#first one published in the 90s

[echoesofdusk]

don't tell pokemon fans about this

[askyofexplodingstars]

"Cancelling plans is like heroin" - John Mulaney

(Sebatian x reader, they're married)

[reasonsforhope]

ETA: Article here (can't believe I forgot this rip)

A new study finds you can reduce the amount of microplastics you drink simply by boiling your water.

Scientists are just beginning to understand the health risks associated with microplastic exposure.

Nano- and microplastics are bits of plastic as tiny as one-thousandth of a millimeter in diameter.

Boiling and filtering your tap water may dramatically lower the amount of microplastics you drink, according to new research.

Recent studies have found that nano- and microplastics (NMPs), which are bits of plastic as tiny as one-thousandth of a millimeter in diameter, have been found in a host of products and even in tap water.

A new study, published February 28 in Environmental Science & Technology Letters, found that boiling mineral-rich water for just five minutes can reduce the amount of NMP you’re exposed to by up to 90%.

Scientists are just beginning to understand the health risks associated with microplastic exposureTrusted Source, but growing evidenceTrusted Source suggests the plastics can accumulate in the body and trigger oxidative stress, inflammation, insulin resistance, and liver issues.

Certain advanced water filtration systems can capture and help remove some NMPs from tap water. But researchers wanted to figure out other options to remove microplastics, especially since in poorer countries cheaper, more accessible solutions for clean water are needed.

Boiling water may be a safe, simple solution that can effectively decontaminate household tap water, the new findings suggest.

“Boiling water before drinking is a great example of an ancient cultural practice that can help reduce an environmental exposure,” Dr. Luz Claudio, PhD, a professor of environmental medicine and public health at the Icahn School of Medicine at Mount Sinai, told Healthline.

Claudio was not involved in the study.

How boiling water can help remove microplastics

The researchers found simply boiling water is the first step to removing NMPs from tap water.

The researchers collected multiple samples of tap water from Guangzhou, China and contaminated the samples with varying levels of NMPs.

Each sample was boiled for five minutes then left to cool for 10 minutes.

Boiling hard water that’s rich with minerals — such as calcium or magnesium — creates a chalk-like residue known as limescale, or calcium carbonate (CaCO3), which can trap the plastics.

That solid, chalky residue then had to be separated and removed from the water with a standard coffee filter or stainless steel filter, thereby removing NMPs.

The team found that the impact was greatest in harder water: In samples that had 300 milligrams of CaCO3, for example, nearly 90% of NMPs were removed.

In softer water samples with less than 60 mg of CaCO3, roughly 25% of NMPs were removed.

“What’s important to note here is that the effectiveness of trapping these micro/nano plastics in these mineral solids is tied to how hard the water is – the harder the water, the more solids are formed, the more microplastics are trapped,” Dr. Anja Brandon, PhD, the associate director of U.S. plastics policy at Ocean Conservancy and an environmental engineer, told Healthline.

Brandon was not involved in the study...

How to limit your exposure to microplastics 

Anyone who wishes to boil their water should do so in a glass or stainless steel pot.

After boiling the water for about five minutes, let it cool, and do not stir it, Claudio says.

The microplastics need to bind to the calcium and fall to the bottom of the pot so they can filtered or scooped out."

-via Healthline, February 28, 2024

[mostlysignssomeportents]

Kickstarting a book to end enshittification, because Amazon will not carry it

My next book is The Internet Con: How to Seize the Means of Computation: it’s a Big Tech disassembly manual that explains how to disenshittify the web and bring back the old good internet. The hardcover comes from Verso on Sept 5, but the audiobook comes from me — because Amazon refuses to sell my audio:

https://www.kickstarter.com/projects/doctorow/the-internet-con-how-to-seize-the-means-of-computation

Amazon owns Audible, the monopoly audiobook platform that controls >90% of the audio market. They require mandatory DRM for every book sold, locking those books forever to Amazon’s monopoly platform. If you break up with Amazon, you have to throw away your entire audiobook library.

That’s a hell of a lot of leverage to hand to any company, let alone a rapacious monopoly that ran a program targeting small publishers called “Project Gazelle,” where execs were ordered to attack indie publishers “the way a cheetah would pursue a sickly gazelle”:

https://www.businessinsider.com/sadistic-amazon-treated-book-sellers-the-way-a-cheetah-would-pursue-a-sickly-gazelle-2013-10

[Image ID: Journalist and novelist Doctorow (Red Team Blues) details a plan for how to break up Big Tech in this impassioned and perceptive manifesto….Doctorow’s sense of urgency is contagious -Publishers Weekly]

I won’t sell my work with DRM, because DRM is key to the enshittification of the internet. Enshittification is why the old, good internet died and became “five giant websites filled with screenshots of the other four” (h/t Tom Eastman). When a tech company can lock in its users and suppliers, it can drain value from both sides, using DRM and other lock-in gimmicks to keep their business even as they grow ever more miserable on the platform.

Here is how platforms die: first, they are good to their users; then they abuse their users to make things better for their business customers; finally, they abuse those business customers to claw back all the value for themselves. Then, they die:

https://pluralistic.net/2023/01/21/potemkin-ai/#hey-guys

[Image ID: A brilliant barn burner of a book. Cory is one of the sharpest tech critics, and he shows with fierce clarity how our computational future could be otherwise -Kate Crawford, author of The Atlas of AI”]

The Internet Con isn’t just an analysis of where enshittification comes from: it’s a detailed, shovel-ready policy prescription for halting enshittification, throwing it into reverse and bringing back the old, good internet.

How do we do that? With interoperability: the ability to plug new technology into those crapulent, decaying platform. Interop lets you choose which parts of the service you want and block the parts you don’t (think of how an adblocker lets you take the take-it-or-leave “offer” from a website and reply with “How about nah?”):

https://www.eff.org/deeplinks/2019/07/adblocking-how-about-nah

But interop isn’t just about making platforms less terrible — it’s an explosive charge that demolishes walled gardens. With interop, you can leave a social media service, but keep talking to the people who stay. With interop, you can leave your mobile platform, but bring your apps and media with you to a rival’s service. With interop, you can break up with Amazon, and still keep your audiobooks.

So, if interop is so great, why isn’t it everywhere?

Well, it used to be. Interop is how Microsoft became the dominant operating system:

https://www.eff.org/deeplinks/2019/06/adversarial-interoperability-reviving-elegant-weapon-more-civilized-age-slay

[Image ID: Nobody gets the internet-both the nuts and bolts that make it hum and the laws that shaped it into the mess it is-quite like Cory, and no one’s better qualified to deliver us a user manual for fixing it. That’s The Internet Con: a rousing, imaginative, and accessible treatise for correcting our curdled online world. If you care about the internet, get ready to dedicate yourself to making interoperability a reality. -Brian Merchant, author of Blood in the Machine]

It’s how Apple saved itself from Microsoft’s vicious campaign to destroy it:

https://www.eff.org/deeplinks/2019/06/adversarial-interoperability-reviving-elegant-weapon-more-civilized-age-slay

Every tech giant used interop to grow, and then every tech giant promptly turned around and attacked interoperators. Every pirate wants to be an admiral. When Big Tech did it, that was progress; when you do it back to Big Tech, that’s piracy. The tech giants used their monopoly power to make interop without permission illegal, creating a kind of “felony contempt of business model” (h/t Jay Freeman).

The Internet Con describes how this came to pass, but, more importantly, it tells us how to fix it. It lays out how we can combine different kinds of interop requirements (like the EU’s Digital Markets Act and Massachusetts’s Right to Repair law) with protections for reverse-engineering and other guerrilla tactics to create a system that is strong without being brittle, hard to cheat on and easy to enforce.

