now there is one thing I point out about this scene whenever I talk about it that doesn’t add up: no where in this scene is it ever even implied that either Johnny or Daniel know about Robby’s original intentions. (Also nothing up till that point ever even establishes why Robby knows about Daniel and Johnny’s rivalry in the first fucking place for the record). There is no reason for Johnny to suspect that Daniel knew and was hiding it, or even that Robby was doing it on purpose, and there is no reason for Daniel to get mad or even suspect that Robby knew what he was doing or was lying about it; and the fact of the matter is that Robby never actually lied(also Daniel never fucking asked) about his home situation. His mom was neglectful and an addict, and his father wasn’t in the picture. That’s it, and none of that was a lie. Now I’m not sitting here and denying that what Robby did was wrong because it absolutely was-- it was manipulative and unfair to Daniel and he had a right to be angry when he found out it was the case but there is nothing to suggest that he didn’t just jump to conclusions. And also, personally, I don’t think any of that justifies kicking a teenager to the curb, and one that Daniel explicitly knows has no one and nothing to fall back on. Be angry, be furious with Robby, but leaving a teenager to fend for themselves is cruel and completely unjustifiable behavior from a grown ass adult(also there’s a whole can of worms involved in Daniel never trying to figure out where the fuck Robby’s parents are and letting him live there without an explanation but that’s for a different rant).

Now assume none of that weird subplot happens, there is another way to have the Robby and Miguel rivalry that would have made so much more fucking sense and it only hinges on one fucking thing- Robby enters the tournament. It could be with or without Daniel’s approval(maybe even with a KK3 parallel, but Daniel honestly seems pretty into the tournament these days so he’d probably be down for Robby joining and reping Miyagi-do), but all we need is for him to do it.  Robby gets there, and Johnny sees him, potentially rocking a Miyagi-do gi and can have his surprised/hurt moment with him and Daniel, even potentially a confrontation between them. We can also still have Miguel beating Robby in the tournament and having Johnny be conflicted about his son losing. Hawk can even still hurt him and give Johnny his “holy shit this is wrong” epiphany and Miguel not understanding why Johnny wants him to go easy on Robby. Robby can still be hurt and upset by thinking Johnny cares more about Miguel after he loses.

Okay now as for season 2? Assuming everything stays the same in season 1, I have one MAJOR complaint. Robby becoming Sam’s love interest; and no it’s not because I think Miguel and Sam should be an endgame couple when the show is over(I do but that’s beside the point) but because it turns Sam into a plot device. This carries over into season 3 where she starts dating Miguel again and apparently just never breaks it off with Robby which is such a dick move I can not for the life of me imagine Sam of all fucking people doing it. She isn’t perfect by any means but she’s also outspoken and and much more confident by that point and should not have had a problem breaking up with someone in an email. But I digress, back to season 2- the moment I saw that Sam and Robby were going to be a couple I immediately knew the writers fucked up. There was no build up for it, nothing in season 1 to foreshadow this as a possibility(Different but Same doesn’t count because that was a whiplash of an episode) and they just decided offhandedly to put her in the middle of Robby’s and Miguel’s rivalry. There was no reason to make them a couple other than to fuck with Miguel and set up the Tory & Sam rivalry which could have happened fucking anyway with the shit at the country club, the rift between Sam and Aisha, and Miguel’s ongoing feelings for Sam even after he’s dating Tory(also a dick move what the fuck Miguel??). Adding Robby as fuel to the fire was super unnecessary and all it did was set up the clusterfuck that was the season 2 finale.

And OH BOY was that finale a clusterfuck. First of all, as a prelude- Fuck. Daniel. He pulled the exact same shit as in season 1 with dumping Robby the second he does anything even a little bit wrong. But also, as a gut punch, Robby didn’t actually do anything wrong. What was he supposed to do at the party? He couldn’t stop Sam from drinking even though he wanted to, it was her (very poor) choice. But he did what he could, he kept an eye on her, and when the cops showed up, he didn’t just leave her, he put her in the car and drove her somewhere he thought she’d be safe without having to immediately face her father(who super fucking overreacted btw) while she was recovering. This scene, which could have been an excellent bonding moment for Johnny and Robby, and an introduction to Sam getting to know Johnny outside of her father’s influence, was turned into a brawl for no fucking reason. 

Which leads me to the school fight. And right off the bat I’ve got to say this; even as, and maybe especially as, a person who has written post season 3 fix it fics, there is no way for Robby and Miguel to convincingly fix what happened in the season 2 finale. Yes, what Robby did was absolutely an accident and he has already done his time for it. But the elephant in the room is this: Miguel could have died. Or at the very least, been totally paralyzed. There is not a good way to come back from that. They will always have that hanging over their heads, even if they somehow reach an understanding. And I know someone is going to try and make the argument about that being a parallel to Johnny and Daniel in KK1, but if it is that it’s a terrible parallel. What Johnny did was supremely fucked up and I won’t deny that, especially with the Halloween scene and Daniel’s knee in the tournament(which actually was technically more Bobby’s doing, but I digress), but it was never “almost permanently disable/kill someone” bad. (Again there’s a whole can of worms to open about the shit with Chozen and Daniel’s seemingly pretty easy forgiveness of a man who tried to kill him because what the fuck?? But again that’s another rant.) But the writers wanted to push the envelope so now Johnny will always have the tug of war of choosing Robby, who he loves but who also really fucked up, and Miguel, who was the original reason for the rivalry in the first place but who was also the one who, again, almost died because of his son, even if he somehow fixes his relationship with both. It will always be “why did you pick him over me?” and Johnny will never have a good enough answer for either of them. And finally the big complaint- Johnny completely regressing in season 3. Season 3 honestly felt like a rehashing of season 1 because we literally had to see him progress in his arc all over again from square fucking one. He still isn’t there for Robby, he’s still fucking up things with Miguel and his family, he’s still fucking up his relationship with Daniel, he still chooses to miss his appointment with Robby to see Miguel(who would have been there after the appointment and he could have seen him then), he abandons half of his fucking students to fend for themselves and leaves the other half with a man he knows is a dangerous psychopath. And yes we get the cool scene at the end of December 19, but is it worth it?? I’m genuinely asking because, as much as I love that scene, I really don’t believe it is.(edit: Also fuck that whole subplot with Eli and Demetri- you don’t get to just break the arm of the boy who was your best friend and just have that go away with no repercussions. Fuck. That. I hope Demetri gets at minimum an actual on screen apology, and hopefully Eli actually trying to make amends.)

We could have still had the big team up- have Johnny admit to Daniel that he’s fucked up and tell him everything that’s happening with Kreese. Have them join forces to defeat Kreese in the tournament. Have the dumb fucking bet. Introduce Terry Silver in season 4. Have Johnny’s and Daniel’s tenuous truce strained at every turn because they’re idiots. Do all of it. But y’know what? We could have had all of that- all of it- without it being at the expense of at least 2 character arcs; Johnny’s and also Robby’s.

Also before I end this I just have to add- nothing and I mean nothing will ever redeem Kreese or Silver for me. I do not give a singular shit about either of their tragic backstories, I just don’t. I get why and how Chozen got his redemption- he was a teenager when that shit happened, and while the shit he pulled is personally unforgivable in my opinion, he has actively been trying to redeem himself by spending the last however many decades making it up to his community. I’d even understand a Barnes redemption to an extent, even though I wouldn’t accept it, because he was also very young and being manipulated by, again, a dangerous psychopath. But Kreese and Silver? Abso-fucking-lutely not. They were two grown ass adults who purposefully targeted an 18 year old and put him through emotional and physical for weeks, paid someone to intimidate him through both threats of physical violence but also through vandalism, and gaslighted him and isolated him from the only family he had at the time because he beat them in a children’s karate competition. Look, I’m not sorry, I don’t give a fuck about Kreese’s tragic backstory, nothing about what Kreese has done can be rationalized by just saying “oh his mom and girlfriend died and he was in ‘Nam”. And any good thing he does for Tory, or even Robby, does not balance out all the harm he has caused. Silver is even less redeemable- I don’t care that he almost died in war, I’m an army brat I know plenty of people who almost died and don’t act like this. In canon we have evidence of him being completely, unrepentantly evil- the first scene with him in it has him basically confirmed as the BP of nuclear waste, he pays people so he can beat them up, he’s been personally funding Kreese’s child indoctrination classes. They could pull out the saddest backstory for him possible and I would not give a shit. And that’s fine. We don’t need every bad guy to have a tragic backstory- sometimes an evil villain can just be an evil villain for no reason, not all of them need a traumatic turning point that the authors shove in to make the audience sympathize with them. So please, writers, stop trying to make me feel sorry for them because I really don’t and I don’t understand anyone who does.

