#fitness studio portraits

[mariajamel]

Amber

[rotyolk]

HEY. hey. hi

[cosmiclove-art]

self portrait for the new year >:)

[cyberstargirl]

my friend ela

[floriangimbert]

Quentin

www.floriangimbert.portfoliobox.net

[anickviolette]

I’ve always been an outside person and involved with sports, so naturally photographing (Vancouver  Lifestyle Photographer) athletes gets me even more jazzed. I have a great appreciation for the dedication and practice involved in achieving greatness.

[jeromechaphotography]

Antony

[kaelula-sungwis]

Kelly by James Billson Via Flickr: Kelly was an absolute pleasure to work with last month.

[diejager]

I saw something about Victorian COD so hear me out-

Victorian Price in the fanciest suit

I'm sorry but that man would be so hooooooooooot as a Victorian gentleman, it fits his vibe

p.s. Happy 2024!!!!!!!

I got to this 3 months later… Happy belated new year 😅

Cw: flirting? Price being a gentleman, older man/younger woman, established relationship, tell me if I missed any.

Your father’s business parties had always been boring, they were a chore for you to keep a perfect facade to the public, the frail yet strong lady of the house, donned in ridiculously frilly dresses and thighs corsets. Your mother had fussed over it your entire life, her rough fingers, brought from her commoner background, had made her harsher in every manner to keep her title, for you to keep yours as a noble born into a world of riches. But the upkeep of it was useless when you had no part in it, forced to play a part in something you had no right to be a part of. 

Granted, you had your reservation, understanding that being on the same side as your father had it’s perks, the power his title - soon to be passed down to your older brother once your father passed - and his money. You didn’t necessarily depend on it wholly, you might live in his home, eat from his cooks and call for the maids and butlers he employed, but you had your studio away from home, somewhere in the city where you painted under natural light and sold portraits to people who paid you for a commission. 

It wasn’t as grand as being a merchant, to sell the luxuries most nobles sought - gems, fabrics, gold and silver - but it built you connections, your work passed from mouth to ear, one noble at a time, and one town at a time. You had your clientele and your father had his, you had an image to keep for something you worked so hard for, but to invest an equal amount of face and finesse in a snobbish party was draining. Fortunately, a few of your father’s work affiliates were regular clients at your little studio, sending letters to you months in advance to organise dates for you to paint them, it varied between one and a few months.

Your favourite was a British merchant company, lead by one bear of a man that you knew well, managed by three - a kind-hearted brit with beautiful skin, a boisterous Scot with his unusual haircut, and a broad and rugged man who hid his identity under a fearsome mask - other you were well-acquainted with and advised by a strong headed woman too advanced for your era. John Price was his name, a man a decade older than you, but treated you kinder than any man had before him, a gentleman in a beautiful suit and slacks, a red shirt and waxed shoes. He - coincidentally - matched your attire, your frilly, red chemise with a high and bowed collar, the sleeves long and rumpled in waves of red silk, waist high pants that hugged your body the same way your mother’s corset hugged her form and slick shoes that shone under the high chandeliers. 

“You seem bored, love,” his soft and baritone voice never failed to make you shudder, his hand on your back a reminder than he was with you.

He was always the gentleman, a man who worked his way to nobility, gaining a title and land through blood, sweat and tears. He was known for his trades, selling and shipping a large variety of items that some considered exotic simply because nobles hated interacting with foreigners, a kind of bred racism and xenophobia through generations to fear any uprising from their colonies and other countries. He was as broad as his company was known, every core member of it respected for climbing the echelon of society through hard work. Some purebred nobles might hate him for taking a title without being born into it, but none could object his craft, like an artist couldn’t do hate their canvas. 

“There isn’t much to do, is there, John?” You nodded towards your father, knowing that he was observant enough to see the slightest of movement, “My father is… he loves bathing in luxury, in the popularity his name brings.”

He hummed, a low rumble from his throat, his eyes narrowed almost threateningly, but you knew the amused gleam in his eyes. You had years to get to know him, once an occasional client - a man who stumbled into your studio wanting to let a newly risen artist a chance to paint him, admiring your work for the smooth and confident strokes - who brought his art trade to you, now a trusted friend, someone you were blasphemously closed too for someone your age. 

