#for plot because I can see the job being like?

[wingedshadowfan]

⚠️arcane s2 act iii spoilers // criticism ⚠️

i kind of hated the end of arcane. hear me out.

i don't wanna rain on anyone's parade but we can all agree season 2's pacing was super breakneck. not a lot got explained or was given the proper time to develop or be addressed (at least in front of us, the audience, that is - but even then, some things could've been hinted at better) and this goes for both lore, motivations and interpersonal character relationships. (and i can give many examples such as the black rose, maddie's true motivations, caitlyn and vi's fight, jinx rallying up the undercity, viktor and ambessa's plans diverging, etc. but instead, i'll tell you what i think went wrong with what we got to see in the last three eps)

seeing where ep 7 left us made me think "okay ep 8 will start from the same exact spot and we'll see from there" and ofc my expectations were defied but that's not my main problem. i needed to know what happened to ekko, jayce and heimerdinger but even more than that, i wanted to see jinx grieve isha in her own way (by herself and not through being asked or guilt tripped to help someone else's agenda bcuz she clearly had little intrinsic motivation to unite the undercity over a common goal after silco's death) and internalize what she'd meant to isha - and that becoming jinx's catalyst to rally up the undercity. i wanted her to understand why this orphan from the undercity's mines sacrificed herself to save jinx - the symbol of a cause greater than her. i needed her to see what unifying zaun and making tangible institutional change to the undercity would mean in a way sevika never would've been able to show her. it would mean no more powders, no more ishas. not one more. breaking the cycle of violence, poverty, oppression, somewhat like what silco said in ep 9 (which she interpreted as 'you're the problem, so kys' and she attempted to until somehow ekko convinced her to help. how, why and did she even unite the undercity at all or just make her big hot air balloon late-to-the-party entrance with the firelights to a stray kids banger while sevika did all the work down in zaun?).

anyway, ep 8 threw us in for a loop in an alternative universe (and i loved it, don't get me wrong, but considering there were only 2 normal length eps left, it scared me just as much). instrumentally to the plot, we got to see ekko's main ability develop, and we saw jayce's reasons for shooting viktor. the main conflict of the show, the piltover/zaun one, if those 1,5 seasons so far were anything to go by, just got set aside for the time being. over halfway through the season, we've got a new big bad - the possibility of everyone getting possessed by the viktor/hexcore and becoming part of The Glorious Evolution™. it felt like a movie about racism and police brutality added aliens in the last 5 minutes to force oppressed and oppressors to (not all that successfully) work together, massive losses were suffered by everyone, and then the overarching motif wasn't about love or humanity or rebuilding (things that have come up repeatedly in other episodes, including the one ep literally called 'the messege hidden within the pattern'), it was "bad things happen sometimes, but good things happen sometimes too. it is what it is. i guess." like. duh?? as a viewer, this was quite the disappointing ending takeaway from such a masterpiece of a show but more on that in a second.

narratively, we saw a butterfly effect situation in ep 8 that answered the question of 'what could've been?' but even that answer confused me. the undercity was already oppressed and in socioeconomical peril before jayce's hextech - vi's death during that last job (which makes me believe zaun was the same in both universes because why else would they be poor enough to steal from piltover?) prevented it from being invented and thus stopping other things in piltover from happening but how did it lead to progress in the undercity? what happened and what was the key to it all along? why did shimmer not get invented, how did zaun and piltover seemingly unite, why were zaunites all of a sudden seemingly so much materially and culturally richer and better educated in just a few years? (that aside, i love ekko's determination to get back and save his universe's zaun. i loved the alternative jinx and i loved how everyone was wearing vests 10/10)

then, ep 9 felt like a bunch of confusing things happening one after the other to the point it almost overwhelmed me and i was left thinking i didn't understand a single thing from it (except maybe that one scene - that, i understood spiritually). and the first maybe 90% of ep 10 felt like i was just repeatedly getting hit, and again - no time to breathe, no consolation, no resolve, just receiving bad news after bad news, like getting beaten to the ground with stones.

and at the very end, after some of the ends get tied, caitlyn has her speech, which to me, sounds more depressing and hollow than anything else. she talks ambiguously of history and of ups and downs and of a story not yet over, but there's no promise for the future, no motivation to keep going, no bigger picture, no lesson learned. we're not shown much work being done either (and i'll make a separate post examining why it felt that way to me and a separate one abt how i interpreted her conversation w/ vi at the very end). i was left a bit confused, somewhat unsatisfied, and very, very sad.

did anyone else feel that way too? what did i miss, did i misinterpret or misunderstand something? please i'm going insane i had two different friends tell me they had no idea what i was talking about and that the ending was everything they wanted and more

[yellowhollyhock]

you know the hardest thing about 07 fanfic is getting around the gaping plot hole of 'your training ended a year ago and Master Splinter says you've stopped writing'

Like? What am I supposed to believe here? That Leo's gone for an extra year (twice as long as he's supposed to be gone), nobody goes looking for him, he stops writing, and nobody's reaction is 'Leo is either in serious danger or dead?' Everybody assumes he just decided not to come home?? And they're right???? Like we don't see much of Leo's personality but from what we do see, a year is a long time to just not write and not let anyone know he was gonna be late

That just doesn't. Make any sense.

So here's me trying to make sense of it

When Leo first left, Raph became the Nightwatcher (as per prequel comics). Mikey starts his Cowabunga Carl thing, with Donnie's help, and enjoys it a lot for a while. It's the only time he's getting out after all. Other than training, which is not going well without Leo. Donnie's not a very firm leader, barely wants to be doing it himself. Raph is checked out and short-fused. Master Splinter tries to intervene but that largely looks like scolding and isn't much help at all.

Mikey knows Raph is the Nightwatcher. In the beginning Donnie thought he must not be, because of an instance here or there where he was too harsh, too reckless, couldn't be their brother, he would never do that. Mikey responded by pointing out the good things and arguing over the debatable things and reminding Donnie of the trouble Raph can get himself into when he's fixed on a goal or acts from a place of anger. Donnie sees the schedules continue to line up and has to concede, but that leads to the question: what is Raph so angry about? And while they haven't come up with an answer, privately Donnie assumes it's at him (for not being the kind of leader Leo was).

Four months after Leo leaves, they're still training every morning and going out occasionally. Six months in, they still train most days. Master Splinter has asked them not to go out together because of how they treat each other during training. Mikey likes his job less and also clings to it more as it becomes the only way he's ever getting out. By the time Leo should be home in a month, while each of them still practice, training together is rare.

That's when they get a letter from Leo that he might be late, and isn't sure how late.

