#first time using this many colors on a tapestry

[halfspunthreads-crafts]

Goopernicus is coming along nicely. The back side of this is a monstrosity, though. (I should weave in the ends when I'm done. I don't.) Also, can you tell I have a white cat? The jerk really liked the wool.

[beesoreal]

weeping angel 💭 chapter 1: sal's dream

sal fisher x reader

the fog was thick. looking down, the blue-haired boy could barely make out each of his fingers, much less whatever lay before him.  he took a cautious step forward, feeling for possible drop-offs or something that could trip him. feeling nothing, he took another step forward. and another. and another. he isn't aware of how long he's been walking, but it feels like it's been forever. the cold and damp air leaves him with a constant feeling of discomfort, the silence only adding to the unsettling vibe. 

the boy takes a few more steps, but a sudden noise breaks the silence and makes him freeze. the sound of someone crying. confused and put off, he begins to look around in search of its source. with the fog being so thick, it was difficult for him to make out the direction the sound was coming from, so he decided to pick a direction randomly. his choice seemed to be working out, as the sound of the crying grew closer with every step he took.

it didn't take long before he came to a clearing in the fog, the ground below him was visible. as well as the source of the sobbing, a young girl. she lay before him, curled up into a ball and shivering violently as the sobs wracked her body. 

"hey uhm... are you okay..?" he asked, crouching down. 

a pale hand reached towards the girl hesitantly as an attempt to console her. his hand was just inches away when suddenly her head snapped towards him. a blinding light radiated from where her face should have been, and the boy was only able to make out one thing, her eyes. 

.

sal's eyes snapped open, revealing the tapestry he had hanging above his bed. covered in an uncomfortable layer of sweat, he pushed the grey comforter to the side and sat up.

"the fuck.." he mumbled, running a hand through his long blue mop of hair. he shook his head, groaning to himself. the first dream he's had in years, and he can't even begin to figure out what it means. turning to look at the small analog clock beside his bed, he sighs. 10:23. way too early for this shit. suddenly a knock sounds at the door to his room.

"sal? you awake?" sal's father, henry, calls from the hallway outside. the young boy responds with a grumbled 'yeah' and moves to open the door. Henry was standing in front of him, a tired grin on his face. 

"morning sunshine, i was just about to head off to get groceries. need anything?" he suggested, and sal shook his head groggily.

henry nods and closes the door softly. sal hears his footsteps retreading from his room, and the sound of the apartment's front door opening and closing moments later. after a few welcomed moments of standing and staring at the wall, the blue haired boy decided to actually do something productive. he waltzes over to his dresser, gazing at the various trinkets and things top of it. theres a couple figures from various shows hes watched placed around the top, a sketch on the left side, and on the right a wooden display case ash (known by other residents and kids at school by ashley) gave him.

inside the glass case are various colored and patterned glass eyes, some resembling realistic eyes, some have bizarre coloring. his personal favorite was one with a black sclera and a green iris, but he most often wore was almost identical to his left eye. 'less to explain' was his reasoning.

sal reaches for the prosthetic eye with a blue iris, using the other free hand to stretch open his lids. after placing the object in the socket, he blinks a few times to set it into place. continuing on with getting ready, sal opens his top dresser drawer to pull out one of the many dark colored t-shirts. this one just happened to be one of his favorites  an iron maiden graphic tee. lazily slipping out of the shirt he was sleeping in, he throws it halfhazardly in the direction of his hamper. he throws on the iron maiden tee, and makes his way towards the second drawer.

pulling open the drawer open, he searches around the inside, looking for a specific pair of pants. after a few moments he finds what hes looking for and pulls out a pair of black denim baggy jeans. he slips out of his boxers, putting a new pair on from a basket of clean clothes, and steps into the cark colored pants. satisfied with the outfit, he moves to grab his phone, swiping his finger across the screen to check any possibly messages. theres a few, a text from his dad, some emails, but the one hes focused on is a text from his best friend, and step brother, larry.

lord lar

heyhey! sal come down to my place when yr awake lol

lord lar

got something cool to show you, i think youll like it ;)

sal scoffs at his best friend mysterious yet funny message. reading the message he types back a quick response.

sal

sure thing you nerd

turning his phone off and placing it in his back pocket, sal moves towards the door, opening it and heading into the livingroom. on the couch lay gizmo, his (very spoiled) old man cat. sal gives a few quick pats to the beloved animals butt before slipping on his shoes, and heading out of apartment 402.

[thorougly-melted-brains]

Ghost keeps a clean house. Soap knows this is true for his pack, his office, his room, and—to all assumptions—his apartment.

The circumstances of how Soap got there are too jumbled with the high of a mission and the drop of mandated time off. He didn’t want to take time off, neither did Ghost.

He can’t quite remember which one of them fumbled through the offer to stick together- only to maintain their schedules, of course. They still had additional reports and inventory to do, it was only tactical.

So now here he stands, in Ghost’s wholly spartan apartment. It’s been stripped of all charm and frivolity not painted on the walls or molded into the quaintly patterned glass by the front door. It’s not intentionally devoid of comfort- Ghost may be many things, but even he didn’t go out of his way to live without small comforts. There’s an old but soft couch, rugs and mats placed around the doors, and even lamps to offset the harsh over-heads.

The most curious thing, the one that really catches Soaps eyes, is the only visible adornment, quilts.

Great, sprawling tiled blankets (tapestries?) are hung from most of the walls. There’s one draped over the back of the sofa, tucked into the seat of the solitary plush chair. There’s smaller, flat pillows on the few chairs in the kitchen. There’s even placemats on the table. All colored with swirls of vibrant linen in dazzling patterns.

Ghost catches him staring as he leads them through his space (They decided on his apartment, given Soap’s was a bachelor pad, while Ghost had a guest room).

“My mum used to quilt.” Ghost says cryptically, and snags the pack off Soap’s shoulder while he’s still too busy gawking to protest.

Later, after they’ve showered off their travel and eaten something not wrapped in plastic and some amount of mud, Soap tries to breach the topic. Ghost replies as vaguely as ever,

“She tried to make me a baby blanket, never finished it.” Which takes Soap for a spin because based on what Ghost had previously (not) said, he’d assumed his mom had made them. He leaves it be.

Much later, after they’ve settled back into some semblance of their normal routine, Soap finally figures it out. It’s late at night, later than he should be awake after running himself ragged in the gym.

He’s stuck in a state of un-anxiety, which is in itself anxiety inducing, when he hears something next door. It’s rhythmic, mechanical, sharp, but in a way that’s distinctly well milled.

It’s coming from Ghost’s room, and if it were earlier in the night he might’ve just let it be, but he’s curious and without anything better to do.

He drags himself out of bed, slips on a shirt, and makes his way to Ghost’s room. It had been excluded from the gruff house tour he’d been giving on arrival, and right as he creaks the door open he understands why.

There are shelves covering the whole wall opposite to the door, obviously custom built, filled with bat upon bat of colorful fabric. The same colorful fabric, Soap realizes, that makes up the sole decoration in Ghost’s apartment. Sat at a desk, hunched slightly over a near-antique sewing machine, is Ghost.

Soap stares.

Ghost stares back at him, deceptively warm in the light of the machine. Soap can only imagine what he looks like, half awake and face cavernous in the dark of the hallway. There’s a momentary stand-off, Soap inanimate, Ghost giving him a look of challenge.

Soap breaks it first, glancing away and to Ghost’s project. It’s half-way finished, colored with calming blues and grays. Ghost seems satisfied and turns back to his work, ignoring him entirely.

Soap, sleep addled and out of his depth, takes the dismissal for all it could be. He shuts the door behind him, for both their sanities, and sits down on Ghost’s bed. It’s covered in a thick quilt, made of reds and golds and the occasional maroon hexagon. It’s unlike anything he’s thought of Ghost as, but he’s beginning to think this is the most raw he’ll ever see him.

The hum of the machine, combined with his tiredness, or maybe with the air of safety that curled around him with Ghost in his sights, starts to lull Soap to sleep.

He blinks himself an awake every time, waiting for the cozy haze to lift and Ghost to kick him out. But it never does, and the time between his eyes closing and opening slowly becomes longer and longer.

He must’ve properly fallen asleep when he’s jolted awake by the sound of plastic on plastic. Ghost had switched off his machine and was clamping closed a large, sorted box of pins. He glances back at Soap,

“Go to sleep, Mactavish.”

And Soap is nothing if not trusting of Ghost, so he does as he’s told. He’s woken again, briefly, by Ghost pulling the quilt out from underneath where he’d laid on top of it. There’s a rush of cold air, a dip in the bed beside him, and then the warm blanket being draped over him.

He makes a slight noise of alarm as he realizes it’s Ghost crawling into bed with him. Ghost huffs and grabs him by the arm, stopping him from sitting up and pulling his head to rest on a pillow in one motion. He lets go, then, and turns away from Soap.

“You can go if you want.” He rasps. Soap belatedly realizes he hadn’t talked to the other man much the previous day. He hums in clumsy thanks before finally falling asleep.

Later, Soap asks (he doesn’t beg, he’s a grown adult) Ghost to make him a quilt. He doesn’t expect him to say yes, or to have him pick the patterns, or to let him intrude on his room again almost nightly, but Ghost does.

They both know it’s not about the quilt.

[winxanity-ii]

⌜Godly Things | Chapter 03 Chapter 03 | peace⌟

╰ ⌞🇨‌🇭‌🇦‌🇵‌🇹‌🇪‌🇷‌ 🇮‌🇳‌🇩‌🇪‌🇽‌⌝

❘ prev. chapter ❘༻✦༺❘ next chapter ❘

The halls of the palace were empty this early in the morning, silent except for the faint echoes of your footsteps.

The stone floors were cool beneath your sandals as you moved gracefully, carrying a tray carefully balanced with food and drink for the queen.

The scents of breakfast wafted upwards—a fresh loaf of bread, drizzled with honey and sprinkled with sesame seeds, alongside a bowl of ripe figs and a small serving of olives. A jug of goat's milk rested next to the plate, the cool liquid sloshing slightly as you walked.

You had walked these halls so many times that you barely needed to think about where you were going, your feet knowing the way on their own, your movements steady and confident.

Yet, you couldn't help but reflect on how different this all felt from when you first arrived

Back then, you had been a frightened, scrawny child, uncertain if you would even find a place here.

Now, after years of training and being in Penelope's service, you had grown into someone with purpose, someone the queen trusted and relied upon

You passed by tapestries depicting scenes of Ithaca's heroes, the vibrant colors muted in the early morning light.

You often found yourself drawn to these tapestries, seeing in them reflections of the great stories Penelope would tell you.

They reminded you of the legacy you were now a part of, a history that you had once thought too grand for someone like you

As you reached a large set of double doors, you paused for a moment before gently knocking. The sound echoed softly down the empty hallway, and you waited until you heard the gentle voice from within:

"Come in."

You pushed the heavy door open, entering the room with a bowed head.

Penelope sat at the windowsill, dressed in her mourning clothes—a deep, rich purple robe, embroidered delicately along the edges. Her dark hair was partially covered by a veil, the fabric thin enough to let light pass through, giving her a ghostly, almost ethereal appearance.

She looked out across the sea, her gaze distant, the waves shimmering under the morning sun. When she heard you enter, she turned, her lips curling into a soft, tired smile.

Even as she smiled, the weight of her sorrow remained, etched into her features—a weariness that never seemed to leave her.

"Ah, ____," she said, her voice gentle, yet carrying the weight of her lingering sorrow.

You curtsied, lowering your head respectfully. "Good morning, Queen Penelope. I've come to help you break your fast."

She nodded, her smile not fading, though the sadness lingered in her eyes, a weight that never seemed to truly lift. You walked forward, approaching her carefully, the tray balanced delicately in your hands.

As you set the tray down on the small table beside her, you couldn't help but take in her tired features—the lines that worry and waiting had carved into her face, the weariness that seemed to cling to her even now.

Your time in Ithaca had been a story of struggle and small victories.

After arriving by boat those years ago, you had found yourself amidst many others—orphans and the poor—standing outside the towering halls of Ithaca, each of you hoping for work.

You remembered how you were overlooked at first, Ithaca's head servant dismissing you and a few others with barely a glance; he had been the one in charge of hiring new servants, particularly while Odysseus was gone and Penelope was wrapped so deeply in mourning that she rarely involved herself in the day-to-day matters.

His face was stern, his patience thin, as he waved you off, deeming you too young and weak to be of any use.

You had felt a deep pang of disappointment, a sense that perhaps you truly were not enough. It was a familiar feeling, one that had often accompanied you since you lost your family.

But fate had other plans.

Just as you were about to turn away, Penelope herself had appeared, her figure somber and regal as she passed by. Her eyes caught yours, and something in your pitiful state must have struck her heart.

She paused, her dark eyes lingering on you before she stepped closer, her hand reaching out to gently caress your face. Her touch was soft, her expression filled with a mix of melancholy and tenderness.

In that moment, it felt as though a small ember of hope had sparked within you—a feeling that perhaps you were worth more than the hardships you had faced.

"You look as sweet as a dove," she had murmured, her voice laced with a deep sadness. "Such bright eyes for someone so young."

It was in that moment that she made her decision. She called you forward, and despite the objections of the head servant, she decided to take you under her care.

You were to be trained under other servants until you were old enough, learning the ways of the palace, how to serve properly, how to carry yourself with grace and dignity.

Over time, you became one of her personal maidens, trusted with tasks that others were not, your bond with her deepening as the years passed.

You came to understand her sorrow and her strength, admiring the quiet resilience she carried each day.

Penelope had given you a chance when no one else would, and you felt a deep loyalty towards her—a loyalty born from both gratitude and genuine admiration for the woman she was

Now, as you stood beside her, offering her breakfast, you could see the years that had passed reflected in both of you—her, still mourning but holding on, and you, no longer that lost child from the docks but someone with a purpose, with a role in the grand halls of Ithaca.

