#floating points

[389]

[grrlmusic]

Floating Points - Cascade

[knightofleo]

Floating Points | Birth4000

[rabbitechoes]

better late than never!! this has been a hectic month, well i guess months now that we're into october, but i made it! hurricanes be damned, i'm getting this month in review post out!!! anyway, here is a compilation of all the reviews i've written this month - this time presented in chronological order of when i wrote them rather than ranked from best to worst. i also decided to remove the scores from these as i want people to focus more on my words than a silly number :3 to check out my thoughts on some of the songs that dropped this month click here!!! also feel free to follow me on rate your music and twitter <3

What's Wrong With New York? - The Dare

◇ released: Sept. 6, 2024 ◇ genres: new rave, electroclash, dance-punk

The Dare's debut is a well-produced, yet gimmicky dive into debauchery made by someone who would rather be at home listening to The Smiths on vinyl and reading some highly acclaimed postmodern literature.

my review of What's Wrong With New York?

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Manning Fireworks - MJ Lenderman

🥇 BEST ALBUM OF THE MONTH

◇ released: Sept. 6, 2024 ◇ genres: alt-country, slacker rock

MJ Lenderman's songwriting is drenched in personality and, above all else, very effective. he can make u laugh one moment and then deliver a line that hits u like a truck the next. his new record is fantastic.

my review of Manning Fireworks

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Endlessness - Nala Sinephro

◇ released: Sept. 6, 2024 ◇ genres: jazz fusion, space ambient, progressive electronic

with her brilliant sophomore album, Nala Sinephro has made a strong case for being perhaps the most exciting composer in both jazz and electronic music in the current decade.

my review of Endlessness

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Cascade - Floating Points

◇ released: Sept. 13, 2024 ◇ genres: tech house, IDM, progressive house

a few years after his magnificent collaboration with the late Pharoah Sanders, the new album from Floating Points is a retreat into the world of house music that has him further refining his skills.

my review of Cascade

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My Method Actor - Nilüfer Yanya

◇ released: Sept. 13, 2024 ◇ genres: indie rock, indietronica, bedroom pop

Nilüfer Yanya's amazing new record is defined by a bustling intimacy and warm, minimalist instrumentation that make these songs feel visceral in unconventional, but incredibly satisfying ways.

my review of My Method Actor

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143 - Katy Perry

◇ released: Sept. 20, 2024 ◇ genres: dance-pop, house, pop rap

Katy Perry hoped everyone would fall for this self-serving and desperate attempt at a comeback record so she wouldn’t be relegated to obscurity and the occasional greatest hits tour for the rest of her career.

my review of 143

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In Waves - Jamie xx

◇ released: Sept. 20, 2024 ◇ genres: house, future garage, progressive house

Jamie xx has returned with an album full of life-affirming house bangers that can inspire optimism even in those who are poisoned by cynicism.

my review of In Waves

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The Thief Next to Jesus - Ka

◇ released: Sept. 19, 2024 ◇ genres: drumless, east coast hip hop, abstract hip hop

this new record from Brooklyn rapper Ka is one of the most thoughtful and powerful rap releases of the year. everything from the lyrics, to the themes, to the storied production leaves a profound effect on u.

my review of The Thief Next to Jesus

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SOPHIE - SOPHIE

◇ released: Sept. 27, 2024 ◇ genres: EDM, bubblegum bass, ambient, dance pop, tech-house

the polarizing posthumous self-titled record from the late great SOPHIE is unfortunately a mixed bag. it's packed with ambitious ideas that unfortunately don't stick the landing.

my review of SOPHIE

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13" Frank Beltrame Italian Stiletto With Bison Horn Grips - Xiu Xiu

◇ released: Sept. 27, 2024 ◇ genres: experimental rock, neo-psychedelia, post-industrial

Xiu Xiu's fourteenth album ranks among their best. it's concise, brilliant, and insane containing some of the strongest material of their storied and ambitious catalog.

my review of 13" Frank Beltrame Italian Stiletto With Bison Horn Grips

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this section will be used to briefly discuss projects i didn't write full reviews for, but i still want to shed some light on. beginning with ...

RAVEPOP - r u s s e l b u c k

If you're in the mood for some playful, eccentric furry dance music look no further than RAVEPOP. There are some heaters on this thing. Namely the bouncy party-brained "TOO MANY PEOPLE" and the in-your-face stylings of "EVIL MUSIC for BAD DOGS." There's a lot to enjoy on this relatively short record. Not every song hit for me, but I think it's worth checking out!