Okay rant over.

[unstoppablezombie]

The Last of Us Part II thoughts and opinions

I finished my second playthrough last night. I think I’m ready to finally share what I thought was amazing, my issues with it, and the concerns I have for the future. This post will be lengthy, I understand if you won’t read all of it, but I’m going to try my best to break it up and organize it so if there’s a part you’d want to know if you’d relate to, you can jump to that. But I think it’ll be worth the read, and if you want to discuss how your thoughts are the same or if they differ, I’m open to have a civil discussion about it. These are all 100% my opinions. I highly recommend playing the game start to finish first to form your own opinions as well. There will be spoilers. This is your warning.

What I loved:

Ellie

She deserves her own category. Since the first game I loved her character and my love for her only grew in part II. She is the probably the best and most relatable female protagonist anyone could ask for. At least for me she is. I enjoyed every second I got to play as her. Especially during the birthday flashback and barn scene with Dina and JJ.

New characters

To be honest, the only new character I truly cared for was Dina. I wish we got to have her as a companion longer and got to know more about her. From what we picked up along the way, she was perfect match for Ellie. Lev was cool (or cold as he likes to say), but I didn’t grow attached to him like others.

Representation

Although I wish we saw more of them, I think Ellie and Dina’s relationship was absolutely beautiful and heartwarming (besides the ending, which I will talk about later). I truly think this is a step in the right direction for representation in video games for any LGBTQ relationships, and I truly hope there will be a part III or DLC to showcase Ellie and Dina more positive outcome (even though Neil Druckman went on record saying there’s no plans for DLC or a Part III, but I don’t believe him)

Gameplay

The combat and animation system was S tier. The “feel” of it is smooth and weapons feel powerful. Once I got the hang of dodge and going prone, I was obsessed with staying in stealth mode (I prefer Ellie’s stealth kill animation over Abby’s). There’s also this awesome new animation where if you hurt the last enemy but they’re not dead yet, you can slowly walk up to them and do this brutal melee finisher move. Felt like a badass everytime.

I also loved how the increase in creepy/dark/eerie areas. Stalkers are a lot scarier than the first game and the rat king boss fight was like it was out of a resident evil game.

The Little Things

I fell in love with the little details: the lighting in every scene, pull an arrow out of your shoulder, safe puzzles and weapon bench animations, how Ellie/Abby looks when opening a door, flashlight, THE MUSIC! The score and music choices along the way (future days and take me on)

What I didn’t like

Abby

Not going to lie to you folks, even after 2 playthroughs, I hated every second playing as Abby. The only scenes I didn’t mind was the “afraid of heights” segment with Lev and the rat king fight. Although ND attempted to have me sympathize with her as a character, it never stuck. I will be fair, I see the humanity in her, especially when she’s with Lev and the fact Lev basically told her to save Dina and Ellie, but without Lev, I don’t care for her.

Any of the characters that had to do with Abby’s story

I don’t think it’s possible for me to care anymore less for her relationship with Owen or any of her friends. Pretty much any time that was taken away from me playing as Ellie or anything to do with Ellie’s story line, I felt it was wasting time.

We needed more heartwarming moments

We got the birthday flashback, the barn house scene, when you find out Joel tried to get into Ellie’s favorite comic book, and some other little moments in between. I truly believe the reason why a lot of us love TLOU is because of the love between Ellie and Joel, the things that made our hearts a bit warmer, and even the ending of the first game, we had something to hold in our hearts, we knew Joel and Ellie were together. In Part II, we end with Ellie walking away with her loss of everything. She lost Dina, JJ, and the ability to play guitar. Basically, everything she loved was lost. (I will circle back to this at the end).

The ending

This can go up for debate, but I think the ending was left way too much for interpretation. I think ND could’ve given some direction on where Ellie is headed. If she’s going to Jackson, going out on her own. I mean, especially since ND is being very abrasive about if there’s going to be another game or not. I think the ending was cruel, especially those of us (which I think is a lot, probably 90% of TLOU community) that holds Ellie in our hearts dearly and always will.

Post Edit: I forgot to mention that I don’t think it’s talked about enough that Ellie saved Abby. If Ellie never went back for her final attempt for revenge, Abby would’ve never made it.

My concerns for the future

Neil has gone on record multiple times there’s no plans on a DLC or a part III (he says the next best idea will be the one they go with, whether that’s a new IP or TLOU). However, the way they set up Part II, introducing new characters and the way the menu changes to Catalina island (indicating to us Abby and Lev made it). I’m afraid that IF there is a DLC or Part III, Ellie won’t be the main protagonist. Which, would 1000% break my heart if that’s the case, and honestly, I probably will not play it if Ellie isn’t apart of it.

In the recent Kinda Funny Games gamescast, Neil was oddly quiet when asked where Abby and Lev end up besides alluding that menu once completing the game is Catalina island. But when asking about where Ellie ends up, he openly says he doesn’t know and no one really has thought about it.

There are a lot of people saying they prefer Abby storyline over Ellie (I respect your opinion if you think that, but if that’s what you truly believe, I think you’re wrong and I don’t trust you) and I truly am concerned that this game is the last we will see from Ellie. That’s the last thing I want. I will feel a lot better if ND will publicly state if this was the end or not, but regardless, we deserve closure. Whether it be a better ending for Ellie or just telling the fans if there’s no hope.

I think at the very least, we should get a DLC, showing Ellie’s quest to find Dina or give her an ending that’s more justified for the fans that care about her.

Final thoughts

I think the game was beautifully crafted, it made me feel things I didn’t think was possible for a game to do. I think we can all agree that the game was gorgeous, the actors did a PHENOMENAL job (whether you love or hate their characters), and the story is one that will be talked about for a while. In the end, naughty dog made the game and it’s done. No matter how many of us share our opinions or thoughts, nothings going to change what was given to us.

There are people who are hating on the game without playing it and giving the models and actors grief and hate about the game. Which is dumb and counterproductive. Hate the character, not the model and/or actor. I plan on playing the game again to get the platinum trophy (just missing the artifacts and collectibles), after that, I plan on taking a break and clearing my head. Part II was a very heavy game. When I was done with the first clear, I had to not play it for a day or two cause I was feeling ill and anxious.

Some can say she lost everything because of vengeance and her ego for revenge, but I think a major point the game tried to point out is Ellie is at peace with her loss and she can move onto what will give her life meaning. In previous paragraph I mentioned how her and Joel love is one of the major reasons we adore TLOU, but I think even with Joel dead, I think love can still be the main incentive to keep moving forward. The words that keep coming back in my mind is what Joel says to her at the end of the first game “no matter what, you keep finding something to fight for” and I hope we will be able to experience her next motivation.

Overall, despite the issues I had, I still love the game. It’s still my favorite form of media. I still love the fact we have such a beautiful, badass, lesbian protagonist in a video game. I try to voice that to Neil and Naughty Dog whenever I can and I hope he can see the importance in keeping Ellie as a character for more iterations. I’m remaining cautiously optimistic we will see more of Ellie.

I’m sure there are other things that I forgot to include, but those are the major things that stuck out to me.

[samwpmarleau]

1) It doesn’t fit with GRRM’s track record to introduce something as monumental as this, let alone so late in the game, and have it be what it says on the tin. For Aegon to actually be Elia and Rhaegar’s son who miraculously appears at the 11th hour to save the day doesn’t fit at all. Also, unfortunately, GRRM’s presentation of his characters of color is absolutely abysmal. While he debunked the theory of Dany blowing up the Water Gardens (THANK GOD), that doesn’t mean he’s going to magically treat Dorne how it deserves to be treated. A lot of the “evidence” I’ve seen about Aegon being real hinges on GRRM actually doing right by his characters of color and their associated storylines, which is … not likely.

