#first ship I've properly shipped in a while and like

[blitzwhore]

Do you have any predictions for season 3?

I do! A lot! I've been letting this ask sit in my inbox for a few days so I could properly put them into words, and in doing so ended up making a prediction bingo:

Some of these need a bit more explanation, so allow me to elaborate:

-> I think M&M will ultimately keep the baby, but it'll have a big impact on the dynamics of I.M.P. It'll mean Loona will have to go on more missions (while Stolas stays as secretary). It'll mean Sallie May will be a lot more present, and might even join I.M.P. herself. It's already been established she's a skilled assassin. (I also think Millie will be scared to tell Blitz at first, fearing the strain she knows this will put on the business, but he'll immediately give her absolutely every financial and emotional accommodation she needs, even if it means overworking himself).

-> I think Vassago isn't gonna let go of the trial, and will chase after Andrealphus to get some answers, then eventually seek out Stolas. I think when he finds out that Stolas was just saving Blitz's life because they're in love, he'll ship the two of them very hard.

-> I think Cash will try to get back into Blitz's life for his own personal gain now that Blitz's business is going well and he's well known. This might lead to more childhood flashbacks, to Stolas finding out about the fire, and to Blitz's bond with everyone else growing. I think this might also be how Stolas finds out what really happened on the day they met as kids (Cash selling him to Paimon and forcing him to steal).

-> I think Octavia will forgive Blitz before she forgives Stolas. There are theories out there about Via being in danger and Blitz going through great lengths to save her; I could definitely see that happening. I also theorise Blitz will adopt her before she's of age, the same way he did with Loona.

-> I think we're going to see more of Andrealphus, and I personally agree with the theories that he secretly desires something like what Stolitz have, or maybe had a crush on Stolas growing up and/or has an imp fetish. Either way, I think the reason he doesn't want Stolas and Blitz to be happy will be a lot more personal than he's been leading everyone to believe.

-> I also think Ozzie and Fizz's relationship will continue to develop and grow as they face new challenges and sources of conflict, both within their relationship (eg. the tension from what happened at the trial) and from external sources (eg. Mammon).

-> Lastly, I think Asmodean Crystals are what give imps the ability to conjure a human disguise (see: Barbie in Unhappy Campers), and I think Stolas will help Blitz and M&M learn how to conjure theirs as soon as he finds out they don't know how. Or maybe Barbie herself will teach them? Who knows!

Other random things I didn't include in the bingo:

Loona and Stolas bonding

Many, many soft and tender moments between Stolas and Blitz

More sassy/cunty Stolas

More Octavia songs

Loona song?!

Barbie meets Loona

Also: Stolas meets Barbie

There are also things I didn't include because they're not exactly "predictions", as we've already been told/shown they're going to happen, like another trial, a Vassago song, and Stella backstory. Looking forward to those too!!

[cesarescabinet]

Being a Skyvik fan gives me whiplash with how they've been handled I swear.

[microwavetoaster-selfships]

I know I'm sort of rapid-posting here a little bit but I've been really wanting to read the Chasing Storm book again but because I can't at the moment I'm rewatching Cars 3 and I'm realizing more and more I have less and less proper reasoning if I get questioned why I like him.

Which I'm now giggling over remembering how I used to skip over the entire middle part of the movie because I just wanted the bits of him in the beginning and ending segments. First movie that I learned every entire bit of dialog to. I used to do the dishes to that movie playing.

[fishandships]

like have you ever wanted to take your SI/OC and just. play with them and non-FO characters like dolls a little bit.

[just-ornstein]

[JK]  My first job was as an Assistant Producer for a video game company called Interplay in Irvine, CA. I had recently graduated from Boston University's School of Fine Arts with an MFA in Directing (I started out as a theatre nerd), but also had some limited coding experience and a passion for computers. It didn't look like I'd be able to make a living directing plays, so I decided to combine entertainment and technology (before it was cool!) and pitched myself to Brian Fargo, Interplay's CEO. He gave me my first break. I packed up and moved out west, and I've been producing games ever since.

[JK] I loved my time at EA. I was there for almost a full decade, and learned a tremendous amount about game-making, and met the most talented and driven people, who I remain in touch with today. EA gave me many opportunities, and never stopped betting on me. I worked on The Sims for nearly 5 years, and then afterwards, I worked on console action games as part of the Visceral studio. I was the Creative Director for the 2007 game "The Simpsons", and was the Executive Producer and Creative Director for the 2009 game "Dante's Inferno".

[JK] I haven't played in a long while, but I do recall that after the game shipped, my wife and I played the retail version for some time -- we created ourselves, and experimented with having a baby ahead of the actual birth of our son (in 2007). Even though I'd been part of the development team, and understood deeply how the simulation worked, I was still continually surprised at how "real" our Sims felt, and how accurate their responses were to having a baby in the house. It really felt like "us"!

Now for some of the development and lore related questions:

[JK] So I ended up in the incredibly fortunate position of creating the shipping neighborhoods for The Sims 2, and recruiting a few teammates to help me as we went along. 

Around the same time, we started using the Buy/Build tools to make houses we could save, and also bring them into each new build of the game (correcting for any bugs and incompatibilities). With the import tool, we could load Sims into these houses. In time, this "vanguard QA" process turned into a creative endeavor to define the "saved state" of the neighborhoods we would actually end up shipping with the game.

On playtesting & the leftover sims data on various lots:

Basically, we were in the late stages of development, and the Save Game functionality wasn't quite working. In order to test the game properly, you really needed to have a lot of assets, and a lot of Sims with histories (as if you'd been playing them for weeks) to test out everything the game had to offer. So I started defining a set of characters in a spreadsheet, with all their tuning variables, and worked with engineering to create an importer, so that with each new build, I could essentially "load" a kind of massive saved game, and quickly start playing and testing. 

It was fairly organic, and as the game's functionality improved, so did our starter houses and families. 

The thought process behind the creation of the iconic three neighborhoods:

I would not say it was particularly planned out ahead of time. We knew we needed a few saved houses to ship with the game; Sims 1, after all, had the Goth house, and Bob Newbie's house. But there wasn't necessarily a clear direction for what the neighborhood would be for Sims 2. We needed the game to be far enough along, so that the neighborhood could be a proper showcase for all the features in the game. With each new feature that turned alpha, I had a new tool in my toolbox, and I could expand the houses and families I was working on. Once we had the multi-neighborhood functionality, I decided we would not just have 1 starter neighborhood, but 3. With the Aging feature, Memories, a few wacky objects, plus a huge catalog of architectural and decorative content, I felt we had enough material for 3 truly distinct neighborhoods. And we added a couple of people to what became the "Neighborhood Team" around that time.