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Russell Boring - JOBA

I was really looking forward to this record from BROCKHAMPTOM alum JOBA. The singles he released leading up to it were some of the strongest post-BH material from any of the former members. Unfortunately, those songs ended up being the clear highlights on the record. While not a bad record by any means, there's just so much potential left on the table. The focus on intimate ballads with a 70s-tinge wasn't the way to go, in my opinion. These songs pale in comparison to the bombastic, glamor of songs like "American Fever" and "People Need People." The latter being the best mixture of both the sweet and the glamorous. Overall, Russel Boring was a little underwhelming, but perhaps I set my expectations too high.

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Like All Before You - The Voidz

This record baffled me. This new record from The Voidz is a mess. Julian Casablancas and crew sound asleep at the wheel with these lazy, formless songs that just drone on and on and on. Hardly any song left any kind of lasting impression. It was just a painful listen, each cool moment is undercut by a litany of absolutely sleep-inducing ones. Like the A.I. album cover, Like All Before You feels lifeless and unimaginative.

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log off and go outside!! - NOISE ARTIFACT

This new EP from NOISE ARTIFACT is pretty awesome. A short collection of vulnerable electronica cuts that are full of surprises. These songs balance soul-bearing vulnerability with deeply enjoyable pop songwriting very well. A one-two punch of big feelings and catchy tunes. Definitely give this one a shot!

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Quiet Warp Xpress - RiTchie & FearDorian

A few months removed from RiTchie's debut solo record, which I thought was great, he teams up with 17-year old producer FearDorian for this EP. Quiet Warp Xpress features really cool production and beats, many of them feel pretty ahead of the curve, but what drags this EP down is RiTchie's performances. He doesn't give these beats the energy they deserve. They need a less lethargic presence to breathe more life into them. I love RiTchie's rapping, but this EP feels a bit like a clash of styles.

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[iamlisteningto]

Floating Points’s Crush

[newmusickarl]

5-9’s Album of the Month Podcast – latest episode out now!

The latest episode of the 5-9 Album of the Month Podcast is here and it’s a big clash of rock giants both old and new! As ever, I take a seat alongside 5-9 Editor Andrew Belt and Mama Mañana Records’ Kiley Larsen to review five high profile album releases from the past month in music, ultimately naming one as our Album of the Month at the end of the discussion.

For our July 2024 episode, it was Hot Chip’s Joe Goddard who took home the coveted Album of the Month title, wowing us with his feature-heavy second solo album, Harmonics. For our latest episode, we look back at five big releases from August and the albums vying for recognition this time around are:

Romance by Fontaines D.C.

Champion by Pom Poko

Aghori Mhori Mei by The Smashing Pumpkins

Infinite Health by Tycho (Poll winner, thanks for voting!)

Midas by Wunderhorse

If you want to listen to this or any previous episodes simply follow the links below, but also be sure to follow 5-9 Blog on Instagram, Twitter and YouTube for more news and polls relating to the podcast.

Listen on Spotify here

Watch, like and subscribe to our YouTube channel here

Album & EP Recommendations

Ness by Hayden Thorpe

“When going on a sonic journey into the wild, who better to chaperone than former Wild Beasts frontman, Hayden Thorpe. Six years after the disbandment of the acclaimed art-rock quartet, the singer-songwriter and multi-instrumentalist has since firmly established himself as a solo artist, thanks to the stark balladry of ‘Diviner’ and the synth-soaked majesty of ‘Moondust For My Diamond’. Now back with his third solo album Ness, an adaptation of author Robert Macfarlane’s book of the same name, Hayden has successfully crafted his most magical and ambitious project yet. Hayden Thorpe’s Ness ends up being more than just another album. Where Macfarlane’s book was part-novella, part-prose and part-poem, Hayden too has crafted a piece of art that blurs the lines between music, audiobook, spoken-word and classical composition. It’s simply a one-of-a-kind auditory experience, one that whisks you away to a place full of historical dread and natural wonder, which feels all too relevant for today’s world. Through Hayden, Ness Speaks – and it’s quite unlike anything else you’ll hear all year.”

Listen to the album here

Read the full 9/10 album review for Clash here

Watch or listen to our exclusive interview with Hayden on the making of the record here

Someday, Now by Katy J Pearson

The evolution of British singer-songwriter Katy J Pearson has been quite something to witness. From her solid debut Return back in 2020 to her ultra-impressive follow-up Sound of the Morning in 2022, Katy has taken sizeable steps forward and matured her songwriting with each new release. So, it is no surprise then that not only is ‘Someday, Now’ her best record to date, but it’s also one of the year’s best too.

