#for me its this conscious and informed choice
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definitelynotshouting · 1 year ago
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heya i just wanted to tell you how genuinely important your arospec scarian thing is to me
the line "He's not sure what he wants, what's expected of him here" has just helped me solve a tiny crisis i've been having for the past month+ and on one hand i can't believe a fic about blockmen kissing is helping me figure this out but on the other hand im thinking of course it was your writing that helped me realize what is happening in my little feelings hole
anyway, just wanted to say thank you for how real and beautiful your writing is
sincerely, an aro/ace person who's feeling a little more okay about their crisis because you're an awesome human
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HEY ANON,,,,, THIS IS SO SWEET WTF..... holy shit im literally speechless. I dont even remotely know what to say to such a genuine and heartfelt message, except that i am so, so happy ive managed to help you like this with my writing
Writing the arospec stuff was really interesting for me, personally, because thats an aspect of myself ive never really... set out much space to think about??? Ive known for a while that im probably demiromantic, considering how close i have to be with people before i can even begin to catch feelings, but ive never truly and consciously explored that within my writing before until now. And the fact that finally doing so has helped someone with a personal crisis really makes me so teary-eyed like hello...... oh my gods.
Thank you for taking the time to tell me this, and im so glad ive managed to help out despite being a virtual stranger. That novelty is never gonna wear off for me. I hope you're having a good day, anon❤️❤️❤️❤️❤️ take care of yourself!! :]
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astraystayyh · 1 year ago
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We recently learned in our media class about the four indicators that reveal a country's use of propaganda to justify its actions/build a national and international consensus over its stance. This is exactly what Israel is doing now. Please read this to learn more about the Israeli propaganda (with sources) :
i. Establishing a distinct "us" versus "them"/"the others" divide: The Israeli media has been actively engaged in crafting a narrative that portrays Palestinians as sub-humans and animals, that deserve to be killed, butchered, and deprived of essential resources such as water, electricity and fuel. This dehumanizing narrative serves to rationalize the grave atrocities committed against Palestinians, reducing them to mere statistics, rather than acknowledging them as fellow human beings who have the right to be protected as well.
A recent example of this dehumanization (that encompasses children as well) is Israel's Prime Minister's words in a now-deleted tweet, on Oct 16, stating: "This is a struggle between the children of light and the children of darkness, between humanity and the law of the jungle."
This is also a common practice in Western media as a whole. In the context of conflict, the choice of words plays a significant role: Israelis are often described as "killed," and Palestinians are referred to as having "died" (example of BBC). The distinction can be seen as a way to omit Israeli responsibility, portraying the deaths of nearly 10,000 Palestinians as a result of circumstances beyond its control, rather than the outcome of deliberate and targeted actions.
ii. Use of emotion instead of logic: a stark example would be the whole international outrage that was first sparked due to the false claim that Hamas had beheaded 40 babies. This fake news was confidently shared by U.S. President Joe Biden, who later admitted that he had never actually seen any pictures of such events, neither did anyone in the IDF because there was never any instance of 40 beheaded babies (source) (also trust me if Israel did have any pictures of killed children they would not hesitate to share it)
CNN journalist who first shared this fake news has later apologized for being "misled." (which isn't the case that was a conscious choice of the news agency but that's another conversation)
Israel knew what it was doing by sharing this particular false information, they knew that the simple imagery of such a horrifying notion, even without concrete proof, would be a strategic tool to garner international support through emotional manipulation.
They are still trying to use emotion when it comes to children particularly to sway the public opinion : Israeli government spokesman has shared images of "fallen teeth of burnt children." This post has been debunked by dentists, pointing out many contradictions in the pics that conclude that these are props and not the teeth of actual children found in rubbles. (source)
(Meanwhile, there are factual documented videos and pictures of dead Palestinian kids and babies, decapitated, injured beyond belief, tangible proof of the war crimes Israel commits and yet the public outrage isn't the same, because Israel has already established that Palestinians are lesser people)
iii. Attempting to Influence Both Elites and Ordinary Citizens: In addition to their efforts to secure international support from world leaders, Israel has employed a multifaceted approach by spreading advertisements that regular civilians view. These ads serve to rationalize their actions, and they are strategically placed ahead of unrelated programming, including children's shows or games.
This tactic aims to integrate their ideology into various aspects of our lives, in order to promote their agenda and inundate us with recurrent pro-Israel messages. This strategy capitalizes on the psychological principle that the mind tends to retain information it encounters most frequently. (a more detailed video explanation)
iv. media manipulation tactics : For example, the night before Israel bombed the Baptist hospital in Gaza killing more than 1000 people, BBC published an article with the headline "Does Hamas build tunnels under schools and hospitals?" giving way to a "justification" for the heinous, war crime act that is bombing a hospital, under the guise of targeting Hamas hidden bases.
The use of the Israel-Gaza war as a headline for the news leads us to believe that this is a war with two equal (or slightly disproportionate) parties who are both able to defend themselves. Whereas this is a genocide led by Israel (a powerful military with international backing by the world's most powerful nations- U.S, U.K, France, Germany.. to cite a few) and CIVILIANS. Because those are the people that Israel is targeting, by bombing hospitals, schools, mosques, churches, refugee camps.
It is a genocide, an ethnical cleansing, an attempt to eradicate entire families, then to relocate the survivors out of Gaza, making it impossible for them to reclaim their land, and resulting in a total takeover of Palestine by Israel.
Another manipulation example (because there are so many) is the first and most prominent question that many Western journalists ask their guests: "Do you condemn the attacks of Hamas on Oct 7?"
This question completely disregards the root of this entire conflict, which is the 75-year ongoing colonization of Palestine. By omitting all the previous crimes against Palestinians that led to the attack (the killings, the wrongful imprisonments, the torture, the stealing of land…) these 'journalists' actively manipulate the public opinion, portraying the Hamas attack as unprovoked, when you cannot possibly expect a colonization to have 0 resistance.
And an honorable mention to the zionists who are trying to morph the anti-Israel stance into an anti-Jew one. This isn't about religion, I've said this once and I will say it again, Jews around the world are condemning the actions of their government. Just recently, Jews were arrested in NYC for standing against Israel. (source)
This is a humanitarian cause. We're humans, this is the one denominator factor that unites all. We read about previous genocides in history. We wondered how people could support the killings of innocent people, men and women, and children and babies. It is happening right now again, and media propaganda plays a significant role in shaping public perceptions.
I couldn't include everything here but please, I urge you to use your critical thinking. Don't believe everything the media tells you, and this is coming from a graduated journalist. We learn about propaganda and how to counter it, which also means we learn about how to manufacture it.
So don't be gullible, boycott the companies who support Israel (mainly HP, Siemens, AXA, Puma, Israeli fruits and vegetables, Sodastream, Ahava, Sabra. check BDS for more information) and urge your governments to support the ceasefire. We have a voice and we should use it, even if we're uncomfortable, even if we're scared. Do it. By staying silent you become complicit in genocide.
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4dbarbie-archive · 1 year ago
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4dbarbie remix: How to let go of Vanessa
My notes: This is basically a TLDR version of my first 4dbarbie remix post How to realise Self. My original intention for that post was actually to make something like this, a really straightforward (and short lol) practical guide on how to let go of the ego in order to realize Self that I could refer to and apply on a day to day basis. It ended up being a long essay (it was over 3000 words aha) as I decided to go through all her posts and answered asks and found a lot of important information to include so it sort of became more of an educational post (which I'm glad to have made and it helped me understand everything better too!). So anyway, here it is. Pretty much all of the below information was taken from my How to realise Self post (besides the suggested exercises section at the bottom) - I just extracted the more practical guidance outside the explanations to make it.
My personal notes and highlights are in pink for main points and purple for 'action' points.
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Just let go of the ego, that’s how simple it is. All you need to fix is your wrong identification. There isn't anyone who couldn’t materialize anything right now if he or she would just let go of identifying as the limited body. 1
Stop thinking you are Vanessa, the thoughts of needing this or that drop away. To change, you need to give up this conviction of being this person. You need to disbelieve. 2 A lot of beliefs are subconscious. "I am a body", "I am Vanessa", "There is a world" are all subconscious, automatic beliefs. Upon investigation you can get rid of any belief (by making them conscious and then dropping them). 14 How do you drop a belief? (see part 1 and part 2)
All you need to do is detach from this form during the day, let life happen as it happens while reminding yourself it's a dream, a dream that doesn't have to be yours. 3
What I recommend you to do is bring your self into focus, become aware of your own existence. See how you function, watch the motives and the results of your actions. Study the prison you have built around yourself because of credulity. By knowing what you are not, you come to know your self. The way back to your self is through refusal and rejection. 4
Leave your mind alone, that is all. Don't go along with it. 5 Thoughts will keep on coming for a while, just now you know they have nothing to do with you. Get into a habit of watching, letting them be but not identifying with them. If you can observe them, it means you are not them. 6
Step away and look (observe). The physical events will go on happening, but by themselves they have no importance. It is your mind alone that matters. When you identify yourself with them, you are their slave, you think you have to act on them. When you stand apart, you are their master 7
Just stop taking the thoughts you don't like for truth or reality. There is no convincing involved, it is all letting go. 8 Doesn't matter what the thought is, leave it alone, ignore it BUT not by force of will, just indifference 9
Start letting go bit by bit, just to see what happens. You won't start "acting crazy" just because you become uninterested in thoughts, I promise 10
You don't need to convince yourself they're unreal, just dismiss them (the thoughts) as not yours. They will disappear more and more through your newfound indifference, then their physical counterparts will, too. Detachment is by doubt and indifference. First you start doubting "the facts", then you become indifferent to the facts, lastly there are no facts anymore and you can establish your own. 9
Your next step will be realizing there is nothing to learn in a dream. You'll find yourself having less and less thoughts, then none at all. Then, only if you want, you will be able to reinstall the mind, now of your choice, and change the dream. 3
All you need is to get rid of the tendency to define your self. All definitions apply to your body only and to its expressions. Once this obsession with the body goes, you will revert to your natural state, spontaneously and effortlessly. 4
Be patient with yourself because you don't lose any time, just get to that place I'm telling you about and then you can just go back in time if you so wish. All worry is pointless! And there is nothing to fear, things just happen, do not claim them as yours for a while. Unclutter your mind, it becomes your servant after you've freed it enough. 11
Reminder: This body and this world are not forced onto you, they exist through your identification with them. Not yours, remember? Repeat. Not yours. You won't lose your mind, you'll only lose your misery. After you've detached, you'll easily shift to as many realities as you want - don't put any on a pedestal of desire, they are equal. See this world and the body as not real first. What is true is only what I AM is identified with, right now this body which is not in that TV show (referring to anon's desire). Correct this first by letting go of thinking it's you. 12
Suggested exercises (not required if you don't want to do it!)
1. Sitting in silence & just being with no thoughts - The whole point of sitting in silence is to realize what you are, pure beingness. Awareness only becomes consciousness when it has an object. The object changes all the time. In consciousness there is movement; awareness by itself is motionless and timeless, here and now. 4
2. Start doubting you'll wake up as Vanessa tomorrow - Not to get it, but consider it actually… What if… I wake up tomorrow and I realize an entire life has been just a dream?! Equal to the one I dreamt last night?! What if you wake up and realize it all was a nightmare that you THOUGHT went on for years and it's just been a few hours... even get scared and terrified about that thought. Better than getting scared about non-reality.
WHAT IN THE WORLD?! That never was... but I felt it so real, I swear I was her?! Yet here you are, awake, and the dream never was.
Do it like that. Doubt that it's anything but a dream as much as possible. 13
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Sources:
Citations: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14
In-text links: 1, 2, 3, 4
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thedreadvampy · 1 year ago
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DO YOU GET IT? BECAUSE AI ART BROS REFUSE TO UNDERSTAND THE INTENTIONAL CONSTRUCTION OF IMAGERY??? DO YOU GET IT? THIS IS WHAT THE PAINTING IS ABOUT. IT'S ABOUT THE IDEA THAT ART IS NOT A WINDOW ONTO A FULLY FORMED REALITY BUT A CONSTRUCTED IMAGE. THERE'S NOTHING BEHIND THE MONA LISA. CECI N'EST PAS UNE LANDSCAPE. I AM VERY FUNNY AND NORMAL AND DON'T HAVE TO EXPLAIN MY OWN JOKES.
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I'm so mad bc I worked weirdly hard on this joke but it was for Twitter and nobody follows me on Twitter but it really tickled me
#red said#if there was something behind the Mona Lisa I'm not sure it would be her lower body melting into a hellmouth#but i find this so genuinely fascinating like. oh my god that's what is weird about a lot of the AI Art discourse#this like. Weird relationship to construction and intentionality.#it's like. ok hear me out cause i know this is a classic from me.#but it's like the people messaging Neil Gaiman asking for the True Story Behind [abstract or passing mention of something]#it's like there's this whole subset of people who on some level approach art as a physical window into a fully realised world#not fully realised sorry. fully REAL.#but there's no fourth wall. the forest of arden ends at the wings. nothing exists outside the frame.#and that's fine! because the way the frame is composed#what information exists and what's left for you to construct for yourself#is a CHOICE. it's done on PURPOSE.#what's left unsaid is as much part of the story as what's said#anyway idk whether the people making the BEYOND the FRAME of FAMOUS PAINTINGS threads are taking it seriously#but i find it so so so conceptually fascinating.#and also like. the refusal to admit intentionality as part of the value of art is why generative art is worse than it used to be.#bc before this Hot Craze where people decided to start pretending en masse that autocomplete is some sort of search engine and ghostwriter#people WERE making genuinely fun and interesting generative artwork which engaged with the artifice and randomness of the medium#you know it's hack but like i want to see eye monsters and walls made of cats#and read the strange poetry of generative recipes or names or stories#produced and curated by artists who use that to highlight the absurdity and lack of conscious thought in the software#like and i don't necessarily mean capital-a Art either#listen. 'ron was going to be spiders. he just was.' and 'you are hagrid now' live rent free in my head#generative art is delightful specifically BECAUSE the medium imposes absurd meaning#it creates its own voice. sam and i were comparing it to like. dadaist collage or blackout poetry. inanimate collaboration.#but the reason it's interesting is that the nature of the medium is antimeaning. which like. by working with that as a medium#you. the artist. inevitably bring intentionality and perspective and meaning and pattern however hard you try not to#it. the Meaningless Noise Generator. intrinsically runs counter to that however much you try to make it make sense#and that's SUCH an interesting juxtaposition. it can't help but be a conversation about what meaning something actually IS#but nah we're not doing that we're pretending the Meaningless Noise Generator is generating meaning???? YOU'RE RUINING IT!
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too-many-hyperfixations · 2 months ago
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Transformers One Megatron Character Analysis
The movie calls him something else for a lot of its runtime. I’m calling him Megatron because that’s what we know him as and it’s cooler. Spoilers for the movie and a TON of paragraphs ahead.
Megatron’s arc in Transformers One isn’t primarily about betraying Optimus, it’s about his trust in authority is shattered and how that affects all other forms of trust for him.
We meet Megatron in this movie before he believes himself on the level of the primes and thus not having taken up the name of one. This movie is Optimus’ movie, as most transformers movies are, so we have to encounter Meg through him. Meg’s first time speaking his own mind rather than just covering for Orion is on the train shortly after his initial onscreen appearance, where he chided Orion for breaking into the archives yet a g a i n. The reason he does this is interesting to me though!
See, Megatron doesn’t just point out that it’s dangerous because this isn’t the first time security has chased him down, he says it’s an unnecessary risk. Meg cares as much about the source of the planet’s energon being revitalized as anyone else, but he wholeheartedly believes that their leader is not just looking in the right area in the first place, but that he is fully capable of wrenching free the matrix from the forces that be on the surface! Mind you that these are forces he nor anybody else can verify. Only Sentinel and his personal cabinet (who have everything to gain from keeping their mouths shut) have ever actually BEEN up there!
For all the faults of Orion in this movie before the consequences of his actions force him to discover what it takes to become a dependable leader, Orion forces Meg out of his comfort zone in the ways he has to be to grow as a person! This is what leads to Megatron getting into the race, which is the first time we see Meg having to make split second decisions, and doing really well at it! The two nearly get first by a close margin!
The next time that Orion manages to talk Meg into a situation outside of his comfort zone is when he gets them to go all the way to the surface, and even explore there, instead of going home! Meg’s journey on the surface marks the first time he really starts making choices for himself, because although he has a friend he trusts enough to follow the decisions of with him, there’s no authority up here with him. Sure, his former manager is there, but she was demoted earlier and he followed Orion’s judgement over hers even then. Megatron is now making decisions as part of a group in a situation with nobody qualified to give orders. Even when a sudden mountain formation starts taking out the tracks, listening to Bee and running is a conscious decision made in the moment rather than one made because he does this every day this is what you do. He can make decisions in a split second for himself, he's done it with hiding Orion in his cart, but never without the safety net of someone to defer to. When the quintessons are scanning, Meg is at equal standing in the group with their discussion agreeing that those ARE quintesson ships and then helping decide their course of action about the danger. This all comes to a head in the cave, when Megatron, loyal Megatron finds out his life is a lie. His own words on his LIFE BEING A LIE! The minute he fully processes that this information is real and what it means, he goes into a pretty brutal explanation of how he wants to kill Sentinel! This doesn't just break his trust in authority, however, he starts questioning if he can trust ANYONE he's meant to trust! He takes the capsule of proof the original prime gave them partly because he doesn't trust others with it, and partly because he now has a need to be the one in control, including over how that crucial information gets used. If he can't trust the person whose integrity is the most important for their entire society, can he even trust his friends? By the time they reach the Old Guard, Meg has already decided that the answer to that question is no. Even while running over Sentinel with a TRAIN, Optimus is set on using the power of broadcasting and entrusting truth with the people to do the right thing with it! Megatron believes Starscream's philosophy even before he's told the words of it, the strongest bot gets all the power. His trials out here have been those of combat as well, that have fortified his mind, made him worthy! The problem isn't in the system, it's in this one specific person who needs an example made of him for all time! "The rebirth of Cybertron cannot begin with an execution!" Says Optimus. To Megatron, it was always the only way. The strongest bot deserves all the power.
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wutheringskies · 1 year ago
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Re-reading MDZS; CH 1 - 11
rereading mdzs out loud with my bestie and we're only doing 2 chapters a day, and discussing everything and here are things I never noticed:
1. from the start, the narrative exposes us to how Wei Wuxian is when he's upset: he's unfocused, walking off the wrong way, disliking his reflection, organizing his thoughts, crying but not saying he cried.
