#for some reason this pose was like just not working for me

[kyxhiin]

Dad Marvel idea. (That I got from the captain Marvel fan group) Billy accidentally picks up on parental lingo when he's just trying to be there. And he can't help it when teens older than him see him as sort of a dad/parental figure.

Que him trying to keep it all together as he deals with traumatized teens as a traumatized kid. Like posing as a guardian figure for a school meeting of some sort (he always does it with himself, why wouldn't it work on the other Teens?..)

Batman asked Cap to go to parent teacher conferences, P.A meetings and all the other school stuff for his kids cause he got stuck up on a case that he NEEDED to solve(that's Tim's thing but whatever.)

And he's great at it, wonderful even. So that leads to all the other JL members asking for Cap to pose as an Uncle, Older brother, or any other sort of that matter.

That leads to him making life long enemies with the P.A moms.

Billy (in cap for wearing a suit that he was gifted from Batman for this reason alone.): Sarah, I thought I TOLD you to bring boiled potatoes not that *visibly wenching* potato salad for the class picnic. I thought I told you I WILL handle the cooking?

Some mom named Sarah: Oh, how silly of me. Well it's fine though, you saw how popular my potato salad was at the P.A meeting. Mr.Charles (fake name that so luckily happened to be C.C's)

Billy: Well! It was sure of a fight for the janitors to clean the toilets after? Wasn't it? Sarah?

Another one would be.

Billy: Oh, Heather's mom. How nice of you to bring those doggie treats for the Dogs, I would say you put verrrry hard work into them! (Feeding one of the cookies to Titus [Don't worry, he made sure that they were safe. Luckily she didn't add anything harmful to Dogs in them])

Heather's mom: Oh realllly? I wasn't sure if I was making it for Dogs or a human, it's pretty hard to tell with you?

Just so you know all of these are said in a very fake, condescending? backfaced tones. Plus a tiny add on as Billy pretended to be his own guardian for his parent teacher meeting.

Mrs. Smith: I'll have you know that, well Billy has been coming to school in interesting clothing options. I'm not one to judge Mr.Batson, but are you really letting your son go out like that?(Def judging him for looking homeless.)

Captain Marvel: I'll have you know that's the latest Fad between the little fellas. He's just following the trend that's outside of Fawcett! Well if you go to the new Gotham or new york city everybody dresses up like that. There's nothing wrong for my boy to follow modern fashion trends such as that.!

[midnight1nk]

So, this week's episode...

[Spoilers below cut]

save me SMG4 episode save me

(the following is my live reaction:)

moo-stache moo-stache moo-stache

why do I feel like Pedro's going to be here?

"bruh Pedro was just a one-time thing." they literally killed off Mickey, ANYTHING can happen

KAIZO YOU'RE BACK HI

OMG please tell me someone from the Team saw this fan animation and put it in the episode as a nod to the animator, that would be awesome!!!

btw great fan animation, go check it out if you haven't [link]

YAYYYY, c'mon Mario you gotta spend time with your brother :)

also I need to find a playthrough of this game while I work

whoops my hand slipped [*makes 4 say "I should've chosen the USB over you, 3"*] :)

Hey Shroomy :D ....oh *western spaghetti flashbacks*

like seriously, I can't hear that audio the same way again

helicopter helicopter (copter)

oh hey swag *he fades away* NOOOOOO

well, digging did (mostly, sorta) help the last episode

OMG HI HI HI MY SILLIES

Three, why are you here if you think it's stupid? unless... 🫵 🏳️‍🌈⁉️

it's giving "I'm only here to support my boyfriend's interests", like I'm starting to believe that they truly are dating behind the scenes

they're on a date, your honor 💙💜

and there they go bickering again smh /affectionate

I'd like to think that ever since Four drives a forklift, that's just his method of transportation. screw the car, we're taking this baby out for a spin :)

Mario, you need to be ✨forklift certified✨

sorry, just Three's gayass poses give me life

actually yeah why is the line not moving?

the boys :)

also that walk animation tho

HOW LONG IS THIS LINE?!

also c'mon Three, show us your dance moves :D

oooooh that editing i love that

THAT'S WHAT I'M SAYING

now that they've mentioned it, why are there so many conventions happening at the same time? hmmmmm *game theory theme starts playing*

SMG3: "Maybe they're lining up to go to your mom's house. That line's usually pretty long." DAYUM THREE

"the line doesn't end" ayo wtf????

shroomy, you've eaten mushrooms before and you had no problem with that

....it really is the end of the world huh

ONE WEEK LATER?!?!?!?

"there is no end" "the end will come" me, sitting in the corner: hmmmmmmmmm

whelp, it's confirmed, I kin Four now

Three's not going coo co crazy, he's just vibin' :)

THIS IS WARRRRRR

this whole fighting scene omg it's SO good!

....WOTFI? ok no :P

AWWW THAT WAS ACTUALLY SWEET DUDE

CAN WE PLEASE GET A HUG? FOR ME SPECIFICALLY?

.... yeah uh Boopkins, you're going to have to explain what the hell you mean by that

not that it's surprising, we've been through a lot. just another Tuesday (or Saturday in this case)

MY HEART CAN'T TAKE ALL THIS FLUFF

HUG HUG HUG

THAT'S MY BOYS

RAVE PARTY [*dances*]

....sonic, is that you? sorry, my mind is still in the sonadow generations phase so I can't unsee them

:O wait, Boopkins, what did you mean by that?

MARTY?!?!? WTF

SMG4: "Don't worry, Mario. There's one way we can fix this." Beat the shit out of him...? YEAH I KNEW IT HAHA

*explodes*

and congrats to samgagmincho for your art featured at the end credits 🎉

.・-: ✧ :--: ✧ :-・.

This was a fun episode, I loved it!! Seeing my boys is always a plus and I appreciate the return of some side characters. With how the world is right now, I really needed this episode. So, thanks Team, for keeping my spirits up.

I just enjoyed watching my silly little guys doing silly little adventures. Traffic is a nightmare so I don't blame Mario in the slightest. Anyway, 3 and 4, how was your date? /silly

Can we just talk about the animation? It was so good!!! You really see the quality they put in, especially in that fighting scene. I didn't expect MARTY of all people to be the cause of all this. I honestly thought it was going to be a gag of something harmless just being in the middle of the road for no reason (like a turtle or smth) and the Crew being like "ARE YOU FREAKING KIDDING ME?!" but NOPE, Marty was here and apparently A SORCERER?! I really shouldn't be surprised, what am I talking about here. And ofc the OG duo immediately beating the shit out of him is so fucking funny to me. He didn't die (I know that), but he's definitely going to be more relevant in the future.

...puzzlevision 2? ok I'm sorry

SMG4 show and jokes aside, I hope you all are ok. No matter what happens, we'll stick together. Don't give them the satisfaction that they want. You aren't alone, and we'll keep on fighting.

Going to be a Sonic fan here, Sonic 06 is famously known to be... augh. But there is a good moment with Shadow that I think is relevant now:

Mephiles (the villain of the game): "It's futile. The world will betray you. Why fight at all? Why risk your life for those who will persecute you later?" Shadow: "If the world chooses to become my enemy, I will fight like I always have."

Take care, my dear fellows, and I'll see you all in my next post!! Hmmm, there is "no end" [*game theory intro plays*]

[hestzhyen]

Chapter 57 Cope Posting

Not like this, dear void... not like this. The blessing/curse of Kagurabachi chapters ending in 7 being absolute banger cliffhangers continues and there is not enough copium in the world to get me through to next week. This entry is an absolute mess...

Let's start with practicing on the editor's comments again. Sorry if the colours are hard to read on brighter backgrounds, I live in Dark Mode as much as possible.

First page: ハクリが飛宗の転送に成功! そして- [Hakuri ga Tobimune no tensou ni seikou! Soshite-, Hakuri successfully transfers Tobimune! And then-] Last page: 座村, 漆羽… 事態は混沌へ… [Samura, Uruha... jitai ha konton he..., Samura, Uruha... the situation turns chaotic...] noting that the word used for "situation", jitai (事態), specifically has negative connotations (as opposed to 状況 [joukyou], which is neutral).

These comments are rarely more than fluff just to give the editors some presence in the work itself, so I don't take them as definite indicators of anything going on in the plot. But man. Man. "Bad situation" seems to be putting it lightly. I was ready to take you off the list of possible traitors, Samura! I was seriously going to do it! Whyyyyyyyyyyy

Chihiro and the Pink Menace

Fine, first up... school?

How does our cast stack up to the average student after getting home schooled in murder and cool action poses?

It was obvious to everyone that this arc would involve Chihiro learning about the unpleasant sides of his dad's legacy. So this is just a "hey don't forget" moment for us that also highlights how far removed Hiruhiko and Chihiro are from regular society. Those two (and Hakuri) should be in their last year of high school, complaining about homework or stressing about their future college/job plans right now instead of fighting to the death. Poor guys.

I don't want to presume too much about Hokazono-sensei's views, but I really like directly acknowledging that winners write history and so their wartime cruelty is often downplayed or re-framed as heroism. These kids and even Chihiro only know the revised version of what happened, not the truth of the matter.