So he's a week late. Donnie is researching every boat and airplane that left from Japan (last known general location) trying to guess what's likely to have caused the delay and extrapolate where Leo might currently be.

Two weeks late. Mikey is planning such a big homecoming party that increases in intensity with every night Leo's not there. It might be tonight, we have to be ready. He's not taking gigs and Donnie's getting stressed about money.

Raph is being the Nightwatcher and only sees his brothers for a brief time in the evenings--and lately those evening have been all about Leo. He's watching them both worry themselves sick. He'd actually allowed himself to be excited for Leo to come home, imagined they could have a good time together if he had a chance to pull him aside and talk to him about the thing he hasn't talked to anyone about: Merryweather's death. It's his big brother he wants to tell and he can't explain the Nightwatcher to his family until he's had that conversation with Leo. They fought about it before Leo left and he needs him to understand.

But now he's getting angry. Where is he? Donnie expresses concern that Something Happened; Master Splinter insists they must stay calm and not give up hope.

Three weeks late. Donnie is now insisting Mikey get focused back on work. At this point Donnie is still being Mikey's driver, in the headset and on standby every time Mikey goes out. Mikey wants him to back off (I can do this myself) so that at least someone will be home to greet Leo since Mikey might not be (your fault for making me go to work). Donnie is really hurt by the implied 'don't need you anymore' and feels guilty (which somebody really should) that Mikey's the breadwinner for the whole family. Even more guilty now that he thinks his help was more for his pride than because Mikey ever needed him.

Then a letter from Leo. Sorry for not contacting you sooner, I'm safe and well, hope I didn't worry you. I'll be at least another month. Much shorter than his letters used to be; they're more worried than ever. And this time the return address is way off course from what they thought was his path home. What's going on?

Mikey wants to write to him. Everyone else points out they don't know where to send the letters. Donnie is back to obsessing over maps, train schedules, weather patterns, anything that might hint at an explanation. Between their jobs and worrying about Leo, Raph doesn't understand how either of his brothers can still stand upright.

He becomes more aggressive out in the streets. He's worried and confused and pretty steamed at Leo for giving them nothing to go by. And even more angry at who or what could have hurt him badly enough that he doesn't want to tell his family what's going on. He's quicker to hit and more hasty to decide who the bad guy is.

Donnie and Mikey see the change. Donnie starts openly criticizing the Nightwatcher every chance he gets (trying to get Raph to fess up or better yet stay home or at the very least see that he's going too far sometimes and needs to take a break). Mikey responds by doubling down on his defense and praise for the Nightwatcher (also wants Raph to confess and knows he won't when Don's talking like that, wildly hoping to be invited along, wanting to keep Raph safe but also eager himself to have a space to let out his own building anger).

And what's Mikey angry at? The fact that Master Splinter hasn't done anything. He's satisfied with Leo's explanation. Doesn't seem concerned, like Raph and Donnie are, that something went wrong. Master Splinter replies that the Ninja Tribunal is wise and at times unpredictable. They may have thought it right to extend Leonardo's training. Donnie points out that the return address for Leo's recent letters are not in Japan; did the Tribunal travel with him? Master Splinter doesn't have an answer and still insists on remaining calm and hopeful.

Now it's been two months, one week past the second time Leo was supposed to be home. Mikey plans a party again, this time with much less support from his frazzled, sleep-deprived brothers who are trying not to get their hopes up. Raph tries to keep Mikey from getting his hopes up either. That doesn't go over well.

After three months, they get another letter, another apology with no explanation, this time saying he has no idea when he'll come home, but don't worry, he's coming.

Raph has been seeing night after night what the world can be like. He's convinced something unspeakable happened or will happen to Leo, but he can't tell anyone that. He wants to go after him, but how is he supposed to find him? The best he can do for Leo is the same he did for Merryweather: be the hero they can't be anymore. Make people who are careless with others' lives Pay. And somehow he has to keep it from his family that he thinks Leo's gone gone, or might be soon; they couldn't take it. They don't know the world like he does. He can protect them from this, for a while.

Donnie thinks Leo must need help, and that's driving him crazy because he doesn't know how to reach him. But he's going to find a way. He starts planning and saving up for parts to build his mutant finding matrix thingy. After their argument he doesn't want to ask for Mikey's help paying, and it wouldn't be right since he's been really trying to let him be more independent. He finds a job. Mikey seems bothered, they talk and work out a better working relationship that allows Mikey more independence and pays each of them separately (Mikey of course making more because he's doing more). Now with the call line job supplementing that he's able to ease the burden on Mikey and April of providing for the family (he knows Casey's been worried about the kind of work April's been taking) and he can buy the parts he needs to find Leo, go after him and bring him home. He's going to fix this for everybody.

Six months after the first time Leo was supposed to come home, Mikey finally gives up hope. He's been secretly sending letters to different places he thinks Leo might be. He stops. He's hidden nightmares about what could happen to Leo for months. He stops asking for Raph or Donnie to go skateboarding with him, stops insisting on family nights every Saturday. He gets closer to Splinter, who he's seen a change in and knows, in spite of continued insistence to stay calm and not give up hope, Master Splinter gave up a while ago. Donnie says he's just getting old (he's been very worried about his health and is becoming more micromanager about it every day), but Mikey knows it's more than that. He sees the depression Splinter is hiding. Splinter doesn't notice the same in him.

Around that time, they finally get one more letter. Leo says that he's not going to be in a place where he can get paper or postage, so they also won't be hearing from him. He doesn't say anything about coming home.

Raph had thought Leo was dead; the letter makes him furious (he's been mourning in secret for nothing? Is Leo even in trouble or just decided not to come back?). Donnie is thrilled by it; not being able to send a letter actually might help him narrow down where Leo is, and they have a more recent return address now. He's about ready to pack up and go get him, something he assumes Raph will be on board with.

Well, Raph can't leave, and he can't tell his family why (they know why). He and Donnie have a screaming match. Raph wants to know how this return address is any different from the letters before, and why they didn't go then. Donnie brings up Raph not seeing Leo off at the airport when he first left. Raph asks if Donnie's even been training. Mikey suspects it got physical, but if it did they both hide the bruises well and they're not saying a thing.

Raph starts going straight to his room when he gets back in the early morning, and staying in his room until he can hear that the rest of them have gone to bed. Once in a while he'll come out to argue if he overhears something that sets him off.

Mikey would go with Donnie to get Leo, but Donnie says Raph's right, he'll have moved on by the time they get there, it's the same as every other return address. He just needs more time to figure out where Leo actually is.

Mikey is starting to think they've run out of time, but just like Raph, he doesn't want to say that.