Filled wall-to-wall with soaring, string-tinged indie-pop anthems, this is without a doubt her boldest collection yet, where the production throughout is exquisite and the vocal performances remain as sublime as ever. The orchestrated delights of Save Me and It’s Mine Now dazzle early doors, before the jittering riffs of Grand Final and the stripped-back majesty of Someday light-up the back half. However, Pearson arguably saves the two best songs for last, from the melancholic sway of Siren Song to the triumphant, bluegrass finale, Sky.

Overall, this is another all killer, no filler release from Pearson, one that perfectly fits the Autumnal weather, to the point that I can’t seem to stop playing it. A magnificent record that sees Pearson continue to go from strength-to-strength.

Listen here

Cascade by Floating Points

We have been spoilt for incredible electronic records in 2024, but this new one from Samuel Shepherd, AKA Floating Points, is right up there with the year’s best.

After his much-acclaimed collab album with Pharoah Sanders (a record I personally found quite underwhelming) I’m pleased to say Shepherd has returned to the club for his latest album. ‘Cascade’ is a fitting title too as listeners are treated to an avalanche of sonic splendour, beginning with the dizzying Vocoder club mix and pulsating Key103, before the vibrant euphoria of Fast Forward and throbbing, distorted beats of tracks like Afflecks Palace and Tilt Shift. That said, the pick of the bunch is the enchanting, near 9-minute sonic journey Ocotillo, which begins as an understated dash of ambient electronica before morphing into a racing barrage of static synths.

All in all, one of the year’s best from the genre and an incredible listening experience that will pull you back in for repeat spins.

Listen here

Dance, No-One’s Watching by Ezra Collective

When your last album not only wins the Mercury Music Prize but also makes history by being the first jazz record to do so, you better believe there’s going to be some pressure on the follow-up. However seemingly not phased at all, the quintet that make up Ezra Collective have returned a year to the month with their joyous third album ‘Dance, No-One’s Watching’, which I’m pleased to say is every bit as dazzling as its award-winning predecessor.

A celebration of music that makes you dance inspired by their triumphant 2023 world tour, the mosaic of global influences is condensed into this incredibly satisfying, groove-tastic concept album, set around a liberating night out. From the West African rhythms of Palm Wine, the gospel guided duo of Hear Me Cry and Everybody, to the cherry on top features from the likes of Olivia Dean, Yazmin Lacey and Moonchild Sanelly, it’s another captivating work from Ezra Collective that will just put the biggest smile on your face.

Listen here

HOPECORE by Rahim C Redcar

You may not recognise the name Rahim C Redcar, but you may be familiar with his former musical pseudonym, Christine & The Queens. Now officially releasing music under his chosen name, ‘HOPECORE’ is a debut album of sorts for this new identity, after it was first introduced on Christine & The Queens’ projects, Redcar les adorables étoiles (prologue) and Paranoïa, Angels, True Love.

Sonically this new release isn’t a million miles away from those projects, boasting a hypnotic collection of synth-soaked sonnets enriched by theatrical, live-sounding production. This rawness of the production is the big fascination point, helping to supercharge these songs so that the impassioned vocal performances and aching lyrics pour out of each bar.

Like it was on Paranoïa, Angels, True Love, at times it also sounds like Rahim Redcar just riffing in the studio, giving these tracks a magical, improvised nature. None more so than on the album’s phenomenal 20-minute centrepiece, OPERA – I UNDERSTAND, which will certainly test the patience of some, but also blow the minds of others. Add in other sensual sensations like ELEVATE, DEEP HOLES and RED BIRDMAN EMERGENCY, and what you have is another towering work of art from one of alt-pop’s true visionaries.

Listen here

Stream of Life by Maxïmo Park

For more than 20 years, Geordie heroes Maxïmo Park have been one of the UK’s best manufacturers of certified indie bops and, as a result, one of my sentimental favourites. While not all their records have completely hit the mark, their output has generally been solid over that period and their last outing, Nature Always Wins, was one of their best yet.

Now back with their eighth studio album ‘Stream of Life’, the band are looking to build on their creative purple patch with a new record that digs into the complexities of the modern world and human existence. Now, what was special about listening to this record for the first time is that I got to experience it first in a live setting, as the band played the new album in full at their recent show at Metronome, here in Nottingham.

It was a revelation, making me wish more bands would do a pre-release album launch show, rather than a post-release album launch show (although I appreciate this helps more with the chart battles). So rather than reviewing the album here (which in short, is fantastic!), I thought I would share my review of that night at Metronome and experiencing the album for the first time.