There was a sense of pride in how far you had come, a feeling that perhaps you were slowly repaying the faith Penelope had placed in you all those years ago.

The weight of that trust and your determination to be worthy of it were always present, driving you to do your best every day.

Penelope glanced at the tray before her, her tired smile softening further. "Thank you, ____," she said, her voice quiet. "You have always been a light in these halls."

You bowed your head again, a warmth spreading through your chest at her words. "It is an honor, my queen," you replied, your voice steady, though you could not help the small smile that tugged at your lips.

As Penelope began to nibble on the bread and sip the goat's milk, she looked at you thoughtfully. "____," she said, her tone gentle but weary, "what news do we have of the suitors?"

Your face faltered for a brief moment, the exhaustion of dealing with the suitors creeping into your expression, but you quickly smoothed it out, replacing it with a cheerful smile. "Prince Telemachus is handling them well, my queen," you said brightly, though in your heart, you felt the cracks beginning to show. The suitors were restless, and each passing day seemed to test the young prince's patience more and more; you could sense that the tension was growing, and it was only a matter of time before something would need to give. "He's been taking them on hunts and finding ways to keep them occupied. He does his best to ensure they remain... entertained."

Penelope sighed, her eyes lowering to her lap. Her fingers traced the edge of the table idly, the tiredness once again visible in her features. "How long can I keep them at bay?" she whispered, almost to herself. "It's been twenty years now... how much longer must I hold them off?"

The sorrow in her voice was palpable, and for a moment, the silence in the room seemed to deepen, broken only by the distant sounds of the waves outside.

Knowing your place, you tried to offer her comfort, your voice gentle but resolute. "My queen, remember what your husband promised you?" you began softly, stepping closer. "You told me once, in confidence, that he swore he'd sooner fall into the River Styx than betray his vow to you. King Odysseus will find his way back to you, no matter the trials he faces."

Penelope looked up at you, her eyes glistening with unshed tears. She gave you a watery smile, her shoulders lifting slightly as she sighed once more, her posture relaxing just a bit. "Thank you, ____," she whispered. "Sometimes... I need reminding."

As she finished her meal, Penelope glanced at you again, her expression softer. ____, would you perhaps sing for us tonight at dinner? The halls could use some joy, and your voice has always been a comfort to us all."

You smiled warmly, bowing your head. "Anything for you, my queen," you replied, your voice filled with warmth and sincerity.

☆

☆

The palace kitchens were bustling with commotion. The air was filled with the smells of herbs, freshly baked bread, and simmering stews as people moved back and forth, their arms full with ingredients, plates, and cooking tools.

Voices overlapped, cooks shouting out commands, and scullery maids scrambling to keep up with the rapid pace. The clinking of pots and pans rang out like a steady rhythm, the heartbeat of the palace.

You moved gracefully through the chaos, the tray held carefully in your hands until you found an empty space on the counter to place it down. You glanced up just in time to hear a voice raised in frustration.

"Gods above! Another request for roast peacock and olives, as if we're swimming in olive oil and gold!" The man in question was the head cook, a greying, scowling figure by the name of Argon, his face twisted in annoyance as he ranted to a younger kitchen boy. His voice was deep, roughened from years of shouting over the din of the kitchen. His hands were covered in flour, his apron stained with the work of the day.

The moment his eyes landed on you, however, his fierce expression softened considerably, and the scowl fell from his lips. "Ah, ____," he called, cutting himself off mid-rant, his eyes crinkling kindly. "How are you, girl? Did the queen enjoy her breakfast?"

You gave him a polite bow, smiling as you replied, "She did, Master Argon, thank you. Though she did ask if it would be possible to have a lighter broth for her dinner later on. She's not feeling up to anything too rich today."

Argon's face softened further, a gentle smile replacing the frustration. "Of course, of course. Anything for the queen," he murmured. But his face soon fell back into a scowl, and he shook his head, muttering under his breath. "If only those no-good suitors were anything like the queen. They want to eat like kings every single night! Extravagance, waste... they're draining the storage dry with their demands." He let out a gruff sigh, slamming a rolling pin onto a pile of dough with a bit more force than necessary.

You hummed in understanding, your brow furrowing slightly. "Perhaps I can speak with Prince Telemachus," you offered, your voice gentle. "Maybe he can convince them to bring in more from their hunts. They should replace what they take if they want to keep demanding so much."

Argon looked at you, his eyes warming as he paused his work. "You're too kind, ____. Always thinking of everyone else. A real beauty, inside and out." He reached out and patted your arm gently before turning back to his dough, the scowl still lingering but tempered by your promise. "Go on now, and watch out for yourself. Those halls are filled with troublemakers."

You nodded, offering him one last smile before turning to leave the busy kitchen.

As you walked down the quieter hall, the hustle and bustle fading behind you, you were suddenly yanked around a corner, your heart leaping in surprise.

You found yourself face-to-face with a familiar grin.

"Cleo!" you gasped, a laugh escaping you as you steadied yourself. Cleo was a striking girl—pale skin, long blonde hair that fell in waves around her shoulders, and bright green eyes that always seemed to be filled with mischief. She was beautiful, with delicate features and a playful smile that could charm just about anyone.

Cleo giggled, her eyes sparkling. "Sorry, sorry! I just had to catch you before you disappeared again," she said, her voice light and teasing. "Are you free later? A few of us girls are planning to head over to where the young suitors will be gathering after dinner. We thought we'd do a little... mingling." She waggled her eyebrows at you suggestively, her grin widening.

You furrowed your brows, shaking your head. "I can't. Queen Penelope has asked me to sing tonight at dinner."

Cleo groaned dramatically, then giggled once more. "No worries, we'll just have to use your beautiful voice to get serenaded by those dashing suitors," she teased, nudging you lightly.

You scoffed, a smile tugging at your lips, though you couldn't help but feel a pang of concern. "You know better than to be fooling around with those suitors, Cleo," you said, your tone more serious. "They aren't interested in anything more than fleeting entertainment. You could get hurt."

Cleo just rolled her eyes, her expression shifting to one of nonchalance. "Oh, ____, you worry too much. They're rich, and we're just servants. I'm just having fun while it lasts. It's harmless." She waved her hand dismissively, her green eyes twinkling with defiance. "Not all of us have a handsome prince practically hanging on our arm."

You blinked, feeling your cheeks grow warm at her words. "Cleo, it's not like that," you stammered, waving her off, but she just laughed, giving you a knowing look before skipping away down the hall, her laughter echoing behind her.

You watched her go, your face still flushed, before you shook your head, letting out a sigh. You had to get back to your duties, and today that meant ensuring you completed Penelope's request.

As a personal handmaiden, your duties varied greatly, often requiring you to attend to the queen's comfort, whether it was keeping her space tidy, arranging her garments, or fetching whatever she needed; but today, all the queen asked of you was to bring music back to the halls.

You headed towards a small shed built on the edge of the palace grounds, a place dedicated solely for your instruments.

Not too long after you had settled into the palace, Penelope had discovered your talent for singing. She had been utterly moved, telling you that your voice was the first thing that had stirred her heart since her husband left for war.

Wanting to nurture your gift, she had this little structure built to hold the growing pile of instruments she would acquire for you.

Whenever Penelope came across a unique or exotic instrument—whether it be at a market, a gift from a visiting dignitary, or a trinket discovered in the palace storerooms—she would have it sent to you.

You always seemed to master whatever instrument she placed in your hands, your fingers learning the strings, keys, or beats with an ease that brought joy to her otherwise weary heart.

The inside of the shed was filled with an assortment of Greek instruments—lyres of varying sizes, an aulos, a kithara, and a pandura.

But there were also instruments that were much more exotic: a Chinese guzheng with its shimmering strings, a small djembe drum with intricate carvings, brought by a trader from distant African lands, and even an erhu with its hauntingly beautiful tone.

Penelope loved seeing you interact with these exotic gifts, marveling at how easily you brought each one to life with music.

You stepped into the shed, the familiar smell of polished wood and aged parchment wrapping around you like a comforting embrace.

You selected your favorite lyre, the one Penelope had given you first, and turned back towards the private courtyard—a space often used for rehearsing or practicing away from the prying eyes of the palace.

The courtyard was quiet, filled with blooming flowers and shaded by tall olive trees, providing you with the tranquility you needed.

You began practicing the song the queen had requested, your voice rising softly amidst the rustling leaves and the gentle breeze."I weep for you, my lost love, across the endless sea, and still my heart will find you, where the wild winds are free..."

The song was one of love and loss, a haunting melody of tragedy and reunion. It was a ballad you created for her; a tale of lovers separated by fate, only to find each other again through trials and tears.

As you sang, you did not notice how the sun seemed to shine down on you a little brighter, as if the heavens themselves were listening.

The small flowers around you swayed gently, their blossoms leaning towards you as though you were their light.

The air seemed to hum in harmony, a warmth spreading through the courtyard, and the leaves of the olive trees rustled softly, almost in applause.

There was a beauty in the moment that felt almost divine, as if the earth and sky were united by the sound of your voice, each note resonating with the hope and pain carried in the song.

And as the last note rung out and you struck the final chord on the lyre, you felt a warmth roll over you, like the embrace of sunlight on a cold day.

A low voice sighed from nearby, whispering, "Gods, I don't think I could ever tire of hearing you sing..."

Startled, you opened your eyes, your gaze shifting towards the voice.

Leaning casually against the trunk of a tall cypress tree stood a young man, his presence subtly commanding the tranquil courtyard. His hair, dark and curly, fell in messy waves around his face, some strands clinging stubbornly to his forehead and cheekbones.

He was dressed in the fine garments of royalty—a rich, deep blue himation draped over a white tunic, the fabric of which was adorned with golden embroidery along its edges.

His skin held a warm, sun-kissed hue, with faint traces of stubble gracing his jawline and upper lip, giving him a rugged, almost wild look. His build was lean but solid, showing a life that spoke of training and discipline.

Though youthful, there was a quiet intensity in his sharp features, a hint of something deeper beneath his calm, collected exterior. He seemed almost a part of the earth itself, grounded, unwavering, and watching.

You breathed out softly, "Prince Telemachus."

The young man's smile widened at the sound of your voice, his eyes lighting up with a mix of admiration and warmth as he began making his way over to you, his footsteps quiet against the stone pathway.

Telemachus reached you and, without a hint of hesitation, plopped himself down on the grass beside you.

Internally, you wanted to fret about him getting his fine clothes dirty, but you knew better by now—Telemachus had always been one to ignore such trivial concerns, brushing them off with that same carefree grin.

He looked at you, his eyes twinkling with a boyish delight. "I swear, I could listen to you sing that a hundred times over. Especially the part where you..." He cleared his throat, attempting to mimic a line, though his voice wobbled in a way that was both charming and utterly off-key. "...Wᵉeᵖ fᵒr ʸoᵘ, mʸ lᵒsᵗ lᵒvᵉ..."

You couldn't help but laugh, the sound spilling out as you shook your head, nudging his leg gently. "Not quite, my prince. Perhaps leave the singing to those of us who aren't heirs to Ithaca," you teased, setting the lyre aside. He chuckled, raising his hands in mock surrender.

Before he leaned back, though, he hesitated. "Wait a second..." he murmured, and his fingers reached out, brushing away a stray lock of hair that had fallen over your cheek.

Your breath caught as he leaned in closer, his hand lingering for a heartbeat longer than necessary.

His eyes met yours, the warmth in them somehow soft yet piercing. His lips curled into a smile, his gaze holding yours as he hummed in approval. "...There."

The space between you seemed to vanish, and your pulse quickened, your heart racing over this simple, fleeting touch.

You swallowed, feeling the heat rise in your cheeks as you looked back at him, your thoughts whirling. Surely he could hear the drumming of your heart?

But then he pulled away, completely relaxed, as though he hadn't just sent you into a whirlwind of overthinking.

Telemachus stretched back, lying flat on the grass with a contented sigh, his arms tucked behind his head as a makeshift pillow. His eyes drifted closed, his face bathed in the golden light of the sun.

His expression was carefree, as though he hadn't a worry in the world, and you watched the way the sunlight traced the lines of his jaw, highlighting the boyish softness that lingered in his face.

His curls shone like burnished bronze, his skin glowing with the warmth of someone untouched by the weight he carried.

You couldn't help but think how effortlessly at ease he seemed, oblivious to the way he'd set your heart into overdrive.

Suddenly, he popped open an eye, startling you out of your thoughts. You quickly looked down, fiddling with the strings of your lyre, pretending to adjust them.

Telemachus sat up, his gaze fixed on you, a faint smile playing on his lips. "Mother told me you'll be singing tonight," he said, his voice soft.

You nodded, your eyes still cast downward. "Yes, my prince, that is correct."

Telemachus hummed, absently toying with a blade of grass between his fingers. "Will you be playing her favorite song?" he asked, his tone curious.

You looked up, meeting his gaze. "Of course, my prince," you replied. His mother's favorite song was one you knew by heart, each note infused with the hope she carried through the years of waiting.

Telemachus' eyes softened, his smile turning sad. He looked up at you, his gaze earnest. "I'm glad," he said, his voice barely above a whisper. "I fear it's the only thing that's been keeping her 'here'."

You both knew what he meant. The weight of the years was heavy on her, and there were moments it seemed her spirit had almost drifted away.

There was a silence between you, the kind that held shared understanding, until suddenly, Telemachus' lips curled into a smirk. His features glowed with a mischievous charm, his gaze twinkling as he leaned closer.

You couldn't help but notice the light scatter of freckles across the bridge of his nose, almost hidden beneath the shade of his dark curls.

"Tell me, ____," he said, his voice teasing as he looked up at you from under his long lashes, "will you ever write a song for me?"

Your lips pressed into a thin line as your heart raced, warmth rushing to your cheeks.