Batnapping happens like eight months in. Master Splinter is deeply bothered by it, gets stricter, asks his sons not to go out until Leo gets home. Raph has to get sneakier. Mikey had to negotiate to keep his job (Donnie helps). At this point Donnie is the only one who almost never leaves the sewers; April tries to get him to her place as often as possible, usually finding that asking for help is most effective.

And that's how they all live for fourish months before Leo finally (unexpectedly) returns.

[jesncin]

Spirit World, Ride the Cyclone and Death. A weird comparative analysis

Gonna combine my musical nerd and cape comics fixation together for a rambling meta thought. I've been reflecting on how taboo the topic of death is in media after getting into Ride The Cyclone (highly recommend watching the slime tutorial and Waiting in the Wings' documentary on it) but also contrasting that musical with how Spirit World handled similar topics.

Both stories cover characters whose lives were cut short from a tragic circumstance, but while Cyclone directly talks frankly about how each character uniquely grieves over their lost life (and eventually accepts death)- Spirit World uses death as largely an aesthetic to a generic fantasy superhero adventure.

[spoilers for Ride the Cyclone and Spirit World]

Spirit World is about non-binary, half dead half living Envoy Xanthe Zhou, as they go into the Spirit World with John Constantine to rescue Cassandra Cain Batgirl. They eventually go toe to toe with the spirit of a bitter dead poet.

Ride the Cyclone is about 6 choir teenagers who die in a roller coaster accident in their small town. In the afterlife, they are given the chance to vote which one of them they believe should be resurrected.

For Spirit World, do we even know how Xanthe feels about being "half dead"? What does that even mean? They died as (what looks like) a 3 year old, and have clearly aged 15 more years since then. So they can age? Do they need to eat or drink (they're seen with a drink in a Pride comic)? Xanthe keeps mentioning they're half dead and half living, but the comic doesn't seem to want to discuss what that means. How would Xanthe feel that they were essentially given a job as an Envoy the minute they died as a very young child? Was this even a choice?

We've already covered the numerous plot holes in Xanthe Zhou's poorly thought out backstory so I won't go over that again. But honestly apart from the thematically loose "the dead shouldn't be forgotten" moral, a lot of how death is presented in Spirit World feels so superficial. When Xanthe is formally introduced as this cool character with a giant sword hanging around a gravesite, fighting all these hopping vampire creatures... this scene would play out the same if you swapped the setting with a forest and zombies as bad guys.

The Spirit World is less an afterlife for the spirits to move onto and more an MMORPG setting for our superheroes to travel across and fight generic evil beings and encounter eviler, bigger, boss battles at the end. Then there's the poet clout villain whose problems are just easily solved by Xanthe promising to remember her. I've already covered what a lost opportunity thematically this character was in my last Xanthe essay, but this time I want to contrast her with Ride the Cyclone's Jane Doe. I also want to compare Xanthe with Noel Gruber afterwards.

Ride the Cyclone's musical numbers follow each character performing a song reflecting their wishes, and musings on life (this sounds depressing but the musical handles all this with comedy and wit), hoping to prove themselves as worthy of a second chance at life. Of the characters, Jane Doe is the mysterious odd one out. The accident decapitated her, leaving her to enter the after life with no memories and the people of the living unable to identify her.

You might see where I'm going with this. So in Spirit World, Wan Yujing was this famous poet mourned by an entire empire. She only goes monster mode when a handwave-y "time erodes all" happens in the Spirit World and she is eventually forgotten- so she becomes desperate to demand to be reincarnated by the Jade Court. Because her clout ran out. Again, I already made the critique in my previous essay that this villain would better link to our protagonist if she was a queer poet whose poetry was being purposefully straight washed as an act of queer historical erasure. But I want to bring up how truly unsympathetic this villain is. She gets Shakespeare levels of clout but still demands more because she isn't getting reincarnated fast enough. Xanthe promises that as an immortal "half dead half living" person that they will remember Wan Yujing, so she too can be immortal in some way.

I think about all the Jane Doe-s in the Spirit World who don't get to be famous poets that have Empires remembering who they were. People who died anonymously without a past. In Cyclone, the main character chooses Jane Doe as the person who should be brought back to life. Our cast of teens come to terms with the fact that while it's tragic that their lives ended shortly, they conclude "to say that if one dies young, they die needlessly... that is to discount the years we had. We had a life, she didn't. That's my vote." Since Jane Doe has no memory of who she is, it's only fair that she is given that second chance.

I get that Spirit World is choosing these "larger than life" characters as villains, but it's at the expense of their own supposed themes. Of all the people to die and face off our hero as the villain, a character who's essentially an influencer but somehow has an entire empire forget about her anyway feels thematically hollow.

Modern Superhero comics are suffering from a specific problem right now; they're not really about anything. Characters don't feel like people with interior lives informed by the context of who they are. Class, race and bigotry are only touched upon as lightly as possible. Queer characters are now Pride ads with no personhood or flaws. They punch gentrified crime and fight for no one in particular. Even recent adapted media such as My Adventures with Superman and Caped Crusader follow this. Superman fights white-washed xenophobia, while Batman fights gentrified, white-washed classicism. It's why comics like Superman Smashes the Klan, Catwoman Lonely City and Alan Scott Green Lantern stand out so much. It's been a while since these characters talked about anything that matters. Don't get me wrong, slop that's about nothing exists in every industry. But when these characters and worlds historically used to have more bite- it's especially obvious.

If I could be playfully conspiracy theory-like for a second; I believe Xanthe Zhou was pitched so that DC Comics can buff out their Pride Anthology or AAPI anthology with a new younger character. The company will give this character one limited series, but that's it. Xanthe will appear in the larger DC universe whenever big magic plots happen, but that's it. Maybe they'll get a YA graphic novel. I would love to be proven wrong, but the problems with Xanthe are baked in the dough.

Because they don't feel like a person, Xanthe feels more like an industry planted Pride ad. They're designed to be the most palatable and marketable image of Asian androgyny. They literally have no flaws to grow out of, and their backstory makes no sense. They weren't built to be a sustainable solo character.

So I want to contrast Xanthe Zhou against Noel Gruber from Ride the Cyclone. Because they're both queer characters whose lives were cut short at a young age.

In a dramatic lament, Noel Gruber expresses how if he had a chance to live, he'd want to live the horrible cinematic messy life of a French sex worker woman in post-war France. He struggled as the only gay boy in a small town and never got to kiss a boy before he died. It's a look into a queer life that could've been lived, one with all the messy texture and self destruction Noel couldn't have but desires. We get to see how death and queerness intersect into rich, unflattering, gender-messy themes. "I want to be that fucked up girl." Noel sings.