Read my review of the Stream of Life album launch show here

Listen to the album here

A Modern Day Distraction by Jake Bugg

“After his revelatory self-titled debut made Bugg a star, earning him a Mercury Prize nomination, critical acclaim and legions of fans the world over in the process, his subsequent efforts have admittedly been more of a mixed bag. While each of his four albums since have had their fair share of moments, none have had the consistency of his brilliant first outing. Seemingly recognising this, Bugg has gone back to basics on his new album ‘A Modern Day Distraction’, abandoning the more pop-influenced sounds of his previous outing ‘Saturday Night, Sunday Morning’, to instead return to the blues-inspired indie rock & roll that brought him to the dance. While it may ultimately be a solid rather than sensational listen, this is an enjoyable sixth outing from Jake Bugg that marks a reasonable return to form, while also providing more than a few strong highlights. By getting back to what he does best, this is a sizeable step in the right direction, with ‘A Modern Day Distraction’ easily his most well-rounded project since his beloved debut.”

Listen here

Read the full review for Clash here

Idiot EP by Bored Marsh

“Bored Marsh, made up of Joe Need (Vocals), Brad Westby (Guitar & backing vocals), Jade Bowman (Bass guitar) and Paul Mason-Smith (Drums), formed during the height of lockdown. At a time when the music industry was facing an uncertain future, these four friends were sharing demos and bonding over a shared love of Oasis’ ‘Be Here Now’. While it may have started out as just a hobby, once Bored Marsh were able to get out and start playing their music live in front of crowds in late-2022, their popularity in their home city of Nottingham quickly blossomed. Fast-forward to today and their reach is now expanding well beyond the NG postcode, playing industry showcases in different cities, festivals further afield and getting their name on national lists of the country’s best unsigned bands. Now with this their debut EP, they are ready to officially make their introduction to rock fans across the UK and beyond. Everything that has gotten Bored Marsh attention so far is laid out tightly on this EP. From Joe Need’s passionate vocals to the dynamic and stylistically varied guitars, the appeal of Bored Marsh’s sound is evidently clear from this first collection. Reflected in Broadmarsh’s recent rejuvenation, Bored Marsh have ascended from the bleakness of lockdown to present the confident and assured band found playing on this EP. While the music itself often remains dwelling in the darkness, the hopefulness is carried in their massive, soon to be realised, potential.”

Listen here

Read the full review for Clash here

Also well worth checking out:

Manning Fireworks by MJ Lenderman

Same Mistake Twice by The Howl & The Hum

The Greatest Love by London Grammar

Ten days by Fred Again…

WOOF. by Fat Dog

Hysterical Strength by DEADLETTER

Gary by Blossoms

INTRO by Kaeto

Emita Ox by Hello Mary

It's Nothing by Dolores Forever

Song Recommendations

Alone by The Cure

Autumn has arrived and after 16 long years, the gothic kings are back with new music. Their much-anticipated new record ‘Songs Of A Lost World’ drops on the 1st of November and our first taste is the album’s near 7-minute opener. Typically dreamy yet aching with melancholia, it’s an outstanding return from one of music’s true greats.

Listen here

The Lighthouse by Stevie Nicks

Speaking of musical greats with new music, rock icon Steve Nicks has also recently returned with her important new single, The Lighthouse. Written in the wake of Roe v. Wade being overturned, it’s a hopeful and inspirational track centred on women’s rights. Powerful and hard-hitting in every sense, it shows Stevie still has the gift of shaking the earth when needed.

Listen here

SPEYSIDE by Bon Iver

Announcing a new EP for mid-October, Justin Vernon and Co. have also returned with this utterly stunning new single. As beautifully moving as even their best work, SPEYSIDE marks a return to the understated and stripped-back sound that made their early work so special, with Vernon’s vocal performance as goosebump-inducing as ever.

Listen here

Living A Lie by The Amazons

Watching Reading-based trio The Amazons grow from promising indie upstarts to one of the best rock bands in the country has been one of my biggest musical pleasures over the last decade. Now back with a seismic new single that marks the start of their new era, Living A Lie may be their most accomplished track to date. With outstanding guest vocals from Ella McRobb, a rumble of stomping drums and typically scintillating / jaw-dropping guitar work from Chris Alderton, it’s just an absolute triumph.

Listen here

The Silence That Remains by The Horrors

After ending their last album with Something To Remember Me By and then giving us nothing but radio silence for the past eight years, I had come to terms with the fact that psych-rock outfit The Horrors may be no more. So you can imagine my joy this week when the band finally returned with news of a new album, ‘Night Life’, due for release in March next year. This first taste is vintage The Horrors too, showing that despite the time away and changes in the line-up, they can still deliver the goods that fans expect.