Little did the prince know, you had written hundreds of songs about him—about the love you harbored for him but were too afraid to speak of. You turned away slightly, trying to calm yourself before stuttering out, "O-of course, my prince. All you need to do is ask."

Telemachus chuckled, the sound soft and almost affectionate. "It's okay," he said, shaking his head, still toying with the blade of grass. "I'd rather you write one for me without asking, for me to be your muse. Otherwise, it wouldn't be any better than me paying for a song, would it?"

Before either of you could say anything more, loud voices cut through the tranquility of the courtyard.

You looked up, startled, to see a group of suitors ambling down the courtyard, their voices echoing off the palace walls. They were dressed in hunting gear—thick tunics, leather belts, and their bows slung across their backs.

The men spoke loudly, laughing amongst themselves, seemingly oblivious to their surroundings.

Telemachus let out a groan, throwing his head back, cursing softly under his breath as he stood up, brushing the grass off his garments.

The group of suitors moved closer, one of them impatiently calling out, "Telemachus! We're waiting for you; hurry up! We want to hunt a bit before we head back for dinner."

Another laughed, elbowing his friend as he added, "Maybe we can charm some 'desserts' out of a servant or two while we're at it." The rest of them laughed in agreement.

Telemachus cast a glance down at you, his eyes softening for a moment as if checking to see if you were alright. But after noticing that you seemed unbothered by their crassness, he frowned, turning back to the suitors. "It's uncouth for you all to lust after another household's servants," he said, his voice stern.

One of the suitors laughed him off, shaking his head. "A servant is a servant, no matter the location, Telemachus," he replied dismissively.

It was then that one of the suitors, a tall, broad-shouldered man with a scruffy beard, took notice of you sitting on the ground behind Telemachus. His eyes narrowed, and a sleazy smile spread across his face. "Well, hello there," he said, his voice dripping with arrogance as he began to move toward you.

Before he could take another step, Telemachus moved swiftly, positioning himself between the suitor and you.

The easygoing smile that had once graced his lips was replaced by a cold, serious expression. His eyes darkened as he stared down the suitor, who paused before letting out a derisive laugh. "Ah, I see. This one's taken by the prince, is she?" he sneered.

Telemachus didn't rise to the bait, his voice steady and uninterested. "We're wasting daylight. If you want to hunt, let's get going," he said, sidestepping the taunts.

With a few more muttered comments, the group of suitors eventually turned away, moving on with their plans.

As they walked off, Telemachus stood still, waiting until they were at a good distance before turning back to you. He offered his hand to help you up, and with one graceful motion, he pulled you to your feet with ease, his strength evident as he lifted you almost effortlessly.

You steadied yourself, murmuring a soft thank you. But just as Telemachus was about to walk away, you found yourself reaching out, your fingers wrapping around his wrist. "Prince Telemachus," you called softly.

He turned, his face softening as he looked down at you, his full attention on you now.

You had to tilt your head back slightly to meet his gaze, your fingers slipping from his wrist only for his hand to turn, grasping yours gently in return. The warmth of his palm against yours steadied you.

You swallowed nervously, pushing through your frazzled thoughts. "Would it be possible... to get the suitors to cut back on their extravagance? Or perhaps encourage them to bring in more from their hunts? The kitchen storage is running low. The demands are getting quite... difficult to manage," you said, your voice almost a whisper.

Telemachus met your gaze, the intensity in his eyes fading into something gentler as he offered you a small smile, his thumb brushing gently against the back of your hand. "Of course, ____," he said, his voice filled with genuine warmth. "I'll take care of it." 

[lovesickeros]

☆ from gold, i am undone

{☆} characters tsaritsa {☆} notes cult au, yandere, drabble, gender neutral reader {☆} warnings blood, implied self harm, implied suicide attempts {☆} word count 0.9k

You weren't meant to be here.

You can feel it in the marrow of your bones– it weighs you down like heavy shackles, gold bleeding from your pores until it is all you know. The taste of ichor on your tongue, the warmth of its invasion beneath your skin, that gleam of gold that lingers in the color of your eyes like specks of dust.

You are changed, and you are whole.

But you are so unbearably broken.

A shattered piece of porcelain hastily put back together with gold to fill the cracks.

Decoration, in the end, for you are not fit to walk as "mortals" do. This gold had filled every empty crevice of your body, spilled the red into your frantic hands and made you bleed so it's callous gold could make room inside your body. It has taken from you many things, given many more, but you scratch and bite and tear until it drips onto the floor and even then it never leaves. It stains the floor no matter how hard you scrub– a permanent reminder of the sickening gold that molds you into something that used to look like you– that does look like you. Desecrated, yet so horribly divine.

All you see is a monster.

Something new, something old.

A hollowed out shell, wounds left to rot and fester until you suited the image of the Creator they bore upon statues and murals, the Creator worshiped in prayers spoken in hushed whispers and joyous chants praising your magnificence.

But what magnificence is there in detachment? What joy is there to be found in carving a God out of a human? They kneel like lambs before the shepherd, but the flock has made you– and you want to unmake them. Unweave the tapestry of their being stitch by stitch until it all falls apart and the world knows the cost of casting molten gold into the shape of a human, knows the price that has been left unpaid.

You want to take it from them. Watch them squabble and pray, blind sheep stepping into the wolf's open maw– to tear the seams of their being until the world is unwound by your heavy hands.

But you know it will not satisfy you.

Nothing does anymore.

You are no wolf. Only the shepherd who guides.

And with every drop of blood spilled, they ripped the humanity from your very bones until your body was the cast in which they made something anew– something gold, something horrific. A monster as much a God, a beast as much a man.

There is nothing left but absolute authority.

You try again and again to mend this act of desecration, to peel back the outer shell and rend the gold from your marrow– but your body cannot, will not, die. It mends itself back into place no matter how damaged, and all you feel is the uncomfortable tug of your body forcing itself to live. You cannot die, but were you ever truly alive at all?

Yet with every cycle, you know only one constant besides the thrum of golden ichor in your veins– cold.

Ice that burns, ice that spreads and festers and devours. Claws that pull you apart until the gold runs thick, teeth that burrow into your bones and rip it out from the source..eyes that witness the fall of a God with reverence– hungering, all consuming reverence.

You welcome it.

It is the first time you felt pain since you were cast into an image of a being you were not meant to be. The sting of cold upon your skin makes you shiver, your body tries to reject it, but you want to welcome it– for a brief moment that lasts only as long as it takes for you to blink, you see the glint of something familiar in the reflection of her empty eyes. Something achingly, horribly familiar– something human, all the more terrifying for it.

Even when Teyvat itself crumples like paper beneath the weight of her sins – of this desecration anew, this wretched heresy – you allow her hands to do it again. You grasp her hands in yours like chains, willing her to shackle you, willing her to pull you apart and make you whole again. To break you until the gold cannot put you back together again.

You long, each time, for those eyes like spears that lodge into your skin– burrow deep and sting deeper, making gold flow like water. You long for the biting tongue, the cutting words and those teeth like weapons– long to see the spite and anger and impure disgust aimed at the woman of silver who leads you down a hall that ends only in damnation. You follow each time like the lamb led astray by the wolf, but you do not wail in betrayal when she sinks her teeth into your throat and devours you whole.

For is it a sin if you welcome it? Has their God sinned, in the eyes of the flock, for welcoming such heresy with open arms? For allowing the wolf into their home?

Is it a sin to be broken beneath the only hands that have loved you?

Is it a sin to want to love, too, those hands and teeth stained in gold?

Then you shall be damned, you swear it. Damned, but gold no more.

For death is the closest you have ever felt to being human.

[amhrosina]

The Artist and the Sea (Namor x f!Reader)

MASTERLIST // JOIN MY TAGLIST

Requests are open - slowing working my way through them!

Part 2

A/N: Hello Nonnie! Thank you for requesting! It inspired me, and I couldn’t not write it as soon as I saw it. Also, let's pretend we can't see the spears being pointed at Namor in this gif lol. (Again, if any of the Yucatec Maya to English translations are off, please let me know!)

Request: tbh it's my first time requesting something regarding the marvel fandom but can i request a namor x fem reader where they meet at the beach when the reader is painting the landscape of the ocean? if you don't understand or don't want to write this, it's okay <333

Summary: You meet a stranger on the beach who takes an interest in your paintings, which somehow puts you in the position of painting the King of Talokan’s portrait. 

(Warnings: not a lot?, the kisses gets a little steamy, Namor is a little touch starved, WING TOUCHING!!!!!, no smut (nonnie didn’t specify and I didn’t want to deliver hardcore smut to someone who didn’t want it lol), reader doesn’t speak Namor’s language but loves the nicknames anyways, I think that’s it???) 

Translations:  

ki'ichpam artista – beautiful artist 

pétalo – petal 

ch'ujuk ch'úupalo' – sweet girl 

princesa – princess

The light reflecting off the ocean was a blinding blue, and you had been trying to blend your paint together to mimic the color for 15 minutes already. You grunted with displeasure as your paintbrush stained three shades too dark. Today was a day for painting. The wind wasn’t blowing too hard, the weather was the perfect mix of cool, but not too cold, and the tides were relatively consistent. When you’d walked out onto your back porch earlier this morning and laid your eyes on the little slice of the beach you owned, it almost felt like an invitation.  

Now, you were regretting your decision to lug all of your paint supplies out of your tiny studio and down the beach. You rolled your eyes, tossing the palette down onto the old blanket you used to keep any stray paint from spilling onto the beach. You dipped a clean brush into the tan color you had mixed earlier and began working on creating the right texture for the sand.  

The beach was mostly empty today, but even during tourist season, there wasn’t much foot traffic this far down the beach. Your grandmother’s house was a small, but cozy cabin-like home, nestled in a small cove that only locals knew about. You had spent many summers here, tucked away in your little slice of heaven, painting anything and everything you saw. When your grandmother had passed away, the deed of the house was transferred to you, and suddenly you were a homeowner.  

You had transformed the inside after moving in, turning the office into an art studio, and transforming the bedroom into a library. Your bedroom, if you could call it that, was actually the living room with tapestries hung up as makeshift walls. You didn’t mind, and neither did anyone else. Or they wouldn’t, you thought, if anyone happened to come by.  

You sat back on your stool, looking between the sand around you and your canvas. The texture was coming along nicely, and you grinned at your work. Landscapes had never been your forte – most of your commissions were oil portraits – but you had been working on expanding your skills over the last few months.  

“You are an artist?”  

An unfamiliar voice startled you from your concentration, and you furrowed your brow at the intrusion. You weren’t one to hog the beach, but you’re clearly a busy woman that didn’t want to be bothered. You leaned around the canvas, intent on staying silent and ignoring the man, but did a double take when you made eye contact with the man.  

He was undoubtably beautiful, and definitely not a local. His body was adorned with beautifully carved artifacts draping across his chest and shoulders, and the only actual article of clothing he wore was a pair of green shorts. You glanced down at the light flutter at his ankles, which had small wings sprouting from the sides of them. You brought your eyes back up, not wanting him to catch you staring, but the stranger hadn’t taken his eyes off you since you’d acknowledged him.  

“I’m a...what?” You asked, blinking. You’d been so distracted by his sudden appearance that you’d forgotten the question he’d asked.  

“You are an,” he nodded to the canvas in front of you, “artist. Yes?”  

“Yes.” You nodded, standing from your stool. “But I am not very good at landscapes.”  

He walked around you, facing the canvas and looking over it with a prompt shake of his head.  

“This is beautiful. You are very good.”  

“Oh.” You mumbled, ringing your hands together. “Thanks.”  

You could feel your cheeks heating at his compliment, and you didn’t want to know why his compliments were getting such a rise out of you. This man was a complete stranger, and his opinions on your art should not have gotten that reaction out of you.  

“You are not reacting to me the way I thought you would.”  

You stared at your half-finished canvas harder, refusing to look in his eyes again, as you mulled over his statement. Yes, this was definitely the strangest encounter you’d ever experienced, but you lived in a universe where Avengers seemed to be popping up in every city, so the idea of a man from the sea appearing on your beach wasn’t as farfetched as it sounded. He was clearly a powerful being, but you weren’t afraid of him, or his power for that matter.  

“How did you think I would react?” You finally asked, peeking at him in your peripheral.  

“I am not sure. This is my first time approaching a surface dweller like this.”  

“Surface dweller?” You scoffed, finally meeting his gaze.  

He had a small smile on his face. “You dwell...amongst the surface. Do you not?”  

“I’m assuming you dwell amongst something else?” Your eyes flicked towards the sea and then back at him. 

“You assume correctly.” He dipped his head in a nod, adjusting his stance to face you. “I am Namor.”  

You tested the name on your tongue, repeating it under your breath. Your gaze ran across his broad chest, trying to gauge the colors of paint you would mix to paint the golden-brown hues of his skin. 

“Can I paint you, Namor?”  

The words were out of your mouth before you could stop yourself. He was just so pretty, and the artist in you couldn’t deny how beautiful the painting would turn out.  

“You want to paint me?” He furrowed his brows, but the grin on his face grew slightly.  

“Yes,” you responded quickly, nodding your head with vigor, “I would like to paint you.”  

He was silent for a few moments, before shrugging his shoulders in a very human motion. “Okay, ki'ichpam artista. You may paint me.”  

- 

Your portrait of Namor would take you a few weeks, maybe even a month to complete. You wanted to highlight his strength and the unbridled power he possessed, but you also wanted to emphasize his beauty. Namor would have to visit you many times for you to get every detail just right, and the thought of that sent an excited flurry of butterflies through your stomach. You thought about taking a photo of him, to speed the process along, but quickly decided against it. It’s not every day that a girl gets to sit with a God, let alone paint one. 