But what's Xanthe's deal? They died as a 3 year old, got brought back, avoided their family at all costs for 15 years, and then had a transphobic confrontation with their family when they're invited to dinner way later. If Xanthe grew up in a transphobic household, how did they ever figure out they were non-binary when they were 3? Could they even verbalize it? Or did they instead figure out their queerness after they died? But how is that possible when they already held a level of familiar resentment towards their family's transphobia as if they've had several fights about it? It's hard to picture a 3 year old having multiple heated debates about gender with their parents for this level of resentment to make any sense.

Details aside, how does Xanthe's queerness intersect with themes of death and grief? Well, it just doesn't. This scene ends with Xanthe's sister telling them that she bothered remembering them even though their parents moved on from their death (which makes no sense since the parents wanted to have dinner with a random 18 year old they correctly assumed was their long dead "daughter" but whatever). Honestly, the only reason queerness exists in this family drama is so that Xanthe has a tense relationship with their family. The story would be exactly the same if Xanthe was a troublemaker that brought shame to their family. Who they are isn't specific to whatever grief exists in the comic.

When people give the critique that modern Superhero comics aren't about anything anymore, we usually think of these comics as "lacking political bite and commentary". We don't often think of something like Death to be political. And even though it is in many ways, it's also a social taboo to talk about. Death is an uncomfortable thing to confront, even in the safety of fiction. It's what made Ride the Cyclone such a difficult stage musical to market.

So how does a modern mainstream comic like Spirit World fit into that? It just sits there in this non-committal way. Yes, this is a story about a trans teenager who died, but only in a cool Superhero Origin Way, not in any way that would make readers uncomfortable. Bury Your Gays is a stereotype after all, so we can't talk about how queer people feel about death. We don't get to know how Xanthe feels about death as a non-binary Asian American. Especially if it's messy. It's the reason why Wan Yujing's character can never commentate on themes of historical queer erasure. God forbid superhero comics be about something.

I think about how, in the original Hellblazer run from the 80s, John Constantine had an elderly gay friend who was diagnosed with AIDS but was killed by a homophobic hate group. The comic openly talks about the sheer amount of gay people dying of the epidemic, a looming threat that informs John's queer life. It's such a culture shock, to contrast these early comics with how John Constantine is written in Spirit World. A character stripped of his own queer history and is at the mercy of incessant slutty bi jokes. Where is the desire to talk about how death informs a queer person's life? The mourning of a lost generation to the AIDS crisis? Something John lived through?

How about how any of this intersects with being an Asian American queer person? Queer people of color are often erased or purposefully excluded from queer history and communities. As a Queer Asian American, what does it mean to have identities that are often perceived to be in conflict with each other? Would your queer Asian ancestors even be remembered? Cultural differences with how you'd mourn your communities? But answering any of these questions means an uncomfortable conversation for Spirit World. For Xanthe. It threatens to be about something.

Which makes it all the more silly that, of the two stories, a musical about teenagers dying from a rollercoaster malfunction is more willing to have that uncomfortable conversation. You should ride the Cyclone.

[5thtalon]

oops i accidentally had some thoughts about crow!rook and viago.

while i do love crow!rook’s backstory, something that i just couldn’t make sense of for the longest time is why viago would have sent rook away instead of just having them killed ( that isn’t just plot armor reasons ). from what we know of the crows and how they operate, realistically, rook would’ve wound up with a contract on their head before they left antiva. but aside from some light banishment and a mildly upset letter from viago, rook suffered no consequences… but that doesn’t necessarily mean there were none. because you know it wasn’t just a slap on the wrist for viago. an assassin from his house went rogue and nearly destroyed everything the crows spent weeks meticulously planning – how many contracts had to be negotiated, how much blood shed and coin moved until everything was in place?

the crows aren’t very forgiving people and there’s almost a nonzero chance there weren’t some calling for viago and rook’s head as compensation. i’m thinking the only reason the consequences weren’t more severe was because the crows couldn’t afford to lose another talon. the crows are still suffering from the loses in ELT and the uneasy truce the houses have while they fight against the antaam occupation is incredibly fragile. whatever viago did, he risked his neck to keep rook alive. but… why?

well, this is what i think. in the tentative timeline i’ve come up with, i’ve placed viago as being named fifth talon at age 31, meaning by the time the events of veilguard occur, he’s been the head of the de riva house for the past thirteen years. i know rook’s age largely depends on the player’s headcanon but there’s enough evidence in-game to say they’re supposed to be rather young. let’s just say early twenties for the sake of this post.

so if rook was training in the de riva house as a child or even a teenager, there’s a very good chance they were among the very first fledglings of house de riva that viago oversaw as talon. talking to heir reveals that they don’t train the fledglings in house de riva – viago does such a good job of it himself that there’s no need. so i’m thinking…. what if new talon viago, full of ambition and spite and eager to establish himself, saw the potential in rook and decided to personally oversee their training? rook was the prototype for how house de riva was going to operate. i think that would explain his fondness for them and his continued vested interest in their success and wellbeing more than other fledhlings. especially if they’re one of the only surviving recruits of that class. like that’s not just another assassin under his wing, that’s his protégé. and unfortunately, he’s become rather fond of them.

despite what he tries to tell himself ( or convince others of ), viago is not made of stone; once teia managed to chip through his defensive walls, she left a crack large enough for others to slip through and despite viago’s better judgement, rook wormed their way into his heart. like a parasite. for as impulsive and reckless as they can be, they’re also incredibly resourceful and have a way of thinking outside of the rigidity that viago himself often suffers from. they proved themselves as someone viago can rely on, and he doesn’t have many of those. rook is a damn fine crow, the best he has, and he’s incredibly proud of them even if he doesn’t mention it as often as he should. so. does he care about rook because he recognizes their talents and sees them as someone he can trust to make the hard decisions when other wont/can’t? yes. is his fondness also partially due to a selfish need to prove his own worth as a talon because it started out as him seeing rook as an extension of his own house and talents? also yes. he’s complex like that. he contains multitudes.

[my-rose-tinted-glasses]

Gmmtv 2025

So now, that I have time, I'm actually gonna sit and watch the trailers properly. Let's go.

Dare You to Death - The plot is appealing to me, the cast is interesting. I was never a JD fan so if I decide to watch it will be for all the ensemble and the actual plot.

Head 2 Head - My babies! Forced cohabitation my beloved. I'm gonna pretend I didn't see the vision thingy cause other than that this just seems like a cute bl, and I'm here for that.

Burnout Syndrome - OffGun in a love triangle? Gun being fought over by two men just has god intended? I am so seated for this!

Whale Store xoxo - MilkLove is back and I wanna like this one. It seems cute, and drama light. I'll probably be tuning in.