2. despite being miserable, when lil apple tries to cheer him up, he thinks "the poor donkey even went out of its way to drag him" and decides to be get up and move on. it's not an in-built setting - it's not a "being born chronically optimistic" but rather a conscious choice.
3. frankly i never noticed just how sombre his tone is in the first couple of chapters. it's quirky and sarcastic but sombre all the same.
4. also, this guy is literally a Lan. like I'm sorry, he probably has a degree in the Lan Sect. he keeps explaining everything about them.
5. Sizhui already made such a huge impression on him that the first thing he thinks of when he sees Jin Ling is that he's of Sizhui's age.
6. Wei Wuxian IS traumatized about Jiang Cheng. His reaction is simply to run off into the distance. He DOES NOT like being around Jiang Cheng, and his opinion about him is not good, as he keeps adding comments about Jiang Cheng's arrogance, his anger, and comparing him to Lan Wangji (knowing JC hates being compared, and I personally think this was something he never allowed himself to do.)
7. Jin Ling was such a jerk under Jiang Cheng and Jin Guangyao's tutelage. Like, sincerely.
8. Lan Wangji does not even acknowledge Jiang Cheng.
9. Also, a comment that my friend and I made: MDZS is a book about Lan Wangji, with Wei Wuxian casually throwing some trauma on the pages in between. Like, goodness, the narration from Wei Wuxian's point of view rarely describes a lot. But come to the point of Lan Wangji and this guy won't shut up. His clothes, his face, his voice, his sword, their meaning, the clan rules, what they stand for - Wei Wuxian tells us more about Lan Wangji and the Lan Clan than about his own life.
10. Wei Wuxian was so in love with Lan Wangji. Since he saw the Lan Clan this guy was on his head. THE FACT WEI WUXIAN CAN RECOGNIZE LAN WANGJI JUST BY 2 STRUMS OF HIS ZITHER after 13 years of being dead!!!
11. When Lan Wangji held his hand, he was breathing hard and his notes on the flute kept cracking
12. Wei Wuxian is so good at meditating btw
13. Wei Wuxian describing Lan Wangji's voice as "deep and magnetic" and "stirring the heart" like bro trust me Jiang Cheng's not feeling any tugs upon his heart, and Jingyi is most probably just scared.
14. Wei Wuxian is such a flirt with women - his best flirting tactic is "give them space" 😂😂
15. Wei Wuxian did not ask, expect or even comment upon the absence of gratitude from the villager clan after saving them and instead even thanked them for providing him with information.
16. Wei Wuxian is so keen on people's behavior. Noticing the orb of souls that could've been saved if people were more focused on their duty than catching a prey like Wen Ning, understanding people's discomfort etc.
17. He's such a good teacher, earning the respect of Lan students just like that, asking good questions, not even complying with his own worship, and appraising them when they get things right and also playfully scaring them with Hanguang-jun's punishment (what a husband)
18. Wei Wuxian has great self esteem but poor self worth, but he's working on the second part.
@zenenini
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trippinsorrows · 2 months ago
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Now that Dulce is gettin shine too, a random thought came where Roso are gettin' all hot 'n heavy, but little fur baby bursts in and kills the vibe? Like, can we see them gettin' all steamy, but then the puppy comes outta nowhere and starts barkin', makin' 'em stop and go all cute and stuff 🐾💕 hehe😝😝
coming home for an afternoon workout and subsequent lunch might become roman's favorite part of the day. good food is one thing, but having his fine ass wife laid out on their dining room table is a different kind of cuisine.
dessert at its finest.
of course, she tries to protest, voice soft as he kneads her breast. he can never get enough of those. "roman, we c--can't."
his mouth, sucking on her neck, in that spot he's noticed makes her fingers scrape against his taut skin. "says who?" his hand travels from her breast, down to her stomach, gently squeezing the pudge he knows she's still so self-conscious about, hence his determination to strip her bare of all inhibitions. "i'll take you anywhere i want to. this table...that sofa....the balcony....."
solana moans underneath his expert touch, bringing a smug on his face. that suddenly just became a to-do list he's more than willing to get started on right now.
roman moves his hand lower, slipping under the flowy little dress she decided to put on today, not knowing it would land her right where she is. his finger tease her opening, unsurprised to find her nectar practically dripping. roman's dick twitches in his pants. "i love how wet you get for me, baby." she's so fucking sensitive to any and all things regarding him, and he loves it. "how do you wan--"
he's interrupted, and if it was a human interruption, the other person might be dead by now. but, it's not. it's a four legged interruption, a bark that's quite pathetic to say it's coming from a dog.
"go away." it's an easy dismissal, roman going to enter one finger into his wife's pretty pussy when she presses her thighs together, hindering him.
he looks up at solana who weakly informs, "she--she needs to use the bathroom."
"she can wait." it's an easy choice. "i can't." he gently tries to pry her legs apart when dulce barks again, taking it up a notch as she runs up and jumps against roman's leg. he turns his glare on her, instructing, "go use your pad."
solana whines for a different, much less interesting reason, sitting up a bit on her elbows. "roman...."
he sighs, "sol, she's fine. now lay back down and tell me how you want me---"
once again, dulce refuses to be the quiet little puppy that she's been every other time he's tried to be intimate with his wife. but not this time, because she's barking again, louder, running in a circle.
"it'll only take a couple minutes," solana suggests.
roman, however, knows better. "no, she's gonna walk around and bark at the air for a good 10 minutes before she even pisses. my dick is hard as fuck right now, baby. i'm not trying to wait---"
the barking turns to whimpering as dulce lays on her stomach, ears down. roman closes his eyes and mentally counts backwards from ten, something that only sometimes works. thankfully, this is one of those times.
"fine," he finally agrees, standing up and watching with all the disappointment as solana sits up and moves off the table. "but as soon as she's done--"
"i know," she cuts him off, hand on his chest, leaning up to kiss his cheek as she almost nervously whispers, "your mouth...i want your mouth."
roman nearly bursts in his pants, hand coming down on her ass as she guides dulce to the backdoor.
that dog is getting a fucking muzzle.
-----
not exactly what you said, friend, but figured i'd whip up something real quick! 😂
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avelera · 9 months ago
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"Don't listen to me, listen. You can find the others if you are brave. They passed down all the roads long ago, and the Red Bull ran close behind them and covered their footprints. Listen! Listen, listen QUICKLY!"
The Butterfly from "The Last Unicorn" by Peter S. Beagle
Was just thinking about this quote today. I think Peter S. Beagle may be one of the most incredible poetic prose writers of all time. His prose was one of the first that made me think that prose was its own form of dark magic.
The above quote is from the film version, but the book version isn't all that different and Beagle also wrote the script for the film, so this stands to reason.
"No, no, listen, don't listen to me, listen. You can find your people if you are brave. They passed down all the roads long ago, and the Red Bull ran close behind them and covered their footprints. Let nothing you dismay, but don't be half-safe."
The core is still there as is the the most important lines:
If you are brave.
What a simple, effective line. It is so powerful I still get choked up. If, the conditional, you, the subject, are, the verb. Brave. I'd argue the reason for its effectiveness is because of how rarely we are called upon to be brave, how huge of a concept it is to be brave. Brave is an adjective but arguably, here, it is an action. It is a course of action. It is a choice. It is not calling bravery inherent, it is not calling the lack of bravery a failure. It is saying that to succeed, the unicorn must make a conscious choice to become something greater than they are. What an incredible call to adventure, how simple and heartfelt it is, because heroism and adventure as mirrored by Prince Lir later, contrasting the empty pageantry of slaying dragons for a princess's favor with the bravery of the unicorn to leave her home behind in order to find her people, and the one who has wronged them.
The other line of deep importance.
They passed down all the roads long ago, and the Red Bull ran close behind them and covered their footprints.
Again, this line is utterly haunting. What is the Red Bull? Where did they go? Down all the roads. The inherent and yet abstract distance implied, the mysticism of the road invoked. Why can they not be found? Because the Red Bull covered their footprints. They were stolen without a trace.
So much information is conveyed in so haunting a manner. It invokes the challenges the unicorn will face, because there is no easy trail to follow and there is no destination given. She will be forced to wander in search without a clear endpoint. It may never end because there are no footprints to follow and there is a huge, unknown, unknowable threat at the end. What is the Red Bull? That will be your antagonist but is it the only one? Or is it just the tool of a greater threat?
If you ever want to see how words can be magic, do yourself a favor and read "The Last Unicorn" by Peter S. Beagle. I could pick out a dozen more lines to gush over but I'll leave it there for now. The book is even more magnificent the film, and the film is indeed magnificent. It's not a very long read. But if I could ever invoke even a fraction of the beauty Peter S. Beagle brings to the page, I will consider myself an immensely accomplished writer, walking in the footsteps of giants.
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v1leblood · 1 year ago
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putting microphone to your mouth. explain lisa wilbourn to me
these posts are the most important lisa images on the internet
i don't know how to explain lisa. she's a normal girl who has something wrong with her. her life before triggering was mundanely miserable and her life since triggering has been defined by trying to prevent the circumstances of her trigger over and over and over and over and coming out of it a 'better person' but in many ways a much sadder one. i don't think saying any parahumans character 'gets over' their trauma but lisa's someone who like. not even in the most charitable definition has in any way gotten over her trauma. outside of a few She Would Not Fucking Say That moments ward is pretty good with lisa and it's fucking tragic bc she's Still mourning taylor, she's trying to take care of aiden so he won't turn out like taylor, and she ends up getting similarly attached to victoria when she sees in just how low of a low victoria's around halfway through the story.( her rl w victoria is much healthier than her attachment to taylor bc she doesn't consider vicky a Full rex but those caring instincts still come out. )
something about lisa is that being lisa and interacting with lisa are both horrifying. lisa's power doesn't let her not know the best or worst way to talk to you. every time you're having an interaction with lisa, every time she's having an interaction with you, there has to be a conscious choice as to whether she's going to play into the informational power imbalance or whether she's going to try not to -- except, the information is still there, isn't it? unless she actively focused on something else or actively switched her attention around quickly so her power can't go into detail on things, she Knows things she shouldn't, and even if she doesn't act on that information, what you'll get out of her still isn't going to be her 'natural reaction' to what you're doing or saying. it can be the closest thing, but by having the information and not using it, the reaction she gives will still be one filtered through having the information and trying to Act as though she didn't. her power taints any social interaction. and sometimes its not a big deal, and of all her troubles i don't think this particular thing bothers her that much, but its kind of existentially horrifying that any interaction she has is imbalanced in her favor as far as knowing things about each other goes. whatever your or anyone's opinion on lisa's aromanticism, what she gave as her reason for why dating is hard/impossible for her rings true: she meets people and there's no mystery, they're almost immediately laid bare, and that changes things about the way she interacts with them and how she's willing to mentally categorize them in pretty much every context, not just dating. she took a single look at alec and immediately knew he was emotionally numbed and 'sociopathic', she immediately knew grue was concerned about putting up a tough front and about being Professional, she Immediately Knew taylor was basically on the brink of either suicide or something much like it. it taints everything. even when lisa's not being manipulative (which she often is on purpose) you can't Know that she's not just feeding you the right line or the next best thing as per her encylopedic knowledge of You. its fucked up!
and like ive mentioned other times i think this aspect of her power, having people laid bare before her, often their worst selves laid bare before her, really contributes to her cynicism and the arrogant front she puts up, because she may have flaws, but she knows that everyone else fucking sucks, too
theres more Stuff about her including the way in which shes manipulative her little neuroses and how her morality evolves throughout worm but im just rambling w/o a specific Point so idt i can share my thots on those and make them cohere in this specific post
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creaturecomfxrts · 9 months ago
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wip huskerdust fic ⋆.˚ ᡣ𐭩 .𖥔˚
let me know what you think! i want to finish it but…. whos to say….
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Angel Dust shifted in the satin bar stool he was currently perched upon. In one of his many hands he swirled an obnoxiously fruity cocktail. In another, he propped his head up, slender fingers curled as his knuckles rested against his cheek, ever conscious of how he looked. If the spider didnt look like a slutty pin up doll from every angle, it wasnt enough. At least its not a floozy nightclub, he thought , sipping the drink as he surveyed the room. The pink liquid burned delightfully on the way down. It wasn’t as good as the custom drinks Husk made him. He missed the little umbrellas.
The place was huge and packed with people, gold studded walls, crystal glasses teeming with whiskey on the rocks and overblown confidence. Poker tables were spread out among the floor and sinners in gaudy outfits cashing in their life savings as the cards, chips, and booze flowed. Casinos weren’t his outing of choice, but he’d decided to join a mission that the radio demon had sent Husk on, if only because he was bored out of his fucking MIND in the hotel. It had nothing to do with the genuine companionship he had begun to feel toward the grumpy old man. Absolutely fucking nothing. Their present goal was to topple a rising new overlord’s empire, or at least begin the process of doing so. The two were here strictly to collect as much information as possible, get as little dirt on their hands as they could. Alastor had said the overlord was “unchivalrously inching closer to his territory”, whatever the hell that meant, and he simply would not allow his power to be contested. Husk, being a former overlord of gambling himself, was perfect for the job, much to his chagrin. Alastor had recruited him for task earlier that day, slinking over to the bar with his signature grin stretching at the edges of his face. Husk grumbled about it as much as one would expect, but largely held his tongue, accepting the assignment. Angel empathized, knowing the cold and sickly pull of the leash just as well as his friend. Alastor kept his cards closely tucked to his chest, no doubt the trait that scored him husks soul, so very few knew the cat’s affiliations with him. They both preferred it that way. now, hours later, they had arrived at the casino, and angel found himself with nothing important to do. Husk had told him as soon as they walked in to simply just “sit and look pretty” over by the bar while he worked the room. With no shortage of innuendos on his end, Angel and Husk parted ways to opposite ends of the joint. It had barely been an hour and the spider already had to fend off multiple overly handsy patrons with gold toothed smiles and flashing eyes, promising to win big just for him, or more likely, for whatever they hoped to get from him in the cheap hotels lining the streets outside the joint. None of them offered good information, not yet, anyway.
With nothing better to do in the moment, he found his gaze utterly drawn to Husk. There was nothing particularly eye catching about the man, at least at first glance. He was short, often rude, and had a prickly personality to match his rough appearance. Angel had originally not given him a second thought, just being glad that the cat kept the booze coming cheap and convenient, but the more time they spent tossing lighthearted animosity over the counter of the dingy bar, the more he found himself genuinely appreciating the bond they’d tediously settled into. He, only in the privacy of his own thoughts, tentatively called the man his friend.
Said man, in the present, was leaning back in a mahogany booth, cigar (where the fuck did he get that? Angel wanted one. The fuck?) lit, the smoke lazily propped between two wickedly sharp claws. Husk’s expression, though not close enough to read poperly, was completely relaxed. His poker face was immaculate. Even from here, he could see the other players tensed shoulders and baited breath, no doubt unnerved. Husk had piles of chips on his side of the table, and it would take a blind and deaf motherfucker to not predict the outcome of this round. Girls in seqiun miniskirts and too tight dresses leaned as close as Husk would allow, enamoured by his expertise. Angel bristled a little, then remembered himself. What the fuck was he jealous of? He could pull anyone in this place. He pushed the feeling down as quickly as it arose, refocusing on the center of his attention. They had barely been an there an hour, and Husk already had half the room wrapped around his finger. He was magnetic. Angel turned, only for a moment, to guesture for a refill when an enraged wail came from the far table of the casino. He whipped around, comically, alongside the bartender, who was just as engrossed in the match as he was. Husk must be somethin’ special if he could get the staff’s attention, Angel mused. The wail had come from a particularly sore loser, an imp in a finely pressed suit with his tail lashing as he forked over his previous winnings. Husk, fittingly, was grinning like a cat who just got the cream. Angel snickered at his own stupid joke. He felt something flutter in his chest at the confident expression gracing the cat’s face. It was so different from his usual tightly wound, brow-perpetually-furrowed, glowering kind of look he seemed to always have. Angel decided pontedly to not dwell on the fact that he paid close attention to the bartenders expressions to be able to even notice that in the first place. He took a rather large sip from his drink.
Snuffing out the cigar on the provided ashtray, Husk rose frim his seat, brushing past his new admirers with a flick of his feathered tail, heqding in Angel’s direction. The smug look had settled into a satisfied grin as he thumbed through the fat stack of cash between his paws. He slid onto the barstool next to Angel, placing his earnings between them with a happy sigh.
“This place is a shithole compared to the casinos I used to run, but by God, its good to be back.” He nearly purred, finishing up his tally of the money.
“You really know ya’ stuff, dontcha kitten?” Angel hummed, beginning to like this new side of Husk. The cat stretched, bones popping, no doubt from staying still so damn long.
“What the hell do you think?” His retort held no bite to it. “I didn’t become an overlord by fucking around, thats how I lost it.” He Paused, lost in thought for a moment. “Anyway, any luck, Legs? I aint got much information on my end, but another few rounds should get them talkin’, I’d say.”
“Nope. Justa bunch of horny freaks. nothin’ useful.”
“Keep workin it baby, your next drinks on me. Holler if you need anything.” He slid a hefty sum of cash to Angel, turning away as the spider retorted that he could buy his own drinks thank you very much.
“Think of it as a thank you for luggin’ your ass out here with me” The cat said over his shoulder, before slinking back into the fray to look for a new game to decimate. Angel watched him leave, the fluttering feeling back with a vengeance in his chest, somewhere underneath all the fluff and heartache.
After that brief yet confusing interaction, Angel drowned himself in cocktail after cocktail, getting comfortably wasted. He flirted with everyone, played his best “you can look but you cant touch” game he could. It was hard. Husk was far too distracting. The cat was drifting from slot machine to roulette table to poker game, round and round, only stopping to drop off his earnings with Angel. With each jackpot his eyes grew brighter. His posture straightened. His honeyed drawl grew smoother. His tail curved at the tip and twitched ever so slightly, a sign of happiness, and perhaps the only emotion he couldn’t mask from his adversaries across the table. Angel would never admit that he’d looked it up (He’d been curious. Could you blame him? The man never talked feelings. Angel had to learn to read body language, that was it.), and worse, found it ridiculously endearing. After not so subtly letting down yet another drunken suitor with no valuable information, he felt a brush of feathers against his back. Husk joined him at the bar, yet again with more winnings. “Making good use of that cash, huh, spider?” He quipped before flagging the bertender for a shot of whiskey.
