#five has never felt love

[thesilvertheorist]

• headcannons 2 (angst/fluff) •

REQUEST: anon asked -

"Okay but angst/fluff hc of five allowing himself to love/be loved after trying to brush his feelings under the rug and convincing himself he just wanted sex?"

!warning: themes of self-harm, self-hatred, mention of wounds!

A/N: i really want to add here that @kaybreezy3000 has some devastatingly good fics with these kinds of themes! if you like these hc's - you'd really enjoy their works. [be aware that they have both sfw and nsfw on their acc! mdni where you aren't supposed to <3]

Masterlist

okay so, this ask cut deep because this is literally so him...i actually need sectioning. this is on the cliff-edge of being a drabble but shh we don't pay attention to that.

✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧

✦ five was very notably altered during his time in the commission, so much so that he isn't even able to distinguish the murder-rushed thoughts of some serial killer from who knows when from his own intrusive thoughts which his mind offers him as a cruel consolation for keeping him in this prolonged state of terror. this means that he struggles a lot with understanding his emotions when it comes to other people. he tries to put everything into a mental balance sheet, attempting to find some sort of logical conclusion to how he's feeling and what he needs to do for the better.

✦ five is not a cruel person, never has been. he can appreciate beautiful things and he can see when something holds significant emotional worth...he'll just never really say that. he's not this psychotic, unfeeling demon that many would have you believe [even himself to a point]. he cares incredibly deeply about everyone, constantly. the way he steers this is through putting his love into action, wanting to repay what he thinks is his debt to that person under the guise of some bigger mission like 'saving the world'. he's actually so deeply heartfelt, it just takes him a minute to figure out when it's appropriate to let his guard down along with how to do that...specifically. he's not used to feeling vulnerable emotions so this takes him a while. which is why he thinks sex is the only form of intimate connection he needs to regulate his body... and that it didn't need to mean anything...or at least that's what he was telling himself, he never felt fulfilled. he'd convince himself over time that he was undeserving of love, some shameful sex would be hurt just as much.

✦ once he'd allowed himself to know you, realise that you weren't going to hurt him physically, and then establish a connection with you (despite his better judgement) he tried to work on allowing himself to understand that he needs to open up to you more emotionally; there's only so many sarcastic, sexually intended jokes you can take before you eventually wonder if he's not into you the way you originally thought - which is a gross misjudgement, because he's never felt a stronger bond with anyone before. but he noticed he'd started to develop true sexual attraction for you (regardless of his efforts to ignore them and sweep these feelings under a very heavy rug and focus instead on meaningless sexual thoughts that wouldn't damage your bond). he didn't know what to think, but he purged himself for it. how fucking dare he? how dare he sexualise someone so tenderly loving and deserving of true love. perhaps he actually was who people said he was.

✦ when he really delves into what this means, five gets so messed up over the fact that he knows he's fucked up...and you're with him...so he's actively fucking you up and making your life a misery [obviously this is not the case, but this is how he thinks]. he can't separate the pure images of you from the one damning thought of you and him sexually...and all he thought about was that he'd be okay doing that with you. he gets sent downward-spiralling when he maps everything out in his head, seeing how much of him is yearning for love yet so scared to accept it, not even truly knowing what love is. he settles himself on the fact that he's literal scum for thinking of you like that, you deserve someone to love you - not some arsehole who can only think about sex.

❺ he has a huge panic attack about this one night when no one is around, feeling himself become hazy with self hatred and a deep inward loathing. he unfortunately gets so worked up about it, without you there to ground him or remind him who he is, that he takes to hurting himself just so he can come back to his body. he continues to hurt himself throughout the night, needing to bring himself back to earth somehow before he comes completely untethered and loses you forever, regardless of feeling wholly undeserving of you. he's so out of it that he doesn't notice you entering the room the next morning (or the fact that it is the next morning), coming to check on him as he hadn't called you back as he usually would. when his eyes manage to focus on you in the doorway he panics, eyes going wide with the panic of you seeing him like this, knowing that it'll only hurt you more...why the fuck did you have to care about him? it's killing him.

✦ he'd let you touch him, check his vitals, stop his bleeding...he didn't have the strength to object. he feels like he's burdening you with this; he should at least be able to hold it together and not go haywire at the thought of the two of you having sex from the one person he actually gave two flying fucks about

✦ as he lets you patch him up, taking your hand when you offered it, letting you clean and dress his wounds, letting you kiss his tears away. why the fuck was he like this? why could he not be normal for you? was he truly that incapable of feeling? what he didn't realise is that, as you're cleaning his wounds and kissing his salty face - he's accepting love. he's accepting you, openly - just as he always has... how is this happening? why? you're breaking his heart with your kindness for him. he'd just fall to pieces with you, spiting himself again at the agony of not being normal for you.

✦ your calming words, gentle caresses, and open heart make him want to die then and there; it doesn't get better for him than this - than you. he realises that this is how he feels loved...being cared for, being taken care of, being treated with true and honest kindness. this makes him want to crawl as close up to you as he can physically get, so he does.

✦ he actually has a lot of realisations in such a short space of time: that he likes the way that this comfort feels (even if it is alien and he feels undeserving), he wants you to feel the same from him, and he never wants to live without this. he gets so accustomed to your touch that he feels unearthed without it. he begins to basically orbit around you after the events of that episode. he starts to remain as close to you as possible, feeling comforted by knowing you're in the room - there for him as he is for you. he doesn't really know if he's deserving of love, but he knows you are - and he wants nothing more than for you to feel loved by him.

✦ there's never a spare moment where he doesn't appreciate you, so much so that he starts to replace every bad thought he has with ones of you, rewiring the hard drive that is his brain. you gave him permission to accept love, without saying a single word, knowing he couldn't allow himself. you know him so deeply that he'd give anything for you. he becomes selfish with the time the two of you share because its that damn precious.

✦ he's taken to making your coffee in a morning when he can manage to pry himself from the rewarding and unconditional warmth of your embrace... he even stirs affirmations into your mug...thinking only positively about his life (and you) when he makes things for you, knowing that you deserve to feel only love from him.

{{{✦he definitely loves being held by you, comforted by you. his favourite thing is when you're holding him close and you press kisses onto his lips gently, proceeding to pepper his face with the same love.[he thinks the most heartfelt thing you've ever done for him is kiss his ring finger before he married you...kissing straight to his heart as they say]. he feels secure in his silly appearance when you can show him devotion. [he also likes it when you play with his hair whilst he falls asleep].}}}

✦ he turns his need for activity into a need to fill your life with good things. he handmakes you gifts all the time: your coin purse has worn out? he's hand-sewn you a new one and added a cute charm that he picked out. lost your favourite necklace? he's hand-welded you a new one with his initials on the back. [he even installs a ring hook in by the bathroom sink for when you want to do your morning routine and don't want to get your wedding band dirty]. the two of you will take that step eventually, but as of these small moments in time - he feels fulfilled.

✦ five hargreeves appears in many forms - death, psychosis, fear...tenderness, warmth, devotion...love.

[vroomian]

How does Telemachus feel about his father, especially when growing up under YRZ for most of his life?

nervous about being a Good Son. He's trying really hard to be someone ody could be proud of, but he has no idea what his famous father wants out of a son. They take a long time to get familar with each other despite yrz facilitating things.

(yrz, after years of writing a journal that's basically and Telemachus highlights reel/developmental journey to give ody when he gets back: this a perfectly amount of effort to put into another person's child. also to do for the love of my life's husband.

ody:

ody: fuck.

penelope: i know right? it's infuriating. )

[scoriarose]

Hi!! I’ve never had a pet snake so this might be a dumb question but is it harder for snakes to see when they’re in blue?

It's not dumb, snake eyesight is different from our own so we can't assume they see exactly how or what we do. For the longest time people believed they couldn't see red, and used red lights to light their enclosures at night- that's bad for them. Please do not light your snake like a rotisserie chicken, they can see it.  Red light can be detrimental to reptiles because it can make it difficult for them to perceive depth, which can lead to mental distress. Red light bulbs can mess with your pet's ability to tell if it is day or night, since a light is always on, and that can cause stress and health and long term sight issues too.