Listen here

Otherside by Maribou State & Holly Walker

A group that has been away almost as long as The Horrors, electronic duo Maribou State also finally made their return this week. With Chris Davids thankfully recovering from the brain surgery that forced shows to be cancelled and their new album to be postponed, the vibrant and joyous rhythms of Otherside are an early sign that new record ‘Hallucinating Love’ will be well worth the wait, as regular collaborator Holly Walker also once again lends her sweet vocals to the track.

Listen here

Oh Boy by Oscar & The Wolf

With his new album ‘TASTE’ only a few weeks away, Belgian superstar Oscar & The Wolf has been ramping up the single releases in the build-up to the 25th October. The standout has been Oh Boy, the devastating closing track on the album which, based on the singles so far, seems to deal with a tough break-up from a toxic relationship. This song is only made more impactful by the striking music video that accompanies it, featuring home footage of singer Max Colombie in a stirring dedication to his mother.

Watch the video here

Human Frailty by One True Pairing

Another artist continuing the build to his new album is Tom Fleming, former member of Wild Beasts and the genius behind One True Pairing. This latest single continues the sonic shift from the soaring stadium rock that made up his solo debut to a more stripped-back and folk-inspired sound. This latest single is one of the best yet of the pre-released singles, featuring stirring acoustics and a tender, self-aware message of acceptance.

Listen here

All My Freaks by Divorce

For folks of Nottingham like myself, one of the most exciting album announcements of recent times. In March next year, fast-rising local quartet Divorce will finally release their debut album, ‘Drive to Goldenhammer’. The first track to be revealed from the debut is All My Freaks, with the country-inspired indie-pop track representing everything that is so wonderfully captivating about this band. Get ready for a Nottingham takeover of UK Music in 2025!

Listen here

Nightcall by Kavinsky, Angèle & Phoenix

And finally this month, while I don’t have a cover for you all this time around, I do have a fun reimagining of a classic. You may know French producer Kavinsky’s iconic single from either Nicolas Winding Refn’s film Drive, or possibly London Grammar’s atmospheric cover. Well now, as first heard at the Paris Olympics back in the summer, the new version with the addition of French indie rockers Phoenix has officially been released, bringing a fun new spin to this old favourite.

Listen here

Also worth checking out:

Eusexua by FKA Twigs

A Hole In The Ground by Porridge Radio

Love Second Music First by Self Esteem

In My Dreams by Four Tet & Ellie Goulding

Timeless by The Weeknd & Playboi Carti

Still Riding by Barry Can’t Swim

Can’t Pretend To Know by The Murder Capital

Mistake / Better Man by Katie Keddie

REMINDER: If you use Apple Music, you can also keep up-to-date with all my favourite 2024 tracks through my Best of 2024 playlist. Constantly updated throughout the year with songs I enjoy, it is then finalised into a Top 100 Songs of the Year in December.

Add the Best of 2024 playlist to your library here

[radiophd]

floating points -- ocotillo

[jacobwren]

Shabaka - I’ll Do Whatever You Want (Visualizer) ft. Floating Points, Laraaji

[osugna]

[trevlad-sounds]

Invisible Club 34

09.10.2024

Intro 00:00 Binaural Space–Fractured Beyond Repair 01:17 The Qualitons–Lil’ Bonch 05:57 Receptor Modulator–The oldest model 10:12 Natureboy Flako–Numero Cien 17:33 Scanner–Beginning of an Unknown Century 20:03 Sean Ono Lennon, Devon Hoff, Yuka Honda, Michael Leonhart, João Nogueira, Mauro Refosco, Ches Smith, Johnny Mathar-Starwater 25:30 Cate Brooks–Void Patterns 32:57 Bit Cloudy–Coronation Crack 35:40 Floating Points–Vocoder [Club Mix] 38:46 Pulsliebhaber–Galerina Marginata 46:14 Matt Berry–I Cannot Speak 50:00 Neil Cowley Trio–Adam Alphabet 52:34 Prairiewolf–The Meander 55:48 Cory Wong–Sell By Date 59:29 Furii–Ilk 1:03:58 Hayden Pedigo–Some Kind of Shepherd – Live 1:07:46 Outro 1:12:52

[grrlmusic]

Floating Points - Key103

[knightofleo]

Floating Points | Birth4000

[rabbitechoes]

wow, very slow news week right guys? oh well, at least it was a pretty eventful week for new music! i kid, i'm exhausted on both fronts. there were plenty of great tracks released this week and plenty of new projects announced that i'm incredibly excited about. here are my thoughts on some of the most noteworthy tracks that dropped this week!!!

to see last week's post, click here!!! also feel free to follow me on rate your music and twitter <3