The first visit was mostly a sketch session, and you spent the vast majority of the time studying Namor’s features, sketching a few lines, and then erratically erasing different areas of the canvas. Namor sat patiently, watching you mumble under your breath as you captured the angles of his face. He wasn’t used to being studied so closely but being under your careful eye didn’t make him uncomfortable.  

“Why did you become an artist?” Namor asked as you looked between your canvas and his face.  

“Because I love art.” You murmured, squinting at the line you’d just drawn. 

Namor smiled, and you ignored the fluttery feeling in your chest.  

“I know that pétalo. I meant, why do you love art?” 

You glanced up at him, studying the way his lips curled when he smiled. You began sketching again before you answered him.  

“Art brings people together, you know? That’s super cliché, but I guess it’s true.” You shrugged. “Languages are complex. They cause confusion and barrier us from other cultures. But art is a form of communication that doesn’t have those boundaries. Everyone can look at a painting and understand it at its very core, even if they interpret it differently.”  

Namor nodded, leaning back on his hands in the sand. You had a sneaky feeling that not many people got to see Namor in this relaxed state and took a mental picture of it so you could sketch it later.  

“You have a very pretty way of saying things pétalo.”  

You blushed, focusing on the angle of his pointed ears on your canvas.  

- 

It wasn’t until your third session with Namor that he began opening up about his home in Talokan. He told you about his people, and how most of the world didn’t know of their existence due to his vigorous efforts to protect them. You had an overwhelming sense that Namor’s pride lay in the ruling of his people, and that he would do anything to protect them.  

While he described his homelands to you, you snuck another peek at his ankles. You’d have to ask him for a closer look eventually. The only way you could do them justice in your painting was by touching them, but you didn’t know how to ask. 

“You can...touch them, if you need to, pétalo.” 

You looked up, stiffening with guilt. You didn’t know what to say to that.  

“You cannot hurt me. I promise.” He nudged his foot out, urging you to touch them. 

You nodded slowly, softly setting your paintbrush down and standing from your seat. You kneeled down beside him, leaving a trail of featherlight touches along the inside of one of the wings. The texture was unlike anything you’d ever felt before, and you couldn’t help the second stroke you left across the back of the wing.  

Namor inhaled sharply and you pulled your hand away, looking up at him with concern.  

“Did I hurt you?” you asked, squeezing your hands together. 

“No, ch'ujuk ch'úupalo'. They are very...sensitive.”  

“Oh. Oh.” You stood up, swiftly turning to walk back towards your canvas, when his hand lightly wrapped around your wrist, stopping you.  

“It’s okay, pétalo. No one has touched them in many years. It was a feeling I had forgotten, that’s all.” His eyes shone bright with ease, and the soft smile on his lips was comforting.  

You nodded, returning his smile. You noticed that he hadn’t let go of your wrist, even though it was clear you weren’t moving away from him anytime soon.  

“Were you born with them?” You asked, looking up at his tall frame.  

“Yes. And these, too.” He pointed at his ears, and you couldn’t help it when you reached forward, running a fingertip along their edge.  

“Beautiful.” You murmured under your breath, leaning in to get a closer look. Everything about him was beautiful, and you were finding it harder and harder to breathe when you were this close to him. 

Namor stumbled back, facing the ocean with such speed that you stumbled forward in his absence.  

“I must go. Something is not right at home. I am sorry to leave so quickly. It was just getting good. I will see you again, next week, pétalo.” 

You watched him walk back into the water, washing away with the tide, and just like that, he was gone.  

- 

The fourth session you were supposed to have with Namor was nearly ruined by a terrible storm brewing on the coast. You’d startled awake to the loud clap of thunder and watched through your window as the ocean violently responded. The rain came soon after, and just as you convinced yourself you wouldn’t be seeing Namor today, his powerful body trudged out of the water and onto the beach.  

You met him at your front door, ushering him inside as the storm raged above his head. He stood in your foyer/living room/bedroom and looked around. You froze with the realization that this was the first time he had entered your house. It was strange, you thought, seeing someone so ethereal surrounded by the familiar, but common, walls of your home. You hadn’t done the dishes the night before, and your bed was unmade, but his attention had been snagged by the light coming from your makeshift studio.  

“In here, then?” He pointed, gaze returning to you. 

“Yeah. I’ll be in there in a minute. I just have to get my sketches.”  

As soon as he rounded the corner, you bolted forward, straightening the covers on your messy bed and throwing dirty laundry into a pile in the corner. You ran your fingers through your hair, and finally joined him in the room a few moments later.  

He was hunched over, looking at the dozens of sketches you’d drawn of him. You face palmed and internally groaned as you realized that you hadn’t put them away before inviting him inside. This was an embarrassing secret, to say the least, but you couldn’t stop drawing him. Every time he sent you a new look or moved his body in a way that captured your attention, the urge to draw it in your sketchbook wouldn’t leave your mind until you finally gave in and sketched it out.  

“You are very talented, ch'ujuk ch'úupalo'.” he said, standing to his full height. 

“Thanks.” You mumbled through your hands, trying to hide the fact that you were blushing, again. You shifted your focus to the painting, which was nearing its completion. “I’m almost done with the painting. I think after today I’ll just have to do minor touchups.” 

“That is...wonderful, pétalo.” He plopped into one of the chairs you had set up around the room. You moved toward him and reached your hands out, intending to turn his head the way you needed it to finish the painting, but you hesitated. Your arms were frozen, stretched out in front of you as you met his heated gaze.  

He shifted forward, keeping his gaze on you as he slowly leaned into your outstretched palms. Your hands curled into hair, and he shuttered, eyes closing as he forcefully pushed his head further into your hold. You tried to ignore the butterflies his slight movement had spurred in your stomach, but the soft groan he let out as you ran your fingers through his hair ruined any chance you had of controlling your blood pressure. 

“It has been...a very long time since I’ve been touched so gently, princesa.” 

You swallowed, unsure what to do next, but he was quick to hoist you into his lap. You traced his jaw and couldn’t help but glance at his lips as you met his gaze. He wrapped his arms around your waist and tugged you closer to his body.  

“I did not mean to fall for you so entirely, ch'ujuk ch'úupalo', but you have not left my mind since I saw you painting on the beach.” 

His voice was soft, but his hands tightened around your waist as he spoke. He had to physically restrain himself from pulling your lips down to meet his. But he would wait, a lifetime if he had to, for a sign of consent from you before crushing his lips against yours.  

“I finished the painting last night.” You revealed, choking out a laugh. “I just wanted one more day with you before you left.”  

Namor let out a deep laugh, throwing his head back against the back of his chair. “What were you planning on doing all day, princesa?” 

You groaned, resting your forehead on his shoulder. “I was going to pretend to paint for a few hours before showing it to you.”  

“If you wanted to spend more time with me, princesa, you only had to ask.” Namor was grinning wide, running his fingers along the curve of your waist.  

“Don’t you have important kingly things to attend to?”  

“Yes, but nothing that can’t be rearranged, ch'ujuk ch'úupalo'. You are also important to me.” 

You smiled, cradling his face between your hands. His expression turned molten as you leaned into him, parting your lips in anticipation. He cupped the back of your head, pulling you the rest of the way down to meet his lips. The kiss was both sweet and lustful. His tongue dominated yours, begging for more as he ran his hands over your waist.  

He pulled away from you abruptly, squeezing your waist. You were about to crawl off of his lap and begin profusely apologizing to him, but his words stopped you.  

“You said you finished the painting. Can I see it?”  

“Of course.” You jumped off of his lap and ran to the closet you’d hidden it in, suddenly excited to reveal it to him. You’d been keeping it a secret until it was finished, and to say you were eager to hear his thoughts on it was an understatement.  

You set it on your canvas stand and stepped back, allowing him to fully see the painting. It had come out better than you’d hoped, and you’d known by the time you were halfway finished that it would be your best portrait yet.  

He leaned in, marking the tiny details you’d spent hours polishing, and smiled.  

“Ch'ujuk ch'úupalo', I have seen many paintings of me over the years, but none come close to this. You are so talented, princesa.”  

“Do you really like it?” You asked, clutching your hands into your chest.  

“I love it, my ki'ichpam artista. If I could take it with me and hang it for all my people to see, I would.” 

“Really?” You squeaked, trying not to tear up at his declaration.  

“Do you like it?” He asked, raising an eyebrow at you. 

“I think it’s my favorite painting I’ve ever done.” You breathed, glancing at it. 

“You should keep it, ch'ujuk ch'úupalo'. Hang it in your home as a reminder of me, for when I have to attend to those kingly duties.”  

You thought it over for a moment, and then smiled. “Okay.”  

Parting with that painting was something you’d been dreading since you’d started it, along with the idea of not seeing Namor on a regular basis, but he’d just relieved your doubts in one sentence. You got to keep the painting and you’d be seeing him again. 

“Okay.” He repeated, pulling at your waist until you were situated in front of him. He leaned down, planting a soft kiss on your lips, and you finally gave into those damned butterflies, wrapping your arms around his neck and pulling him in for another kiss. 

Tag List (Click here to join!):

@alexxavicry @hallecarey1 @km-ffluv @chiaraxtargaryen @trulylavandedarling @D0wnbad @deliciousfestsalad @lilyevans1 @imagineadream @thatlesbosimp @legocity2 @softclue @violet-19999 @uwiuwi @omgsuperstarg @purpleetou @raeluvsbloodline @historygeekgueen @kneelarhmstrung @euphoricjupiter @kneelarhmstrung @ethereal-athalia @quackson03 @johfaam @messymissy

[im-a-wonderling]

Is It Still Punishment if It Was Worth It? ~ George Weasley

Summary: Y/N runs into George Weasley after her detention with Umbridge (aka me finishing a request from ages ago)

Warnings: Umbridge *shudders*

Word count: 2.4k

As I left the atrocious pink office, nothing around me stirred, as if the whole castle was frozen, lying in wait for the dawn. Light streamed through the open doorway, heralding my late release from detention. 

“Off to bed, dear,” said that sugary, poisonous voice behind me. “Don’t let Mr. Filch catch you lingering instead of being safe asleep in your bed.” Was it my imagination, or did the throbbing of the back of my hand pulse in time with her voice? 

I wanted nothing more than to scurry away as fast as my legs would allow, but like any predatory animal, Professor Umbridge could smell fear, so I simply bowed my head as demurely as possible, avoiding her deep-set gaze. “Yes, professor.” I could feel the horrid woman’s toad eyes following me as I walked down the wide staircase, heading for the dungeons. 

The door closed behind me with an ominous thud, and the light disappeared. 

Stopping in my tracks, I immediately turned the corner to a little alcove, slumping next to the window. I stared at the colored glass, depicting a dragon breathing flames up into the sky. My wound gave a particularly violent throb. “Ouch,” I hissed under my breath, staring down at the shiny red letters.

I must obey the rules.

Cradling my aching hand to my chest, I let out a long breath. Every pang seemed to ring through my whole body, and yet, instead of acting as a deterrent, I was all the more resolved in my actions. If Umbridge had forced my brother to write those words and endure this pain, even her title as High Inquisitor would not have saved her from my wrath. 

“Well, that’s a first.”

I jolted. At first, I wondered if it’d been the dragon that spoke—often things at Hogwarts spoke when one might think they shouldn’t. But the dragon didn’t move. I looked around me, just in time to see the tapestry further down the stairs shift, and a red-headed boy came out from behind it.

George Weasley. Certified troublemaker with an un-shuttable gob and downright homemade values, the very personification of Godric Gryffindor’s ideal student. 

“Excuse me?” I asked, raising an eyebrow.

George gestured to my hand. “I didn’t know she punished Slytherins too.” He spoke the word without distaste, but with an emphasis all the same.

I just shook my head and left my alcove, heading for the Slytherin common room. There was no point in arguing in Slytherin’s favor; the history in this castle chronicled many a Slytherin who tried and subsequently had to run for the Hospital Wing before a toenail-growing hex grew too painful to walk.

Unfortunately, the redhead sidled into my path. I took several steps back, checking for the location of his wand, prepared to whip out my own before he could cast anything. But his hands were empty, and judging by the way he watched me, his head was regrettably anything but.

“You’re in my way,” I said calmly.

“Malfoy shouldn’t have done that.”

The simple statement made my lungs falter for breath, but I kept my face impassive. “He didn’t have a choice.”

“No, he had a choice.” George’s maddeningly certain tone set my teeth on edge.

I scoffed, walking down the staircase. “You don’t understand, you couldn’t possibly understand what he faces.”

“Oh, yes,” George’s voice grew louder and mocking, following me on my heels, “poor little rich Malfoy, head of the Inquisitor Squad, can’t handle–”

“Sod off.” My gritted teeth added all the threat I wanted, but George wasn’t deterred.

“What a slog it is, having everything one could possibly–”

I whirled around, my hands finding George’s chest to shove him as hard as I could. “You don’t know what it’s like!” I hissed, glaring at him. “You and your brothers just do whatever you fancy at the moment, whatever wicked thing halfway crosses your mind. Well, not all of us have the luxury of doing what we want.”

George looked as serious as I’d ever seen him. “He could’ve spared you this and he didn’t. No true friend would scurry off to Umbridge to report you like that.”

For a moment, I considered starting a row, but Umbridge’s office was still within earshot, and I didn’t want another round of writing with that cursed quill. So I chose not to acknowledge him, walking down the stairs with my head held high, reaching the bottom of the stairs and quickly walking down the corridor, hoping my feet could outrun George’s mouth. But when I looked to my right, there was George, loping alongside me.

“Seriously–”

“Seriously, George, shut it.” I came to a stop, glaring up at him. “What are you even doing here? It’s past curfew.”

“Some of us are taking turns behind the tapestry,” he said easily. “Watching in case any first or second years get turned out of Umbridge’s office with bleeding hands.”

“Oh?” I tossed my head, moving my hair to one side. “And if it were a Slytherin first year, would you have greeted them the way you greeted me?” If my kid brother had been the one walking out of the office, I silently asked, would you have comforted him? 

