#fol orphanage

[abybweisse]

Ch207 (p3), You've known me long enough

We get a vague understanding of what life was possibly like for Artie before coming to F. O. L. Orphanage...

...and we learn that Artie and Theo already knew each other before then, too.

But what does Artie mean by telling Theo to not "get scared now" after knowing Artie so long? Afraid of holding a gun... or afraid of Artie? Makes me wonder what Artie did before they both ended up in that orphanage!

Before Artie can elaborate (though he probably wasn't going to right then anyway), he and Theo realize more staff are headed their way.

Of course, that fan translation of the above page was very wrong about what Doll says. She doesn't say she will find a way to keep him/make him hers. No one calls anyone "baby". 😮‍💨 This does not, however, rule out the possibility that Doll tries to have Snake turned into a bizarre doll, if he dies. We do have to worry that bizarre doll Snake might turn against Finny and our earl simply because Finny left him to die. Same problem if Snake somehow lives (which I highly doubt); he could feel abandoned and choose Doll. Snake remaining loyal to our earl might not matter, though; Undertaker could turn him into a basic bizarre doll in order to simply show him off to our earl -- and possibly Finny, too -- later, just to make them feel worse about his death.

The fan translation of the next page isn't nearly as bad. The language here is more formal, but the gist of it was right:

I agree with @fwippysays, who said Finny might be thinking back to his master being arrested, then comparing it to now with Snake dying, because these are moments when Finny feels powerless to help those he cares about.

I hope Snake hears Finny's heartfelt apology for leaving him behind. Thankfully, the snakes are there to witness this: that Finny wanted to destroy Doll and take Snake with him. It's just that he felt he had to focus on their mission, otherwise Snake's death would be in vain.

Now what? Kill the approaching staff?

If Snake dies, I hope the snakes paralyze Doll and find the kids outside. Then they could burn the barn down. No bodies, no bizarre dolls.

[plague-of-insomnia]

Ch 197 : Send in the Clones

This is a short chapter. Finny and Snake are led from the outside by Susan, one of the young staff members, who teases/flirts with Snake about his relationship with Doll before introducing them to the Collie class. They made bath salts the day before and today are making pound cake with orange marmalade, instructed by an older woman staff member.

While we’re here, we meet a few more of the children at the orphanage, and more parallels begin to emerge.

We’ve already met Theo, the “Ciel” clone, and Jenny, one of the kids from the outdoorsy Corgi class in chapter 196, so now we get to meet three more, who parallel the other servants: Sebastian, Mey Rin, and Bard.

Oliver (オリバー), Mey Rin’s Doppleganger, Collie Class

It’s possible Oliver is a boy, but it isn’t explained. (Oliver does use 僕, boku, the same first-person pronoun Our Ciel does, and a common one for young boys.) Oliver is also very shy and tends to stutter when they speak, like Mey. Oliver has a strong aptitude for domestic tasks like embroidery, and seems very close/clingy with Daniel, the Bard clone, and always seems to be apologizing.

Artie (アーティ), Sebastian’s Doppleganger, Mastiff Class

Artie is the oldest in his class and impresses Finny and Snake with elegant manners and speech, just like a high-ranking servant like a butler. He keeps some of the other kids in line (like the Bard clone Daniel), and also seems to know more than he initially lets on about “fledgling day” (the day that the kids leave the orphanage, supposedly). He also uses the same pronoun as Sebastian, 私, Watashi.

Daniel (ダニエル), Bard’s Doppleganger, Collie Class

Daniel is definitely a boy (or he sees himself as one, anyway), as he complains about having to dress like a girl and do “woman’s work,” in much the same way that Bard complained to Seb when he first joined the servants. And like then, he’s given a stern talking to about cooking and other domestic tasks not being the sole domain of women. (He even uses the same pronoun, オレ/俺, ore, as Bard.)

I can’t say yet what the significance of these parallels are yet, but they’re definitely one of the most important aspects of this chapter. The other one has to do with a term that’s repeated over and over this arc—

「巣立ちの日」, literally “leaving the nest day,” or what I’m calling “Fledgling Day.”