Only Friends - Dream On - The chill that came down my spine when the song started playing. I left my body. With that said, and like I said before, EarthMix is here, so who am I kidding? I will watch. Kinda surprised to see JossFluke already paired in another bl, before the first one has even started airing. OhmLeng was predictable as a recurring pair and I'm always here for Ohm. Leng has a lot to prove being surrounded by all these names.

That Summer - MOND! Mond kissing boys! That's it.

My Romance Scammer - Not in a million years did I think we would get this OhmFluke combo. Dimples is back kissing boys and Ohm is just back. And MarkJunior seem to be here to stay. Also, I love that since we got gay marriage we should immediately tackle gay divorce. Sounds good.

Melody of Secrets - I'm glad they're back playing adults although the dynamic seems to be the same. I wish they changed it up and let Book be the pursuer. I like the horror elements and we don't get enough of those but I don't know about this one.

Love You Teacher - The first half of this trailer had me. I love Perth and he's playing a grown up so I was sold. And then it happened. And I don't know how I feel about any of it.

MU-TE-LUV - I guess we're getting this and not OurSkyy3. Will watch the queers and the rest we'll see.

Cat for Cash - This is just rude. Do they know that cats are my ultimate weakness? I can't watch all these shows, but a show with talking cats? multiple of them?? C'mon. I'm not even gonna pretend to be torn about this one. I will be watching.

Girl Rules - So, Only Friends but make it sapphic. I'm sad to say, I'll probably pass on this one.

Boys In Love - PAPANG!!! The rumours were true and he's paired with Pod in this. All I saw in this trailer was that and the dimples. Who is that kid? Cause he's adorable. This is the obligatory high-school bl, it looks soft and fluffy. Might check it out.

My Magic Prophecy - I will be skipping this one.

A Dog and a Plane - What a mess of a trailer. But do I care? Not even a little. It's TayNew so I'll be watching with bells on.

Me and Thee - This show will be the true test of how shallow I can get. Will I start a show because Est was wearing glasses in the trailer? Only future me will know. Look, PondPhuwin can play, we know this, but I don't know if I want another show with them so soon. At least they're playing different roles, so there's that.

Wu - Who was saying this wasn't bl? Did you not see the golden thread? And the fate talk? And the looks? And well, everything? It's a bl. I don't know about this one mostly because I don't know the actors. Although tumblr is doing its job well and I'm this close to binging the frenemies show so maybe I'll reevaluate.

Memoir of Rati - I am so easy, it's embarrassing honestly. They so pretty, the scenery is so pretty, historical bl. Sold!

Ticket To Heaven - So many flashbacks to catholic school. It looks good, which doesn't surprise considering it's Aof. I'm glad GeminiFourth are back playing more serious roles. I am really intrigued by this one but also don't trust it completely for some reason. I don't know yet.

Yeah, I'm a sucker. I will be watching most of the first episodes of this line up in like a year when they actually get made. Probably not gonna stick with a lot of them but we'll see. As it's becoming obvious, I'm easy.

Also just a fun fact I guess, and as @lurkingshan as said here, with these shows, 4 couples will hit 5 series as a pair. OffGun, FirstKhao, ForceBook and EarthMix, even though that last one I'm counting Ossan's Love which is also not released yet.

And another thing, of the Gmmtv 2024 QL shows, 7 have yet to premiere. Thame Po, will premiere December 13 but the other six don't have dates yet. They are : My Golden Blood, Ossan's Love, The Ex-Morning, Us, Sweet Tooth Good Dentist and Revamp. So yeah, we're not gonna see any of these new shows anytime soon. Although I'm putting my money on the OffGun series being one of the first to premiere in this line up.

All the trailers and posters for gmmtv2025 can be found here.

[witlesswitnesstm]

Hello tumblr, I’m having thoughts.

So, I’ve seen a billion cajillion arguments over Jayvik at this point and I think I have an opinion.

Yes, we need more depictions of intimate male friendships, but we also need more depictions of mlm romances. Most shows still shy away from mlm romances more than wlw romances because it makes men uncomfortable to see male attraction. Wlw romances are deemed to be more “palatable” for the general public because women are perceived as more “innocent and caring” when that’s not always the case. Not to mention those relationships are more easily objectified by men, which is gross. It’s a product of the patriarchy, putting all relationships into boxes just because of people’s genders, both mlm and wlw. I don’t think that’s what the Arcane team intended to do, but it still happens.

At the same time, fandom has always had a bit of a problem with viewing mlm dynamics as strictly sexual and ignoring women in fandom. It’s not fair to focus entirely on mlm ship dynamics within a show while ignoring actual characterization and pushing that belief onto everyone else. Or even blaming women for “getting in the way of mlm ships” (cough cough, looking at those Mel haters.)

This ties into a greater discussion of how men are often written more complex than women, making people want to focus on male relationships. Arcane, I feel like, does a pretty good job at making their women’s writing deeply complex and interesting, but, the finale really rushed over a lot of things to give precedence to Jayce and Viktor. (I love what we got for them, I just wish we had more time for other plots).

Despite a co-creator saying that Jayvik wasn’t romantic, I feel as though the whole team were on different pages as to how they wanted Jayvik to come across. There are so many parallels between Mel and Viktor, and hints that suggest romantic connection, that, I don’t really think you can just turn around and blame the fandom for forming logical conclusions based on what was shown. If they wanted a platonic relationship shown, they should’ve considered carefully what they were putting on screen, and considered audience interpretations. There are good depictions of friendship in arcane, and I especially like the m/f friendships like Jayce and Caitlyn or Vi, Or Vi and Loris, or Ambessa and Rictus. It shows they have the capability to make friendships that don’t have romantic tension at all, despite men and women practically always being shipped, so then, why do all these specific details for Jayvik?

Ambiguously canon mlm relationships are almost a little frustrating to me, because there’s always room for plausible deniability within homophobes. I’ve seen so many people shame others for liking Jayvik and calling them depraved losers and whatnot, and that’s just not, cool. But what’s also not cool is going after aspec people who find comfort in the fact that romance isn’t explicitly shown between Jayvik. I was frustrated at first that they kind of left their relationship up in the air, but I’ve grown to appreciate the different interpretations.

Anyway, something something at least we can all agree that they’re both smoking hot and we as the fandom should share them. Thank you for coming to my ted talk.