“You know it Daddy” he cooed with a drunken grin, leaning in to the other demons personal space.
“Shaddup with that shit.” Husk grumbled, pushing Angel back, soft paw shoved into his face. “I aint your client.” Perhaps Angel was too drunk, but he swore he saw a hint of color tinge the other man’s furry cheeks. Husks brow furrowed, and the moment passed. “Wait… Ive got an idea.”
Angel cocked his head, curious.
“Theres a lot of pompous freaks in this casino. More so than many i’ve been to. Its clearly the atmosphere the overlord of this area wants to cultivate.” He continued. “You fit right in—
“Hey! I-“
“Let me finish. You fit right in to these motherfucker’s wettest dreams. You’ve had no shortage of suitors tonight, yeah?”
“Yeah. Unfortunately.”
Wanna be my arm candy?”
Angel felt his face explode with heat.
“What.”
“I- ahm- ‘scuse me. That came out wrong, sorry doll.” Husk coughed. “I mean, will you act as my arm candy for the evening? with your pretty little face on my arm, ive got a feelin’ people are gonna be a lot more loose lipped.”
Angel blinked. He blinked again. “You think thatll work, Husky? really? I mean i know im hot but i dunno…. you seem to be workin the crowd pretty damn well, kitty cat. Wouldnt wanna break yer stride.” He fidgeted with his many hands, not sure what to do with such a polite yet bold proposition. Normally, people dont ask, they just take. If Val wanted arm candy, he grabbed whoever he wanted whenever he wanted, including Angel. Especially Angel. This was different. He was snapped out of his head when Husk replied, kind as ever.
“Trust me, kid. It’ll work wonders. Whaddya say?” He slid off the stool, downing his shot before holding out a hand to Angel.
Angel nearly tripped over himself taking it. They walked shoulder to shoulder like a proper couple, elbows linked. Husk leaned closer, “New place, same job. Sit and look pretty. Do whatever you like. Flirt all ya want. But, if ya dont mind, just let me do the talkin, okay?”
Angel could only nod, butterflies swarming in his stomach so ferociously he felt nauseous for a moment.
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klunkcat · 4 months ago
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Forget-Me-Nots
rise of the tmnt tags: hurt/comfort, post movie word count: 18.8k characters: mikey & leo, minor leo & don
Leo’s maybe not as alright as he would like to believe. It’s just that he’s been misremembering a lot of things, small sections of his brain just smoothed over somehow, missing all of the regular information.
It also just keeps happening.
read on ao3 here
This is a fic I wrote basically entirely for @goodlucktai so thank you as always my sun and moon for your constant inspiration <3 Turtle brain rot lives within me permanently and will never die probably
____
At the center of it all, Mikey doesn’t regret it. He knows how angry his family would be, has actually watched from the outside how devastating it is to lose any one of them for a single second— the four minutes and seven seconds after the Krang ship exploded and before he cracked open himself to drag his own portal into existence were their own swan song. He felt the way the world coalesced into a singular black hole of grief that felt impossible to move underneath. He knows this changes all of his family in awful ways, that it'll rewrite them all fundamentally, and the thought makes him want to scream and apologize immediately after his choice solidifies in front of him, but he can’t possibly bring himself to pick anything else all the same. It's not that this is different, but it also is entirely. 
He thinks the problem is, at its core, the fact that he refuses to regret it at all. 
Getting Leo back is an impossibility— Mikey reached through and pulled the millionth of a million chance through and made it possible anyways, because it’s Leo. Because it’s his big, stupid, self sacrificing older brother who never even asked them how they’d feel before diving off on his own. Because a world without Leo and his whip crack jokes and larger than life energy is one he can’t stand to be in a second longer than he already has. Mikey makes it possible, because there’s no other option he will accept. 
He can see it later, all the words Donnie used to describe the choices and paths he burns right out of reality, bright and bold against his skin; there are branches, there are branches of branches. Each one of them splinters up his hands and arms until he can find the one where Leo makes it back. It hurts, and even with Donnie and Raph at his sides, it almost doesn’t happen at all— in fact, there’s many times it doesn’t. 
Mikey’s not supposed to be able to do this, not yet— he can see the years he spends honing this in Casey’s world, all the time and training and drain it puts right on that intangible ball of fire that makes up all of them. There are so many worlds where he can’t figure it out in time at all, but Mikey blazes through those anyways. If he can change things he will, and he will change them again and again until everyone he loves is safe and fine and home. It takes a lot of tries. Maybe that should have been the first warning sign. 
It starts with tingling in his fingertips. Fuzz, somewhere just at the end of himself that by day two, when Leo is conscious enough to hold a conversation in Donnie’s med bay, he almost misses when it gets worse. The shocky feeling is just the adrenaline, probably he thinks. It had been a really intense few days. By the next morning, attempting to text Cassandra and watching his phone fall from his hands for the second time, it hits him that he can’t feel anything in his hands at all.
By lunch, it’s at his elbows, dinner at his shoulders. He realizes that there are whole conversations skipping past; he’s awake and then he’s in bed, then he’s standing alone in the kitchen and he thinks he maybe hasn’t moved in entire days somehow without participating in any single moment of it. His family won’t look at him directly unless he speaks— he realizes what this is, what the burnt out remains of all those worlds had left him with. 
He still can’t pretend he regrets it, even then. 
He should tell Dee, or Leo, or Raph— Dad, Casey Jr., Barry, anyone at all— it’s been too late for a long time already, he thinks. A thousand other worlds where Mikey hits the redo all going 180 on the freeway and smashing into one at hyper speed. He has told everyone, he hasn’t told anyone, he’s redone it all twenty, forty, one hundred, two thousand times— there’s one world where Leo makes it back okay, there’s only one where nothing else goes wrong, and it’s the one where Mikey can’t. 
(There’s a part of him that’s scared, he can admit it. The idea of never getting morning breakfasts, excited team hi-fives, late night living room sleepovers; a million never's of an infinite number of days he’ll never know, it’s enough to cave in the whole of his heart. It’s worse to imagine all those mornings without his big brother, knowing he could have tried.
Besides, he’s Hamato Michelangelo. He’s got a whole house of brothers who taught him about being brave. He’s learned from the best.
When Mikey was younger, his favorite place in the entire world had been the hammock Leo strung up in their shared bedroom. It had been ratty in the way that made it feel extra soft, wide enough to fit all four of them if they curled up. Mikey would fall asleep half thrown across Raph’s shell, arm outstretched to wrap his hand around Leo’s wrist. Don breathing slow and soft on Leo’s other side to lull him to sleep. 
Whenever things were stressful he’d imagine that— the warm cocoon that held his favorite people. The way the light from the hallway as Dad said his goodnight's would bleed through the blue-gray cloth and turn it red and purple and orange, too. The way childhood took time and stretched it out long and infinite, it felt untouchable. 
It’s harder to remember now. The warmth feels like grains of sand he keeps letting slip through his hands, no matter how hard he fights to keep it. 
Another moment he’s supposed to have. Another, and another.
Maybe it’s easier now with the choice already made to feel scared but, he’s somewhere outside himself in a timeline that doesn’t exist anymore and he’s alone. He’s realizing, curled up on the asteroid, floating through expanses of nothing, flickering through a thousand branches of timelines that can’t happen anymore because he broke them, that he’s not sure he’s ever actually been alone.)
It’s fine, is the thing, really. There’s a difference between the slow slide of your family being ripped out right from the center, and this slow blink into something else. They don’t even notice it happen. 
____
“Come on, Raph! It’s just a quick little trip around the corner. What’s the big deal?” 
Raph levels him with a look, it’s the highly specific and patented ‘exasperated older brother stare’ he perfected and should have patented when they were five years old. Typically, the look spells a whole lecture on the importance of respect and believing in the team or something else equally as heartfelt and long winded. The Leonardo flavor to it lately means the chasm in Raph’s forehead is particularly darkened and wearied with concern, and the most he seems to be able to bring himself to do is sigh. 
Leo’s not a fan of the way this whole thing shook them all so deeply, if he’s honest. The tentative way his brothers all lurk nearby has him vaguely itchy with concern right back at them. Besides, he is feeling better, really. Don gave him the all clear this morning to get out of the pseudo hospital bed he’d set up, with stern orders to use a crutch to manage his busted knee as much as possible. He’s a pro with the crutches already, he’ll have them all know. Maybe his back flip up to the second floor had landed a little awry, but he hadn’t fallen over. On his face, anyways. 
No one had seen it happen.
“Leo, Donnie said you were allowed to hang out in the living room. The living room in our house.” 
Leo waves his hand in the air. “Eh. What’s the difference really?” 
“About fifteen point four miles, actually.” Don pipes in, peeking around the corner. “Fifteen point three of those you are not allowed to walk.” 
His family — you gotta love ‘em, but sheesh. Overprotective could be their new motto. So a guy gets teleported to a prison dimension and nearly doesn’t make it out, people have had crazier summer vacations. They’re all acting like if he moves around too much he’ll collapse into a pile of dust on the spot.
He flops backwards on the couch with an over dramatic groan. “It’s boring in here!” 
“So read a comic then,” Raph says, still frowning but in a more pleasantly annoyed kind of way. “Or… learn how to knit. I don’t know— you’re not moving, tough luck.”
“You want me dead,” he says, unthinkingly to the ceiling. To his credit, it doesn’t even take the awkward pause or the tell tale sign of his twin shuffling his lab door closed to make him realize he shouldn’t have said it at all. It’s the type of joke they always make, but Leo still catches the hollowed out look of pain in Raph’s eyes even as he glances away. 
“Sorry,” he tries, just to have at least said it.
Raph shakes his head, swallowing roughly. “It’s cool, just. You— you went through a lot, Leo. At least try to rest, okay?” 
Fine. He sighs, overly loud just to be a pain and re-shift the vibes back into some modicum of the correct orbit. “House arrest. Unjust, I want my lawyer.” 
Raph’s eyes brighten, something less haggard falling away as he turns towards the kitchen. Bingo. “Yeah, yeah. Tell it to the judge.” 
“Where’s Dr. Delicate Touch when you need him, think he’s got a law degree under that PhD?” 
Leo leans back, casually stretching himself farther onto the couch with as much feigned grouchiness as he can muster. A flash of orange catches the corner of his eye— “Ah, Ang! Tell Raph I can totally hang out at April’s. He wants me to steal all of your comics, you know. He said I should go into your room and take all of them while you weren’t looking. I heard him!”
He’s half expecting Mikey to gasp dramatically, or play into it by breaking down into an over dramatic eulogy and demand an apology from their oldest brother. Their usual bit involves a lot of Leo siccing Mikey onto the others like a particularly emotionally lecture filled chihuahua, something that Mikey gleefully falls into. The silence surprises him, mostly he realizes because it doesn’t. 
He peeks one eye over the back of the couch.  
“Oh,” Mikey says, blinking at him like he just realized Leo was speaking. “Ha— good one.” 
His baby brother seems lost in thought, which is typically not a good sign for anyone involved in the Hamato household. Leo’s heart shifts sideways and funny, instinctive reactions buried deep. “Hey, you wanna ditch out and join me here on lockdown? We can watch your favorite cup stacking videos, if you want.” It’s a momentous offer, Leo hates those videos. 
Mikey sort of just… stands there for a moment. Shakes his head, and seems to process Leo’s words in real time. “Oh— no, that's okay. Sorry, I said I’d help April with her art project.” 
Leo humphs loudly, crossing his arms— or at least halfway crossing them, the bad one shrieks at his boldness and he leaves it alone after a moment. The intent is there, probably. “Fine, sure whatever. I’ll just rot here then.” 
Another long awkward pause follows, Mikey staying still, staring just left of Leo’s head. There’s a very quiet feeling in the back of Leo’s mind he can’t place. “Angelo?” He hedges. 
Mikey blinks up at him, expression shifting too quickly for Leo to catch before his million watt grin is back. “Sorry, what?”
Leo squints. “Okay, change of plans. You. Me. Sitting here all night. Re-runs. I’m putting you on baby brother jail duty, it's a very serious role. You have to pretend to keep me in line, and then when the moment strikes, bust me out and go on a wild goose chase halfway across town to restore our former glory.” 
It earns him a tiny giggle from his baby brother at least. “Maybe it’s better you take it easy, Leo,” Mikey adds in, patting his head only semi-patronizingly, to his credit. “Raphie’s just worried about you.” 
Ugh. “Ugh,” Leo says, for emphasis. He tosses an arm across his eyes. “Fine, I’ll just wither away here on this couch all alone while you’re out having fun, whatever.” 
“Naw,” Mikey says. “Never have too much fun without you, bro.” 
Leo frowns at Mikey’s back, as he ambles off towards the half pipe sort of aimlessly. The sudden burst of earnestness is not unwelcome, really, or all that surprising. Mikey and Raph have always been his most emotional brothers. The way Mikey says it is despondent in a way he doesn’t enjoy, though. Like he’s tired. No, more than that— there’s something to Mikey that seems absolutely exhausted from Leo’s vantage spot from the couch. 
His shoulders slump downwards, lacking all of the usual flip switch energy and crowing enthusiasm their baby brother carries with him like a cape. It makes Leo feel— bad, he thinks. Nervous.
Maybe it’s one of those things Raph said that he needs to consider. Charging off into a death portal on his own with a tearful goodbye? Might have been a step too far into traumatic for his babiest brother. Maybe all of his brothers need to work through it on their own a little. He knows Dee has been spending more of his time in his labs than usual lately, that he’s working on a thousand and five back up plans for any scenario remotely like this ever again— as if they stumble across multi-dimensional horror show a-holes every week. Raph has been training extra hard, channelling as much of his focus into some theoretical improvement as he has been with hovering around Leo in case he keels over and perishes or something. 
Mikey has been— actually, he’s not sure what the guy’s been up to. Hopefully art, or skateboarding, although seeing him now, Leo’s not sure he’s been doing much of either. 
“Hey, Mike?” He calls, and Mikey pauses halfway through the door. The sight makes him worry, somehow. 
Mikey turns instantly, “Yeah, Leo? Did you need something?” Like he’d come back in a heartbeat if Leo really needed him, cancel all of his plans and stay glued to his side like Leo kind of wants, embarrassingly. Like he's just waiting for Leo to ask. Maybe they all need to work through a little bit of something. 
He swallows, pauses. “Nah, I’m good. Tell Ape I say hi, okay?” 
Mikey smiles, “Sure thing, bro.” 
____
The days after the incident in New York had everyone tense — news outlets are afraid to talk about it directly, hesitantly breaking news of clean ups and building reports. Their web of distant contacts begins poking through day by day— Leo got a fairly heartwarming message from Hueso that tells him that his family is also at least partially included in whatever footage was retained from everything. It seemed like most of New York has grouped them in the aliens category, and summarily proclaimed them all ‘returned home’, so there’s no immediate danger at least. 
Their usual ragtag crowd of other local mutants seem to know exactly what happened, more or less, which has granted them some pause in their usual problem-dealing. Something something local heroes, supposedly. Hueso even gives him a coupon. 
Casey finds his way down to the lair, then up to an apartment that April helps him set up with her mom and Cassandra after that, and learns how to text painfully and awkwardly with emojis, much to Leo’s horror. Leo’s bruises fade from angry black whorls to yellow queasy splotches, Raph’s eye gets a full all clear from Donnie, and the world keeps turning. Albeit, with a very intense and serious lecture from Dad about Leo taking it easy, slash being grounded for the next month to launch it all into a particularly odd spin. 
He’s been grounded before, he knows that’s not what this is. 
The protectiveness makes sense, even though it chafes at him and makes him grouchy the longer it goes on. April cancels said regular movie night at her apartment and forcefully shoves everyone into their lair so Leo doesn’t have to move, and Dad’s grounding conveniently doesn’t extend to April either. Mikey bakes all his favorite foods constantly, making the kitchen glow with warm spices and sugars. Raph carefully leaves pamphlets on proper stretches out on the coffee table, and Leo’s favorite blanket is always freshly laundered. Don, in his brusque way, finds excuses to sit near him at night so Leo can fall asleep being surrounded by people he cares about. He can’t fault them for it, really. Maybe underneath the bravado and the sheer amount of ‘not thinking about it’ that he’s doing there is a part of him that craves the intense levels of attachment everyone is giving him.
It’s fine like this, he doesn’t want to leave them either. He almost did anyway. 
Before the Krang, before Casey Jr., before the Shredder, the most harrowing experience they’d dealt with was hibernation instincts, learning how to cook food properly. Heat and avoiding illness. The beauty of having a brainiac twin and a dad that had navigated the world of finances and income before everything else, meant that they hit the ground running early. Maybe they��d all been a little bit sheltered, in hindsight. 
Something about growing up with yourself and your family and your whole world in your pocket.  Maybe you start thinking that maybe the world can’t touch you either.
If they’d asked Leo, he’d have said it didn’t matter— turtle luck, true to form and all that. Sure, things had gotten real apocalyptic bad end for a second there, but nothing permanent happened. They’d saved the day, Leo was fine, Mikey had cracked some insane magical connection no one else in the world could do and Raph came back. 
Bruised, sure. Scared, absolutely. Fine all the same. Or at least, he figures it should be fine.
He can see it in their eyes no matter how relaxed he made sure he looked, no matter how loud he talked. The what if, hovering over everyone, waiting to drown the whole room if they let it. Maybe a few degrees off from fine, but whole.
The photograph he carried everywhere now was starting to bend a little, just the hint of a crease where his thumb had pinched it too hard in the middle of the night. Leo figures he understands how they feel, even if he didn’t live through it. Somewhere out there was a Leo that had for a moment been entirely alone. They have time to fix it now though, he figures. The rest will fall into place.
“Whatcha got there?” April leans over the couch towards him. Raph is dozing to the quiet credits of whatever movie they’d been watching — the name of it escapes him, it hadn’t been very good.  They'd all jumped on it because it was something Casey said he’d seen a poster of once, which then started a whole conversation about how he’d never even seen a TV show, and how movies stopped existing because there'd been so little electricity to even play them on, and that had been so sad they’d all bundled him on the couch together to put it on immediately. 
Casey is tucked under Raph’s arm, chin tilted down and sleeping quietly himself; Leo itches for a camera. Don must have wandered off, his blankets still spread out by the foot of the couch— if he squints he can see the blue light of the lab filtering under the door. The light feeling in his chest sinks at the sight. 
Leo turns the photo towards April. “Just a bunch of weird looking mugs and some handsome bald guy, you know how it is.” 