Home schooled Chihiro confirmed! Kinda!

Anyway, some more John Plan Reveal. He wants Chihiro to learn the truth about his father's legacy and the impact it's had- that's why he hasn't been "harvested" yet. This implies that there's some terrible thing that could upend Chihiro's entire worldview to be learned. But we kind of already knew that based on everything I just said.

I hope this isn't a flag for John trying to convince Chihiro to join him. There are awful secrets that are going to be unearthed about Kunishige and the Kamunabi this arc for sure, but it's kind of a waste of our time to do the "oooh it was worse than you thought why don't you join us to set things right" rigamarole.

Obviously the Hishaku have some compelling reasons to do all this if they can get someone as loath to kill as Samura on their side to murk his war buddies. It's just never gonna convince Chihiro so I hope we don't get a moralizing yapfest to accompany John's outstretched hand. I trust the writing though! So far it's been almost nothing but excellence so... chill, me. Just wait and see.

I think that no matter what happens Chihiro will continue to forge his own path with allies who care for him at his side. He won't choose the government's path, or the Hishaku's, or even his dad's- he'll create something new. Standard stuff for a shounen series but I never get tired of seeing it!

Before moving on to the coping session, there's something neat in this scene that I want to ramble about:

Local yapper yaps while the guy listening to him literally overthinks

I'll use the JP version if I have to, but I like how Chihiro's inner monologue deliberately overruns Hiruhiko's speech bubble to show that he's not paying full attention while his thoughts are in overdrive. He's still partially listening but he's not quite as composed as he appears to be on the outside, which is confirmed by the close-up zoom into his stressed look with the sweat drops. Yet when we zoom out, he seems a bit more put-together like usual. He's still exhausted from yesterday, man! Really should have rested up... at least the author acknowledges it. (Forced bed rest soon? Hopefully?)

This is how Hiruhiko was able to get the drop on Chihiro. Chihiro's got a lot on his mind and he has trouble focusing, just like Uruha chided him for on the train. His resolve is unshaken but he's still prone to wavering in the moment as he tries to process things. He even misses the fist time Samura's name was mentioned! Clearly Chihiro needs Hakuri or Uruha or someone there to yell encouragement at the right time to stop him from getting lost in his own head. But he's got a lot to think about and work through right now, so it's understandable why he's so stressed out.

Poor Chihiro. He's coming to the conclusions that we, the readers privileged with having weeks IRL to ponder new information, came to long ago. The Master is not treated like a hero but a prisoner, and probably for very, very good reasons. Ones good enough to convince Samura to make a deal with the devil.

What Actually Happened?!

Not all the blades have themes from nature, it seems. Geisha offered many different types of entertainment to guests, from performing music to conversation to serving sake. So now we have the idea behind the name [Swaying Sake]!

First up to delay just a little longer: Kumeyuri power reveal! Seems to be based in some kind of performing arts aesthetic with the geisha that were conjured. Fitting for the guy who wears kabuki eye make-up right? ...And for the next bearer, who interrupted a kabuki performance to pick it up in a theater... I see you and your foreshadowing, Hokazono-sensei.

Fine. I'll admit it. The ending of the chapter makes it crystal clear that Hiruhiko is the new bearer contracted to Kumeyuri by having his origami butterflies come undone as he grasps the hilt in his teeth. Can't even hope it's another case of someone "borrowing" power like Kyora did with the Shinuchi of the bunch.

Magatsumi's the only blade that can be used by someone not contracted to it, hence the extra protections it needed.

So that means... yeah. Uruha's gone. Just like that.

There will be thousands of theories about what exactly happened to Uruha, why Samura made a deal with John, what the details of that deal were- we'll get the truth soon. I'm most interested in the reasoning that ties into Samura's sincere beliefs of killing being an evil act.

The burden of death weighs so heavily on him that he blinded himself in penance. But he's willing to let his own apprentice die -probably even kill him himself!- because of... what? What was so horrible about fighting with the Master and Kunishige's weapons for the good of the nation? What compelled him to help the Hishaku kill the remaining bearers and upend the peace they earned?!

Hey, Samura. Is it really so bad to be called a war hero while being treated like a prisoner in a comfortable government-provided jail facility? Is it so horrible that "alternative facts" pass for real history to bury whatever horrors you witnessed and possibly perpetrated? Is it truly awful to have people willing to die for you despite all the grave sins you've committed? That they're likely completely unaware of thanks to government propaganda and being too young to have witnessed the truth?

...I need those Seitei War flashbacks pronto.

*----------------------------------------------------------------------------*

Wait a minute. Jail? Even the friggin' onsen?

Yup! The Master's the only one being treated like a dangerous criminal outright, but the 慚箱 [sanso] are just dressed up prisons for the Bearers. The Kamunabi ain't even subtle about it.

慚 [san] - to feel shame 箱 [sou] - box

The government put these guys in specially-constructed (or repurposed) buildings officially referred to as "shame boxes" and told them they couldn't leave. Even the name given to one of them is a bit much! 国獄温泉 [Kokugoku Onsen] translates to:

国 [koku]- country/state/national government 獄 [goku]- jail/prison 温泉 [onsen] - hot spring

Gee, I wonder if Uruha was having a good time at State Prison Hot Springs?

That said, while there may well be some bitterness between the Bearers and the Kamunabi, it's not the main motivating factor for Samura. His is definitely rooted in how they all acted during the war and how guilty he feels now that they're promoted as heroes.

*----------------------------------------------------------------------------*

It looks like Chihiro's being summoned by Hakuri in the very last panel so we might get some perspective on Samura's reasoning next week. Probably no clear answers right away, but at least enough to see if he really was the one who killed Uruha and a bit of insight into why. And to see if Uruha's dead at all... I mean, if we don't see a body... let me be delusional, okay?!

I'm just not able to go all-in on believing Uruha's dead. But it's not because I don't think he actually is... it just doesn't feel real after spending weeks preparing to let go of Samura. Not to mention the tried-and-true tactic of baiting out strong emotions with implied character deaths.

Normally I don't take death foreshadowing like this too seriously in shounen series. I just wait to see if the author is faking me out or not before getting stressed (unless it's Hakuri, in which case I stress responsibly). But Kagurabachi is a series that lured the MC with a child's severed leg and showed two suicide attempts on-screen, one of which was horrifically successful- right in front of someone who was already traumatized too. Hell we lost most of the anti-Kuregumo squad without much fanfare back in the Sojo arc! Only actually showing a child being tortured on-screen is too much, apparently. This series is dark as hell when the author wants it to be and Uruha's death is probably another one of those times.

There's hope in me that Uruha can still come out of this alive just because I like him so much, but I want the author to follow through on his death when it's presented as such an ominously real scenario. All signs point to Uruha being a goner, so don't make it look iron-clad then say "nah" the next chapter with some technicality that we couldn't have known about until the reveal. I would rather lose Uruha in an unexpectedly painful way than be faked out just to get the reaction out of me, y'know? Don't toy with me. Commit to crushing my heart, dammit.

But, God... oh man. I fell for the bait and got stupidly attached to a Bearer in the arc named after killing them. I even knew bad times were coming because of all the levity at the start of the arc but still went on hoping nothing would happen so soon. Laugh at me, I deserve it. I probably helped this manifest by mentioning how awful it would be if Chihiro found out a Bearer died because Hiruhiko was able to contract with one of the blades. Saying "I crave the angst that will come from this situation with every fiber of my being" in a post tag was overkill. It's just:

Author: names the arc after assassinating the bearers

Reader: gets attached anyway

Author: assassinates a bearer

Reader: ╚(•⌂•)╝

Coping Theory

May as well put my two cents in on how it could have gone down while I'm here...

I wonder if he planned to die in the raid instead so it looked like an unavoidable accident, sparing everyone else from the carnage.

This exact sequence- the Makizumi talking about honor in death for saving Samura, and Uruha's words that the Bearer's lives need to be valued above others'- is what solidifies Samura's resolve. This man is filled to the brim with guilt and self-loathing (much like another swordsman we know). He cannot save himself, but... perhaps he can take some equally bad sinners down with him for the greater good. He's not only a mirror for Hakuri, but Chihiro as well- one's resolve to save no matter the cost to one's self, and one's resolve to go to hell for what they believe is right. That's how I'm reading this until we get his own insight on the matter, at least.

It's not a stretch to infer that Samura thinks the Bearers are better off dead in large part due to the powers they command and things that were done during the war. That's still a huge mystery to be unraveled but I mean:

Seeing the bare minimum of Magatsumi in action really drives home how horrific these "heroes" could seem out on the battle field doesn't it? No wonder the clone sorcerer described the Seitei war as "hell on earth". But the public has no knowledge of this. They only got the sanitized version fit for PR purposes and feel-good stories.