But back to your original question, yes, snakes have difficulty seeing when they are in blue. Many will stay buried and hidden, not even eating until they've completely shed. That is the norm, and if a snake wants to be left alone, they should be. Sakura will hide most of the time, but I'll sometimes see the tip of her nose near a burrow hole, and I'll dangle something tasty in front of it and she'll eat it- but I won't dig her up if she's having alone time. Scoria will hide unless I'm around- they both know my voice and scent, and Scoria has complete trust in me so much that even when blind she knows I'll keep her safe.

She allowed me to take her out and feed her today, and then asked for pets. This behavior is unique to her, and if she were not specifically asking to be pet I would not do it after feeding (any other snake might throw up). I'd stop petting her and she'd ask again and again like, "Nope! Need more, come back and pet me." I really don't mind, she's found a way to tell me she enjoys being pet, and that's amazing- and also makes me happy. After many many pets (I guess we had a few days to make up for, I've been leaving her alone for the most part, only saw she was in blue, and then it was food day and saw her looking at me from her mossy hide) she buried herself underground in her bioactive area.

Perhaps some day Sakura will trust me to touch her while she's in blue too- but if not that's just fine. Sometimes we all need a few days to ourselves.

Oh, and don't feel bad asking snake blogs questions. It makes us happy when we get nonbot or spam asks! I imagine most of us love sharing about our snakes! And if sharing what I've learned helps lead a snake and their caretaker to a better life or bond then they would have had before, that's such a win for everyone!

[srldesigns6277]

.

[fantastic-mr-corvid]

fucking hate the "Hmmm maybe you were so invested in telling a tragedy bc you felt like that was the only way your life could go. now you want to tell stories about a future with room for growth. and you also feel fucking stupid" feeling. i get it i've grown as a person and clawed my way out of a low point but why do my creations need to call me out for the depths i sank to 🙄

[bitegore]

ngl i think i kind of was a genius for being like 'yeah this character is a scary killyou cannibal scary killer who scary kills you' and then realizing that the way my worldbuilding works out is that there's a nonzero chance that if you leave literally any body parts over they can just come back, depending on what they believe in their heart of hearts can kill them. Of course she'd start eating her kills. She probably tried normal stuff first and then realized it didn't work and she had to try harder if she wanted to actually keep them dead.

[technicalknockout]

whenever i get the urge to delete my old art off the face of the internet i remind myself of the artists who deleted their beautiful art that inspired me so much. i exist purely to spite their decision

[hyp3rfixation-h3ll]

i love that in lone bot and carb the music playing when bonz-eye explains her situation it goes from minor key signifying how she feels alone and isolated due to not knowing where she belongs , to major key at the end where she is , in a sense , at peace knowing she isn't lonely in her situation-- the other lost bots , and to a larger degree , lady macaron , have shown her that it isn't all about being in a clique full of other people like you. you can be yourself and choose who you want to be and what you want to do even if you're going solo.

and bonz-eye knows that now. even if she's still sad she'll probably never meet other plant bots, or those as down-to-earth as she is , she feels as if she has a goal now . a purpose . the very thing she was looking for in the first place. to be herself & to keep going , not for , but with her new-found friends. the ones who've been there from day 1. the music really ties it together with a neat bow, the last few notes in the major key having a sweet conclusion , reflecting how she's semi at peace with her thoughts and where she is. tl;dr god i love this show

[sskk-manifesto]

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

[turtlemagnum]

one of my favorite parts of strategy games like chess and advance wars is that feeling when you haven't quite won yet but the enemy has no real options so it feels like you're just sloowly wrapping around them like a snake. when all your enemy has is their king and you've managed to turn 3 of your pawns into queens, and all you've gotta do is get in juust the right position, and in the meantime all they can do is squirm. god, that's such a wonderful feeling. nothing quite like it

[mooremars]

Camelot 2023 Act 1 ramblings about the music and book and also the visuals again because turns out 3,000 words wasn't enough.

I cannot possibly recommend anyone actually read this because it is so absurdly, comically long but I needed to get some feelings out. Also it's in two parts because apparently Tumblr has a maximum character count and I hit it.

Overture

• Firstly, female conductor, we love to see it

• I love overtures and entr'actes and this show's is so good

• Shoutout to the orchestra

• I have never experienced a bad Broadway orchestra but still doesn't mean they do not deserve serious praise

• Does just the instrumental of Camelot make me very emotional and think about fundamental human goodness?

• Yes, this show did its job

• The end of the If Ever I Should Leave You part is just permanantly in my brain as the part during bows where they point to the orchestra

• Whatever the music that plays as everyone starts walking onstage is epic

• The vibe is set and I'm ready

Act 1 Scene 1: A hilltop near the castle at Camelot

• I've said it once and I'll say it one thousand times, I am obsessed with the way they've used the space in this show

• I love that they can walk up the back of the stage, I love that they have the stairs in front, I love that they've got so many exit and entrance points

• Sorry to the actors who probably had to do a lot of running around but it was fun for me

• As much as I like spectacle, I don't inherently prefer it over this kind of more minimalist thing

• But I do feel like they did a good job at conveying scale and drama even though the set is extremely minimal

• "I have the exact same amount of information that you do" just immediately starts the show off on the right foot

• This is a new take and I was here for it instantly

• And such a funny way to deliver a ton of exposition, this will be the first of what will become the prevailing theme of my rambling which is I adore Sorkin's writing beyond measure

• Merlyn's delivery drenched in sarcasm for every line is perfect and we clearly see where Arthur gets it from

• Specifically "do you know what calamity means?"

• But also "things in England are changing too fast"/"words that have never before been spoken"

• Establishing Sagramore in a funny way that becomes so serious by the end

• We jump right into the Sorkin dialouge rhythm and it feels so right

• There's the perfect amount of everyone overlapping each other and finishing the other characters' thoughts

• And also the jaunty music when most of the guards leave, like I don't exactly know why it sounds like that since it doesn't fit but I love it anyway

• I know it's part of at least the movie's score but like to me it's still strange, I've been calling it clown music in my head

• The difficulty finding the king exchange and also the pheasant hunting exchange are so funny and set the tone so well

• Can you see I'm attempting not the write out every line of dialouge?

• But also I love that we get this little build to Arthur to wonder what the hell is going on with this guy

• Because if you're me, you've come into this show with basically the association with JFK and that's it

• So I had no clue and was curious

• The knights have like mostly terrible points but Sagrimore's delivery of "snear all you like but five minutes ago we were at war with that girl's county and tomorrow I'll be swearing an oath to protect her with my life"

• He's not wrong

• The knights are so good, the actors are perfect

• Every bit of casting is inspired and those three are no exception

• "Arthur get the hell out of the tree"

• Again with no context, the tree really got me

• "Hiding, I'm obviously hiding" - I am instantly in, the delivery on this line is so funny

• Okay fine I was in from the way he said hello, also a hilarious delivery

• My roommate brought up immediately how effective it is not to have him do a British accent and how it again just makes Arthur relatable - genius

• Whatever voice he's doing is a perfect choice

• Also young Arthur is so much the right choice it's staggering to me that they ever did it any other way

• They thread the needle so perfectly of Arthur being young but not in a way where he's like an incompetent child

• Which I feel like is actually how some of the other versions with older actors still managed to come off

• But this Arthur is just young and trying

• "My mouth disconnects from my brain"/"I've witnessed that"

• As like a character note, I love that exchange but I also was worried this was gonna be what it usually is, which is a male character who cannot treat a woman like a human person

• But no, Arthur has absolutely no problem with that, his mouth only disconnects from his brain when he's trying to confess feelings and that is 1000% more endearing

• "Years of tutoring in philosophy and law, why didn't you ever teach me about love and marriage?"/"You're not marrying for love and there's nothing about it that can be taught."