2) The Golden Company was founded by Bittersteel, the #1 Blackfyre supporter who kept trying to make the Blackfyre cause succeed even long after Daemon was dead. The GC has been faithfully pro-Blackfyre ever since, and was even led by a Blackfyre, Maelys, in the Fifth Rebellion as well, which was not all that long ago.

3) The GC has never broken a contract before — in fact, their words have been “as good as gold” since the very beginning when Bittersteel founded it — so why would they now? They would only break a contract for blood (“some contracts are writ in ink, and some in blood”), for a Blackfyre. They broke the contract so they can help put Aegon on the throne and finally complete what Daemon and Bittersteel began.

4) The GC met with Viserys and Dany and laughed them out of the room. Why would they then be all gung-ho for a different Targaryen? Viserys wasn’t even a madman or pathetic when he met with them (Dany was still “a little girl”), Robert had only recently gotten the throne and therefore it was at its most vulnerable, and Viserys was well-known in Westeros as the Targaryen heir. If they were going to support a Targaryen, it would have been Viserys. Or Daenerys. Yet they didn’t. So why support Viserys’s alleged nephew instead? They would only do so because the Targaryen was only nominally one, in reality a Blackfyre.

5) Illyrio specifically says the Blackfyres are extinct in the male line, meaning they are still around, only through the female line, such as Illyrio’s late wife Serra. Aegon being Illyrio and Serra’s son would explain Illyrio’s fondness for the boy, why he’s so sad to see him go, and why he’s so invested in putting a “Targaryen” on the throne. Additionally, he found Serra as a sex slave in a Lysene brothel — quite a long ways down from the favored son of a Targaryen king. It would make sense for Illyrio, who loved her deeply, to in her memory restore what was “stolen” from her family.

6) Illyrio has a trunk full of children’s clothes, despite the fact that he’s supposed to be childless. Good clothes, too. (Those clothes are also blue, the color Aegon dyes his hair. Maybe a coincidence, maybe not.)

7) JonCon notes that Rhaegar’s eyes were “a deep purple, darker than this boy’s,” implying to us the reader that Aegon is not Rhaegar’s. It’s also a hint that JonCon has suspicions that Aegon is not the real deal but is in denial, because if Aegon isn’t real, then that means Rhaegar really is lost to him forever and he can do nothing to avenge him.

8) I’ve seen the argument for “sun’s son” being Aegon but it doesn’t make sense. Asha is called the kraken’s daughter, for one, despite being a Greyjoy in her own right, so yes, it tracks that Quentyn can be called the “sun’s son” despite being a “sun” himself (and it just has better rhythm). Plus, if he weren’t the “sun’s son,” how would he instead be the “mummer’s dragon”? He’s not a dragon, he’s not a fake, nor is he being controlled by a mummer, whereas that fits for Aegon. And in Dany’s HOTU vision, there’s a cloth dragon swaying on poles above a cheering crowd — how would Quentyn fit that either (especially since he’s dead)? But Aegon would. This is also in the same passage as “slayer of lies,” mind you. Aegon is the lie to be slain. The other people in the prophecy are pretty clear as to their identities, so why would “sun’s sun” and “mummer’s dragon” be riddles?

9) The Blackfyres and their rebellions have been developed more and more through the years, including an entire Dunk and Egg book about the second one. Would be a bit odd to completely drop that thread, no? The Third Rebellion didn’t even happen until late in Aerys I’s reign, so it’s not like the Blackfyres will play a central role any time soon in D&E. In the main series, however, they would. Plus, GRRM wrote the D&E book about the Second Rebellion while he was also writing ADWD, and it’s in ADWD that history lessons about the Blackfyres are repeatedly brought up.

10) The parallel between Aegon and Jon. Jon is a real secret Targaryen raised without knowing his true identity, whereas Aegon is a fake secret Targaryen raised without knowing his true identity.

11) There’s plenty of the “human heart in conflict with itself” that GRRM loves with him being fake. Dany gets another family member, the son of her beloved brother Rhaegar — only to find out Aegon’s a fake. JonCon raises a child for over a decade, the son of his beloved Rhaegar, redemption for losing at Stoney Sept — only to find out Aegon’s a fake. Dorne (Doran specifically) gets a piece of their beloved Elia back — only to find out Aegon’s a fake. Aegon himself has believed his whole life that he’s Elia and Rhaegar’s son, the heir to the throne, has gone through many hardships to get where he is — only to find out he’s been lied to since day one. Those are all very real, very poignant beats.

12a) The supposition that Elia would save her son but not her daughter — Dornish Elia, who would value her daughter just as much as her son — is nonsensical to me. I CANNOT get behind that one bit. Maybe I can justify Elia being willing to sacrifice someone else’s innocent baby if it meant saving her own (though that’s a horrible and heartless thing to do), but I CANNOT see a justification for her saving Aegon yet not Rhaenys. 

Moreover, if the baby weren’t Aegon, why would Elia be so willing to die for it? If it weren’t hers, if she had been pragmatic/cold enough to trade her baby for someone else’s, why on EARTH would she not have left that baby in the nursery and gone with Rhaenys, her actual child? The men Tywin sent had a reputation even back then and had scaled the walls of Maegor’s Holdfast. Elia would be dumb as a bag of bricks to think they would spare “her” son and Rhaenys, or possibly even herself. If they were to magically spare “Aegon,” great! Everyone’s happy (except Tywin). But why would Elia take that risk? No. She would only tell Rhaenys to run away yet stay with Aegon because he was her child and she had no other choice.

12b) If Elia switched the babies, then why don’t the Martells know anything about it? They were involved in a Targaryen restoration, Oberyn even went to Essos to sign the betrothal pact between Arianne and Viserys. Yet none of them know that their nephew is alive? If Elia really did take the pains to switch the babies for her son’s safety, why would she not have involved her family? At the very least, by having whoever she sent Aegon with even just hint to her family that he’s alive? But they know nothing. Zilch. They put their eggs in Viserys’s basket, then Dany’s, who are at best Elia-adjacent.

12c) Who would even be able to do such a thing as switch out the babies without a soul being the wiser? Varys, probably, but there is no way in hell Elia would entrust her son to him. Far beyond simply being a shady person in general who is out for himself and himself alone, he was the one who purposefully whispered in Aerys’s ear about invented conspiracies and betrayals. He made Aerys more paranoid, more dangerous. To the detriment of Rhaegar, Elia, their children, and the realm at large. Varys is the entire reason Aerys went to the Tourney at Harrenhal in the first place, because he convinced him that Rhaegar convened the tourney to meet with a bunch of lords in order to depose Aerys. Varys directly and gleefully contributed to Aerys’s further descent into tyranny.

Elia wouldn’t have trusted Varys as far as she could throw him, certainly not with something as precious as her child, not even if she were desperate. Even if she did trust him for some insane reason, how is Varys so powerful as to find a lookalike for Aegon but not for Rhaenys? Surely it’s easier to find a black-haired, brown-eyed toddler than a silver-haired, purple-eyed baby, no? Or why couldn’t he direct Elia to one of the many secret passageways so she could escape with the kids rather than this convoluted baby swap? Or any number of other things? At every turn, Aegon (but not Rhaenys!) being spirited away by anyone, most especially Varys, doesn’t hold up. Hell, why would Varys help Elia? What does he have to gain by not only helping her but egregiously undermining Aerys? Aerys whose ear he’s been meticulously whispering into, Aerys who’s the only reason Varys is at court and has power at all? Agreeing to and orchestrating the baby swap runs counter to everything we know about him.

13) Aegon being real means Elia and Dorne are essentially dealt two blows. We and they spend all this time believing her son was brutally murdered in King’s Landing. But then, psych! He’s actually alive! They get their hopes up, the wound is opened all over again, only for him to … be brutally murdered in King’s Landing. (Or possibly elsewhere, but likely KL.) Why is that better? What would be the point of Aegon being Elia and Rhaegar’s son if he’s just going to die like his “cover story” says he did? Actually, they’d be dealt three blows, really, given that Quentyn died as well in the pursuit of Targaryen restoration. Things are going to be painful enough without having Aegon be the real Aegon.