The Hishaku seem to be intent on dismantling this image. Perhaps that's how they got Samura on their side? Not sure how the current Bearers dying and giving the Hishaku access to that dreadful power is better than the status quo, but that's something that will become clear with more reveals about the ideology driving the group. Maybe Samura doesn't care so much about the rest of the world and just wants to do what's best for the truth that's been buried under nearly two decade's worth of secrecy.

As to what happened with Uruha... two things come to mind. One I think is more likely, and one I want to cling to until it's ripped away as I sob and beg for just one little bit of comfort.

Most likely, I think Samura and Uruha had an exchange about ideals and the value of their lives. Samura overpowered Uruha per the plan as the "trump card" and that was that.

In delulu land, I want Samura to have been double-crossed. As in he made a deal on the condition that the lives of the people he cared about would be spared, but of course Uruha couldn't be allowed to live. So the Hishaku ensured that he'd die there no matter what. It's a bunk theory since Mr. Hatshaku left once the situation turned against him... maybe incorporate some of the datenseki mind control stuff in there somehow? I don't know. Just let me have this until canon proves otherwise.

Hakuri and Chihiro, Though?! And Miscellaneous Questions

(Ch. 46) I'm not going to be okay for a while and neither are they.

Best boys are really gonna go through it no matter what Chihiro is summoned back to. They'll be in a rough way... not only did they lose Uruha and hand Kumeyuri to Hiruhiko, but Samura betrayed them all... oof. So much for proving themselves to the Kamunabi. They're going to get an earful and be set back in the "negotiations" big time.

No doubt Chihiro will put this burden on his shoulders too, even if no one could have predicted Samura's defection to the enemy. It's his dad's legacy that's causing all this strife right now. He'll be more motivated than ever to unravel the war's true history and I'll be right there with him hoping he doesn't push himself too hard or harshly. The son shouldn't be responsible for the sins his father committed before he was even born. But that's just like, my opinion, man.

Meanwhile...

"I'm still good for it," wheezes the guy with blood gushing out of his nose at an alarming rate.

Hakuri will probably blame himself too. Depending on how things shake out, it could be for anything from accidentally arming a traitor to seeing someone die in front of him again. There's a good chance he'll (temporarily) lose the thing that makes him useful too, so that'll be an extra layer of angst for him to deal with. What value does a broken tool that couldn't fulfill it's one purpose have?

I also wonder what prompted Hakuri to summon Chihiro away from Hiruhiko. He's kind of in rough shape to do it just 'cause he misses his (boy)friend. They have cell phones to communicate with so it seems a bit abrupt to summon him back without checking first. Hakuri's also not the type to impose on someone to protect him. Nor is he the type to drop Chihiro into the middle of a life-or-death situation without a sense of mutual understanding first. So there had to be some kind of pressing need. The timeline of events means he's summoning Chihiro right after Uruha was killed, so... more soulmate stuff maybe? Their souls call out to each other and resonate when they're in distress, after all (it's canon baybeeeeee). They're in perfect harmony and all that. Sorry for the shipping nonsense I just need any bit of fluff I can get right now.

So many questions that might not get answered...

What about the Makizumi? Will they defect to serve Samura? Or will they try to help get Hakuri to safety with the Kamunabi? Samura doesn't want to kill them at all so no matter what happens they'll live at least. Hooray an elite squad that didn't bite the dust... (I think they will choose Samura because of everything he did for them).

How did Hiruhiko know when Kumeyuri was usable anyway?! Was it some signal from his mystery supporter that was lurking outside the window? And who was that- did Worst Jeanist show up?

Samura's loath to kill innocents, but does Hakuri count as one? Would losing his sorcery be enough to count him as neutralized for the Hishaku's purposes? Was exhausting Hakuri the main reason why Hiruhiko sent all the forces to the temple in the first place?

Hiruhiko wasn't surprised to see Tobimune disappear, so the Hishaku probably know about Hakuri's power. Their mole within the Kamunabi should get a bonus for the turnaround time on learning that bit of info and sending it on. Unless John's playing 5D chess and knew about Hakuri's awakening and team-up with Chihiro before they even met the Kamunabi anyway... perhaps even orchestrated it too... that would definitely need a very good explanation.

Alright. Okay. Let's wait on tenterhooks together, dear void. No waterworks until they show the body, got it?

[sob]

[ruvviks]

– COMMISSIONS!

the pictures say it all but tl;dr my laptop died and i had to get a replacement and now i'm a bit short on money so i'm opening up commissions :]

– QUICK FACTS.

ocs only, won't do mecha / furry / explicit content but will do humanoid fantasy races / cyberware / mild injuries or blood

i reserve the right to say no to a character when it's too far above my skill level

payment up front through ko-fi, no refunds, dm me before paying because you'll need to claim a slot first!

i need visual reference(s) to work with, using picrews for this is fine, encouraged even if you can't provide me original artwork! i refuse to use a/i art as reference so please don't send me that

– I'M INTERESTED! WHAT NOW?

please dm me on tumblr and tell me what kind of commission you're interested in (sketch / lines / colors + head / bust / half body) and for which oc, preferably already with a link to some visual refs so i can take a look :]

i'll then let you know if you've claimed a slot; if so, we can discuss details + payment and i'll get started! if all slots are full i can put you on a waiting list and i'll notify you once i've worked through my queue :]

the finished piece can in some cases already be done in a day but may take up to a full month depending on how busy i am and if my brain allows me to work, i have executive dysfunction and am in the middle of my graduation project so please be patient with me

ko-fi: ko-fi.com/nuclearvessel

– WHAT YOU'LL GET.

digital artwork of your oc :] you won't receive any physical goods!

you're allowed to post it wherever and use it for icons and such, as long as you don't take credits for the art yourself. you are not allowed to sell it or use it for n/f/t or a/i purposes

[gardeninggraves]

watching a reaction video for encanto and immediately exiting out of it when they dont understand isabela as a character and tear her down the entire time during her song is self care

[sundial-bee-scribbles]

Also the ragdolling would probably end with the Piko in question a partially broken mess on the ground BC they weren't made to withstand drops -🌟

NOOOOOOOO HSKJGHK

I MEAN MAKES SENSE BUT HSKDJHGKJ NOO

[gender-euphowrya]

idgaf i nailed this character creation shit

[societysonlooker]

If you're driving on a two lane road and the road ahead of you is empty and the road behind you is a line of cars, please know that you are in fact the problem, and you really need to pull over and let them pass you. My commute is 30 miles of 2 lane roads on either side of a 20 mi highway stretch and yall fuckers make ny commute vary by a magnitude of twenty goddamned minutes. Not a single one of you is doing the speed limit (it's 50 the ENTIRE way, yall do 35-40). When I already log 3 hrs minimum on the road everyday I really don't fucking need it to climb uo to four hours. And no, I can't just move closer to work, because housing crisis. You can drive whatever speed you want to but for the love of God do me the courtesy of allowing me to do the same.

[keeps-ache]

it's an orange-and-salt kinda 6 a.m. :>

[kerink]

i want to talk about this idea the fandom has that curly didn't do anything to help anya. the fact of the matter is, curly didn't do anything to help anya on screen.

when we first join the conversation, anya's already told curly about the assault and is just updating him on her pregnancy status. we're never privy to what that first conversation looked like, what anya said or how curly responded or what decisions were made about it. but given that anya confided in him twice more about the situation (that she was pregnant and later that she had told jimmy), i have to assume his response to the initial assault disclosure was sufficient enough in her eyes that she knew she could continue confiding in him.

this exchange reads to me like "what to do about the assault" has been an on-going conversation between them, but curly has limited options to help her. but if he could figure out something to do, he'd do it.

let's look at the options available:

report it to HR. i don't think this option is very viable for a few reasons:

first, pony express doesn't seem to care about its employees. there aren't locks on their bedroom doors, there's only enough food and oxygen to get them from port to port with no emergency allotment, there are more crew than cryopods, they're not allowed to sleep for more than 5 hours a night, etc. i don't think they would have done anything to support her even if they had reported it.

HR may even blame anya for the assault, they may say that it happened because of something she did or did not do. it's her responsibility to take, not theirs.

second:

(thank you to @mudstoneabyss for pointing this one out to me)

curly needs this money because he's considering changing careers, which is likely to result in a pay cut or some amount of time job-hunting without income. swansea has a family back home he needs to provide for. it's daisuke's first year on the job and what a piss-poor welcome a pay cut would be, and he's an intern so the pay cut may be all or most of his salary. jimmy is living in poverty. anya has no savings.

it's entirely possible anya asked curly not to file an HR complaint not only because it would make her financial situation worse, but because she doesn't want to ask him, swansea, and daisuke to literally pay for jimmy's actions.

third:

even if curly did file an HR report he may have been told to do nothing. it's a long trip and they need all hands on deck to make the delivery on time! productivity over employee welfare. it's his job to keep the peace but keep jimmy working.

given how much stress curly's shown to be under, it can be assumed being captain is an extremely taxing job with a lot of both assigned duties and off-book duties. it may not actually be feasible to run the ship without a co-pilot.

maybe all he could do was talk to him.