“Perhaps, but I’m willing to bet that they, unlike you, would accept a hug and a trip to the kitchens for some dessert afterwards.”

My stomach rumbled, and I placed my uninjured hand over it. “Well, I’m no first year, so you can go.” I resumed my furious pace.

George easily kept up. “It wasn’t fair of Malfoy to do that.”

Was it impossible for him to leave well enough alone? “When I want your opinion, I’ll ask for it.”

“Everyone knows you were just protecting your brother.”

I seized the collar of George’s robes, dragging his face down an inch from mine. “Don’t you dare–

“I’m not going to tell,” George said, remarkably calm considering how quickly his position had changed. 

“How am I supposed to trust that?”

“I’m not Malfoy.” 

I considered him for another moment before letting him go. He straightened, smoothing out his robes. “How did you know?” I asked. 

George gave a short laugh. “You’ve never touched a broomstick outside of Flying class, and yet I’m supposed to believe you even have a broomstick to bring into the castle?” He shook his head. “Anyone with eyes knows you’d do anything for your brother, so of course Umbridge is the only one daft enough to fall for your switcheroo.” 

I pondered his words for a moment before turning to walk back to my room. Like before, George kept time beside me. “She shouldn’t have given detention just for having a broomstick.” 

I shook my head. “There are rules.”

“And rules were made to–”

“–be broken?” I rolled my eyes. “Of course. I shouldn’t have expected anything less from a Gryffindor.”

“Says the Slytherin who just got out of detention.” I bit my tongue, trying to stay silent. “You should tell your head of house what Umbridge’s doing, maybe Snape’ll do something about–”

I let out a short laugh. “See, there’s the difference between you and me, George–”

George leapt forward, covering my mouth. Next thing I knew, I was being tugged behind a statue, finally pulled to meet George’s alarmed expression.

This was it. I should’ve known better than to trust a Gryffindor. Now he was going to hex me or curse me or even forgo a wand altogether and use his own two fists. 

Eyes wide, I tried to shove him away, protesting loudly from behind his hand. “Shush!” George said harshly. “Filch!”

I instantly stopped fighting, my heart pounding for a different reason. If George and I were caught by Filch right now, not only would I have another detention with Umbridge, but word would get out. I couldn’t even imagine the trouble I’d be in with my house if they found out I was out at night past curfew with a Gryffindor, and a Weasley at that!

The light of the lantern the caretaker always carried with him after hours grew closer and closer to the statue we crouched behind. George lifted his hand from my mouth, pressing a finger to his lips. I rolled my eyes. As if I didn’t already get the memo. 

“Anyone about, my dear?” Filch’s haughty voice asked. Mrs. Norris meowed back, and I heard the sound of a dark chuckle. "Professor Umbridge might allow us to try our new manacles.”

George and I met eyes. 

He made a stop gesture and then started to creep forward towards Filch. What could he possibly be planning? Filch would see him! 

Then it occurred to me. The noble idiot was about to sacrifice himself so that I would stay undetected. 

Oh no you don’t, I thought, seizing the back of George’s robes, dragging him back. I was not about to owe a Gryffindor anything. I pulled out my wand and a tissue I'd forgotten was there.

Snufflifors, I mouthed. 

The tissue morphed into a white mouse, which immediately scampered down the corridor. Immediately, Mrs. Norris sped after it. 

“My dear!” Filch protested, running after her, the light from his lantern growing farther and farther away until George and I were left alone in the dark. 

“Wow,” George stared in the direction Filch had gone, “that was quite impressive.”

The compliment made my cheeks warm. “Well, some of us jump into things without thinking about the consequences and some of us actually use our brains for more than pranks.” I shoved my wand into my pocket, about to storm down the corridor. 

“So you thought it through beforehand?”

“I didn’t necessarily plan to get caught by–”

“No, you thought through taking the blame for your brother?” 

I stopped short, allowing George to catch up with me. I eyed him warily. Was he fishing for evidence to get my brother in trouble? Or was he fishing for other reasons?  “Of course I did,” I said finally, deciding that my word against George’s was hardly any competition. 

A strange look twinkled in his eyes at that. “You actually thought about getting in trouble?” I didn’t reply. I should’ve known that I wouldn’t need to, because George could easily carry a conversation by himself. “You knew you could lose house points? And Hogsmeade could become off-limits to you? And that you might end up with words scratched into the back of your hand?” 

My silence was the only answer. Truthfully, he was right. I’d thought through all those possibilities. 

I’d earned Slytherin enough points throughout the years that any deduction wouldn’t damage my reputation too badly for anyone not in the Inquisitor Squad, especially under Umbridge’s reign. As for Hogsmeade, the castle itself was large enough to keep me from feeling claustrophobic. And, yes, I even budgeted for the possibility of getting detention with Umbridge; that’s why there was a Soothing potion waiting for me in my room. 

What I hadn’t anticipated was Malfoy being the one to report me. 

So much for being friends. 

George shuffled closer, bringing me to the present with his brown eyes. “You thought through the possibilities, and you still did it?” I nodded, and a grin broke out on his face. “Are you sure you aren’t supposed to be in Gryffindor?”

I made a disgusted sound in the back of my throat. “How dare you,” I said blandly. 

“I’m serious,” he said with a smile that said the opposite. “You’re quite the little risk-taker.” 

“Is it really risk-taking,” I murmured, “if you’re prepared for all the risks?” 

The inner corners of George’s eyebrows turned upward, his smile dimming to a more serious affect. “Was it worth it even though you got caught and punished?” 

“Is it still punishment if it was worth it?” 

His freckled face relaxed at the question, smoothing out until it was without pucker or twinge. “Should there be a rule against it if it’s still worth it?” he murmured.

I brought out my hand, looking down on it so I could once again read the message waiting there. The shiny letters didn’t hold any answers within their crimson hue. “I’m not sure.”

A hand reached out to touch mine, and my breath caught when I saw, on the back of George’s hand, familiar words, written in narrower handwriting.

I must obey the rules.

“Funny,” George said softly. “Regardless of what happened beforehand, we ended up the same.”

I slowly dragged my eyes up to meet his. “Not quite.” I smiled sadly. “I’m apparently friendless.” 

“Not friendless,” George murmured like a promise. “Not if you don’t want to be.”

I studied him, searching for any sign of deception. His locks had darkened over the years. In our first year, they could only be described as flaming, his hair as dangerous as his tendencies, but now they’d tempered into a comforting copper hue. His freckles also faded, though there were still just as many of them. His eyebrows normally promised even more trouble than his mischievous eyes, but now, nothing in his face seemed disingenuous. “Can Slytherins and Gryffindors even be friends?” I asked.

“Is it risk-taking if you’re prepared for all the risks?” George echoed.

I gave a short laugh. “Touchè.”

“Besides,” George said with a smirk, “you could do with friends better than that old tosser.”

I wanted to laugh, truly I did. Or perhaps I wanted to care little enough to be able to laugh. But alas, I cared too much, so I simply shook it off. “I’d better go, before Filch actually finds us.” 

“Fair enough.” George dropped my hand, and I missed the warmth immediately. “See you around, Y/N?”

I took great care to lessen my smile into a smirk. “If you’re lucky,” I replied.

George gave a relaxed salute before walking back the way we’d come, presumably to take up his place behind the tapestry.

I watched him go. Funny, I may not have been a first year, and he may not have taken me to the kitchens for dessert, and yet…I was glad for anyone else who might leave Umbridge’s office when George waited for them behind the tapestry.

-

Read the continuation here!

If you enjoyed this, you might also enjoy my other George fanfic: Seven Years of Bad Luck

Overall tag list:

@thelastpyle @valiantlytransparentwhispers

[monsterblogging]

Fuck JKR: How To Create A Harry Potter-Esque Aesthetic Without Any Harry Potter In It

So I saw a few posts from people mentioning that a reason people might be into Harry Potter is because of the aesthetic or atmosphere, and ya know what? I can't even argue that, because if there's one thing about HP, it's that it Sure Does Have Aesthetic And Atmosphere.

So! I'm gonna tell you how to STEAL ITS LOOK! Because:

JK Rowling considers ANY support of her work to be support of her politics.

Fan content/fan merch is still free advertisement for Rowling's work. YOU might not choose to give her money, but you can't be sure you won't pull people into the fandom who will.

Everyone should create more things that aren't tied to corporate-owned IP, period.

So. Most things in these films have an aged, antique look. You'll see a lot of brown hues, both on sets and on people's clothes. There's a lot of near-blacks (especially charcoals and walnuts) and lighter grays on the sets, especially from the third film onwards. (Wood is more often than not stained dark, while lighter hues are often provided by bricks or plaster.) The last two films use a lot of stormy blues and grays. Prisoner of Azkaban also emphasizes contrast between tones, which heightens a sense of texture. True black also appears throughout the films, such as on students' uniforms and many Death Eaters' outfits, and on the chairs in Malfoy Manor. White appears occasionally, especially on Hedwig, students' shirts, or during winter scenes, but pure white isn't otherwise really common. Paper or parchment is usually warm beige. There's also a lot of silver, gold, and brass, often appearing on things like dishware, tools, trinkets, Christmas baubles, and so forth. Bronze also comes up occasionally.

Reds, yellows, blues, and greens are pretty common throughout the films, even outside of Hogwarts, though you'll see just about every color somewhere. For example, orange is often found around the Weasleys, and orange, maroon, and purple feature in the divination classroom. Teal features prominently in Grimmauld Place (contrasted with saffron yellows).

Most colors aren't really super bright; a lot of the time they look a little faded, or like they're colored with natural dyes. If you use medieval illustrations to source your colors, or aim for earth tones and jewel tones, you'll be about right for a lot of what you see in the films. Bright colors are pretty rare; some of the brights we do see are in Honeydukes, Weasleys' Wizarding Wheezes, and certain magical effects, such as Floo fire.

A lot of light is provided by candles, torches, or fireplaces, which cast a warm yellow/orange light. Moonlight is represented by blue light in the first and second films. Blue light is also used for the Goblet of Fire and the penseive.

Another thing you gotta have in there is clutter. It should look kinda antique and give off a kind of magical or mystical atmosphere. Think books, storage jars, orreries, crystal balls, old lamps, antique clocks, vintage glassware, antique mirrors, old teapots, and little metal trinkets. (If you're trying to decorate a physical room, your stuff doesn't have to actually be antique, of course; antique-styled is fine.)

Texture is also very important, which can be represented with full or top grain leather book covers, stone walls, dents and scratches, cracks, embellishments, and embossing. Additionally, all damage and wear gives a sense of oldness to things. Stains and variegated colors also add interest. (If you're decorating a physical space, you might look into aging/distressing/antiquing techniques.)

If you want a space to look cozy, you don't really want bare or blank walls. Shelves, paintings, tapestries, and wallpaper can all help with that. Again, use brown, rather than black. Warm, yellow lighting will also help. If you lean toward blacks and cool lighting, you're going to have a colder-looking space.

Fashion in the wizarding world is extremely all over the place, ranging from stereotypical fantasy witch and wizard clothing, to pretty normal vintage clothing, to some wacky vintage-inspired looks, to the kind of fashion that would be put under the cozycore umbrella, to ordinary modern clothing. One thing that's absent is subculture fashion as we know it. (Bellatrix Lestrange does look kinda goth, but it's less a subculture thing, and more a "yeah we're putting our bad guys in fancy black stuff" thing.)

If you're trying to lean into the whole quirky/eccentric/old-fashioned kinda thing, you'll want to pass over the more modern and obviously synthetic type stuff. Also, patterns, textured fabrics, knits, mixed colors, lace, and other embellishments can add interest to outfits.

Architecture is also all over the place. Hogwarts is pretty medieval, while places like Diagon Alley give more Victorian vibe. The main thing is looking old fashioned and quaint.

To try and summarize all of that:

Browns. Lots and lots and lots of browns. Blacks and grays, too. Contrast between light and dark browns and blacks/grays.

More beige and gray than pure white; more charcoal gray and dark walnut brown than true black.

Among other colors, mostly earth tones and jewel tones. Very limited brights.

Polished metal and glass also add shininess.

Old-fashioned. Vintage. Antique.

Clutter, texture, patterns, variegation. Minimalist/clean aesthetic avoided.

Aged and distressed.

Lighting often yellow/orange due to coming from fire. Blue/teal light often coming from moonlight and certain magical light sources.

Now, here are some things we actually don't see. I'm not mentioning them to discourage you from using them if they're what you really want, but to inform you about them so you can consider whether they might throw off the vibe for you:

Green/purple/black combos.

Purple/silver/black combos. Pink/purple/teal combos.

Pink/black combos.

Orange/black combos.

Green/orange/purple combos.

Red/black combos.

Basically a lot of combos commonly associated with Halloween, witches, or vampires.

Big raw crystals. We see crystal balls now and then, but that's it.

Other natural items used as decorations - feathers, pinecones, sticks, etc. The one exception I can think of are the shells embedded in the walls of Shell Cottage.

Crushed velvet. Lots of fantasy uses this, HP films don't.

If you need inspiration, go look up medieval and renaissance diagrams and illustrations of stuff like the four elements, the zodiac, the solar system, and all that. Go look up alchemical symbols and emblems. Search up pre-WWII vintage ephemera. Go look up Victorian clipart. Look up stuff like botanical, zoological, and astronomical books and art from the 17th-19th centuries. Look up vintage wallpaper and fabric patterns. Look at vintage-style crafts. Research period architecture and fashion. Research European heraldry.

If you're wondering what exactly you're going to design around without Hogwarts and the Four Houses, here are some suggestions:

The four classical elements (earth, air, fire, and water)

The four seasons

Card suits - Tarot, French, whatever you want

Holidays - Halloween, Christmas, whatever

Fairy tales

Flowers

Mythical creatures

Bugs

Birds

Any other animals you like

Ecosystems

Your own original worldbuilding

So yeah, there ya go. You don't need to keep participating in HP to indulge in the aesthetic.