April scrubs her hand across his head. “We should get that framed. It’s a good one.” 
It is, he thinks. It’s perfect. They have a lot of selfies from over the years, mostly silly ones. Blurry Leo’s diving away from angry Donnie’s or prank evidence, or the few Dad keeps in his special binder he thinks none of them know about from when they were younger. They have so many he usually doesn’t even think about any of them in particular. Sometimes the thought of that makes him want to lock this picture in a box somewhere, bolt the door shut and lie down very still. 
“You’re just saying that cause you’re in the middle,” Leo jokes. April winks back at him. 
Looking down at the photo again, there’s a well of warmth bubbling through him he can’t name. His family, all in one piece, grown one puzzle portion larger with Casey lately— he fits, too. Like a space they hadn’t realized was missing. Him and Sunita and Cassandra, and, begrudgingly if Leo has to play nice, Barry he supposes too and— 
Leo frowns. The photo looks… off. Too much space on one side. He doesn’t remember being in the middle, actually, he’s pretty sure he was on the side— Did he bend it too far? He squints, moving his thumb. No, it’s just, off somehow. Like one of those newspaper games, spot the difference, except there’s a pit in his gut like something important happened. April’s expression slow glides into confusion, but Leo can’t even say what it is that’s wrong, only that there’s a portion of him that is suddenly and abruptly convinced that the picture he carried to hell and back is wrong— 
“Did either of you want some popcorn?” Mikey’s voice cuts in, shoving a brimming bowl towards them. “Raphie fell asleep before he could eat his. Well. I kinda hid it from him.” 
“Oh, thanks, Mike,” April bends forward happily.
Leo blinks back— no, the picture is fine. It’s fine, there’s everyone’s faces smiling back at him, not a thing out of place. He is in the middle, oh. He’s maybe more tired than he thought, is all. Jeeze. It is late, he reasons, and the painkillers Don’s been aggressively-minus-the-passively implying he will be hunted down for ever missing make him drowsier than usual. It’s that residual nightmare problem he’s been having, too; night time makes him jumpier, like he’s on a time limit to prove things are really here. Maybe the sleep aid’s Dee mentioned would be a good idea, he’s just afraid of not being able to force himself awake when the dreams take a turn. 
“Want some, Leo?” Mikey’s eyes shine in the TV light, reflective and almost full white with it making him look almost the full alien New York is convinced they all are. “I put extra butter on it for you.” 
“Thanks, buddy.” 
____
The dreams always start out the same. He’s not in the other dimension, not yet — he’s on the ship with his brothers. He’s watching Donnie take a hit, and calculating in split seconds the likelihood that any of them will get out of this at all with dread so violent in his chest it feels like the world is cracking in half in front of him. He knows— he knows, he knows. There’s only ever one choice to make, and he makes it.
Then, sometimes, the earpiece crackles to life. It’s his voice, it’s the Krangs, it’s Draxum’s and Shredder’s and everyone’s tangled together. He’s saying goodbye, but they aren’t through the portal yet— he’s miscalculated the odds and there’s no one on the other side of the line. 
He’s alone even before he’s actually alone, there’s no one to even say goodbye to. 
Or, someone doesn’t leave. Raph stays behind and he’s so overwhelmed with relief and gratefulness he almost misses watching the Krang skewer him directly before his eyes again. Donnie can’t get a block up at all, and the hit launches him faster than Raph can catch up. April’s there and she takes the hit instead. Someone else takes his place, someone else figures it out first and makes him stay behind. 
Or, he never left. He goes through the wormhole and Casey closes it and no one ever finds him at all. Because he made it up, because he’s still there. 
One night he wakes up, and he doesn’t remember how they got him back in the first place. 
___
“Hey, Leo. You want to try running through some training today?” Raph leans across the hallway — Leo’s been itching to move, to do anything. His injuries have all but healed up, the concussion tucked nicely away; despite Donnie’s stern insistence otherwise, he’s got a clean bill of health. He practically leaps to his feet at the words and very aggressively ignores the immediate head rush that follows. He's been sitting around for far too long, honestly, he's determined not to lose an ounce of his usual pizzazz.
“So I can kick your butt, you mean?” 
Raph snorts. “That’s the kind of big talk I like to hear. Just easy ones today though, okay? Butt kicking is a next-month kind of goal.”
“Come on, Raph, I can wipe the floor with you any day.” 
“Uh-huh.” The silence that follows is biting, touché big brother. 
“I can! Few weeks off isn’t enough to unsizzle this sizzle.” 
“Another wholly scathing comment battle where we all remain interestingly unscathed, I see.” Don slinks from the kitchen to the living room, typing furiously at his wrist the whole time. 
Perfect, Leo thinks. Everyone together, the absolute ideal way to burn off the wildfire forming under his skin. Get two birds with one stone in making sure they’re all okay just the same way they’ll be nervously poking at him— turnabout is fair play and whatever, but he’s just as worried back. Everyone’s been… odd, since the Krang. He just wants it to feel right again for a few seconds.
“You too, Donnie. Get your gear, let's make this a full on Leo power hour special. My portalling is even better now; while I’ve been sitting around watching Jupiter Jim reruns I got some crazy ideas. I'll have you know it’s ripe with cosmic…. Idea making. Juice.” 
“Are we just making sounds? Is that what this is? These are just sounds you’re making.” 
“Oh come on, as if I can’t take both of you with one arm behind my back.” 
Don rolls his eyes, making a show of crossing his arms. It’s nice, actually. They’d all been too raw with nerves to be snarky or throw any barbs around. Sass from Donald is basically a gleaming thumbs up for ‘things are actually okay’, so maybe everyone will get the hint too. “Maybe I should check if you have a fever, you’re acting…. Oh that’s right, entirely delusional is a personality trait of yours.” 
“Hoo hoo! Fighting words, I see how it is, ‘Tello. Let’s make it a full bet then, three on one. Where is Micheal anyway—” 
He pauses— Mikey stares at him from the railing, kicking his feet happily from the ledge. Right, because he’d been there the whole time. Duh. No one else seems to blink either— maybe Mikey had done some practising while he was out of it. Really honing in on that mystic warrior side, kudos to him, really. 
“Hey, you wanna help me prove a point to these bozos?” 
He grins, the same way he always does. “Can I be on your team?”
Leo makes a show of rolling his eyes with a sigh. “Man, harshing my whole solo hero against all odds shtick there Michael, but yeah I guess.” As if he’d ever really been able to say no to those big green eyes. 
Leo shakes his head. Blue. Mikey’s eyes are blue. Of course they are— they’re gleaming and bright in the photograph he carries right over his heart, he’s looked at them nearly every day for his whole life. Silly. 
Maybe training today is not up there with one of his better ideas actually, but he’d rather volunteer to do Dad’s laundry than admit that now. 
“You sure you’re up for it?” Mikey asks, and Leo does not jump— he does not— but does feel his heart rocket directly into his teeth as his brother appears suddenly beside him. 
Leo clicks his tongue, playing his sudden jumpiness off and waving his hand dismissively. “Up for what? A nice easy warm up where we absolutely show these clowns up? Sure, afterwards we can get ice cream from that place you like, easy peasy.” 
“Ice cream?” Don cuts in with a snort. “You want to deal with that inevitable explosion, be my guest. More of a punishment than a reward, though, I’d say.” 
“Yeah, Leo,” Raph tilts his head, losing some of his easy playfulness. “Kind of cruel to throw that in his face.” 
“Huh?” He whirls towards them both. “Cruel? Me? What’s wrong with ice cream?” 
Mikey huffs. “You know I can’t have dairy.” 
What? No, Leo definitely wouldn’t have missed that big of a development, no matter how whacked out he’d been— Mike’s favorite place in the world outside of the pizza parlors was the ice cream shop by April’s that sold absolutely unhinged combinations of flavors. They went there all the time after practice, it was their together thing. Leo once chugged a whole twenty dollars worth of pickle flavored ice cream milkshake just to make Mikey laugh and— hadn’t he? Or….
Leo frowns to himself. “Right.” He shakes his head again, squinting at Mikey. “Doi, I was saying… Mikey’s shop, you know. The candy place you like. Jeeze. Can’t talk today.”
Mikey brightens up instantly, “Ooh, can we get the big jawbreaker this time?” 
“Course,” Leo nods, trying not to frown. “I’ll buy you the biggest one if you want.” 
He has the strangest feeling about this, like deja vu. Two of him walking in the same fun house mirror paths at once. Mikey skips ahead towards the training room and something— there’s something off— 
“You sure you’re up for it?” Raph interrupts, placing a hand on his shoulder as he approaches. The Raph Chasm is back, great. “You look a little pale, bro.” 
Don leans in also, tapping even more intensely on his wrist tablet. “Seems fine. Temperature is normal, no signs of reopened injury. Heart rate is a little elevated—” 
“Dude,” Leo gapes at him. “Did you— did you chip me again?”
___
His dreams get weirder as the days go on. He figures it’s something to do with his brain trying to settle in, like it’s run out of plausible events and has to start throwing weirder and weirder potentials in the mix just to be sure.
He’s in the prison dimension now when it starts. He’s there, and he’s holding onto his photo, and the Krang Leader is approaching with shockwave levels of thunderous rage. It always goes the same: 
Leo is cornered, he’s alone. He’s waiting for the next hit, the next punch. He can’t remember if this is real, he can’t remember if he leaves. He knows he’s alone, he thinks it might be forever. Then, the Krang vanishes— he looks around, and he’s on a rock in the dark, an unthinkable distance from home. 
No Krang, no family. Miles and miles of scrapyard wasteland space, and nothing but himself. It’s somehow worse, this way. 
Then, sometimes it shifts. His brothers are all there, god— his brothers are all here. Sometimes it’s Dad, and he’s trying to take all the hits himself. Once, Casey. It’s terrifying to be alone but he always hates those ones, the ones where he somehow drags everyone else down here with him. 
The worst one is when it’s Mikey. He must have taken the hit from the Krang himself, he’s banged up and barely moving— smiling at him behind a swollen eye. 
“It’s okay,” He says in this one, it’s the only one where anyone talks. “It’s going to be okay, Leo.” 
___
Leo’s maybe not as alright as he would like to believe. It’s hard to think of the shape of whatever it is, let alone admit directly; he’s forgetting things, is the sum of it. He forgot where Donny’s new second lab was the other day, unthinkingly walking directly in with a question he’d instantly forgotten and nearly set off the project Don was working on. He forgot that Raph has a new motorcycle, and that he drives it around most nights after dinner and that he doesn’t spend a lot of time at home. He forgot that really, he’s the only one that watches Jupiter Jim, and wrestling, and they haven’t gone topside together in ages.
It also just keeps happening. 
“Are you coming over?” He says, breathlessly into his cell propped up with his shoulder. The stack of pizza boxes he's carrying sway dangerously as he leaps down another sewer grate. 
“For what purpose?” Cassandra’s voice rings back. 
Leo shoves the latch for the lair with his foot. “You know, the big Re-re launch of the Luo Jitsu: Stars in Five Separate Dimensions, the game the movie the game the sequel. Duh.” 
“Do not ‘duh’ at me when you are speaking entire nonsense.” 
Leo laughs, rolling his eyes. Cassandra’s brand of humor has taken on a new thread with her division from the Foot. She’s apparently going to mechanic classes now, and sass lessons if these conversations have anything to say for it. “Nonsense, she says. Fifth biggest Lou Jistsu fan I know, and she’s pretending not to know about the largest night of the past two years. Sure.” 
The pause throws him off. He can hear her brain whirling across the line. “Are you referring to the biggest gaming night of the year when the new hockey immersive VR game becomes legal to play in four states? That’s next month.” 
“What— No,” he pulls his phone away from his face in disgust. Yes, it’s Cassandra’s icon, and her voice but honestly, this could be a bodysnatchers moment. He’s had weirder weekends.
“Then no, I do not know what you speak of. Should you like me to come over and resoundingly beat you into a pulp over video games, I accept.” 
“I—” Leo’s brain… skips. Resetting. Another thought lines up neatly in the space between. “Right. Yeah, I — man I don’t know what I’m talking about. Just come over and play Mario Kart or something fun. I have pizza.” 
“I don’t mean to alarm you, but you usually have pizza,” She says, because snark lessons are working over time apparently, and hangs up. 
He’s positive for a long moment that he’s dreaming— that’s what gets him. The line between the skipping do-over dreams and these blips of forgetting are getting more and more unclear. He’s in space and he’s alone, and then he’s awake and Donnie’s new invention is in the living room, and he remembers that they don’t use it for a whole lot these days anyways. He’s with the Krang and he hurts and then he’s awake and his brothers aren’t around and it hurts anyways. He doesn't remember home being so cold, but it is and it's real and maybe Leo's just losing his mind.
It’s just that he’s been misremembering a lot of things, small sections of his brain just smoothed over somehow, missing all of the regular information. He wants to tell Donnie, he should tell Don, it just— it seems like a much larger deal than he knows his genius twin could possibly actually deal with. He might be an honorary MENSA member, but he’s not a brain surgeon at the end of the day; it’s easier to go along with things when he can, until he can’t. 
It’s not even clear why he doesn’t remember, he didn’t get that bad of a concussion during the Krang events— most of the punching had been to his sides and chest actually. He’d been totally fine the first few weeks. It’s like a slow settling poison, whatever this is. He’s partially convinced himself it’s just a lack of sleep, or that he’s missing some sort of key vitamin; he really needs to start eating genuine meals instead of boxed things, honestly. He can’t tell Donnie, because if it is his brain he knows Donnie can’t fix it. He won’t do that to him until he has to. It’s his problem, anyways— it never seems to be about anything major at least. He’d caught himself nearly calling April over to the lair, as if she’d ever been over to their new place after the old one was destroyed. He remembers there wasn’t an old lair, April just hasn’t ever come over. He sets up too many chairs for game nights and no one shows up, because some part of him forgot that they hadn’t hosted a family night since he was six. 
Through it all, there’s a constant ever-lying thrum he can’t name.
“Hey, uh, Dad?” Leo calls, stepping into the living room. He’s shuffled the pizzas off into the kitchen, and remembered that it’ll really just be him and Cassandra probably. Again, evidently. Don is doing something in the lab, his old one downstairs, and made it clear after Leo’s last interruption he had to be invited first— a rule they’d never had before. Leo had always been able to tromp through his twins space as easy as breathing. Raph is out, as he is most nights. The lair is quieter, the thrumming so loud he can hardly think. 
“Hm, Blue? What is it— oh, did you want the TV for something?” 
Leo shakes his head, hovering awkwardly beside the couch and tapping his foot with anxious energy he doesn’t even understand why he feels. This is a bad idea, he thinks. The thrumming is prickling at him like knives pressed outwards, though, and if he doesn’t tell someone he thinks he might snap entirely down the center of himself anyways. It’s still a bad idea, it’s the only idea he has. 
“Can I talk to you, about ah— something?” 
He winces at his own words, and watches Splinter shift, expression dropping serious and worried all at once. He turns the TV off and pats the space beside him on the couch. “What is it, my son.” 
Shell, he hates this. Either Dad will think he’s insane or immediately tell Don anyways and none of it will matter. He bites his lip. “I just— I’m worried about Raph,” he ends up saying. 
Dad blinks, his face twitches into something more thoughtful. “I do not know what he does being out so late every night, but I’m sure he is safe.” 
Leo nods, pulling at loose thread on the blanket throw. “Course, yeah. I mean, that guy is the biggest worrywart I know, it’s just— do you, uh. Do you remember if he always… went out so late?” Leo doesn’t. Leo has been told it’s what Raph does and stared at as though he was the one out of touch until he found himself nervously playing along, but he doesn’t remember knowing any version of Raph that would leave so often. Any Raph that acted like couldn’t stand one more second of being around his family. 
Understanding flickers across Splinter’s face, his ears drop. For a moment, Leo’s overeager heart soars. 
“Ah, I see,” Splinter says, patting his hand. “You miss your big brother, is that it?” 
“I— well, yeah, sure, but—” Splinter clicks his tongue at him affectionately. 
“It is okay to miss Red, I miss him too. And Purple, when he’s locked away in his room. And you, when you’re too focused on your training.” 
He knows, he knows, it’s just that it doesn’t change even when they’re here in front of him. It’s like they don’t fit now, and he doesn’t understand why. 
“Blue, families can change and grow with time, sometimes the changing leads them to… wild new things like motorcycles and teenage rebellion,” Splinter continues, and Leo hears it, the softness he uses when he’s imparting parenting wisdom, and the brakes can’t be stopped so— “Red still loves you, he’s still your family.” He catches something in Leo’s face despite his own attempts to school it, and his dark eyes flicker for a moment. “Is this…about the Krang?” 
Crud. Leo twists his face up to stop from doing something stupid like sniffling. “No. That was so long ago now, pshaw. Anyways, I know, obviously, I’m Raph’s favorite. Nice to hear anyways, though.” 
Splinter chuckles, patting his hand again. “You know that he loves all of you the same. And so do I, Blue.” 
“I don’t— yeah, I know—” There’s no point, he can’t do it. Leo sighs. “I just— can you talk to him? About not staying out so much? We used to, yanno, have movie nights and stuff is all.” 
Splinter hums, tapping his chin. “Schedule your movie nights at April’s so I get the big TV and you have a deal.” 
Leo forces a laugh. Do they even hang out with April like that anymore? Imagining a world where they don’t is awful, inherently cold and empty in a way he immediately doesn’t care to allow. “Sure.” 
There’s a pause, the thrumming is still there— the moment’s passed though, he’d only make Splinter worry more. 
“You know, this place used to be filled with a lot more… laughter,” Splinter says, after a moment. “I will talk to your brother.” 
“Okay,” Leo says in a breath. There’s something there, almost. If Raph can spend more time at home, maybe they can drag Don out, too. Maybe it’ll feel right, and he can let it go and stop checking the front door, and maybe his brain will start working so he doesn’t have to put all that weight on his twin brother anyways.
The almost’s never seem to make it anymore, though.
___
It starts to really hit him a few days later. 
“--earned it from you, big bro.” 
‘You can’t do this’ He threw himself forward but there was that flicker again, the sideways pull and he was alone on the rock where the Krang threw him except it was just him and— 
‘I have to, I’m sorry. You keep leaving,,’ and it sounded like a plea, like a cry for help disguised as a big brave step forward, and everything in him coalesced forwards like he’d only ever known how to do just that. Like he’d only always known how to bend and soften at that voice, like it broke every part of himself just to hear it wavering like this. 