2. go to the police. are there even police in space? i have to assume so because the alternative poses way too many questions. so there's space police. curly and anya call them and they come to the tulpar and dock on the ship and do an investigation and what happens to that limited food and air supply? the late delivery fee?

i'm a psychologist and my first psychology job was working as a crisis counselor for my county. my primary job was to sit with rape survivors as they had their rape kits done and support them as they made their reports to the police. this may not be true everywhere or across the board or in this dystopia but in my experience the police won't take a rape case seriously, or will have limited options to prosecute, or maybe won't even take the case at all without a rape kit.

so curly and anya call the police. they're going to have to file with HR too, to let the company know what's going on. and now anya has to pay for an HR complaint, a late delivery, and a rape kit.

is she going to get this paycheck at all?

3. curly acts on his own accord. this is the one that makes the least amount of sense to me, personally.

if curly just beats the shit out of jimmy then what? now jimmy's mad and embarrassed and takes it out on anya. we're going to confront him and risk making her suffering worse?

curly can't lock jimmy in his quarters for the duration of the trip not only because, as i said, maybe having a co-pilot is necessary for the ship to operate, but there are not locks on the doors.

curly can't lock him in the cargo hold because a) pony express would probably be beyond pissed off about that and who knows if the crew's pay would get docked or curly would get fired or if dragonbreath would sue them all for property damage and contamination. b) how do we get food and water to him? let him go to the bathroom? we open the doors and he busts out and who knows how violent he'll be then.

curly isn't going to kill him because a) that's one of his oldest friends, and i don't care what he's done or how angry curly is or how badly he wants to help anya, i really don't think it's realistic to think he'd be able to separate the anger from the love enough to end his life. b) it's cold-blooded, premeditated murder. it'd be one thing if curly caught jimmy in the act and killed him in defense of anya, he could maybe get away with that. but after the event is over? curly's going to jail for that, possibly for the rest of his life. if you worked at the post office and a coworker told you your best friend since childhood raped her are you clocking out and going to his house and killing him? it's not reasonable. i'm also just really floored how often i've seen this option brought up on the "prison reform abolish the police no matter how bad you are you still deserve human rights" website.

i also don't think it's reasonable, realistic, or kind to ask curly to act on his own accord without consulting anya. for curly to go against her wishes or act without her consent, that's further taking agency away from her. that's another man deciding what happens in her life. even if curly wanted to beat jimmy up or lock him away or kill him, maybe anya asked him not to.

so i ask, what was curly supposed to do? what did he and anya explore as options? what did anya ask him to do? we don't know and we'll never know. and that was intentional on wrong organ's part.

i don't say any of this to discount or discredit conversations or explorations or analyses about the role The Boys Club, toxic masculinity, and bro culture play into the plot, themes, narrative, or personal take-away players have. i fully 100% agree with, support, and endorse those narrative because despite everything i just said above, it's also true that curly is partially responsible.

it's true that he was irresponsible and an enabler for helping jimmy cheat on his psych exam, but there's no evidence at all that he's a conspirator to sexual assault and abuse, that he was going to cover for jimmy in a court of law. all he said was they would figure it out, and that could mean a whole lot of things.

i think curly has some percentage of the blame for what happened on the tulpar, i just don't think that percentage is as large of a number as a lot of people seem to believe. i'm not asking that we forgive or apologize or absolve curly, what i am asking is that we try to look at the situation with more nuance and empathy and good faith.

i don't think curly was a bad man or a bro who was ignoring anya and covering for jimmy's actions. but i also don't think he did enough to help her. he was never good at seeing the small details amongst the larger picture. he couldn't see jimmy for the dead pixel he was.

i think curly was sleep deprived, possibly under-fed, definitely overworked, and juggling too many balls with not enough options. i think he made the wrong choice, but i think he thought it was the lesser of the evils.

[starlightsalvatore]

hunger / damon salvatore x reader

i'm back !!! I needed to write a damon one-shot while I work on a new fic and this just tumbled right out of me lol

hunger / damon salvatore x reader

word count: 3.1k

warnings: everything??? drinking, swearing, blood sharing, oral (m and f receiving), unprotected p-in-v, a tiny bit of degradation?? this is self indulgant filth, seriously 18+ mdni

You ran a hand through your hair as you walked back and forth, unsure of what else to do with the restless energy surging through your system as you tried to fight one of your most basic, primal urges… hunger. Your fingers drummed against your thigh as you tried to focus on anything else, find something in your brain worth occupying your mind and switching course from the visuals running through your head. Your recent transition had been a shock to everyone, and Stefan had you on a tight leash to keep you in check… and you’d been on board, at first. You never wanted to cause harm, to be the reason someone else’s life ended, but with the itch in your veins threatening to undo you completely you couldn’t really find it in you to care anymore.

You heard your door push open and your head snapped up to see Damon walking in, two glasses and a bottle in his hand with an unamused expression, “if you don’t knock it off I’m going to have to replace the floor,” he said, setting everything on the dresser before pouring two generous cups of bourbon. 

“Not now, Damon,” you sighed, ignoring him entirely as your feet remained on course.

“Wanna talk about it?” he asked and you shook your head.

“Not really,” you said as he shoved a glass in your hand, his eyes telling you to drink which you did… all in one gulp and he was a little surprised as he took it to refill. 

“Well, something’s gotta give,” he replied as you finished the second as quickly as the first. “At this rate the bottle will be gone in a minute and I’m not replacing original flooring.” He gripped your shoulders, halting your movements and you huffed, looking up at him.

“I’m hungry, Damon,” you said, as if it pained you to do so and he furrowed his brow.

“The freezer is full- oh,” he cut himself off, realizing that’s not what you meant as a smirk spread across his features. “You want your blood at 98.6,” he said and you rolled your eyes, pushing him off you.

“Will you cut it out?” You poured another glass, hoping at some point the alcohol would subdue your cravings but you knew that was about as likely as him leaving you alone, so you tried another angle. “I can’t… Damon, the blood bags aren’t doing it for me, I can’t think, I can’t sleep… will you please take me out?” For a moment you thought he’d say yes, revel in the opportunity to feed with abandon with someone else, but it wasn’t that easy.

“No can do, sweetheart,” he replied and your brows pinched. “I’ve got enough on my plate without you losing control and giving me more bodies to deal with.” He was right, there was too much going on and you spinning out wasn’t an option, but that didn’t make it any easier of an answer to tolerate. He gave you a once over, it wasn’t as if he didn’t want to take you out… he would have loved to, but you were new and he knew you could eventually get to where he was, one day you’d be able to feed and leave them alive with no memory of what had happened, but that day wasn’t today, you had a long way to go and he couldn’t afford to have you slip up.

But… he couldn’t afford to have you slip up. One look told him you were wound tight, the diet Stefan had you on was restrictive, never enough to fully satisfy, and the less you drank the tighter you spun, threatening a catastrophic snap he could only assume was looming on the horizon with how frustrated you looked right now. He ran through his options, knowing letting you sit in this hunger any longer would result in a much bigger problem, but the only thing he could think of posed another set of issues and would lead to him teetering on the edge instead of you.

He let out a sigh, closing the distance between you and plucking the glass from your hands to discard on the dresser and you looked up at him questioningly, the invasion of space catching you by surprise. His normally bright eyes were dark and swimming with something you couldn’t understand, deep blue pools you found yourself getting lost in as you waited for him to say something. “You need to feed,” he said and your eyes fluttered shut just at the thought.

“I need to feed,” you whispered and he nodded, catching your chin between his fingers and forcing your head back up when you tried to look down and the action had your breath catching somewhere in your throat. 

“You still haven’t felt it, have you?” he asked, voice low and you shuddered. “What it’s like to sink your teeth into something…” you shook your head, Stefan hadn’t allowed you to drink anything that didn’t come from a cup. “Poor thing,” he chuckled, he could feel the tension radiating off you in waves, you were practically shaking beneath him as you fought to retain your grip on your sanity, on your control.

“Damon,” you sighed, eyes pleading and he just smiled as he gripped your hand and brought it up to his neck, the pulse beneath your fingers driving you wild. 

“When you feed you have to be careful… if you bite just along here,” he said, dragging your fingers along the vein, “you can control the flow. It doesn’t have to be messy,” he explained and you couldn’t tear your eyes away from the subtle way his skin moved with each beat of his heart, the sight bringing the veins beneath your eyes to the surface, your fangs descending.

“Don’t fight it,” he said, noticing you trying to rein it in, and you were having a hard time focusing on anything with the way his hands were trailing up your arms, pulling you closer. “Go on,” he tilted his head just slightly, “give it a try.” he encouraged and this pulled your focus, eyes snapping to his as you tried to ascertain if he was being serious. You had a lot left to learn, but blood sharing was personal, and you knew that… but all you saw in those dark blue eyes was a fire simmering beneath the surface you were sure was a mirror image of your own.

You slowly reached onto your tiptoes, as if he were a deer in the woods threatening to startle and bolt, but the closer you got the harder it was to resist, anticipation burning through your veins at the prospect of giving in. Your fangs were tentative as they broke the skin just where he’d indicated, but the first drop of blood immediately made you feel dizzy and intoxicated… It wasn't enough. You quickly grew feverish, your hand wrapping around his throat as you surged forward, crashing into the wall behind you and he let out a grunt as his back collided with the hard surface, pinned in place as you fed.

