#first appearance star wars weekly 107
Explore tagged Tumblr posts
swtechspecs · 16 days ago
Text
Tumblr media
Koensayr BTL-A4 Y-Wing "Longprobe" (Long-Range Reconnaissance Fighter)
Source: Rebel Alliance Sourcebook (West End Games, 1990)
8 notes · View notes
reneecortez245 · 4 years ago
Text
Watch!! ^”After We Collided”^ (2020) FULL MOVIE ONLINE
Hey Guys this one is about the beloved and amazing Show.The interactive Adventure is becoming… something for digital streaming services. Overview When the Emperor of China issues a decree that one man per family must serve in the Imperial Chinese Army to defend the country from Huns, Hua Mulan, the eldest daughter of an honored warrior, steps in to take the place of her ailing father. She is spirited, determined and quick on her feet. Disguised as a man by the name of Hua Jun, she is tested every step of the way and must harness her innermost strength and embrace her true potential.
Tumblr media
--> After We Collided F.u.l.l M.o.v.i.e --> After We Collided F.u.l.l M.o.v.i.e O.n.l.i.n.e --> After We Collided F.u.l.l M.o.v.i.e E.n.g.l.i.s.h S.u.b.t.i.t.l.e --> After We Collided F.u.l.l M.o.v.i.e S.t.r.e.a.m.i.n.g --> After We Collided S.t.r.e.a.m.i.n.g O.n.l.i.n.e --> After We Collided O.n.l.i.n.e --> After We Collided E.n.g.l.i.s.h S.u.b.t.i.t.l.e 2020 --> After We Collided F.u.l.l M.o.v.i.e S.t.r.e.a.m.i.n.g --> After We Collided O.n.l.i.n.e S.t.r.e.a.m.i.n.g --> After We Collided S.t.r.e.a.m.i.n.g -->PLAY:»»  https://t.co/QmND8vdZpS?amp=1
Tumblr media
https://tinyurl.com/y2kmthg6
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended. ¦H¦A¦P¦P¦Y¦ ¦W¦A¦T¦C¦H¦I¦N¦G¦ ¦E¦N¦J¦O¦Y¦ Find all the tv series and movies that you can stream online, including the series that aired today. If you are wondering what can you watch on this website, then you should know that it entails genres that include Crime, Drama, Mystery, Action & Adventure series, shows. Thank you very much. We say to all those who are happy to accept us as news or information about the program schedule of the season, episodes and how you watch your favorite television shows. Hopefully we can become the best partner for you in finding recommendations for a television show from various countries around the world. That’s all from us, greetings!, Thanks for watching Guys, keep in touch on Twitter and make sure you let us know if you enjoyed it or not (we don’t give a fuck if you don’t like it). Don’t forget to make around you smile with a sense of optimism. :)) TELEVISION SHOW AND HISTORY A television show (often simply TV show) is any content produced for broadcast via over-the-air, satellite, cable, or internet and typically viewed on a television set, excluding breaking news, advertisements, or trailers that are typically placed between shows. Television shows are most often scheduled well ahead of time and appear on electronic guides or other TV listings. A television show might also be called a television program (British English: programme), especially if it lacks a narrative structure. A television series is usually released in episodes that follow a narrative, and are usually divided into seasons (US and Canada) or series (UK) — yearly or semiannual sets of new episodes. A show with a limited number of episodes may be called a miniseries, serial, or limited series. A one-time show may be called a “special���. A television film (“made-for-TV movie” or “television movie”) is a film that is initially broadcast on television rather than released in theaters or direct-to-video. Television shows can be viewed as they are broadcast in real time (live), be recorded on home video or a digital video recorder for later viewing, or be viewed on demand via a set-top box or streamed over the internet. The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 1930s. Televised events such as the 1936 Summer Olympics in Germany, the 1937 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 1939 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 1947 World Series inspired many Americans to buy their first television set and then in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “Mr Television” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 4, 1951 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 1954 Tournament of Roses Parade) in the US occurred on January 1, 1954. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 1965, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 1972, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season. FORMATS AND GENRES Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows. A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little. If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order. Since the 1980s, many series feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television series to have this kind of dramatic structure,while the later series Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intended five-season run. In 2012, it was reported that television was growing into a larger component of major media companies’ revenues than film. Some also noted the increase in quality of some television programs. In 2012, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television. CREDITS Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama, Anime Movie, etc. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! United States When a person or company decides to create a new series, they develop the show’s elements, consisting of the concept, the characters, the crew, and cast. Then they often “pitch” it to the various networks in an attempt to find one interested enough to order a prototype first episode of the series, known as a pilot.[citation needed] Eric Coleman, an animation executive at Disney, told an interviewer, “One misconception is that it’s very difficult to get in and pitch your show, when the truth is that development executives at networks want very much to hear ideas. They want very much to get the word out on what types of shows they’re looking for.”[7] To create the pilot, the structure and team of the whole series must be put together. If audiences respond well to the pilot, the network will pick up the show to air it the next season (usually Fall).[citation needed] Sometimes they save it for mid-season, or request rewrites and additional review (known in the industry as development hell).[citation needed] Other times, they pass entirely, forcing the show’s creator to “shop it around” to other networks. Many shows never make it past the pilot stage.[citation needed] The show hires a stable of writers, who usually work in parallel: the first writer works on the first episode, the second on the second episode, etc.[citation needed] When all the writers have been used, episode assignment starts again with the first writer.[citation needed] On other shows, however, the writers work as a team. Sometimes they develop story ideas individually, and pitch them to the show’s creator, who folds them together into a script and rewrites them.[citation needed] If the show is picked up, the network orders a “run” of episodes — usually only six or 11 episodes at first, though a season typically consists of at least 22 episodes.[citation needed] The midseason seven and last nine episodes are sometimes called the “mid-seven” and “back nine” — borrowing the colloquial terms from bowling and golf.[citation needed] Thanks u for visiting, I hope u enjoy with this Movie Have a Nice Day and Happy Watching 🙂
#covid-19
1 note · View note
ivanpage61 · 4 years ago
Text
Free Watch!!! ^*^After We Collided^*^ (2020) Full Movie
Hey Guys this one is about the beloved and amazing Show.The interactive Adventure is becoming… something for digital streaming services. Overview When the Emperor of China issues a decree that one man per family must serve in the Imperial Chinese Army to defend the country from Huns, Hua Mulan, the eldest daughter of an honored warrior, steps in to take the place of her ailing father. She is spirited, determined and quick on her feet. Disguised as a man by the name of Hua Jun, she is tested every step of the way and must harness her innermost strength and embrace her true potential.