He wakes up from a dream and he can’t remember it; there are tears pouring from his eyes and this big hiccuping sob lodged somewhere behind it, and he can feel it— the heart shaped puzzle piece that’s been scoured right out of his chest, an essential part, something he can’t be without, but he can’t even remember what it looked like. 
You don’t, he thinks. You don’t have to. Just let it be me, I chose it already anyways. You can’t take that away.
‘I can!’ it echoes off the nothing around them, off the something because they’re in the air again, and everyone else was pushed off but the two of them, and he’s holding the totem to lock the door and he’s listening to the broken comms on the other side. ‘Look at me, it’s okay. I’m the only one who can. And— and it’s okay. Because you’ll all just forget, so it’ll be okay. You won’t miss me—’
Of course I will. He’s angry, he’s furious and desperate, he’s not sure anything he says is reaching anything at all but he’s more certain of anything that it has to. I’ll miss you more than anything. 
‘I’ve already changed it, you can’t stop it. I just— I wanted to say—’ 
There should be alarms, he thinks distantly, panic and dread and grief white hot behind his teeth. Blaring red alert rolling alarms, because the world had ended and none of them were moving fast enough, and he was just going to forget again when he— 
“Oh god,” Leo gasps, throwing himself off his bed— catching his feet messily in the absolute tangle of sheets and crashing to the ground instead. His hands are trembling, there’s a pained animalistic noise tearing itself somewhere in his ribs because the thrumming has become a black hole in his gut. He’s nauseous in the same way he feels entirely gutted, devastated all the way through to his center and he needs to get to the bathroom, to Donnie, to anyone— 
He feels like the floor has just vacuumed itself through an airlock and there isn’t enough air anywhere at all in the world, and he can’t remember why. 
“--eo, what are you…? I swear to— Leo!” 
He has his hands pressed tight against his neck, he can feel his own heartbeat absolutely rabbitting underneath but it’s real. He can feel it and it’s real. He’s here, at least— if that matters. He can’t remember if it matters. The pain hasn’t gone anywhere even with Donnie in the room, like it usually does. Because there’s nowhere else for it to go, he thinks nonsensically. It’s gone, the place it goes is gone. 
“Dee,” he gasps out, pleading for…for nothing, really. For anything. 
“I got you, Nardo,” Donnie’s voice is closer, his hands are hovering nervously around the heaving galloping black hole that is all of Leo before settling on his shoulders. “Up we go, okay? Just, breathe. In and out, follow me.”  He pulls up a diagram, an unfolding square that refolds, breathing exaggeratedly along with it. Leo tries to wrangle himself into himself, feel around the pit of nothing in his chest, breathe long enough to chase away the gray in his vision at least. It feels pointless, breathing through a straw at the end of the world— he can’t possibly keep his heart beating one more second, but it does, and then it does again. 
“That’s it,” Donnie says, his hand rubbing circles against Leo’s neck. “Better, okay. Keep doing that.” He sounds anxious, tense in the ice cold��locked up way he gets. Leo’s chest aches. “You’re not running a fever, no proximity alarms were tripped so— bad dream?”
The cataclysm in his heart is stilling, like it’s being put to sleep more and more with every word. Every realignment of real and not real— part of him is terrified by this, like it wants to scramble it back. Leo shakes his head, still wheezing. Nods after a moment. Pauses, and embarrassingly bursts into tears again in spite of himself. 
“Woah! Woah, okay, okay. Got it, no questions. You’re fine, you don’t have to tell me.” 
He holds his hand out— it’s something they used to do, when they were little. Don had learned something about otters holding hands when they slept so they wouldn’t drift off, and Leo had gotten it in his head that since they were in a sewer, it was possible they’d float away at night too. He’d held Don’s hand every night until they all split off into their own separate rooms when they got older, palm to palm, holding onto Don’s wrist. Even after they had their own beds, Don would sneak in if he felt like Leo wasn’t sleeping good; they haven’t needed to in years. 
Leo latches himself onto his brother's hand like a lifeline. This is real too, he tells himself. It makes the horrified part of him wail with something like grief anyways.
“Okay, alright Leon. I’m not going anywhere, okay? Breathe.” 
Leo tries to hold each breath like water in his hands, imagine himself filling up that space inside him. The idea is so instantly horrendous, a murky swirling bog where something was— he doesn’t know why— it chokes him into another sobbing fit for a moment. “Sorry, jeez— jeeze. I’m sorry, ugh.” 
He can practically hear Don’s eye roll. “Can we get up off the floor now?” 
Leo nods, shakily. He grips Don’s wrist even harder, but lets himself be dragged back into bed. 
“Want some water?” Don asks; Leo stares down at their joined hands and feels a spike of panic in him. It must trip something on Don’s weird chip, he glances down at the screen. “Ohhkay. Nope, nixing that plan, sure. We can just dehydrate.” 
“Sorry,” Leo wheezes again. He knows Don is trying so hard right now, too, or he would have made some annoyed comment about hating unnecessary apologies. He stays silent, squeezing back just as hard. 
“Would you like to tell me what happened?” He asks, after a moment. 
Leo winces. 
“Or, I could invent some never before seen and heard of technology and just dive right into that awful little brain of yours and figure it out anyways, if you want.” 
Leo snorts. “You have that already. ‘S called being stuck with me.” 
“Hm. True. Doesn’t give me all the answers, though.” 
He wishes it would. Don’s brain could probably work out exactly what to do  in five seconds if he had the opportunity to mess around in Leo’s fuzzed out brain. Maybe that was the problem. Leo lets out a long breath, ducking his head to nudge against Don’s shoulder. 
“I think there’s something wrong with me,” he admits, to the space between them where their hands sit. 
“I will refrain from my default response of ‘beyond the usual’ or any other witty remark this one time, on the grounds that you’re kind of a mess right now. Know that I did think it for the record, though.” 
“Noted,” Leo smiles, waterlogged and wavering. 
Donnie shifts, pulling his free arm up around Leo’s shoulders. They fall silent for a second, just the wet and choked off sounds of Leo wrangling his own heart rate surrounding them. Don pulls him closer, a half hug. “You know. Whatever it is, I’ll fix it.” 
He squeezes his eyes shut, the ghost of that all consuming grief still wrapping itself around his throat. Donnie’s fixed everything since he was able to hold a screwdriver, his faith in his brother is as unshakeable as his understanding of cool action films, as his belief in his family. He knows his brother would try to fix it, and would get closer than anyone else possibly could. Maybe he’s not sure there is anything to fix.
“What if you can’t?” It comes out small. 
Donnie’s arm squeezes tighter, steel in his frame. “I will.” 
It’s nice, he thinks. To pretend like Don’s got all the answers. “I’m sorry I went through the wormhole,” He says instead. Sorry I almost left you, he says with the way he leans farther into Don’s side. 
Don lets out a sharp breath. “No, you’re not.”  He isn't wrong, Dee knows him best.
“I’m sorry that I’m not sorry, anyways.”
He can feel Don’s heart beating against his fingertips, can feel the sharp and bending curve of him at his side. Palm to palm so they don’t float apart— maybe Don’s grip is also tighter than usual. He can manage to feel bad about that, maybe, in spite of himself. 
“I’m used to it,” Don says, after another long moment. Subdued. As long as you come back. As long as you let me bring you back, he says with the squeeze of his hand, the way he won’t look at Leo at all. 
___
“Purple told me about your dream last night,” Dad says, looking worn and serious in a way that makes him look far older than Leo is comfortable with noticing. “Do you want to explain, Leonardo?”
They’re sitting around the kitchen table, and his head is in his hands staring down at the whorls in the wood. There’s a carving, he knows, just to his elbow that he and Raph had put there when they were kids, it’s just that for a moment he could have sworn that it wasn’t from Raph at all. He’d been lost staring at the cupboard for a moment with a dark, inkblot feeling around his throat until Dad had startled him out of it, looking at their old favorite mugs. He doesn’t remember his being any of these. He’s certain, for a moment, that his had been a hand painted one, lopsided by the handle. He can’t find it anywhere, though. 
He’d asked Dad when they’d thrown it out, and gotten a blank stare in return. 
‘The… the splotchy one,’ he’d said, panic lacing in behind his eyeballs with its intensity. ‘You know. I always drink tea from it with you.’ 
Splinter shakes his head slowly. ‘I am… sorry my son.’ 
A hysterical laugh frayed at his throat, he’d lost the fight in shoving it back down. ‘There’s a smiley face on the side by my thumb, you know. Don said it was ugly and we got into a big fight when we were like ten. I drink out of that mug every day, because it—’ He couldn’t remember where that sentence was going suddenly, like the words scooped themselves directly from his lungs. Evaporated. ‘I… I know it is. Where did you put it? Did— if Raph broke it, that’s okay, I can fix it.’ 
‘You’ve only ever used this mug, Blue,’ Dad had said, holding an Eeyore mug. Leo feels his mind snap in three places, reconnect. It’s slower this time, more painful. Maybe that’s him, breaking. 
‘Right,’ Leo laughed, squeaky and high. ‘Sorry.’ 
“They’re just dreams.” He says, like it burns on the way out. “I’m just not sleeping well.” 
“He’s been waking up every few hours,” Don throws in, because of course he’s been tracking that, too.
“Hey—” he tries, and catches Raph’s serious, unhappy face as he lifts his head. The way he looks frailer around the edges, exhausted the same way Leo is. Oh.
Raph sighs. “He’s jumpy. Confused. I thought…” He makes eye contact with Leo and looks away. “I thought maybe the Krang incident rattled him, was all. But it’s been months,” 
“My son,” Dad adds, before Leo can process any of that. “Why did you not tell me?” 
Shell, he thinks. Shit, for emphasis. “It’s just bad dreams,” he shrugs. “What’s there to tell?” 
Don snorts, crossing his arms. “Just bad dreams he says, as though regular disruption to your REM cycle bears no long term effects like, say, spacing out. Forgetting where my lab is. Dialing the wrong number when trying to reach me, your twin brother who literally programmed your phone.” Oh, right, yeah. He had done that. 
Burying his face in his arms seems like the best approach to all of this. The gnawing thrum is back, wilder like a firestorm in the back of his mind— it seems to get louder when he’s aware of it, he’s not sure what that means. 
“Leo,” Raph’s voice is tired, too. Why is everyone so tired? “You can talk to us, you know that right? We just want to make sure you’re okay.” 
“Stop being so,” Leo struggles to find a word in between burying his forehead father into his arms. “Reasonable. Ugh.” 
Splinter pats at his arm, comfortingly. He debates the merits of coming clean, then of feigning a sudden illness, or playing up some hidden head injury that miraculously resolves itself before Don can pull out any of his scarier tech. A wave of exhaustion pulls at him. “I’ll fix it,” Donnie had said. Maybe it’s embarrassing to want to believe anyone can fix this at all, but it’s his family, and this is the most he’s seen them in months and despite what everyone tells him, he doesn’t remember a time things were like this at all. He doesn’t remember a version of himself that would have been content to let it happen. 
There’s something there. An invisible wall he’s walking into while everyone else skirts around it. If only he didn’t keep forgetting what he was dreaming about— he lets out a long, long breath, dropping his head even lower until his brow presses into the wood directly. 
“I’m. Forgetting things.” He mumbles to it, shoulders high around his head. The silence that follows is long enough he almost thinks they didn’t hear him at all. 
Don clears his throat first. “Forgetting… what.” He sounds ominous, tight laced. Exactly what Leo was afraid of. He scrunches up his beak in response. 
“Everything. You, Raph— I don’t remember why April hasn’t visited. Or, or where your lab is. Cassandra doesn’t care about Lou Jitsu games, no one watches Jupiter Jim. It’s all— I don’t know.” 
Dad takes in a breath, Leo can hear him consciously making sure to keep it measured and slow.  “Is this because of the Krang?” 
Leo shakes his head, digging further into the grooves of the tabletop. “No, I — I don’t know. Maybe? Everything was fine, and then. It wasn’t. It’s like I’m—” Missing something. It’s like there’s a big glaring neon sign directly in front of him that he can’t see, some obvious clue like a protagonist in a horror film that the audience is throwing popcorn at. 
“Do you…. Do you ever imagine there’s like. A memory that you had, but something happened, and then you lost it. And you don’t remember enough about it to know what it was, but it’s like part of you knows that it's gone anyways?” He feels insane, he can’t look up at his brothers, he can only close his eyes and wish himself somewhere else where the black hole in him is quiet. “Sorry, that’s— I mean, maybe I am just tired. Just feels… different, lately. I keep looking at the front door like someone’s gunna walk in any second, isn’t that weird?” 
No one speaks, Leo sinks lower. 
What if whatever is wrong with him is contagious? What if saying it out loud is the thing that breaks this wide open on all of them. What if nothing happens at all, and it’s just Leo and his brain and some unknowable horrid thing wrong with him that makes him feel like half of himself is missing somewhere else. 
What if he’s right?
“You remember the other day, Raph? You said something about me reading comics, staying home from April’s and reading comics.”
“...Yeah.”
Leo digs his fingers into the back of his head. “I walked into Donnie’s lab because I couldn’t remember where the comics were, and it’s like I just, went through the door. Then— I mean, none of us own comics. Why did you say that?”
Raph starts, stops. “I… don’t remember.”
Don breathes, long and shaky. “I put a chip on you and Raph and Dad because I thought—” His voice is flat, quiet, and breaks neatly down the middle. Leo freezes, tenses on the spot. “I had this feeling. Like there was a problem I’d missed, like I hadn’t perfected something important. I drew all these schematics and they didn’t make sense— and I knew, they were for something specific, but I had no idea why or what. I have inventions I don’t remember making, too— I thought someone else left their things in my room but they all have my logo on them.”
“I asked April for tea,” Dad adds in, slow and confused. “Orange pekoe. I have never drank orange pekoe.” 
Don continues. “You told me you hate pro skateboarding the other day and I nearly vaporized you on the spot because I thought you were a clone. And then it was like, my brain just. Caught up. Remembered all these things that didn’t fit anymore.” 
Leo stares at the table, lifts his head up so sharply his vision swims, and stares at his brother. “Yeah. Yeah. Like, like you’re reading a new script.” 
Holy shit, he thinks. They all nod, slowly. 
“I thought it was me,” Leo says. 
Don shakes his head. “I’ve been doing tests. Measurements and scans— I can’t get a read on it so I haven’t brought it up yet.” He shrugs. “It’s… it’s weird, Leon. I don’t make measurement errors.” 
“But you have been,” Leo says, slowly. 
Don breathes out, heavily. 
“Your math,” Raph says, simply. Leo’s gaze shoots towards him; his big brother looks haggard, dark circles around his eyes that Leo hadn’t noticed before. “Donnie, your math. Why’s it always wrong?” He’s gripping the table top awfully tightly, Leo notices. White knuckled bone pressing upwards into the harsh kitchen lighting, like it’s the only thing keeping him upright. His big brother has always been unmovable, no matter what was thrown at them. He was okay, and would figure it out, and would help them brute force things back where they should be if they had to. He looks... small, suddenly. Just a kid.
“Woah, Raph, maybe you should take it easy for a second—” Leo starts. 
“Four,” Don cuts him off. He looks vaguely haunted as well now, eyes dark. “I keep dividing by four.” 
___
“I kept driving around at night to find someone, I was so sure they were in danger. Raph thought he was losing it,” Raph says, rubbing a hand across his eyes. 
“Me too,” Leo admits. “Thought Donnie was going to have to lobotomize me.” 
“Easy to do when you already are missing a brain,” Donnie mutters. They’ve moved down to the living room — invited Casey and Cassandra and April over, too. Draxum, despite Leo’s better judgment, is lurking somewhere in the kitchen area as well. Leo keeps holding Don’s hand, seemingly unable to stop now that the words are out there, and Don hasn’t asked him to let go yet either. 
Raph glances between them both, tense. “Stupid of me to not tell either of you. Should have known,” he offers with a weak smile. “We’re always in this together.” 
Leo shrugs, “Sounds like we all did the same thing. In my defense, I thought I was concussed.” 
“So,” April joins in, hesitantly. “You’ve all been… remembering things wrong, too? Because— I mean, you said that you were going to get Casey to guide me down here like I didn’t know the way, and then. I mean it was weird…” 
“Oh thank god,” Leo sags in relief. “You not having been here before was bothering me so much.” 
“And your dreams, Blue,” Dad cuts in, tucked up in his arm chair with a cup of steaming tea he hasn’t touched. He looks guilt ridden too, in a way Leo hates. “They’re not just about what happened?” 
“No, well. They are but. They… change? It’s like a hundred different versions of the same thing. Sometimes April’s there, or Casey, or no one is.” He shudders, a flash of some dream he had crossing his mind vaguely. “I can’t remember most of them anymore now, but it. I don’t know. I feel like. Something important happened, is that insane?” 
Casey looks at him searchingly, he always seems so heartbroken by all of their struggles in a way that makes Leo want to wrap him in bubble wrap until he’s 30. “Not more insane than anything else,” Casey says somberly. 
“Do we have, like, memory problems? In the future?”
Casey shakes his head. “Not that I know of. You all had stories about how things were that were pretty detailed. We had to memorize new map locations that came through pretty quickly, too.”
Everyone falls silent for a moment. April clears her throat. 
“And… and you think this is all happening, because…. Someone went missing.” 
Leo turns to look at Don— his brows are pulled so far down they’re basically a flat line, pinched in the middle as he works frantically on his laptop. It all looks like graphs and numbers to Leo. 
“I keep dividing by the wrong number.” He states, quietly. “There’s three of us, and yet I’m accounting for a fourth. It only happens when I’m not thinking about it, like—”
“Muscle memory,” Raph finishes. 
Leo looks out at everyone— there’s a reserved energy, like a thick fog of some kind of grief pulled down across them all. Maybe he’d expected someone to react like it was silly, make some kind of joke of things, maybe it would have helped make it feel less awful for it to be a big mass hallucination on their part. Leaky sewer pipe, or something. The severity is both aggravating and reassuring all in one. 
“I kept setting the table for five of us for dinner,” Leo says with a helpless shrug. 
Raph nods. “Our training sessions— we keep leaving our backs open, and I couldn’t figure out why. Like someone’s supposed to be there.” 