14) JonCon didn’t come to be Aegon’s caretaker until Aegon was 5. In other words, he wouldn’t recognize whether or not this Aegon is the one he saw as a baby. But because he’s so personally invested in Aegon being the real deal, he doesn’t question it too much. The result is that JonCon, who is well-known to have been close to Rhaegar and thus Elia (proximally, not emotionally of course, what with him hating her and all), him caring for the boy lends viability to the story. Which we see in action by Doran believing, or at least being willing to listen to, JonCon’s letter.

15) The Toynes have a very negative history with the Targaryens (and Barristan) but a positive one with the Blackfyres. Would it not make more sense for Myles Toyne to align himself with a Blackfyre rather than a Targaryen? Myles, who was the one who put his seal to the secret pact?

16a) It’s been 84 years. Even R+L=J, which is as much of a sure thing as you can possibly get, is disputed by some in the fandom. Some people believe Ashara Dayne is alive, and a subset of those go so far as to say she’s Jyana Reed. Some people have some theory about the Boltons being vampires. Like. It has been so long since the last book that things that would have been surprises or interesting twists have been examined to death, so by now they seem “too obvious.” Ten years ago, Aegon being real would undoubtedly have been a much more believed thing, because we’d have just recently been told it. But now? There’s been ample time to parse everything out and to determine that no, he likely isn’t real. Same for R+L=J. Ten years ago, or longer, Jon being revealed to be the son of Rhaegar and Lyanna would have been a bombshell. But now? It’s obvious as fuck. So to circle back around to “Yep, Aegon is real!” ignores the fact that it’s supposed to be a smokescreen and a twist.

16b) Related to this is GRRM’s own words. There’s an SSM where he’s asked whether Rhaenys and Aegon are really dead. He affirms that Rhaenys is but hedges for Aegon. Why? Not because he’s saying Aegon is real, but because he’s introducing the Young Griff arc. If he were to say, “Aegon’s definitely dead, too,” or “Aegon’s definitely alive,” that would completely spoil the tension and truth/untruth of the storyline.

Do I know that Aegon’s a fake? Obviously not, since we don’t have the books. But the evidence points to it being extremely unlikely that he’s the real deal. Like I also said, however, I’m not sure it really matters whether he is or not. So far as he knows, he’s truly Elia and Rhaegar’s son. His name is Aegon, he was raised to be a king, he seems to be quite a decent young man (people who cite him tipping over the cyvasse board can suck it), he will probably ride a dragon at some point, and so on. At the end of the day, who he’s biologically related to doesn’t seem super relevant.

[whitleyschn33]

Ozpin and Ruby: Hypocrisy (Probably a Rant)

Yeah, you probably knew this was coming - as a fan of Ozpin that was very much not happy with how he was treated during the later half of V6, you can probably guess that I had a very bitter taste in my mouth when only 2 episodes in, Ruby told the exact same lies for the exact same reasons as Oz and the FNDM started trying to find every possible way that that wasn’t true, that obviously “Ruby is far more justified and has far better reasons to do so” than Ozpin did, and therefore not being hypocritical. 

Yeah, that’s a crock of BS, and I will go on to explain why in a bit, but first, got to make something clear.

As of right now, this isn’t necessarily an example of hypocrisy yet (stressing that yet there). As of now, there hasn’t been any episodes out to follow up on the thought process of Ruby in this and no chance for her to explain why she did it, so there is a chance that she will connect her reasons for doing this to Oz’s reasons to what he did, and realize that Ozpin was right (or at least justified) in not letting them in on every detail, which would mark this a sign of growth in Ruby’s worldview and a step towards reconciliation with Ozpin, rather than hypocrisy at its finest. 

However - the way that the stolen ship was handled (which I’m also itching to rant about) and the fact that there was no set-up to Ruby learning that Ozpin had reasons to do what he did (no talking with him, no example of trust backfiring in her face, nothing that would indicate her perspective of “we deserve to know everything involved” has flipped to “sometimes it’s necessary to be cautious with information”) makes me pessimistic on how this is going to be handled. The track record of the show so far makes me feel like this going to be played as an “It’s okay when we do it, and it’s totally justified cause we’re the protagonists” moment rather than a “Okay, we now see why it would feel necessary to lie or hold back information” moment of growth, and that makes my blood boil. I could be wrong, I hope I’m wrong, but as of writing this, I don’t have a lot of faith.

That being said, let’s get into the arguments (and if I miss one or you have another one, lay it on me).

The main one I’ve seen is that “The gang can’t trust Ironwood, so that makes them lying to him justified, but Oz should trust RWBY, so him lying is wrong and inexcusable.” That’s bull, though - Ozpin has no reason to trust RWBY whatsoever. We know that they’re (theoretically) trustworthy since they’re the protagonists, but from Oz’s point of view, these are just a bunch of random teenagers that Qrow dragged to his safe house and expected him to explain everything to, despite Ozpin not bringing any of them into the loop himself. With Team RNJR, he’s only familiar with Ruby’s background, and only met her at the beginning of the school year - JNR are all complete strangers he’s had no chance to vet. Weiss, Yang, and Blake literally just show up and attach themselves to the party - they all volunteer or invite themselves into the inner circle, and then expect Ozpin to trust them completely when he has no reason to. That’s what I think a lot of people forget - they volunteered for this. Ozpin didn’t seek them out; they showed up with Qrow and volunteered to help - volunteering before they could possibly know everything there is to know. Ozpin doesn’t trust them, and he has every right not to. We’ve seen firsthand that Oz is constantly betrayed, even by people he does come to trust and bring in. Lionheart is someone that Oz has known for decades, but still betrayed him the moment Salem came for him - while coming off the sting of that, why would he do something so foolish as to put his faith in these random teenagers? JNR and Blake in particular are people that he knows next to nothing about, and all have gaps in their pasts or faked records - any one of them could been an agent of Salem. RWBY and Co may not be able to trust Ironwood for good reasons, but Oz has equally good reasons for not trusting them. 

Another one I’ve seen is that “Team RWBY is risking their lives doing this - they deserve to know everything”. To which my response would be, well, that’s not entirely true. Ozpin has never actually lead them into a conflict zone. Haven was meant to be a safe place to recover and begin rebuilding defenses, I’ve already explained why the Grimm attack isn’t Ozpin’s fault, and everything that goes down in Argus is on tRWBY. The only thing Ozpin haves them do is continue training and hang around while they make sure the lantern is secure - Lionheart was supposed to be an ally, Haven was meant to be a haven. Ozpin has never asked them to head into the line of fire - all he’s asked is they learn and play defense while at Haven. 

But alright, though, I’ll play that game. Assuming that them risking their lives is true, then doesn’t Ironwood deserve to know everything? He’s not only risked his own life all this time, but as the head of the Atlesian military and currently concocting a plan that will draw the lives of all of Remnant into this conflict, shouldn’t he be told everything they know that could possibly be pertinent? Before Ruby lies to him, Ironwood has just laid out a plan that will throw Remnant into chaos and panic and result in many deaths, all for the end goal of finally mustering enough strength to destroy Salem - phrased another way, his entire plan hinges on the idea that whatever consequences that happen will be worth it when they destroy Salem. Ruby then proceeds to lie and not tell him about the part where them learning that, for all intents and purposes at this moment, Salem can not be destroyed is what drove Ozpin away. That is extremely important information that Ironwood, if for no other reason, needs to know since it’s the motivation behind everything he’s doing. At this moment, Ironwood has far more need to know this information than tRWBY ever has since he’s actually about to put himself, his military, and all the people of Remnant in the line of fire and the chaos of panic, but Ruby doesn’t tell him because.... why? She doesn’t trust him because of what’s happening in Mantle, which is being fueled by Ironwood’s current plan which she has the information to dissuade him from? Then telling him would be the right choice, and it wouldn’t come of as massively hypocritical. Gah, this entire situation is dumb.