[NOTICE: Anybody who clowns on this post by making this about them and their childhood, patting themselves on the back about their chosen means of "ethical" participation, praising the fandom, or adding any other form of irrelevant bullshit is getting blocked. Also, I don't want to hear about PJO or Earthsea again for the millionth time, either.]

[itsafablefolks]

Some things about the frames in No Longer You!

Spoiler warning for the finale!

The first frame of Haley and the last frame of Sherb are different stylistically than the rest of the frames. The majority are in ‘prophecy-land’, which is inspired by a tapestry but it’s really to signify that this is not physically happening. Everyone in prophecy-land is silhouetted, and has one thing/color to help signify who they are. The exception for this is the wack, which is in color, because the wack isn’t something that’s supposed to be there/not from the world of Fable.

Song of past romance: Momboo! They were dating in s1, so she’s there. I chose her pink flowers in her hair. I knew I wanted something pink, and those made the most sense to me and tie into her being Lady of The World.

Sacrifice of Man: Jamie! When Icarus went and (tried to) kill Jamie, it felt the most like a sacrifice. It was the first time that Icarus went out, on their own, to deliberately hurt someone. I chose Jamie’s vines to be the color here, because they feel distinctive.

Portrayals of betrayal: coworkers! I really like this frame. Ari and Ven both betrayed the Grove to work for Fable, and then ended up betraying Fable at the end. And even though they didn’t betray Icarus specifically, he was still alone at the end. Originally, I was planning on using blue for these two because they’re both blue characters, but then it was too much. So I used yellow, which worked for a smaller area and also it’s Fable’s color.

Brothers final stand: This is Rae. This stream is called Brother’s Final Stand. I chose to do Rae’s horns, because they’re something that signify his connection to the End, and they are a distinguishing feature.

On the brink of death: Icarus is dying! And Centross is here. I wanted to include Centross in this, and this frame made that work! He’s got his scar across the eye, because I wanted to do something purple and doing all his scars would not have worked. Icarus has their eyeblood, because that’s how you can identify them. Shoutout to Abby amiactuallydoingthis for helping me figure out how this pose works- they needed to have a clear silhouette and Centross had to be catching Ic, but we needed to see Icarus’ chest.

Draw your final breath: Icarus falling, thinking they’re about to die. We can see the wack, and their wings are shut.

Man who gets to make it home alive, but it’s no longer: Icarixus!!!! Icarixus isn’t the same as Icarus- because at time of singing, Icarus has Sherbert’s eye in their head and is not fully Icarus, while Icarixus has both eyes back. Also, Icarixus has learned so many things- not to trust Fable, about the worlds and the Sherbversions, about how the wack works and how they can help and hurt the other worlds. And they do get to make it home alive, after a bit. They get their glowy bird ears!

You: Icarus not in prophecy-land, but we see the tapestry falling behind them. Their eyes are colored, but nothing else is. Apart from the wack, this is the only time someone gets two colors, and I think that’s fun.

Thanks for reading! I thought a lot about what I put into these frames, so I wanted to share it somewhere.

If you want, check out all of my Fable animatics.

[moodymisty]

[ 𝕸𝖔𝖔𝖉𝖞𝕸𝖎𝖘𝖙𝖞'𝖘 𝕸𝖆𝖘𝖙𝖊𝖗𝖑𝖎𝖘𝖙 | 𝕬𝖔3 ]

Author's Note: @commodoreprocrastinator this is your fault, now deal with the repercussions of your actions. Part 1 of 2. I hope it's romantic enough even though it's the cardboard cutout primarch and only my second time writing him. ¯\_( ❛︠ ⍙ ︡❛)_/¯

Summary: Your knight returns after what has felt like ages apart, and decides to take part in a secret moment alone.

Relationship: Lion'el Jonson/Gn!Reader (no pronouns are used in this, but it does have a very princess/knight vibe so fair warning)

Warnings: None that I can think of

Word Count: 1305

Lion El'Jonson strides down the halls of the Invincible Reason with purpose.

The ceramite boots of his armor hit the ground louder than that of an astartes, and any one he passes by stops their task and gives a respectful bow of their head. He doesn’t demand them to bow and kiss the floor, but he expects a level of decorum from his legion. They are expected to as sons of The First; As Dark Angels.

As he walks, rain pattering down against any surface exposed to it, Lion'el sighs.

Belath had proven more than timely with his updates as to the legion’s current effectiveness, which the Primarch appreciated. He will always find one of the astarte's finer qualities to be his lack of verbose speech- his ability to get to the point. But even in it's simplicity, it had still proven irritating when he had something else on the mind.

Travel to the Fortress Monastery had proven both as unexciting and lackluster as his drawing and discussion of strategic plans had been.

He arrived during the night, the moonlight spilling through the massive glass windows and mullions forming patterns along the stone floors. The Lion breaks their design as he walks through them, a hand resting on the pommel of his shortsword. His greatsword rests on his back, overtop of the dark emerald green cape that flows behind him just brushing against the floor.

He goes higher, traveling up flights of stairs made of solid stone. Some have runners of ornate, hand woven cloth, the design in a dark emerald green embellished with golden thread. All of it- every tapestry and mural, bears the symbol or at least the color scheme of his Legion.

Higher again, until he’s far beyond where most astartes and serfs typically tread. The rug that runs down the hall is much more worn, having taken an unknown number of years worth the footfall without being replaced. There aren’t many souls who come up here, for there isn't much reason for them to. The Lion's personal quarters reside in these halls, and unless he calls them they have no need to ever step foot here.

He turns one corner, and at the end of the hall lies his destination. 

He can see two Astartes guarding the door, as he had placed them. He had placed trust in the elder of them to choose another marine to serve as his parallel in guard along with two others to rotate with. A young astartes is beside him, clear by the different regalia and symbolism he wears that gives it away to only one familiar to their legion.

Lion stands between them, his hand adjusting once more on the pommel of his sword.

“Take your leave.”

He speaks plainly to both, and they nod their ceramite helms before walking past. Once the Lion can no longer hear their heavy power armor trudging down stairs that even made of full stone complain as men so heavy walk on them, he places a hand on the door’s handle.

He pulls it open; Winged helm in his opposite hand. Not moments later does he hear a voice call his name sounding both surprised and excited.

“Lion?”

At the call of his name he looks forward, seeing you leaning away from the window. Your hands had been leaning against the sill, watching whatever had been of interest below. More than likely the sea of Dark Angels all returning, a sea of dark green. You've always had this odd sort of of fascination with it all. He steps closer, and you turn to fully watch him come to stand right in front of you. 

After a moment’s waiting, the massive Primarch slowly lowers to a knee. He sighs as he does so, as if irritated by a request you hadn’t even made. You take the invitation to come closer, as you gently press a chaste kiss against his lips. You feel his beard brush against your skin, the top half of his blonde hair pulled back. He doesn't sigh in discontent that time.

“I missed you. Are you ok?” 

The Lion finds your overt concern pointless, but somewhat endearing. He’s never had someone so overt in caring about his wellbeing. Though even if it’s pointless, he can’t expect you to shed the emotions you’ve shown for so long. He can and has as a Primarch, to a mortal they are interwoven into your very being.

“Yes.” 

He glances over to a massive table filled with stacks of books. They’re scattered about, some open and some stacked in piles of an unknown organizational system. He’s not surprised you took interest in the massive collection. 

Your hands have stayed hovering in front of your chest most of this time, though now they move forward and hesitantly reach for him. He allows you to touch his jawline as you come closer. The rough scruff of his beard tickles your palms, and you'd laugh if you didn't think he'd be almost childishly insulted by it.

“How long are you going to stay this time?” 

Lion knows that you aren’t expecting any actual answer; He cannot give you one, nor will he. The moment an uncontacted world is discovered, he will leave. It is his duty and his purpose. No matter even if he has other thoughts on his mind, thoughts of you, they cannot impede his goal. 

“Long enough for the legion to rest.” He pauses. “What do you want?” 

He always asks this, only able to show how he feels about you in these silent gestures. You don’t say anything nor blame him, as despite him being far older than yourself, you can clearly tell this sort of thing is entirely uncharted.

It's been a bit odd; He's many years your senior, but it often feels like you're the one showing him things.

You can't avoid smiling this time, though it's abit more guilty that perhaps Lion was expecting.

“I would love to watch your men spar again, but they've only just stepped foot on Caliban." Lion gives you an unimpressed look.

"You would ask something of my Legion instead of myself?" Your hands are still on his chest armor, and your fingers brush across the giant aquilla in a slightly flustered gesture.

"But, you’ve said your men aren't strong enough for you to duel them.”

He remains one of if not the best duelist that the Imperium has ever seen, and despite how diligently and strictly he has trained his Dark Angels, none of them have the natural prowess he has to be a true fight. It's simply in his nature as a Primarch.

Lion, in an extremely rare moment, softens his face with a hint of amusement. He raises and armored hand to gently hold your jaw, and brush a small bit of a hair away from your face. His massive hand overtakes much of you, but he's surprising gentle despite it. He uses a small bit of his strength however to pull you just close enough to give you a gentle kiss to the forehead.

“When we arrive to Terra, perhaps I can proposition one of my brothers for a duel then. I am sure at least one of them will be eager to accept.” 

A fight between Primarchs? You had never considered yourself bloodthirsty or violent, but something about it makes your heart race- eager to watch. Perhaps it’s what his men feel shortly before a battle, or when they begin their training each and every day.

You smile at him, and grasp at his gauntlet. It's the closest you can get to any sort of intimate gesture, with his armor still on. He looks at you with the most relaxed face you've seen on him in awhile, as you speak.

"I would love to see that."

[safrona-shadowsun]

Daily Writing Challenge 2024

November DWC, Day 6 Words: Crack/Positive

@daily-writing-challenge

On some nights, Safrona reserved a confession booth not to invite others to play the Game of Secrets, but to isolate herself from the eyes of most others. The stress of Dalaran’s collapse had only started a continuous thread of anxiety that ran through her every waking moment of late. It reached her in dreams with memory, laced with possibility and nightmare both, robbing her of sleep. 

Life had become a gift of recent years, allowing her to build her professional life into a branching success, the start of a legacy to be proud of. People spoke the title “Courier’ with a respect the world never quite gave the role before, and Safrona felt right to say that her tireless work had in large part given birth to that respect.

A soulsinging haunt of a man had found her burning mess of a heart and made a Home of it, anchoring her to a love that felt like a beloved worship. He made her feel a comfortable joy she did not think she could be allowed in this life, and then built a place of belonging for her with the Sojourn, another element she never thought she could have. Her life had been built upon borrowings in so many ways, it was another deep joy to feel she was an integral part of the world.

Joys of completion, happiness, comfort…a cycle she silently dreaded that could be at its end, as history seemed to inevitably deliver her to. The universe seemed darkly dedicated to remind her that she was a Blight on the world, and belonged to nothing but the unseen spheres of the Great Dark Beyond. The decimation of Dalaran seemed the first sign, the spinning fragments of her own history trying to weave together and tear apart in her mind like a tapestry remaking itself again and again. She wound her fingers tight around a shot of Darkmoon Bourbon she had toyed with as her mind swirled with apprehensions and drank deep, hoping its sweet burn would numb her into a calm, and fill the cracks of her faltering professional veil. Whether Courier, Harvester or Safrona Shadowsun, she wanted no one to see her this way.

Regardless, her thoughts were felt by those that loved her most.

Music started in a slow rhythm on the live stage, a very familiar slow arrangement that gently permeated her scattered, anxious line of thought, and lifted her into a cadence she had taken the stage with before. Safrona’s lips spread against the cold glass in a sighing smile, a humored breath of gentle knowing, gratitude for the well-loved fingers that plucked the melody for her on his guitar, gratitude for the band behind him that played along. She found herself nodding in time, focusing on the voiced humming, a melody that set a warm tone that was a nostalgic grace, and a plaintive plea for peace.

…only she was not the singer humming in perfect succession, on the stage. When the notion finally struck her, Safrona rose from her booth, parting through the red velvet curtains that hid her with an intense curiosity. There her husband was with his beloved cherry wood guitar on his knees, strumming along in pinstriped black finery, his face shadowed by the old world class of his tall hat. The band behind him played the simple melody with dedicated vibe, swaying in time with its swinging notes.

And the young Sin’dorei woman that had taken the stage by microphone, dressed in a gorgeous wine colored evening gown, met her eyes in recognition. The singer’s voice fluttered with a brief excitement through her humming sequence, but she recovered quickly as she took another breath and continued humming the melody beautifully. With a matured grace, the songstress extended her arms with flowing address toward Safrona as she swayed gently to the slow, lounge-like beat. The familiar humming was touched with a nuance of emotive expression Safrona could never have achieved herself without the use of words, moving her at the soul, much like her husband had learned to with his own talents. Listening on until the slow end, her eyes did not leave the young singer until she realized they were brimming with tears, feeling a strange surge of pride.

A gentle hope had been left like a veil over the audience, and even Safrona’s torrent of dark thought was lifted to a more positive plateau. She had not yet spoken a word to Serenas Dawnsinger - perhaps for the 3 years since the girl reached out she did not know how to - but now her daughter had apparently found her again, against all odds, against all doubt.

There would be too many questions perhaps - some of what Safrona did not know how to begin to answer. But in seeing the young songstress wear her own wine colors, smiling so eagerly at her as she awaited on the stage among a wash of applause, the worry about the world at large and its dark portents seemed to fade for Lady Shadowsun for this relieving moment. Maybe they all did deserve these kindnesses, these little fortunes and joys after the hell they had been through. This...love.