• To which my roommate that I dragged to see this twice and who has just been forced to talk about this show with me, maintains that perhaps you could maybe convey that relationships are about communication

• That lesson might've helped just a bit

• "You're not marrying for love" like Merlyn is trying to warn Arthur and he sure did not listen

• "They should be reading" Arthur babe they literally can't, it's the Middle Ages

• Also the establishment of no magic is so deftly handled

• Arthur complaining that people think that dragons are real and you get exactly what this world is

• I love that I Wonder What the King is Doing tonight becomes his noble king music

• Also I just absolutety love any time anything has a recurring musical theme it just lights up some part of my brain every time

• The yelling of "he's scared" and all of the subsequent lyrics in that spot is again hilarious and just very good characterization

• Also the delivery of the slaying a dragon part whatever that singing accent is I love it

• Actually the way he sings all the parts where he's imagining what other people are saying

• The other characters have a lot of songs that are gorgeous and require some incredible vocals and songs with fun lyrics and fun performances but not at lot of them get to infuse this much personality and character into the songs through just the delivery

• Don't know if that's from the original or not but it's one of my favorite characters introductions I've seen in a bit

• From what I've seen this is definitely an escalation of previous versions and I adore it

• He's so annoyed, he hates this shit so much and he's so funny

• I mean also lots of credit to the lyrics because they are obviously very funny

• I love this song a lot

• Arthur's "shhhhit" when he realizes that he's managed to run into his future wife

• The multi-layered complication line, so quintessential Arthur

• The contrast between the gorgeous Julie Andrews channeling singing and Genny's brashness in her movement and dialouge

• Like obviously that's already in the lyrics but the book and direction just stretches it

• Everyone knew Phillipa Soo was going to be perfect and she is

• A lot of my strongest impressions are about Arthur

• Because I had no idea who the actor was and because in the limited amount of adaptations I'm familiar with of this whole story, Arthur is the bad guy or a good but extremely boring guy

• But I knew going in that I was gonna love Guenevere and Phillipa Soo even if I've never seen her on stage before

• So it was unsurprising

• Like my expectations were sky-high and she's so talented in every way and the writing for Genny is so good that she exceeded them anyway

• And she's so damn funny

• Obviously the whole rescued in the wood bit is already just a good joke and I'm honestly impressed with how funny the original songs are

• I am a sucker for the thing in stories where we know what's going to happen because they've been told so many times

• When they have a character say something the audience knows is foreshadowing

• "Cause a little war" is what I'm thinking of in this moment but there are tons and every time it's a hit with me

• The delivery of the clause one bit is perfect and her backing Arthur into falling on the bench and then just turning around and back to angelic singing

• The turnaround from the aggressiveness to the extremely soft and feminine singing is brilliant

• "The more knights slaughter each other, the fewer there are to slaughter the rest of us"

• The exchange about the dowry still being in the carriage

• Their deliveries are so funny

• They immediately bounce off of each other perfectly

• And Genny not even escaping with the dowry she's supposed to be using to buy her freedom, amazing

• "What is power uuuused for? That is a very interesting question."

• Genny just immediately knocking Arthur's socks off

• Trying to write out some of the word deliveries he does is so hard but there are a few that absolutely kill me

• They've known each other for five minutes and they're already having a debate

• "I've known kings, I'm daughter of a king so marrying a king doesn't have the same allure for me that it apparently has for you"

• She just speeds through those words at the end and it's great

• "They run to here" is another bit of hilarious delivery but I also love the contrast it sets up between Arthur trying to be kingly in a way that doesn't fit versus later when he does it his own way

• I could listen to them go back and forth saying why for ten minutes

• Genny's incredulousness when he says the weather

• I can't remember but I think she's walking away and then just turns to stare at him in absolute confusion

• Like he's so ridiculous that she can't help but engage

• I did a quick bit of intermission math and we know this takes place seven months before the Lusty Month of May which is obviously happening in May

• So Arthur is literally singing to Genny about how there's no winter until December while at best - assuming the one month later and six months later are rounded up - it is snowing at the absolute beginning of November

• More likely October

• No wonder Genny thinks he's full of shit

• His improv did not pan out

• This is a joke for me, thank you Aaron Sorkin

• Do love that canonically, Arthur is in fact singing the song Camelot - that he just made up in a panic - what a dork

• Genny's little interjections of skepticism are all so funny

• Also just instantly establishing her as someone you love

• She's perfect

• But my favorite is "my escape is time sensitive, do you understand that?"/Arthur still singing/"no he does not"

• These actors are both hilarious, the amount of stuff required of musical theater actors continues to blow my mind

• Like not only to do the whole singing, dancing, and acting thing but then you have to convey it to a whole theater but also not overact to the people up close and be able to do comedy and drama how

• I was in practically the back row up top and not a good view but extremely close (like seeing the actors spit close) on the side for the under 35 tickets and then also in very good seats and the performances by literally everyone never felt too much or not enough

• "Are there any other people in these woods you could recommend?"

• Also this moment which is the cutest thing you've ever heard

• Do I remember exactly what happened? No. But do I know it was adorable? Yes.

• "And we have poets in France"/"Oh yes of course... But do you?"/Genny angrily naming French poets/"Understood" and he's already singing again

• The entire performance of this song and especially getting her to sing along, so charming in the most annoying way

• But also she's sort of into it which is cute

• I do see on YouTube that there was a bit more to this French poets discussion which was probably right to cut but I am delighted to find literally anything new

• Sidebar

• I have been known to have issues with staying present when I watch things and not letting my mind start wandering. And one of the reasons I knew Camelot was good the first time was that I was totally engaged the whole show. But the last time, I did have the one moment where a thought popped into my brain during this song that completely threw me out of it

• And that thought was "this Barbie has taken a carriage ride to hell" after Genny says that line and like why brain?

• (For the record Genny and Arthur are both Barbies. They are everything. Lance is just Ken. Perfecting his body and soul is his beach. He is Kenough. Arthur and Genny have a terrible day every day. Lance only has a terrible day if Arthur and/or Genny look at him.)

• (I believe I have come up with a combination of words that have never been spoken before and perhaps a genuinely new opinion on a thousand year old legend)

• (In a bad way)

• Anyway

• The pure chaotic comedy of the knights finding Arthur and Genny freaking out is not something I can articulate but I adored so much

• Phillipa Soo is stealing the whole show in this one

• Does Genny come out of her hiding spot with her mouth wide open before she gets on the ground or am I misremembering?

• "We call that a sin of omission your majesty"

• With no remose "oh we call it that too"

• "Were you never going to tell me?"/"No I was going to get to it"/"When?"/"After I told you about the weather"

• Not a single bit of remose again

• I don't have anything to say, I just think the exchange is very funny

• I love not making Arthur any kind of royalty, he is truly just some guy

• Like I'm reading The Once and Future King and Arthur's lineage is so weirdly complicated and I just don't care, I like him as some guy

• "He discovered he didn't have his sword because I left it at... a house, that doesn't matter, that's my fault"

• Now that's a line that is funny on time one and fills you with dread afterwards

• The most exasperated "I was just going to borrow it for the day"

• Something about the delivery of "when I opened my eyes the square was filled with people shouting god save the king"

• Like Arthur never actually says out loud that he didn't want to be king but Genny gets it right away

• "I see you now, you're just a boy wearing a crown you never wanted sitting atop a throne two sizes too big"

• Just an absolute cutting response but Arthur doesn't take it that way at all, he's so earnest

• She reads him to filth but it doesn't even rattle him, he just takes it because it's true

• Gorgeous writing in what she says and his response

• "But provenance has put us both here, both of us highness and want it or not we are commanded to wear that crown and to grow into that throne"

• Chills, the delivery is outstanding

• We finally get King Arthur

• And Genny being convinced, all it took was one genuine moment and she's ready to engage

• Then Arthur again just taking so passionately about what he wants Camelot to be

• No wink, no sarcasm, no shame

• This show is unabashedly sincere and optimistic and I love it

• Genny falls in love with Arthur, I fall in love with Arthur, Genny falls in love with Camelot the idea, I fall in love with Camelot the show

• Everyone including the audience and Arthur were already in love with Genny for Phillipa Soo reasons so there's no moment for that one

• I feel like the trope-y thing would be to have Genny be a cynic here but no, she's just as much of an idealist as him

• She put up a little front of cynicism at the beginning but as soon as she gets the option of hope, she's choosing it instantly

• "Or you can stay. And together we may discover if power might be harnessed as a force of good"

• Like he's instantly treating her as a partner in this endeavor

• And I Wonder What the King is Doing Tonight playing under it so beautifully and then the seamless musical transition back to Camelot is so perfect

• I am music stupid so I wish I had something to say about it but your songs have got to be tight to flow that way