What’s more, this book explains how to get these policies: what existing legislative, regulatory and judicial powers can be invoked to make them a reality. Because we are living through the Great Enshittification, and crises erupt every ten seconds, and when those crises occur, the “good ideas lying around” can move from the fringes to the center in an eyeblink:

https://pluralistic.net/2023/06/12/only-a-crisis/#lets-gooooo

[Image ID: Thoughtfully written and patiently presented, The Internet Con explains how the promise of a free and open internet was lost to predatory business practices and the rush to commodify every aspect of our lives. An essential read for anyone that wants to understand how we lost control of our digital spaces and infrastructure to Silicon Valley’s tech giants, and how we can start fighting to get it back. -Tim Maughan, author of INFINITE DETAIL]

After all, we’ve known Big Tech was rotten for years, but we had no idea what to do about it. Every time a Big Tech colossus did something ghastly to millions or billions of people, we tried to fix the tech company. There’s no fixing the tech companies. They need to burn. The way to make users safe from Big Tech predators isn’t to make those predators behave better — it’s to evacuate those users:

https://pluralistic.net/2023/07/18/urban-wildlife-interface/#combustible-walled-gardens

I’ve been campaigning for human rights in the digital world for more than 20 years; I’ve been EFF’s European Director, representing the public interest at the EU, the UN, Westminster, Ottawa and DC. This is the subject I’ve devoted my life to, and I live my principles. I won’t let my books be sold with DRM, which means that Audible won’t carry my audiobooks. My agent tells me that this decision has cost me enough money to pay off my mortgage and put my kid through college. That’s a price I’m willing to pay if it means that my books aren’t enshittification bait.

But not selling on Audible has another cost, one that’s more important to me: a lot of readers prefer audiobooks and 9 out of 10 of those readers start and end their searches on Audible. When they don’t find an author there, they assume no audiobook exists, period. It got so bad I put up an audiobook on Amazon — me, reading an essay, explaining how Audible rips off writers and readers. It’s called “Why None of My Audiobooks Are For Sale on Audible”:

https://pluralistic.net/2022/07/25/can-you-hear-me-now/#acx-ripoff

[Image ID: Doctorow has been thinking longer and smarter than anyone else I know about how we create and exchange value in a digital age. -Douglas Rushkoff, author of Present Shock]

To get my audiobooks into readers’ ears, I pre-sell them on Kickstarter. This has been wildly successful, both financially and as a means of getting other prominent authors to break up with Amazon and use crowdfunding to fill the gap. Writers like Brandon Sanderson are doing heroic work, smashing Amazon’s monopoly:

https://www.brandonsanderson.com/guest-editorial-cory-doctorow-is-a-bestselling-author-but-audible-wont-carry-his-audiobooks/

And to be frank, I love audiobooks, too. I swim every day as physio for a chronic pain condition, and I listen to 2–3 books/month on my underwater MP3 player, disappearing into an imaginary world as I scull back and forth in my public pool. I’m able to get those audiobooks on my MP3 player thanks to Libro.fm, a DRM-free store that supports indie booksellers all over the world:

https://blog.libro.fm/a-qa-with-mark-pearson-libro-fm-ceo-and-co-founder/

Producing my own audiobooks has been a dream. Working with Skyboat Media, I’ve gotten narrators like @wilwheaton​, Amber Benson, @neil-gaiman​ and Stefan Rudnicki for my work:

https://craphound.com/shop/

[Image ID: “This book is the instruction manual Big Tech doesn’t want you to read. It deconstructs their crummy products, undemocratic business models, rigged legal regimes, and lies. Crack this book and help build something better. -Astra Taylor, author of Democracy May Not Exist, but We’ll Miss It When Its Gone”]

But for this title, I decided that I would read it myself. After all, I’ve been podcasting since 2006, reading my own work aloud every week or so, even as I traveled the world and gave thousands of speeches about the subject of this book. I was excited (and a little trepedatious) at the prospect, but how could I pass up a chance to work with director Gabrielle de Cuir, who has directed everyone from Anne Hathaway to LeVar Burton to Eric Idle?

Reader, I fucking nailed it. I went back to those daily recordings fully prepared to hate them, but they were good — even great (especially after my engineer John Taylor Williams mastered them). Listen for yourself!

https://archive.org/details/cory_doctorow_internet_con_chapter_01

I hope you’ll consider backing this Kickstarter. If you’ve ever read my free, open access, CC-licensed blog posts and novels, or listened to my podcasts, or come to one of my talks and wished there was a way to say thank you, this is it. These crowdfunders make my DRM-free publishing program viable, even as audiobooks grow more central to a writer’s income and even as a single company takes over nearly the entire audiobook market.

Backers can choose from the DRM-free audiobook, DRM-free ebook (EPUB and MOBI) and a hardcover — including a signed, personalized option, fulfilled through the great LA indie bookstore Book Soup:

https://www.kickstarter.com/projects/doctorow/the-internet-con-how-to-seize-the-means-of-computation

What’s more, these ebooks and audiobooks are unlike any you’ll get anywhere else because they are sold without any terms of service or license agreements. As has been the case since time immemorial, when you buy these books, they’re yours, and you are allowed to do anything with them that copyright law permits — give them away, lend them to friends, or simply read them with any technology you choose.

As with my previous Kickstarters, backers can get their audiobooks delivered with an app (from libro.fm) or as a folder of MP3s. That helps people who struggle with “sideloading,” a process that Apple and Google have made progressively harder, even as they force audiobook and ebook sellers to hand over a 30% app tax on every dollar they make:

https://www.kickstarter.com/projects/doctorow/red-team-blues-another-audiobook-that-amazon-wont-sell/posts/3788112

Enshittification is rotting every layer of the tech stack: mobile, payments, hosting, social, delivery, playback. Every tech company is pulling the rug out from under us, using the chokepoints they built between audiences and speakers, artists and fans, to pick all of our pockets.

The Internet Con isn’t just a lament for the internet we lost — it’s a plan to get it back. I hope you’ll get a copy and share it with the people you love, even as the tech platforms choke off your communities to pad their quarterly numbers.

Next weekend (Aug 4-6), I'll be in Austin for Armadillocon, a science fiction convention, where I'm the Guest of Honor:

https://armadillocon.org/d45/

If you'd like an essay-formatted version of this thread to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/07/31/seize-the-means-of-computation/#the-internet-con

[Image ID: My forthcoming book 'The Internet Con: How to Seize the Means of Computation' in various editions: Verso hardcover, audiobook displayed on a phone, and ebook displayed on an e-ink reader.]

[citrusdarling7]

The Bloodline

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

description- as a highly trained sister of the Bene Gesserit, you were prepared to do your part in carrying on the selective genetic material of this generation. however, a change of plans are made, and you are told that you must secure the bloodline of the na-Baron Feyd-Rautha Harkonnen, the dangerous young heir to Geidi Prime

warnings- unprotected intercourse, p-in-v sex, fingering (f! receiving,) sort of knife-play, blood, violence via gladiator fighting (but not too descriptive,) BG propaganda, slightly inaccurate Dune technology, feyd-rautha has black cum (credit to @valeskafics for that one<3)

word count- 1,857

a/n- wow, it's been a while. haven't published anything on this site in like over a year I think, but I hope at least someone will enjoy this sick little piece I wrote instead of doing my homework :)

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

It was never supposed to be him.

You were supposed to be paired with the heir of Caladan, Paul Atriedes, and you had been told this since your first day of training. Yet, the Atreides' had all been killed on Arrakis at the hands of the Harkonnens, and your Reverend Mother decided that the duty of continuing another selective bloodline would fall upon you. The na-Baron Feyd-Rautha may have been the result of 90 generations of predetermined genetic material, but that didn’t make him any less psychotic. Nor any less intriguing.