Then there’s the fact that the first thing she lies about isn’t about the Relic, isn’t about what they’ve learned - it’s about why Oz isn’t there. Ironwood wants to speak with Oz, and Ruby lies about why that isn’t possible. You can make the argument that she’s lying to protect the last Relic question, or protect the information that Salem isn’t able to be destroyed, but that’s not what she’s directly lying about, those are a few steps down the line. What she initially lies about is why Ozpin isn’t present, and she practically cuts Oscar off to do so - and that comes off so much like her trying to hide what they did to Ozpin, and honestly? That’s what really makes me mad, because they have no right to hide that. If they’re so certain that what they did was right and justified, why hide it? Why cover it up? Is it possible you realize using the Relic against his will to dig into his past and trauma and then, when he was on the ground and crying after you forced him to relieve his own deaths and the death of his children, attacking him about it was a shitty thing to do? It feels so much like trying to hide what they did so they won’t face the consequences, and after all they did to Opzin for not telling them all of his mistakes and trauma? It’s so insanely hypocritical that I want to scream. 

Speaking of the Relic - lying about the Relic now, are you, Ruby? But I thought that was a no-no - after all, you all freaked out when you realized that Ozpin lied about the number of questions left and that was the driving motive for you to use the Relic on him. Why is it okay for you to do that when it wasn’t okay for Oz? “Well, we can’t trust Ironwood to not waste it/use it poorly -” Great! You just realized why Ozpin didn’t tell you! He couldn’t trust you all either, especially when the first thing y’all did after learning what it was was start trying to come up with questions to ask. So, same reason!

As I’m sure you can tell, the more I talk about this, the more ticked I get. All the justifications Ruby could have for lying to Ironwood are the same reasons Ozpin would have, but honestly worse, since it comes off as them not giving Ironwood the information he would need to stop his disastrous plan and hiding their own sins. It all seems so incredibly hypocritical, and if we don’t some kind of follow-up discussion of all of this, it will be. I want to think that CRWBY will find a way to make this a moment of growth and understanding, but they failed to properly set that up when Ruby switches from “we deserve to know everything” to “it’s okay to lie to people you don’t trust” without any reason that she may have come to change her mind on this between those two actions, and so far, the show hasn’t been batting a hundred with showing any consequences for the team doing something stupid. I want to be hopeful, but for now, it’s just left me feeling incredibly bitter.

Probably a poor way to end this, but I’m technically in class, and I feel like if I rant any longer, it will devolve into incoherent rambling, so - let’s just end it here.

[illusionlockarchive]

pazam: a mess, truly a mess

so i usually dont do these kind of posts, i guess you could say its a call out of some sort? but i never liked that word, i prefer rather to just compile sources on WHY people would believe that a certain person is not truly as nice and understanding as they seem. consider this more of a psa post, detailing on whats going on with pazam on the sfm community, why so many people are against them.

So, a while back, tumblr user jymble made a post on the main tag stating that pazam was transphobic. they linked back to this post, which contains screenshots of pazam in a group chat stating that they do not feel comfortable with the idea of trans people. now, this did happen 9 months ago, true. however, for the record, pazam is already an adult, 24 years old, so they should have some tact. and as further and more recent events will show, they actually havent changed that much at all, at least not as they claim.

the screenshots should be in the post, but here is a transcript

[Screenshot one]

Pazam:

What????? Why?????

I literally HAVE NOT been doing ANYTHING malicious to them

And if it did I apologized

Yes I do have discomfort about them but I keep it to myself

Why are you doing this????

[End screenshot one]

‘Them’ here refers to trans people in general. Notice the defensive and victimizing stance they almost immediately take upon being confronted about their feelings on trans people.

[Screenshot two]

elliott:

of COURSE you dont

sammaku:

Like specifically

Elliott hush

Pazam:

This whole concept of transness and changing your gender physically

I hate to say it again but it weirds me out and it makes me question my own gender which flings me into anxiety, depression, and obsession

sammaku:

Its fine to not understand but are you willing to learn about it

Pazam:

I don’t want to talk about this anymore

sammaku:

That depression anxiety and obsession just comes with gender issues

(the rest of the text is cut off)

[End Screenshot two]

notice once summaku asks them if they would at least be willing to learn about it, pazam immediately deflects it by saying they dont want to talk about it anymore.

[Screenshot three]

Pazam:

Seriously??? That’s all it takes????

Wow I’m a moron

I’m sorry for all the trouble I’ve caused to you

@.aziraphale @.elliott @.sammaku

I just don’t get this stuff period

And I’ve gotten into trouble with this stuff before

I’ll probably never understand it for the rest of my life but I’ll try to be more tactful around y’all

Especially since you’re all young

And I’m like an adult

[End screenshot three]

While at first this would seem like they had finally learned their lesson and apologized, the things they add on after the @s become quickly worrying. Not only do they admit to ‘have gotten into trouble with this stuff before’, meaning they have probably shown their transphobia in other places and been called out, but they also stand firmly on the fact that they will never understand it or ‘get’ it.

And of course, as jymble points out, the implication that the people they were talking to were only acting like that because they were young.

A while after this post was made, Pazam had posted an apology, and went onto contact jymble asking for the post with the evidence of their transphobic to be taken down. The reason? They were afraid people would see it and think they were still transphobic and not give them a chance.

In this more recent post, you can see the conversation play out between Pazam and jymbles. Long story short, Pazam feels that it’s unfair that that post is still up after they apologized, and jymble of course said they would rather not take it down, people deserve to know what they did and take their own conclusions, even if that involves avoiding them. How does Pazam respond? By flat out deleting the apology post. I’d love to show the apology post to give you both sides of the story but I cannot anymore, because Pazam in a very bizarre move just deleted it because they got mad a trans blogger wouldn’t take down their post with proof.

Here’s the transcript of the screenshots:

[Begin Conversation]

rebloggidy (Pazam’s personal):

I’m by no means transphobia-free after learning what I’ve done but at least I know my actions and am making an effort to be a better person towards trans people.

rebloggidy:

Hi again. So I hate to be that person but would it be ok if you took down that post about the transphobia claims? I know it took me 9 months to apologize but if people only see your side of the story and not realize the post I saw they’ll take it out of context and still think I’m transphobic. Do you understand?

jymble:

... i already told you im not taking down the post.

[jymble sends a screenshot of her own message in a previous conversation, the screenshot reads as follows:

however, i dont think im taking the post down, nor am i entirely comfortable with you interacting with me either. people deserve to know how you acted with this stuff, until youre really and truly *better* with it instead of just trying, and i was a direct target of it]

jymble:

you oughright told me "im by no means transphobia-free", word for word sorry, but i told you before. im not taking the post down.

rebloggidy:

I remember that. But what I'm trying to say to you is that if people who read it out of context will immediately think I'm still transphobic without the other side of it (my comment)

And I don't want people to think that in the future

jymble:

if people make assumptions without looking at the entire situation, thats on them

i am not deleting the post and thats final. people have a right to know what youve done, and they have a right to be uncomfortable

rebloggidy:

I'm ready to take down my post because frankly, I'm sick and tired of having to justifiy something that I did 9 months ago, and that people grow and learn even not 100% during that time and I'm ready to move on.

I'm still into smile for me and feel free to make a blacklist of my name so anybody who rbs my work on your dash can have it hidden or something.

Take care.

[End conversation]

a lot to unpack here, but perhaps most notable is when jymble simply stands her ground and tells pazam she wont take down the post, pazam straight up decides, without being told to or anything, that they should take down their apology. later on, they made a post stating why they deleted the post, and saying they had ‘been forced to’.

I also would love to link it here, but as of now of writing this, like, not even an hour or so after I had seen that post, it got deleted. The only memory I have of it is a conversation I had with my boyfriend about Pazam, in which I copypasted a fragment from that post that read:

“ So for those wondering where the apology post went, I was forced to delete it. I wanted to archive it in some way so I could pull it up for reference, but there was no way I could. Also I didn’t really want to see it every time on my blog because quite honestly it’s upsetting to look at.”

There are some lies and twisting of truths here. Pazam wasn’t forced to delete it, they decided they should do it as a way to somehow get back at jymble. And the excuse that it was upsetting for them to look at is just inexcusable, what matters most, letting people know of what youve done and that youre sorry, or just never addressing the situation?