• "I don't know if I'm worthy" also just a heartbreaker

• We don't really get to hear anything about Genny's life in France but she's clearly very opinionated and competent and I wonder if besides the whole wanting romance and adventure thing

• She also had an idea of what the life of a queen is like

• After all she's the daughter of one

• And she didn't imagine having this kind of role in actual ruling and doesn't know whether she can live up to this ideal that Arthur has set

• Like maybe she thought the only way she'd get to impact the world was knights killing each other over her or being the cause of a war, at least that's something

• But now she has a chance at more and she's grabbing it

• Genny singing the reprise is so beautiful thematically - it makes me a little teary just watching her instantly be like I see your dream and understand it and I want to be part of it but via some of the best singing maybe ever

• Such an amazing recontextualization from the original

• I've seen little clips of this reprise from 1961 and this one just feels warmer and more meaningful because it's about the ideals and not them confessing love at first sight

• And somehow more romantic

• They're instantly established as a team who share intellectual and philosophical similarities

• To so quickly convey that and make it believable

• It not only cements their relationship but makes them characters you root for

• And then the sounds of people coming in as soon as or maybe even before they get to finish singing together, like it's their world and they're falling for each other but there's no time, they're king and queen now and that will always supercede their relationship

• Also something about the moment when Arthur introduces her to the court just also really gets me

• "She's nice... some of the time"

• It's cute how smitten he is with her, all of her, immediately

• "Something about her makes me want to be a better king" (so Arthur is actually capable of expressing a romantic thought, don't get used it it)/"She's very attractive"/"Oh she is but it's not that"/"Arthur"/"Well it's not just that"

• I love the way they flip the speech Arthur gives Genny from the original about not feeling like a king until now meeting her

• But now that they've actually gotten to know each other a bit and it's after she's agreed to stay it actually makes sense here

• I do also love that even though he can't manage it to Genny's face, he does feel completely comfortable expressing his feelings about her to Merlyn

• The "oh she is" is so cute, he's so excited

• The music under his conversation with Merlyn before he starts just monologuing, very ominous

• I'm obsessed with it

• "We finally have peace" is another line delivery that I just need to sit and think about

• The joy of it, the relief

• Again the idea that Arthur has been a king at war this whole time

• Merlyn mentions, as part of a joke but still, almost as soon as we meet Arthur that he's fought armies

• He's not optimistic about the world because he hasn't seen conflict

• He's more determined because he sees what it does

• Channeling best man in all fiction Waymond Wang this is how I fight energy and that's very my shit

• Very much my shit might be a slight understatement

• It might not be surprising to learn that Arthur is my favorite thing about this show, they revamped this character so well

• So much of my life was spent in the media age of male anti-heroes and I love that we've returned to a point of male heroes

• Arthur idealistically talking about how they can finally start making Camelot for everyone and Merlyn walking off stage while the ensemble sings I think the part from the cut song and I assume some new stuff that's very Medieval church music

• So so good

• "What do I do next?" so eager and then just the emotional drop-off to his scared little boy when it becomes clear what's happening "Merlyn?"

• Stunning performance

• I think Arthur falls to his knees at some point but I'm already doubting

• The "what the hell do I do now?"

• Perfect scene ender

Act 1, Scene 2: The King's study - one month later

• The transition music between scenes is always good

• It's gonna be a struggle not to just quote this whole scene

• "Arthur, please call me Arthur" is so desperate like he has no one now, no actual human connections to him as a person instead of a king now that Merlyn is gone

• And then asking what she was called back home, he wants connection so badly

• And probably he still feels guilty for taking her from her home to be his wife

• "I was a royal princess, I didn't have friends"

• Well there is a reason they're both terrible at relationships

• I also love the way Phillipa Soo says Arthur in such a stilted way at the beginning of this scene and it becoming more natural every time she does it

• Genny telling him he's not attending to his duties with enthusiasm like she is not the least bit afraid to challenge the king a month in

• Love to see it

• Arthur's "I beg your pardon" when she asks about cortesans and the look he gives her

• "My father kept his women, his extra women, in their own wing of the palace. Where are yours? Might they cheer you up?"

• Genny the proactive problem solver

• Also something about the way she says extra women makes me laugh

• "I don't have extra women, I'm a married man. You were at my wedding" perhaps one of my favorite deliveries and lines in the whole show

• Genny's point of view in this scene is very interesting

• Like she does bring up that it's his legal right instead of dropping the whole thing and that's a choice

• Does she think he's lying about not having cortesans and reminding him that she is legally obligated to be cool with it so to be honest?

• Or is she just baffled by Arthur and his choices because this is a normal thing for a king to her?

• Or maybe since she already has feelings, she's trying to balance her own expectations to not get hurt?

• Possibilities

• "I'm aware of my legal right in that regard and I assure you I have no intention - oh my god - no intention of exercising it"

• Specifically the delivery of oh my god but the whole thing, he is so offended

• "And making the world into Camelot, are you abstaining from that too or will men at honor continue to plunder villages and take, rape, and kill whatever they please?"

• Genny

• Genny you are a hero

• She's so smart and fierce and unafraid to stand up to Arthur

• "I didn't make the world"/"You make a part of it"

• Arthur being so defensive and Genny calmly holding her ground

• She's taken to her new role so well

• And then Arthur admitting he doesn't know how to proceed without Merlyn, I love the way he builds trust in her in this scene

• "What would he say?"/"He'd say my god you're the slowest student anyone's ever tried to teach"/"Well I can convincingly say that"/"It's good that you mock me, kings should be mocked from time to time, it brings people pleasure. But for the record it's no fun for the king"

• Genny sounding so pleased with herself, Arthur getting out another sarcastic response

• Also what a lie, it is fun for him

• Mocking each other and public policy are their love languages

• "He once explained why but I got distracted because a white tailed eagle flew right by" with the most excitement and boyishness

• And then starting to go off on a tangent about eagles

• Never change Arthur

• I just think it's sweet the way she redirects him because she's fully committed herself to the idea of Camelot and her role in it

• "Pace freely at your own pace"

• Another brilliant line and delivery

• Channeling some Mary Poppins here

• Genny getting Arthur to think is so good

• "You had to pace and comcentrate to arrive at that?"/"It's hard to imagine why your country was willing to part with you"

• The proposition/resolved structure of this scene is very good

• And also that he starts with this pessimistic tantrum about human nature and Genny guides him back on track

• It's a great relationship moment but it also lets Arthur have some struggle and lets Genny be for Arthur what he was for her in the first scene

• Arthur collapsing on the floor and muttering "extra women" like wow he cannot handle being thought of as not a good person

• "That's it?"/"Wait"/"I wasn't going anywhere"

• Her being on the floor with him, gently pushing him

• He can't even maintain cynicism for more than a few minutes

• Them building the idea of the round table together, this is peak romance

• I can't just quote this scene in its entirety but every moment of it is a delight of them passing ideas back and forth

• "Isn't it also about the law?"/"It is"

• A standout delivery

• I love when they're working out the wordings like they make each other better

• "The law will be the stone upon which this rock - the rock upon - wait the church?"/"Have mercy"/"The law will be the rock upon which this church is built"/"Nothing can be more important"/"Nothing can be as important"

• This is what I love about Sorkin's writing

• The way that he has characters discuss ideas

• Like everything is an exciting discovery

• There's no singing in this scene but it has so much rhythm and is so compelling when in another writer's hands it would be boring and forgettable

• I broke out a chunk but it's so dense there are so many words and I love each one

• Genny counting down to his return, she already knows him so well

• Again I am trying not to type out every line

• I think they both yell for the page but I'm actually not sure, either way they are so excited and yelling something

• The new book has done so much to deepen their relationship, I adore these idealistic little nerds

• Arthur cannot contain himself

• His attempt to cool things down for himself by taking his hands off her face and then "you were very helpful, thank you"

• Smooth

• Convincing

• Definitely professional and platonic

• Truly do not know how Genny does not realize he's in love with her at this point but she sure is not gonna get better at that

• "And I suppose France too"/"I know that hurt"/"A little bit" and then he laughs it's adorable

• They're both so giddy here

• "Arthur I did already know that about you, that you were a decent fellow"/"I'm glad"

• They're in love. They are so in love.