It’s the day that the eldest in each class “ages out” of the orphanage and presumably goes on to the world to work as a servant in their area of expertise, and is a day of celebration. When Artie first talks about it in this chapter, it’s while lecturing Daniel about needing to be prepared with skills when he leaves the orphanage one day.

However, only a few pages later, Susan, one of the staff, announces that Jenny, the girl we met last chapter who was afraid of horses, is having her “Fledgling Day.”

This is sudden and surprising news that almost everyone seems excited about—except for Artie and Oliver. The latter is so shocked that they forget to tend the marmalade they’re making and it begins to boil and burn—and I wonder if that juxtaposition is intentionally ominous as to why they’re so concerned about this news.

On the last page of the chapter, Artie murmurs about how this can’t be, it’s too sudden, genuinely horrified. Does he know that “failures” are disposed of? It’s giving me even stronger Promised Neverland vibes now…

Another interesting element is that Snake seems oblivious to their different reaction, but not Finny. Could it be because of his own experience as a test subject that he can recognize what it means to have failures “disposed of”?

I wonder if Oliver and Artie may become allies to Finny and Snake, and if we may be horrorfied (ala the bone prosthesis in the circus arc) once we learn more about what Undertaker is doing with all these kids…

~#~

As always please be respectful of the work I’ve put into my translations and don’t use my translations or screenshots without credit.

I’m also human and I make mistakes, so apologies in advance if there are any.

[shinigami-mistress]

What He Has Become

With chapter 203, I couldn't help but think how much what's happening in F.O.L. Orphanage is similar to what happened with Baron Kelvin.

First, both started with orphanages, and Doll is present at both. In both cases, the children are used and mistreated. In fact, the emotionless children Kelvin had for his private shows, don't really seem that different than those Finny and the kids found under the stables. Both seem as if they are alive but also not really aware.

What makes this worse is Baron Kelvin was quite literally trying to replicate the cult that held both o!ciel and r!Ciel. So, if Undertaker's actions are starting to mirror those of Kelvin, he is quite literally becoming like those people that killed o!Ciel to begin with.

Thoughts?

[such-a-downer]

i drew theo again from my previous attempt

Yana-sensei please don't let him fledge 😭😭

[tiredsystem-r-us]

So far gathering that the FOL Orphanage arc/Finny and Snake’s backstory arc are giving The Promised Neverland arc vibes but make it basically zombies instead lol 👀

And also the addition of a handful of extras/inserts of more characters with info but instead of following the children we’re following the other random kids shoved into this mess semi out of the blue lol

[coffeewithmytea]

Ch.198 hot take

[SPOILERS BELOW]

The kids are kidnapping Finny so he can help them rescue Ginny... it'll turn out they're all on the same side :D

I'm getting reminded of Ciel & Sebastian's grand midnight escape plan in the Germany arc, which involved kidnapping / rescuing Sieglinde.

Excited to see where this goes next!

There's definitely going to be some kind of Snake vs. Doll showdown....

[abybweisse]

So... which one is Theodore? 😆

The swarm has arrived

(via)

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[abybweisse]

Ch211 (p3), Take us to your master

Artie and Theo get Finny to the surface. Finny isn't sure why they bothered to save him, but Artie has a point: they still need him. Even if it's just instructions on what's next. Or where his master should be waiting for a report. Theo just wants Finny to conserve his energy.

Oliver helps Finny out of the water, which is quite different from how Finny pushed Oliver in. Finny thanks him, and Oliver just goes right in for a hug. For a brief moment, Finny smiles a bit.

But Theo gets right down to business. They don't have their evidence anymore, but they have a lot of information.

There's no reason to report to the police or the Yard anymore. So, Theo wants to go straight to our earl and Sebastian to make the report.

Idk if they are looking at the orphanage for a moment or if they are already walking away, but Finny notices the nearby windpump and recalls arriving there, just recently, with Snake... and it makes him cry.

One good thing about the staff waiting down there is they won't see the kids return but will assume they have drowned. They might keep someone down there (like in shifts) to wait for bodies to surface, but none will. Still, they will probably think the bodies are there and just stuck at the grating or something. No one from the orphanage will be looking for them outside... unless one of them finally discovers the busted grate.