Later, when we created Strangetown, and eventually Veronaville, I believe we went back and changed Pleasantville to Pleasantview... because I liked the alliteration of "Verona-Ville", and there was no sense in having two "villes". (To this day, by the way, I still don't know whether to capitalize the "V" -- this was hotly debated at the time!)

Pleasantview:

Anyway, to answer your question, we of course started with Pleasantview. As I recall, we were not quite committed to multiple neighborhoods at first, and I think it was called Pleasantville initially, which was kind of a nod to Simsville... but without calling it Simsville, which was a little too on the nose. (There had also been an ill-fated game in development at Maxis at the time, called SimsVille, which was cancelled.) It's been suggested that Pleasantville referred to the movie, but I don't think I ever saw that movie, and we just felt that Pleasantville kind of captured the feeling of the game, and the relaxing, simple, idyllic world of the Sims.

Pleasantview started as a place to capture the aging feature, which was all new to The Sims 2. We knew we had toddlers, teens, and elders to play with, so we started making families that reflected the various stages of family life: the single mom with 3 young kids, the parents with two teens, the old rich guy with two young gold-diggers, etc. We also had a much greater variety of ethnicity to play with than Sims 1, and we had all new variables like sexual orientation and memories. All these things made for rich fodder for a great diversity of families. Then, once we had family trees, and tombstones that carried the actual data for the dead Sims, the doors really blew open. We started asking ourselves, "What if Bella and Mortimer Goth could be characters in Sims 2, but aged 25 years? And what if Cassandra is grown up? And what if Bella is actually missing, and that could be a fun mystery hanging over the whole game?" And then finally the "Big Life Moments" went into the game -- like weddings and birthdays -- and we could sort of tee these up in the Save Game, so that they would happen within the first few minutes of playing the families. This served both as a tutorial for the features, but also a great story-telling device.

Anyway, it all just flowed from there, as we started creating connections between families, relationships, histories, family trees, and stories that we could weave into the game, using only the simulation features that were available to us. It was a really fun and creative time, and we wrote all of the lore of Sims 2 within a couple of months, and then just brought it to life in the game.

Strangetown:

Strangetown was kind of a no-brainer. We needed an alternate neighborhood for all the paranormal stuff the Sims was known for: alien abduction, male pregnancy, science experiments, ghosts, etc. We had the desert terrain, which created a nice contrast to the lush Pleasantville, and gave it an obvious Area 51 vibe.

The fact that Veronaville is the oldest file probably reflects the fact that it was finished first, not that it was started first. That's my guess anyway. It was the simplest neighborhood, in many ways, and didn't have as much complexity in terms of features like staged big life moments, getting the abduction timing right, the alien DNA thing (which I think was somewhat buggy up until the end), etc.  So it's possible that we simply had Veronaville "in the can", while we put the last polish on Pleasantville (which was the first and most important neighborhood, in terms of making a good impression) and Strangeville (which was tricky technically).

Veronaville:

But my personal favorite was Veronaville. We had this cool Tudor style collection in the Build mode catalog, and I wanted to ship some houses that showed off those assets. We also had the teen thing going on in the aging game, plus a lot of romance features, as well as enemies. I have always been a Shakespeare buff since graduate school, so putting all that together, I got the idea that our third neighborhood should be a modern-day telling of the Romeo and Juliet story. It was Montys and Capps (instead of Montagues and Capulets), and it just kind of wrote itself. We had fun creating the past family trees, where everyone had died young because they kept killing each other off in the ongoing vendetta.

[JK] You know, I have never seen The Lone Gunmen, and I don't remember making any kind of direct references with the Strangetown Sims, other than the general Area 51 theme, as you point out. Charles London helped out a lot with naming Sims, and I'm pretty sure we owe "Vidcund" and "Lazlo" to him ... though many team members pitched in creatively. He may have had something in mind, but for me, I largely went off of very generic and stereotypical ideas when crafting these neighborhoods. I kind of wanted them to be almost "groaners" ... they were meant to be tropes in every sense of the word. And then we snuck in some easter eggs. But largely, we were trying to create a completely original lore.

[JK] Well, I think we kind of pushed it with The Sims 2, to be honest, and I remember getting a little blow-back about Bunny Broke, for example. Bunny Broke was the original name for Brandi Broke. Not everyone found that funny, as I recall, and I can understand that. It must have been changed before we shipped.

We also almost shipped the first outwardly gay Sims in those neighborhoods, which was bold for EA back in 2004. My recollection was that we had set up the Dreamers to be gay (Dirk and Darren), but I'm looking back now and see that's not the case. So I'm either remembering incorrectly (probably) or something changed during development.

In general we just did things that we found funny and clever, and we just pulled from all the tropes of American life.

[JK] The alien abduction started in Sims 1, with a telescope object that was introduced in the "Livin' Large" expansion pack. That's when some of the wackier ideas got introduced into the Sims lore. That pack shipped just before I joined Maxis in 2001; when I got there, the team had shipped "House Party" and was underway on "Hot Date". So I couldn't tell you how the original idea came about, but The Sims had this 50's Americana vibe from the beginning, and UFOs kind of played right into that. So the alien abduction telescope was a no-brainer to bring back in Sims 2. The male pregnancy was a new twist on the Sims 1 telescope thing. It must have been that the new version (Sims 2) gave us the tech and flexibility to have male Sims become pregnant, so while this was turned "off" for the core game, we decided to take advantage of this and make a storyline out of it. I think this really grew out of the fact that we had aliens, and alien DNA, and so it was not complicated to pre-bake a baby that would come out as an alien when born. The idea of a bunch of guys living together, and then one gets abducted, impregnated, and then gives birth to an alien baby ... I mean, I think we just all thought that was hilarious, in a sit-com kind of way. Not sure there was much more to it than that. Everything usually came from the designers discovering ways to tweak and play with the tech, to get to funny outcomes.

[JK] Possibly we were just testing the functionality of the Wants/Fears and Memories systems throughout development, and some stuff got left over.

[JK] I can't remember, but that sounds like something we would have done! I'm pretty sure we laid the groundwork for more stories that we ended up delivering :) But The Sims 2 was a great foundation for a lot of continued lore that followed.

--

I once again want to thank Jonathan Knight for granting me this opportunity and taking the time from his busy schedule to answer my questions.