But, well, I’m just hoping you’ll take my word for it. As you see, Pazam has officially deleted ANY traces of acknowledging this situation on their blog.

This worries me. If Pazam is truly as concerned that they will be seen as transphobic as they claim, why are they deleting anything that could give them a chance of showing their own side of the story?

Now, that is the end, for now, of Pazam’s history with transphobia. However! It is not the end for some other very shady things.

Namely, Pazam has consistently whitewashed characters from Smile For Me, specially Kamal, and when called out on it, simply deletes the asks.

Want to know how I know this?

I sent them an ask myself. I had come across this picture of Boris and Kamal:

And I knew that this wasn’t right. I can understand using light colors and doing watercolor, but if they can make Boris’ hair brown and vivid enough, why not Kamal? He looks like another character completely, or like he’s deathly sick! 

So I sent them an anonymous ask, perhaps a bit exhasperated, true, and my wording could be better. It went something like: “i am begging you to draw kamal with darker skin”.

I waited, checked. But nothing came of it. They never answered it.

Pazam flat out ignored when they were told they had drawn a canonically brown man with skin way too light. Not even a lone text post saying ‘hey anon, i dont agree with you’ or ‘hey anon im sorry it wont happen again’. Nothing. No word, no opinion.

And with this situation going on with them evading responsibility, I can’t say I’m fully surprised.

And, yet another thing. People had expressed concern over the fact they had drawn their Flower Kid, who is 17, in very intimate and close positions with Dr. Habit. It included nuzzling faces, cuddling in bed together, wearing his coat...

And they did hear the claims this time. As of now, their Flower Kid is 24, according to them.

Except... They do not look 24. At. All.

this is a 12 year old. at best. short body, stubby legs, big head. those are all attributes of a very young character, usually children. like, legitimately, thats how childrens anatomy is in real life. the younger the person, the bigger their head is in proportion to their body.

We have already had an adult trying to justify drawing their flower kid who barely looked like an adult if at all in intimate situations with Habit. Let’s not let it slide by again.

And yes, I’m aware Pazam claims that those pictures were not supposed to be interpreted as romantic, ‘only platonic fluff’ and that they intend to keep it that way, but I have talked to my boyfriend who is a survivor and he said it very well could be a case of someone just trying to cover their tracks.

BUT, all that being said, maybe this one particular instance could be just us being wary. Still, it does not diminish all that they have done, specially ignoring the whitewashing claims.

What you are going to do with this information, I do not know. Maybe you don’t care and will keep reblogging their content. Maybe you’re disgusted by them. But I’m just here to give you the facts. Personally though, I’m not willing to give them much of a chance after the way they’ve behaved. They are 24 years old, three years older than me, and I think I could do a better job of handling a situation like this, frankly.

[schraubd]

Rosa Diaz: The Face of Police Brutality

While it obviously is not anyone's top priority, many media observers have been wondering aloud about how Brooklyn Nine Nine will address the changing public perception of policing when it returns for its next season. Already, Terry Crews has suggested that several completed scripts have been scrapped as showrunners realize that they need to adapt. But it is going to be a very delicate line to walk. Since the show almost certainly is not going to return as a post office sitcom, it can't ignore the issue, or carry on as if the last few months haven't happened. Yet it probably can't do a full police abolition narrative, while if it takes a reformist approach it will be criticized for being too timid and out of touch. As much as I love the show, I don't know if this is a hole it can write itself out of. But as I've thought about it, I keep on returning to one potential plotline: Rosa Diaz gets kicked off the force for police brutality. Now before I go further, I want to make two things clear.

(1) I adore Rosa Diaz. She's possibly my favorite character on the show. She's a queer icon. Stephanie Beatriz is a treasure.

(2) Rosa Diaz is definitely the main cast character most likely to physically abuse a suspect. Her whole character is based on her being violent, aggressive, and hot-tempered. She literally jokes about committing police brutality in the show's second episode!

It's not hard to imagine the scenario. Rosa is chasing a suspect through New York City alleys. She has to jump over dumpsters and garbage, she's hot, sweaty and frustrated. When she finally catches up with the guy at a dead end, she's basically snarling. And so even though he's cornered and not a threat, she takes him down -- hard. Which someone records, and it goes viral. At this point, the squad divides. Jake, still hopped up on his childish notions on what it means to be a bad-ass cop, backs up his old friend from the academy; while Amy, in a new leadership position and more exposed to political fallout can't bring herself to defend Rosa's actions. Terry is sensitive to police brutality, having recently experienced a racist confrontation that nearly turned violent, and is surprised to learn that this is one area where Holt -- while not exactly approving -- is a man of his generation of cops, thinking that a rough take down of a suspect is business as usual and not worth getting riled up about. Hitchcock and Scully choose opposing sides for arbitrary reasons. Boyle is paralyzed by indecision. Jake seizes on the notion that if he can prove the suspect really was guilty of a crime, Rosa's actions will be seen as justified. He works the case feverishly until he eventually discovers that the man Rosa injured had some drugs in his apartment -- a triumph, until Amy points out the obvious so what? So what if the guy smoked a few joints? Does that mean he deserved to be abused? Is Jake really going with "he's no angel"? And so the resolution is not that Rosa is let off the hook, or learns a valuable lesson, or has the squad unite behind her. The resolution is that Rosa is fired from the NYPD (and, I imagine, written off the show). Does it have to be Rosa? Could it be a random Nine Nine beat cop we had never seen before instead? No. It has to be Rosa, because it has to be someone we care about. The problem of police abuses is misjudged if it's viewed as the product of a few sadists hidden from public view. Those people exist, but the larger issue is that police abuse occurs by men and women who are in other respects normal, likable, courageous -- people who do good things, have friends who care about them and who care about others, people who in other contexts may do good or even heroic deeds. The Florida cop who attacked a peaceful protester, the one with 79 use of force complaints in three years? He also stopped a suicidal woman from jumping off a bridge. I bring this up not as an excuse -- just the opposite. It is to hammer home the gravity of the problem. This is the banality of evil at work; we deceive ourselves if we think it is a problem that is restricted just to some anonymous snarling monsters. We have to get used to the idea that police violence (like all injustices) are perpetrated by people who look familiar to us. It has to be Rosa because it has to be someone who has already been fully fleshed out as a human, with the full array of human relationships and feelings and sentiments and history that humans carrying with them. It has to be someone we care about. Only that will give the issue the gravity it deserves. via The Debate Link https://ift.tt/383IVOi

[bonesgadh]

Each finalist’s pros, cons and key to winning the crown according to yours trully:

Jaida Essence Hall

Pros:

Talent

Jaida is an amazing performer, she dances, she sells her act, she is a very good designer and seamstress, she is polished, funny and overall a very complete queen. Most pageant queens who have been on the show are one-note queens, which is not Jaida’s case. Her looks are always on fucking point and she is simply gorgeous. There’s nothing else I can say about Jaida that hasn’t been said already.

Record

Only Gigi had a better track record than Jaida. She won three challenges and although she was in the bottom two once, she was always a good and strong contender.

Consistency

Gigi had a strong start but fell flat and Crystal woke up during the second half of the season, but Jaida was always a good queen (except for the second-to-last challenge). She didn’t really get a chance to put herself in the frontrunner position during the first half of the season because Gigi was dominating the competition, but she was patient and it paid off. It’s true that she failed at the one-woman show, but she quickly recovered and she proved it had been nothing but a slip. Ru likes stability, which can help Jaida’s chances.

Public image

Jaida is a very popular queen amongst her fellow queens and fans. She is charismatic, she has a likeable persona, she is an activist, she stands for diferent causes, and an altruistic queen is always a very good choice for a winner.

Cons:

Uniqueness

Although Jaida is a very talented queen her main style is something we have seen before, and one of the things Ru looks after in her winners is uniqueness, so that could play against her. 

Relatively slow start

Jaida won episode two, and after that she kind of fell into the background. Sh*rry P*e and Gigi won the next five challenges and Gigi’s domain of the competition didn’t allow for anybody else to shine, including Jaida. Her presence didn’t feel that much until after episode 8, when she started to win again.