• Arthur has taken on Genny's tone for the word inspiration when he talks to the knights

• "You've invited the French" every time Sagramore says it, it's just as funny

• "We may not be born equal"/"We are not sire" (with so much contempt)/"So our laws will make us equal" (with no room for disagreement)

• The immediate conflict

• And we see Arthur being a king and taking a hard line which we don't get to see much in this show and I love it

• "What about God's laws?"/"Not. Our. Jurisdiction" like are we sure this is not actually from the west wing

• I'm internally cheering when I hear it, I love this line far too much

• It's funny but also authoritative and kingly

• I get that some people do not vibe with Sorkin's style and that's fine but I very much do

• This show is so for me it's kind of incredible it was not made with that purpose

• A Sorkin character who would love Sorkin's work, I just adore it

• And according to the funniest line from any review I read, also has Sorkin's haircut

• That just lives in my brain because it's funnier than any piece of media criticism I will ever hear

• The knights already dissenting is very good but also that they don't fully agree yet with each other

• They build it in immediately and that's such a good choice, it makes every escalation feel totally plausible instead of the knights just easily falling for Mordred's bullshit

• Dinadan quoting Plato's ideas and saying how they're the well-educated people who should be in charge is great

• I love that the knights get to be characters and have thoughts

• Their constant vacillating between loyalty to the king and loyalty to the power structure they benefit from

• One of my favorite running tensions

Act 1, Scene 3: The countryside outside of Camelot - six months later

• The performance of C'est Moi is so funny

• Going 100% immediately

• Jordan Donica was just as perfectly cast as everyone else

• The lyrics are so funny and then he is just so loud

• His little whispered "C'est Moi" after the second verse while posing is so much funnier than it is on the cast recording

• "Had I been made the partner of Eve/we'd be in Eden still" is my favorite lyric

• The scream on clean destroys me

• Lance is always at a 10 and he's so delusional, I'm obsessed with him

• There's so much loud breathing in this performance which I love

• And whirling his sword around the stage

• "Beware enemies of Arthur do you hear me beware, from this moment you answer to me" while Arthur is literally unconscious behind him, this is comedy

• "You raised your sword to me"/"Oh I was saying hello"/"I did not know that"

• Lance is not sorry at all and it's hilarious

• He's just on another planet compared to everyone else and I love it

• Also Arthur so pure, just seeing a random person and trying to say hi

• Like you're the king of the country, you do know many people are not exactly going to be friendly, right?

• "I honestly thought I was more recognizable to the French"

• "Have you changed your Francs to English shillings?"/"Why?"/"This man's face is on money"

• Arthur subtly trying to tell Lance what's happening but the word subtle is not in Lance's vocabulary

• "I'm underwhelming in person"

• Says the man that keeps making French people instantly fall in love with him in the woods

• "My security detail... right in the nick of time"

• "I beg your majesty to forgive for me for by forgiving me I'll suffer even more"

• Lance is screaming the whole time

• I don't know how he does it

• "But my strength comes from purity of spirit"/"What was that?"/"Purity of spirit, my personal relationship with the almighty, he favors me"/"I'd keep that to yourself"

• I can't write it out but this

• And this is about to have to switch out for the rest of the show so like even more screaming somehow

• He's so funny, it isn't reasonable

• Also love that his language is the least modern of them

• It fits

• Seems like some of his lines come directly from the original book and it works amazingly

• "Be a faultless example to children" is another iconic delivery

• Also Lance asking for a mission, incredible

• He just plays everything so straight and it's perfect

• Like not a single acknowledgement of the ridiculousness of this character

• Arthur will literally get a concussion to avoid a social function, relatable

• "Until you came along and whacked me in my head"/"AND FOR THAT I BEG YOUR HARSHEST PUNISHMENT"/"Nope, nope, we're not going back to that"

• Yes the all caps is necessary, Lance is always speaking in caps, if he lived in a time a cell phones all of his texts would look like that

• And Arthur's tone when he responds

• When Lance starts singing again and then Arthur just says nope so many times

• This is their whole relationship

Act 1, Scene 4: A park near the castle

• This scene is just a magnificent Phillipa Soo showcase that we have been blessed with

• Like she is just so talented and I am blown away

• There's a reason Lusty Month of May is the song they have the most out there

• "The birds and the bees with all of their vast/amorous past/gaze at the human race aghast" is my favorite and she does it so perfectly

• Also the intro music just exactly captures that buzzy spring feeling

• My roommate and I both had the experience where the first time we saw the show, none of the music stuck with us

• And then the second time, all of the sudden it burrows into your brain

• This burrowed first because of course, it's so vibrant and lovely

• The original music is so good and somehow the transition from the more modern dialouge into the songs is seemless

• Genny has two missions: justice for all and bringing sex to England

• Look there's none in her own marriage and she needs an outlet, make those people kiss, it's all you have

• Genny's so fun and adorable in this song and it's perfect and I have no notes

• I'm just gonna go watch the today show performance and bask in it, this is the most classic Broadway musical sequence in the whole thing

• I love the idea that she's inviting all these normal people in and the beginning of the knights absolutely hating it

• "Be right quieter"

• And when they refer to Genny as a guest in the country

• The original is very and everyone loves her and I love that there's this tension where the people with power don't like her but everyone else does

• They say all the quiet parts out loud in this scene

• The show needs the knights so badly to show the discontent growing over time

• But they still respect tradition enough to enforce respect for the queen on Pellinore

• "I've only lived here a short time"/"Oh and you're already the queen, well done"/"I really had nothing to do with it"

• "Full of youth he was but brooding over problems that would confound Solomon. Ever met him your majesty?"/ "Constantly, he's my husband."

• With such affection ahhhh

• "You must be Morgan Le Fay... oh how he'd go on about the loveliness of Morgan Le Fey, her unsurpassing beautiful"

• Genny getting emotionally slapped in the face, it hurts so much

• The first crack in their relationship because they couldn't talk to each other...

• "I'm glad that nice young man found a nice young lady"

• Why does this make me feel things?

• I love the royal music every time

• "As you were everyone, pick grapes, eat flowers, or uh the other way around"

• Arthur and Genny's little catch up about Pelli is very cute, we don't get to see them be cute for a while after this so I just want to appreciate it

• Lance having no social awareness and continuing to make proclamations while Genny could not care less and is actively trying to speak to someone else, brilliant

• Genny and Arthur just waiting for Lance to stop talking after she keeps being interrupted and then Genny rushing out her lunch invitation and Arthur rushing out his response

• Arthur immediately wanting to run ideas by Genny, she is crucial to the development of Camelot and it's very much not a secret

• Arthur's "uh oh" when Lance is doing some casual misogyny

• "That sounded like a friendly exchange of pleasantries"/"It was not"

• No fucks for Genny today

• I wish I could one day know the translation of Genny and Lance's friendly exchange of pleasantries

• "Who would serve as the standard?"/"Oh certainly not me your majesty"/"See no hubris"/"My standards are much too high"/"Dammit Lance"

• "Have you achieved perfection milord?"/"Please say no"/"Of course I haven't your majesty"/"Good"/"Refining the soul is an endless struggle... but physical perfection"/"No"/"Yes"/"Go back to speaking French"

• "And in your quest for spiritual perfection have you considered the value of humility?"/"Ah something we should all consider. In fact let's take two minutes of silence to consider the value of humility."