Your friendship hadn’t lasted long, the constant coaching from Kyle and Johnny, the silent push from Simon and the proud smile from Kate had both of you meeting halfway, throwing you into his open arms and fooling around at the back of your studio until John could take you away to marry.Eloping and always sounded interesting, you weren’t needed at home, your father had an heir and your mother had your younger sister to worry about.

“He flaunts it foolishly, yes,” he agreed, raising the cup to his lips, tipping it until the champagne flowed down the glass rim, “But we have a contract, one I intend to uphold until he complete his end of it. And I met you.”

He turned to you, a tender smile hidden under his beard, his stormy blues softening as he peered down at you, adoration gleaming in his eyes. You wished you could kiss him, to grip him by the collar and pull him down to press your lips against his course ones, to kiss him deeply and show him the love you felt for him. 

“I would, love, but we’re in public,” had you spoken out loud? It seemed you did if John answered you, his chuckles shaking his shoulders, “Would you come home with me once I’ve finished my business?”

“Of course, John.”

Taglist: @sae1kie @yeoldedumbslut @bvxygriimes @distracteddragoness @konigsblog @im-making-an-effort @daisychainsinknots @h0n3y-l3m0n05 @danielle143 @tuttifuckinfruttifriday @notspiders @brokenpieces-72 @petwifed @randominstake @cassiecasluciluce @hayleybarnesx @shironasumi @sparky--bunny @bloobewy @infpt-zylith @sweetnanah @aldis-nuts @evolutionarry @kaoyamamegami

[destielnoirbang]

Who Framed Sam Winchester?

By queerwerewolf | @queerwolf79 Art by anyrei | @anyreiart

Coming to Ao3 on 12/27/2024

Rated Explicit | 29,180 words | No Archive Warnings Apply

Down-on-his-luck private eye Cas Novak gets hired by Angelic Studios president, Nick Vaught, to investigate a scandal involving an infamous literary character (Lit), Dean Winchester, and Vaught’s primary nemesis, Fergus Crowley. A devilish producer and prop designer who has his hands in every movie studio in Los Angeles. Crowley’s prop factory shares a wall with Lit Town, and worse yet, he owns the contract for every Lit. Every contract, that is, except for brothers Sam and Dean Winchester from the Supernatural book series. When Crowley is found murdered, Sam Winchester becomes the primary suspect and goes on the run. The villainous Judge Edlund vows to catch and destroy Sam, having discovered a means of killing Lits with a substance known only as “Pulp”. Desperate to prove his brother’s innocence, Dean demands Cas help him find his brother before the Judge does. Despite vowing to never work with another Lit after his twin brother's murder, Cas agrees. With a contentious start to their working relationship, Dean Winchester and Cas Novak begin to uncover an ever growing nefarious plot. Can Cas and Dean put a stop to this evil ploy? And more importantly, will their attraction to each other get in the way of saving the day?

[Keep reading for a sneak preview!]

“Cigars? Cigarettes?”

When I turned, it was to come face to face with Dorian Gray. Unsurprisingly, he hadn’t aged a day in about a decade or so. Now whether that was because he was a Lit, or that damned portrait… His cobalt blue eyes rivaled my own, although, if I’m honest, his were always prettier. His curly blonde hair was coifed in a pompadour and his scarlet lips were curled in a hungry smile. He was dressed in a form-fitting pair of charcoal pants and an even tighter black t-shirt that left little to the queer imagination, carrying a tray of different smokes.

“Dorian, what are you doing here?”

With a wistful, overly dramatic sigh, Dorian pouted his plush lips and said, “Work’s been slow for those of us with a little more… culture.” Which meant with how many contemporary novels were capturing the attention of audiences, any Lits from the 19th century or earlier had to get creative to make a living. This suited Dorian, considering his nature. “But I’m still exquisitely tragic.”

With a soft laugh, I nodded, reveling in his beauty for a moment, although I was far too old for him now. “Yeah, you are.”

The lights started to dim and a spotlight shined on the closed curtains. I caught Crowley in my peripheral vision, straightening his tie and sitting upright. He even pulled out a small bottle of cologne, spraying it against his neck. It reeked of licorice and cloves, the breath of a child that got into his father’s cigarette case.

I turned to Dorian with a bemused expression. “What’s with him?”