Tumblr media
--> After We Collided F.u.l.l M.o.v.i.e --> After We Collided F.u.l.l M.o.v.i.e O.n.l.i.n.e --> After We Collided F.u.l.l M.o.v.i.e E.n.g.l.i.s.h S.u.b.t.i.t.l.e --> After We Collided F.u.l.l M.o.v.i.e S.t.r.e.a.m.i.n.g --> After We Collided S.t.r.e.a.m.i.n.g O.n.l.i.n.e --> After We Collided O.n.l.i.n.e --> After We Collided E.n.g.l.i.s.h S.u.b.t.i.t.l.e 2020 --> After We Collided F.u.l.l M.o.v.i.e S.t.r.e.a.m.i.n.g --> After We Collided O.n.l.i.n.e S.t.r.e.a.m.i.n.g --> After We Collided S.t.r.e.a.m.i.n.g -->PLAY:»»  https://tinyurl.com/y2kmthg6
Tumblr media
➥➥  https://t.co/QmND8vdZpS?amp=1
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended. ¦H¦A¦P¦P¦Y¦ ¦W¦A¦T¦C¦H¦I¦N¦G¦ ¦E¦N¦J¦O¦Y¦ Find all the tv series and movies that you can stream online, including the series that aired today. If you are wondering what can you watch on this website, then you should know that it entails genres that include Crime, Drama, Mystery, Action & Adventure series, shows. Thank you very much. We say to all those who are happy to accept us as news or information about the program schedule of the season, episodes and how you watch your favorite television shows. Hopefully we can become the best partner for you in finding recommendations for a television show from various countries around the world. That’s all from us, greetings!, Thanks for watching Guys, keep in touch on Twitter and make sure you let us know if you enjoyed it or not (we don’t give a fuck if you don’t like it). Don’t forget to make around you smile with a sense of optimism. :)) TELEVISION SHOW AND HISTORY A television show (often simply TV show) is any content produced for broadcast via over-the-air, satellite, cable, or internet and typically viewed on a television set, excluding breaking news, advertisements, or trailers that are typically placed between shows. Television shows are most often scheduled well ahead of time and appear on electronic guides or other TV listings. A television show might also be called a television program (British English: programme), especially if it lacks a narrative structure. A television series is usually released in episodes that follow a narrative, and are usually divided into seasons (US and Canada) or series (UK) — yearly or semiannual sets of new episodes. A show with a limited number of episodes may be called a miniseries, serial, or limited series. A one-time show may be called a “special”. A television film (“made-for-TV movie” or “television movie”) is a film that is initially broadcast on television rather than released in theaters or direct-to-video. Television shows can be viewed as they are broadcast in real time (live), be recorded on home video or a digital video recorder for later viewing, or be viewed on demand via a set-top box or streamed over the internet. The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 1930s. Televised events such as the 1936 Summer Olympics in Germany, the 1937 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 1939 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 1947 World Series inspired many Americans to buy their first television set and then in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “Mr Television” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 4, 1951 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 1954 Tournament of Roses Parade) in the US occurred on January 1, 1954. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 1965, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 1972, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season. FORMATS AND GENRES Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows. A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little. If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order. Since the 1980s, many series feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television series to have this kind of dramatic structure,while the later series Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intended five-season run. In 2012, it was reported that television was growing into a larger component of major media companies’ revenues than film. Some also noted the increase in quality of some television programs. In 2012, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television. CREDITS Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama, Anime Movie, etc. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! United States When a person or company decides to create a new series, they develop the show’s elements, consisting of the concept, the characters, the crew, and cast. Then they often “pitch” it to the various networks in an attempt to find one interested enough to order a prototype first episode of the series, known as a pilot.[citation needed] Eric Coleman, an animation executive at Disney, told an interviewer, “One misconception is that it’s very difficult to get in and pitch your show, when the truth is that development executives at networks want very much to hear ideas. They want very much to get the word out on what types of shows they’re looking for.”[7] To create the pilot, the structure and team of the whole series must be put together. If audiences respond well to the pilot, the network will pick up the show to air it the next season (usually Fall).[citation needed] Sometimes they save it for mid-season, or request rewrites and additional review (known in the industry as development hell).[citation needed] Other times, they pass entirely, forcing the show’s creator to “shop it around” to other networks. Many shows never make it past the pilot stage.[citation needed] The show hires a stable of writers, who usually work in parallel: the first writer works on the first episode, the second on the second episode, etc.[citation needed] When all the writers have been used, episode assignment starts again with the first writer.[citation needed] On other shows, however, the writers work as a team. Sometimes they develop story ideas individually, and pitch them to the show’s creator, who folds them together into a script and rewrites them.[citation needed] If the show is picked up, the network orders a “run” of episodes — usually only six or 11 episodes at first, though a season typically consists of at least 22 episodes.[citation needed] The midseason seven and last nine episodes are sometimes called the “mid-seven” and “back nine” — borrowing the colloquial terms from bowling and golf.[citation needed] Thanks u for visiting, I hope u enjoy with this Movie Have a Nice Day and Happy Watching 🙂
#COVID-19
1 note · View note
Text
Download After We Collided 2020 Full Movie. HQ Reddit [DVD-ENGLISH]
Tessa finds herself struggling with her complicated relationship with Hardin; she faces a dilemma that could change their lives forever.