The bright sun of Geidi Prime was high today, and the air was sticky with humidity. Cheers erupted from the crowds as a young Harkonnen warrior gutted a slave in the pit below, and you found yourself growing bored of the spectacle. One of the ladies to your right let out a shriek at the gruesome scene, drawing your attention.

“How is one supposed to stomach this brutality for an entire day?” She exasperated. 

“It is tradition for the Harkonnens’, Lady Clarissa. They value strength, and what better way to prove it than in the gladiator pits?” Your Bene Gesserit training consisted of much time studying the histories, and you pride yourself on your knowledge of the cultures of all the Great Houses. Lady Clarissa grimaced before adjusting her hairpiece and fixing her mouth back to a pout.

“It is deplorable, but I suppose you would have no issue with that sort of thing,” she remarked. You paid her no attention; the Bene Gesserit were not well liked by many nobles, Lady Clarissa’s family included. Her discontent mattered little to you, although you felt yourself wishing you had at least one other Sister here with you. 

Unfortunately, your Reverend Mother had sent you on this mission hastily, claiming that the upcoming celebration of the na-Baron’s birthday would be the perfect time for you to carry out the task. Coming from a Great House yourself, it was not abnormal for you to attend such an event, but the marks of the Sisterhood followed you wherever you went. Although controlling your mind was usually an easy task, you found yourself slightly anxious after waiting hours to finally get a glimpse of your target.

It felt as if years had passed before the announcer finally declared that the young na-Baron would now display his bravo in a fight against three slaves, supposedly the last remaining members of the Atreides household. You perked up in your seat, pulling the binoculars close to your eyes as the crowd bellowed. 

Feyd-Rautha strided out to the center of the pit and bowed before the Baron, giving you a good look at the young heir. He was pale, so pale that the sun seemed to reflect off of his skin. The black fighting suit he wore drew your attention to his muscled torso, his sculpted abs peeking out from beneath the hem. His face was stern, although a smile stretched from his lips as one of the slaves began to stagger towards him. As you watched him slice open the other man’s throat, you found your heartbeat begin to race. You were intrigued. 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

The interior of the Harkonnen palace was grim, as you had expected it to be. You walked through the fortress slowly, counting your steps as a way to calm your breathing. After the spectacle in the gladiator pits, you were immeasurably more nervous than you had been when arriving on the planet. Feyd Rautha was brutal, vicious, and likely insane. Yet, you could not deny your attraction towards him. It was stupid, immature, and dangerous. You were a trained sister of the Bene Gesserit, and this was your duty. To conceive a child with the na-Baron, and ensure the bloodline is secure.

You were not supposed to be on this side of the palace, yet no one questioned as you walked by. Your gown swept across the floor as you moved and your hairpiece tickled your bare shoulders. The na-Baron’s chambers were ahead to your left, and you noted the absence of guards, as well as the faint sound of approaching footsteps. A rather ghastly portrait of a late Baroness served as an excuse for your attention, although you struggled to prevent your eyes from wandering to the dark form approaching. 

“Well, what do we have here? Are you lost, little pet?” His voice was deep and raspy, and you found your mind faltering once again. 

“ My Lord na-Baron.” You restrained from bowing your head as you turned from the painting, staring directly into the man’s eyes as you sweetened your gaze. “I believe I may have wandered too far from the guest’s hall. Mayhaps I have wandered into a trap?”

“You should not be here.” He stepped closer, and began to stride around you in a circular fashion, like that of a predator stalking its prey. He watches you with hunger in his eyes, imagining what pleasure it would bring him to tear the dress from your body and take you right against the wall.

The Reverend Mother had been right; sexually vulnerable.

“Perhaps, I am in exactly the right place. I wished to congratulate you on your triumphs in the fighting today, it was truly a spectacle to remember.” You approached him swiftly, and the smell of steel and musk filled your nose. “I have heard many tales of your strength and bravery, but none measure up to what I have witnessed today. You will be a fearsome Baron, just like your uncle.” At the mention of the Baron, Feyd’s eyes lit up and his hand snapped around your neck. 

“So you must be the gift my uncle has promised. He must have bought you Off-World, for I have never seen a Harkonnen slave as beautiful as you. I will enjoy ravishing you.” 

Your heart beat sky-rocketed as he tightened his grip on your throat, making you lose control.

“Release me,” you commanded with the Voice, out of instinct rather than fear. The words fall from your lips before you can stop them, and Feyd obeys. The grin on his face falters as you stumble backwards, realizing that you may have just destroyed generations of planning, with only two words. Thankfully, Feyd does not seem discouraged.

“Ah, not a gift then, but I will have fun with you all the same, witch.” With a sudden movement, he pushed you against the wall and captured your lips in a harsh kiss. Feyd’s hips pressed hard against yours as he claimed your mouth with his tongue. His scent was overpowering in a way that made your head spin and seemed to subdue your thoughts. Your thighs clenched in anticipation as the na-Baron grabbed at your neck once more.

“Tell me, witch, what do they say of me in your homeworld? Are all you little witches so eager to please?” Feyd’s threatening gaze made your knees falter as you looked up to him with a soft smile.

“Not all of us, my lord. But I must admit, I have found myself rather allured by the temptations of your beautiful planet.” His hand dropped from your throat, and vanished to his side before reappearing a split-second later, with a curved blade in his grip. The tip of the knife rested against your skin, the cold steel making you shiver. Feyd swiped his other palm across the wall, causing it to unlock in a strange clicking pattern. His eyes burning into yours, he led you backwards into what you presumed to be his bedquarters, the blade at your neck guiding you in the way he wanted. 

Your knees hit the edge of the bed, and you allowed yourself to be pressed onto it. His blade was thrown aside, allowing his hands to roughly tear at your gown, ripping the bodice straight in half. You let out a gasp as you felt cold fingers slip between your undergarments.

“What a brazen little slut you are, showing up outside my chambers so wet and wanting.” He thrust two digits inside of you, finally satiating the ache that had been present from the moment you laid eyes on him in the arena. He fucked you roughly with his fingers, setting an excruciating pace that had you whimpering and writhing against the bed in mere minutes. 

“Please, my lord. I want you inside of me,” you begged, reaching up to run your hand along his torso, stopping when you felt the bulge of his manhood straining against the confines of his pants. 

Feyd eagerly obliged, tugging off his pants and stroking his thick cock rapidly to prepare himself for you. He lined his tip up with your entrance and wasted no more time teasing you. The na-Baron thrusted into you, hard, making you clench at the bedsheets and thrash your head to the side in an attempt to stifle your moans.

“Fuck, you’re so fucking tight, little witch,” he grunted, grabbing at your wrists and pinning them above your head. His dark eyes burned into yours as you tried your very best to keep quiet, not wanting to alert any servant that might have been lurking outside. He met your lips with his once again, in a ravenous kiss that had your teeth clashing against his. Feyd bit down on your bottom lip, drawing blood that he hastily licked up before moving on to attack your neck. 

You were so full with his cock inside of you, and you had never been more aroused in your entire life. The metallic smell of blood seemed to radiate from the man, and his fingers left delicious bruises wherever they ventured. You felt your toes begin to curl and your stomach tighten; the agonizing pace at which he was fucking you had you close to the edge of bliss once again. He could feel you begin to clench around him, your walls gripping his cock like a vice.

“Is the little witch going to cum for me? Go ahead, you’re mine now,” He finally released your hands, and you immediately gripped at his muscled shoulders, nails digging into his skin. “My uncle may not have intended you for me, but fate has. No one else will ever have you.” You nodded desperately, not caring about the words coming from his mouth but rather the immense pleasure he was giving you. 