{ Referencing @thefirstperished . And introducing a new character, over at @dawnsinging }

[beezusvreeland]

now that we don't talk - chapter 5

summary: After being rejected by Poe, the two of you are assigned a mission together. And a lot can happen during a mission.

ship: poe dameron x f!reader

note: I had so much fun writing this chapter and creating some original characters. I hope you enjoy them too!

______________________________________________________________

As much as he hated the First Order, Poe had to admit they knew how to throw a hell of a party. When you walked in, it was hard to pretend to be unaffected by the opulence that made the inside of the mansion look like a palace. The deep red tapestry contrasted with the black and white First Order symbol displayed in huge posters that started on the second floor balcony and ended just short of touching the ground floor. 

Stormtroopers were positioned in various spots across the room. You and Poe keep a serious expression as you walk down the stairs, your arm attached to his. Two excited, well dressed Twi’leks greeted the two of you. They wore very colorful and well tailored suits, one in pink and the other in lilac, and grabbed your hand immediately. The gesture got Poe on his commander mode: quickly, his right hand grabbed your arm, pulling you back to him, while the left hand went to the blaster he hid on the insides of his cape.

“My dear, you look radiant, what a wonderful dress!”, pink suit said, analyzing your figure. His eyes stopped at Poe’s hand on your arm. The Twi’lek looked at the pilot with a mischievous smile. “Well well, you brought an equally beautiful specimen with you.”

You immediately put your hand on top of Poe’. He knew that was your code for don’t do anything stupid, let me take it from here, still, he was furious with pink suit’s insolence.

Lilac suit must have noticed Poe’s expression as well, coming to the rescue and approaching you with subtlety. 

“I’m Jib and this is my husband Boq, welcome to our house!”, he gestured to the wide room behind him. “We’re so excited to make new acquaintances. My apologies if Boq here was overly enthusiastic, we saw you from afar and were mesmerized by your beautiful dress”, Jib gave you an apologetical look.

“Thank you for having us”, you gave them your hand, which they promptly kissed. “I’m Yasmin and this handsome grumpy overprotective man here is my husband, Kal.” 

Poe shook hands with the other couple, giving them a nod, feeling grateful for your quick thinking. He still couldn’t shake that bad feeling that had been following him all this way. Normally, he would be the charmer, but at that point, he just didn’t have it in him. At least the taciturn energy he was displaying aligned with the character you had just invented to explain his behavior. 

“You look fabulous too. I’m glad I’m not the only one wearing some color at this party”, you gave the Twi’leks a knowing look. They laughed loudly, completely taken by you. And to think Poe was the only charming pilot of the bunch. He made a mental note to praise you for it later. Being extroverted wasn’t in your nature, just as being quiet and mysterious wasn’t his.

Poe, however, didn’t understand why you were spending so much time on the hosts, when the mission was very clear on finding the general and leaving as fast as you could. 

“Don’t even get us started! So many boring looks today”, Boq commented, rolling his eyes. “The three of us are definitely standing out.”

…which was less than ideal for an undercover mission like the one you were in. Poe was officially worried. 

But you were so confident, it was obvious you had some sort of plan. He would just have to go with it.

A few drinks later, Jib and Boq had told you a lot of interesting information. They were merchants, had business on several planets and didn’t exactly align with any side of the war, choosing to stay out of conflicts as much as they could. Except for the one time the First Order held some of their cargo back in one of the planets they conquered — Jib and Boq made a deal with one of the generals, owing him a favor. That’s how they ended up opening their house to host the party.

“It could’ve been a lot worse”, you said in a concerned tone. “You were lucky the general had some compassion…”

“Right? That’s so rare nowadays”, Boq said, visibly affected by the alcohol. 

“Do you remember his name?”

Jib and Boq looked at each other. Before they could think the weird question through, Poe stepped in:

“As a businessman myself, it’s always good to know who to reach out to when a situation like that happens.”

It was the first time Poe talked since the beginning of the conversation, and Jib and Boq looked delighted with this new development. 

“It’s good indeed. As traders, we must keep a good contact list”, Boq looked around the room. “Not only do we remember the general in question, but he is in attendance tonight.”

“Oh, there he is, his name is…”, Jib pointed to the back of a man dressed as every other First Order officer in the room. Except, he had striking red hair.

“...Armitage Hux.”

Poe tried to catch your attention, so the two of you could leave the hosts and follow the general. But he couldn’t quite read your expression. You didn’t seem surprised or satisfied with the new information. It was almost like you just had something really sour to eat.

“Is everything okay?”, Poe whispered in your ear, taking advantage of the fact that the Twi’leks got distracted by other guests.”

“Remember how I told you some people I knew chose to serve the First Order?, you whispered back.

Poe nodded.

“Armitage Hux is one of them…In fact, he was a close friend of mine.”

“The carrot head? Really?

“Yes”, you set your eyes on Hux. Grabbing Poe’s hand, you started leading the way through the crowd. 

“Are we just going straight up to him?”

You dodged a few guests and stopped by the bar. 

“Like, hey, we know about the notebook, now give it to us.”

Ignoring Poe, you ordered two drinks to the droid bartender. Besides the stormtroopers, all the workers there were droids, Poe noticed. It looked like you had just realized the same, as he followed your gaze, which was focused on a band of droids who played classical Imperial music on a small stage. Of course Poe had been feeling horrible that whole time, the soundtrack was terrible, with chords shrieking off beat, setting an unsettling tone to the whole spectacle. 

“We aren’t going straight to him, we’re going to stop near him for a little bit, just enough for him to recognize me”, you smelled your drink before taking a sip. 

“Absolutely not, delete it, that’s a terrible idea”, Poe was agitated again. 

“No, it’s not”, you answered, putting a fake smile on your face and pretending to fix Poe’s collar as a stormtrooper walked next to you.

“Yes, it is”, he imitates you, while keeping his pose. “I’m not going to let you present yourself to him on a silver platter. That’s extremely dangerous.”

“Trust me, an old ewok is more dangerous than Armitage Hux. I know what I’m doing.”

“Do you though? You haven’t seen this guy in decades. A lot could have changed since then.”

“Please, please, trust me on this? I have an idea that will let us grab the notebook and leave this place in the next hour.”

Poe scratches his beard, trying to maintain his composure. If you weren’t undercover, the discussion would have evolved to you reprimanding him and him walking away. But he was cornered there, without many movements available to him. And Poe was well aware you knew and was taking advantage of that.

“If there is even the slight possibility of you getting hurt, I’ll intervene and we’ll do it my way. Understood?”, the seriousness in him wasn't just for the pretense of “Kal” anymore. 

“Let’s do this”, you answered with a sparkle in your eyes. It reminded Poe of the thrill of finally being able to fly again after being in the med bay for weeks after an injury. Heart soaring and soul shining bright after finding purpose.

______________________________________________________________

<< chapter 4

>> chapter 6

all chapters

______________________________________________________________

tags 💖

@wreckmyimage @steven-grants-world @lizispunkk @torntaltos @nervousmumbling

[rickrakontoys]

Furiosa: A Mad Max Saga (2024)

9/10

Just let George Miller make whatever Mad Max movies he wants. I will witness it.

A very different beast than Fury Road, this is a sweeping, ambitious, character driven story of vengence and violence. Splitting the story into 5 chapters, each having their own narrative goals, makes the film feel very episodic. However, this structure allows each segment to have a distinct feel, while familiarizing us with the key players and the motivating events in young Furiosa's life that lead her on the path to Fury Road. The themes, visual motifs, and symbols woven through the story create a rich tapestry that, like Fury Road, elevates this beyond action spectacle and into something grand and mythic.

Anya Taylor Joy doesn't actually appear as Furiosa until nearly a third into the movie, but once she does, she commands the screen with a nearly wordless performance, glowering with intense resolve and roiling emotions. This gives the few words she does say more importance and weight. Joy has much more to do with the character here than Charlize Theron, and, while evocative of Theron's version, makes it her own. Alyla Brown as young Furiosa is terrific as well in the first two chapters, also saying very little while using only her eyes and body language to convey feelings.

While many of the Wasteland denizens new and old are portrayed impeccably with that signature manic "Mad Max" energy, it is Chris Hemsworth's Dementus that basically steals the show. Equal parts charismatic and menacing, intimidating yet vulnerable, he provides Furiosa with an interesting antagonist whose motivations are as nebulous and volatile as a desert sandstorm. Hemsworth plays Dementus as a true product of the end of the world: a sad, pitiable, broken man acting the part of a cruel, bombastic leader, allowing himself to be corrupted by the unforgiving reality around him, using humor and eccentricity as a thin veneer over his brutal nihilism.

Much has already been discussed about the film's look. While John Seale's cinematography is missed, Furiosa still contains some terrific and creative shots, particularly during its many action scenes. The wasteland is once again presented using a variety of highly-saturated colors, which is always a refreshing deviation from the typical, washed-out appearance of other post-apocalyptic movies. Yet, the compositing, lighting, and computer effects are a step down from Fury Road, and can be distractingly noticeable at times, especially due to the grander scale of the setpieces requiring more CGI effects and background replacements. But these are relatively minor complaints, as the practical effects involving smashing vehicles and flailing stunt persons are still astonishing to behold. Miller's skill in staging action remains some of the best in the business, as even the most chaotic of sequences remain visually coherent.

While not as laser focused as Fury Road, Furiosa is still an incredible achievement in both character and world-building. It is perhaps one of the best prequels made, as it not only expands what was seen before in a satisfying way, but its added context improves its predecessor.

It is rather odd that Miller chose to include a montage of Fury Road scenes in the end credits... This movie would make a perfect double-feature with Fury Road, except it decides to show you "Fury Road: Cliff Notes edition" right at the end...

[healerqueen]

Stones of Memory

Here is my entry for the 2024 Inklings Challenge. The @inklings-challenge is an annual writing challenge for sci-fi and fantasy writers, using certain subgenres and themes.

This story is a sequel to a short story I wrote many years ago. That story is referenced in this story, but I tried to make it readable on its own, as a standalone story.

********

I wrestle my huge suitcase through the narrow door of Aunt Alice’s little house. Do they make things smaller in England?

I pause in the familiar entry, breathing in the sights and smells I’ve missed since last year. Aunt Alice’s house is stuffed to the brim with oddities and artifacts. Shelves and tables and walls are lined with interesting things. I could spend hours looking at them.

But Aunt Alice is behind me, laughing at me, holding my other bags. She’s waiting for me to move.

I drag my suitcase into the sitting room and resume my goggling. I examine old photographs, ancient weapons, cracked vases, and worn tapestries. There are so many things to see! Clocks and seashells and lamps. And there’s a story behind each one. I ask Aunt Alice about them as we make our tea, and she tells me fascinating tales. The stories of how she came to own these things are almost as interesting as the stories of the objects themselves.

Aunt Alice is a little odd at times, but I’ve grown to like her eccentricities. Her wardrobe is interesting, for one. I can never decide what I think of it. Today, she’s wearing a blouse with metallic embroidery and a swirl of bright colors on an orange background. It brings out the reddish tones in her short, dyed hair.

After tea, I begin to help Aunt Alice wash up, but she says, “Run along and take a walk before the light goes. I can take care of the dishes.”

So I do. I step out the back door into the golden evening light. Only a swelling hill and a stand of trees separate the little cottage from the sea. I smell the salt on the fresh breeze. I take the path through the trees, climb the low hill, and emerge on the crest of it. Below me, there’s a shallow bay with a sandy shore, and beyond it, the sea.

A strange memory washes over me. I walked here many times on my visit to Aunt Alice last year. But the first time was the oddest. Something bizarre happened to me when I stood on this shore. I’ve almost forgotten it until now—because it seems almost like a dream.

When I arrived at this spot last year, I found a metal cloak pin in the grass by the shore. When I touched it, I had a vision of an ancient village, a painted ship, and an attack by Vikings. I shudder now at the thought of the Vikings chasing me. It was so real. It happened to me as if I was really there.

If I didn’t know better, I’d say I traveled back in time.

I shake away the strange sense of déjà vu. Today, there is only the empty shore, with gentle waves on the sand and rough grasses ruffled by the cool breeze.

It couldn’t be more natural. There are no Vikings to be seen—and perhaps there never were.

***

The next day, Aunt Alice and I are on the road, traveling in her battered, ancient station wagon. It’s still strange to me to drive on the wrong side of the road, but I’m no longer afraid that another car will crash into us.

We’re headed to the site of a Roman fort on Hadrian’s Wall—or what remains of one. It’s amazing to me, an American, that something so old could survive for two thousand years, even in ruins. Perhaps that’s what attracted Aunt Alice to Britain. It’s hard to escape history when I’m in the company of my aunt.

The station wagon rattles bravely up and down green hills and around curves, swooping into valleys and over ridges. As we mount one more hill, Aunt Alice lifts her hand and points. “There,” she says. “There’s the fort.” On a hillside ahead of us lies a stony gray grid—a Roman ruin. A few minutes later, we tumble out of the car and hike up to the fort. Then I’m standing on ancient stones for the first time. The crumbling Roman walls stretch in orderly lines and right angles beneath my feet. Only the foundations remain, but it’s enough. It takes my breath away to think that Roman soldiers once patrolled these walls, back when they were still new. These stones are so old, but they’re still here. There’s still a low foundation, knee high. It’s amazing that it’s survived this long.

Beyond the wall, the countryside stretches away, ridge upon ridge. Hadrian’s Wall connects to the fort on either end and follows a ridge line up and down, slashing across the land.

Aunt Alice is watching me with a little smile. “Well?” she asks. “What do you think?”

“It’s beautiful,” I say. No, it’s majestic.

Aunt Alice turns me loose to explore the fort while she goes on to inspect the walls—just as if she was the fort commander in Roman times.

I wander around the rim of the fort, outside the walls. Below the walls, the ground drops quickly away in a downward slope.