Tumblr media Tumblr media
https://rollingfhr.xyz/en/movie/613504/after-we-collided
~*Stay at Home How to Download After We Collided 2020 Full Movie. HQ Reddit [DVD-ENGLISH] 123mOVies.HD!| Watch After We Collided (2020 ) Full Movie Online Free For PutlockerS 05 sec ago: After We Collided Online Free? [OpenLoads]After We Collided (2020 ) Full Movie Watch online free HQ HQ [DvdRip-USA eng subs ]]After We Collided ! (2020 ) Full Movie Watch # After We Collided online free 123 Movies Online !!After We Collided (2020 ) | Watch After We Collided Online 2020 Full Movie Free HD.720Px
After We Collided 2020 Full Movie After We Collided 2020 Full Movies After We Collided 2020 After We Collided 2020 Music After We Collided 2020 English Sub After We Collided 2020 Comedy, Science Fiction, Adventure After We Collided 2020 2020 After We Collided 2020 Premiere After We Collided 2020 New Movies After We Collided 2020 Movies 2020 After We Collided 2020 Watch Online After We Collided 2020 Full Movie 2020 Watch After We Collided 2020 Full Movie Online ♠ After We Collided F.u.l.l M.o.v.i.e ♠ After We Collided F.u.l.l M.o.v.i.e O.n.l.i.n.e ♠ After We Collided F.u.l.l M.o.v.i.e E.n.g.l.i.s.h S.u.b.t.i.t.l.e ♠ After We Collided F.u.l.l M.o.v.i.e S.t.r.e.a.m.i.n.g ♠ After We Collided S.t.r.e.a.m.i.n.g O.n.l.i.n.e ♠ After We Collided O.n.l.i.n.e ♠ After We Collided E.n.g.l.i.s.h S.u.b.t.i.t.l.e 2020 ♠ After We Collided F.u.l.l M.o.v.i.e S.t.r.e.a.m.i.n.g ♠ After We Collided O.n.l.i.n.e S.t.r.e.a.m.i.n.g ♠ After We Collided S.t.r.e.a.m.i.n.g Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended. ¦H¦A¦P¦P¦Y¦ ¦W¦A¦T¦C¦H¦I¦N¦G¦ ¦E¦N¦J¦O¦Y¦ Find all the tv series and movies that you can stream online, including the series that aired today. If you are wondering what can you watch on this website, then you should know that it entails genres that include Crime, Drama, Mystery, Action & Adventure series, shows. Thank you very much. We say to all those who are happy to accept us as news or information about the program schedule of the season, episodes and how you watch your favorite television shows. Hopefully we can become the best partner for you in finding recommendations for a television show from various countries around the world. That’s all from us, greetings!, Thanks for watching Guys, keep in touch on Twitter and make sure you let us know if you enjoyed it or not (we don’t give a fuck if you don’t like it). Don’t forget to make around you smile with a sense of optimism. :)) TELEVISION SHOW AND HISTORY A television show (often simply TV show) is any content produced for broadcast via over-the-air, satellite, cable, or internet and typically viewed on a television set, excluding breaking news, advertisements, or trailers that are typically placed between shows. Television shows are most often scheduled well ahead of time and appear on electronic guides or other TV listings. A television show might also be called a television program (British English: programme), especially if it lacks a narrative structure. A television series is usually released in episodes that follow a narrative, and are usually divided into seasons (US and Canada) or series (UK) — yearly or semiannual sets of new episodes. A show with a limited number of episodes may be called a miniseries, serial, or limited series. A one-time show may be called a “special”. A television film (“made-for-TV movie” or “television movie”) is a film that is initially broadcast on television rather than released in theaters or direct-to-video. Television shows can be viewed as they are broadcast in real time (live), be recorded on home video or a digital video recorder for later viewing, or be viewed on demand via a set-top box or streamed over the internet. The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 1930s. Televised events such as the 1936 Summer Olympics in Germany, the 1937 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 1939 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 1947 World Series inspired many Americans to buy their first television set and then in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “Mr Television” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 4, 1951 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 1954 Tournament of Roses Parade) in the US occurred on January 1, 1954. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 1965, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 1972, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season. FORMATS AND GENRES Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows. A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little. If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order. Since the 1980s, many series feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television series to have this kind of dramatic structure,while the later series Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intended five-season run. In 2012, it was reported that television was growing into a larger component of major media companies’ revenues than film. Some also noted the increase in quality of some television programs. In 2012, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television. CREDITS Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama, Anime Movie, etc. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! United States When a person or company decides to create a new series, they develop the show’s elements, consisting of the concept, the characters, the crew, and cast. Then they often “pitch” it to the various networks in an attempt to find one interested enough to order a prototype first episode of the series, known as a pilot.[citation needed] Eric Coleman, an animation executive at Disney, told an interviewer, “One misconception is that it’s very difficult to get in and pitch your show, when the truth is that development executives at networks want very much to hear ideas. They want very much to get the word out on what types of shows they’re looking for.”[7] To create the pilot, the structure and team of the whole series must be put together. If audiences respond well to the pilot, the network will pick up the show to air it the next season (usually Fall).[citation needed] Sometimes they save it for mid-season, or request rewrites and additional review (known in the industry as development hell).[citation needed] Other times, they pass entirely, forcing the show’s creator to “shop it around” to other networks. Many shows never make it past the pilot stage.[citation needed] The show hires a stable of writers, who usually work in parallel: the first writer works on the first episode, the second on the second episode, etc.[citation needed] When all the writers have been used, episode assignment starts again with the first writer.[citation needed] On other shows, however, the writers work as a team. Sometimes they develop story ideas individually, and pitch them to the show’s creator, who folds them together into a script and rewrites them.[citation needed] If the show is picked up, the network orders a “run” of episodes — usually only six or 11 episodes at first, though a season typically consists of at least 22 episodes.[citation needed] The midseason seven and last nine episodes are sometimes called the “mid-seven” and “back nine” — borrowing the colloquial terms from bowling and golf.[citation needed] Thanks u for visiting, I hope u enjoy with this Movie Have a Nice Day and Happy Watching :)