I was hoping they would destroy the windpump and flood the underground facility, but it looks like they are focused on making a report and perhaps returning with reinforcements.

The chapter isn't over just yet. One more part to go.

[blackbutlercharacterpoll2023]

unnamed FOL Orphanage staff

[abybweisse]

Totally agree, though I'd like to add something more sinister about the top student in each class.

I think the only reason they haven't been fledged already (and bled-out or something) is because their souls are being molded to fit the bodies of their respective star lords.

If the top students get fledged out, it might be for both their blood and their souls. Everyone sorted into a class has the "opportunity" to end up being the best fit, based on the "shape of their souls", but only one or two would probably be used in attempts for it. The rest just end up being used for their blood.

I'm half expecting Undertaker to later explain he got the idea of using children for this from seeing how Sebastian manipulates our earl's soul to "season" him for a meal. It would be easier to mold the souls of children than to change the souls of adults, after all....

That's what I'm thinking, anyway.

A tragic parallel between the F.O.L orphanage and Baron Kelvin’s workhouse

I wanted to point out that it’s interesting “the oldest siblings” of each group actually aren’t the ones getting their “fledging day” first. 

In fact, as we could see with this chapter, little Ginny who was scared of horses, something unbefitting of her aptitude as a Corgi, is the one who got a sudden “fledging day”. 

Thanks to this chapter, it’s also pretty obvious that “the oldest siblings” know where the other kids are sent, as indicated by Oliver’s and Artie’s scared reactions in this chapter.

The “oldest siblings” being aware of what’s going on also explains why Oliver sort of “protected” Daniel, when he conveyed to the adults that he didn’t fit in the Collie group. 

In other words, when the operation needs a kid (for blood or some other reason), it’s those who don’t fit in who get taken first so, Ginny aside, we should also definitely worry about Daniel but also Nick from the Pomeranian group.

Focusing a little bit on Artie, a Mastiff, who brought Daniel, a Collie, to his class and Oliver who interrupted Daniel talking about “fledging day”, it seems the “oldest siblings” are trying as hard as they can to protect the other kids from meeting a terrible fate. This also explains Theo’s helpful attitude with Ginny in the last chapter: 

However, despite Theo’s best efforts, the adults noticed that Ginny was not living up to her aptitudes as a Corgi and she’s now about to reach “fledging day”. ://

The “oldest siblings” also definitely know that Doll is probably the one who’s watching over the whole orphanage operation, as indicated by their reactions when Snake introduced himself as Doll’s acquaintance…

…And it’s very interesting, because I think it creates a parallel with Doll’s own situation, back when she was alive. 

After all, as a kid from Kelvin’s workhouse, when she joined Noah’s Ark, Doll began abducting kids with Joker and co to satisfy Kelvin’s madness but also to protect their younger siblings back at the orphanage. However, this was all for naught, as Kelvin had already killed those kids for his mad project, something our!Ciel discovered at the end of the arc.

At F.O.L orphanage, the “oldest siblings” act similarly: they were probably told the sad truth behind this orphanage and they have no other way but to go along with it in order to survive, which makes them accomplices, while still trying as hard as they can to protect many of their fellow “siblings” so that they won’t get to their “fledging day” too quickly. 

It’s tragic really and, since they think Snake and Finny are Doll’s friends, they probably won’t trust them to help. :/ 

The single silver ray of hope I have is that Theo reminds Finny of someone: could be either twins or it could be a kid from Finny’s own tragic past from that scientific lab in Germany and, in that case, if Theo can eventually trust Finny, then maybe Finny and Snake will learn the truth and help save all these kids.

It would also make a beautiful parallel with Theo reading Fenian cycle… 

…since our Finny is indeed stronger than many others and could definitely help saving them. 

TL;DR Doll probably pushed the “oldest siblings” into the same situation that she experienced when she was alive: become accomplices in order to survive but also to protect innocent children, which is exactly how she lost herself and died. Here’s to hoping that Snake (who wasn’t a part of Noah’s Ark abduction ring) and Finny (who’s very strong) will be able to realize the truth in time, in order to help these children. 