Dorian smoothed out a nonexistent wrinkle on his pants with a shrug. “Oh, Mr. Crowley never misses a night when Dean performs.”

“Got a thing for Lits, huh?”

At that, Dorian gave me a pointed look. “If I recall, you did as well at one point.”

I cleared my throat and grabbed my drink, gulping down half of it at the implication, feeling a warmth at the memories that comment conjured. The crowd grew silent and the band could be heard from the pit, warming up their instruments. Then a familiar intro began, an infamously upbeat Cole Porter song that had been slowed down from a jazzy little jaunt to something sedated, steady, and sentimental. Just as a soft beat began, the curtains jostled and a leg popped out, bent at the knee in skin tight purple pants.

“We’re all alone… No chaperone… Can get our number… the world’s in slumber… ” A sultry, deep voice sang in a pleasant register, masterfully turning jazz to a ballad. The curtains parted and revealed one of the most breathtaking creatures I had ever seen in my life.

“Let’s misbehave…”

[kyleemm2]

Art Supplies I'd Give to JJK Characters [Protagonist Edition]

My credentials: I make art and I can do what I want.

Yuji Itadori: mechanical pencil- easy to use, easy to manage, forgiving, but he always forgets to bring extra lead and erasers. He'd draw cutesy things and anime characters.

Megumi Fushiguro: charcoal pencils- intense and moody, somewhat forgiving, but you reach the end result faster, less rendering required in comparison to pencil, and much more artistic and professional-looking end piece. He'd make abstract pieces that no one understands but he doesn't care that no one understands.

Choso Kamo: acrylic markers- not always easy to get the hang of, but once you do, you’ll create pieces that are rich in color and texture. I feel like he'd like the big chunky Krink markers. You'd KNOW he'd draw stylized portraits of his brothers!

Nobara Kugisaki: gouache paint- trendy, fun, easy to use, always reliable. Despite their popularity, they're still a viable medium! I feel like she'd paint a lot of Studio Ghibli screenshots.

Satoru Gojo: sumi ink- a classic medium that is always fun to use that yields a classy, minimalistic look. He'd definitely draw Digimon characters in classic Japanese style.

Suguru Geto: willow charcoal- soft and also minimalist, easy to use but can get a little messy when not handled properly. He'd make a lot of soft landscapes and simple still lifes.

Maki Zenin: ink pens- can’t go wrong with ink pens, they’re versatile and deliver beautiful results when used properly. She'd probably draw portraits.

Toge Inumaki: spray paint- unassuming at first, but when in use, they cannot be ignored! He'd do pop art and graffiti-styled works.

Panda: finger paints- do this really need an explanation? Fun, easy to use, and can pack a punch when taken seriously. He'd make self-insert drawings, no matter what the project would be.

Yuta Okkotsu: collage art- when done right, collages can evoke intense visual appeal while also reducing waste. Given that his CT is mimicry, using pieces already produced seems fitting. He'd make abstract stuff that tells a story or expresses his feelings.

Utahime Iori: oil paint- arguably the classiest fine art medium around, requires patience and technique but yields the richest and more alluring end results. Landscapes, portraits, anything beautiful.

Shoko Ieri: photography- why make something out of art supplies when you can capture the beauty of the world in real time? It’s always good to snap a memorable photo before it’s too late. She'd photograph her friends and herself and anything she finds interesting.

Kento Nanami: dry pastels- while they tend to require some skill to produce quality pieces, the technique is worth it. And if you’re a fellow pastel fiend, you know how pricey Sennelier is. Nanami uses the high-quality shit. He'd do still life art of things in his home for the sake of convenience, but he'd probably want to do seascapes if he ever made it to Malaysia :c

lmk if u agree or disagree. i have an antagonist edition coming as well

[highvern]

Ateez in Different NSFW Careers

Pairing: ot8

Genre: smut, 21+

Warnings: lots of sex, masturbating, porn, domination/submission, fetishes, lmk if i missed anything egregious

Note: this is an idea for a miniseries but idk and thought id put it out there to see if people are interested (dont bring up the ateez mixtape series, im working on it!) thank you @wingsofimagery @yessa-vie for listening to this brain rot

read more here

Hongjoong:

onlyfans creator, solos of him masturbating or nudes. weirdly artistic? like camera angles on point, edited to perfection, color graded. rarely, if ever, collabs with others. occasionally posts erotic photography of one unidentifiable woman. his subscribers aren't sure what to make of it but pictures of them together are some of his best work. daylights as a photographer and has some of his work in small galleries across the city.