[hauntingofhouses]

arcane rant. spoilers for all of season 2 #caitlyn-critical

yeah okay i was scared to say this which is SILLY but ALAS. anyway yeah seeing that im not the only one i feel like i have to get this off my chest as well.

i wanted to give caitlyn a chance in season 2, especially in the beginning of this season during her """corruption""" arc wherein she was turning into a tyrant and a bad guy. because see, to me that was caitlyn at her best. not as a person but as a character. before this she was just so uninteresting and downright annoying to me, but starting with s2e1 i started really enjoying where the writers were taking her journey. i would've loved to see her continue down that path and caitvi evolving from reluctant allies to lovers and then perhaps to enemies-WHILE-lovers. i wouldve loved seeing caitvi hatefucking, and i thought that was where this arc was taking her. but no, instead she's still the good one, while maddie turned out to be the bad guy all along. plot twist! but it made me feel nothing but more annoyance not only at caitlyn but also at the way the narrative seems to baby caitlyn and excuse her for everything despite the supposed anti-cop messaging intrinsic to the way vi was written throughout season 1.

i understand that caitlyn's whole thing in season 1 is that she's a naive rich girl just trying her best in the ways she knows how, and that's by being a cop. like yes i get that, which is why i didnt mind her very much and gave her a chance to grow, and even though i didn't care for her as a character at all because she's boring AND a cop, i did like that she was in the story as vi's love interest, and primarily served the story in that role.

but when season 2 decides to give her a bigger role and allow her to shine on her own, they do a good job! until... they don't. because caitlyn still has to be a good guy, because she's SO loyal to vi. and why? the two barely know each other, they're attracted to each other but I don't understand why and how caitlyn could so easily put aside all her rage and grief and desire for vengeance and retribution, to be loyal to vi. to betray ambessa and work with jinx?

like i think my biggest problem is how little conflict there is for vi and cait to end up fucking in that prison cell. like if it was angry hate fucking, that would be perfect and honestly a natural followup if you really do wanna implement a sex scene right there and then. but it wasn't. instead it felt more like "okay my suicidal sister gave me her blessing to fuck you so i can finally do it now yippeee" meanwhile jinx literally went to kill herself over and over again while ekko had to keep trying to talk her down.

like the thing is i'm here for the drama and im here for a rollercoaster ride of emotions and i'm here for character development. but more than anything else i'm here for the drama where vi and jinx's story as sisters, as family, is ultimately the driving force of the story. so for them to just push that aside SO quickly, felt JARRING. like "okay sister MOVE i wanna fuck this cute cop who was acting like a tyrant in the city for the past few months (?), and btw the cute cop works for an institution that killed my parents and destroyed our whole lives ❤️ #lovewins"

like okay. i dont mind if the final ending finds both jinx and vi distanced and estranged because they both need to heal and move on from the past (and each other) in order to grow and invest love in their own new found families. but for it to have been done just like that, for caitvi to get together in the same prison cell where vi's suicidal sister had just been suffering in mental agony and grief... I don't know. i don't like it.

[lemotmo]

Just wanted to ask you and Ali, you guys claim Lou was fired, what do you think is the reason he got fired.

Oh Nonny, you are not catching me at the right time for this question.

I have had it with the man and his evil minions. They just do not know when to quit and I've had enough of this inane nonsense.

Listen, I had a really lousy workday today. A full day of pouring energy into a job I love and getting NOTHING in return. Only to get home and to read how these sheep and their evil Overlord are once again trying to be cool and are -once again- missing by a mile! All they are succeeding at is being extremely cringy and highly embarrassing.

Anyway... I feel like our fandom has written novels by now about all the many reasons we think he got fired.

Here's a few of them though:

A plethora of racist, sexist and ableist posts found on his social media.

Giving away too much inside show information in one of his first interviews. Like the fact that it was actually supposed to be Eddie in that storyline, instead of Buck.

Creating thoroughly unprofessional Cameo videos filled with bullsh*t headcanons about how T was loving and sweet and never racist or sexist, oh no... of course not. He was just a sweet misunderstood woobie summer child.🤦‍♀️

Creating thoroughly unprofessional Cameo videos telling people BT were thriving and they would stay strong together. All of this while he KNEW from the beginning that T was only there as a plot device for a short period of time, to serve Buck's narrative.

Creating thoroughly unprofessional Cameo videos on set, effectively SPOILING some things the public wasn't supposed to know yet.

Creating thoroughly unprofessional Cameo videos and charging his disciples loads of money to hear him talk nonsense out of his *ss.

Creating thoroughly unpro... you get where I'm going with this right? But there's more. Let's see. What else? Oh yes!

Not a reason this time, but a consequence: he suddenly stopped making his thoroughly unprofessional Cameo videos from one day to the next, going completely silent on all of his social media for months. BIG RED FLAG THERE! Either his own team stepped in and told him just how unprofessional he was or ABC stepped in to make him stop being so f*cking unprofessional. It's very likely it was ABC and Tim.

Let's find some more reasons now... Oh yes. What about the fact that he obviously did not want to film any kind of intimate scene with another man? He talked about this in one of his first interviews when he was still sane. He felt that 'making out' wasn't necessary in this story or some BS like that. Well, seems like he had no trouble making out with women in other projects. Hmmm... 🤔 They didn't even touch anymore in season 8.

Oh hey, did you notice that there was no love lost at all between the main cast and Lou? There were pictures of everyone BUT him. Again.. I wonder why? Hmmm... such a mystery. Might it be because no one on the cast or crew really liked the man. After all, he was the cause of his fanbase going completely insane, running around threatening and harassing other fans, calling them homophobic, accusing people of doing terrible things by creating fake evidence, harassing the cast and crew to the point that they had to block them and the showrunner had to step in and call them out for their toxicity!

Last but not least that terribly embarassing last interview that he did. Man, I have never felt so much second-hand embarassment as when I was reading that article wannabe article. In this trash article the man praised himself for being a wonderful actor who made some really great choices in those BT scenes. How full of yourself can one possibly be? It's gross. He talked about how he didn't see the ending coming, even though in his first interviews he clearly stated he wasn't going to stick around for long. Make it make sense!🤷‍♀️ In this article he basically says that 911 and Tim did him dirty, causing Tim to have to state -in no uncertain terms- that the BT relationship is over and done with. Aka 'the final nail in the BT coffin'. Aka 'the best day of my life'.

All of his (badly executed) rethoric made sure that his minions started turning on Oliver, calling him homophobic and biphobic, accusing him of all sorts of terrible things. And what about the racism towards Ryan? Can't forget about that horror. I know I'll never forget reading those comments.

Even now, after they finally got rid off him, he is still making his toxic cameo videos spurring his loyal fiends on to keep on hoping that Tommy will return. He knows full well that he is never coming back, but as long as they keep paying him, he'll keep saying what they want to hear. But you know what? All those dumb hashtags won't change the fact that he isn't coming back.

Bottom line? He is gone. Was he fired. Probably yes. We'll never be completely certain, but it's pretty obvious they didn't part in good ways.