"Le Risque" - King Gizzard & The Lizard Wizard

◇ released: July 9, 2024 ◇ featured on Flight b741 (not yet released) ◇ genres: boogie rock, glam rock

Eclectic and busy rockers King Gizzard & The Lizard Wizard have returned with a new single that sees them diving back into their boogie shoes. It's fun and it has a silliness to it that makes it hard to hate. This groovy instrumentation paired with the misanthropic lyricism is pretty cool too. This song also features the band's drummer, Michael Cavenaugh, on vocal duties for the most part and he holds his own very well. Adds a bit of a different flavor to it. I'm still playing catch-up with this band - I still need to listen to their stuff from the last few years - but I'm looking forward to take a flight on Flight b741!!!

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"The Answers to the Questions" - Chrystabell & David Lynch

◇ released: July 9, 2024 ◇ featured on Cellophane Memories (not yet released) ◇ genres: dream pop, trip hop, ambient pop

Chrystabell & David Lynch have returned with a new single leading up to their collab album coming in a few weeks. "The Answers to the Question" has that same atmospheric quality as the previous track, but it's a lot less desolate sounding. There's a bit of a trip hop flavor to it that freshens things up a lot. Chrystabell's layered vocals are haunting, they're as chilling as they are beautiful. The subtle lulls in the instrumentation are pretty signature in both Lynch and the late Angelo Badalamenti's style and I'm glad it's present here. I'm curious to see how this album will sound on the whole. I'm a massive David Lynch fan so obviously I'm excited, but I'm also hoping the pair aren't afraid to implement new sounds throughout the record. I don't want this to be a complete retread of the musical tropes Lynch and crew have played around with for decades. I'll probably still enjoy it, but I'll be a little disappointed.

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"Fortnight (Acoustic Version)" - Taylor Swift feat. Post Malone

◇ released: July 9, 2024 ◇ genre: folk pop

The day after Billie Eilish overtook Taylor Swift as the 2nd most listened to artist on Spotify, God Queen Swift conveniently dumped one of the many exclusive alternate versions of a song from her most recent record onto streaming services everywhere. This has been a controversial marketing gimmick behind The Tortured Poets Department where Swift will release exclusive alternate editions of the album with an extra iPhone demo or acoustic version tacked on at the end. This has allowed her to game the charts ever since the album dropped. I'm not denying it's an incredibly successful record, it just feels scummy. Perhaps the most egregious example had to be when Charli xcx's album BRAT was geared to debut at number one in the UK, but before that could happen Swift released an exclusive version of her album for UK fans only. It all feels targeted. It's clear Swift and her team care about metrics and accolades, they'll do anything they can to get them even if it means obstructing the success of those around her.

Which, longwindedly, leads me back to this acoustic version of "Fortnight" which leaves me without much to say about the actual music. It's only here to boost her streaming numbers, because being 3rd most listened to artist in the world seemingly isn't enough! I wasn't a big fan of this song anyway and this acoustic version doesn't change that. It's hard not to be extremely cynical about this whole thing. This is music that feigns having a genuine heart, but it's really only a ploy for record-breaking chart success by any means necessary.

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"Key103" - Floating Points

◇ released: July 9, 2024 ◇ featured on Cascade (not yet released) ◇ genre: progressive house

Sam Shepherd, Floating Points, has announced a new album coming later this year as well as this new single "Key103." This week I finally got around to listening to his album Crush from 2019 and I loved it. That blend of IDM with real instrumentation is just a match made in heaven. These new songs, however, see him leaning more into the dance and house side of things to very great effect. This is an absolute jam. It's punchy as hell and has a groove that just gets you. That glitchy bridge that segues into the synth switch-up is exhilarating as hell. I'm beginning to notice that nearly everything Shepherd touches is impeccably crafted and this track is no different. I'm super excited for Cascade.

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"Gold Coast" - Moses Sumney

◇ released: July 9, 2024 ◇ featured on Sophcore (not yet released) ◇ genres: neo-soul, alternative r&b, alté

Moses Sumney is coming back with a new EP on the way in a few weeks and "Gold Coast" was released alongside that announcement. Sumney's work always has impeccable production and that's on display here as well. His vocals are heavenly, but I sometimes wish they had a bit more weight to them - luckily "Gold Coast" balances the heavy and light very well. He sounds fully in control here. I also love the little Latin guitar flourishes throughout, it really adds some nice depth to the track. Looking forward to see what else he has in store on this Sophcore EP.

