#first pour

[godsfavoritescientist]

Sleeping Soundly Again - my comic for the Until the End of Time zine! I drew this around a year ago, and I'm so excited to get to unleash it on the world at last.

[poorly-drawn-mdzs]

Sorry for not having a Year of the Dragon MDZS artwork; Unfortunately, I can only picture Dragon LWJ in this particular flavour.

[cheeseburger443]

😒🍷...

[crabsnpersimmons]

thanks @random-tail and @enamoredfey for the questions! i'll let Sun himself answer:

long-story short, Sun doesn’t believe he has emotions since he is a robot 😔

of course, he sees Moon and Eclipse emote all the time. he usually attributes it to Moon being a fool (believing he is something he's not) and Eclipse being manipulative (given that he was originally built for the theater)

but there is a part of him that wonders if he is missing something—he just doesn’t understand what that is

Note: i should also mention, his voice is almost completely monotone. the closet idea of a voice claim for this Sun is Greg Chun's voice for Lukas from Fire Emblem Echoes—fairly even in tone, somewhat soft

[ruporas]

endless love!

[ID Two drawing collage pages of Vash and Wolfwood from Trigun Maximum. In the first collage, top corner, Wolfwood looks upwards disgruntled with a flushed expression, lying against a pillow, as his hair is being pet by Vash's hand. Next shows Vash and Wolfwood from behind, Wolfwood with his top bare and hickies covers around his nape area. Vash lifts hair away from his nape and asks, "More?" Wolfwood nervously says, "No." Next is a side profile of Vash, his arms around Wolfwood from behind while Wolfwood rests his hands against Vash's arms. Next to this are two smaller drawings; Vash turns to Wolfwood and says repetitively, "Wolfwood, Wolfwood..." Wolfwood, not looking at him, says "What?" He finally turns his head and looks shocked as he exclaims, "So close!" Vash says plainly, "You just noticed?" Below these is a drawing of Vash and Wolfwood sitting together as Vash kisses and hugs him from behind with his right arm around Wolfwood's neck and his left hand around his side. He also has his right leg propped against Wolfwood's knee. Bottom of the page has a comic. Wolfwood looks annoyed, speaking to himself, "Where is that idiot?! Need to get out of town before--" A chat bubble exclaims, "Wolfwood!" The next panel shows Vash running from the townspeople, small text saying "Get him! Vash the stampede!". Wolfwood, mad and about to pull the Punisher off his shoulder, says, "Argh, you fucking dumbass!" Vash exclaims, "Ah, don't!" before pulling Wolfwood into a quick kiss. He then tugs on Wolfwood's collar and says, "There's no need to shoot, just run!" Wolfwood stammers, "R-right..." with a flushed, dumbstruck expression.

Second collage; Top left, Wolfwood spoons Vash in bed, his arms around his chest and the other beneath Vash's head. Vash has his hand on top of Wolfwood's as he sleeps while Wolfwood lies awake. Behind this drawing is faint sketches of Vash's face. In a small panel, Wolfwood hides in Vash's neck as he mumbles to himself "Stop. Stop thinking embarrassing things, Wolfwood..." Beneath this drawing is another of them in bed, Vash now turned to Wolfwood and a hand on his cheek as he kisses him good morning. In a simpler style, Vash wraps an arm tightly around wolfwood with the text "snork mimimi" next to him while Wolfwood says, "We need to get up. Spikey! HEY!" In this corner, there are faint sketches of Vash and Wolfwood; one of them looking at each other; Vash kissing Wolfwood's forehead; Wolfwood saying, "Hand" with an outstretch hand and Vash says "ok" behind a drawing of them holding hands, both turned away from each other shyly. Next is a 4 panel comic. First shows Wolfwood's face getting squished by Vash's hands with the text "squish" around his face. Next, his cheeks are stretched with the text "Chee--" Wolfwood then hits Vash's face with his palm, exclaimining "That hurts!" The last shows Vash on Wolfwood's lap, smiling to himself as he continues to have Wolfwood's face in his hands. Next to this is another comic; A close up of their hands, Vash holding Wolfwood's with both of his. He then kisses the palm of Wolfwood's palm and says, "They're soft!" Wolfwood looks at him with flushed cheeks, "There's no way that's true..." END ID]

[turtleblogatlast]

That middle child feel when you’re the one who successfully gets you and your siblings out of trouble only to immediately get jumped by them afterwards

[beannoss]

Something I think about a lot and wonder if maybe gets overlooked in Twilight’s story and as vitally indicative of his character is actually in the very first chapter:

Anya isn’t needed for Strix. Twilight decides to adopt her anyway.