Everyone in this fandom is tired, exhausted and depleted of energy because of this man and his cult. We are mostly free of the toxicity now and are slowly returning to the great fandom we were before, theorising and talking about Buddie. Let's keep doing just that: moving on without looking back. Great things lie ahead for us in 8b and season 9. Let's enjoy the win!

As for Lou? I wish for him a main role in his own crappy very unsuccessful TV-show (that will get cancelled after one season). Then all of his stans will follow and we'll finally be fully free.

Well, I have to say... that was cathartic. I needed to get that off my chest. Thank you for giving me the opportunity to rant Nonny. I feel so much better already. 😋

[kawacake]

BACK TO BLACK

Masterlist

Paring: Yan!Chrollo x Fem!Reader

Warnings: Toxic (Chrollo), Drugging, Non-Con, Psychological Manipulation, Yandere Behavior (themes of possessiveness, stalking, unhealthy attachment.), Literally Chrollo

Listen to Back to Black by Amy Winehouse while reading

YAN!CHROLLO who stood in the dim lit hotel room as you told him goodbye for good but he wasn’t really surprised due to you being a married woman afraid that your husband might find out about your affair.

YAN!CHROLLO who kept tabs on you and your ‘Husband’ ever since the night at the hotel because he has gotten attached to you in a sick and twisted way.

YAN!CHROLLO who popped up at your door while your husband was ‘away’ to try and win you over but failed due to you threatening to call the cops and yelling at him for having the audacity to show up to your house without a warning.

YAN!CHROLLO who slowly started to ruin your life by making you and your husband lose your job, bills start to getting expensive, and nobody would hire you or your husband for some ‘unknown’ reason so you had no other choice but to run back to Chrollo for some kind of help.

You stood in front of Chrollo as he looked down at you with his pajamas on with an irritated expression on his face. “It’s two in the morning what could you possibly need?” He said rather harshly but that soon faded away as he noticed your tear stained face.

He invited you inside after seeing the tears that stained your precious face, “Sit.” He said pointing at his couch and you made your way over to the couch to take a seat as he made his way into the kitchen. Chrollo soon came back with a cup in hand and a blanket handing you the blanket first then the cup with tea.

“Tell me what’s wrong princess.” He says softly while you took a sip out of your tea but your eyes then starts to tear up again. “I’ve been going through so much I lost my job, me and my husband! Other jobs won’t even hire us and my landlord went up on rent so much that I can barely pay and I need help.” You said stumbling over some words.

You continued to ramble on about your struggles while Chrollo sat in front of you till you felt your mind started to get a little foggy and your muscles started to relax, but then everything hit you as your eyes went wide as you stared at Chrollo with betrayal in your eyes before everything went black.

Such a fool for believing someone like him would help you out of all people.

YAN!CHROLLO who watches you wake up from your nap asking if everything was okay because you all of a sudden blacked out on him but now your panties are gone along with the bra you had on before but you didn’t dare say anything about it when he handed you a stack of cash.

YAN!CHROLLO who randomly got text from you after you got the cash questioning him about your panties and bra that disappeared that night begging him to tell you what happened but he denied anything happening and said “I have no idea what you’re talking about.”

YAN!CHROLLO who went back to his old stalking ways after you cut him off AGAIN after the incident that happened now he’s watching from afar how happy you look with your husband wishing it was him deep down.

YAN!CHROLLO who has already plotted a way to have you to himself but first he needed to get rid of that piece of shit you called a husband because the only man you need in your life is HIM

[seventeenlovesthree]

Since it's my personal mission to make everybody watch the Digimon Adventure Tri Stage Play, I dug up one of my favourite interviews again. I owe the producer my life, because he simply managed to create the best piece of Digimon Adventure media since Adventure itself (in my opinion almost as amazing as Our War Game and that MEANS something). However, I saw a few people being confused about a few things, so I wanted to clarify:

"Wait, is the Stage Play just Tri's story but done on stage?"

Nope, it does take place during the Tri era (between the third and fourth movie to be exact), but it is an original (side) story that can be watched without having any knowledge of Tri or Tri's plot.

"Does the story take place in the real or in the Digital World?"

That would actually be a spoiler and since there is no easy answer to this, I'm gonna say you have to watch it for yourself.

"Are the characters like in the original or like in Tri?"

That's the fun part - of course there are glimpses and pieces of the Tri characterizations, but the producer really did his very best to adapt the characters faithfully and as respectfully from the original source material as much as he could and I think you can feel that:

"To be honest, the generational timing was a little off for me, so I had never seen Digimon before. After I received the request for the stage play, I watched all of it, including the original TV series and the movie series, but I didn’t expect that I’d be crying so many times. It was a story of human growth and Digimon evolution being deeply intertwined, and I watched as that growth and evolution was overlaid with so many other things. Maybe it was because I watched it as an adult, but I was able to see it from all sorts of perspectives in regards to “people growing”. (...) While I’ve worked with other people’s stories and made plays out of them several times, it was usually in the sense of taking the original work’s story and repurposing it for the stage format. But for this one, even though I’m borrowing the original series’s characters, the story is being written from scratch, and it’s my first time writing words for characters that were created by other people. It was a high level of difficulty, and I still feel it even now. Also, it made me wonder how the scriptwriters for the anime must have done this. They were also writing the same characters in the same world, while sharing that job with tons of other people. It’s amazing that they were able to do that. But, naturally, it wasn’t just full of difficult and painful things, but once the story properly got going, I got to hear the lines I was writing in the voices of the characters from the original series, and getting to savor those kinds of moments was very fun. Someone like me, who works in the theatre field, gets to take over the job of writing the lines of characters made by others. And then I have Toei check over it, and we get even closer to the mark. So in other words, we bring these characters to life by sharing them between everyone. And especially in the case of Digimon, it was an interesting experience in that there wasn’t just one writer or director, but rather that everyone had their own version of Taichi and Yamato, and the dialogue was born from between all of that.

"Anything else I need to know?"

If you are able to see past some cringe, don't mind nostalgia baiting and are okay with a few... Questionable scenes in regards to the main antagonist (which you will definitely know if you've watched the original Adventure series), you will enjoy this.