youtube
1 note · View note
dgdfherytryu567 · 4 years ago
Text
“MoVies” — After We Collided 2020 , Ful^Movie — Watch ONLINE!!
Tessa finds herself struggling with her complicated relationship with Hardin; she faces a dilemma that could change their lives forever.
Tumblr media Tumblr media
https://rollingfhr.xyz/en/movie/613504/after-we-collided
♠ After We Collided F.u.l.l M.o.v.i.e ♠ After We Collided F.u.l.l M.o.v.i.e O.n.l.i.n.e ♠ After We Collided F.u.l.l M.o.v.i.e E.n.g.l.i.s.h S.u.b.t.i.t.l.e ♠ After We Collided F.u.l.l M.o.v.i.e S.t.r.e.a.m.i.n.g ♠ After We Collided S.t.r.e.a.m.i.n.g O.n.l.i.n.e ♠ After We Collided O.n.l.i.n.e ♠ After We Collided E.n.g.l.i.s.h S.u.b.t.i.t.l.e 2020 ♠ After We Collided F.u.l.l M.o.v.i.e S.t.r.e.a.m.i.n.g ♠ After We Collided O.n.l.i.n.e S.t.r.e.a.m.i.n.g ♠ After We Collided S.t.r.e.a.m.i.n.g Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended. ¦H¦A¦P¦P¦Y¦ ¦W¦A¦T¦C¦H¦I¦N¦G¦ ¦E¦N¦J¦O¦Y¦ Find all the tv series and movies that you can stream online, including the series that aired today. If you are wondering what can you watch on this website, then you should know that it entails genres that include Crime, Drama, Mystery, Action & Adventure series, shows. Thank you very much. We say to all those who are happy to accept us as news or information about the program schedule of the season, episodes and how you watch your favorite television shows. Hopefully we can become the best partner for you in finding recommendations for a television show from various countries around the world. That’s all from us, greetings!, Thanks for watching Guys, keep in touch on Twitter and make sure you let us know if you enjoyed it or not (we don’t give a fuck if you don’t like it). Don’t forget to make around you smile with a sense of optimism. :)) TELEVISION SHOW AND HISTORY A television show (often simply TV show) is any content produced for broadcast via over-the-air, satellite, cable, or internet and typically viewed on a television set, excluding breaking news, advertisements, or trailers that are typically placed between shows. Television shows are most often scheduled well ahead of time and appear on electronic guides or other TV listings. A television show might also be called a television program (British English: programme), especially if it lacks a narrative structure. A television series is usually released in episodes that follow a narrative, and are usually divided into seasons (US and Canada) or series (UK) — yearly or semiannual sets of new episodes. A show with a limited number of episodes may be called a miniseries, serial, or limited series. A one-time show may be called a “special”. A television film (“made-for-TV movie” or “television movie”) is a film that is initially broadcast on television rather than released in theaters or direct-to-video. Television shows can be viewed as they are broadcast in real time (live), be recorded on home video or a digital video recorder for later viewing, or be viewed on demand via a set-top box or streamed over the internet. The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 1930s. Televised events such as the 1936 Summer Olympics in Germany, the 1937 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 1939 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 1947 World Series inspired many Americans to buy their first television set and then in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “Mr Television” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 4, 1951 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 1954 Tournament of Roses Parade) in the US occurred on January 1, 1954. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 1965, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 1972, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season. FORMATS AND GENRES Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows. A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little. If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order. Since the 1980s, many series feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television series to have this kind of dramatic structure,while the later series Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intended five-season run. In 2012, it was reported that television was growing into a larger component of major media companies’ revenues than film. Some also noted the increase in quality of some television programs. In 2012, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television. CREDITS Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama, Anime Movie, etc. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! United States When a person or company decides to create a new series, they develop the show’s elements, consisting of the concept, the characters, the crew, and cast. Then they often “pitch” it to the various networks in an attempt to find one interested enough to order a prototype first episode of the series, known as a pilot.[citation needed] Eric Coleman, an animation executive at Disney, told an interviewer, “One misconception is that it’s very difficult to get in and pitch your show, when the truth is that development executives at networks want very much to hear ideas. They want very much to get the word out on what types of shows they’re looking for.”[7] To create the pilot, the structure and team of the whole series must be put together. If audiences respond well to the pilot, the network will pick up the show to air it the next season (usually Fall).[citation needed] Sometimes they save it for mid-season, or request rewrites and additional review (known in the industry as development hell).[citation needed] Other times, they pass entirely, forcing the show’s creator to “shop it around” to other networks. Many shows never make it past the pilot stage.[citation needed] The show hires a stable of writers, who usually work in parallel: the first writer works on the first episode, the second on the second episode, etc.[citation needed] When all the writers have been used, episode assignment starts again with the first writer.[citation needed] On other shows, however, the writers work as a team. Sometimes they develop story ideas individually, and pitch them to the show’s creator, who folds them together into a script and rewrites them.[citation needed] If the show is picked up, the network orders a “run” of episodes — usually only six or 11 episodes at first, though a season typically consists of at least 22 episodes.[citation needed] The midseason seven and last nine episodes are sometimes called the “mid-seven” and “back nine” — borrowing the colloquial terms from bowling and golf.[citation needed] Thanks u for visiting, I hope u enjoy with this Movie Have a Nice Day and Happy Watching :)
1 note · View note
thisiscomics · 6 years ago
Text
Tumblr media
This was fun!