[if-childrenofcain]

DEMO ✝ ORIGINAL BLOG

Wealth. Power. Death.

The Ballad of the Young Gods is a dark academia interactive fiction story, with dark fantasy and psychological thriller themes. Some of the romances also contain tropes and storylines which may be disturbing to some readers.

It is based on media like “Ninth House” by Leigh Bardugo, “The Secret History” by Donna Tart, “Masters of Death” by Olivie Blake, and SYFY’s “Deadly Class”.

It is rated 18+ for depictions of swearing, sexual themes, violence, and death.

Getting into an Ivy League school is a dream that thousands of American students nurse from a young age. Luckily for you, that dream is your reality. Four years of continuous hard work and pressure have made you a proud freshman at Yale University. And as if that wasn’t enough, you have been handpicked to attend Rathore College, whose selection process is revered across all the nation’s top educational institutions. But you should’ve known this stroke of luck came with a catch.

Yale is a crucible of power, where secret societies wield arcane magic and the dead are far from silent. The illustrious House of Styx wants you and this is a situation that not even your money can get you out of.

They are powerful, elite, and most of all, controlling beyond recognition. They are also the heart of the eight secret societies that attach themselves to Yale. From the White House to Hollywood’s most acclaimed stars, their influence reaches farther than anyone can dare to imagine.

A sinister conspiracy brews under Styx’s watchful gaze, one that threatens to unravel the fragile balance between the living and the dead. But in a graveyard of secrets, you and your accomplices are the ones with the shovels. You’re now in a world where the past is never truly dead, and the lines between life and death blur with each passing day.

But some secrets are better left buried, and some prophecies are destined to drag you to hell.

Cédric Armand Lacroix / Céline Armelle Lacroix (M/F)

Vindictive. Conniving. Ruthless.

As the heir to the Lacroix fortune, C is every bit as arrogant as their bloodline demands them to be. Even after the messy divorce of their parents which further led to their disownment by their father, Alain Lacroix, they refuse to give up on their dignity. They’ve vowed to destroy him one day and take what’s rightful theirs, brick by brick. The world bent to C’s whims, what money couldn't buy them, those pale green eyes probably did.

There is nothing that they can’t have, especially if they set their mind to that. That is until you came along and stayed one step ahead of them every time in everything that mattered. It wasn’t just the fortune or the legacy at stake; it was the bruising of their pride, the constant reminder that someone—anyone—could outmaneuver them. But beneath the layers of resentment and anger, there’s something more—something darker, even more dangerous.

An obsession takes root, one that blurs the line between hatred and fascination. And they vow to spend their whole life despising you for everything.

Romance trope: Enemies / Academic Rivals to Lovers.

Vance Kasper Næsholm / Vanessa Karina Næsholm (M/F)

Pious. Haunted. Disillusioned.

Raised under the oppressive influence of a rigid, fire-and-brimstone faith in a Danish Catholic orphanage, they were taught to see demons in every shadow and sin in every touch. Forever haunted by the visions provided by a wrathful God they can neither fully grasp their mind around nor escape from, their only reprieve came on the day they got adopted at the age of six and diagnosed with schizophrenia. But the truth of their ‘psychosis’ may be far more sinister than any medical diagnosis could account for.

As the tides become even stormier and their medications become ineffective when they arrive at Yale, all V can do is hold on to the last threads of control over their lives. Your first meeting almost makes them teeter over the edge.

Now that they’re your roommate, they’re bound to you by fate or folly, but whether they’ll be a stable ally remains to be seen.

Romance trope: Roommate Romance.

Wilhelm Johann Ostendorf / Wilhelmine Johanna Ostendorf (M/F)

Exhausted. Abandoned. Lost.

What does the world think of you when you’re a product of brilliance and neglect at the same time? With an Oscar-winning filmmaker for a father and a mother ensconced on the American board of directors at the Louvre, their pedigree is undeniable, yet it is a legacy more hollow than it appears. While their parents sculpted their careers into masterpieces and amassed accolades, they left W to be raised by their paternal aunt and uncle. A sizeable trust fund and periodic checks served as their parents’ only gestures of care, a shallow substitute for the love and attention their only child so desperately craved.