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"She Rained Down" - This Is The Glasshouse

◇ released: July 9, 2024 ◇ genres: indie rock, noise rock

To commemorate the one-year anniversary of As Small As Ants, This Is The Glasshouse has released this stripped-back noisy version of his song "She Rained Down." That record was one of my favorites from last year and even though at times it wore its influences on its sleeve, there was enough heart and craft behind it to outweigh that. His songwriting was also a big highlight and that shines through on this track in particular no matter if it's the album version or this one. The demo is very different, but I kinda love it. It's noisy and at times it reminds me of a lo-fi version of a Strokes song. Really, really digging this one and I'm anticipating whatever comes next from him.

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"Forever Young (Live at Seattle Centre Coliseum, Seattle, WA - February 9, 1974 (Afternoon))" - Bob Dylan & The Band

◇ released: July 9, 2024 ◇ featured on The 1974 Live Recordings (not yet released) ◇ genres: folk rock, singer-songwriter

Bob Dylan is releasing a 27-disc box set containing "every single surviving soundboard recording" of his and The Band's prolific early 1974 tour. This was the same tour that made up the Before the Flood album, one of my personal favorite Dylan live albums. This rendition of "Forever Young" from the tail-end of the tour is fine. I love Dylan, but I can't say I'm so much a Dylan nut that this kind of box set appeals to me. For archival purposes it's pretty cool and it's always a treat to hear Dylan and The Band make magic together - I just don't see myself sifting through over 29 hours of material looking for hidden gems.

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"Patterns" - Laura Marling

◇ released: July 10, 2024 ◇ featured on Patterns in Repeat (not yet released) ◇ genres: singer-songwriter, contemporary folk

Laura Marling has returned with this gorgeous new track and a new album on the way. "Patterns" is a simple, clean, and very pretty folk cut that just surrounds you. She says she wrote a lot of this album while adjusting to becoming a new parent and you can absolutely hear it. There's this serene existentialism to it all, like a reflection on not just your own life but also the new life that you have brought into the world. This track is simply gorgeous. Marling stated that each of her albums have acted as "time-stamped chapter[s] of [her] life" and also that she's approaching this new album with an entirely new perspective. I really loved her last album, Song for Our Daughter, and after hearing this new single I can't wait for Patterns in Repeat.

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"Image" - Magdalena Bay

◇ released: July 10, 2024 ◇ featured on Imaginal Disk (not yet released) ◇ genres: synthpop, dance-pop, chillwave, nu-disco

I had a feeling we were on the cusp of a new Magdalena Bay album and here we are!!! Imaginal Disk drops next month, but we're getting our second taste of the album in the form of "Image," an expectedly incredible synthpop cut that shows a pop duo at the top of their game. This has everything you want in a synthpop song. Arresting production, addictive hooks, and a palpable rhythm. The two verses are opposite each other and it adds to the song - and seemingly the album's unique concepts. There's this anxious feeling underneath it all that only reveals itself on repeat listens. This is without a doubt one of my most anticipated albums of the year now. I came to the realization, and hopefully it doesn't age like milk, that Magdalena Bay are the best pop act of the decade thus far. Nothing has disproven that for me yet!

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"Call It Love" - Nilüfer Yanya

◇ released: July 10, 2024 ◇ featured on My Method Actor (not yet released) ◇ genres: indie folk, singer-songwriter

I somehow missed a whole single and album announcement last month from Nilüfer Yanya, but I'm here now for this new single! "Call It Love" has her scaling things back while not sacrificing a good groove. It's a song Yanya says is about being able to "fully trust your instincts" - you can hear it. There's a conviction to every word she delivers here. The instrumentation is light, bar the hazy synth riffs, but Yanya is a very commanding presence. Can't wait to listen to this album in full.

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"Snl" - Mustafa

◇ released: July 11, 2024 ◇ featured on Dunya (not yet released) ◇ genres: folk pop, singer-songwriter

I really enjoyed Mustafa's debut album When Smoke Rises from a few years ago, but ever since then he's regrettably flew under my radar ... not anymore though. He has a new album on the way along with this new sinlge "Snl" which is just incredible. One of the prettiest songs I've heard all month, the acoustic guitar and subtle percussion are just beautiful. His vocals and lyrics all feel so seamlessly confessional. Like catching up with an old friend. Absolutely loving this track and I need to listen to his other recent singles sooner rather than later.