• The dialouge between the three of them is so funny in this scene

• The ship is sinking and Arthur is just there with a tiny bucket while Lance and Genny keep creating giant new holes

• Genny calling Lance a jackass is both hilarious and also so valid

• "She already has an affectionate nickname for you"

• We have officially reached the beginning of the end, well we had some nice moments

• Like imagine if Pelli didn't start going on about how in love Arthur was with Morgan and then Arthur didn't show up with his new best friend who immediately implied women were too stupid to engage in government

• Genny was having a no fucks day and was probably ready to do a stupid thing and maybe that stupid thing was her husband

• A true tragedy

• "And with humility I"

• Dinadan's line deliveries are so dry and good

• And Genny's laugh

• "And whom will the three of you want to impress?"/"We want to impress the king too."/"Ah yes English men"

• I love the knights, they've all got their own little comedic touches in this song

• Gaslight, gatekeep, girlboss Genny

• Take Me to the Fair is a masterpiece

• I don't know what constitutes a hot take about this show because there are 5 people talking about it

• But my hot take is that as much as Lusty Month of May is a brilliant and amazing song

• This is actually the Phillipa Soo tour de force

• Her fake crying is so good

• There are so many good flourishes in the singing

• Same thing I feel about I Wonder What the King is Doing Tonight, Phillipa Soo is just enhancing every line with her hilarious delivery

• Also this sound

• Sagramore is always operating at 50% more intensity than the rest of the knights and it's perfect

• Him having to be held back by the other two when Genny sings to him

• It's involuntary at this point that I turn my head back at French during this verse

• His very loud delivery of "I swear to you the challenge will be met"

• "Sirrrr Liiiiionel"/"Ma'am"/"Ugh"

• And when she gives his chest a little slap after "and young du Lac"

• Perfect

• And her laugh-cry at the end of Lionel's part

• Their faces when she touches them are also just very confused and funny, she is not good at this

• I love when the knights are singing together, bringing up Lance really has wrapped them around her finger

Act 1, Scene 5: The King's study - the night before the tournament

• "You know that it's your move right?"/"I did not know that. I'll need to alter my strategy now"

• Honestly so relatable I suck at chess, Pelli is the best

• "If we're to care about justice, we need to care even more about injustice"

• Just a good little Sorkin nugget

• Pelli refusing to understand any of Arthur's ideas, excellent

• "Do I understand that you intend to be history's first king to yield power?"/"Oh now you're catching on"

• I do just love Arthur so much

• And the delivery of "she wrote what you just read"

• He's so pleased to inform Lance that Genny's writing treatises about justice

• Pelli's smug little "it's your move" like that's correct, no one is allowed to not respect women in Arthur's study

• "He's had you in checkmate for an hour and a half"

• Arthur's patience is astounding, Lance should be taking notes while he's perfecting his spirit

• "Would you like to play me or do you ever do anything but perfect your soul?"/"No I also perfect my body"

• Again just perfect deliveries and honestly so much respect to the new book for making Lance even more irritating but eventually more human too

• I am not dragging Lance, this is a compliment

• Just the way Jordan Donica plays it completely straight without being able to detect sarcasm is hilarious

• "The arrangement I'm in is called a marriage, having some fun would be called treason. And finally I hate his breathing guts."

• Setting up the consequences we know are coming with a little joke, I like it

• "Well be sure and give us clear skies tomorrow when you're arranging things with god tonight"

• Savage, I don't like most of the original dialouge but we had a winner with this one

• Her delivery just elevates it

• "No one could refuse your wish"

• The gall of Lance to say that like that in front of Arthur like he is shameless

• "Why do you have to bait the man?"/"I dislike him, I thought I was making that clear"

• Genny is so relatable

• Their first fight and Arthur's already insulting the French, I'm not sure why he thought this was going to go well

• Arthur trying to delicately ask Genny to withdraw her permission from Dinadan

• He's trying to have this conversation as her husband and not her king but Genny is not even having it a little

• Genny explaining that she already gave permission for all the knights is so funny

• I know they're basically the original lines but ya know, sometimes Lerner nailed it

• "It will seem to the entire court as if you are rooting for his downfall and championing his defeat."/"The only reason it will seem that way is because I'm rooting for his downfall and championing his defeat."

• "He's going to embarass those three. These are not men who take well to embarrassment."

• Like Arthur already knows exactly who his knights are

• He knows that they don't exactly match up to his ideals

• The delivery on "will you withdraw your permission" is also spot on like Arthur is ready to exit this conversation right now

• Also on "if I do will you forgive me"

• Like he knows that's not happening

• "Not as long as I live, no"

• Perfect riff on the original book's line

• Arthur doing some investigating on Genny hating Lance like he knows before she even does

• Ouch

• And then him starting to get frustrated when she's not answering like babies' first fight is not going well

• "Because he needs to be brought down to earth... literally not metaphorically"

• Like she has yet to be wrong

• "Merlyn never taught me how to handle a woman"/"You didn't read the book?"/"There's a book? No I can see from your face that there's not a book. Though maybe in France they would have published something, no I can still see on your face"

• We love a Genny dripping with sarcasm moment

• And Arthur being an idiot nerd

• He's so so stupid

• Another one of my truly favorite lines and deliveries, he is so excited that he completely forgets he's mad at her for a second and then pouting when he realizes

• "If the king wishes me to withdraw my permission, let him so command... nope, then I will bid you goodnight"

• The aggressiveness on her daring him to command her is so much

• Perfect

• I love her nope, a little power play

• Because she knows he won't and he knows he won't and she's happy to remind him of that they both know that and then leave

• His silence is doing so much work too

• Damn this scene is good

• "And before I go to bed as a gesture to Lancelot and to you, I'll pray it's over quickly"/It will be"

• They're so mad, I love it

• "There should be a book"

• Grumbling sullen Arthur is very funny even if How to Handle a Woman is lowkey the worst song

• And Arthur's worst impulse, which the narrative knows because it plays under him talking about vengeance and what he's entitled to later

• Like they do a good job recontextualizing it but it's still not the best

• Just hearing him sing the word threaten is kind of jarring, I cannot even slightly imagine this Arthur even thinking it once

• In my opinion they should've just cut it, I'd gladly take more Sorkin dialouge instead

• I do appreciate the way they scaled back this music in the rest of the show

• Because it's all over the second act of the movie, Arthur and Genny's theme if you will

• Like even during their last conversation

• Because they're not the love story so their theme isn't really a love song

• But then here, they play it under Arthur's worst impulses at the end of act 1 and banish it which is so smart

Act 1, Scene 6: A grandstand - the next day

• The music coming into this scene and when Arthur and Genny show up, again fantastic

• The outright hostility between the knights and Lance, they turned it so far up in this version

• Pushing him down and shit

• I love Athur and Genny showing up and getting to see them actually be king and queen and have their over-the-top outfits and crowns in this and the last act 1 scene because it's so removed from who they are the rest of time

• Arthur's speech at the beginning trying to glorify them not having the tournament and how great losing is and having to be stopped by Genny

• He's trying so hard and his speech is not good

• The fact that she basically tells him to stop and his response is fine like I think he forgets that he's actually in charge

• I love a sword fight

• The movement, the drama, the loud clanging...

• I am but a humble girl raised on the Pirates of the Carribean movies

• Dinadan being a dick before the fight with "and now for your lesson sir"

• The way Lance knocks the sword out of Dinadan's grip and makes him pick it up before defeating him, such an asshole move

• I truly can't tell if Lance has just such a superiority complex that he doesn't realize what parts of his own behavior are making people dislike him or he's just so stuck in his toxic little mindset that he doesn't care if people hate him for it

• I kind of feel like Lance is so into his specific notions of the world that even he doesn't really know why he acts the way he does

• "Dinadan seemed very inspired by your kerchief, should we continue?"

• "You know he almost had him, right up until the moment he never stood a chance"

• Their fight being played out by proxy while Arthur makes snide comments and they give each other looks is good shit

• Sagramore's scream, he's always going so hard

• The fact that Arthur fighting instead of Lionel is new for this

• Genius

• So good

• The dialouge around it is good too

• The temptation to just transcribe the whole thing is so strong

• Commanding Lance to pick back up his sword like damn

• I love seeing this new side of Arthur

• He can and will fight and he's good at it

• "I know what a damn baguette is"

• His little bit to Lance about it just being about morale is very good

• But also he can see what's going on even if Genny can't so is it?