Also, personally, I'd say this is the order of plot relevance of each human character, so if your favourite characters are in the top half of the list (and even if they're not), you are likely to have fun:

Taichi

Jyou

Koushirou

Yamato

Mimi

Hikari

Sora

Takeru

[kissmypoets-hp]

@oknowkiss asked me fantastic question — what drarry fics would you recommend to your boss? 

and i took that SERIOUSLY... literally thought about this the entire day and i have some Answers

first of all, i feel like i need to clarify that my boss is not much older than i am, haha!! sorry if any of you thought i suddenly found myself in the presence of a legendary fandom elder who participated in paving the way for today’s fandom — though she is a legend in her own right, of course: her vibe is very much 🎀✨put-together corporate tech girlie 🎀✨(the kind with impeccable taste in fashion, kitchen knives, and interior design) .... at this point in time, everybody’s got fannish hobbies, and i already knew we both grew up on the internet and liked YA during its prime, but not everybody writes fanfic and actually posts it online, which is why i was literally so floored at this REVELATION i immediately logged into tumblr and had to Post about it…. 

that being said, she is STILL my boss and i’m pretty sure she hasn’t thought about the hp fandom in a long time, so. if i were to HYPOTHETICALLY give my boss a drarry fic rec list, i would start off with something relatively family-friendly 🤣 (also i apologize in advance for inconsistent link formatting)

first off: Hermione Granger's Hogwarts Crammer for Delinquents on the Run by waspabi.... this is actually the first drarry fic i read, ever, so i’m being Nostalgic and biased because this is the fic that convinced me back then. but i think this as a first rec works, too, because she was a dramione shipper, and hermione and draco are here, too (only, what if hermione was lowkey a fujoshi instead....)

since i’d HYPOTHETICALLY be trying to Win Over somebody already familiar with the hp books + the fandom — i feel like i’d have to start with fics that confront canon first, whether it means addressing plot holes or flaws in jkr’s writing and then subverting the shitty parts (the epilogue… lol) OR fics that are deeply rooted in the source material, so reading them would be like a refresher course on the hp world while also proving how compatible drarry are together in Situations, lol

i would also recommend Heal Thyself by astolat … in no particular order, some more classics: Dwelling by aideomai…. Away Childish Things / By the Grace by lettered… What We Pretend We Can’t See by gyzym… Running on Air, of course (the drarry fandom classics)… as visual people i truly think she would be charmed by dustmouth’s comics — i’d start with Going Postal and Harry Potter Gets a Job … 

so okay let’s say she’s getting convinced and i can now branch out to fics that are more TARGETED towards her specifically… i’ve never actually talked to her about fandom/trope preferences or fanfic prior to this day so i am definitely playing it safe ahahaha BUT we have bonded over rom-coms, coming-of-age stories, and lorde’s discography and email newsletters…. here are fics that give off That specific feeling to me:

Harry Potter and the Future He Doesn't Really Want, Thanks. (this was actually the first fic i thought of recommending tbh... something about loneliness in the city, hanging out with friends, it's time to play Ribs... HYPOTHETICALLY i wouldn't lead with a rated E fic though 🤣 also, as mentioned, i have a Strategy)

Faint Indiscretions by ignatiustrout

before a fall by eleadore

fics with rom-com references!!

you’ve got mail: Pages of You by wolfpants

mamma mia: if you’ve changed your mind by warmfoothills (orphan_account)

jane austen-esque references: amid this warm and steady sweetness by warmfoothills (orphan_account)

no specific rom-com as it's technically disney, but in here THE KIDS PUT ON A PLAY and it’s hercules…. we both enjoy musicals so this goes on the drarry syllabus: Falling for a Golden Boy by OTPShipper98

clueless au: Tis a Far Better Thing by The_Sinking_Ship

other recommendations i would give if i were able to successfully sell drarry to her:

Can I Tell You Something…? by Gallaplacidia (as drag race fans…)

we’re both designers who loved art first, so i NEED to recommend Truth to Materials by toomuchplor and lately. it's my duty

kylie minogue shade… the premise reminds me of an inside joke so INSTANT RECOMMENDATION: moonflower_rose’s Nothing But You On My Mind

fanfiction that would be appreciated by somebody who stanned one d*rect*on during their peak in the 2010s + the height of 1/D, 5sos fics on wattpad: Star Quality by who_la_hoop / Rich Friend by iota

fun fact, though: i roped another friend with very little prior knowledge of hp (apart from a few movies) into becoming a drarry shipper 🤣 so the moral of the story is there is a drarry fic for EVERYBODY even the non-believers… and drarry writers are so TALENTED they can convince just about anyone to come to their side...

this is so fucking wordy and self-indulgent!!! i took this WAY too seriously but i feel like tumblr is THE platform for long text posts anyway, lol. now if you've made it this far, i need to know: what drarry fics would you recommend to your boss?

just finished my 1:1 chat with my manager at work and i just found out she used to write DRAMIONE FANFICTION omg…. i wonder if i can get her to read drarry fanfiction in the year of our lord 2024…

[reginamillls]

angsty thoughts for the morning

911 constantly puts characters through the ringer and they still always come back to do the job that they love, the job that they're meant to do, born to do

and it makes sense that the main characters always come back, it's a procedural

but it would be interesting if a character just couldn't bounce back? maybe not with a main character but with a recurring one

like what is life like for a firefighter after they can no longer do the job that they dedicated their life to?

[hyacinthsdiamonds]

I'm sorry but the irony of Nico calling Max unprofessional is sending me so bad like sir there's an entire garage full of people, who were literally in the trenches trying to survive the Brocedes fallout while just doing their jobs, who might have a few things to say about your (& Lewis') level of professionalism at that time 😭✋️

[infinitelystrangemachinex]

Mel for the unhinged character bingo!

yessss YEEEESSSSSSSSS

[fromtheseventhhell]

The idea that Bran doesn’t want Winterfell shows they haven’t read Mr ‘I’m the prince. I’m the Stark in Winterfell.’s chapters. Even if he does somehow end up king of the 7k he’s going to need to rule from Winterfell. When we say he’s the North’s King Arthur it isn’t hyperbole. It’s not about muh favorite needing a crown, his connection to Winterfell and the North as a whole is such an important part of his story but the fandom, including stark fans who claim to love him, completely ignore it.

I know it's mostly because the show handled Bran's character so poorly, but it is insane to me that Bran becoming King in any capacity is seen as ridiculous by the majority of fandom. While he is far from being the character with the most leadership experience, he was the Stark in Winterfell and spent an entire book learning about his duties as such. The groundwork is there. And even without that, like you said, he has an incredibly strong connection to Winterfell. The show just...entirely erased that part of his character so that Sansa would have less competition. None of the characters becoming a leader is about having a crown as a status symbol either. That's definitely going to be different in the books.

As for him becoming the King of the 7K, I do actually think there's a chance he could end up ruling from KL. It's hard to base off the show because they did such a godawful job but I think it could happen. There is so much for Bran's character with Winterfell though that I think he has to have a least one big moment there before the story ends.

[magnusmodig]

ovo whispers menacingly abt his grandstanding .