[tastesousweet]

⭒ blurb : podcasting

bf!hamzah x poc!reader

summary: based on this ask!!! little blurb of the times you pop up on the ooc podcast

mickey speaks: this was so funny to write!!! also i need to be hamzah's gf yesterday bitch

─────────── · · ୨୧ · · ───────────

hamzah having you in an episode with mandy and martin

“oh wow this couch gets kinda tight when four people are squeezed on here” hamzah says while adjusting a few pillows

“yeah,” martin starts before addressing the audience, “and, well, you’re probably wondering ‘who the heck is that?!’” he gestures his hand over to you, beside hamzah with your legs folded and knees lying against his thigh

you can’t help but smile as hamzah introduces you, “and, yeah, believe it or not i have a girlfriend.”

“i’m right next to you so i’d hope they believe it” give a soft giggle

“only hamzah would announce he has a girlfriend with ‘believe it or not’” mandy adds and hamzah throws a hand up in the air in defeat

★

martin: “i can’t help but think this feels like in middle school when people were just group dating all the time”

hamzah: “was group dating that common? i don’t remember that”

you: “i remember certain friend groups at my school doing that but i definitely wasn't participating”

mandy: “this isn’t really a group though martin, more like a double date? there’s four of us”

martin: "it's not all about numbers mandy sometimes there's just a vibe"

★

martin: “but you two have been dropping hints about dating for a while now”

you: “yeah, we’ve been doing a little soft launching here and there”

martin: “i like that term a lot actually”

mandy: “i think it’s cute, but i've seen a lot of people online that don't use it properly”

you: "i agreeeee, like you didn't soft launch by posting the back of his head if we already saw the front of it a week ago- we know who he is!!! there is no mystery"

martin: "oh so the appeal is the mystery... almost like scooby doo?"

hamzah, nodding his head: "mhm... exactly"

you: "it's always two dumb bitches telling each other-"

you and hamzah together: "exactlyyyyy"

martin looks over to mandy as the two of you laugh: "oh come on this is their first episode together and look at them mandy! we have to be cuter, come on. lock in."

hamzah: "hey no need to be jealous, my friend."

hamzah pats martins thigh

mandy: "so what was that right there?"

hamzah: "you wouldn't understand..."

martin: "no but seriously mandy you never soft launched me- only hard"

mandy: "there was no need to??? next time i'll do it i guess"

you, laughing: "next time???"

hamzah is sat in thought for an extra second before he replies to martin, making them both laugh

hamzah: “okay martin you said like that term so much? boy, now imma soft launch these nuts in your mouth”

you: "and i know you were thinking on that joke for a minute"

martin, through laughs: “okay, okay, enough”

hamzah, wiping his eyes: “well, now the jig is up. you know it's all aired out and public”

martin: “yeah... a hard launch on the podcast, that’s crazy bro”

you and mandy, mocking: “that’s craaazzyy brooo”

★

hamzah answering your call during a podcast

martin: “hamzah whenever you buy clothes from the store or get it shipped in the mail always wash your clothes!”

hamzah: “i do wash my clothes but if it’s new that doesn’t make any sense”

martin: “so you’re just gonna open it up and put it on?”

hamzah: “yes!”

hamzah’s phone starts ringing

martin: “and wow. now look who’s breaking the phone rule!”

hamzah: “stop shhh. it’s y/n”

he answers, hamzah: “hey what’s up?”

you see the mic in his hand and widen your eyes, you: “oh shit, i’m sorry to interrupt”

hamzah: “it’s okay i have something to ask you now anyway.”

you: "okayy.. do you wanna go first or me?"

hamzah: "you go ahead"

you: "okay quick- is this business casual enough for an event tonight?"

hamzah: "nobody is doing business lookin' that hot, you can't be serious"

you: "kay thanks"

hamzah, jokes: "you are not anyone's office siren, girl"

you: "i'm gonna hang up"

hamzah: "no!!! i need to ask if you wash your clothes after you buy them."

you: "if they smell like stale water and factory chemicals, yes"

hamzah: "martin is educating me on the importance of this unimportant thing right now."

you: "and you should listen to him, stinky"

martin: "thank you!"

hamzah: "oh nahhh, now i'm gonna hang up"

you: "mkayy bye, sorry for interrupting! bye martin!!!"

martin: "byee"

★

you drop something off at the warehouse studio while they’re filming

hamzah: "what was that noise?"

martin: "i don't know..."

hamzah: "it sounds like someone's actually trying to break in, what?"

martin: "were you expecting company?"

hamzah: "no, were you?"

martin: "no...i mean let's ask the audience"

martin turns to the camera, concerned

hamzah: "okay i'm actually about to go check. this is weird."

it cuts to a clip of hamzah sat again and you peeking your head in the frame to wave

hamzah: "nevermind. it was just my sweet girlfriend bringing us lunch, sorry if that scared you guys."

martin: "should we make like a super artifical thumbnail for clickbait? somethin' like; 'someone tried to kidnap us in our studio!'

hamzah: "no"

★

they have a trolling episode where you and mandy both sub in and act as martin and hamzah for an entire episode

mandy: "you know i find it crazy how we manage to talk about nothing for an entire hour"

you: "this is the talent people expect from us bro! and if we ever get too boring we can always discuss the state of sabrina and barry's relationship."

mandy: "true. and don't make fun of me but everytime man-crush monday comes around i'm always picking barry..."

you: "well if i can't make fun of you then i'll just stay quiet for your sake."

taglist -★ (some of u didn't ask to be tagged but have frequently liked my hamzah content lol, just lmk if you'd prefer not to be tagged!!!)

@sirenedeslily @333michelle @thatmartinkitten @@maybankfr @imsosillygoofylol @certainfestivalnerdshepherd

[bixels]

Taking the current topic as an excuse to ask you to tell me all the reasons you love Rarijack. Your art for the ship is so sweet and intimate I'd love to hear any in depth thoughts you have.

Breathes in.

I think what makes their dynamic really strong is that they have opposing personalities but aligned values. It's deeper than just "opposites attract." Rarity's fancy, prissy, and femme while Applejack's modest, rough, and "masculine." But both value hard work (to the point of being workaholics), their families (both have guardianship over their little sisters), running successful businesses, and eventually each other. Their relationship can be boiled down to, "Despite our differences/disagreements, I still like you because we value the same things."