• The fact that he may well have won the fight if it wasn't for a cool bird, what a man

• Fun fact about me, I didn't even see the bird or realize that's why he got distracted until the last time

• He and Genny are like very much not in a good place this moment but he will let it slide to point out a bird

• Arthur's fall is very good

• Can you tell I think this scene is also very good, I've only written it like twelve times

• The fact that they're letting people fight with swords and there isn't a doctor for 12 miles, amazing planning by everyone

• The bit of everyone thinking Arthur was dead and him sarcastically correcting them is amazing 100% of the time

• "He put life back into him" is just consistently hilarious

• "I'm not wanted here Arthur"

• With the most heartbreaking delivery

• Aw we finally see Lance have some shred of being an actual person

Act 1, Scene 7: The castle terrace - on the evening of the same day

• I Wonder What the King is Doing Tonight intro-ing into this scene

• "Well you got me there" being screamed is perfect

• Pelli sensing that something is bothering Arthur, their relationship is very sweet

• Pelli describing the way Genny and Lance were looking at each other, what a shit stirer

• "It may be the only way to get him to stay"/"Maybe it's best if you let him go"/"Let him go?"/"Maybe it's best"/"Why is that?"/"Well...You said yourself, morale"

• Like she's trying to protect them but she won't say it

• For obvious reasons

• But it's confirming what Arthur already suspects

• And just drawing them further apart

• Another great her silence is doing so much work moment

• The entire telling Lance he's being invested discussion is so intense

• So much anger simmering in Arthur that can't help but come out in the line deliveries in the beginning

• Genny refusing to engage and turning her back to the whole thing

• "I'm sure he'd like to hear it from another child of France"/"This is my country now"

• Oh boy I love this exchange

• Like she's trying, she's trying so hard

• And I don't know what the fuck Arthur is thinking with that one, in what way could she possibly respond that's not going to be bad for him?

• Arthur leaving them alone like whyyyy

• And then Arthur giving Genny back her bloody kerchief, fuck

• All is very much not forgiven here

• "God dammit Pelli, I wasn't dead"

• Genny making it clear she does not believe Arthur was dead, I appreciate that she's also very clear on the fact that their world is not magical

• I wonder if Lance does think he willed Arthur back to life

• Probably

• "Don't ever say it out loud. Neither of us can ever say it out loud"

• This was another straight up gasping in the theater moment

• The entire conversation between Genny and Lance is so good and tense

• And the delivery on that line just feels like getting punched in the gut

• Phillipa Soo is amazing

• I love that she won't let them say it, that she's fighting it

• And the way she cuts him off, the way she makes him agree to not say it

• This is the intense love she wanted and it doesn't need to be said which is exactly what she needed to feel from Arthur but didn't get

• Also Lance just trying to confess his feelings the first second he can is just such an interesting character choice

• Like the truth is his purity of the soul bluster doesn't hold up to the slightest temptation

• He's ready to betray Arthur the second he leaves the room

• It's all a front

• Not intentionally, like he believes the things he says he believes

• But he can't keep to it

• I think he's so drawn to Arthur because Arthur actually has the qualities he's proclaiming define him

• But I don't even think Lance knows any of this about himself

• At least not until later

• He's just impulsive

• Which is I think what makes him an interesting character to me but also makes his motivations hardest to decipher

• Before I Gaze at You Again is such a stunning song

• And watching Phillipa Soo just emote for the whole time

Act 1, Scene 8: The great hall - on that evening

• All the music that starts this scene is brilliant

• "I'll never disappoint you"/"I know"

• I just...

• Like we the audience know but also the characters sort of all know and they are determined not to let it happen but that only makes it happen anyway

• Ugh those lines are a little nothing but they're everything

• I have the YouTube clips of Richard Burton's version of this and it does just indicate how well they've modernized

• Theater has changed so much so the pacing of 1961 compared to this is kind of fascinating

• This is also actually the writing I think is the best from the original and it is so fascinating to compare the two versions which I'm sure someone has done and I want to read it because there is so much to say

• It's so bold to close act 1 with a speech instead of a song

• I had no context coming in so they had me in the first half, I wasn't sure if this was Arthur's turn into the villain moment

• Once again I'm just like pointing to the whole speech and yelling how good it is

• Whoever decided this belonged on the cast recording is my personal hero

• This is just on my normal spotify playlist and as long as I'm not reading, I will not skip it

• But I love the idea that in the original book Arthur starts out by declaring his love for Genny and Lance and in this version it's like he's actively talking to the audience to defend himself

• To say he's not some stupid optimistic kid, that he sees everything we have

• Comes out swinging

• I can't explain how much "proposition: I am not a befuddled king" shook me, I was ready for shit to go down and I love it as the opener to this

• The pause before "whom they love", the sadness in it

• "And she didn't choose whom she married"

• Like Arthur can never get rid of that guilt

• The push and pull of this entire thing where he will try to make an argument with himself that everything is fine but the bitterness keeps seeping in until there's no rationality left

• Trying not the write out the whole thing but the rhythm of it, the pacing, this performance is spectacular

• The way the audience startles when he starts screaming

• Like he's having his back and forth rational debate with himself and finally we see him lose that control

• And it is the good shit

• I can't explain how much I came in with no context for this show and how much this completely threw me in the best way

• We're finally a glimpse of what's happening inside Arthur's head, to see the way he's been holding so much back from everyone else

• I love that he's still yelling at Merlyn, not exactly sure what I want to read into that, I feel like there are a few lines of thought

• "Am I not entitled to a man's vengence?"

• Perhaps my favorite line in the first half

• Every line is sort of my favorite but I guess let's settle on this one

• Because the original is "I demand a man's vengence"

• And same sentiment but entitled is so much more toxic

• Like the thing about this magic-less universe is that Arthur wasn't destined for some greatness and so he pulled the sword from the stone

• He wasn't owed something, he didn't deserve it, it just happened and he chose to rise to the challenge

• And this is the first moment he's decided he might be entitled to anything

• And then he does a 180 into deserving nothing

• "Proposition: I'm not a man, I'm a king"

• Like wow so much to unpack psychologically there

• I mean he and Lance have very much the same problem of trying to suppress their own humanity but the reasons are so different

• When Arthur switches into his idealistic mode and they start playing I Wonder What the King is Doing Tonight because he's being kingly, literally gets me every time

• The entire thing is so good, I love the second half so much

• "I wasn't trained for this"

• I love the running theme of Merlyn training Arthur in all of these important skills but never teaching him how to handle emotions and relationships and uh maybe he should have

• There were perhaps some limits to Merlyn's wisdom that set Arthur up to fail

• Because he's been king since he was barely out of childhood

• He never got the chance to have normal, equal relationships where he could figure shit out

• So instead he just pushes it all down because he's not wrong in that he doesn't get the luxury of following his emotions

• I love every second of this scene

• I love every line, every delivery, every movement

• Like it is a hard ask to make an actor just walking around the stage monologuing compelling in a musical and this is so so compelling

• Just on the whole of this show, I don't know that I've ever been so blown away by a stage performance as I was watching Andrew Burnap and this scene is just a perfect encapsulation of why

• Whatever he's in next, I will go

• Okay real talk something about this man's face just renders it unrecognizable to my brain so more than likely I'll see something and be like wow that person was amazing, who was that and then it will turn out to be him

• I say specifically because I happened to be watching Under the Banner of Heaven the whole time I've been having a Camelot obsession and how did I find out he was in it? I happened to see his name in the end credits four episodes in...

• But anyway I will at least try to know whatever he's in next so I can go on purpose because this performance is living in my brain and I don't think it's leaving

• I do make fun of previous versions of this show for casting people who are clearly not musical theater actors in this role but actually I do think casting actors who do straight plays does add so much as long as they aren't terrible at singing

• All of which to say again that I do think this was some of the most perfect casting I have ever seen

• Basically the statements you can tell Andrew Burnap is not a musicals person and you can absolutely tell Phillipa Soo and Jordan Donica are absolutely musicals people

• Are both extreme compliments to the people that decided on this casting

[peridots-pixiwolf]

hey guess who is actually and without exaggeration crying over ultrakill

[babisawyer]

paramount+ has given up on me suddenly so I've only been able to watch a tiny bit of scream 6 so far.

[likesummerrainn]

.

[dirt-str1der]

Literally transfem characters are five from umprella academy and majima from yakuza and tricky from madness combat

[madamechrissy]

Pour it Up Masterlist / Stripclub Owner Sukuna headcanons

Part One - Part Two - Part Three - Part Four - Part Five

Pairings: Stripclub Owner Sukuna x Stripper F!reader

Summary:- You are a single mother, your baby daddy is not just worthless, he also is actively trying to sabotoge you, so you go out on your own and raise your kid by yourself. Struggling your ass off, a friend of a friend named Toji decides to offer you a hell of a deal, a few hours a night at a strip club to make BANK. While there, you meet the other owner, Sukuna, and the moment he sees you? You annoy him how beautiful you are, how much he wants you, pushing him to insanity. He knows he must have you- no matter whose ass he needs to beat.