“There you go… that’s it,” he said, leaning back as he relaxed and let you take what you needed. His arm snaked around your waist while a hand brushed the hair from your face, cradling the back of your head as warm blood radiated through your body. A soft groan fell from his lips as you drank from him, and the sound elicited an unexpected reaction from you, your hand tightening around his throat and your body pushing flush against his and despite everything in you telling you to continue, you forced yourself back knowing if you didn’t stop you’d bleed him dry. 

Your eyes were wild and satisfied as they met his, and he dragged his thumb across your bottom lip, collecting the remnants and you were almost surprised when your lips wrapped around him, ensuring you didn’t waste a single drop. His smirk returned when he felt your tongue slide across his skin, “better?” he asked and you nodded, keeping him in your mouth for maybe a second longer than you needed to. The air was charged between you, you’d just crossed a line in the sand and you wanted to push a little further, go a little farther… 

Part of him knew he should put an end to this… stop before it went any further. He knew it before he’d even offered up a vein for you, he knew as soon as he did he’d be teetering on this ledge and he didn’t have that much self control when it came to you. Perhaps, if he really analyzed the situation, he knew somewhere in the back of his mind why you’d been so worked up, he knew what you needed and instead of letting you wreak havoc on the blood cooler he let you push him against a wall and take what you wanted, he let you feed from him in the most intimate way he could think of. 

And when you were looking up at him like that, eyes mischievous and holding an unspoken challenge with his blood still on your plump lips, who was he to resist? Your chest was heaving with anticipation as you waited for him to do something, anything, and the movement was so fast you almost didn’t register his hand curling around your throat, flipping you around and slamming you against the wall with such force you were sure you’d be dead if you were human. Your gasp of surprise was swallowed by his mouth on yours, searing and frenzied as he connected your lips and kissed you with a hunger that rivaled your own only moments ago. 

You both fought for dominance, neither one of you willing to submit just yet but you were outmatched… he grabbed your wandering hands and pinned them above your head, grip so tight you whined as he kissed down your neck, biting into you the same way you’d done with him and you couldn’t help the moan that fell from your lips as he did. Your hips rolled forward and feeling his hardening length against you gave you the surge of confidence you needed to break your hands free, sliding down his chest to pull his shirt apart, buttons flying and clattering against the floor as you pushed the fabric over his shoulders. 

His lips were greedy across the expanse of your chest as he nipped and sucked the soft skin, tearing your shirt to shreds as he pulled it from you, a mess of fabric in your wake as you surged forward and pushed him into the wall opposite you, regaining your upper hand. Glass shattered on the floor around you as the force rattled the dresser but you couldn’t find it in you to care what had broken as your hands pulled his belt free, fingers quickly undoing the button as you sank to the floor and pulled his jeans with you.

His length stood erect in front of you and you were quick to take him in your mouth, focusing your tongue on his swollen tip as your hand worked what didn’t fit, and you couldn’t help but moan around him at the groan that fell from his lips, “such a good girl,” he cooed, his sweet words undercut by the harsh hand in your hair gripping and pulling you closer, forcing you to gag around him and the sensation had his head falling back against the wall. Tears sprung to your eyes at the sharp pain in your scalp and the way he was hitting the back of your throat, but all you could focus on was the throbbing between your thighs and he didn’t miss the way you clenched them together, desperate for friction. 

You were quickly on your back, too caught up in the moment to bother moving to the bed and you pushed glass aside as he settled between your legs, tearing your underwear off and diving in like a man starved and you could feel his smirk against you at your surprised moan, head hitting the floor as your back arched in pleasure. He switched between your clit and your entrance, not giving either attention long enough to give you what you really needed, and you whined as your fingers threaded through his hair, tugging harshly.

“Damon, please,” you sighed, hips bucking against his face and he focused his attention on your sensitive bundle of nerves, tongue expertly working you up as you shamelessly moaned his name. Somewhere in the back of your mind you knew with the way you kept slamming each other against walls and the floor, the breaking glass, and the sounds falling from both your lips someone might come to make sure you were alright, but you couldn’t find it in you to care… not when he felt as good as he did between your legs. 

Your moan changed in pitch when he slid two fingers into your entrance and it went straight to his cock, his head swimming as he watched you come close to falling apart above him. When he crooked his fingers just so your grip in his hair tightened, pulling him closer as you started to grind against him, “fuck, just like-” you were cut off by your own moan when he started massaging that spot inside you, legs trembling as you careened off the ledge. His touches remained merciless as pure euphoria surged through your veins, your head cloudy as your body trembled. 

“So fucking beautiful,” he muttered against you, kissing his way up your body and you tugged him closer to reconnect your lips, tongues swirling against each other as you tasted yourself on him. His hands felt greedy and possessive as they roamed over you, gripping tight enough to leave bruises that would heal before they even had a chance to form, and it was as if neither of you could get enough. You pushed forward, tugging him up with you and all but throwing him onto the bed and his smirk was devilish as he watched you crawl on top of him.

He looked like he was about to say something but you didn’t give him the opportunity as you kissed him, rough and demanding as your hips settled above his, hand reaching between you to line him up at your entrance and you both let out groans as you took him inch by inch. The stretch was sweet, filling you almost to your breaking point as you settled fully and started to roll your hips against him, shuddering at the feeling.

“Fuck,” he moaned as you started to bounce up and down, setting an unforgiving pace and you felt like you could feel him everywhere, every nerve ending radiating with fire. He sat up to wrap his arms around you, hips bucking to meet yours in a way that had your head rolling back and he took the opportunity to sink his teeth into your neck and you had never felt pleasure like this before. His hand was firm around your throat as your body shook with each thrust and soon you were boneless in his lap, only able to hold yourself upright as he drank you in. 

When he pulled back you licked along his lips, face changing at the taste of blood and he swore he’d never seen anything sexier. Neither of you was going to last much longer, not like this, and he delivered a rough smack to your ass that had you whining and rolling against him. “Oh my god,” you breathed out, letting your forehead fall against his and he smacked again, gripping the tender skin, “Damon-” you tried, but nothing would come out.

“What’s that, sweetheart?” he teased, gripping your hair and pulling you back to look at him, “oh, look at you… all cock drunk and fucked out,” he teased and you had nothing to say as a firm thrust had you seeing stars. You buried your face in his neck, fangs sinking into his skin as you felt your release barreling towards you, the mixture of blood and his steady thrusts too much to bear and a streak of red trailed down your body as you came, only able to shout his name as you cried out.

Your grip on him was maddening, pulling him right over the edge with you as you milked him for everything he had, and when you both slowed to a stop you were having a hard time catching your breath, your mind floating somewhere above you as you tried to return to your body. You felt his tongue along your chest, cleaning up your mess as you leaned back and he tried to commit the sight to memory… your hair wild, cheeks flushed, and skin dewy as blood lingered along your skin. 

You still weren’t fully with him, stuck in a haze as you felt him whisk you into his bedroom, and into the bathroom and it wasn’t until you were under the stream of water with him that you hummed contently against his lips as he kissed you softly, “there she is,” he chuckled.

His hands were delicate as they roamed you, and yours slid down the front of his chest as you looked up at him, doe eyed and happy. “That was…” you trailed off, unsure of what word to use to fully sum it up and he placed another soft kiss on your lips.

“Everything you ever dreamed of?” he provided and you laughed as you swatted his chest. 

“Hush,” you replied, feigning annoyance but you didn’t have it in you to feel anything other than bliss. The rest of your shower was spent with wandering hands and sweet kisses, a stark contrast to how rough and domineering you’d been with each other and when he pulled you into bed and wrapped himself around you, you looked up at him as your fingers trailed along his chest absentmindedly.

“What are you thinking about?” he asked, and you flushed slightly under his gaze.

“It was more than I dreamed of,” you answered, and he raised a brow in question. “I haven’t… I hadn’t done that since turning, I didn’t know it could be like that,” you explained and realization passed over his features.

“My god,” he chuckled, “no wonder you were wound so tight.” His hand on your back was comfortable, holding you tight against him as he rubbed soothingly, “we’ll go on a little trip this weekend,” he said as you rested your head on his chest.

“A trip?” 

You felt him nod, “away from all the chaos here… we’ll find you some warm bodies and I’ll teach you how to do it the right way, you don’t have to live a life of blood bags forever.” 

“I don’t know, you seemed to do the trick,” you teased and he laughed.

“Sweetheart, you have no idea what you’re missing.” 

[dawnslight-aegis]

and that's a wrap on my tarot series! the upright majors, at least. there may be others sometime in the future if I am seized by a combination of insanity and hyperfixation once again.

you might notice a few cards are a bit (or in the case of the fool and alternate chariot, a lot) different! I did a few retakes for consistency/style.

below the read more I've included a bunch of notes about symbolism and reasoning behind my choices if that interests you!