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"Woman's World" - Katy Perry

◇ released: July 11, 2024 ◇ featured on 143 (not yet released) ◇ genres: dance-pop, electropop

Katy Perry is lost. She's had nowhere to go for the longest time so she's retreating back to the formula that people knew her most fondly. She freshens things up here and there, making a song that at least sounds like it could've been made in 2021 or so. She's never ahead of the curve, she's simply standing there. "Woman's World" has the flair of one of her early pop hits, but it feels so hollow. The ironic neoliberal feminist aesthetics seeping over the music video and the song's sentiment - all the while being written and produced predominantly by men, most notoriously her old collaborator and alleged sexual abuser Dr. Luke. An attempt at irony that turns into something even more sinister and gross. Certainly is a "Woman's World" to one Katy Perry isn't it? This is empty slop and I feel sorry for anyone dumb enough to eat it up uncritically.

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"American Fever" - JOBA

◇ released: July 12, 2024 ◇ featured on unnamed JOBA album (not yet released) ◇ genres: progressive pop, art rock, glam rock

2024 seems to be the year every former BROCKHAMPTON member starts pumping out their solo material. I can't say I've been crazy about all of their solo efforts as of late - despite me being a massive fan of the group when I was a teenager - but this new single from JOBA is a real treat. Totally unexpected sound, it feels almost like a glammed up Billy Joel piano rock track. He carries himself with so much swagger and confidence that really elevates "American Fever" to the next level. Both Kevin Abstract and Matt Champion have taken unexpected turns in their solo sound, but none match the sheer energy JOBA displays on this track. If this is a sign of where he goes from here, this upcoming project of his might be one you can't miss.

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"Pray For Me" - Mustard

◇ released: July 12, 2024 ◇ featured on Faith of a Mustard Seed (not yet released) ◇ genres: drumless, spoken word, gospel

Mustard has been thrown properly into the limelight recently following the use of his beat on Kendrick Lamar's proverbial dancing over Drake's grave track, "Not Like Us." He also was featured at Lamar's Pop-Out Concert on Juneteenth and made a big impression there as well. He's gearing up for his own solo album soon and this new single "Pray For Me" isn't what you would expect from him at all. A 10-minute drumless track that has him reflecting on how far he's come. Mustard hasn't been an "unknown" by any means, but this really feels like a turning point for his career and he seems to recognize that too.

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"Death Valley High" - Orville Peck & Beck

◇ released: July 12, 2024 ◇ featured on Stampede (not yet released) ◇ genres: alternative rock, country rock, rap rock

I was left disappointed by the first volume of Orville Peck's Stampede project and it's looking like I'm gonna be disappointed by the rest of it too. This new duet with Beck is a style clash in the worst way. It's like they're fighting for your attention, it's like mixing oil and water. It sounds like they're not trying to match each other's freak and instead trying to snuff each other's respective freaks out. This is a mess. I've been disappointed by Beck's new stuff for years now, but I don't want Peck to be dragged down by this any longer than he has to. Get Stampede over with ASAP.

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"Still What I'm Looking For" - Mac DeMarco & Ryan Paris

◇ released: July 12, 2024 ◇ genre: soft rock

When I was in high school, like a lot of weird indie kids, I became transfixed with Mac DeMarco. Having grown up a bit, I mostly look back at his stuff in a bit of a novel sense. His disappointing Here Comes the Cowboy album made me lose track of him a bit and his recent work hasn't wowed me that much at all when I have heard it. This new track, a collab with Ryan Paris, is a pleasant little number though. Sweet and to the point. It feels like DeMarco isn't too concerned with evolving his sound, he likes being a weird reclusive guy who pops up every now and then for a vibe. This doesn't make me excited for his new material, but hearing his guitar licks activated a very specific part of my brain that hasn't been activated in so long. I'm like a sleeper cell agent and my mission now is to re-listen to Salad Days and This Old Dog and become an insufferable indie guy once more.

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"고통없이 (Painless)" - Parannoul

◇ released: July 12, 2024 ◇ genres: shoegaze, noise pop

Korean shoegaze artist Parannoul has dropped yet another incredible single in the form of "Painless." "Gold River" from a few months ago was one of his strongest tracks to date and this song also deserves that distinction. He seems to be on the verge of something incredible. He's become an even more excellent songwriter, crafting melodies that stick out even under the waves of noise overtop it. His songs leap over any language barriers and just hit as close to home as possible. He's had an incredibly fruitful few years and he doesn't seem to be losing steam anytime soon. I adore this song and if there's a whole album full of songs like "Painless" and "Gold River," it could very well be his strongest album to date. Potentially one of the best of the decade so far, I'm serious. If you're not on the Parannoul train at this point, what are you waiting for?

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psssst. i made a discord server called COSMIACORD ... if u wanna join and have fun, talk about music, play fortnite, or whatever here's the invite :3 https://discord.gg/rsHMenTU

[iamlisteningto]

Floating Points’s Cascade

[tenderperversion-moved]