Completely unnecessary and without any real purpose, since the Marvel Star Wars continuity (well, the first one, anyway) was wiped out a long, long time ago, but maybe that helps to make it just an enjoyable trip into the galaxy far, far away that once was, without any concerns about continuity and canon and all the rest of those things that people can get so hung up on. This is probably the closest to pure nostalgia I’ve seen in comics, and makes me feel more like I expect any great ‘return to the original concept of the character’ reboot is supposed to make me feel like than any of Marvel or DC’s continuity obsessed events ever have.
Sadly, there is no Cynthia Nixon art (which I grew to enjoy greatly when rereading the series. It was probably not my thing as a kid, but it definitely was something I grew up to like- the fight between Luke and Lumiya is one I remember as looking quite striking with her stylised, fluid art) or Jo Duffy script (she does contribute to the back matter, at least), but likely just about everything else you might want in a re-visitation of the old days is here- familiar characters, a lack of recent developments, and a sense of people enjoying themselves telling a story from a period they clearly remember fondly.
Jo Duffy’s plots were kind of bought to an abrupt halt when the series ended, but this new issue doesn’t pick up from that exact point, or make any attempts to resolve any of those threads, it just takes us back to that era, with lots of cameos and references to the extended cast: in this panel, I immediately recognised the other characters, although their names escaped me- Bug Guy and Green Rabbit were the best I could do at first (it’s one of the Hiromi, possibly Captain Hookyr, and Jaxxon, if you need actual names), but it was fun to recognise these people long since consigned to the overflowing dustbins of the Lucasfilm/Disney continuity police, without any of the unnecessary burden of explaining all the continuity to readers, or making a big deal of how it all fits together- the back matter just covers some background on some of the comics-only characters and everyone’s fond memories of the series, which is really all you need to enjoy this trip down memory lane.
It left me trying to remember when I would have read the UK equivalent of 107: the US comic stopped in 1986, and this seems to have been about the same time as Return of the Jedi 155 hit UK shops as the final issue, but according to Comicvine it featured the last half of the last issue of the Return of the Jedi adaptation, Power Pack 23 and Star Wars 72, which confused me. I knew there wasn’t any replacement title after this- Star Wars Weekly had a slight change to Star Wars Weekly: The Empire Strikes Back, although I never saw any of these at the time, and it had been relaunched as Return of the Jedi before I had started reading it, but there was no more Star Wars after that (I suspect my loyalties then moved on to either Transformers and/or Spider-Man and Zoids in the absence of any more Star Wars), yet I still remembered reading those final stories, so I checked some of the previous issues to see what was in them.
Sure enough, the strange Marvel UK approach to continuity was in full effect- issue 144- picked because I remember the cover with Plif leaping into action- contained parts of Star Wars 105 and 69, alongside the first part of Power Pack 21. The US issue 105 was wrapped up by issue 147 (along with Star Wars 70 and Power Pack 21), at which point the Return of the Jedi adaptation was brought in, and the US issues 71 and 72 were printed along with it over the next 8 issues. So it turns out that, as a result, neither 106 or 107 ever made it into print in the UK title. And if you need an example of the cavalier attitude to what they printed- as if the weirdness of running issues published 2-3 years apart wasn’t enough- it’s worth noting that the adaptation of Return of the Jedi was featured in the first 8 issues of the UK comic, and in the 1984 annual, before they printed it again in the last 8 issues. So they sold readers the same thing 3 times.... (At least the hardcover annual had a quality Sienkiewicz cover in a more durable format than the weekly floppy, not that I knew anything about the artist at that young age.)
Much later, Dark Horse packaged all the Marvel issues up in their A Long Time Ago books and I bought them all- I would say again, but the Marvel UK versions were bought for me, so I guess it was about time I paid my dues- and that would be when I finally got to read the last two issues. So that was probably about 15-20 years between reading issue 105 and then getting the last two issues, and another 10-15 years before issue 108 appeared. That’s a hell of a long time between issues, even for comics!