Finally, a wave of bliss overtook your body, making you shake and scream as Feyd continued to roughly fuck you. You lost control of your mind once again, seeing stars as you came.

Feyd was close behind you, and the aftershocks of your orgasm had him rutting his hips against yours, letting out a deep groan as he emptied his seed into you. 

It took you a few moments to regain your senses, to finally realize that you had successfully completed your mission. His black seed leaked out of you, a sickly sight that made your face flush. He had left his distinctive Harkonnen mark on you, and the bloodline was secure. It was never supposed to be him, but you were very pleased with the way things had worked out.

[funkopersonal]

Here's your daily reminder that...

Jews are only 0.2% of the worlds population but...

Jews make up 14% of the World Total and 38% of the United States of America total winners for the Nobel Prize for Literature (source).

Of the 965 individual recipients of the Nobel Prize and the Nobel Memorial Prize in Economic Sciences between 1901 and 2023, at least 214 have been Jews or people with at least one Jewish parent, representing 22% of all recipients. (source)

Jews make up 14% of the total winners of the Pulitzer Prize for Fiction 18% of the total winners of the Pulitzer Prize for Poetry; 53% of the total winners of the Pulitzer Prize for Non-Fiction (source).

Jews make up 39% of the total winners of the Antoinette Perry (Tony) Award for Best Play; 54% of the total winners of the Tony Award for Best Book of a Musical (with 62% of all Composers and 66% of all Lyricists of Best Musical-winning productions being Jewish) (source).

Jews make up 40% of the total winners of the Academy Award (Oscar) for Best Original Screenplay; and 34% of the total winners of the Academy Award for Best Adapted Screenplay (source).

Although Jews constitute only 3% of the U.S. population...

80% of the nation’s professional comedians are Jewish (source).

90% of American comic book creators are jewish (source)

38% of the recipients of the United States National Medal of Science are Jewish (Source).

Jews are very successful, with educational levels higher than all other U.S. ethnic groups with the exception of Asian Americans, and income levels the highest of all groups. Six out of ten Jewish adults have college degrees, and 41% of Jewish families report a household income of $75,000 or more” (source)

Jews are a minority across the globe. We've been historically opressed and hated. But these key figures from history are all Jewish and loved, yet many don't even know they're jewish (or they don't know these people in the first place!):

Stan Lee (birth name: Stanley Martin Lieber) - An American comic book writer and editor, Former executive vice president and publisher of marvel Comics, creator of iron-man, spider-man, and more.

Albert Einstein - a Theoretical physicist, Received the 1921 Nobel Prize in Physics, developed the theory of relativity and the "worlds most famous equation"  (E = mc^2), and more.

Ruth Bader Ginsburg - Former Associate Justice of the Supreme Court of the United States, co-authored the initial law school casebook on sex discrimination, co-founded the Women’s Rights Project at the ACLU in 1972, and more.

Jack Kirby (birth name: Jacob Kurtzberg) - an American comic book artist, co-creator of Captain America, one of the most influential comic book artists

Harry Houdini (birth name: Erich Weisz) - a Hungarian-American escape artist, illusionist, and stunt performer, noted for his escape acts.

Emma Lazarus - An American author remembered for her sonnet "The New Colossus," Inspired by The Statue of Liberty and inscribed on its pedestal as of 1903.

Julius Rosenthal, Lillian Wald, Rabbi Emil G. Hirsch, Stephen Wise, and Henry Moskowitz - Jewish activists that helped form the NAACP along with W.E.B. Dubois, Ida B. Wells-Barnett, and Mary Church Terrell.

Mark Zuckerberg - Founder and CEO of Meta, a businessman who co-founded the social media service Facebook, and within four years became the world’s youngest self-made billionaire Harvard alumni.

Joseph Pulitzer - a politician and newspaper publisher, his endowment to the Columbia University established the Pulitzer Prizes in 1917, he founded the Columbia School of Journalism which opened in 1912.

Jacob William Davis - a Latvian tailor who is credited with inventing modern jeans and who worked with Levi Strauss to patent and mass-produce them, died.

Irving Berlin - drafted at age 30 to write morale-boosting songs for military revues (including “God Bless America”). Many Berlin songs remained popular for decades, including “Puttin’ on the Ritz,” “Cheek to Cheek,” “Anything You Can Do (I Can Do Better),” “There’s No Business Like Show Business,” and two celebrating Christian holidays: “White Christmas” and “Easter Parade.”

Rabbi Abraham Joshua Heschel - received his doctorate in Berlin. He was arrested by the Nazis in 1938, moved to the U.S. in 1940, and became an influential figure in the 1960s, marching with the Rev. Martin Luther King Jr. in Selma, Alabama, and speaking out against the Vietnam War.

Elie Wiesel - Romanian-American writer and professor, holocaust survivor, nobel laureate, political activist. Authored 57 books including Night, a work based on his experiences as a Jewish prisoner in the Auschwitz and Buchenwald concentration camps

Bob Dylan - an icon of folk, rock and protest music, won the Nobel Prize in literature for his complex and poetic lyrics.

J. Robert Oppenheimer - ran the Manhattan Project, considered the "father of the atomic Bomb," presented with the Enrico Fermi Award by President Lyndon Johnson.

Betty Friedan - co-founded the National Organization of Women and became its first president, wrote The Feminine Mystique (1963) and helped spark the second wave of feminism.

Gloria Steinem - one of the most prominent feminists of all time, launched Ms. Magazine and co-founded the National Women’s Political Caucus with Bella Abzug, Shirley Chisholm, Betty Friedan and Myrlie Evers-Williams, widow of Medgar Evers.

Sergey Brin - an American businessman best known for co-founding Google with Larry Page, president of Alphabet Inc.

Judith Heumann - a founder of the disability rights movement, led a 26-day sit-in at a federal building in San Francisco. The protest spurred implementation of Section 504 of the Rehabilitation Act, a precursor to the Americans with Disabilities Act.

Larry Kramer - co-founded Gay Men’s Health Crisis in response to the AIDS epidemic but was soon ousted over his confrontational activism. He went on to help launch a more strident group, ACT UP, and wrote a critically acclaimed play, The Normal Heart, about the early AIDS years in New York City.

Steven Spielberg - released his critically acclaimed epic film Schindler’s List, based on the true story of a German industrialist who saved Jews during the Holocaust. The movie won seven Oscars and led Spielberg to launch the Shoah Foundation at the University of Southern California, which filmed interviews with 52,000 survivors of the Holocaust and genocides in Nanjing and Rwanda.

Calvin Klein - made designer jeans and the infamous ad starring Brooke Shields revolutionized the fashion industry, sold his company to Phillips-Van Heusen (now PVH) for $430 million. Klein was the first designer to win three consecutive Coty Awards for womenswear.

Daveed Diggs - an American actor, rapper, and singer-songwriter. he originated the dual roles of Marquis de Lafayette and Thomas Jefferson in the musical Hamilton, for which he won a 2016 Tony Award for Best Actor in a Featured Role in a Musical. Along with the main cast of Hamilton, he was awarded a Grammy Award for Best Musical Theater Album in the same year.

And so much more. (a pretty decent list is available here)

Not only that, but the following are all Jewish inventions...

The Teddy Bear - made by Morris and Rose Michtom in honor of Theodore "Teddy" Roosevelt.

The Ballpoint Pen - *the first commercially sucessfull ballpoint pen was made by Lazlo Biro, a Hungarian-Jew, and his brother.

Mobile Phones - made by Martin Cooper, nicknamed the "father of the cellphone", and was born in Chicago to Ukrainian Jewish immigrants.