The only times they had felt more than someone who was deeply unlovable were the summers you spent on rusty swingsets and fast bicycles with training wheels. But the swingsets have long been dismantled, and the bicycles have been traded for cars.

The only questions remain—are you the same kid who saw them, really saw them, beyond the reality of being unwanted and the suffocating looks filled with pity that came with their name? Or will this reunion only serve to confirm their deepest fear—that they are, and always have been, truly alone?

Romance trope: Forgotten Childhood Friends to Lovers.

Dumitru Constantin Diaconu / Dumitra Constantina Diaconu (M/F)

Charismatic. Reckless. Guarded.

D’s name is the one that comes up in almost every conversation about Yale’s wildest parties. A natural-born rockstar charmer with a magnetic presence, they effortlessly draw people into their orbit, collecting hearts and bodies with the ease of someone who’s always been in the center of the gold rush. Despite the countless admirers and the trail of broken hearts left in their wake, you’ll always find them with a Marlboro between their lips and a new person in their arms to warm their bed at night. Their smile is a promise, and their laughter a siren call. In the haze of flashing lights and the thrum of bass that pulses through the walls, they are a heartbreaker in every sense of the word.

Feelings are a complication they don’t allow, a line they never cross. They’ve perfected the art of detachment, of keeping their connections strictly no-strings, because to let someone in would be to risk the vulnerability they’ve long since sworn off.

Will you be the only person they'd let peel back the barbed wire surrounding their heart? Or will you be left with nothing but the faint scent of cinnamon and a tale that wasn't meant to be?

Romance trope: Friends with Benefits / Sex First, Feelings Later. [You will only be able to unlock their romance route through a hookup.]

Maxwell Edmund Whitlock-Singh / Maxine Edythe Whitlock-Singh (M/F)

Duty-bound. Noble. Untouchable.

Politeness and decorum are second nature to M. They are the embodiment of manners, a living testament to the art of subtlety in a world where spectacle often trumps substance. They are the sort of person who commands attention without seeking it, a product of both royal blood and rigorous self-discipline. Dubbed the “Paragon of Styx,” M is a modern Plato, someone who finds as much solace in philosophical debates as in the classical texts they’ve devoured in multiple languages. As the second-born child of the Crown Princess of Wales, they have always understood that their life would be one of service with every action scrutinized, and every word weighed.

Their intellect is vast, but it is their passion for the esoteric that sets them apart. For all their convictions, there is a restlessness within M that even they cannot fully articulate. It is the paradox of their existence—a life of privilege that feels at times like a gilded cage, a role that demands both reverence and obedience. Indeed, heavy is the head that wears the crown.

Will you make them realize that life is more than duties and expectations? Or will you become yet another figure in the background, another reminder of the golden cage they were born into?

Romance trope: Forbidden Royal Romance / Secret Relationship.

Step into the shadows as the wealthy heir apparent to a billion-dollar industry who is just starting at Yale University as a freshman.

Be a part of Yale’s most enigmatic secret society, the House of Styx.

Fully customize your character including: pronouns, gender, physical appearance, personality, sexuality, and more.

Romance 1 out of 5 love interests (all of them are gender-selectable). Or not. Platonic relationships are valid too.

Study forbidden knowledge, practice dark magic, and try not to fail at your actual coursework.

Test your mind, body, and soul in rituals that blur the line between reality and nightmare.

Learn about the secrets that your mother took to her grave. Is she really the same woman you remember so fondly from your childhood?

Will you rise to navigate the sinister plans brewing under the nose of the House? Or will your actions drag you and your companions to the fiery depths of Hell.