Seunghwa:

amatuer porn star, makes homemade couple porn or something with a close female friend. domestic/bf vibes in every video. v soft with each other even when they're having rough sex. people assume they're actually dating bc of the insane chemistry even though they never show their faces. its his fun dirty little secret no one in the office knows.

Yunho:

boyfriend for hire. specializes in "turn your brain off for the night, i'll handle it." rent him to be your date to an event or just for a night on the town. doesn't always sleep with his client (his discretion) but usually cuddles and will spend the night. just trying to pay off his student loans since being an analyst pays shit. big yunho bc he has a big... u kno? and loves hearing the women he sleeps with rave about it. has had several repeat customers and older women that recommend him to their friends.

Yeosang:

audio erotica. just aside hobby for him. tbh 9/10 times forgets to record or that he even has the account. started bc a girl he was seeing freshman year of college told him she wanted a video with the sound on and he didn't know what that meant but she liked his voice enough to let the completely black screen slide. posts sporadically but always makes waves when he does. people have offered him money for custom audios and he always turns them down.

San:

fetish model. shibari, leather, latex. you name it, he's most likely modeled it. has portrait of himself (unrecongnizable, facing away just his back criss crossed with ropes, hands bound at the base of his spine) hanging in his apartment. his friends think its weird since they know he's the one in the picture but most of the girls he brings home just think he's into some freaky stuff. started bc he would nude model for the art classes at his college when he needed fast money for weed. people assume he likes really kinky sex bc of his job but he prefers vanilla sex most of the time bc his job is so kink heavy. works as a fitness instructor as his 9-5, and had a few people recognize him but most are cool and leave him alone

Mingi:

nsfw twitter creator. videos, pictures, sliding into dms. mingi does it all and enjoys the comments of people thirsting over him even if he's one dick among thousands. for his day job he works in a sex store and flirts with the exotic dancers who come in to buy their costumes (turned down every single time, there's even a pool for how quickly he'll strike out). the one girl that flirted back still lives in his brain rent free bc all she did was smile and he folded like origami. now when she comes in mingi has to remind himself not to drool.

Wooyoung:

cam boy brat, sugars on the side. likes being degraded by his audience when he's bad. lover of milfs, and has a sugar mommy he sees once a month. loves being wined and dined by her and then loved on at her fancy apartment uptown. started doing both in college to pay rent, now works at a dance studio and keeps it up bc the extra cash is nice. enamored with taking pictures during sex. has a collection of polaroids with his current FWB that he cherishes more than anything (always carries one in his phone case). toyed with the idea of having her come on his streams but he doesn't want to share. he should probably look into that more.

Jongho:

dungeon dom (IDK), the kind thats a look don't touch dom. if you need a session to work through your stress, go to him. sexy spanking, punishment spanking, therapy spanking. he's got the knowledge and know how. has a strange collection of vintage dvds and magazines. rare stuff that he treats like art rather than smut. jongho i never want to speak on your name im sorry

-

Taglist: @tomodachiii @cvpidyunho @miniseokminnies @ddaengpotate @arycutie @gaebestie @primoppang @gyuguys @mine-gyu @doremifasire @missminhoe @toplinehyunjin @crvs4vldtn @prettygyuuu

© highvern. copying/reuploading/translating my work anywhere is strictly prohibited.

[threeeyesstudio]

Spotlight on the Murdoch House

One of the things I wish I could do on this blog is to share with you the artwork that I am making right now. But because I work on a TV show, I can’t do that, I have to keep it secret until the show airs. Now I wholeheartedly agree with this, not just because it lets me keep my job but also because I know how shitty spoilers can be. But what I can tell you about is the work I did on previous seasons. Today I want to revisit the drawing of the Murdoch House.

This project gave me the opportunity to imagine things that don't exist and fill in the gaps using problem-solving and creativity, which i love to do. And in my art, I want to include and celebrate people just as they are, in this illustration, I got to do that in a bit of a sideways way. I was able to celebrate the work of Bob Sher the production designer for Murdoch Mysteries. He had designed a really beautiful interior set for the Murdoch House and with this drawing, I could help show that off. I wasn't drawing his portrait, I was drawing his work and I think his work is an extension of himself.