(tag for individual card posts)

0. The Fool: Ardbert was really the only choice for this one. He's our stand-in, our shard, our mirror. Feo Ul is included partially because of lore (they are my co-WoL's shard on the First) and also because they also fit the themes of adventure and new beginnings and exploration. Most of the cards I played pretty loose on the posing vs traditional depictions, but this one I wanted to hew a little closer, which is why he's on a cliff with a foot hanging over the edge a bit, with his axe standing in for the bindle. This is my second attempt at the card -- the first was in Il Mheg, but I moved it to Kholusia (Ardbert's home) and dawn to more closely symbolize that it's the beginning of something. Attempts: 2. Difficulty: 8/10, posing Feo Ul was annoying.

1. The Magician: This card could have had several subjects, chief among them Alphinaud or a more modern G'raha, but I settled on Alisaie a) because the other two cards I had in mind for her (Chariot and Justice) were already taken, and b) the card's focus on physical magic and depicting the "tools of the trade" reminded me a lot of Angelo's creation! So that's why she's here, and why I set the card in Matoya's Relict, among the tools of magicians who came before (Matoya, Y'shtola). I retook the shot because I was unsatisfied with the blurriness/the way the light covered her face in the first one. Attempts: 2. Difficulty: 5/10, simple pose but working with Impact's spell effect complicated things.

2. The High Priestess: Another that I never questioned who would appear on it. Y'shtola's arc is entirely about uncovering forbidden, secret knowledge and wisdom, so she fits beautifully. The blue-white orb and the purple staff depict duality between dark and light, and how Y'shtola walks in two worlds, seeing things that are beyond sight, standing before an altar/holy place to the Night's Blessed. Attempts: 1. Difficulty: 2/10. Premade pose, knew where I wanted to place her -- the only thing was finding a prop for her off hand.

3. The Empress: Hoo boy did Minfi give me some trouble. I knew that I wanted our Antecedent, who provides both authority and care for the Scions, to represent the Empress, but I struggled to find a depiction that wasn't, well, boring. Minfilia is deeply linked with the Solar, and I didn't want to lean too hard into Word of the Mother/Hydaelyn territory, so I settled on a triple goddess-like idea. Attempts: 3. Difficulty: 6/10. Not mechanically difficult, just conceptually.

4. The Emperor: Another one that I knew who I wanted but struggled with the concept. Haurchefant is very much emblematic of the stability, structure, and masculinity provided by the Emperor, but it wasn't until I decided to add his equally-Emperor-coded father that things settled into place. Together, Edmont and Haurchefant evoke the image of father and son as well as king and knight, filling both major male authority roles that the Emperor exemplifies. Attempts: 4. Difficulty: 6/10. Same as the Empress.

5. The Hierophant: this one was one of the hardest to choose a subject for -- the WoL's allies are largely a bunch of revolutionary firebrands, and I disagree HEAVILY with the popular choice of placing Aymeric here. So I landed on Alphinaud -- out of the Scions, he is the one most concerned with tradition and the "right" way to do things, with formal education and structure. He wants to bring Sharlayan into the modern day, not upend the institutions that raised him and that he very much still respects, much like how he still respects his very traditionally Hierophant-coded father. So I placed him in his family home with a sort of smug look since he can be a pretentious little shit sometimes (affectionate). The spell effect is from Kardia, and I paid special attention to having the shapes align perfectly with the lines in the background, to give a sense of stability and order to the shot, especially contrasted with Alisaie's more dynamic and chaotic depiction. Attempts: 1. Difficulty: 4/10, entirely in alignment.

6. The Lovers: Hrasevelgr and Saint Shiva are a great choice for depicting the Lovers as two people, but no one does the Lovers in one subject better than Ysayle. Invoking the spirit of a woman who died for love in order to bring harmony to her people, but it truly being her own power and her own choice the whole time... it's great. Her pose is her transformation/summoning pose, turned into a gesture of affection, which I was particularly proud of. Attempts: 1. Difficulty: 3/10, posing monsters is always a little funky.

7. The Chariot: This one has two options -- my co-WoL, Marz, and Tataru/Cid/Nero for the NPC variant. All 4 characters share a singular drive and refusal to let anything stop them once they've set their mind to something, and the 3 NPCs have the added benefit of being associated with a literal "chariot" in the form of airship design. Marz's place on Shadowkeeper has some lore associations (Cylva is her shard on the 13th) as well as being a void mirror to Kaede's sin eater shot. For both I wanted to have dynamic poses to evoke the activity of the card. Attempts: 1 (Marz), 2 (NPCs). Difficulty: 3/10 for both, no major hurdles once the lovely @/karoiseka pointed me at an airship in NG+.

8. Justice: The heart of the Justice card is its emphasis on truth, and no character in FFXIV is more committed to truth even in the face of great suffering than Aymeric de Borel. Because of this, the shot is taken at the top of the Vault, where he confronted his father over his concealment of the truth of the Dragonsong War. The card is usually depicted with a woman holding a sword and balanced scales -- Aymeric is holding his sword in a pose used in statues in the Pillars, and the symmetry of the shot/light and shadow split down the middle is meant to give the feeling of balance. Attempts: 1. Difficulty: 1/10. I knew my concept, location, and shader before I even went in, and it came out exactly like I wanted.

9. The Hermit: Originally I had Urianger for this card, who still fits well, but when I moved him to Wheel of Fortune, there was a clear second choice: The Exarch. He even resembles the Hermit, with his cloak and staff, holding himself in isolation and possessing secret knowledge with which he guides the party. G'raha has grown out of this role as of Endwalker, but the Exarch fits it to a tee. I wanted to show his longing to return through his body language and reaching out for the portal that shows him the world he is set apart from. Attempts: 2. Difficulty: 4/10. Nothing major but did have to do two entirely separate cards lmao.

10. The Wheel of Fortune: The one I struggled with the most, conceptually. At first I had a more abstract choice, with the 3 starting city state leaders and Tataru, in a sort of "fate leads to the Scions" idea. But then I remembered that Urianger is a fortune teller who uses a wheel-like weapon with a literal wheel of cards, and, well. Yeah. The man is intimately associated with fate and choice, and the choice to place him on the moon is intentional, to separate him from his more secretive depictions in HW/ShB. He is the one who prepares our second option (flight) while giving us the choice to make our first (fight). Attempts: 2. Difficulty: 7/10. He's up on a high ledge that's not normally accessible and that's always a pain in the ass.

11. Strength: The one that started it all. The original shot of Kaede contained some layer elements I wasn't happy with so I ended up retaking it to better cohere with the others. Strength is about confidence and inner strength "leashing" power, symbolized by the woman and the tamed lion, and there's exactly one good lion model in XIV -- Forgiven Cruelty. It also has the fun side meaning of Kaede conquering and wielding the light that almost killed her. For Moenbryda's, I went with something simple -- her axe to symbolize her strength, but with her archon mark and the Sharlayan Thaliak statue prominently featured, emphasizing her intelligence. Attempts: 2 (Kaede), 1 (Moenbryda). Difficulty: 6/10. Kaede's was straightforward enough (though I had to wait an annoyingly long time for the sky to shift colors correctly), but Moenbryda's involved me floating her up on a building so i could get Thaliak in the shot correctly.

12. The Hanged Man: Holy moly this one was a PAIN IN THE ASS. I knew from the minute I started this what I wanted to do with it -- Lahabrea holding Thancred's ankle as he reaches for Minfilia. The Hanged Man is one that I felt it was especially important to mimic the iconic pose on the card, and this was how I decided to do it, but it took me over an hour and a half to accomplish. Anyway, the Zodiark idol stands in for the Tree of Life, which I really liked. Attempts: 1. Difficulty: 10/10. Absolutely infuriating to have to pose 3 actors in three dimensional space like that.

13. Death: I only ever considered Estinien for this card. It stands for transformation and change, for shedding the old to make way for the new, and I chose to depict that by having his old corrupted drachen mail posed behind him like a shadow or an abandoned husk. He has left the hate and the rage behind, but the helmet is meant to symbolize that he always remembers it, and carries it with him so that he can do better. His lance is also vaguely reminiscent of the traditional Death scythe. That spot in Coerthas is where he challenges you in the early DRG quests while controlled by Nidhogg, as well as being just visually striking. Attempts: 1, but it took a while. Difficulty: 9/10. The ground is very much not flat, the helmet is on a minion, and I had to change angles and locations a few times.

14. Temperance: I briefly considered Hythlodaeus here, but Krile fits very well. Calm, competent, but unsure of her own worth. I chose Eureka Hydatos both for its importance to Krile as well as its easily accessible water -- instead of pouring from a cup, Krile is looking at her reflection. This one came together so quickly and easily. Attempts: 1. Difficulty: 1/10. In and out of Eureka in less than 20 minutes.