W̶̗͖̝͆h̷͕̲̑̎̓̍̄̎͠͝a̵̢̛̫̾̓͗t̴̙̫͛̐͆̾̀̓̔̊͝ ̴̪́́̈́͛̂̉̀͒̊́ạ̸̗̯̲̘̬͗̀ͅr̸̢̪̜̭̼̠̟̜͚̂̈́͋͋̅͑̉́̎͝e̸̩̯͉̿̊̔͛̃̎͝ͅ ̵̢̹̜̤͍͙̩̬̰̜̏̃͝͠y̷̢̨͇̘͍̌́͐̍̆̓̑̐ǫ̶̢̧̡̛̥̤͉͎̟̃̏̍̓̒ͅu̷̓̂̾̇̇͜͝,̸͎̖̮̲̳̻̱̬̎̒͑͝ ̸̡̛̰̌͐c̶̛̪̗̰̻̜̲̘̺͗͊h̴̡͔̦̘̤̖͊̿̓̇i̵͉̘͙̥͍̼̜̐̐̄̅͝͝ĺ̶̡̧̧̼̦̦̗̰̝̼̓̊̀d̸̡͎͔͔̰̖̿̐̈́̓͊̌̃̓͜?̷̩̗̲̫̮͕̍̈́́̽͜͝͝

DEMO

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WRITTEN BY: axel (he/him)

CODED BY: @albywritesfiction (they/them)

[pain-in-the-butler]

chapter 207+ predictions

I think Snake is gonna live. I know some people were assuming that a fake-out death two arcs in a row would be unlikely, and I think that's very fair, I was kinda leaning that way at first too. But, we still haven't learned why the orphanage's appearance was familiar to Snake and Finny.

If the boys were both experimented on in facilities with the same look as FOL, I think we're going to find out about that now. Yana's tweet the other day about the main story feeling "like it's finally here" seems to signify that we're about to see Snake's past in a lab - and that this past might just help him survive his mortal wound.

But why would Snake have to survive the wound in order for his past to be significant? Because, narratively, if Snake dies now, it would be like saying his "snakeness" wasn't worth bringing up in the first place. The fact that he's a snake person that can talk to snakes and has unique snake powers was just flavor text or a tool for Ciel's disposal, and now that it's no longer useful, he should die.

BUT, if Snake lives because he was experimented on, it will track with what the story has already told us: that human experimentation and sacrifice are very important themes in the story, and that we should pay attention any time they're mentioned, because they are the heart of it all. It would also strengthen Yana's theme that those who play god will be punished, while those who are the victims of cruel gods are innocent.

Of course, you could also say that Snake's death is a punishment unto Doll and O!Ciel...

If we don't at least get to see Snake's past now, I'll be shocked, because this chapter combined with Yana's tweet is convincing me that it's central to understanding the rest of the story. And if Snake does die, it had better not just be for the shock value. The consequences ought to be as significant as the ones that came with Agni's death.

Well, we'll see if I'm on to something or if Yana has bamboozled me once again! 🤪

[salty-protagonist]

Where is Doll Getting Blood From? (FOL Orphanage Blood Collection)

Now that we know Doll is a Bizarre Doll, let’s try to find out how she is sustaining herself with blood. This post will include information from the most recent chapters.

First of all, we know that no one can go in or out of the FOL orphanage except authorized people and innocent victims. So, while it is possible that blood is being imported into the orphanage, we need to ask ourselves “What would Undertaker do?”. For this case, it is unlikely that a place designated to be a blood collection center would receive shipments of blood to sustain one (known as of now) bizarre doll.

We also know that the fledged children are how they obtain blood. So, if the children aren’t leaving the premises, how does the blood go outside.

Because the fledged children are in fact, leaving the orphanage.

The last couple of chapters make it seem like once a kid reaches fledging day, then they get celebrated, they leave and then they are brought back at night. We can’t know yet if this is the general case for kids other than Ginny.

Let me remind you that before Ginny, the older kids had no idea where the fledged ones went. They even went as far as threatening Finny to get this information. It has its own large panel with a bold text to show how important it is.

Then Ginny could be a special case that returned to the orphanage compared to all the other fledged kids that we have no information on.

But why did Ginny return?

This question has a simple answer: for Doll. While it wouldn’t make sense for blood to come into the orphanage, why wouldn’t they use the very alive kids that they know the blood type of for food.