To imagine it is kind of devastating in pieces and wholes, Leo thinks. Someone so intrinsically a part of them, someone they worked around unthinkingly, just vanishing like that. Without even the courtesy of letting them mourn. Everyone stays silent for another long moment, that veil of grief is heavier— they don’t even know this person, someone that left a crater so large whatever bullshit vaporized their memory from all of their minds couldn’t even be lifted fully. Like the planet lost its axis without them, like they were constantly bumping into an outline of a person without even realizing. 
“How does that happen?” Leo’s own voice sneaks up on him, he hadn’t meant to speak. Or maybe he had. He’s angry, suddenly, like shakingly, virulently angry— big red neon light style. “No, seriously. How— they just get erased from our lives like that? Without anyone even seeing it?” How did we not notice, he thinks, desperately. “It was one of us, right?” Leo turns to Don, to Raph, to Dad. “Like, like a sibling? And we just… what, forgot them? How does that happen?” 
“Leo…” Raph tries, holding a hand out. There’s an anvil in Leo’s heart, it’s sinking so far down with every step further into this reality he’s forced to reconcile with. 
“No! I— Come on, we don’t even remember them. There’s nothing at all left behind, and yet, because whoever this was mattered so much we still felt it— and that just happens? How does that happen?” 
It shouldn’t, he thinks of forgetting any one of his family and feels like his atoms are misaligned. The idea that any one of them could just be stitched over, skipped like a video feed; his stomach churns dangerously.
A chair drags noisy across the tile, and everyone's attention snaps up. “There are legends,” Draxum starts. “Mystic connections to time and space itself.” He meets Leo’s eye levelly— there’s a catch in them, too, Leo realizes. He doesn’t know why Draxum is included in these events, he made them, sure but he’d also thrown Leo off a rooftop. He’d been antagonizing them for months, and he’d gotten defeated by the Shredder, and they’d all moved on. There’s a gap in his mind, between that Draxum and this one; no explanation for his place here today except for that he is. Because whoever this was that they lost, he mattered to Draxum too, didn’t he?
“If said person possessed enough power, they could feasibly stretch across both the folding dimensions, hypothetically.” 
Don gasps, an aborted noise. “Like… a hole in time.” 
Casey freezes, sitting up taller. 
Leo thinks about his dreams, about being trapped in the nothing and not believing he ever left. Not remembering what got him out at all. A voice telling him that everything would be okay.
“It would take a lot of power,” Draxum continues. “Possibly too much. To change one thread in the thousands like that, I imagine such a feat would be felt across the whole tapestry.” 
“Maybe it already has,” Leo says, detached. Thousands of possible realities, changing and pulling in a million different ways— Leo and the Krang standing on an asteroid, a hundred different outcomes flashing back and forth on a loop, over and over. Looking at his own front door and waiting for someone to come home, even with everyone he loves sitting directly in front of him.
The last dreams, the ones he doesn’t remember— waking up feeling like someone died in front of him. 
He stands up, sudden and sharp— wrenching his hand from Don’s without thinking. “How do we stop it. How do— how do we change it back.” 
Draxum meets his intensity with a cool stare, holding a teacup in his hands carefully. “There may not be. I’ve never heard of such a way.” 
Bullshit, Leo thinks— “If they brought Casey here, they did it again. To get me back. That’s two times, that shouldn’t be possible either, from what you’re saying. So— so just do it again.” He clenches his fist so hard it hurts. “No one remembers how I got out. I should have died in there, with the Krang, right? We closed the portal, so—  But I’m back, because whoever this is brought me back. That shouldn’t have been possible. So we punch a hole through time again.” No one moves, Cassandra keeps his stare levelly, gravely.  “If it takes more power, we have the strongest team the world’s ever seen right here, don’t we?”
Draxum arches a brow. “A lot of effort for someone you cannot recall, is it not? It might put you all at risk as well.” 
It doesn’t matter, Leo wants to say. They did it for me first. He doesn’t care if it’s painful or dangerous or anything else. All he knows is that there’s a gaping maw inside him that he can see now reflected in all of his family where this person is supposed to be. Someone who changed their three to four, someone that made them have half-memories about movie nights and laughter in the lair and someone he misses so badly without knowing that his entire soul feels like it’s hollowed out without them. 
“Maybe this person wanted to go,” Draxum, crosses his arms. “You’d give up so much for someone you don’t remember?”
‘I just— I wanted to say—’
“He’s my son,” Splinter speaks up fiercely, protectively. Everyone falls silent. Splinter falls backwards a step, having leapt to his full height out of seemingly instinctive rage. He looks surprised with himself, then— quietly grief stricken, the same time as Leo’s concaving chest collapses like a burnt out star. 
“Muscle memory,” Raph whispers, agonizingly. 
It echoes around the still room. The hallways seem more expansive in the face of it— a ghost exiting the stage with a rush of air, or one finally being noticed. 
He’s lived in these halls for his whole life, packed in with his three most favorite people in the world to get by the way only their family could. There’s a scuff on the stone just at knee height by the entrance from when he tried to land a backflip on skateboard and broke his arm, theres lines reaching up to just barely five feet around the corner from it. Three sets: red, purple, and blue. 
Maybe now, when he looks around, he’s starting to notice all the empty places. Leo feels like his heart is squeezing through his ribcage with how hard it aches.
Leo squares his shoulders, turns towards his family— there are tears in Casey’s eyes, Donnie has stopped typing frantically and seems to be staring at nothing on the floor. The realization is rocking through all of them in differing stages of devastation. 
“My brother,” He wavers, choking back a well of emotion. “My brother is out there. We’re getting him home.” 
___
“Your dreams are crucial for this to work,” Draxum says. “We’re going to use them as a door.” 
Leo takes the tea Dad makes for him and wills his hands not to shake. 
“Everyone else will focus on Leonardo, follow that thought to where he leads you.”
His last dream is only remnants in his mind, but he’s not sure he could go through it again anyways. Good thing they’re changing it this time then, he supposes. Raph sits cross legged in front of him, closing his eyes with a deep breath. Leo’s hit with the horrible thought of losing any of them the same way, waking up and forgetting they’d ever been here to begin with. His palms itch. 
“Hope we have enough juice in us to pull him back,” Leo jokes, weakly. 
Casey sits beside him, spine straight. He leans a little towards Leo, bumping their shoulders. “I… I don’t remember him, but he must have been there. There’s…. There’s holes if I think too hard. If he was anything like the rest of you, he’ll be fighting just as hard to get back.”
The idea of some vague outline of his brother, an amalgamation of the two beside him, running himself to pieces lost in the dark is hard to swallow also. Raph clears his throat. “Maybe he just needs a bit of a boost.” 
April nods, plopping beside Raph fixedly. “And that’s what we’re going to do.” 
Leo looks at Dad, who’s been quiet ever since the revelation hit them all. Dad shifts, placing a paw on Leo’s shoulder— he looks tired, pinched, like someone closed their eyes and drew him with wobbling outlines. Leo knows how he feels, it aches all the same. He puts his hand on top of Dad’s. 
“Yeah, we got this.” 
Leo drinks the tea and breathes out. It hits him fast — at first, he’s floating in the dark; the difference hits him funny, he doesn’t exactly remember any of the dreams but he knows they start before the fight ends. He knows they never begin with him being by himself. 
It reminds him of a time when they were younger, when Dad had to go scavenge for food and scraps alone and leave them behind with stern orders to stay put. They never really did, of course. 
There was a day where it had been storming up top, he remembers the way the pipes groaned and rushed with the rain like growling monsters in the stone walls, warped by all the empty tunnels and spaces in the shadows. Dad had left to grab food for the next few days, in case any of the pipes did burst as the storm went on or a tunnel threatened to collapse. He remembers that Dad hadn’t wanted to leave them at all, he’d been nervous and anxious and promised to be back in an hour at most. They’d all felt it, staying bundled up for the most part instead of ambling off their creaking furniture or stealing the two markers that were half dried up with use. 
Don had been hungry, he’d had a mild fever, Leo thinks— Don had caught every bug that meandered through the grates in those days, before he figured out which vitamins they were missing and how much sunlight they needed. He remembers the way Don shivered, tucked in at his side. Leo had decided he would be the one to make Donnie soup, despite Raph’s protests. He’d squirmed his way out of the blankets, and taken a few steps towards their makeshift kitchen before the thunder rocked miles above and rattled through every part of New York.
He remembers the way that the generator they siphoned had cut out when he made it through the doorway. 
It’s silly now, maybe— his brothers had been a few feet away, he was still in his house. He could hear Raph calling for him, the sound of his big brother fighting the blankets and Dee’s dazed mumbles and complaints with it. He knew even then that he wasn’t really in danger. It was just that Donnie had just showed him the otter videos, and the pipes were roaring at him, and he’d never actually been anywhere he felt scared at all before. 
There’d been approximately fifteen seconds before Raph crashed into him, another thirty minutes before Dad burst back into the lair and brought the flashlights out from the side drawer, and lit candles for them. Fifteen seconds for Leo to imagine that he was completely alone. 
A much older Leo, then, riding the adrenaline off saving the day— holding a photograph close to his chest, comms fizzling in his ear— 
He’s on the asteroid, ah. This is familiar. 
He’s always here in his mind— the Krang stalking towards him, the light of the ship's explosion dancing like fireworks in the distance. He holds the photograph in his hand, because he’s alone, he’s so alone, but it was worth it. The Krang approaches, tail flicking as it practically curves over him in rage. He’s okay with all of this, really, if it means— 
“Get away from him!” Raph yells, and suddenly there’s a streak of red crashing into the Krang, knocking it through the rock. A flash of purple, and Don’s battle shell appears beside him.
“Could you imagine something more relaxing next time? Like I dunno, a boiling pit of lava? This isn’t nearly terrifying enough.” Don’s hand hovers over his shoulder, like he’s not sure where to put it for a second. Leo grabs at his wrist, overcome by relief for a moment before the words hit. Right, imagine. Because he got out, he didn’t bring his brothers here, they brought themselves. 
“I’m dreaming,” He reminds himself. 
“You are, which is good. My tech can’t really do anything special when we’re in a mystical mental plane, so. Do your, yanno, ‘thing’.” 
“We got the big guy for you!” April crows, he can see her backflipping off the Krang’s head, Casey swinging in to kick at its knees. 
Right. He was here, and something got him out— when he dreams this, there’s always things changing, always things that happen differently. He’s usually here alone, facing down the inevitable reality that there’s no more doors; it was his plan, to do anything to get rid of the threat, no matter what that meant but living it was different. It didn’t happen like this, he knows, but he made it out anyways.
He can feel his family around him, just like the kitchen and the dark. There’s fifteen seconds before Raph crashes into him. Fifteen seconds of him in the dark and— there was someone else there, wasn’t there? 
Leo hadn’t decided to make Donnie soup alone. He’d gone with someone, because… because his brother knew how to heat the soup up the way Dad did, and he was older so he could open the cans. He’d been holding someone’s hand as the room went dark. 
He remembers distantly in all of his dreams here, there’s always someone he’s arguing with. Someone he’s losing. Whoever his brother is, he’s been here with him all along.
“You know, you’re really not supposed to be able to be here,” A voice speaks up. It’s choked in that desperately sad and relieved way all in one that he knows, he knows because it’s— 
Leo’s eyes snap open. His brother’s are fighting the Krang with April and Casey and Dad and Cassandra, and he’s sitting at the rock with the photograph, except he’s above it. He’s looking at the dark, and there’s someone holding his hand. 
He blinks. Blue eyes meet his, teary and bright as always. “Mikey—” he breathes, instinctive, like the name is pulled from the very core of himself. 
His brother smiles a heartbreakingly grateful smile. “You’re really not supposed to be able to do that, either.” 
Leo whirls towards him, grabbing immediately for his brother as some unnamable panic crests over him. His hands sink right through thin air, but he can see him— god, he can see Mikey. 
There’s a light hovering orange around his brother’s form emitting a low glow, like he’s a stick on star. They put those in their bedroom, he remembers suddenly. They had them on the ceiling because Mikey had been afraid of the dark, Leo had carefully climbed all the way up on top of the rickety bunk bed and glued them all on without asking Dad, just to make sure Mikey wasn’t scared. He could still see the outlines of them years later. 
“How— Mikey, what happened, I— oh my god, I forgot you—” How did he let that happen, how could he? His only baby brother, their Angelo. “I’m so sorry.” 
Mikey shakes his head, he’s still smiling even though there’s a pinch to his face that Leo immediately can’t stand. “You didn’t, I made you forget. It’s okay Leo.” 
“It’s not! I— it was so messed up without you, I— Raph keeps ditching us and Dad’s tired and, and nobody reads comics anymore!”
Mikey laughs, wet and sad, and it’s still the best thing Leo’s ever heard. He can’t believe he went months without remembering it. When they get back, he’s going to put on all of Mikey’s favorite stupid videos and listen to him laugh for hours just to make sure he remembers it exactly right every day for the rest of their lives. 
Leo barrels forward, still trying to grab any part of his brother; he’s like sand, he’s like water, the pieces of him are streaming through Leo’s finger tips. “It’ll be okay now though, we— Raph will stay in if you’re here, and Don’s stuff’s in your room, but we can move it. He’ll make you a bigger room if you want, you know he will—” 
“Leo,” Mikey cuts in, carefully. Hedging. Leo’s heart crashes through into nothing, he swallows roughly. 
“No,” He tries for a laugh, he remembers this now. He knows what Mikey is going to say. “You’re wrong, stop it. You said— you told me that it was the only way, that we’d all forget.” 
Mikey’s shoulders lift and drop, slow and tired. “You did. It’s okay.” 
“It’s as far away from okay as it can possibly be! You said we wouldn’t miss you, but I did, Mike. I did anyways, we all did. We knew— there was this giant hole right in the middle of us. It shouldn’t be possible, you said it yourself— that means something, I know it does. So— stop trying to tell me to leave or, or whatever else you’re thinking. I’m not going anywhere without you, right now.” 
“I missed you,” Mikey’s crying now which activates every ounce of dread left in him. He looks exhausted, pale and drawn out even with the strange glow.  “Leo, I’ve been trying, you have to believe me.”
Leo shakes his head, furious with heartbreak. “Try harder, then!” His fists clench. He’s not having this same conversation again, he’s not waking up one more time feeling like the world just ended in front of him. He’s not doing this without Mikey, it’s not happening. “I’ll just keep coming back, you know I will. You see that down there?” He gestures at their family, fighting the Krang that isn’t even here anymore, just so Leo won’t have to face it by himself. “They’re not giving up on you. I’m not giving up. I won’t ever, Ang. Don’t ask me to.” 
“Leo—” He says with a sigh, like the decisions already been made. 
“Mikey, stop,” He practically growls, panicking; something crashes behind him, down below where the fights going, he doesn’t look. He refuses to take his eyes off Mikey for a second in case he decides to fade away again. There has to be something there. There’s something to this, he knows there is. Since Leo was small, there’s been a constant he’s held close. It’s proven itself over and over again; when Raph fought through the Krang control, when their Dad gave up the world to save them and they saved it too, every time his brothers pulled through the impossible. Together, they’re stronger than anything— he knows this, he knows it. Mikey put a hole in the world to keep Leo safe. The universe rewrote itself because he made it change, and it only took them a month or two to see the threads anyways. The thrum in him is louder again, but it feels tethered somehow here. Like he could wrap himself around the line of it in his chest and pull. 
“We’ll keep remembering, as long as it takes, you know we will. It doesn’t matter how many times we forget, we’ll always remember you I swear—  Michelangelo, you’re my only baby brother, you think something as stupid as the universe can take you from me?” 
The waterlogged smile he gets could power the sun, he’s sure of it. He leans his head forward, where their foreheads would touch if he could. 
“You have to come back. I don’t care what we have to fight, we’re getting our little brother home.” 
“I want to, Leo, I just— I don’t know how. Not without losing you.”
He wants to say he’d do it, he’d jump right into the black hole to switch places but he remembers how this always went. Mikey learned it from him, from Raph, from their Dad, after all. It wouldn’t fix anything to lose himself either— maybe that’s the lesson at the core here. Leo was never alone on the asteroid, because his baby brother was breaking through space to get to him. And Mikey should never be alone here.
“It’s okay, Angelo, I—” He swallows again, Mikey looks so, so tired. He’s been here for months, Leo realizes, watching them all skip over him and time rewrite without him—  He has an idea, maybe it’ll break everything but he would. For Mikey, he would. “When have we ever played by the rules, hey? Mad Dogs make our own path, right?” 
He'd do anything for his little brother, including break the universe back. Without hesitating, watching Mikey's expression shift from sad to confused, and just that touch of hopeful, he grabs that thread in him, the one that’s been bright and loud and constant for months, and he pulls. 
___
There’s a thunderstorm somewhere far enough— Mikey can hear it in the pipes, in the walls. He’d only seen the sky when it was like this once, rolling gray and dark with thick bolts of lightning scattering apart; through the sewer grates it had looked almost like TV static, far away and strange. It’s loud up there and down here, the water rushing past all the chunks of stone that make up their home and away. 
Leo doesn’t like it, Mikey knows. Every time it storms, his eyes get more white than dark. All big and round and alert, and he jumps at everything. He thinks Mikey doesn’t notice. 
Raphie says it's okay to be afraid of things, like going up top because it's dangerous and they can’t run away or hide good enough yet to be safe. Raph’s afraid of the little dolls that they sometimes find washed up at the bottom of tunnels, he says they have empty eyes and it makes him uneasy; Donnie says Raphie watched a movie on TV that he shouldn’t have. Mikey thinks he’s probably afraid of the monsters in the tunnels, even though Donnie says they aren’t real— he’s heard them, though. He’s sure of it. Donnie also says that people think his brothers are the monsters, which is silly. 
Donnie’s afraid of a big word Mikey never remembers— he says the sun will burn out one day like it runs out of juice and everything will freeze like an icicle forever. He says this like its obvious, but he spends a lot of time reading about it anyways like he can make it go forever if he tries. Mikey thinks he could, Dee made their TV work so it’s probably possible he can do anything. 
Mikey’s not sure what Leo’s afraid of. He knows the water is loud and sounds like the monsters are just outside the doors sometimes, and that they had to leave their old house because there was a pipe that was too old in a wall and it made all their food wet. Leo says he’s not afraid of water, though, and he cannonballs in as big and bright as Raphie whenever they swim in the big water spot down the way. Leo also says monsters aren’t real, and that he’d chase all of them off for Mikey if they were, and he doesn’t think Leo could do any of that if he was scared of them. 