[Spoiler warning: Mostly this post deals with early chapters already in the anime but there is reference to chapter 62, which has not yet been animated and will be in season 3]

Twilight decides it — “I’m going to rework the mission so it doesn’t involve a child because that’s too dangerous” and he’s 100% right! Donovan Desmond is canonically a far right warmonger with fascistic authoritarian aims. His government made liberal use of the SSS — a group to mirror the Stasi — who continue to operate in morally dubious ways (much more likely they’re actively morally reprehensible, though we’ve mostly only had rumours of that so far). From what we can tell, Desmond is at best an absent father and likely actually worse than that: if that's how he treats his own children, imagine how he might treat others. And the timeline seems to indicate that the experimentation performed on Anya was done under Desmond's government — even if Twilight isn't aware of experimentation on children, he is aware of both human and animal experimentation under Desmond's government. Taking all that and also the complexity of Strix's aims, undoubtedly there were other things that could be done, more straightforward if not necessarily easier.

So. Why? Why entertain the change at all? And then, having entertained it, why go back when the reasoning is indisputable?

On the Doylist level, I think Endo wanted to ensure that Anya had some agency within the set up — Endo also does this with Yor. It would be much harder to be on Twilight’s side fully, or to trust him on an ethical level/take him as any sort of moral authority, if he were just straightforwardly using these two people. To have them be active and consenting participants (arguably to actually be affirming the arrangement: Twilight sets it up, but Anya and Yor actually make it happen) even if the audience only knows the depth of their knowledge/motivations/etc currently, shifts the power dynamic in important ways.

But it also the set up tells us important things about Twilight. He is largely impatient, cold, detached in chapter one. His overarching feelings towards Anya are, I think, real annoyance, real confusion, and real impatience. He just doesn’t understand this damn kid and it turns out she’s a person which is frankly unacceptable — he’d needed and anticipated an automaton, ideally of himself in miniature form. (Though I think one could ponder whether Twilight was, in many ways, an automaton himself at this point, but that's maybe for another meta 🙃)

He’s not entirely unmoved of course — we're given to understand he’s affected when Franky tells him how many times Anya’s been adopted and returned, and isn't amused by Franky's joke about names. Franky's comment — "Just don't get attached" — reinforces this. The prospect of “the future” perturbs Twilight when he’s reading the parenting books. His initial reaction to Anya’s kidnap is horror. All these are true too.

Then there’s also this, from earlier in the chapter:

It’s exposition, yeah, and it’s also exposing. "Hopes" and "joys" are very specific words to describe those events. It could simply have been "A marriage? An ordinary life?" but describing them as such — hope for marriage; joy in ordinary life — expose something of what Twilight feels about those two experiences and, on the flipside, they expose what he deems he's lacking. No hopes of intimacy; no joy in (an ordinary) life. There's an argument as well, of course, that he's being ironic but I don't think that actually invalidates the above analysis. Drawing attention to 'hope' and 'joy' at all are revealing, regardless of Twilight's tone in thinking of them. I think it's also interesting this panel, taken in conjunction with a pair of panels in chapter 62, Twilight's backstory. The above is almost a pulled out version of this below panel of Twilight's recollection of his childhood, and of course the returning image of not just a rubbish bin but a rubbish bin on fire when it comes to disposing of his identity:

Back to Strix. Both his final interaction with Karen and the whole everything of the framing of Strix is making Twilight think (and feel, ahem) things that he hasn't for some time. Twilight decides, I’m reworking this. It can’t proceed this way. Not because Anya is a pain in his ass, not because she’s not as (apparently) intellectually advanced as he’d originally thought, not even because he thinks he can find another child who would better be exactly what mission parameters called for. No:

And what changes his mind is Anya asking to come home.

One of the important parts of this to me is this:

He seeks consent.

This moment is a keystone, I think, to understanding Twilight. It’s also more telling than he maybe realises. Twilight is decisive — we all laugh because he spirals at the drop of a hat when his daughter or wife look even mildly upset but outside those (also very telling) scenarios, he makes decisions and he pursues them. Often he makes decisions quickly. He’s a dab hand at it; it’s a large part of why he’s as good a spy as he is.