From Star Wars 108, by Matthew Rosenberg, Giuseppe Camuncoli, Cam Smith, Andrea Broccardo, Kerry Gammill, Ze Carlos, Jan Duursema, Stefano Landini, Luke Ross, Leonard Kirk, Chris Sotomayor & Clayton Cowles
3 notes · View notes
ivanpage61 · 4 years ago
Text
^^karebet.xyz^^ After We Collided (2020) ONLINE FULL Movie FREE
Hey Guys this one is about the beloved and amazing Show.The interactive Adventure is becoming… something for digital streaming services. Overview When the Emperor of China issues a decree that one man per family must serve in the Imperial Chinese Army to defend the country from Huns, Hua Mulan, the eldest daughter of an honored warrior, steps in to take the place of her ailing father. She is spirited, determined and quick on her feet. Disguised as a man by the name of Hua Jun, she is tested every step of the way and must harness her innermost strength and embrace her true potential.
Tumblr media
--> After We Collided F.u.l.l M.o.v.i.e --> After We Collided F.u.l.l M.o.v.i.e O.n.l.i.n.e --> After We Collided F.u.l.l M.o.v.i.e E.n.g.l.i.s.h S.u.b.t.i.t.l.e --> After We Collided F.u.l.l M.o.v.i.e S.t.r.e.a.m.i.n.g --> After We Collided S.t.r.e.a.m.i.n.g O.n.l.i.n.e --> After We Collided O.n.l.i.n.e --> After We Collided E.n.g.l.i.s.h S.u.b.t.i.t.l.e 2020 --> After We Collided F.u.l.l M.o.v.i.e S.t.r.e.a.m.i.n.g --> After We Collided O.n.l.i.n.e S.t.r.e.a.m.i.n.g --> After We Collided S.t.r.e.a.m.i.n.g -->PLAY:»»  https://tinyurl.com/y2kmthg6
Tumblr media
🎥➠  https://t.co/QmND8vdZpS?amp=1
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended. ¦H¦A¦P¦P¦Y¦ ¦W¦A¦T¦C¦H¦I¦N¦G¦ ¦E¦N¦J¦O¦Y¦ Find all the tv series and movies that you can stream online, including the series that aired today. If you are wondering what can you watch on this website, then you should know that it entails genres that include Crime, Drama, Mystery, Action & Adventure series, shows. Thank you very much. We say to all those who are happy to accept us as news or information about the program schedule of the season, episodes and how you watch your favorite television shows. Hopefully we can become the best partner for you in finding recommendations for a television show from various countries around the world. That’s all from us, greetings!, Thanks for watching Guys, keep in touch on Twitter and make sure you let us know if you enjoyed it or not (we don’t give a fuck if you don’t like it). Don’t forget to make around you smile with a sense of optimism. :)) TELEVISION SHOW AND HISTORY A television show (often simply TV show) is any content produced for broadcast via over-the-air, satellite, cable, or internet and typically viewed on a television set, excluding breaking news, advertisements, or trailers that are typically placed between shows. Television shows are most often scheduled well ahead of time and appear on electronic guides or other TV listings. A television show might also be called a television program (British English: programme), especially if it lacks a narrative structure. A television series is usually released in episodes that follow a narrative, and are usually divided into seasons (US and Canada) or series (UK) — yearly or semiannual sets of new episodes. A show with a limited number of episodes may be called a miniseries, serial, or limited series. A one-time show may be called a “special”. A television film (“made-for-TV movie” or “television movie”) is a film that is initially broadcast on television rather than released in theaters or direct-to-video. Television shows can be viewed as they are broadcast in real time (live), be recorded on home video or a digital video recorder for later viewing, or be viewed on demand via a set-top box or streamed over the internet. The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 1930s. Televised events such as the 1936 Summer Olympics in Germany, the 1937 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 1939 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 1947 World Series inspired many Americans to buy their first television set and then in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “Mr Television” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 4, 1951 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 1954 Tournament of Roses Parade) in the US occurred on January 1, 1954. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 1965, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 1972, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season. FORMATS AND GENRES Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows. A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little. If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order. Since the 1980s, many series feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television series to have this kind of dramatic structure,while the later series Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intended five-season run. In 2012, it was reported that television was growing into a larger component of major media companies’ revenues than film. Some also noted the increase in quality of some television programs. In 2012, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television. CREDITS Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama, Anime Movie, etc. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! United States When a person or company decides to create a new series, they develop the show’s elements, consisting of the concept, the characters, the crew, and cast. Then they often “pitch” it to the various networks in an attempt to find one interested enough to order a prototype first episode of the series, known as a pilot.[citation needed] Eric Coleman, an animation executive at Disney, told an interviewer, “One misconception is that it’s very difficult to get in and pitch your show, when the truth is that development executives at networks want very much to hear ideas. They want very much to get the word out on what types of shows they’re looking for.”[7] To create the pilot, the structure and team of the whole series must be put together. If audiences respond well to the pilot, the network will pick up the show to air it the next season (usually Fall).[citation needed] Sometimes they save it for mid-season, or request rewrites and additional review (known in the industry as development hell).[citation needed] Other times, they pass entirely, forcing the show’s creator to “shop it around” to other networks. Many shows never make it past the pilot stage.[citation needed] The show hires a stable of writers, who usually work in parallel: the first writer works on the first episode, the second on the second episode, etc.[citation needed] When all the writers have been used, episode assignment starts again with the first writer.[citation needed] On other shows, however, the writers work as a team. Sometimes they develop story ideas individually, and pitch them to the show’s creator, who folds them together into a script and rewrites them.[citation needed] If the show is picked up, the network orders a “run” of episodes — usually only six or 11 episodes at first, though a season typically consists of at least 22 episodes.[citation needed] The midseason seven and last nine episodes are sometimes called the “mid-seven” and “back nine” — borrowing the colloquial terms from bowling and golf.[citation needed] Thanks u for visiting, I hope u enjoy with this Movie Have a Nice Day and Happy Watching 🙂
#covid-19
0 notes
Text
HD!| Watch After We Collided (2020 ) Full Movie Online Free For Putlocker
Tessa finds herself struggling with her complicated relationship with Hardin; she faces a dilemma that could change their lives forever.