We see their relationship develop so much. In the first season, they can't stop bickering about surface-level differences. By season four, they still bicker, but will mend their relationship because they can't help but do nice things for each other. In Trade Ya, they start off arguing over personality differences (Applejack likes old junk and Rarity likes useless crap). Then they pivot and start arguing that they value their relationship more than the other. In the end, they mend things by sacrificing their needs and buying each other a gift. Even if they don't understand it, they know it'd make the other happy. And that's all that really matters. It's a genuinely sweet moment that shows how arguing can be healthy and necessary for relationships to strengthen.

We even see them dropping their hang-ups about each others' personalities. In Made in Manehattan, when Rarity runs off in dramatics about someone's fashion, AJ doesn't roll her eyes or scoff, she smiles. Oftentimes, their conflicts are very common domestic conflicts romantic couples face. Applejack's Day Off is about a woman's inability to balance work and life and find time to properly spend with her partner, causing her partner to feel neglected.

By season seven, they're actively participating in each others' interests. Any problems or conflicts that arise are dealt with, and they come out the other end stronger and closer. In Honest Apple, AJ pretty much spells out why their relationship works so well: even though she doesn't understand fashion, she can recognize and appreciate how much work it takes and wants to respect that. When she realizes her mistake in the episode, AJ goes above and beyond to fix things and apologize to Rarity. They care about each other so much.

The two go out of their way, sacrificing their personal desires and beliefs and doing things they normally wouldn't, to make the other happy. That's just love.

There's Simple Ways, where AJ gets stuck in an unwanted love triangle between Rarity and her hipster crush. And her frustration and anger can be so easily interpreted as AJ finding herself in a terrible position; the girl she loves wants another man, and that man wants her.

I dunno. I've always had a preference for opposites attract ships, but Rarijack's stuck with me like a brain worm because they have the perfect chemistry. The way they show they care, or do things for each other, I've always read it as the truest representation of romance in the show.

[inchidentally]

Sorry new landoscar fan here, I kept seeing the notion that Oscar was Lando’s fan for years, but I can’t seem to find any info about that?

ofc babe ! I store a lot of it in this tag but I think a little roundup post is probably due - heads up this is not in chrono order bc a lot of it is referenced from recent content:

2015 and Oscar making the big move to the UK to join Ricky Flynn and his fanboying of Lando begins

tiktok compilation of Oscar revealing his chronic Lando content consumption well before they were teammates

compilation from twitter of Oscar's decided bias toward not only liking Lando content but also searching his tag and finding posts that sometimes had barely a few likes (and this was just going back to 2017)

Oscar knowing when Lando's maiden podium was (and Lando calling him a nerd)

the 2020 hornet tweets because Oscar watched the stream of Lando battling 2 hornets in his house x x

2021 Oscar citing Lando's social media inspiring him to use humor as a way to open up to the public more (added landoscar angst here bc the hate and abuse he received after alpinegate seriously made him clam up and between that and him being fairly in awe of Lando, meant that Lando himself didn't rly get to know Oscar's humor until fairly late 2023 - like, no one should underestimate how Oscar entered F1 properly and got to know one of his favorite drivers all while being universally despised and painted as a villain/cold/evil - how much could have been different if one team had simply kept their mouths shut until verifying that tweet first esp when Oscar was already a shared reserve driver w McLaren anyway !!!!)

the beloved Oscar and Max F at Renault Academy lore

this post I made is a mess but the anecdotes he can only know from Lando's or Max's streams streams or Quadrant videos: Lando making stickers and selling them at school; Lando's snoring lore could be because of the thin shared walls but also Max has def brought it up before; he definitely already knew the story of Lando falling from a window trying to break into his own house; and the fact that we got Max reacting to Oscar referencing Max's outrage at Lando forgetting his birthday

it's a bit too scattered to compile but trust and believe Oscar has been a carlando girlie from day one - def the bromance but idk I feel like he's read a fic or twenty

watching Lando's career when asked about his idols coming up

and backing that up, him in 2019 saying the same thing

EDIT: his mum Nicole saying he would choose Lando as his ideal teammate going into F1 because the expectations of him wouldn't be too high since everyone knows how good Lando is

pulling out the it's Friday theeeen Lando meme

being so addicted to Lando content by 2020 that he actually fanboyed about the LN4 admin interacting w him

EDIT: he then followed it up by creating a sort of ship name for himself and Lando ???

EDIT: Lando's kart and the number 481 !!

and ofc K's beloved Oscar primer has a lot of context about all of this more fleshed out!

I think that's everything but if anyone notices I've forgotten anything lmk !!

[technoarcanist]

WAR NEVER CHANGES. BUT,

WARFARE NEVER STOPS CHANGING

"I've seen countless reasons why most mech pilots don't make the cut, but one of the largest hurdles are the physical alterations. The implants and modifications done to the fleshware is so extreme that it's enough to push most would-be pilots away from day 1.

Back in the day, when mech tech was still in its wild west years, when the technology was still in its infancy, things were different. Levers, joysticks, switches, a chair, most of the first models were something between the cockpit of a construction vehicle and a fighter ship.

Pilots in those days still consisted largely of the usual suspects. Test pilots, army jocks, space force veterans looking for something new, the occasional crazy who lucked their way up the ranks. All you needed back then was to be fit enough to work complex machinery. 'Handler's wouldn't be a coined phrase for nearly a decade. I still remember being a kid and seeing repurposed older models in the mech fighting streams.

Everything changed with the Bidirectional Cerebellum Computer Interface. To say nothing of how it changed civilian life, it was a military marvel. The BiCCI saw the creation of Mechs as we understand them today. The first generation were just retrofits, older models with a pilot's chair, and even manual controls to use in an emergency, but even then we knew that was only temporary. Before long, sleek frames of sharp angles, railguns and plasma cannons were rolling off the factory floor.

Like many things, it began small, optimising first for cockpit space by removing the manual controls. Before long, my then-supervisors thought, "Why have this glass? Why not hook the pilot's eyesight right into the advanced multi-spectral camera system? Before long, cockpits were but soft harnesses made to house a living body, their very soul wired into the machinery. Obviously, for security reasons, I cannot tell you everything about how our latest cockpits work, but suffice to say we've been further blurring the line between pilot and frame ever since.

This drew a very different crowd. Out were the army jocks and powerlifters. The only ones who even dared to have the interface hardware installed into their brainstem and spinal cord were the dispossessed, the misanthropes, those who sought not to control their new body, but to be controlled by it. No AI can work a mech properly on its own, but our pilots are never really in full control either anymore. Those who do try to go against the symbiosis get a nosebleed at best, and vegetative seizures at worst.