He’d decided to change Strix.

Anya asks him, in essence, not to.

So, he doesn't.

But it's wild that he entertains keeping her request at all — why? Why even entertain it? It’s dangerous; it’s impractical; there are too many moving parts outside his direct control; Anya isn’t the sort of child he’d wanted for the mission if he’d spent any time thinking about what a child might actually be like; Strix is in many ways an extremely long shot anyway, Desmond could just stop attending for reasons unknown and unrelated; etc.

So, yeah, why? Maybe because of this —

In conjunction, I often think of this moment in the cruise arc:

Twilight first naming the feeling as lonesome, and secondly tacitly conceding that he perceives Yor as a companion and that that relationship is important to him, something to be missed. What makes this for me though is that Anya calls this out "Papa's you're so sappy" and Twilight's reaction is that of someone caught-out. He doesn’t say “nuh-uh!” but he may as well have. Essentially, something landed a bit close to home, hm? Maybe some of that hope for marriage? A soupçon of joy of an ordinary life?

Twilight’s loneliness underpins many of his decisions with his family — probably without him being fully conscious of it. I think he is at least somewhat conscious of it, but also if he looks too closely... Well, best not to. I could fill this post, I think, with images that demonstrate his loneliness throughout the series; that sorrowful/pensive close-up of his eye(s) is one of the abiding motifs for Twilight throughout. I'd probably start with this one from Twilight's backstory arc:

Anya's request plays directly off his loneliness. Still though, he doesn’t immediately capitulate — he emphasises Anya’s choice. Is she sure? The last day has been scary for a child (and for him, but he's ignoring that part) and Twilight, in his increasing recognition that Anya is a person, is probably aware in the back of his mind that he hasn’t exactly been warm or welcoming or at all patient with her. Things that people respond to — he's otherwise excellent at manipulating people, so of course he understands this. So. Given she'd just had this scary experience, given he hasn't exactly been great with her: Is she sure? She wants to come home — with him?

I think the moment may get a little lost because Anya says something riffing off his own earlier thoughts and self-revelation (featuring that shadowed, lonely eye motif again!)

Were this a post about Anya, I’d talk about how it’s an important character moment for her as well by way both of demonstrating her agency/choice and also that she isn’t nearly as dumb as Twilight thinks (and the audience, maybe, also thinks).

But in my view, she didn’t actually need to say anything about it making her cry. I think she could simply have said yes in that moment and Twilight would have agreed.

Twilight’s an unreliable narrator; he’s disconnected from his heart and that shrouds his own motivations from himself — something he actually also concedes in this chapter!

And it shrouds from us just how much he actually understands himself. He’s also a master of deflection. Easy to assume or say that bringing Anya home is just to align with Strix. Nothing more to see here; nothing else going on. But also that ripping off of the mask in the panel above — and the literal 'riiip' sound effects — also indicate to us that this is an unveiling to himself.

In my view, Twilight agreeing to Anya's request, deciding to go back to original mission parameters, actually shifts his motivations, subtly. Now he’s committed not only to the original mission goals, but also to Anya. He needs Anya to succeed at Strix, not only for Strix's sake, but also because otherwise the mission will end and she’ll have to go back to the orphanage, and he’s just agreed with her not to do that (not right away, in any case). I don’t think at this point he’s thinking it’s forever — his thoughts throughout the manga indicate he still expects the Forgers to be temporary. I don't think the shift in motivation is necessarily even conscious, but given the set up, I think something inside Twilight recognises that agreeing to bring Anya home is a compact, jointly engaged. Mostly all this has become subsumed into Strix: he makes decisions. He pursues them. He deflects, even from himself. Of course it's just for the mission; this saved him the trouble of reworking it, of figuring out something else. Nothing more to see; no need to think any more on it. And to be fair to him, Strix is very high stakes, resting pretty solely on his shoulders, so of course that is, objectively, motivation enough. Why even consider beyond that?

But I personally think that to the extent he's aware of it at all, there is something else going on, that he wants to have Anya for as long as it takes him to work something else out for her. If that's the case, then of course, we have Occam’s razor: the simplest solution may be the best one.

Maybe Twilight should just keep Anya himself, eh?

[Image description: gif from Spy x Family season 1, episode 1. Twilight and Anya have just found out Anya passed her entrance exam and are overjoyed. Celebratory, Twilight picks Anya up and swoops her into the air as they smile at one another. End image description]

[carnivalcarriondiscarded]

obsessed with the prospect of Howdy Figuring It Out via the neighbors enjoying non-food items

[mobius-m-mobius]

You wanna hear a good story? Listen to this one.