He’s still jumpy when it’s stormy out, though, and never wants to go too far from their room when Dad leaves to find food or things they need. It sure seems like Leo is afraid of something, but Mikey knows his brothers and he knows that Leo is brave and funny and sometimes sneaks cookies from the top shelf for him even when he’s not supposed to. Leo’s not afraid, because it’s Mikey who’s always afraid. 
When Mikey was convinced there was a monster in their bathroom and had been too terrified to run and get Dad, Leo was the one who’d picked up his practice katana and charged in yelling. When Mikey and Leo had gotten stuck in the closet while they’d been playing hide and seek, Leo was the one who started telling him a big dramatic story so it would stop feeling so small. 
It is okay to be scared, but Leo never is. 
“Leo?” He calls— he’s too small to grab the big light, the one Dad says they should only use in emergencies, but it’s dark and Dad went to grab something outside, and Donnie’s been sick so he can’t fix it like he usually does. He thinks this is maybe an emergency. 
Mikey wasn’t supposed to even be away from his brothers when Dad went outside, but Leo had said he’d be right back before the lights went out and Raphie had asked him to check on him. The water is loud in the walls. 
“Leo? I— Raphie says to come back,” He tries again. His voice only wavers a little, and he’s pretty proud because he thinks he might actually be very scared standing in the dark by himself. He doesn’t remember their living room being so big, or the kitchen being so far away, but it feels like miles and miles. It’s cold out here, too. 
Something rattles around the corner near the kitchen. Mikey jumps before realizing it’s probably Leo— sometimes he plays pranks like that, hiding around a corner to jump out. He thinks it’s funny how loud Raph and Mikey will yell, but it’s not. Mikey made a promise to himself that he wouldn’t scream anymore so Leo would stop doing it— he squares his shoulders, and balls up his fists as best as he can. “It’s okay to be afraid,” Mikey tells himself softly.  
Donnie says being scared of the dark is natural, that it’s some behind the brain thought that means other turtles survived longer. Being nervous was helpful, once. Him and his brothers are going to be ninjas soon though, and ninjas weren’t scared or nervous, they were careful. Dad always says that, to be careful and sure. Mikey tries to walk more slowly, quietly— not because there are ghosts waiting for him, but because his stinky older brother that likes to scare him might be. And Mikey isn’t scared, because he’s like Leo. 
The kitchen is strange in the dark, it’s wide and tall, and Mikey doesn’t think he’s ever noticed how high the ceiling goes. There’s an extra splotch of darkness at the very top, he imagines as a big bug waiting for him, and swallows nervously. 
He manages a whisper. “Leo…?” 
He imagines a different time, coming through the dark kitchen. Maybe he’d help Leo with the soup because Mikey wasn’t old enough to use the can opener or reach all the pans, but he watched Dad make it real close, and he knows you have to turn the stove handle to the right dot to make it heat up best. Maybe Leo would be here, and he’d jump out at Mikey and he’d be brave enough to not flinch, and Leo would ruffle him on the head the way he does. 
“Um,” He swallows again, willing himself not to cry as he takes in the empty room around him. The pots and pans look menacing hanging above him like this, like teeth waiting to fall, and the splotch on the ceiling is moving he’s sure of it. The rush of the water seems louder, too, like it knows Mikey’s here and his brothers can’t find him because it’s too dark, and Dad isn’t home to fix it. “This isn’t funny, Leo.” 
Maybe none of them happen, because Mikey is in the kitchen in the dark, and he’s waiting for Leo and he’s scared, and there’s no Leo at all. He turns to look for the door, to go back and wait with his brothers— it’s too dark, suddenly, to see where the door is at all. A pipe groans, or maybe a monster growls, and he squeaks, throwing himself at the nearest wall. He tucks himself in small, holding his knees close. After a moment, nothing moves— another moment, another nothing. 
The room is darker now, he can’t even see the splotch on the ceiling. He’s not sure he’s in the kitchen at all. 
“I’m lost,” He says to his knees, and presses his face into them to hold himself smaller. 
Dad will be home, and he’ll turn the lights on, and everyone will make fun of Mikey for being so scared, and Leo will pop out of the corner he’s hiding in and maybe Mikey will even cry. It’s okay if they make fun of him, as long as it's not dark anymore. As long as he stops being alone. 
He thinks he’s maybe been alone for a long time. 
“--key! Mikey, hold on!” 
Mikey blinks up, around— that sounded like— 
“Mikey, is that you?” 
He jumps, the kitchen— he can see it again— it’s still dark, but if he squints, he thinks he can see a figure on the other side, by the table. 
“...Leo?” 
The figure moves, uncurling itself from underneath the chair legs and shakily standing up. Mikey manages a brave shuffle closer as his eyes try to adjust— it is Leo, rubbing at his eyes fiercely and clearing his throat. “Jeeze, Mike. Way to sneak up on a guy.” 
Mikey almost doesn’t move for a second, feeling strangely out of place. “Mike?” Leo says, nervously, and all of the neurons in him rewire with a sharp burst in his chest as he scrambles forwards, throwing himself into his brother's arms. 
“It was dark! And— I couldn’t find you!” 
Leo’s hand comes up to hold the back of Mikey’s head, like he always does. “Hey— shh. Angie, it’s okay, hey? I've got you, always got you.” 
Mikey leans back, and scrubs at his eyes, trying to glare as fiercely as he can at his big brother in spite of the tears. “I was calling for you, and— and you couldn’t hear me!” Leo winces, something sheepish lacing across his face. There’s something else too, Mikey can’t read it so it doesn’t matter he figures. Leo always tells him, he always listens. 
“I heard you, I promise,” He holds Mikey closer for a second. “Sorry it took me a while— I always heard you.” 
He doesn’t know what that means but it appeases something in him anyways, he squeezes his brother as hard as he can. “Don’t go off on your own ever again,” Mikey tells him, muffled into his chest. “You gotta take me with you, too.” 
Leo doesn’t say anything for a long moment, humming quietly as he rubs Mikey’s shell. “I’m here now, hey? Not going anywhere, you’re not getting rid of me.” 
That’s good, he thinks. That’s where he should be. Here and nowhere else. Mikey’s not brave enough to be alone without him. 
He feels embarrassment wring through him. “I was scared,” He confesses, apologetic. Leo will probably tease him for it, when it’s light again. He’ll probably tell Raph like its a joke, but then stick more glow stars on the ceiling for him anyways. 
“Me too,” Leo says, quietly. “I was. I was really scared.”
Oh, Mikey blinks, rewires his thoughts. “Don’t have to be scared,” He tells Leo, because it’s what Dad says to him, too. “I can be brave and we can take turns.”
Leo laughs, gentle and quiet, his hug gets so tight Mikey debates telling him to let go, but— he’s shaking, a little, like he’s breathing all funny. He doesn’t want to tell Leo to stop if it helps. 
“Okay, little brother.” 
Mikey leans back, and takes Leo’s hand in his. He looks around the kitchen— it seems smaller, now.
“We can go now,” He says, and he’s not sure why. Leo’s mouth is flat and terse like it is when he’s really sad, but he manages a small smile anyways. 
It’s not as many steps to cross the room, and the splotch on the ceiling is just a shadow, really. He pulls Leo along behind him, squaring himself as bravely as he can. It’s easy, with Leo’s hand in his. It’s just a silly room, they make cereal bowls in the morning and sometimes Dad lets them put salt in the pot for spaghetti, and Leo makes silly faces when they clean dishes to make it fun. It’s a room in his house, and he’s safe here even when the pipes are loud and it’s dark. It's a room and Leo's here, and they're safe together.
He thinks about Donnie, waiting for soup. About Raph and his big worried bros, and the way he lets Mikey climb up on his shoulders to see up higher. He thinks about a hallway, and the twelve and a half steps to the stairs and the ten steps up to their floor, and the ten more steps to their bedroom. There’s something warm in his fingertips, in his chest, like he’s just had soup, or been bundled up in his favorite spot in their hammock between his brothers, and Dad is in the hallway turning off the light. 
The yellow through their ratty blue blanket always turns red and orange at the side, purple at the bottom. 
He can see the door to the hallway now— it’s not far to where his brothers are, and Dad said he’d be home soon. Mikey thinks he might be tired, though. He thinks he’s been tired for a long time. 
“I want to go home,” He tells Leo, from some place outside himself. His hands tingle funny, he thinks he’d like to rest, but the door is right there and he made it, and it’s glowing bright as anything— 
Leo’s hand is firm and warm and squeezes back, and he can take another step. 
____
Mikey wakes up warm. 
He stretches, reaches as high up as he can to touch the wall behind his headboard, same as he always does. He feels the grooves of the stone under his fingers, and the light vibration of the pipes behind it. He feels the stiffness in his spine loosen, uncurl, like he’s been tucked into his shell for too long.
It’s quiet, he realizes; his home is a ripcord of motion normally. Raph always gets up early and makes tea, and sits with Dad for a little while before Mikey ambles down to get breakfast going. He can usually hear music already, or Don’s electronics whirring if he’d pulled another all nighter, or the thrum of a TV. There’s none of that now. If he focuses, he can hear soft puffs of breath somewhere beside him. 
The realization doesn’t hit him for a long moment. He opens his eyes and sees his room, the outlines of plastic stuck on stars on the ceiling, the pile of comics tucked carefully onto his bookshelf, and — Leo. Sleeping with his head on his hand, leaning half onto Mikey’s bed from the floor. 
He blinks and— 
He’s standing on an asteroid, the one he lost Leo on. Some unthinkable distance away from home, caught high up in the air and all alone. The Krang is missing, because Mikey did it right this time, finally. He found the branch within all the branches that would get Leo home— the one where Mikey never existed to begin with. The only branch where Leo grew up being the baby of the family where his overprotective brothers never allowed him to even venture into self-sacrificial acts of heroism. The only one where Leo figures out a different plan.
They’re happy here, he knows. They will be happy here, even if Leo doesn’t believe him. 
His brother is all highlighter outrage and heartbreak, a full study in devastation in technicolor, and all Mikey can think of is that he loves him. That he’s glad he’s safe. That if this is the only gift he can ever give any of them again, a way to skip grieving at all, then he’s glad. He’s only sorry to be the one leaving first. 
“What are you talking about?” Leo’s voice shakes, his eyes are wild. He’s not supposed to even know what’s happening, not supposed to be able to talk to Mikey like this, but his brothers have always had a way of doing the impossible. “You’re not going anywhere, stop it.” 
“Leo, it’s too late. I’m– I’m not going anywhere, not really. You’ll see.” 
Leo’s expression twists further, it hurts to look at, it does, but Mikey makes himself memorize all of it just in case. 
“You think I’ll let that happen?”
“You don’t have a choice—”
“I don’t care, Michael. I don’t— what. My baby brother is badass enough to change space and time just because he decided to, and you think I’m going to let that one up me? If you can change the timeline, then so can I.”
Mikey smiles, despite himself. He wonders how it’s possible to be so afraid and full of love all at once, he doesn’t know how there’s room. "Leo, you have to let me go. It's okay."
His big brother is so, so sad. It aches and hollows him out to see it, he's never seen Leo like this before. Like the sun just burnt itself out right in the sky. “If I let you go, I'll lose you." He says, simply, horrifically. 
"Maybe that's how it's s'pposed to go," Mikey shrugs, hiccuping on a sob.
Leo's expression shifts, firm lines pouring in between. He leans close and pokes him in the chest, eyes flashing fierce. "It's not. It can't be, I won't let it. You’re not going anywhere, baby brother. I’m not doing any of this without you.” 
The world unravels apart in front of him and Leo’s eyes never leave his. 
“You awake?” 
Mikey jumps, hands curled tight into his comforter so hard it hurts. Leo’s staring at him now, expression entirely unreadable. 
“Leo, I—” 
He holds up a hand, swiping at Mikey’s chin gently. “Great to see you up. Worried we weren’t going to be able to wake you for a bit there. How are your hands?” 
His hands? Mikey blinks down at himself. His hands are a network of glowing lines, worse than before. Last time they’d opened up like fissures, pure gold creeping through before settling into paler scars against his scales. Now, it looks like his hands are barely holding back straight sunlight, more cracked lines than not. It doesn’t… hurt, though. 
“Okay,” He says, his voice is croaky and small. Leo smiles at him, rubs the top of his head in a smooth motion before standing. 
“I’ll let Don know you’re awake, he wanted to check in on all of that.” 
Leo hasn’t actually looked him in the eyes, Mikey realizes with a pang— instinctively, desperately, he grabs Leo’s hand before he can walk away. Some part of him terrified abruptly that Leo’s so furious with him it’ll be like this forever, never quite looking at him but too scared to leave. Like magnets constantly repelling each other. Leo's his best friend, just like Donnie and Raph, but he's always wanted to be as brave as Leo was his whole life. He can't be mad at him for doing what Leo would have done, did do a thousand times over, he can't.
“Don’t— um. Don’t go?” 
Leo’s shoulders hitch high, he’s staring at the doorway flatly. Tense. Mikey has an insane urge to apologize, desperately, but he’s not even really sorry. If Leo’s here then he did it right, it was worth it. If Leo’s here then Mikey made the correct choice, no matter what Leo thinks.
They stay like that for a long second, Mikey holding Leo’s wrist with both hands, Leo facing away. He can feel Leo’s pulse under his thumb, it’s settling some terrified white noise in his head, in spite of himself. He can breathe knowing Leo's here.
Actually, he’s breathing a lot— big heaving breaths that tear through him all at once. He can feel Leo’s heartbeat and he’s alive, and Mikey’s here, and he can see him and— he was so tired of being alone, of trying to be brave. Maybe he always believed Leo would find him, maybe that wasn’t fair of him at all. He just doesn’t want Leo to hate him for it. 
“I— I…” He tries, the sentences evaporating into nothing before him. 
Leo turns instantly, switching their hands so he’s holding onto Mikey’s wrist just as tightly. His eyes are wet, Mikey realizes. 
“Angelo—” 
“Leo—” Mikey stops, bites his lip. Leo doesn’t look angry, not really, but he’s not sure. “I’m. I’m just happy to see you.”
Something crashes across the flat dark of his eyes, splintering it apart like a lightning storm, all motion and sparked urgency. 
“I missed you so much,” Leo says, and pulls him into a hug. 
Mikey gasps, tears falling from wide eyes. “I thought… I thought you’d be mad.” 
“I am,” Leo sniffs, choking on a breath as he bundles Mikey closer. “I’m so fucking mad at you, but I love you and you were missing. Don’t ever do that to me again.” 
“You jumped first,” Mikey manages, some backwards anger from a reality that no longer matters leeching forwards. 
Leo shakes his head, hooks his chin on top of Mikey’s forehead. “Big brothers are supposed to do stuff like that. I knew you’d save my shell.” 
“No you didn’t,” Mikey argues, balling his fists up to push at Leo’s chest. “You didn’t, because I didn’t even know. You were going to leave me behind.” 
There’s a fraction of a space between them as Leo lifts his head, and it’s horrible. His eyes are swollen red, tears still streaming from them; he looks just as heartbroken as before, but Mikey’s fine. Leo shouldn't look like he's still losing Mikey when they're here together, that's silly, that hurts in a way Mikey doesn't know how to make better. He puts both hands on Leo's cheeks anyways, to keep him in one piece all together.
“Never,” Leo swears wetly. “I’ll always come back for you, you hear me? Nowhere you can go I can’t annoy you back where you belong.”
“Same for you,” Mikey insists, it sounds like begging. “I’m a badass mystic warrior now. I’ll just drag you back home.” 
Leo lets out a shaking breath, and Mikey sniffles too.
"I was trying to tell you that I loved you," Mikey offers, wobbling all the way down to the core of himself. "Did you hear me?"
His big brother's face twists, crashes to pieces and his shoulders shake, leaning all his weight forwards into Mikey's hands and closing his eyes. "Course I did," He says, as easy as anything. "Of course I did."
____
Leo has another dream. 
It’s softer— it’s not on the asteroid, there’s no Krang or portal or giant ship. He’s younger, skipping through the sewers after his Dad and his brothers. Dad has Raph’s hand in his, and Raph’s holding onto Donnie’s sleeve to make sure he doesn’t stray too far either. He gets distracted sometimes, by the details that pile up in his head. Raphie keeps an eye on Donnie though. 
Leo’s supposed to be doing something, he thinks. 
The tunnels are tall and wide, and there’s hints of lights through the grates high up above that make spackled golden dots on the stone. He peers closely at a puddle, the way the light seems to absorb it all in. When he looks up, his family is trailing farther away. Faint outlines in the murky distance— he needs to catch up, he thinks. Or when the rain comes we’ll get separated. 
Dad’s watching out for Raph, who’s watching out for Donnie, though, so they’ll be okay. It’s Leo’s job to make sure they don’t get separated. 
The tunnels are still light, but they’re long and the splotches of light look like sun through the tree leaves, and his family turns a corner. Leo’s alone. 
He wakes up, standing in a tunnel. 
It’s dark. Of course it’s dark— for a disorienting moment, Leo’s not sure he’s actually awake. The jumpcut between his last memories of ambling off to bed to now don’t seem to fit in any way he can make sense of, but the stone under his feet is cold and solid anyways. He knows this tunnel, probably. He knows all of the offshoot tunnels by their home like the back of his hand— he’s not lost. He isn’t. 
He is alone, though. 
The dream is still floating through his mind, a cloud that hasn’t fully let up and drifted off as it weighs thick and heady. A thundercloud, dropping low with all its gray and heavy lightning. They didn’t wander off without him, he knows— except. It’s just that they could have, couldn’t they? Any one of them could be cut clean through again. 
He knows the memory his mind had latched onto. His heart beats frantic and loud for a moment as he realizes. He’d been there with Mikey, it was his job to watch his baby brother; he’d been there with Mikey, but he’d forgotten again. How could he have forgotten, again? What if he hadn’t fixed it, not really, and any one of them could fade out of the forefront without him noticing? 
The tunnel is dark, and he’s alone— he knows this tunnel, his home is a few steps around the corner, and he must have slept walked all the way out but he can go back. He knows his brothers: Donnie, Raph, Mikey. He hasn’t forgotten them, he hasn’t. 
There were fifteen seconds that he was alone in the dark when the power went out. 
“Where do you think you’re going?” Raph’s voice bounces off the stone around them— Leo whirls around before his mind catches fully up, and Raph sweeps him up further into a bear hug with it. “Pretty sure you’re still grounded.” 
Leo blinks frantically, feeling the slight tremble of Raph’s arms around him. Donnie peeks his head over Raph’s shoulder. “So, turns out I didn’t remove the trackers on all of you that I said I did, go figure.” 