I can’t take my eyes off the view, and I’m not watching my feet. My foot catches on something hard in the turf beneath. I nearly trip. I bend down to see what it is. I pat the grass, and my hand meets something sharp and cold. I pick it up. It’s something made of rough metal, corroded by exposure. It’s as long as my hand is wide, and it fills my palm. The metal is shaped like an arch, with a sharp spike sticking out of it. It looks like a pin—a cloak pin?

I suddenly remember another cloak pin—the one I found a year ago that gave me a vision of Viking times. A thrill runs down my spine. This piece of metal could be only a few years old—or it could be centuries old. What if it’s a Roman cloak pin?

I’ll show it to Aunt Alice. She’ll know. I turn and begin walking back to the fort to find her.

I move too fast, and my head begins to spin. The ground feels unsteady under me. I stumble.

The whole world whirls around me like a merry-go-round. The fort, the countryside, and the sky above mingle together in one solid blur. I can’t feel my feet on the ground. I’m floating, out of touch with the world—except for the hard metal pin I clutch in my hand.

I feel my feet on solid earth once more. The world comes into focus again. But everything has changed.

Instead of a bare hillside with a ruined stone foundation, a high wall rises above me. The fort is no longer in ruins. A town spreads out below it. The slope is paved instead of grass-covered, and it’s crowded with low thatched buildings. The place is alive with people. They’re dressed strangely in checkered fabrics, draped and pinned at the shoulders. I look down and find that I’m dressed in the same fashion, in a straight garment of thick brown wool.

A horn sounds, and I turn around. A patrol of men on horseback rides toward me. People scatter to get out of the street, and I hurry to follow, after a moment of staring. The men are mounted soldiers with shields and rough leather armor. At their head rides a man in a blood-red tunic with metal plate armor and a red-crested helmet—a Roman centurion.

Chills run down my spine. I stare. Could it be? Is this real? This has happened to me once before, and it’s happening again. Just like before, I am in the middle of another time. Am I dreaming, or have I truly traveled back in time?

Someone jostles me in the crowd, and a child darts around me, chasing a scrawny dog. The smoke of cookfires stings my nose, and a din of voices, human and animal, fills my ears. I finger the rough wool of the dress I am wearing.

It seems real. No dream could be so alive.

Then I feel the pinch of hard metal in my other hand, clenched in my fist. I lift my hand and open my fingers. The metal pin is still in my hand. But it’s no longer dull gray, roughened by the years. It’s shiny and new, shaped in a smooth curve. There’s a red jewel at one end of it that wasn’t there before. The same thing happened with that other pin—the one that took me to Viking times. Maybe it’s proof—proof that this is real.

The cavalry detachment disappears through a gate in the high wall of the fort. Dazed, I drift along with the crowd as they follow the departing horses.

A woman’s voice snaps at me. “Girl, what are you doing?” I look down and find I’m almost stepping on a flock of squawking chickens. I hastily move away.

There are so many things to see here. A woman spins with spindle and distaff in the doorway of a hut, with a baby on the ground beside her. Off-duty soldiers duck into the door of a wine-shop. A hunter carrying a spear walks past with a wolf-skin slung over his shoulder. He wears a shining neck-ring and a magnificent cloak pin.

As I keep walking down the street between rows of huts, I look down at the pin in my hand. I think this bow-shaped cloak pin is called a fibula—and it’s Roman, not British. The gem embedded in one end of it might be carnelian, or perhaps only glass, but it’s probably not a ruby.

I stare at it in wonder. Once before, a cloak pin took me to another world—another time—the time of the Vikings. Now I’m here, in a bustling Roman fort—holding a second cloak pin. It’s strange but somehow fitting. But what kind of power could do that? Time travel is the stuff of fiction.

“You, girl!” a sharp voice shouts. A man is marching toward me, dressed in Roman armor and carrying a spear in one hand, with a crested helmet under one arm—a centurion. I look up, startled.

“What do you have there?” the soldier demands in an accusing tone. He’s pointing at the cloak pin in my hand. Instinctively, I close my hand and clutch the pin to my waist.

“You stole that fibula. It’s not yours,” the centurion guesses. Other people are looking now. A few of them approach.

I open my mouth to protest. “No, I—” But only a whisper comes out. I back away, hemmed in by accusing eyes

“Take her to the magistrate!” someone says. The centurion beckons another Roman soldier, and they close in on me.

I look around for help, but there is none.

“She looks daft,” a woman says. “Look at her eyes. See, she doesn’t understand.” But I understand. The vacant look in my eyes turns to panic.

The soldiers reach out to lay hands on me. I shake them off. I turn and run, bursting through the crowd. The soldiers weren’t expecting me to put up a fight. They run after me and give chase.

My feet pound down the cobblestone street. I don’t know where I’m going. All I can think of is to get away—somewhere they won’t find me.  I turn sharply to dash down a narrow side street between two thatched huts.

The Romans are still behind me, chasing me. They follow as I dash down a maze of narrow, zigzagging alleyways.

Once I leave the main thoroughfare, the streets are quieter, but they have no order. Living huts are tangled together with taverns and shops. A cat startles and flees at my approach, shrieking.

The heavy, nailed sandals of the Romans ring on the street behind me. Where can I go?

Just then, someone pops out of the doorway of a hut—a stout older woman. “Come—hide!” she says.

That’s all the invitation I need. I veer out of the street and dive through the low doorway of the woman’s hut. I press myself against the wall beside the door, ducking to avoid the low ceiling. A moment later, the soldiers barrel past with pounding feet. I’m safe—for now.

“They’ll be back,” the woman says knowingly. I turn to look at her. “Come. In here.” She ushers me to a curtain that partitions off half the hut. We duck behind the curtain, and it falls behind us. “If they come,” says the woman, “hide under the blanket.” She gestures to a low bed covered in skins and woven rugs in faded colors.

The whole place smells unpleasant, and the blankets smell worse, but I’m too desperate to care. I smile and nod gratefully. I collapse and sit on the bed at the woman’s urging. Only then do I notice how exhausted I am. I’m still breathing hard from my run, and my limbs feel like jelly. This does not feel like a dream.

The woman disappears for a few moments and comes back with a hot, fragrant bowl of meaty stew. I taste it, and it is rich and good. I wonder if I’d still like it if I knew what was in it—but I’m hungry as well as tired, and I eat it anyway.

A commotion outside sends the woman scurrying back through the curtains. Men’s raised voices reach me, hardly muffled by the curtain. The soldiers. I put down the bowl of stew, suddenly terrified. My insides feel frozen, and I can’t stomach more food at a time like this.

I feel the hard cloak pin in my sweating hand. I keep forgetting it’s there. I should probably hide it, but I can’t bear to let go of it. It seems like my only lifeline to reality and sanity, to my own world—my own time.

The novelty of this adventure has worn off. Maybe later I’ll appreciate it. Right now, I just want to go home.

I screw my eyes shut against the voices at the outer door of the hut. Any moment now, the soldiers will barge in to search the place, and I’ll have to hide under the blankets—as if that will be enough to keep them from finding me.

Then I realize—it’s quiet. The soldiers are gone.

The woman appears through the curtains, and I jump. But she reassures me: “They're gone.” Her shrewd look tells me she’s done this before. “Wait a little. Then you can go.” I try to tell her how grateful I am, but she waves me away. A few minutes later, I step out of the hut and breathe the fresh air again. I’m so happy to see the sky. The fort walls tower above me once more, with the town nestled at their feet.

I open my hand once more and look down at the cloak pin. The red jewel glints up at me like a winking eye. I reach out with my other hand and touch it gently.

The world begins to spin around me again, whirling at a dizzying speed. Then everything slows, and the world is steady once more—and I’m back at the Roman ruins, in modern England. The sun streams down above low, crumbling walls. Tourists wander around the site with cameras and neon-colored jackets. I’m dressed in my windbreaker and jeans.

I look around in wonder. Did that really just happen? Did I travel back in time? Or was it all a dream? If it was a dream, then it’s happened twice now—and it was more than a daydream. It seemed real. But it couldn’t be. Things like that don’t just happen.

But then I feel hard, cold metal in my palm. I expect the metal will be dull and gray. But the cloak pin in my hand shines in the sun, polished and new. The red gem bursts with color in the sun. That jewel wasn’t there before. Maybe—just maybe—this really did happen.

Someone calls out to me. It’s Aunt Alice. I turn and look for her as she comes toward me, carrying her outlandish, mammoth handbag. “Come up and see the walls,” she says. I’m still dazed, but I nod vaguely and start toward her, swaying a little. Aunt Alice looks hard at me. “What’s happened to you, my girl? Has history changed you?” She’s joking, with a twinkle in her eye. But she’s right—it has changed me.

“You’ll never believe me if I tell you,” I say.

Aunt Alice squints, studying me with a wise light in her eye. “I’m not so sure about that. Why don’t you try me?” I might do just that.

[epitomereally]

Renegade Binderary 2 of 3: Kept in Cages by @sweet-s0rr0w and @ihopeyoubothstaysafefromharm

Deep in the heart of the Ministry lies the Beast Division: a hidden room where ancient beasts roam, and winged creatures soar, and grumpy giant ferrets eat all your biscuits unless you keep them well hidden. Draco Malfoy would know – he’s been working there for five years now, after all.

Meanwhile, on Level One, ex-Golden Boy Harry Potter is stuck in another interminable policy meeting, completely unaware of the mysterious comings and goings just three floors below. But when a giant snake emergency requires the assistance of a Parselmouth, Harry finds himself thrust, unprepared, into Draco’s weird and wonderful world – and naturally, he can’t keep away…

In this fic, Sweet and Joy wove an incredibly hopeful and gracious journey of healing for both Harry and Draco against a lush backdrop of magical creatures & friends. I am so happy to have bound this fic for Sweet and me. I bound this as a part of Renegade’s Binderary 2023 (where we challenge ourselves to make as many books as we can). I specifically focused on some of my favorite fics published in 2022 that I hadn’t already bound :)

I was quite burnt out of writing & reading fic at the end of H/D Wireless 2022 and so I slept on this fic for months and SHAME ON ME! It took me until December to read it and I was just blown away by the world that Joy and Sweet built together. I had this two-toned blue/green bookcloth, knew I wanted to have a cut-out, found this gorgeous William Morris tapestry, and boom, the design was born. I also want to say that Joy’s gorgeous illustrations & Sweet’s beautiful words were so evocative that designing & typesetting this was a breeze; if you have any doubt, see how @a-gay-old-time (who did such an amazing bind of this here) and I came to very similar design choices independently :)

I also used text from @sitp-recs' rec here and @getawayfox's rec here at the front of the book, which I would love to start doing for all of my binds.

I learned a ton of stuff that is totally boring to a non-fanbinder, but was huge for me: footnotes, full page illustrations, double French-core endbands (still need some refinement, but I am so happy to be able to use more than two colors!), cut-outs!! Some technical challenges of this bind: getting the cut-out exactly in the right spot, using a guillotine for the first time & having some pretty tight margins as a result, painting on Duo bookcloth (the texture makes it really tough!), but I'm still so happy with this bind. I also have to acknowledge @pleasantboatpress who inspired both the headbands and the cut-out with their absolutely gorgeous binds.

Materials:

Title font: Argaka

Body font: Alegraya

Endpapers: Birds by William Morris (public domain)

Bookcloth: Duo Laguna (sadly no longer being manufactured :()

[lemony-snickers]

i should have kept a journal.

the thought comes unbidden, late at night, just as kakashi feels the first tendrils of sleep tugging at his concious mind, dragging him under the heavy blanket of a dream.

but then he is awake, mind spinning, sifting through memories he can't quite pull into focus.

he never expected the loss of the sharingan to have such consequence - for all the tender moments of his life, which he had taken for granted, to meld into the backdrop of a long, arduous tapestry of other moments.

before he lost obito's eye, kakashi had been able to recall with perfect clarity some of his most important memories - times when he had merely blinked the eye open for a second or two, the tomoe spinning to life, draining his chakra as the eye greedily memorized whatever scene lay before it.

he had at his disposal a perfect recorded history of his life; for better and worse.

now, kakashi would happily accept all the bitter ends and entrails if it meant he could remember rin's smile the way it truly looked. if he could recall the exact shade of kushin's hair or the cerulean of minato's eyes.

kakashi would watch every death he had ever witnessed in an endless loop if he could call forth the picture of team 7 in the land of waves, fierce and too small and his. but now he forgets which side sasuke wore his kunai pouch on, the length of sakura's hair, how many wrinkles appeared when naruto scrunched his nose in confusion.

small details. minute. insignificant.

important.

now fading. soon, gone.

kakashi knows he's lost any chance at rest and instead he crawls his way to the desk at the opposite side of his room and he uses his creaky fingers to try and scribble out the memories as they come - birthdays and festivals and quiet nights beneath the stars. he tries to remember the look on gai's face during each of their ridiculous competitions; tenzo's expression when he showed kakashi his first apartment after root.

but it's all a watered down version of what really happened. his fingers are too slow, his brain too tired and unfocused. each lost detail feels like losing. like grief.

the way he felt when he forgot his mother's eye color, when he realized he could no longer ask his father about it; could no longer remember the exact pitch of the older man's nose, how many teeth he revealed when he smiled.

kakashi should have known how tenuous a memory can be. had known the devastation of loss, of forgetting, long before he knew the power of remembrance; the true gift of the sharingan.

more than prowess in battle, the eye was powerful because it would not allow him to forget. good, bad, happy, traumatic, it was all still there, waiting to be spun to life beneath a crimson veil.

now everything is gone.

and kakashi realizes he should have kept another record because all those precious moments bled away, replaced by jutsu and regulations and quotes from icha icha as if they could ever matter more than the warmth of his first kiss, the comfort of loving arms after battle.

and it seems such a waste for the most exquisite mundanities of his life to fade into a watercolor backdrop of his world - the colors there, but all the detail lost - in favor of necessity.

because none of it matters if he can't remember the moments that made it worthwhile.