Age

Ru is known for choosing young queens as winners. Raja and Bianca are the only queens above 30 to have won the competition, and that was because they were something else. Jaida is 32, which statistically speaking can affect her.

Snatch game performance

With the exception of Bebe (there was no Snatch Game in S1), Tyra (who had inmunity), Yvie (who was in the bottom two) and Violet (who was safe), every other winner has placed either high (Raja, Sharon, Bianca and Sasha) or has won the Snatch Game (Jinkx, Bob and Aquaria). Jaida’s impersonation wasn’t bad but it wasn’t memorable either.

Gigi Goode (honestly I don’t think Gigi stands a chance after her fuck up from yesterday. Not a single one. Even if her performance is flawless there’s no way Ru will crown her)

Pros:

Strong start

From the moment she entered the werk room you could see there was something special with her and with three main challenge wins by episode 8 she was the obvious frontrunner. At that point, you didn’t imagine any other queen taking the crown away from her. 

Versatility

Gigi is a very versatile queen, which is not very common. She is a skilled seamstress, she serves looks, she sings, she acts, she dances and she is an amazing performer. Her win in the Snatch Game proved she is quick-thinking and can be goofy, her win in the Ball challenge showed she is creative and skilled and she also did very well during the improv/acting challenges (World’s Worst and Gay’s Anatomy), which proves she is not a one-trick dog.

Challenges won

She won the Snatch Game which usually serves as the turning point of the season; it can either propel you to a frontrunner position or send you straight to the bottom. Like I mentioned above with Jaida, winners historically do good at the SG. She also won the Ball, another challenge winners have won (Bebe, Tyra, Sharon, Violet and Aquaria all won the Ball and, if you ask me, Bianca should have won it too).

On the other hand, no winner has ever won the Rusical/Lip sync extravaganza.

Performance skills

Although she didn’t have to lip-sync for her life she could benefit from the lip-sync for the crown format because she won two Rusicals and came very close to winning a third one, which proves she knows how to sell an act. Also she has already performed at the Werq The World Tour so she has an advantage when it comes to lip-syncing from her home.

Track record

Gigi has one of the finest records in Drag Race herstory. She won four challenges, a remarkable feature since she is only the third queen to achieve it (after Sharon Needles and Shea Couleé). However, contrary to Sharon and Shea, Gigi never placed in the bottom two—and Shea shared two of her wins with Sasha—. Tyra, Bianca, Violet, Sasha and Aquaria won their season without having to lip sync for their lives.

She rises up to the challenge

Gigi admitted she was not a particularly good dancer and struggled whenever she had to perform in a dancing challenge, but she delivered and excelled at them. Also during the Madonna Rusical she wanted to be cone bra Madonna but she gave up the part and still won the motherfucking challenge. I hate it when queens who don’t get their way just complain and throw tantrums and come up with excuses to justify why they did bad in the challenge, but she simply trusted herself and did and excellent job. 

Age

When picking the season’s winner, Ru leans towards younger queens. Except for Raja (36) and Bianca (38) every single winner won their season when they were less than 30 years old, and Tyra (21), Jinkx (25), Violet (21), Aquaria (21) and Yvie (25) were 25 or younger. Gigi is 22, which gives her a slight advantage against Crystal (29) and Jaida (32).

Cons:

That tweet and the controversy that came with it

For those of you who didn’t hear, yesterday relatively early in the morning Gigi tweeted about her excitement for the season 12 finale and she literally used the words: “I can’t breathe”, which was a horrible thing given the murder of George Floyd. 

Now here’s the thing: Gigi did what she did because she clearly had no idea of what had happened, which is worse than the tweet itself if you ask me. But then she comes with a long-ass statement to adress the issue and she only digged herself into a deeper hole. As a mexican woman I have experienced racism and I hate it when people just look the other way because they are acting from their own privilege, the privilege of knowing that the decision made by those in power won’t affect them, but the rest of us can’t afford to shut everything out or to blame it on our anxiety. 

Political issues were a big thing this season and the truth is you can’t aspire to become America’s Next Drag Superstar, a title that demands you to be politically and socially aware, and come up with excuses like: “oh, I don’t get into politics because I find them awful.” Gurl, when Aquaria came to Mexico a day after being crowned and I was lucky enough to see her, she adressed the presidential election that was happening the next day and threw shade at her own country. She had no reason to know there was going to be an election but she encouraged us all to vote because we needed our voice to be heard. She was the same age Gigi is today and she was never in the need to use the anxiety card to justify her political ignorance, and although she has also screwed up many times before she has tried to educate herself because she is aware of her privilege, and I respect her for that.

I’m very sorry for Gigi, I’m pretty sure she ruined her chances of winning which is a shame because I don’t think she is either a racist or the devil with human form, she made a terrible mistake and I hope she learns from this and bounces back. She owes it to her fans and to herself to do better next time.

Lost momentum

By episode 8 she had won three challenges but things went south for her after that, which allowed other queens to rise (especially Crystal and Jaida). She went from a 10 to a 6.5 in three episodes and it was painful to watch, and although she bounced back to win the final challenge the truth is she lost a ton of momentum, which can really hurt you during a competition as tough as Drag Race. You can’t allow yourself to lower your guard.

Uniqueness

Just like Jaida she is not a particularly unique queen, and one of the things Ru looks after in her winners is uniqueness. Although she is very versatile, her main style is something we have seen before. Personally she reminds me of Aquaria, although if you ask me—and here’s where a probably unpopular opinion quicks in—Gigi has a wider range than her. There are also traces of Raja and Violet, so that could play against her.

Self-sabotage

Gigi showed she can laugh at herself and be goofy, and given her good performances at the improv challenges and the snatch game I was surprised to see her fail the way she did at the commercial and debate challenges. Her performance at the one-woman show was “fine” and her make over challenge was mediocre, which is kind of unforgivable for a look queen because you expect them to excel. Sometimes it seemed as if she was trying too hard, but my guess is after performing so well she thought Ru and the judges wanted more, and her fear of failing is what brought her to fail. She chose to put her silly side aside, completely forgetting Ru likes it when queens just let go and have a good time.

Crystal Methyd: She needs to bring her A+ game to the lip syncs. If she manages to channelize her charm and uniqueness into friday’s performance then watch out, because it won’t matter if she is not as polished as Gigi and Jaida. Ru will choose a queen with a heart over a pretty face, as long as said queen gives her all.

Pros:

Uniqueness

Although her style is similar to other queens, she injects her performances with her own sense of humor and fashion. It is always amazing when a “different” queen does good in the competition and it makes you root for her.

Attitude

Crystal is one of the most kindhearted queens to have ever been on the show. She is likable and has a heart the size of the world and she won over all of us. If there’s one thing I like about Crystal is she enjoys what she is doing and she is obviously having so. much. fun. It is not common for queens to have this approach to the competition.

Growth

No queen grew during the season as much as Crystal did. Period. The glow up she had was just impressive and extremely pleasing to look at and it makes you feel proud of her. She listened to the judge’s critiques without altering what made her unique and Ru likes that. No choice but to stan.

Storyline

I don’t really like it when fans talk about queens getting the “villain edit” or the “winner edit”, what I do think is queens have a storyline because Drag Race is a tv show after all, so you have to be able to see the queens’ journey from start to finish. Having said that, out of the three finalists Crystal has the best storyline. She is the underdog, the queen you thought was going to leave first, and she fought her way to the top against all odds. 

Age

Just like I said with Gigi, when picking the season’s winner Ru leans towards younger queens. Crystal is 29, and although she is older than Gigi she is the same age Bebe, Sharon, Bob and Sasha were when they won (okay Bebe was 28 but in order for this to work I’m gonna say they were all the same age).

Cons:

Talent

Like Ru said, charisma and uniqueness can only take you so far. Obviously Crystal is a talented queen (she wouldn’t have reached the top if she weren’t), but objectively speaking I think Jaida and Gigi are on a different level than her. She grew a lot, yes, but with her there’s still room for improvement while both Jaida and Gigi are already excellent. I see her more as the lovely runner-up than as America’s Next Drag Superstar.