“Which I’ll allow this one time, on account of bozo activity.” Raph says. “But we will be revisiting at a later time, with Dad.” 
“What—” Leo turns his head. Donnie’s pretending to type on his wrist guard, but his eyes keep flickering up at Leo and away. Raph’s smile is tense at the edges. They’re here, they’re real, he hasn’t forgotten them, but then— 
Raph continues, he’s herding Leo forward and beginning the walk back home as he talks. “Maybe we give up the whole sleeping in separate rooms thing tonight and do a sleepover instead. We can put your favorite on.”
“I won’t even argue on which film is the best, this one time only,” Donnie says, magnanimously.  
Oh, Leo manages a shaky smile back. The ball of nervousness bubbles in his chest, he tries to swallow it down. “Better not be Punch Chowder then, because—”
“That’s only for criminals,” Mikey chirps in, patting Leo on the arm as they’re bustled forward. The knot in Leo’s chest relaxes. Everyone’s here, he didn’t forget them. The gratitude is nearly overwhelming, his knees nearly give out before Mikey swoops in under his arm, wrapping his own firmly around Leo’s shell. 
“Movie night sounds good,” He manages. His family, all where he can see them, can be sure he won’t wake up without any one of them. It sounds perfect. 
The lights are on, the tunnel is bright. He’s watching over Mikey and he’s holding onto all of them, and his hand is in Don’s. 
Yeah, he thinks. Everything where it’s supposed to be. 
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apostacism · 4 months ago
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What are your thoughts on the Architect and its impact on the lore regarding the Blight? Do you think we'll see anything about it in Veilguard? Its always frustrated me that something with such wild implications has been so absent from the narrative throughout the games and I cant figure out why
I'm hopeful! It's clear that the DA writers aren't done with the Blight by a long shot - consider Solas' extremely strong feelings about the Blight and the Wardens in DAI, as well as Corypheus'... everything. When you look at the books as well, the Calling came out in 2009, and in it the Architect was spreading the taint using enchantments - which is to say, lyrium. So the possibility of lyrium being tainted was also a thing that was known very early in the dragon age universe, even if not explicitly presented during the games. My impression is that a lot of large story and worldbuilding pieces in Dragon Age have been in play since nearly the beginning, and that a large thread like the Architect being not exactly picked up (but not exactly dropped... there's been ongoing blight and warden stuff in every game) doesn't mean that it's been forgotten, just that it hasn't been woven back into the story yet.
While I do agree that I would prefer for there to be Less in the tie-in materials (novels, comics, Absolution, whatever) and More in the games, particularly when it comes to the things that are actually relevant to the games (having a novel about Maric's rebellion, which is only background material, is great. Having most of the information about White Spire and the mage rebellion be tie-in stuff that is explained in a way not entirely to my satisfaction in the game... less great), some of it might also be a pacing dissonance. Apparently the ancient elves appear in books that came out before (?) DAI (or at least before some of my mutuals played DAI), and then the concept is introduced in DAI as well. So, as I noted above, not in the games yet doesn't mean not in the games ever and relegated to the world of additional materials/dropped stories.
The biggest piece I feel like has been missing continuation of the ideas raised by the Architect is that of darkspawn "awakening". We've continued to investigate the magisters, lyrium, and the blight itself, but not the idea of darkspawn being or having the potential to be self-aware and discrete individuals.
That was one thing I really liked about Origins - even the unawakened darkspawn had intention. I'm thinking of an emissary - the forgemaster in Return to Ostagar, I think, who looks directly at you and draws a line across its throat. That's communication. We don't know that it's not hivemind communication, the darkspawn receiving instructions from a more conscious archdemon and carrying it out as a thoughtless body, but I personally think it wasn't. That darkspawn in particular wanted you to know that it was going to kill you, wanted to threaten you.
Similarly with the vigor of destroying Duncan's fire or hanging up Cailan (whatever else I might think about that particular narrative choice) - all of that demonstrates that the darkspawn have thoughts and desires, however limited, beyond simply spreading the blight. Hurlocks have a culture of self-scarification too. And those marks (presumably) have meaning to them. Darkspawn goals may be violent and limited, and their social groups simple and nebulous, but they do have both social behaviors and desires and intents, which means in a way they're already self aware, already at least somewhat individuated even within the horde. They may not think as we do, but they do think, and the Architect's modifications are just bringing them more into alignment with a human experience.
Nonconsensually, I might add! Awakening is so real for including the Mother and her disaffected darkspawn who didn't want to be cut off from the call of the Old Gods. They have an "awakened" existence and it's not preferable to them, which raises very interesting questions as far as darkspawn autonomy and what is owed to them in terms of respecting their desires for their own existence, when one of the options for that existence compels them to acts of violence against other peoples.
I would love to get back to all of that. Mechanically, too - there's something very fucked up going on with Warden blood, if giving it to darkspawn disrupts their connection to the Blight Mind, not to mention Avernus doing experiments on other wardens that allowed him to live more than 200 years, tainted, holding off the final stages of the taint (the song, the rotting of the body, etc). The progress of our growing knowledge of the Blight through the games has been towards its source, and I think bringing a reckoning with the darkspawn themselves back in would be a fitting and interesting next step in that direction.
So yeah, I would love to more directly address the Architect's research and the implications for the wardens and the darkspawn themselves in the games, because there's a lot of really fascinating stuff there. My thought about the "reason" for the absence - if there is one - is that we have instead been developing our information about the Blight itself, taking more of a big picture view, which makes sense with protagonists who are at a remove from the darkspawn and wardening. It would have been possible to investigate with Hawke or the Inquisitor, but I think not doing so makes sense too and I'm not writing off the possibility of picking up those threads in VG or beyond.
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postapocalyptic-cryptic · 5 months ago
Text
After some thought, I've decided that the only way to introduce this fan continuity to the wider fandom is to start posting it. So here, take around 700 words of Jazz and Prowl's first meeting.
SIX MILLION YEARS AGO IACON, IACONIAN PROVINCE, CYBERTRON SMF TOWER ONE MEETING ROOM 4, SUBLEVEL 5H 0653 HOURS
"Get your pedes off the table."
The other cadet isn't looking at him. He's just sitting there, picking at the seam of a claw and humming some annoying pop song. "Nah." "Seriously, get your pedes off the table. Now."
The cadet finally looks up, arching an eyebrow. "You know, it's so funny, but they told me Optimus was going to be my commanding officer, not you." Prowl opens his mouth to respond, but he keeps going. "Prowl, isn't it?" Then, as if it wasn't really a question, "How did your exams go this semester, Prowl of Petrex? Doesn't the PPA usually do exams this time of year?"
Prowl bites the inside of his lip plate and tastes energon. "Be respectful. We're about to meet a Prime."
This time, the cadet does take his pedes off the table, if only to swing around and face Prowl more fully. They're sitting across from each other at a long, off-white table lined with spinning office chairs more expensive than Prowl's entire dorm room back at the academy. The overhead lights are harsh white, almost blue, and the cadet's perfectly polished plating shines under them when he leans forward on his elbows and says, "Damn, loosen up a bit. He's only been Prime for a few days. And he did choose us. He should be happy we're here."
"And we are," a deep voice booms from the doorway. Prowl's on his feet before any conscious thought registers, and then all higher level processing is shut down by the sight of Optimus Prime and Ultra Magnus standing in the doorway. Fortunately, a crisp salute had long since been driven deeper into his programming than panic could reach, and he snaps to attention.
"Sirs!"
The other cadet takes his time, getting gracefully to his pedes and into a salute of his own. He has some sense, then. "Mags," he greets. "Prime."
"Good morning, Jazz," Ultra Magnus says. He's standing just in front of Optimus, hands clasped neatly in front of himself. "And Cadet Prowl, it is pleasant to meet you face to face." Magnus doesn't look pleased, and Prowl forces his EM field to stay tight to his plating. He hopes his face looks as blank as it feels.
"It's an honor, sir," he says. "And Prime, it is---I---"
"'S good to see you, too, Optimus," the other cadet, Jazz, cuts in. "The upgrades are looking good."
Again, Prowl feels woefully disadvantaged. Clearly, Jazz has already been integrated into this social circle, is familiar with its inhabitants and rules, and Prowl has only just now learned his name. He prides himself on preparedness, but considering the lack of information he was given, he fails to see how he could have avoided this situation. "At ease," Optimus says, and Prowl falls from his salute into a tense ready position. Jazz flops back into his chair with a fluid ease that looks well-practiced. Despite his words, Optimus himself doesn't appear to be at ease. He's standing stiffly, the way Prowl feels himself standing, but without a soldier's practice. He'd heard Orion Pax was an unconventional choice for Primacy, but until now, he'd never considered the possibility that Pax hadn't even been in the military. Begrudgingly, he makes a mental note to consult Jazz on it after the meeting. He seems to know everything around here, after all.
"Mechs," Ultra Magnus says. "You two have been hand-picked from a collection of the best and brightest minds our generation has to offer for these positions."
"And what are these positions?" Jazz interrupts, ignoring Magnus's sharp look of reproach.
"Head of Special Operations and Intelligence," Magnus says to Jazz, "and Head of Tactics," he says to Prowl, "of the new Cybertronian Defense Corps."
Prowl's processor stalls. "We already have a military," he says dumbly. "We won't soon," Jazz says, and this time, Ultra Magnus spares him any censure.
"Jazz is correct," Magnus says. "Mechs, I hate that it's come to this, but we're on the brink of war, and when it breaks out, the Senate wants only those they trust in charge of the safety and stability of Cybertron and its government."
"And you chose us."
"Based on a multitude of factors, from your psychological evaluations to your test scores and beyond, yes, we have chosen you."
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What are some Gallifreyan wedding traditions (eg. standard vows, laws surrounding what counts as consummation, etc)
What are some Gallifreyan wedding traditions?
This is something we know sod all about, and there's literally not even enough information to draw any kind of vaguely probable conclusion. I recommend a quick read of the below post, then come back:
Some wild theories™ continue below:
🏛️ Alliances and Contracts
Marriages on Gallifrey often serve as strategic alliances between powerful Houses. These strengthen political positions, secure resources, and ensure the continuation of influential bloodlines.
Marriages might be arranged by the elders of the Houses, making personal choice a secondary role.
Intricate contracts might be drawn up before the wedding, detailing the terms of the alliance, each party's responsibilities, and any dowries or exchanges involved.
These contracts might be recorded in the Matrix, preserving them for future reference.
💍 The Ceremony
The bride and groom traditionally wear white, the Gallifreyan colour for the personification of Death. It might be a nod to the eternal nature of their commitment.
Long hair is braided, possibly interwoven with strands representing their House colours or symbols. This might signify the intertwining of their lives.
Instead of verbal vows, the couple might exchange telepathic vows, creating a mental link that lets them share thoughts and emotions during the ceremony.
These vows could be recorded in their biodata, like tattooing yourself with the name of your beloved.
📜 Consummation and Legalities
Consummation probably isn't a physical union. It could be a merging of biodata or a psionic union.
The act could be ritualistic, involving ancient rites of the Eternals.
For the marriage to be legally recognised, it might be registered with the Capitol and logged in the Matrix.
Witnesses from both Houses might be required to sign off on the union.
🎉 Post-Ceremony Traditions
The couple might create a time capsule filled with mementoes from their Houses and personal artefacts, which is then sent to a future date as a testament to their union's longevity.
As a gift to each other, the couple might weave a part of their biodata into a shared artefact, like a pendant or a ring.
The wedding feast might be an outrageously lavish affair, held in the grand halls of the Capitol or the House estates.
Celebrations might last for days, with each House showcasing its history and achievements like an Olympic host opening ceremony.
🏫 So ...
While much of Gallifreyan wedding traditions are a complete unknown, we've had a shot at some ideas that may or may not exist, and I'll leave it to you good people to decide or make your own.
Related:
How does marriage and dating work on Gallifrey?: The cultural norms of Gallifreyan relationships.
How does divorce work on Gallifrey?: How divorces might actually work, legally and socially.
How might Gallifreyans view divorce?: How divorces might be viewed on Gallifrey.
Hope that helped! 😃
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utilitycaster · 2 years ago
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Something that I find misses the point so completely it is breathtaking is when people are like "this player hates engaging with their backstory" about the CR cast. It's pretty much never true, and what's worst is that I've seen it the most about Travis and Taliesin, two of the players who I think have the strongest grasp on how to create and engage with a backstory.
The choice to have a character who avoids elements of their past can be a valid, informed, and deliberate character choice. People run from their pasts! People decide not to pursue things for a number of reasons - because it hurts too much, because they're scared to know the answer, because they think the people around them don't care, and because their interests change. Caduceus very much is an avoidant character. He has access to Sending by the time we first meet him, and he never uses it to try to contact his family. That's not Taliesin being stupid or avoiding. That's Caduceus making a conscious choice to not ask the question "is my family dead" because he is terrified the answer is yes. He waits for a concrete sign to go after his family to the point of deep loneliness and self-harm out of this fear. That's a crucial trait that you need to understand him as a character! Ashton is also on some level similar in that he engages in no shortage of harmful, wallowing, and self-indulgent behaviors - and that is a choice. They also have obviously messy feelings about the Hishari and it's pretty plain to see they feel extremely conflicted about their growing bonds with Bells Hells because now they'll feel bad if Bells Hells leaves them. So of course he's hesitant to bring this to Orym, because then he's entrusted Orym with this information, and he has to care, and again, this is a major part of who Ashton is.
The same goes with Fjord and Vandran (and Sabian). One of the core themes of Fjord's story is deciding whether to run from or embrace your past, and which parts of that past you want to bring forward as you change, which means that to explore that, he has to do some running! He makes efforts to learn more about where they are (going to search for Vandran during the Zadash downtime; hiring a bounty hunter for Sabian) but those get interrupted by Fjord's shifting feelings about Vandran, and fact that this is an ensemble and the story naturally shifts.
Which brings us to the practical element. Fjord doesn't want to release Uk'otoa at the time, so it makes sense to return to the mainland and process next steps, and the focus of the story then turns to rescuing Yeza, and then finding Yasha, and rescuing Caduceus's family, and changing Veth back, and brokering peace, and TravelerCon, and Eiselcross. Through this, he still in fact does quite a lot of backstory work (changing patrons and taking a paladin oath, asking Jester to contact Vandran), as well as an immense amount of character growth and engagement with the ongoing story, but Travis doesn't wrench everything off its natural course just to check off every box on Fjord's list, because that would be selfish, obnoxious, and not fun to watch. And Caduceus achieves exactly what he set out to do! He found and rescued his family and found a way to hold off the corruption! Despite his avoidance, he covers all the bases! And as for Ashton...we've had precious little time to cover anyone's backstory in depth other than Imogen's, and we've actually seen a decent amount of Ashton's backstory regardless with their contacts in Bassuras and their interactions with Jiana. There simply was not time in Bassuras to stray from the main objectives and search for the Nobodies, and I think if we had people would be annoyed since that arc already took a very long time (and, for what it's worth, rather like Fjord, Ashton has explicitly asked after The Nobodies. Do not mistake lack of payoff for character disinterest).
It is, to me, incredibly telling this criticism is most commonly seen about the two players who I think also get the most "well they had an central arc/more focus than my fave" criticism.There's no way to make everyone in the fandom happy, and I think Travis and Taliesin are the players at the table who most understand that and give the least fucks about what the fandom thinks, and who (possibly relatedly) have some of the strongest grasps of narrative and what it means to play in an ensemble. Which is in my opinion a major factor in why their characters are so good - even the ones I do not vibe with are fully realized and well-crafted, because the players are not trying to make likeable characters, but rather interesting ones, and they're not trying to take center stage, but rather be generous at the table.
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bioluminesced · 9 months ago
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saw your last fanart (16 of january) and it's so good
it beats me how this kind of colouring/painting is done though. how do you pick the right colours? the right places? the value of colour and it's warmth?
i always have trouble with colouring because i have a very strict basic knowledge of shadows and colours and no visual imagination
sorry for such a long ask
hi anon!! no need to apologize this is such a kind ask and i still really struggle with this sometimes. i didnt start experimenting with color in my art until around summer of 2022 and before that it was so frustrating to color that i almost didnt produce any colored work.
i also have complete aphantasia so my visual imagination is very limited! this leads to a lot of trial and error in my work because i cant tell what looks good until i simply try it lol
i will try to answer about my process as thoroughly as possible! but a lot of it is seriously just vibes, and playing around. a lot of what helped me was studying how artists i liked used color in THEIR work and trying to work it into my style.
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a lot of the vibrancy and harmony in my work comes from my base layer, which i put under the sketch like im “priming” the canvas. when im coloring later on i let this base layer inform my choices and also let it show through in places for unification of the colors. its a lot like doing an underpainting except i dont go crazy on the range of values
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the hardest part for me is doing the base colors over this layer. i dont have a lot of guidance for this because i kind of just pick colors to start with and then edit them bit by bit until it looks satisfying to me/matching the intended mood and harmonizing with the base layer. i edit the colors mostly by using gradient maps and layer modes until i find a version i like and merge it to just create a normal layer with the colors i want. i keep this base layer underneath my sketch
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i render on top of my sketch/lineart always so i can better define the shapes and have smoother edges. this is the part where i really go crazier with my colors - some conscious decisions i make:
- where can i make my highlights and shadows stand out more? i accomplish this by choosing warm colors on the cool base or cool colors on the warm base. theres blue in the flesh tones of the face and orange in the blue tones of the coat.
- where does the rendering need to be more “clean”? someone viewing an art piece will gravitate to places in the drawing with finer detail, so i put a lot more work into the shapes and colors of the faces and the fish, because this is where i want someone to look the longest
another thing i usually do is pick one really saturated color and place it throughout the drawing. for thos one its that bright red, around the eye, blood, and outline of the fish as well as the characters’ hands.
this part of my process takes me the longest and can be seriously frustrating at times! something i always force myself to do is to keep working on it. whenever im like ok its done! i go back and render for another half hour and it ends up looking a lot better
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gradient mapping the final drawing! for further unification i have a gradient map i made that works for most of my warm pieces
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and i put it on top with an overlay layer mode and then adjust the opacity
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it makes a big difference in the warmth and unification of the final drawing!! so honestly i cheat a little with my colors :P
i hope this helped a little bit with your question! my general advice is to also do some color studies of movies or pictures you like it really helped me get a feel for harmonizing color (and not being afraid to use really vibrant colors!!) again thank you for such an ask and good luck to you!!
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