Tumblr media Tumblr media
https://rollingfhr.xyz/en/movie/613504/after-we-collided
~*Stay at Home How to Download After We Collided 2020 Full Movie. HQ Reddit [DVD-ENGLISH] 123mOVies.HD!| Watch After We Collided (2020 ) Full Movie Online Free For PutlockerS 05 sec ago: After We Collided Online Free? [OpenLoads]After We Collided (2020 ) Full Movie Watch online free HQ HQ [DvdRip-USA eng subs ]]After We Collided ! (2020 ) Full Movie Watch # After We Collided online free 123 Movies Online !!After We Collided (2020 ) | Watch After We Collided Online 2020 Full Movie Free HD.720Px
After We Collided 2020 Full Movie After We Collided 2020 Full Movies After We Collided 2020 After We Collided 2020 Music After We Collided 2020 English Sub After We Collided 2020 Comedy, Science Fiction, Adventure After We Collided 2020 2020 After We Collided 2020 Premiere After We Collided 2020 New Movies After We Collided 2020 Movies 2020 After We Collided 2020 Watch Online After We Collided 2020 Full Movie 2020 Watch After We Collided 2020 Full Movie Online ♠ After We Collided F.u.l.l M.o.v.i.e ♠ After We Collided F.u.l.l M.o.v.i.e O.n.l.i.n.e ♠ After We Collided F.u.l.l M.o.v.i.e E.n.g.l.i.s.h S.u.b.t.i.t.l.e ♠ After We Collided F.u.l.l M.o.v.i.e S.t.r.e.a.m.i.n.g ♠ After We Collided S.t.r.e.a.m.i.n.g O.n.l.i.n.e ♠ After We Collided O.n.l.i.n.e ♠ After We Collided E.n.g.l.i.s.h S.u.b.t.i.t.l.e 2020 ♠ After We Collided F.u.l.l M.o.v.i.e S.t.r.e.a.m.i.n.g ♠ After We Collided O.n.l.i.n.e S.t.r.e.a.m.i.n.g ♠ After We Collided S.t.r.e.a.m.i.n.g Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended. ¦H¦A¦P¦P¦Y¦ ¦W¦A¦T¦C¦H¦I¦N¦G¦ ¦E¦N¦J¦O¦Y¦ Find all the tv series and movies that you can stream online, including the series that aired today. If you are wondering what can you watch on this website, then you should know that it entails genres that include Crime, Drama, Mystery, Action & Adventure series, shows. Thank you very much. We say to all those who are happy to accept us as news or information about the program schedule of the season, episodes and how you watch your favorite television shows. Hopefully we can become the best partner for you in finding recommendations for a television show from various countries around the world. That’s all from us, greetings!, Thanks for watching Guys, keep in touch on Twitter and make sure you let us know if you enjoyed it or not (we don’t give a fuck if you don’t like it). Don’t forget to make around you smile with a sense of optimism. :)) TELEVISION SHOW AND HISTORY A television show (often simply TV show) is any content produced for broadcast via over-the-air, satellite, cable, or internet and typically viewed on a television set, excluding breaking news, advertisements, or trailers that are typically placed between shows. Television shows are most often scheduled well ahead of time and appear on electronic guides or other TV listings. A television show might also be called a television program (British English: programme), especially if it lacks a narrative structure. A television series is usually released in episodes that follow a narrative, and are usually divided into seasons (US and Canada) or series (UK) — yearly or semiannual sets of new episodes. A show with a limited number of episodes may be called a miniseries, serial, or limited series. A one-time show may be called a “special”. A television film (“made-for-TV movie” or “television movie”) is a film that is initially broadcast on television rather than released in theaters or direct-to-video. Television shows can be viewed as they are broadcast in real time (live), be recorded on home video or a digital video recorder for later viewing, or be viewed on demand via a set-top box or streamed over the internet. The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 1930s. Televised events such as the 1936 Summer Olympics in Germany, the 1937 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 1939 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 1947 World Series inspired many Americans to buy their first television set and then in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “Mr Television” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 4, 1951 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 1954 Tournament of Roses Parade) in the US occurred on January 1, 1954. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 1965, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 1972, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season. FORMATS AND GENRES Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows. A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little. If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order. Since the 1980s, many series feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television series to have this kind of dramatic structure,while the later series Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intended five-season run. In 2012, it was reported that television was growing into a larger component of major media companies’ revenues than film. Some also noted the increase in quality of some television programs. In 2012, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television. CREDITS Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama, Anime Movie, etc. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! United States When a person or company decides to create a new series, they develop the show’s elements, consisting of the concept, the characters, the crew, and cast. Then they often “pitch” it to the various networks in an attempt to find one interested enough to order a prototype first episode of the series, known as a pilot.[citation needed] Eric Coleman, an animation executive at Disney, told an interviewer, “One misconception is that it’s very difficult to get in and pitch your show, when the truth is that development executives at networks want very much to hear ideas. They want very much to get the word out on what types of shows they’re looking for.”[7] To create the pilot, the structure and team of the whole series must be put together. If audiences respond well to the pilot, the network will pick up the show to air it the next season (usually Fall).[citation needed] Sometimes they save it for mid-season, or request rewrites and additional review (known in the industry as development hell).[citation needed] Other times, they pass entirely, forcing the show’s creator to “shop it around” to other networks. Many shows never make it past the pilot stage.[citation needed] The show hires a stable of writers, who usually work in parallel: the first writer works on the first episode, the second on the second episode, etc.[citation needed] When all the writers have been used, episode assignment starts again with the first writer.[citation needed] On other shows, however, the writers work as a team. Sometimes they develop story ideas individually, and pitch them to the show’s creator, who folds them together into a script and rewrites them.[citation needed] If the show is picked up, the network orders a “run” of episodes — usually only six or 11 episodes at first, though a season typically consists of at least 22 episodes.[citation needed] The midseason seven and last nine episodes are sometimes called the “mid-seven” and “back nine” — borrowing the colloquial terms from bowling and golf.[citation needed] Thanks u for visiting, I hope u enjoy with this Movie Have a Nice Day and Happy Watching :)
youtube
0 notes
dawnajaynes32 · 8 years ago
Text
Design Finds: 5 Creative Highlights from the Week
Welcome to Design Finds, HOW’s weekly roundup of interesting design and creativity-related news of note and general interest. This week has been a doozy in the design world, as they say, with a new look at Disney’s Star Wars Land (!!!), oddball news about a font and Pakistani politics, LEGO logo designs and more. Read on to see what’s up.