Warnings:- reader is a mom, lowkey/highkey Yandere Sukuna behavior (He's obsessed) recreational drug use, drug dealing Sukuna (the club lowkey a front lol) Mafia ties, EXPLICIT sexual content, blow jobs, cunnilingus, fingering, masturbation, teasing and eventually violence, some former trauma of reader.

WC so far- 32.5k - ao3 link here - Playlist

Headcanons/story preview below!

Stripclub Owner Sukuna- who loves what he does, the money he makes, the women, the entire atmosphere. What more could he really need in life?

Stripclub Owner Sukuna lights up a blunt with his co owner, Toji, as they lounge back on one of the bright red Sofa's, watching their girls dance around them while they hold business meetings. Sukuna certainly doesn't mind beautiful women, nor does he mind snorting coke right off them.

Stripclub Owner Sukuna throws back a shot, when suddenly he sees someone so different, so fucking pretty it makes his heart thud in his chest. He can barely stop himself from yanking you right away from this. He's slicking back pastel hair when Toji introduces you so casually, wearing a pretty silver bikini that shows too much of your sexy body. You look shy? You look nervous?

Stripclub Owner Sukuna takes your hand then, smirking at you, watching the blush decorate your cheeks, when he finds you're going to be a dancer, he immediately wants to say no, dance for just him, a level of possession he's never even felt with his girlfriends. Sukuna's shared plenty of women, but if he got you!?

Stripclub Owner Sukuna smacks Toji for even bringing you here later, and Toji scoffs. 'She has a kid and shit, she'll make top dollar here' Sukuna falters at such news. 'Don't ya think she'll make bank?' 'Tch, of course she will... it's just she's so...' Toji snorts. 'you got the hots for her, huh? Well she ain't some easy girl, I know her'

Stripclub Owner Sukuna knows he must have you, when you're stepping around the stage, and he's eyeing you, sitting right in front of the stage as you get on your knees, crawling toward him and smiling shyly. 'how're you a shy stripper, huh? not gonna work' he huffs, and you tilt your head, hand slipping down his tie. 'No allure in a shy dancer, Mr. Sukuna?'

Stripclub Owner Sukuna loses his mind when he hears his name spilled from your glossy lips, as he thinks of shoving his cock deep inside that mouth, so close to his when you turn. You bend over, ass right in the air, begging for a smack as you look back at him, hair falling over your face. 'Why're you here?' he demands, eyeing the curve of your back, cock hard like he's some pathetic teenager or something.

Stripclub Owner Sukuna tenses when you say - 'I need the money, isn't it why everyone does this?' 'Toji says you got a kid' you tense then, turning toward him nervously, as the stagelights glimmer all over your skin. 'That a problem?' Sukuna shakes his head. "Nah, lots of girls here do...' You exhale. 'I'm a single mom, my friend can watch her at night, why not work while she's asleep? I can spend my time with her'

Stripclub Owner Sukuna admires the fuck out of you as you dance your pretty ass off, but he hates the men that see you, see you in just your little bottoms and tassells, breasts bouncing, ass jiggling as you shake it, as you move. You're a whole star quickly, the few hours a night you come in you make bank, but as soon as you leave, he's in his office, jerking it to you, imagining those nipples, that pussy he sees hints of with your spandex panties.

Stripclub Owner Sukuna On one particular night forgets to lock the door, you're still out there dancing but he can't take it, you're too fucking sexy, he's picturing burying his face in that nice ass of yours as you step inside, shutting the door quickly when you see it, his enormous dick in his hands, covered in precum. You gasp, looking away quickly. 'shit I'm sorry, it's my ex... he's such an ass and I didn't want him to see me...'

Stripclub Owner Sukuna pauses, in shock as you look back down at him, licking your lower lip. 'I'm interrupting...' you come closer though, watching, breath catching in your throat. 'Want me to beat him the fuck up? ruin him?' Sukuna murmurs, voice husky, when you keep walking towards him, and he slowly strokes, from the base to the tip of his veiny length, acting so casual. 'No, you don't have to do all that, you're already so good to me' he laughs then, shaking his head. 'You are, maybe I should... be good to you?'

Stripclub Owner Sukuna can't form a thought when you're stroking his cock, leaning so close, lips just a breath from his, taking two of his fingers and sucking his precum off them, cheeks hollowing. Sukuna loses his control then, using those two fingers to slip so deep you cry out, earning his groan, uncaring if anyone heard. He's curling them up in your walls as you stroke, his eyes laser focused on your pretty face when he grips your hair by the nape of your neck. 'wanna suck me, huh brat?' he tries to keep it together, but when you nod eagerly, on your knees, he can't take how good your throat feels.

Stripclub Owner Sukuna has his cock fucking up into your throat, his salty precum against your tongue, and he wonders if it's some dream it has to be, you're too fucking beautiful to just be doing this, you shouldn't even be working, he thinks. He'd like you just naked around his house, to fuck you on every surface, fill you up with so many kids you'd never leave. Sukuna is groaning while you suck him greedily, looking up at him with dilated, beautiful eyes, making him simultaneously want to fuck you and want to make love to you, stupid insane shit that irritates him.

Stripclub Owner Sukuna stutters when you suck harder, and he's cumming deep in your throat, not meaning to. No he wants to fuck your pussy, not this, but you make him cum so fast it's stupid, swallowing him with a pretty smile, as you lean up on shaky legs. He presses a kiss to your lips, desperate and messy, tasting all of his cum all over your mouth. You're gasping, until the door opens, and you pull apart, seeing an amused Toji. You are losing your mind later as you clean up to go home, wondering what's gotten ahold of you, when Sukuna is waiting right outside.

Stripclub Owner Sukuna loves it when you look down so shy and pretty, you're biting your lower lip to death, he releases it from the grip of your teeth. 'you free tonight, brat?' you blink in confusion. 'you want...' 'want you at my place, spread wide f'me, yeah?' you gasp at the thought, shaking your head then. 'I'm not, I have to get home to my kid... but tomorrow night?' he nods, ushering you to your shitty car, picturing you in something so much better soon, leaning over with a smirk as he seatbelts you in.

Stripclub Owner Sukuna now that he's had a taste, he can't stop thinking of you, when you're at work the next day you're quickly in his office again, this time he's got you grinding on his lap, slick arousal pooling in your little outfit. 'I'll fuckin pay you triple, take the day off' "Mr. Sukuna...' 'Take. The. Day. Off.' Sukuna finally gets you home, having you bent over his couch before you can blink, ripping your pretty costume to shreds, pumping you so full of his cock you're trembling, shaking, head falling back as he fills you so good, slamming your cervix.

Stripclub Owner Sukuna has never felt anything like you, like your cunt pulsing around his cock, like his balls slapping your twitchy little clit, as you're sobbing it hurts so good, tears streaming down your pretty face while he rails his cock so deep. Sukuna busts deep in you as he wraps a big hand around your throat, fucking into you over and over, feeling you milk his cock for all he's got. 'Gonna fill you the fuck up, huh brat? gonna drip on the goddamn stage'

Stripclub Owner Sukuna has your pussy on his mouth when he's busted in you, starting to lap all the gooey white cum from your pretty pussy. 'Sukuna! ah!' you've never felt like this, so fucked out as his tongue scoops all your cum out, he's leaning over you, spitting it right into your mouth, chuckling. 'pathetic, just how I fuckin need you'

Stripclub Owner Sukuna is pathetic for you, he doesn't let you leave, he pays you for another day, fucking you in every position, at some point he's holding you upside down, you're bobbing on his cock as he's gripping your ass, moaning against your hole, you're falling apart, so weak and sore. when you finally have to go home, because you have your kid, Sukuna can't stop thinking about you, about how he wants you to have his babies, to be under him every goddamn night, so excited when you come into work, only to see you devastated.

Stripclub Owner Sukuna demands to know what's wrong, only to see your shady ass ex, who wants to saunter up to him like he's shit, you shake your head, but soon Sukuna is beating the fuck out of him. 'you have no clue who he is, Mr. Sukuna...' you tell him then, earning Sukuna's chuckle, his big grin. 'You don't know who I am, baby'

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