15. The Tower: Originally, before I reshuffled, G'raha was going to be the Tower simply because I didn't know where to put him, and I couldn't think of an ally who is ultimately a destructive force, but it always bothered me because he truly didn't fit. Meteion, though -- despite her innocence and unwillingness, is THE destructive force within Endwalker's story. This card had the highest hurdles -- I had to get 7 friends to help me queue for Endsinger and then leave, and I almost couldn't get my tools to load Meteion in properly. After that it was smooth sailing, however. I used the whole lockout timer, but this was only the 4th shot I took, and it's one of my personal favorites. Attempts: 1. Difficulty: 4/10, purely for queuing.

16. The Devil: Addiction, obsession, and control -- Zenos was the only answer for this card. I included Zero as well, despite intending this to be a primarily 6.0 and earlier set, to represent the humans bound in chains to the Devil, using the way she's pinned between Zenos and the scythe to symbolize that she's trapped. Afterward I realized this exact shot and character choice would have also worked quite well for the Tower, as well, but I ultimately prefer the Devil for him. Attempts: 1. Difficulty: 3/10. Came together surprisingly easily, despite the fact that I had to make Zero's hat touch pose myself.

17. The Star: Symbolizing hope and new life, I can think of no one better suited than Ryne and the Empty. Ryne herself was given her own new life when Minfilia passed on her power, and the ability to make her own destiny -- and she used that power to revitalize a barren wasteland. My first version of this shot had a photoshopped in central star, but I decided to revisit the concept with an in game effect for the star instead. Helios provided what I needed, with the fun extra benefit of some additional rainbows (happy pride!). Attempts: 3. Difficulty: 3/10. Nothing crazy beyond trying to find a good angle to get the star in the shot, as well as Eden and the rainbow crystal. Second attempt I messed up the framing and had to redo it again.

18. The Moon: The card of dreams, fear, anxiety, and secrets, Gaia is perfect here (and a lovely companion to Ryne as the Star), though I did briefly consider Urianger as well. I wanted to have Gaia on the sand, with the moon hanging between the crystal walls of the Empty above her, but the angles would NOT cooperate to allow me to get the moon in the shot. So, levitation was the only answer. Fortunately it suits Gaia well, especially the distance that it evokes. Attempts: 1. Difficulty: 6/10. I hate midair posing.

19. The Sun: Another card that sprang fully formed into my mind. Joy and fulfillment is symbolized by Lyse enjoying the morning light in a free Ala Mhigo, thinking of Papalymo. It also allowed me to get both of these very different characters into a single card, as they are very much a package deal, though I did consider Papalymo for the Hierophant as well. Attempts: 1. Difficulty: 2/10. Came together very quickly.

20. Judgement: The last two cards of the Major Arcana are very high concept, with very lofty ideals, so they felt hard to pin down. I thought of doing both my WoLs here, or maybe Elidibus with his three forms for light, dark, and balance. But ultimately I ended up on Emet-Selch and Hythlodaeus, as the sort of "final judgement" before the battle with the endsinger, the last step before everything ends. Their literal rebirth, the resolution of Emet-Selch's conflict with the WoL, the not-redemption but understanding reached, our efforts judged worthy -- it all just seemed to fit. The card design is simple but I hope the colors and emotion of the scene carry the weight of the arcana. Attempts: 1. Difficulty: 2/10. No major roadblocks.

21. The World: At last we arrive at the end, not only the last posted but the last taken as well. I always knew I wanted Venat/Hydaelyn for this card, as she is the literal heart of our world, as well as an Azem who has reached the end of her journey, as Ardbert was one who was at the beginning of his all the way back at the Fool. But when I didn't use Elidibus anywhere else, I decided to add him here as well, since he also served as the heart of the star for a time. Light and dark united together, watching over Etheirys. The one who destroyed our world in order to save it, and the one who saved our world only to try to destroy it. Perfect symmetry, a completion of the circle. Attempts: 1. Difficulty: 9/10. I had to stitch together 3 separate screenshots in photoshop, with the fore and backgrounds cut apart so I could control the opacities separately. Probably the card that took me the longest, but it was worth it.

[psychoticallytrans]

There's this idea, fairly common in society, that mental illness is for teens and up. Children are happy little creatures, generally, right? Sometimes they're abused and the trauma can make them mentally ill, but that's not common.

There are two fundamental problems with this attitude. One, it's incorrect to assume that trauma is the only reason a young kid can be mentally ill. Two, trauma is more common than people think. I'll be covering the first problem in this post through the lens of my particular experience.

Where I live, you can be diagnosed with bipolar disorder at 18 years old. You cannot be diagnosed with bipolar disorder as a minor. This poses a problem because my age of onset was in first grade, roughly six years old. Because of the fact that I was very young and new to the world, this was also the age of my first suicide attempt. Thinking I wouldn't be able to pass a spelling test genuinely felt like something worth trying to die over. So, I ate some hemlock, since I'd read about Socrates being killed with it. Luckily, I ate western hemlock, an unrelated species, and just felt kind of sick.

I'm not recounting that for fun or pity. I'm recounting it because children with mental illness are in genuine danger because they have little to no experience with managing their emotions, have little to no concept of the idea that their life can change and improve, and are dismissed by adults. I told a teacher that the test made me want to die, though not that I'd attempted to, and it was brushed off as little kid hyperbole. If I had used a method that was effective rather than one I thought would be, I would have been dead at six years old.

I would not receive medication that worked even a bit for another two years. I would not receive treatment for bipolar disorder specifically for ten years, and that required my PCP fudging the reason for the medication because she was afraid I would die if she didn't, and diagnosis was still two years off at minimum. I received a formal diagnosis at age 19, thirteen years after onset.

But surely that's uncommon, right? This story is a huge edge case, right? I actually have no idea, because age of onset and age of diagnosis are massively conflated for most disabilities. Policies like the one in my area that restricted bipolar diagnoses by age can artificially raise the age of "onset", in my case by thirteen years. The general idea that children are somehow immune to mental illness can also delay diagnosis by several years, perpetuating the idea that young children can't be mentally ill. The data on when people start experiencing mental illness is inherently skewed upwards, and I frankly don't have a good estimate on how bad that skew is. If anyone does have that data, please chime in.

Listen to children. If they're saying they're sad all the time, that they don't care about anything, that they don't see a future for themselves, those are signs of depressive symptoms. If they say that tests make them feel sick, that they can't do anything because they're scared, that they can't breathe and freeze up, those are signs of anxious symptoms. Many children talk about imaginary things, and that's just fine, but slip in a question or two about them to make sure that the kid is just playing, and not experiencing psychosis.

Children are new to the world and vulnerable, and they don't know what's normal and what isn't. They need people who are more experienced watching out for problems they might be having, and listening when they talk about having problems. If you can, try to be the person who perceives them, and tells them that things can be better.

[readwritealldayallnight]

Learning

Simon ‘Ghost’ Riley x Reader

wc: 1k words

warnings/tags: fluff

“Said it would’ve made too much of a mess. Waste o’ his money.” Simon says, slopping another spoonful of pumpkin guts into the large bowl in the middle of the kitchen table. Your usual table cloth has been switched out with an array of this weeks newspaper, the black and white print covered in the sticky remnants of your idea of fun on a Friday before Halloween.

“Not even one?” You attempt to pose the question casually, hoping to disguise the sadness in your tone, concealing the way your heart breaks at the thought of a young Simon Riley having never carved a pumpkin, his father not even allowing him to partake in that simple tradition so many others enjoy.

“S’alright, lovie.” He says, seeing right through you and recognizing the hurt you hold for him, an indication of your longing to only see love and joy in his life. If only you knew that’s everything you give him. “Did watch a mate o’ mine shoot his pellet gun at some pumpkins one year, if that makes you feel any better.”

You roll your eyes at his attempt to make you laugh, digging your spoon a little harder into the sides of your own gourd as if it were the one to have wronged you.

“Well then I’m glad I ignored you and got them anyways.” You declare, giving each pumpkin a loving little pat on its side. Simon had told you outside the grocery store, seeing your eyes land on the bright orange displays outside the shop, that they weren’t necessary.

But the both of you knew he would never deny you anything you wanted, and so he ended up carrying the two large pumpkins under each bicep and to the car himself, not letting you lift a finger.

“How’s the inside of yours looking?” You ask him, coming around to his side of the table, affectionately running a hand through the strands of hair at the base of his skull, glancing into the pumpkin he tilts in your direction for you to see. You can feel a shiver go through him at your touch, a soft sigh leaving his lips.

You’re glad he’s home with you, where he can relax, allow his biggest stresses to be his girlfriend ogling his arms as he carved open the tops of pumpkins and gutted them with efficiency.

“You’d have to tell me, love, but I think that’s as empty as it’s gettin’.” He emphasizes by tapping his spoon on the side of the sphere, listening to the dull, hollow echo it gives.

“Looks perfect. Nice work, Simon.” You tell him, planting a quick kiss to his cheek before hopping back over to your seat, leaving him looking a few shades redder than before. “Know what you’re gonna carve?”

“It’s- it’s just a face, innit?” At your question, Simon finds himself pausing. He might have had a different childhood than most, but he wasn’t daft, he knew what a jack o lantern was supposed to look like. Carved eyes, a wicked grin or large frown, sometimes even a nose in between them both.