I really wanted to do this justice because I wanted Bob and anyone else who had worked on this set to feel proud of what they did because it was beautiful! I also really enjoy imagining spaces that don't exist, I got to fully imagine what this fictional house is like, filling in the gaps that were left after filming.

My task was to draw the exterior view, and a plan view (the top-down architectural drawing) and highlight a few of the architectural features.

The exterior view is based on a quick establishing shot of the front door of the Murdoch house. I got to do a little bit of Architectural design as I changed the proportions of the actual house filmed in the show to match the story we were telling. There seems to only be one shot that is reused over an over again for the exterior and the shot only gives a glimpse of the front door. It was filmed on location in the outskirts of Toronto and as far as I know, we will never return to that location again. There was also an old pixelated photo of the same house. So what I had to go on was this one piece of footage, a pixelated photo, the interior set layout and the verbal description of how Bob envisioned the exterior.

Sets are not built like a house, one room doesn't logically lead to the next and could be on the opposite end of the studio. The different rooms are pieced together in how the actors move through them and the editing process. So I needed to alter the plan view of the set to match how the audience perceives the Murdoch house and not how it is actually built. I based what I drew on the actual set, but made changes to the layout, moving rooms around to make sense like a real house.

Going on the deserted set of the Murdoch House and taking reference pictures was really enjoyable. Being on that quiet and darkened set felt so peaceful and I got to see all the lovely details that the designer and build team had put in. It's wild but it feels like a real home and that isn't always the case with sets. Finding the details that would accompany the exterior view and elevations was easy. The hard part was whittling them down to just a few that would fit on the page. Showing off the doors was a specific request and those were designed by both Ryan O'Connell the set designer and Bob the production designer.

This drawing was for one of the early episodes of season 17, it was supposed to be placed above the mantle in the Murdoch living room. But I don't think it ever made it to camera! I remember there being some issues in regard to continuity from episode to episode. (We film out of order) And in a later episode, there was something scripted that had to take its place above the mantle. But I got a great deal of satisfaction from making it. I got to imagine a place that doesn't exist, helped to tell a story and I got to celebrate the hard work of creative people. And I know that it made Bob happy because it now has a lovely home in the hallway just outside the art offices.

[yogurt200]

do you have any advice for those just starting out using renpy/ making games?

im still learning my way around renpy and making visual novels and what works best ..here are some personal findings:

..try to replace renpys default ui and mess with the options.rpy and screens.rpy right away , the more time put into it the easier it will become to make something unique to your senses. you can change basically everything. you dont have to make a widescreen vn either..4:3, square or portrait mode are possible as well

..look into layered images, the feature is really awesome if you want sprites that change outfits or want to be able to do unique expression combinations without having to save a png of every one

..its good to define characters, atl(animations), images, transitions etc each in their own .rpy file. you can make as many .rpy files as you need and you dont have to only use "script.rpy" to write your story. i divide my script into act files to make it easier..

n some not renpy stuff:

..this software helps you take breaks and avoid RSI and it is pretty invaluable for me. it will track based on the time you spend moving your mouse or keyboard. this also helps keep on task n if you get distracted you're more aware of it.

..if you are a writer, i cant recommend getting an alphasmart neo2 enough. especially if you cant handwrite. its an old device that lets you type textfiles without a bluelight screen. you can 'send' what you write directly to your computer through a printer cable and it types it out. it fits plenty and its useful for writing script outside the computer. refurbished ones on ebay are good.

..its easy to get really overambitious and perfectionist and then not make anything as a result..my advice if this comes up is to prioritize the existence of the thing rather than its ability to match the impossible image in your head. that ideal picture will always be shifting into more impossible territory as you improve anyway, so think about what you're actually capable of and make it actually happen!! important to remember ur not triple A studio.. being independent is an advantage cuz you can do anything!

thts all i can get from the top of my head tht i havent said here before(ithink?)..i think about the last one a lot honestly i think thats my best advice i have if you can call it that

hopefully this helps.. good luck with your vn/game!

[anickviolette]

“ The Sea, once it casts its spell, holds one in its net of wonder forever.” Jacques Cousteau