The Barbie - made by Ruth Marianna Handler, born to Polish-Jewish immigrants.

Power Rangers - made by Haim Saban, a Jewish-Egyptian

Video Games - made by Ralph Baer, a German-Jew

Peeps - made by Sam Born, a Russian-Jewish immigrants who came to the United States in 1909.

Cards Against Humanity - created by a group of Jewish boys from the same high school

Many Superheroes including Superman, Ironman, spider-man, batman, and more!

and more! (an illustrated list available here.)

Conclusion: If you're Jewish, be proud. You come from a long line of successful people. No matter what happened to them, Jews persevered, and they strived for sucess. Be proud of your culture, your history, these are your people. You're Jewish.

(feel free to reblog and add more, or just comment and i'll add it!)

Last Updated: June 25, 1:35 AM EST

[adventures-in-mangaland]

Even More Dead Boy Detectives Fic Recs

I've discovered some amazing new authors since my last post! And writers I've already recced have published more great stories So here's another fic rec post!

Who? You mean your teammate in the Codependency World Cup? (series) by RoseGanymede95

I couldn't chose! They're all great! Basically a series of Edwin and Charles through the years and on cases pre-show. It scratches that adjusting-to-being-dead/newly-escaped-from-Hell itch and the authors writing is magic! It also fleshes out a really interesting conflict in the payneland dynamic: Charles' drive to protect Edwin at all costs clashing with Edwin's guilt over putting Charles at risk/depriving him of some ideal afterlife. Parts one and four also introduces Constantine/Johanna and part three revolves around an absolutely gut-wrenching temporary break-up. 😢

In Hell I'll Be in Good Company by laylabinx

Charles rescuing Edwin from Hell does not go smoothly. Just. Bucketloads of Trauma for both of them. And for you, the Reader. It's so good though!

your fangs in my neck (like an anchor like a vow) by shadowquill17

Vampire Edwin AU! It's great because it combines the (homo)eroticism of vampiric feeding with Charles' whole bisexual crisis and post-confession Edwin worrying about making Charles uncomfortable. Also Charles is some kind of demigod/immortal agent of divine vengeance which is an AMAZING detail and I desperately want to see some fanart!

The same author's ongoing story to the pain is also excellent though very angsty (cw temporary character death). I'm anxiously waiting for an update!

To Memory Now I Can't Recall by engineering_madonna

This is an amnesia fic and the most recent in an established relationship series. The first two installments feature the boys getting together and navigating their new relationship, so pulling the old 'character A forgets their whole romantic relationship with character B' trope hits especially hard! The whole series is lovely, but I am WEAK for temporary-amnesia.

Lemonade & Sunrises by paraph

A Quiet Place AU! The boys are alive, but they're the only ones. Very bleak but in a way that makes me want more!

1999 au (series) by websters_lieb

The boys figure their shit out in the 90s. Also, Edwin gets to read Maurice and queer theory. The cases in both stories are compelling and the author's writing and characterisation of the boys are excellent.

I also recommend offer me that deathless death which is about the boys' first meeting, Charles' funeral and the birth of the agency.

if I could reach the stars (i'd give them all to you) by ObsessedWithFandom

Charles falls first, Edwin falls harder. This is an AU of the author's excellent Charles' bisexual awakening fic, which I also highly recommend. It has lovely OCs and Charles having a sweet little friendship/romance with the boy he saved in canon, which actually makes his death a whole lot more tragic.

Came up from that lake of fire by ghostinthelibrary

Charles and Edwin get caught escaping Hell and promise to capture a demon-eating ghost called The Deathless in exchange for their freedom. With the added twist that they get to be alive again! An exciting case, high stakes and all the alive-again culture shocks and emotional/interpersonal drama you could ask for.

gig officially gigged by laiqualaurelote

Band AU! It shouldn't work but it does. Which might also be an in-universe review for the band tbh. Idk, I loved Edwin's massive obscure musical instruments and Charles being his unpaid roadie. Peak Found Family Feels.

No Rehearsing It, No Reversing It by DontOffendTheBees

Charles overthinks being in love with Edwin, my beloved. This time with increasingly flimsy pretexts for why they NEED to kiss. Just perfect Idiots in Love, no notes.

The Case of David Bowie's Made up Sexuality by williamvapespeare

The agency attempt to help a living lesbian couple deal with a haunting. Meanwhile, Charles struggles through his bisexual (re)awakening. With bonus past (living) Charles no-homo-ing himself to the nth degree. Pure of heart, dumb of ass, indeed.

The lamps are going out by CasiHuman

Vengeful Spirit Edwin AU! Has some interesting ghost lore and Edwin being convinced his touch is painful to Charles (love that trope!). Also features some of the author's adorable/hilarious fanart at the end.

just frame the halves (and call them brothers) by Anonymous

Crystal stumbles upon the ghost of Edwin's older brother, who hires the agency to free him and his platoon from the battleground they've been haunting. Case fic with interesting details about Edwin's family life and an awkward as hell family reunion.

the case of the very long ferry ride by obsceme

Sex pollen but with skin hunger, so it's more touching turned making out and hand jobs in a bathroom. Interesting use of ghost lore and it's cute and well written.

Form 239, Schedule L by sanctuary_for_all

Charles Rowland's Love Language is Acts of Service: The Fic. So many feels! Plus Afterlife worldbuilding and some quality Night Nurse rep.

don't go sharing your devotions (lay all your love on me) by Hephanna

The boys and Crystal accidentally summon an alternate universe version of Charles. He's very... handsy. Charles being jealous of himself is objectively hilarious and it looks like it could be heading towards throuple territory. Possibly even a foursome, if alternate Edwin figures out parallel universe travel. Which he probably will.

Still a Better Lovestory by Vamillepudding

Hanahaki disease! Charles is on the case but Edwin's being weirdly uncooperative about his own curse. I loved the worldbuilding (there's a whole sisterhood of washerwomen!) and the angst, plus the writing is excellent.

The author has also written Eternal Sunshine, in which Edwin is cursed to feel no love of any kind. It makes for an interesting character study, contrasting cursed Edwin, his public reserve and his actual personality.

[elfwreck]

I have a friend who isn't anti-porn but it makes her sad that fanfic has a reputation for being porny and usually not very good. I'm fine with both those things and my views mostly align with that of AO3. I disagree with the idea that porn and badness are treated as equivalent, but for most people that's just how they think. But I was wondering if youve ever written something about this?

There is a lot of smut at AO3.

There is a lot of bad writing at AO3.

There's a lot of badly written smut at AO3.

...None of those are problems except for the people who think there is something wrong with those existing, or that there needs to be some external value that "balances" those that make those acceptable to exist as unwanted side-effects of "the good stuff."

The badly-written smut is also "the good stuff."

It's part of the reason AO3 exists. It's not intended to be an archive for "the high-quality fanfic that could be published if it weren't about characters that someone else wrote first"; it's an archive for "what fanfic writers want to write." That makes the terrible writing and the tacky porn and the badly-written tacky porn part of the reason the archive exists.

Tangent 1 (I'll connect these points later): Theodore Sturgeon said "90% of everything is crud." He was more-or-less referring to the science fiction field in the 50s, but it definitely extended to politics, business, and writing outside of science fiction.

...He was talking about published books in the 50s. Turns out, a lot more than 90% of writing is crud when there aren't any gatekeepers between it and the readers. But also:

Tangent 2, from the book "Art and Fear":

[A] ceramics teacher announced on opening day that he was dividing the class into two groups. All those on the left side of the studio, he said, would be graded solely on the quantity of work they produced, all those on the right solely on its quality. His procedure was simple: on the final day of class he would bring in his bathroom scales and weigh the work of the “quantity” group: fifty pound of pots rated an “A”, forty pounds a “B”, and so on. Those being graded on “quality”, however, needed to produce only one pot — albeit a perfect one — to get an “A”. Well, came grading time and a curious fact emerged: the works of highest quality were all produced by the group being graded for quantity. It seems that while the “quantity” group was busily churning out piles of work – and learning from their mistakes — the “quality” group had sat theorizing about perfection, and in the end had little more to show for their efforts than grandiose theories and a pile of dead clay.