Doll ran out of supply like it happened to RC in ch 149, so the women at the orphanage quickly improvised to get her blood. An evidence for this would be the fact that Ginny’s dress wasn’t properly made.

They didn’t know they would need blood that day, so they acted quickly. Much like how Doll didn’t know she would collapse. Otherwise why would she go out in an open field surrounded by people?

Is Ginny dead?

Probably not. At least not when we saw her like this:

Let’s look at a motif that was present many times in the FOL chapters, the mistletoe. It’s known for being used in Christmas celebrations. But it’s importance in Kuro is much different. Theo does explain it a bit, but Finny outright says what we’ve all been thinks about for bizarre dolls all this time.

If mistletoe is digested, it can effect as a sedative that makes people go to sleep. It’s been used as herbal medicine for some centuries. There are dangerous side effects to eating mistletoe, but a large amount needs to be digested to cause death. So I don’t think that’s the case here. Ginny is just sleeping.

What we should be focusing on is the fact they they brought her to the stable. It was where we last saw Doll. Wouldn’t she be able to move on her condition?

Although the kids couldn’t find a secret door, there could be another mechanism that lets blood to be drawn and for Doll to use it. If even one of the snakes doesn’t return, it would be logical to assume that the snake was caught by Doll just like when she re-appeared.

As for the general blood collection, the fledged kids are most likely put the sleep with the mistletoe. Then they are brought to a bigger facility on a supply and demand basis. The blood isn’t drawn and shipped. But the need for whichever blood type gets fulfilled by a fledged kid that has it.

Just as a side note, I think that the lemon pastries have something to do with the mistletoes, but I don’t have anything further yet.

———————————

Thank you for reading!

[abybweisse]

Hard to tell what's going on, exactly, but I'm guessing they start their jobs in ch198... and that's Snake's uniform?

At least they share a room together, so they can talk a bit more freely about their situation there. Finny definitely seems to realize, in ch197, that Ginny is probably in danger because of her "fledging" day.

Cutie Snake in ch. 197 & 198

[blackbutlerfandomnerddomain]

what are your headcanons of Artie,Mabel, Oliver and Theodore being adopted by Nina, Meg, and Augusta ?

YES!

OCiel took them to Nina's shop for new clothes after everything was done and Nina, being Nina, was just smitten by them and made way more designs and clothes than planned to the point they had to come back more often to try on or change some clothes

During that time Nina, Meg, and Augusta got close with the four and felt sad whenever they left, the kids felt the same

At one point Oliver went out of his way to bake some sweets for the women as a thank you gift for all the new clothes and Nina teared up a small bit when they left that time

Due to a storm Sebastian and OCiel trusted Nina and her wives to watch them for the night as Sebastian can easily drive in the storm with just one passenger and don't want to risk going back and forth, so Meg and Augusta brought out the spare cot and set it up for them to sleep on for the night They gave them each a glass of warm milk and honey for after some yummy dinner and the boys and girl was all fed and tuckered out and able to sleep soundly

Only after that did the three women made decisions to adopt them and did so during a party event OCiel helped set up and during the night mentioned to the quad they hope to raise them as their own children

There was some tearing ups when they got the documents and announcement but all were shocked when Theo just started sobbing and they all ended that moment with a hug

Now there's four others joining the household there was talk of moving house but didn't want to risk losing business in the shop, even though the four tried to convince Nina they can all sleep in the same room but the topic of puberty shut that down and how they should have their own rooms each

That was when Theo refused to have his own room since that's what he got during the FOL Orphanage so there was really no agreeing for a while

So they built a much bigger tailor shop still in London but closer to a yard with a bigger field connected to it with the Phantomhive's help, that way the kids can run around easily and there was plenty rooms. Mabel got her own room same goes for Oliver as he has his own things while Artie and Theo share a room as brothers

They're that type of family who help out whenever they can for each other, such as either models for works or help around the shop

After much begging they got a horse for Theo while also getting two dogs for the rest, one smaller dog (maybe a Pom or corgi) and one bigger dog that'll bite the arm off a creep if needed