And that was that. The only people left who pilots these things are those who had already been broken, those who sougt a permenant reprive from being anything resembling human. A lot of my department quit around this time. I've lost a few friends over it, I'm not shy to say. Did we knew we'd be bringing in the more vulnerable people? Of course we did. But, the wheels of progress must turn, as they say, and it wasn't like we were shy of volunteers.

In our latest models, we have refined an even more advanced frame. Again, security detail prevents me from divulging too much, but one breakthrough we've made is decreasing action latency by approximately 0.02s by amputating the limbs from our pilots and replacing them with neural interface pads.

Using the pads where the limbs once were, pilots are screwed directly into the cockpit, which itself can now be 30% smaller thanks to the saved space. And, of course, we provide basic humanoid cybernetics as part of their employment contract while they are with us. Not that most of them are ever voluntarily out of their cockpits long enough to make use of them. Even removing the tubes from their orifices for routine cleaning incurs a large level of resistence.

And, yes, some of them scream, some of them break, some become so catatonic that they might as well be a peripheral processor for their mech's AI. But not a single one, not even one pilot, in all the dolls i've ever trained, have ever accepted the holidays we offer, the retirement packages, the stipends.

As you say, there are those who like to call me a monster for my work. I can see why. After all, they don't see the way my pilots' crotches dribble when I tell them I'll be cutting away their limbs, or the little moans they try to hide when we first meet and I explain that they'd forever be on the same resource level as a machine hereafter.

Those who call me a monster don't realise that, even after going public with how we operate our pilots, even after ramping up mech frame production, we still have more than twice as many volunteers as frames.

Those who call me a monster cannot accept that my pilots are far happier as a piece of meat in a machine of death than as the shell of a human they once were.

Those who call me a monster never consider the world my pilots grew up in to make them suitable candidates in the first place."

-Dr Francine Heathwich EngD

Dept. Cybernetic Technologies @ Dynaframe Industries

[In response to human rights violations accusations levied by the Pilot Rehabilitation Foundation]

[oneawkwardwriter]

prince caspian, inspired by 'I see the light' from tangled also imagine on the dawn threader at night under the moon and the stars

anything else is up to you

I See The Light

pairing: Dawn Treader!King Caspian x gn!reader warnings: a little bit of pining, very intense eye-contact, maybe perhaps some kissing... maybe even perhaps things getting just a little bit more heated... not quite nsfw, but there's some implying summary: you're staring at the moon and stars; Caspian is staring at you a/n: thank you so much for requesting this, I absolutely LOVE Tangled and I've recently come back into my King Caspian Narnia hyperfixation. Also, this is techically not the first time I've written something like this, but definitely one of the better things I've written wc: 1.3k

The only light, besides that of the moon, that illuminates your path to the railing of the Dawn Treader is the lantern at the helm, where a faint flame is dancing in its little cage.

For the first time since you've left the harbour, the midnight sky is fully clear, not a cloud that dares to blanket the twinkling stars or the silver glow of the moon. It's colder than usual, a light breeze blows against your cheek.

You lean down on the railing, resting your head in the palm of your hand as you look up at the sky. For some reason, there's something mesmerising about the way the moon casts a silver glow across the water, how the stars form constellations that only exist because someone decided to connect the dots to make some sense of it all.

You're too caught up in your own head to hear the door to below deck open. And so Caspian, King of Narnia, finds you staring out into the midnight sky. He leans against the doorframe with his arms crossed, a smile adorns his lips. His eyes skim over your figure, taking in every detail as the wind lightly ruffles your hair.

For a moment, he just stands there, not wanting to disturb you. After some time, he carefully approaches you. You hadn't noticed him at first, but after a while, you had felt his eyes burning in your back. So when he came to stand beside you, you weren't entirely startled.

"Can't sleep?" Caspian asks softly, not looking you in the eyes just yet and instead looks up at the sky as well.

"Oh, I'm sure I could if I bothered to try," You answer, "It's just that the sky hasn't been this clear ever since we sailed out of the harbour."

"It also hasn't been this cold ever since we sailed out of the harbour," He remarks, "A simple shirt won't keep you warm enough."

"Oh please, I'm fine," You say, even though you're unable to hide the shiver as it runs down your spine. "Besides, shouldn't you be fast asleep in your bed?"

The king lets out a dry chuckle and shakes his head. "Perhaps, but luckily for me, I don't have to follow orders," He says, his gaze drifting towards you now, "You, on the other hand, would be wise to do so. You should go to bed, get some rest."

You playfully roll your eyes. "I'll go to bed shortly," You say, looking back at him as well now. "You know, you're welcome to stay here for a while, Your Majesty."

"Oh, don't go calling me by my title now, we're past that," He says, finally being able to properly look you in the eyes. "Please, just call me Caspian. Also, thank you for allowing me to stay on my own ship."

"Alright, I didn't mean it like that," You respond as you lightly chuckle and shake your head, "I just didn't want you to think you couldn't be here because I was already here, even though it's your ship, which you said and... I'm rambling, aren't I?"

Caspian looked at you with a light smile on his lips, his eyes trained on yours. "You are, but please, don't stop on my account," He says, moving almost unnoticably closer. "Really, do continue, please."

"Oh, okay, uhm..." It didn't make sense why your mind suddenly went completely blank. There was no reason for your cheeks suddenly feeling warm and turning a bright red. "What... what did you want to talk about?"

"Oh, anything, really," Caspian answered, the silver light of the moon reflecting in his eyes. "That wasn't an order, by the way. I just... really love it when you talk."

"Good to know," You say softly, averting your eyes for a moment before looking back up at the midnight sky. "So... the sky is beautiful tonight, isn't it?"

"Yes, it truly is." If you had looked at him, you would've seen Caspian's eyes were still trained on you rather than the sky. "The way the moon and stars cast their silver glow is... truly mesmerising."

Despite the chilled breeze that glides over the ship and the silence between them, the atmosphere is strangely comfortable and relaxed. Time seems to stand still, stretching the minutes into an eternity as the two of you continue to gaze up at the midnight sky.

After Aslan knows how long, Caspian softly speaks up again. "Have I ever told you why I love being at sea so much?"

You avert your gaze from the stars to look at him. "No, but please, do tell."

"Back in the palace," He begins, "everyone and everything always seems to be in such a hurry. And despite all of that, I feel like I'm doing nothing but chasing down daydreams until the days just... blur together.