You don't get to "quality writing" without going through a lot of crappy writing.

That doesn't mean the crappy writing is garbage to be thrown out. If you make 50 pots or bowls or vases, and only one of them is The Good One... most of the rest are okay. Maybe not sale-quality good, but your-kitchen-table quality good. Maybe some aren't that good and are kids-toy-in-the-sandbox level good.

Bad writing has a purpose for the writer: they can use it as practice to get better. It has a purpose for the reader: It can serve as inspiration ("I can do better than that") or grammatical instruction ("that...does not work; why doesn't that work?") or just as entertainment ("eh, so it's missing a few commas; I can still understand it").

Smut and porn writing works the same way. It's of some value to the writer, and some to the readers.

It's not of value to everyone. That's what tags and filters are for, and why there's a summary and list of stats (like word counts)--so you can figure out if you're one of the readers for whom this piece of writing is useful or interesting.

But AO3, like any library, is not there to take the top 5% of Excellent Writing and provide it a showcase. It is absolutely for all 50 lbs of pots.

If your friend wants to read the good stuff, there are rec lists and collections to help her find it.

If she already manages that, and is just annoyed at how much of the not-good stuff (however she defines that) exists... she's picked the wrong battle. She's arguing with the ocean that it has too many kinds of fish and some are poisonous a lot of them are ugly.

[gynandromorph]

my advice for people who want to start making comics:

make sure to draw your trilogy magnum opus first. you wouldn't want to go out like tezuka with your master work unfinished

if something in your panel isn't perfect, don't move on! make sure there isn't a single thing wrong! you wouldn't want to live with the embarrassment forever, once it's published it's forever

if you look at the pages you've already drawn and they look kinda bad now, definitely make sure to redraw them before you draw any more of the new ones

if you get to a part of your story that's above your artistic skill level, just stop drawing altogether until you're magically capable of doing that one part

ideally you'll want to draw hunched over your screen with your wrist and neck at a 90 degree angle. make sure to sit like this for as often as possible as long as possible every day. never stretch or you might hurt your hand

if you're having fun, you're probably not taking this seriously enough. try to think about all of the people who will hate you and your work regardless of what you do and make your comics for THEM

never move forward with a project that might be flawed somewhere to someone. remember, a bad comic you never actually made can never be put in your callout,

[komsomolka]

Since the early days of the Soviet Union, the Bolsheviks and later communist parties everywhere placed a great emphasis on culture and on the contribution cultural workers could make to the building of socialism. One of the first things the Soviet Army of occupation did at the end of the war, was attempt to resuscitate cultural activity in a war-ravaged and demoralised Germany. The one thing the Russians could never get their head around was how a country with such a high level of culture, a nation that had produced a Bach and a Beethoven, a Goethe and a Schiller could have carried out such barbaric crimes in other countries. The Soviet army had cultural officers attached to each battalion and the war had hardly ended before they began seeking out cultural workers and encouraging them to take up their batons, musical instruments, pens and paintbrushes again. Temporary cinemas were established, orchestras formed, theatres opened and publishing houses set up.

In contrast to West Germany, in the Soviet Zone and later in the GDR, there was also an early emphasis on making films about the Nazi period as a means of educating and informing a nation ignorant of or in denial about what had happened. [...]

The GDR had more theatres per capita than any other country in the world and in no other country were there more orchestras in relation to population size or territory. With 90 professional orchestras, GDR citizens had three times more opportunity of accessing live music, than those in the FRG, 7.5 times more than in the USA and 30 times more than in the UK. It also had one of the world’s highest book publishing figures. This small country with its very limited economic resources, even in the fifties was spending double the amount on cultural activities as the FRG.

Every town of 30,000 or more inhabitants in the GDR had its theatre and cinema as well as other cultural venues. [...] Subsidised tickets to the theatre and concerts were always priced so that everyone could afford to go. Many factories and institutions had regular block-bookings for their workers which were avidly taken up. School pupils from the age of 14 were also encouraged to go to the theatre once a month and schools were able to obtain subsidised tickets. [...]

All towns and even many villages had their own ‘Houses of Culture’, owned by the local communities and open for all to use. These were places that offered performance venues, workshop space and facilities for celebratory gatherings, discos, drama groups etc. There was a lively culture of local music and folk-song groups, as well as classical musical performance.

Stasi State or Socialist Paradise? The German Democratic Republic and What Became of It by Bruni de la Motte & John Green with Seumas Milne (Contributor), 2015.

[vintagegeekculture]

"The Ayla Descent Theory" of Mary Sues

"Children of the Earth," Luis Royo.

After the success of Jean M. Auel's stone age novel Clan of the Cave Bear, there was a very lengthy trend in the publishing world of stone age adventure novels aimed at women that lasted for a decade and only really fizzled out in the early 2000s. After all, "Ayla," the name of the main character of these books, was one of the top baby names of 1987.

The target audience for these books were weird midwestern aunts....you know, the Mists of Avalon and the Mercedes Lackey/Valdemar audience. Therefore, the Clan of the Cave Bear imitators also featured things of interest to the weird aunt audience: Scotland, redhaired women with sharp tongues, commanding wolves, Ireland, Feminism, riding herds of wild horses bareback in scenic locations, Wicca, matriarchial religions, swimming with dolphins....but above all else, American Indians (a culture this audience finds interesting, as anyone who has seen the home decor of a typical weird midwestern aunt can attest), with many novels set in Ice Age America, like Children of the Dawn, Reindeer Moon and the First Americans. Decades later, this audience would form the core fandom for Game of Thrones, and the character of Khaleesi Targaryen in particular.

These books almost assuredly still have a place of honor on the book shelf of the weirdest woman at your job.

Nearly all of these imitators have two of Clan of the Cave Bear's defining traits: 1) a supremely beautiful, usually blonde athletic and statuesque main character over 5'11" who does not realize that she is so beautiful and desirable, who is good at a variety of different skills and is friendly with animals like hawks, dolphins, or horses, and 2) a love triangle between this aforementioned blond but innocent Venus and two bodybuilder muscular he-men cave hunks, one of whom is a blonde guy with long rock star hair (it was the 80s), and the other being a buff black guy with dreadlocks (or otherwise ethnic in some way).

The heroine usually picks the blonde guy in the end, but the audience usually picks the ethnic guy.

In the late 90s and early 2000s, in the broader culture of fandom, it was fashionable to dump on "Mary Sues" (indulgent wish-fulfillment author personas in fanfiction) and the people who wrote them. Accusations of creating a Mary Sue approached a kind of hysteria. Even at the time, when everyone else was getting swept up in this, I thought that getting mad about aunties writing fanfiction showed a loss of perspective, and was a bit silly. Thankfully, we've benefitted from moral evolution: the consensus in fandom now is that writing aspirational characters is a harmless activity that tests a young writer's creative muscles, like the half-Vulcan pretty new ensign on the Enterprise that Kirk and Spock both fall in love with, or a new archer girl who Legolas falls in love with joining the Fellowship. This hate walked hand in hand with insecurities, in the exact same way that people worried about their appearance or concerned with their weight are often cruel to fat people, and there were frequent tests if this or that character in your writing was a Mary Sue.