Record

In terms of record Crystal is the weakest out of the three queens. She came close to being in the bottom a couple of times, she had to lip sync for her life once and it took her a while to warm up, but once she did she stayed in the top. However, her weak start could play against her.

Odd queen

I doubt Ru will have odd queens winning back-to-back seasons, especially since I think Yvie was a better queen than Crystal.

Snatch Game performance

Tyra and Yvie are the only queens who went on to win their season despite performing poorly at the Snatch Game, and although Crystal didn’t have to lip sync for her life she was in the bottom three.

[intersex-ionality]

What follows is a continuation of this discussion with @korrasera .I’m unclear on whether korrasera wants to continue talking about the matter, and that thread is itself extremely long. So, I’m making a new post to explore the matter further and explain my reasoning.

Brooklyn 99 is a magnificent show that portrays black men as wholly rounded, sympathetic characters. That portrays Latina women as diverse and intelligent. That portrays the exhaustion of being a Jew in a Christian society with grace and humour. That portrays the complexities and hurdles of queer life, without turning queerness into a tragedy.

All of these things are true, and all of them are good.

And all of this goodness comes from police.

The show consistently, relentlessly, presents police as good people who sometimes get caught up in a bad or corrupt system.

In fact, these police are so good that they can single-handedly counter the entire history of police violence in the lives of the people around them.

Let’s begin with Captain Holt’s husband, Kevin.

When introduced, Kevin is cold, passive-aggressive, and generally unpleasant towards the police his husband works with. This is portrayed as a terrible character flaw which he must ultimately overcome.

It’s revealed that his distaste for Holt’s coworkers is because for the last 40 years, they have been destroying Holt’s life and their marriage, through sustained, relentless bigotry, both racism and homophobia. But, you see, those were the bad cops. Good cops like the show’s main characters would never do something so horrible.

Therefore, Kevin's perfectly justified, and frankly, correct discomfort around police is a flaw that he needs to fix, and that he is ultimately able to fix when the good cops prove to him that, actually, those other cops were just some bad apples and there are good apples too (and please don’t pay any attention to the fact that bad apples spread rot so quickly through an entire warehouse).

It is only once he gives up his completely justified distrust of people who have been destroying his family for decades, that he is seen as a compassionate and caring character. Only once he accepts that Not All Cops Are Like That does he become the empathetic and kind character we see in later seasons.

There are people who believe, wholeheartedly, that because B99 shows that there are bad cops in the world, it cannot be pro-police. But, most people in the world don’t think all cops are good people, just that most cops are, and that when police violate human rights, they do so for a justified reason. A reason like imprisoning murderers or removing other, corrupt cops from the force.

The reasons that the main characters of B99 also always have for their actions. In the narratives of B99, when police violate human rights, they are always justified in doing so.

When Captain Holt makes a deal to help a mob boss, rather than facing any meaningful consequences for this action, his whole precinct joins together to cover up the deal. They do so by “ensuring” that the mob boss can’t do any harm to anyone. But, they nonetheless engage in a department-wide cover-up of police corruption. This is portrayed positively, as a coming together for the team.

The fact that the department reveals and overcomes other forms of police corruption on sere to prove that when these cops, the good cops do it, it’s justified. It’s righteous. Because they are doing it for good reasons, not bad ones.

When Holt and Jake take recording and observation hardware from the precinct without permission (this is theft, this equipment is stolen), and use it to trick someone into making a confession on tape, then use this recording as a bartering chip to get the criminal to do what they want, this too is justified narrative. They don’t have another choice! Besides, undisclosed recording is legal in New York (though, blackmailing people with those recordings is still illegal, and so is stealing police grades observation equipment, but don’t pay that any mind).

And just in case that early-season blackmail story-line wasn’t enough, the latest season ends with almost beat for beat the same blackmail story-line, except this time the recording equipment isn’t stolen. Instead, a confidential cell phone is illegally cloned and used as evidence to blackmail the chief of police into stepping down. But it’s okay for the heroes to steal the private property of a public figure because he’s a bad guy and they’re doing it for the right reasons.

And, if you’re already inclined to think positively about police, then, when in the real world you see someone do the same thing, you might be just that little bit more willing to believe that their justifications make up for it. Because, again and again, even on exceptionally progressive, well-crafted shows like B99, when the “good cops” engage in flagrant violations of human rights, they’re doing it for the right reasons. They’re working outside the law, but it’s okay because we can trust them to ignore the safety protocols.

Any time the narrative discusses the rightful consequences the main characters should face for these absurd miscarriages of justice, they are proven to have been right all along. Jake goes to prison for being a “corrupt cop” because he is framed by a much worse policeman. But the things he’s framed for are all things he has actually done. Breaking the chain of evidence, taking restricted materiel out of lock-up, keeping confidential case records in his home instead of in the records rooms. He’s “framed” in that we, as the audience, know he did those things for “the right reasons.”

And that gives people a reasonable doubt, when a real-world corrupt cop does all the same things, except he actually is doing them for the sake of corruption. Because we have been primed to see those actions as “technically against the rules, but only if you’re a bad guy.” And the cops on B99 aren’t bad guys. They’re the good cops! The progressive ones! The compassionate ones!

The ones who lock sex workers up in & make fun of them for having STIs. But it’s fine when the good cops do it, again and again, as a recurring gag. Because, hey, they’re diverse!

When Jake Peralta keeps a man trapped in an interrogation room for almost a full 24 hours without sleep or food and screams loud, relentless music at him, lies to him about what they know, threatens a young black man with jail time to force a confession out of him?

Sleep deprivation, isolation, exposure to loud noises, threats, all of these are forms of torture. But Jake’s right. The man was a murderer. And technically, those tortures are legal, so it’s fine. Jake himself, in the episode, talks about how it’s actually really fucked up that he can do all of these things. And then he does them anyway and is rewarded for it.

Again and again, the show says, “police malpractice and violence is bad,” and again and again, it tacks on, “except when our protagonists do it because they're doing it for the right reasons.” The thesis of the show could easily be described as, “police malpractice is a horrible crime that must be overcome., and the only way to overcome it is with more police malpractice.”

And that feeds directly into people believing that when the cops in their home town do something horrible, they were probably justified too. Because the police in their town are “the good ones” too.

This isn’t like anti-shippers with their proclamations that fan-fiction is making people think raping children is totally a good thing. As a general rule, it’s accepted in our culture that raping children is fucking heinous. Fan-fiction isn’t going to stand up in the face of that. In fact, it’s so accepted that actual science doesn’t stand up in the face of it (what a great time to remind everyone that most rape of children is not perpetrated because of sexual attraction but because of violent power-seeking behaviour, the same as any other type of rape, and pretending otherwise makes it harder to combat this specific form of rape).

The general opinion of policing in the US, however, is positive. The consensus of most people is that “most cops are good, it’s just a few bad apples who need to be thrown out before they rot the rest of the barrel.” B99 espouses that exact same message. It completely matches the general perspective of police in the US. And for people who already hold those views because they’re the dominant ideological framework? Shows like B99 reinforce them. For people who are on the fence, shows like B99 make supporting police even when they’re miscarrying justice and abusing human rights, seem normal.

Pretending that this unfortunate truth is just “overly simplistic” and an attempt to silence discussion is wildly misrepresenting the facts of the show, the fandom, and the way propaganda works.

Propaganda is biased media that influences other people to share those same biases. And while most of B99’s biases are positive, and most of its goals are laudable, the fact of the matter is, it’s a show where cops are the heroes. Full stop. There are bad cops, too, but the heroes of the show are the police. And their heroic actions are justified, no matter how extrajudicial or immoral they are. Their ends always justify their means, because they’re the heroes.

B99 is magnificent as a piece of representative media. It strives to make the world a better place!

It also does so by portraying cops as the ones making the world a better place even when they’re behaving immorally.

Both of these things are true, and in fact, it is the excellence of the show as a whole that makes it such compelling police propaganda.

ETA: For whatever reason, korrasera is now claiming that I blocked her so that she would not have the chance to respond to this post. That’s incorrect. I have not blocked korrasera, and she is welcome to respond if she likes, just as you all are. I’m happy to continue this discussion if you all like.

I misunderstood that post, but nonetheless, I’m open to continuing this discussion.