"But out here, everything is so peaceful. The gentle rocking of the ship, the glow of the starlight... suddenly, everything is crystal clear, like I've finally found what I'm supposed to do."

You softly smile as you listen intentively, resting your head on the palm of his hand. After a while, Caspian looks at you in slight confusion, raising an eyebrow.

"What?" He asks, letting out a soft chuckle.

"Oh, nothing," You say, your smile turning into the lightest of smirks as you continue, "I just... really love it when you talk."

Caspian let out another chuckle as he shakes his head. "Using my own words against me, are you now?" He comments teasingly, leaning in just a little bit closer. "Are you sure it's a good idea to challenge your king?"

"Didn't you say that we were past using your title?" You raise an eyebrow at him, daring enough to take a small step closer as well. "And if not, what will you do? Exile me?"

"Oh no, my dear, I wouldn't dream of it." The world seemed to somehow shift into a blur as the back of his fingers lightly brushes against your cheek, creating a contrast between the warmth of his touch and the chilled gusts of the wind. "Has anyone ever told you your eyes are as bright as the stars above?"

The light touch of his hand and his soothing words managed to knock the breath out of your lungs, the way he gazed into your eyes left you in a trance-like state. If your eyes were as bright as the stars, his were brighter than a thousand suns with the intensity he was looking at you.

Slowly, carefully, an invisble force seemed to push the two of you closer together until there were mere millimeters between your lips. And then, time seemed to freeze into a moment of uncertainty, even though the electricity could be sliced with a knife.

"Tell me to stop," Caspian breathed, his hand resting on your cheek as those brown eyes bored into yours. "My Starlight, tell me to stop. I won't be able to hold back."

"Don't stop... don't hold back."

And that was all he needed to hear before closing the distance between you. In his defense, he really intended on holding back on the intensity, but as soon as those words had fallen from your lips, he was done for.

One hand snaked around your waist, pulling you flush against his body while his older hand held steadily onto your face. Your hands crept into his hair, your fingers softly running through the strands, earning yourself a soft groan falling from his lips.

His grip on your waist tightens slightly, the fervour in his kiss grows a little stronger. "Please," He whispers against your lips, nearly sounding like a desperate plea.

"Okay..." You respond breathlessly, letting him pull you towards the stairs leading to below deck.

© This work belongs to @oneawkwardwriter, please do not copy this work to any other site or claim it as your own. Reblogs are allowed and appreciated!

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[lokiina]

Lucanis x Rook x Spite

Okay hear me out tho

Throuples? Not usually my jam. Unless things like, genuinely make sense and it feels like it actually works. But I guess it's just cuz that's how I view most ships in general. But basically I've never made a throuple just for the sake of having a throuple. That's just not for me.

BUT.

lemme just.....

(I'm putting this behind a cut cuz it's a lot of rambling most people probs don't care about. There are spoilers not like HEAVY spoilers but def stuff mentioned from like end game time frame.)

I do think Spite actually appreciates Rook from the get go, at least in my play it felt like that cuz I never reacted to Spite related convos in a perceived negative way. And all Spite really wants to do is talk to Rook from the start, Lucanis is the one stubborn about that not happening for a while. The main time he properly can, he literally asks Rook for help. Like genuinely asks for help for both him and Lucanis. "Help us" he says.

So I think his fondness for Rook grows like Lucanis' does. Naturally over time. Now is it because they're tied together? Who knows. I'm not sure it's clear that their feelings influence each others, I don't think that's addressed, the two still feel pretty separate in that regard...? (I'm in the middle of replaying so maybe there's shit I missed the first time I dunno)

Now the wings situation there's a voice line where Lucanis openly admits to Harding he has 0 control over the wings. The wings are 100% Spite. So spite does it to help. So them fighting is just team up, rather than one using the other. So if there's ever a situation Spite might be mad at Lucanis, he's probs gonna get no help. No wings. sdjhfgdjfhg

BUT THIS MEANS in the Romance scene when those wings pop... Spite's consciously involved. He's made the decision to not sit this one out. My guy created a threesome without warning. 😂 Either he is just like super rooting for them and ships them too and is being the worlds best wingman (pun intended) by lending aid or he's getting in on that action cuz he's also developed some sort of feels as well. Tbh it could go either way... The point is, he got involved.

But there's also evidence later in a possible party banter with Solas where Spite accuses Solas of trying to hurt Rook and is like ready to go to war for Rook against Solas. kdfjghdfkjgh

So... We have no idea what Spite and Lucanis chat about when Rook isn't around so who knows. But the vibes are there where this would in fact be a situation where this kind of ship makes sense.

Either way those three really need to talk about this... 😂

[eddiezpaghetti]

Okay, so my experience with Stranger Things is a weird one.

I didn't care when it first came out, started to watch it out of "might as well" in 2020, wasn't interested in it enough to make it past S2, forgot about it outside of going "oh, hey, cool, there's a lesbian in it now, I guess," in S3, got really annoyed when "Running Up That Hill" got popular from it because it was a song I listened to on fucking loop after one of my best friends died in high school and I fully expected its appearance in the show to ignore the whole survivor's guilt theme of the song (and was very happy to learn later that it did the exact opposite of ignoring the lyrics), saw people drawing Eddie, suddenly got a lot more interested, watched just the fourth season like a fucking psychopath because I was seriously only there for Eddie, then got interested enough to start the show over properly, having mostly forgotten what I did watch of the show before.

And let me tell you something from the perspective of someone who started with the complete fourth season, who wasn't there from the start, who wasn't tainted by ship goggles or this internal battle of hope and despair, who wasn't theorizing about what the painting could be or expecting Mike and Will to kiss when Volume 2 happened or rooting for Mike and Eleven's relationship to go down in flames or whatever the fuck. Just someone who went blind into Season 4.

It's really fucking obvious that Will and Mike are gonna be endgame.

Like holy fuck. It's so fucking blatant I don't even know why people are nervous.

No sane fucking person would shoot this scene this way if they wanted the audience to care about El and Mike as a couple. Despite being all blurry in the background, Will's reaction to what's happening here is smackdab in the fucking middle, clearly showing that the important part is what's going through his head here. What he's feeling. It's like the opposite of that scene from Kingdom Hearts II where Sora and Riku reunite and Kairi just fucking vanishes into the aether while it's happening because, despite the fact that she was standing between them when the scene began, she doesn't matter to the scene, so she's just kind of gone when the camera angle changes. Will could have been behind one of their heads, or so far in the distance he blends in with the background, but he's not. He's so obvious that despite being massively blurred out, he's still the first goddamn thing you look at. What, you think that's an accident? You think he's in the middle of this dramatic fucking scene because of a mistake? He basically has a big flashing neon arrow pointing at him with "THIS IS THE POINT" being screamed through a megaphone.