There was a running joke in this 2000s culture of anti-self insertion called the "Ayla Descent Theory of Mary Sues." The joke was that Mary Sues came into existence because Ayla, the beautiful, athletic heroine of the Clan of the Cave Bear novels, was the ancestor of their entire lineage, as the first known Mary Sue to ever exist in the historical record, described as being a statuesque blonde who did everything right and was always at the center of love triangles, and who changed human history.

According to the running joke, Mary Sues everywhere were descended from Ayla from Clan of the Cave Bear, and she was the first to exist, and Ayla was the explanation of where all the Enterprise's new ensigns main characters fall in love with come from.

[romancelvr]

How Dead Boy Detectives is free from NG

I realize the title is a bit eyebrow raising, but I am here to lay out how Dead Boy Detectives, both the comic and TV have actually very little to do with NG. His name as of late has (rightly) been dragged through the mud, but Dead Boy Detectives in actuality does not deserve to be dragged down with him. 

To start with: the comics. Charles and Edwin made their first appearance in Sandman # 25 in 1991. They weren’t associated with the name “Dead Boy Detectives” until the Children’s Crusade arc starting in 1993. 

Starting in 2001, these characters were written exclusively by Ed Brubaker and Jill Thompson with no contributions or writing by NG. It wasn’t until 2013 they were granted their own comic series. It was ordered by Vertigo and written by Toby Litt and Mark Buckingham. They were the writers that created and introduced Crystal Palace. 

Most important THIS was the comic series the show is based off of. NG didn’t write or work on this comic series at all. When the comic series was originally published both Toby and Mark were interviewed about expanding these characters away from the Sandman comics. 

Their work is the basis of the show we’ve all grown to love. Back before the show debuted in January 2024 Toby was even interviewed about how excited he was to see Crystal on screen as she was a character HE created. 

Regarding the show, Steve Yockey was the one who approached WB/DC about the series and bought the rights to the show himself. 

Backing this up is per copyright holdings for DBD, the show is entirely owned by WB where Steve is employed with an ongoing deal that started in 2022. 

On NG’s tumblr he himself stated multiple times he had nothing to do with the show, that it is entirely Steve Yockey’s. 

In summation, despite the fact that these characters debuted and were in a few issues of Sandman, NG has had nothing to do with them since 1994. In regards to money, which I know is the hot button issue for everyone, if NG makes money it would be a very small amount, if indeed he makes any at all.

For nearly 30 years these characters have had a life of their own, and deserve to stand on their own merit. Starting with the many wonderful writers who gave them their own voices in the comics, to the writers of the show and finally the cast who brought them to life onscreen. 

Please grant them that respect and don’t drag them in with NG they do not deserve it. 

UPDATE 9/7/2024

I wanted to add further evidence my friend was kind enough to send me regarding this matter. Doing a search for NG on this site: https://cocatalog.loc.gov/cgi-bin/Pwebrecon.cgi?DB=local&PAGE=First the US Copyright database verifies NG OWNS NOTHING of Dead Boy Detectives.

Not the characters, their names, anything even from the comics back in the 90s. If you want to search and check yourself feel free to on the link above. I just wanted everyone to know this as I'm not giving up on saving this show.

[usnatarchives]

Happy #NationalComicBookDay! Did you know the National Archives carries a wide array of comic books such as this No.90 "Batman" comic once used as evidence in an investigation by the Judiciary Committee of the United States on juvenile delinquency?

In April 27, 1953, the Judiciary Committee of the United States Senate created a Special Subcommittee on Juvenile Delinquency to investigate the causes of juvenile delinquency and to propose measures in response. The subcommittee examined several factors influencing young people, but it drew the most attention when it investigated the allegation that comic books contributed to the rise in juvenile crime. The subcommittee looked at comics like this one as evidence.

The early 1950s were a time of great anxiety about the nation’s youth. In 1955, Newsweek magazine reported that the national crime rate had increased by 33.4 percent since 1940, largely due to increased criminal acts by teenagers. Comic books were a new form of media and among the first consumer products specifically marketed to teenage buyers. Civic and religious leaders linked comic book reading to antisocial and criminal behavior, and several major newspapers launched anti–comic book editorial campaigns.

During April and June, 1954, the Subcommittee on Juvenile Delinquency held televised public hearings in New York, the center of the comic book publishing industry. They were especially concerned about comic books’ vivid, detailed illustrations of violent acts. In the end, the subcommittee found that reading comic books did not cause teenagers to commit crimes. They ruled against censoring or banning comics and instead called on the comic book industry to regulate itself by adopting a ratings code and imposing a voluntary ban on depictions of extreme violence. The committee concluded that, ultimately, it was a parent’s role to screen material their children read.

[reasonsforhope]

Double dose of articles about how crime is actually plummeting

From the UK:

"Seventy-eight per cent of people in England and Wales think that crime has gone up in the last few years, according to the latest survey. But the data on actual crime shows the exact opposite.

As of 2024, violence, burglary and car crime have been declining for 30 years and by close to 90%, according to the Crime Survey for England and Wales (CSEW) – our best indicator of true crime levels. Unlike police data, the CSEW is not subject to variations in reporting and recording.

The drop in violence includes domestic violence and other violence against women. Anti-social behaviour has similarly declined. While increased fraud and computer misuse now make up half of crime, this mainly reflects how far the rates of other crimes have fallen.

All high-income countries have experienced similar trends, and there is scientific consensus that the decline in crime is a real phenomenon.

The perception gap

So why is there such a gulf between public perception and the reality of crime trends? A regular YouGov poll asks respondents for their top three concerns from a broad set of issues. Concern about crime went from a low in 2016 (when people were more concerned with Brexit), quadrupled by 2019 and plummeted during the pandemic when people had other worries. But in the last year, the public’s concern about crime has risen again.

There are many possible explanations for this, of which the first is poor information. A study published in 1998 found that “people who watch a lot of television or who read a lot of newspapers will be exposed to a steady diet of crime stories” that does not reflect official statistics.

The old news media adage “if it bleeds, it leads” reflects how violent news stories, including crime increases and serious crimes, capture public attention. Knife crime grabs headlines in the UK, but our shock at individual incidents is testament to their rarity and our relative success in controlling violence – many gun crimes do not make the news in the US.

Most recent terrorist attacks in the UK have featured knives (plus a thwarted Liverpool bomber), but there is little discussion of how this indicates that measures to restrict guns and bomb-making resources are effective."

-via The Conversation, May 13, 2024

And the United States:

"[The United States experienced a spike in crime rates in 2020, during the pandemic.] But in 2023, crime in America looked very different.

"At some point in 2022 — at the end of 2022 or through 2023 — there was just a tipping point where violence started to fall and it just continued to fall," said Jeff Asher, a crime analyst and co-founder of AH Datalytics.

In cities big and small, from both coasts, violence has dropped.

"The national picture shows that murder is falling. We have data from over 200 cities showing a 12.2% decline ... in 2023 relative to 2022," Asher said, citing his own analysis of public data. He found instances of rape, robbery and aggravated assault were all down too.

Yet when you ask people about crime in the country, the perception is it's getting a lot worse.

A Gallup poll released in November found 77% of Americans believed there was more crime in the country than the year before. And 63% felt there was either a "very" or "extremely" serious crime problem — the highest in the poll's history going back to 2000.

So what's going on?

What the cities are seeing

What you see depends a lot on what you're looking at, according to Asher.

"There's never been a news story that said, 'There were no robberies yesterday, nobody really shoplifted at Walgreens,'" he said.

"Especially with murder, there's no doubt that it is falling at [a] really fast pace right now. And the only way that I find to discuss it with people is to talk about what the data says." ...

For cities like San Francisco, Baltimore and Minneapolis, there may be different factors at play [in crime declining]. And in some instances, it comes as the number of police officers declines too.