He didn’t consider himself to be a crafty person, but he’d been a butcher for crying out loud, he could carve some shapes into a pumpkin until it resembled a face, no problem. So why are you asking him about what he’s going to carve.

“Well yeah, that’s the go to, for sure. A classic.” You reassure him, noticing the slight tension returning to his shoulders. “You can carve a face, my love. Some people just do different, they get creative with it.” Shrugging, you grab the marker you’d set aside, beginning to map out the lines for where you plan on carving your own design. You’re distracted, eyes darting between your sketching and your phone where you’ve got the inspiration photo pulled up for reference.

You don’t notice Simon’s eyes squinting ever so slightly at you before darting to the pumpkin in front of him. ‘Get creative with it’? Is that what you’re doing? Is that what you’re expecting him to do? Hoping he’ll do? He glances over at you again and notices you’ve got a bloody reference photo and everything??

He finds his cheeks beginning to burn for a different reason now, feeling stupid over not realizing you could carve more than the standard jack o lantern faces as a tradition. Obviously, you can carve anything you want into a fuckin’ pumpkin, he just didn’t know, he hasn’t done this before, and now he’s gone from feeling almost confident to worried he’s about to make a fool out of himself over something as childish as this.

“Simon.” You say, always more in tune with him than he realizes. “It’s okay, carve anything you want. I’m excited to see what you make.” You smile warmly at him across the table, a small socked foot going to nudge his ankle as well. “Believe it or not, this is supposed to be fun.”

He scoffs at your joke but doesn’t fight the smile that etches onto his face in return. He accepts your distraction when you ask if you should put on some music in the background, walking towards the record player. As he flips through the stack of vinyls, he thinks about just that, what he could possibly carve into that bloody orange sphere sat on his kitchen table, that would be fun.

Searching through any memories he considers as being ‘fun’, he finds a common factor: you. And there’s one more reoccurring element sewn into the fabric of those treasured memories as well: your laughter.

With that in mind, it’s actually quite easy for Simon to decide on what he’ll do finally. And almost an hour later, after you’ve put your blood, sweat and tears into your own pumpkin carving and deciding that the results ended up being just meh, Simon has decided that he’s undeniably the winner of the evening when he spins his creation around and has you nearly crying with laughter, insisting between wheezed breaths that he’s going to make you pee your pants, only leading to Simon’s own laughter bellowing out.

Not too bad for his first time learning.

~~~~~~~~~~

(The kind of pumpkin I’ve decided Ghost would carve 😂)

[luveline]

Hi!!

Could a please request Peter Parker x reader where they’ve been together for a while and discuss family planning? Like they want to start a family together but both have anxieties for different reasons with Peter being Spider-Man and just general nerves at this being a big step and they comfort one another?

If you get round to this then thank you!!!

thank you for requesting! fem, 1k

“But you’re Spider-Man.” 

Peter doesn’t know how you ended up like this, his face at your feet, his feet past your head in his pillows. Your toes wiggle in your socks unthinkingly. 

“I’m Spider-Man.” 

“How are we s’posed to have a baby if you’re a superhero?” 

You ask it without malice; you aren’t telling him to do one thing or another, you’re just posing a simple question. Or, not so simple. Thinking about it provokes a hundred different questions, and he gets your point. How can he be a father if he’s a superhero, half the time? How can he expect you to sign on to motherhood while he risks his life? 

He has to prove that he can do it without getting hurt. Without getting anyone hurt. 

“I’ve been Spider-Man for a long time,” he says softly. 

You pretend to drop your foot on his face. He laughs and curls into you, an arm around your leg like a wonky cuddle. “And it gets more dangerous every year.” 

“I would… being Spider-Man is…” Peter noses at your leg. Your pyjama pants are hiked up near your knee, leaving a calf open for his mouth to brush against. “I’m Spider-Man,” he says again. That’s the simplest explanation. He just is Spider-Man. “But I would change things. I already have, I mean, I have you to think about now.” 

“I just don’t know if I’d be okay with having a baby, if you might die.” 

Peter sits up. He frowns. “I’m not going to die.” 

You just nibble your lip. 

“Is that something you worry about?” 

You sit up to meet him. “Of course I do.” 

He’s thankful you’re close. He takes your hand, turning your wedding ring to see the stone laid at the apex. You used to worry so much it would make you sick, and he changed to make that easier on you, because he loves you. What was the point in getting married if he was gonna leave you in agony every time he left the house? Newspapers scorned a more careful Spider-Man, and Peter has had to make some hard calls. He can’t be selfless anymore —he thinks about you every time he throws a new web. 

He didn’t realise you were still worried. “When was the last time I got hurt?” 

“Last night.” 

He winces. “Alright, when was the last time I got hurt enough to need medical attention?”

“Last Tuesday.” 

“Bub, that was one finger, it healed in two hours.” 

“But if you were a normal guy, it would’ve been weeks.” You aren’t out to torture him, or argue, your lips puckered for a quick kiss as he pulls you toward him. “I’m just saying,” you murmur, tapping his nose, your eyebrow pressed against his, “if you want a baby with me? You’re gonna have to give up even more. Okay?” 

“Okay,” he says immediately. 

Okay. Because he’s Spider-Man, and it means everything to him, but he’s your husband. This is your life together. 

“I want a baby with you,” he says, a murmur to match your own as his hands wrap around your waist. He drags you forward, your faces still smushed together. “I want kids, and you want them too, and I want you to have everything. So if you need me to change, I can change. I can’t stop, but I can make it work.” 

“You’d have to stop sometimes–”

He leans away and cups your shoulder. “I know. I’m not gonna get you pregnant and go out every night.” 

“Just every other.” 

“No, no,” he insists softly. “Bub, listen to me. If you’re ready, then I’m ready. No messing around. I’m your partner, right? I’m your husband before I’m Spider-Man.” 

“Are you sure?” you ask. 

Peter’s not mad, but he’s a little upset you’d think so. He’s not trying to make you feel this way. He wants you to have total confidence in him, and your potential future family.

“You need me to tell you that? I’ve never been more sure about anything.” 

He doesn’t need you to agree to a baby tonight or anything, he just wants you to be happy with him. So he tells you emphatically that you’re his world. You already know why he’s Spider-Man, the responsibility that drives him, but there’s responsibility in being with you and making you happy. At the end of the day, you come first. He wishes you knew that, but he doesn’t mind telling you. 

It’s a little later with his arms around you, right side up this time, that he confesses, “I don’t even know if I’d be a good dad.” 

You aren’t worried. “That’s silly. As long as you don’t get killed by a giant radioactive reptile, you’ll be amazing.”

“How do you know?” 

“Same way you know I’ll be a good mom.” 

“You will be.”

You kiss his neck. “I knew you’d say that. I don’t know if I’ll be a good mom, I just know you believe in me.” 

“I do.”

“You’ll be a good dad,” you further, pressed as far into his neck as you can be, lavished by his hands running up and down your back. “I know parenting is a lot of things, but I really think it’s the same as being a good boyfriend. You’re kind. You’re so patient. You’re funny. I can’t wait to have a little baby that looks like you n…” You sigh. He loves that touch of wistfulness behind it. “I can’t wait to be a family with you.” 

“Are you tired?” he asks. 

You mumble. “Mm. Just a bit.” 

He strokes your neck. “I can’t wait to be a family, either… maybe it can wait until tomorrow, though.” 

You smile into his jaw, dragging yourself up to kiss his cheek. “Love you, Peter Parker.” 

[bluebeads-art]

2024 September 23rd

Okay so. I kept seeing drawings of Siffrin in iconic Sonic the Hedgehog poses for some godforsaken reason? And like, I was a HUGE Sonic nerd as a teenager. Absolutely obsessed. You can't do this to me. As soon as I thought, "Isabeau would fit Knuckles' poses," and "Mirabelle can be Amy Rose!" it was all over. I had to join the funny art trend.

I'd already seen drawings of the really iconic Sonic Adventure poses, so I decided to go with Sonic Advance 3 poses instead. They might not be as recognizable, but as someone who loved SA3, they're iconic to me. And I'm the artist here, the only people who matter are me and my inner child LMAO.

Pose references and more rambling under the cut

^ Character select pixel art from Sonic Advance 3.

I wanted to just go with the flow for this drawing and not worry about style or anatomy as much. No thoughts, head empty, only vibes. It turned into a really fun abomination of my casual art style, ISaT style, and decade-old Sonic-drawing muscle memory. I miss Siffrin's cloak fuzzies though, but Sonic art styles are just so smooth and clean and I couldn't find a way to get them to mesh well.

Time taken was 20 hours and 10 minutes, because I don't know how doodling works.

Isabeau took a fraction of the time Siffrin and especially Mira did. Amy's pose is not meant for human arms. I left behind a graveyard of failed hand poses. Meanwhile Siffrin was rough because of their friggin cloak making the pose hard to read, but I figured it out!

I'm still new to writing screen reader alt text, and I have no idea if I'm going overboard or not, lol. 291-word description essay GO!