Mobius + comfort

[thinwhitedoc]

SHERLOCK | Martin Freeman as John Watson

[mixtercandy]

made bookmark designs for a zine that got canned :/

[choccy-milky]

Was messing around with picrew and accidentally made Clora halfway through 😂

THIS IS SO CUTE AWW love that u thought of clora and decided to make her😭🥹🥹

the fit is so adorable too so i decided to redraw it and actually put her in it BAHHA...defs an outfit her mom probs forced her to wear tho tbh LMAO

LMFAOOO ANON THIS KILLED ME HOW HAVE I NEVER SEEN THIS BEFORE?? BAHAHA NOW I WANNA REDRAW THIS WITH CLORA AND LEWIS SINCE THEY BOTH DONT KNOW SHIT ABOUT QUIDDITCH/SPORTS😭😭😭 clora as the mom going "he loves sports and he loves broccoli and thats why we're here!!!" LMFAOO omg this made me so happy THANK U FOR SENDING THIS BAHAHA

AW TYY🥹🥹im so happy you liked it so much!!!💖💖as for clora's name, ive said it before but its basically a butchered version of the name "clorica" that i chopped down to become just "clora"

i played rune factory 4 on the 3ds back in highschool and idk i just really loved the name clorica for some reason, so then i invented "clora" from it, to make it sound like more of a real name (but still maintaining that fantasy ish aspect) and apparently clora actually IS a real name BAHAH so i guess i succeeded?? and ever since then ive always used the name clora in any fantasy-ish RPGS, so i have a whole multiverse of cloras out there LOL. but THANK YOUUU im glad you think its as pretty as i do!!🥰 (even if it does kinda sound like chlorine LMAO which honestly ALSO sounds like it could be a pretty name... if only it wasnt already a word😩)

[wisecrackingeric-2]

((Click for better quality!!))

Happy one year anniversary for Seperate Ways!!! Or at least for me cuz time zones are funky HDNSHDNJSJS

[keferon]

Howdy!

I think your Monster Hunter AU is really cool and I wanted to know if you’d be cool if I tried to write something in the universe? (Specifically about Prowl haha, I saw him once and thought 👀 “man i wonder if tarantulas was in this au how spooky he’d be given he’s spooky enough in canon”)

Would also love to know your thoughts/if you had any of what Prowl could be up to, I know the au is Lost Light focused so I totally get it if you don’t have any/etc.

Hope you have a good day! Love your art!

Hoooo boy okay okay. Prowl.

He's a Golem created by Orion.

In mythology, Golems are essentially living statues made of clay mixed with blood and animated by magic. They are stupid and exist for primitive manual labor.

In my universe, a Golem is basically the same thing, but made of metal.

Orion assembled his golem from empty armor, parts stolen from the medbay, and his own energon. And then he went and got a Wisdom artifact and put it in the golem's head, because the rules strictly forbid giving golems internal organs like sparks or processors.

As a result, the golem was very light because it was essentially empty inside, so even when it moved it did so very quietly for a mech its size. Orion had been startled the first fifteen times the golem would appear completely silent beside him. On the sixteenth time, he called the golem Prowl.

Prowl is basically not a real mech. He has no spark, he has no need to eat or sleep. His only and primary task is to serve Orion. Thanks to the artifact, he is freakishly intelligent, not only compared to normal golems, but to normal mechs as well.

Orion keeps his origin a secret from everyone except Ratchet and Shockwave (because Shockwave was the one who taught him how to create golems), so all the mechs in the Order are convinced that Prowl is just Orion's very tedious assistant, not...you know...a walking puppet who has incredible intellectual abilities, but almost no emotions or conscience:)

[satans-knitwear]

Blue valentines with brighter lighting ✨💙

Treat me ~ Tip Me ~ More of me

[gay-impressionist]

i can't believe macron just nominated a prime minister from a party that has 8% of the seats at the national assembly. i mean i can because he's the worst but. 8%. there are three coalitions that have more seats than that.

he just. threw suprise elections then refused to nominate a PM for two months... only to appoint someone from the party who came 4th. someone who's 73yo and the most stereotypical right-wing politician you could dream of. even though the left-wing coalition got the most votes.

fucking bullshit.