Baltimore police are chronically short of their recruitment goal, and as of last September had more than 750 vacant positions, according to a state audit report...

In Minneapolis, police staffing has plummeted. According to the Star Tribune, there are about 560 active officers — down from nearly 900 in 2019. Mannix said the 2020 police killing of George Floyd resulted in an unprecedented exodus from the department...

In Minneapolis, the city is putting more financial resources into nontraditional policing initiatives. The Department of Neighborhood Safety, which addresses violence through a public health lens, received $22 million in the 2024 budget."

-via NPR, February 12, 2024

[hotjaneaustenmenpoll]

Semi-Final One

Propaganda...

Colonel Brandon (1995):

Alan Rickman has the sexiest voice. Just listen to him reading poetry to Marianne at the end to witness how hot he is.

Alan Rickman simply embodies the truth of Col. Brandon in a way that no one else every could. It's the perfect merging of actor and role. He brings the perfect combination of honor, decency, sensitivity and passion. He is the ultimate mensch.

Brandon propaganda in which even the film's director agrees that Brandon is sexy.

More Brandon propaganda! This photo could only be published in black and white because it would have been too powerful in color (the original color version is currently being used to provide electricity for a medium sized town in Devon. It's THAT powerful).

The brim of the hat falling over his eye. The casual lean. The hunting rifle slung across his leg. The puppy bestie. The fact you know he could row that boat while you watch and wish you were the boat.

From Emma Thompson's diaries which she kept while they were shooting Sense & Sensibility. Emma Thompson said vote Colonel Brandon.

Mr Darcy (1995):

Colin Firth (1995) is book Darcy brought to life. He uses tiny gestures and looks to communicate with us and Elizabeth… his struggle is so subtle but so palpable. A beautiful asshole with a creamy nougat center. Just perfect.

GIF by sunsetboulevards

Those heart-eyes right up above☝️? Hot!

Passive-agressively drinking tea? Hot!

GIF by jaeausten

The way he rushes over to see Elizabeth at Pemberley on those delicious long legs of his with that slutty wet curl hanging over his forehead? Hot!

GIF by didanagy

Fencing? Hot!

GIF by greengableslover

The way he is so concerned about Elizabeth crying and takes her hand even though he shouldn't? Hot!

GIF by greengableslover

This dimple-y smile of pure joy because he knows he's married to Elizabeth freaking Bennet? Hot!

GIF by didana

Colin Firth Darcy is simultaneously immaculately put together and entirely falling apart internally. The wet shirt scene is so iconic not (only) because ‘oooh almost-shirtless sexy man’, but because it’s a metaphor for how he’s absolutely falling apart!!! This is a private moment, when he doesn’t think anyone can see him. And then he bumps. into. Lizzie. At his house!! And the entire sequence that follows with him rushing out still doing his jacket up to catch her before he leaves. They are both on the back foot and it’s THAT moment of confusion that opens a more honest dialogue between them.

Without Firth in a lake you wouldn’t get Macfadyen in a downpour!

There's a reason why Colin Firth is forever known as Mr. Darcy above all other roles he's had and will have! Even ignoring the wet white shirt, which has become A Thing now, he is so hot with his curly hair and his little half smiles and his intense looks of longing and his legs that go on for milessss.

This cannot be real. My fellow Jane Austen people. Without Colin Firth’s Darcy we wouldn’t have 90% of modern JA content. He opened a door and there was no turning back for modern culture. There would be no MacFadyen standing half undressed in a field at dawn without Firth jumping into a lake first. There would be no hand flex if there hadn’t been Firth doing his best impression of a man undressing Elizabeth Bennet with his eyes and hating himself for liking it. There would be no Bridgerton without Bridget Jones. Let’s face it people. We wouldn’t be here having these arguments if Colin Firth had not been Mr Darcy.

Colin Firth understood Mr. Darcy in a way no other actor ever has. He is awkward as fuck in a way that comes across as snooty and judgmental on a first watch-through, then can be read as awkward and longing on a second time. His performance had such depth while looking extremely shallow at first glance. This man WAS Mr. Darcy. (I love 2005, as well, and I love Matthew McFayden, but he was awkward for awkward sake.) Colin Firth made Darcy's awkward look snooty and aloof.

THE socially awkward Darcy is the 1995 Darcy - look at him coming and sitting in awkward silence with Elizabeth pointedly asking her if she wants to live a long way from her family (to obvious relief) and then abruptly leaving - vote for him please 😭😭😭😭

GIF by my-little-random-world

Colin Firth served so much as Darcy that when they did Bridget Jone's diary, they brought him back.... AS DARCY. The smoulder. The angst. The man is the quintessential Darcy.

“Firthing” is an actual term that is used now to describe someone yearning intensely. It is named after Colin Firth’s Mr Darcy performance.

Colin Firth all the way. He's known in our household as Owl Eyes because in every frame he's mooning over Elizabeth Bennet. Unsurpassable, unmatched, golden television (and some of the worst dancing you've ever seen).

Colin has beautiful, touchable curls.

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My high school English teacher was very into using movies to teach alongside literature, which was a great teaching tool. When we read Pride and Prejudice, he used both 2005 and 1995 for various scenes. What stands out to me all these years later was when it got to the part when Lizzy went to help Georgiana after Caroline dropped Mr. Wickham's name and Darcy gives Lizzy this look:

My teacher stopped the film and pointed at Darcy's face and said, "See that? That is THE look. If someone ever looks at you like that, you know they're in love." And what is hotter than that?

Also this teacher had two cats named Lizzy and Darcy. Not relevant to the poll but I wanted you all to know about them.

Colin Firth dazzles and amazes in the nuanced performance that just blows all other attempts away.

The best thing about the Colin Firth wet shirt scene is actually the scene that follows where him and Lizzie are both just dyinggg of embarrassment but Darcy pulls himself together refuses to lose his advantage and runs to get dressed and chase her down before she leaves - just the mix of cringe and hopefulness at seeing her again is so well done and so attractive!!! (this is just the bit where he's running after her but I love it all!)

[tealviscaria]

There's this pretty famous Czech parody of The Lord of the Rings: FOTR called Pár Pařmenů (It's a play on words, since the original Czech title is Pán prstenů. My very lame translation of the parody title would be something like "A Couple of Party-goers".)

It was made by a group of students in 2004 who went and dubbed the WHOLE movie (not the other two, sadly). It's exactly the kind of humour you'd expect from a bunch of teenagers (drugs, swearing) but still it's iconic ™ and the puns make me laugh so much (also I'm biased because my siblings showed it to me when I was little.) It's possibly not as popular now but I think most of the people born in the 90s knew about it.

Now, the reason why I'm writing this. I looked it up and found out it has its own Wikipedia page. Kinda surprised me, but yeah, makes sense, it was quite popular after all. But then I saw that you can read the Wiki page in one more language. What would it be, I thought to myself. Slovak? Polish? English?

No.

It's in Welsh.

And it's just nonsense. Okay, not complete nonsense, the first sentence does very plainly describe what the movie is. (Though I don't speak Welsh, so I can't check if it's grammatically correct.)

But then it continues like this (with the help of google translate):

"As noted, the film was published in 2004. The most popular film of that year was Million Dollar Baby which is a drama film by Clint Eastwood. Until 2022 at least 1,350 Czech films had seen the light of day."

And that's just so funny :D To me, there are two possible explanations. Either it was written by a) a learner of Welsh who decided they would use Wikipedia articles instead of a journal to practice the language or b) the funniest motherfucker who tries to smuggle in "Million Dollar Baby" reference to every Wiki article they can.

I am very open to discussion if you have any other interpretations! :D