And then this?

They're paired up like they're taking fucking prom pictures. Each one of these pairs is so fucking close to one another and so fucking far from everyone else. It's not, "Oh, they're standing vaguely near each other in a group shot," it's fucking Noah's Ark out here. Again, there's no way to take this as an accident. It's not just a framing issue. If they wanted to make the shot look balanced while still not hiding anyone else behind El, they would have scattered people around much more naturally. Even if they wanted to keep Nancy with Jonathan and Hopper with Joyce, there's so much room on that hill for three people to stand on El's left and three on her right. But they didn't do that. They put Mike and Will together on purpose in the most obvious way possible.

Like I get that coming up with crackpot theories is fun in and of itself and I'm not blaming anyone for having fun. I totally get the appeal of arguing a point and reaching for every stupid little thing to pull into it because it's like a game, okay? I've done that. But if you're trying to actually convince someone (whether it's someone who wants to believe or someone who's pissed at the very idea that Mike and Will could be in love), stay away from blue and yellow lights, stay away from costume design, stay away from the existence of closets in backgrounds. And don't worry about whether Mike's gay or bi when he's in love with Will either way. I'll give you a little tip about persuasion: You're only as strong as your weakest argument. Even if you've got strong stuff in there, too, the person you're trying to convince is going to dismiss anything you say as complete insanity the second you start going on an entire tangent about the shape of a character's fucking pocket.

Sometimes, clothes are just clothes. Sometimes, there's a closet in the background because it helps establish that a character is in a bedroom. Sometimes, blue and yellow are just a couple of colors that look nice together. And sure, it might be set designers and costume designers and cinematographers smirking and winking at the audience from behind the camera. But if the show was just those things, instead of those things in the context of everything else, they wouldn't be saying anything of note.

But this?

This tells a story all on its own. Someone with no context can look at this and automatically assume that each paired person is standing with someone they care about deeply, seeking comfort as they watch some sort of disaster unfold. And yeah, romantic couples usually come in twos, and we live in an amatonormative society, so that's going to be the first association anyone makes seeing a bunch of people paired off.

It's the same reason you look at this

And go, "Oh..."

"Those two are probably a couple."

And I genuinely don't understand how people could have watched S4 Vol. 2 and gotten scared. Because as someone who went in with no investment whatsoever, I just looked at these two--

--and went, "Oh, those two are a couple. Good for them." And I moved on. Shut up about the trees for five seconds and just see the forest for what it is.

Oh, and if you're still nervous? Little thing from a storyteller here: You don't leave a hanging thread like "Will confessed his romantic feelings for Mike by projecting them onto El, but Mike either didn't understand or at least didn't say he understood," without coming back to that later. That's Chekov's gun hanging on the wall, babes. It's gonna fire at some point. If Mike was going to reject Will's feelings, if they weren't relevant, they would have had that discussion in Argyle's van. There'd be no reason to leave you in suspense.

[okwonyo]

tender touches, soft affections

꒰◞ ◟𐙚 ꒱ 엔하이픈 형선 + femreader ？ fluff established relationship warnings not proof-read skinship : 500 ੭୧ bookshelf ❀

notes. i fear i've already made this before and i do not really make any sense. . .

heeseung

his favorite thing about you sitting on his laps is when you tilt your head to the side and it bumps against his. he finds it cute and fun. ─ also if he is standing, and he is the one who wants to rest his head on yours, not only his head bumps against yours but he also put his whole weight on you on purpose and almost make you fall.

hold your purse automatically when you go. it is almost as if it's his own, he always has it. at first it was so he could hold your hand properly because he claimed that it was ‘disturbing’ instead of letting you put it on your other shoulder, he just took it ─ it grows to be an habit of his. he even makes sure his outfit matches with it and put his stuffs in it.

jongseong

see, when you are hugging he adores when you put your cheek against his. especially when he is sitting and you come hug him. you wrap your arms around his neck and he puts his hands on your hips ─ then he smiles when you press your cheek against his.

buys you everything that is on your pinterest wishlist. you don't even ask him for it, he quite literally stalks your pinterest and make it his personal mission to buy every new item you add to it. you told him many times it was an unrealistic wishlist but even if they only ship uggs in england, he will put them on your feet.

jaeyun

likes when you fix his hair. frankly, he loves when you touch his hair, but especially when you are talking to each other and then you start fixing his hair. he keeps listening to you carefully as he follows the movements of your fingers around his locks and puts his hands on your waist and pulls you closer.

pats your head often. when you successfully do something and you get so happy, he finds you so cute ─ he just has to pat your head with a wide smile on his face.. or when you are in a sad mood, he frowns and says “baby.. don't be sad.” while he pats your head tenderly.

sunghoon

he subconsciously holds your hand. wherever, whenever ─ he could be talking and then suddenly when he stops his hand is in yours. it is as if his hand is calling for yours, no matter how far he is from you, he will always find a way to hold it.

teases you as form of love language; he'd start picking on you for fun randomly but he has that power of annoying you easily. you both bicker like a old married does ─ you often end up hitting him and he laughs.

taglist open ❕ @manooffline @ibsysbsfsunsbs @nwjws @lilriswife4life @alaezasmystery235 @teddywonss @tyussday @cholexc @icydawon @yuviqik networks ❔ @kflixnet @k-films @/k-labels

[thefirstknife]

Information about the new stuff for Destiny! I recommend reading the articles starting with this one. Some really cool and exciting possibilities. All of it is still very early so we don't know details, but we did get some images!

The next two are super exciting, I'll go wild in the speculation so it'll be under read more:

No clue what these are. They've teased that we'll be going to new places and especially leaving the solar system. The second picture even shows an unfamiliar sky with two planets/moons. But the technology on the ground is human (aside from the white floating things which is potentially human, but could also be something else) and it seems like it's been here a while so I don't think this is us freshly arriving. Or, depending how this will proceed, maybe it is. Perhaps some ships could be sent ahead of time and by the time we get there in person, they'll be in this state?

The ship in the first image feels old though, and it's in what looks like a dry water bed (sea? river? lake?). Feels alien with the weird things floating in the sky, but the actual ship looks very old.

If we're talking Golden Age colonisation projects, there aren't many options here to explore. We know they had projects, but everything we know about them is that they failed due to the Collapse. Exodus ships never made it out; the only one we know about that did is Indigo which ended up only reaching Neptune. We know Exodus Black had a target outside of the system (Kepler-186) but that ended up crashing on Nessus. It's always possible that there's some other previously unaccounted for Exodus ship that did make it out and we just didn't know about it which makes sense given the Collapse and a total loss of information.

Clovis had the ECHO project which was supposed to go to Andromeda, but one ship never launched and one was stolen by Soteria and crashed on Neptune. There's one peculiar lore tab I've really never forgotten about that mentions what appears to be some sort of a transmission around the time of the Collapse of someone attempting to escape the system and, well:

"If I rig the pod just so, I should make it to Ross 128 b before the systems die. I can rally some ships and try to make it back."

The mention of going there, "rallying ships" and coming back implies there's ships to rally at that location which further implies there's a living colony. I've always been intrigued by this lore tab and there's never been any sort of elaboration on it. Once again, it makes sense because even if people of the Golden Age settled somewhere out of the solar system, we simply wouldn't know about it unless those both survived and were able to reach back to us. Given the state of this technology in the images, perhaps the colony failed, possibly because of the loss of contact with Earth and resources before it could be properly set up. Both Kepler-186 and Ross 128b are real exoplanet locations btw.

Anyway, we have no idea what this is and as much as I like speculating, I hope it's something wild that we can't possibly guess. I just wanted to go into some of this because it's cool and exciting to think of the possibilities that have been mentioned but never explored.

There's other options as well. My first thought over the first image before I saw the second one was Panama Ravine, with the dried out water bed and the ship, but I think that feels a little too small as an exciting new "frontiers" location. Because it would just be Earth. But the second image shows an unfamiliar sky so!

There's other possible options including stuff we can't really even begin to imagine because it hinges on stuff that will be happening next two episodes. They said that the next two episodes will be hinting at what this is and where we're going.

Really intrigued about all of this as I have been since they teased Frontiers! So clear that they plan on taking us to completely new places and I can't wait to see what they have planned.

I do have some concerns about the plans with how content will be delivered. Two expansions, even smaller ones, is a lot of work, on top of free seasonal updates. My main concern is that after the layoffs and downsizing of the studio, this will be tough on the employees which might once again lead to crunch and insane demands. I want people to keep that in mind when we talk about our expectations for this content. It would feel bad not to mention this. I'm excited but also I don't want to forget everything that happened and how this might be affecting the team. I'm also not sure if it's the right way to go back to four 3-month cycles again instead of keeping three longer episodes, but since it's a different type of a cycle, who knows.

Either way I'm excited and I'm excited about all the future information they'll be sharing over the months to come.

[seirei-bh]

I need to talk about Sylphrena and Renarin as individuals and their evolution in Wind and Truth

Syl and Renarin are among my favorite Stormlight characters since the first book, but in WaT posts almost every mention I've seen of them has been in regards to ships, so I'm going to put that topic aside because I want to highlight here how much I've loved them in this book as well for their evolution and roles.

Warning! FULL SPOILERS Wind and Truth below!

Syl is -too often- a character VERY underrated both in the books and in the fandom, not being appreciated enough except just as a "cute pixie" or "Kaladin's spren", something that makes me sad since I think she doesn't get the recognition she deserves, but in WaT she really stands out as an individual woman. And I love that so much! We see her becoming more self-aware, wanting to not only live for Kaladin but live for herself, she becomes a scribe and learns to write by her own efforts, because it's something she really likes, she finds a hobby and a dream. She also actively helps Szeth in one of his tests and she is the one who discovers the hidden trap, where we get a chapter from her pov. This book shows us a Syl who is smart, funny, witty, strong-willed, and also shows us very healthy and positive interactions of Syl with Kaladin and other individuals like Adolin and Shallan at the beginning, and then with Nightblood, Szeth, Nale. And in the end… she becomes the Queen of the Sprens! why is NOBODY talking about this??! And she also gets a physical body properly (I was afraid she would do it suffering from an experiment by Ishar, but no, it was thanks to the 5th ideal), so she can live in the physical world as she wished. Syl matures, grows, figures out who she wants to be and helps people who need it, while also learning to be an individual with her own personality and dreams. It's true that the character developments in the Shinovar storyline that stand out are those of Kaladin and Szeth, but we can't forget that Syl has also had her own: we see Syl as a member of Bridge 4, as a scribe, as a co-therapist, as a warrior (in spirit), and as a queen. And I'm very happy for her.

I hope that after WaT more people start to value Syl, and that those who hate a certain ship and have feared/hated Syl -without her deserving it- for that possibility in past or future, can value how beautiful and healthy the dynamic and bond between Kaladin and Syl is regardless of that, and how amazing is Syl as individual character, since Syl's scenes in this book are beautiful and heartwarmings. And I can't wait to see her in future books, to know what her role as queen of the spren will be like and how she will also help the heralds alongside Kaladin. After seeing how Kaladin and Syl summoned the Honor-spear together in the Oath, I now wonder if it will be possible for both of them to be able to summon a spear individually, so could it be possible that we see them fight together side by side in battlefield?? That would be amazing.

Now Renarin, he was always a character that caught my attention, I found him mysterious and interesting, and I've been very happy seeing how in each book and especially in WaT, he has become a much more self-confident person, someone braver, stronger, smarter, and who has managed to find his place in the world, both within Bridge 4, and in his family and also, little by little, about what he wants in the future: a world of peace where singers/listeners and humans can live together in peace and understand each other. And also that he wants to be free to love whoever he wants, and to be radiant, erudite, and he has the courage to free Ba ​​Ado Misharan and to decline to be king at the end and instead opt for an egalitarian government and shared government (it seems that it will be a mix between a republic and a democracy, perhaps). His relationship with Rlain is beautiful (but I'll talk more about them in another post <3), and that bond between them has helped them grow too, I also really liked how his friendship with some members of Bridge 4 develops here, especially Drehy, and with Shallan as a family, who supports him in his decisions. I'm looking forward to seeing the future Renarin, wiser, more self-confident, as a ruler and how he will try to form a coexistence between singers and humans, and of course to see him married to Rlain! I want to see what will happen with Ba Ado Mishram and I want to see that Renarin who faces his visions with courage and reason, as he has done in this book.

In conclusion: I LOVE MY BABIES SYL AND RENARIN AND I'M VERY PROUD OF THEM!