1. Take a Sneak Peek at Star Wars Land
In 2019, Disney will be opening its new Star Wars Land. Check out this short video to see a model of it. (More info at CNET.)
.
youtube
2. All X-Men
Designer Scottie Mo took it upon himself to X-ify every X-Men character from Uncanny X-Men, Vol. 1. Why? Well, that’s the question. But it’s really cool and designy, so check it out. And follow him on Instagram while you’re at it. 
  I spent two years poring over all 545 issues of Uncanny X-Men to recreate everyone that has ever appeared. That’s 2535 characters in all. This snippet from #107 is particular fave. I have a newfound respect for artist Dave Cockrum, original designer of this patch of X-peeps. To see them all, visit allxmen.com. #uncannyxmen #xmen #marvel #marvellegends #comics #chrisclaremont #jimlee #johnbyrne #stanlee #jackkirby #design #art
Tumblr media
#illustrator
A post shared by Scottie Mo (@mojoswork) on Jul 13, 2017 at 4:56am PDT
3. Death by Calibri
That old Microsoft font Calibri is making waves in Pakistan—borne out at the heart of a political scandal involving the country’s Prime Minister. Read about it at Gizmodo.
4. The LEGO Logo’s Evolution
Try saying “LEGO logo” five times fast. Or, just read this excellent history of the toy company’s logo from Logo Design Love. One interesting tidbit: “In 1934, Ole’s company and its products adopted the name LEGO, an abbreviation of the two Danish words ‘leg godt,’ meaning ‘play well.'”
5. Animated Doodles by Abbey Lossing 
Illustrator Abbey Lossing creates these charming, quirky animated gifs. See more of them over at Doodlers Anonymous.
The post Design Finds: 5 Creative Highlights from the Week appeared first on HOW Design.
Design Finds: 5 Creative Highlights from the Week syndicated post
0 notes
aion-rsa · 4 years ago
Text
Disney+ New Releases: June 2021
https://ift.tt/3bZfZdB
Just about everybody in the streaming world is laser-focused on competing with Netflix and Disney+. AT&T recently announced that it would be spinning off WarnerMedia and merging with Discovery, Inc. with that exact goal in mind. How does Disney react to such corporate posturing? By releasing one of its biggest series yet, of course!
Loki, the third and biggest arrow in Disney+’s Marvel quiver, headlines Disney+’s list of new releases for June 2021. This series about the God of Mischief encountering the Time Variance Authority is set to arrive on June 9, two days ahead of its original June 11 release date. Disney+ has enjoyed some success in the weekly release model. Now it is going to experiment with release days. Every episode of Loki will arrive on Wednesday, rather than the usual Friday for other Disney+ series.
Read more
TV
Loki: Owen Wilson’s Agent Mobius Reveals the Sacred Timeline
By Alec Bojalad
TV
Loki May Already Be the Most Popular Marvel Disney+ Series
By Alec Bojalad
Also coming to Disney+ this month is The Mysterious Benedict Society on June 25. This adaptation of an all ages novel about gifted children was originally set for Hulu before making the switch over to Disney+. June also sees the arrival of Pixar’s latest effort. Luca, a coming-of-age sea monster tale set in the Italian Riviera, will premiere on June 18.
The library titles arriving to Disney+ in June 2021 are a bit thin. Notably, Raya and the Last Dragon comes to Disney+ proper on June 4 after making its premiere as a “premier access” pay title in March. June 4 also sees the arrival of X-Men Origins: Wolverine, just in case you wanted to gawk at weird proto-Deadpool again.
June 4
New Library Titles Raya and the Last Dragon Disney Amphibia (S2)  Disney Junior Muppet Babies (S3)  Gordon Ramsay: Uncharted (S3) – Ep. Texas Throwdown Ice Age: Dawn of the Dinosaurs Us Again  X-Men Origins: Wolverine
Disney+ Originals High School Musical: The Musical: The Series – Episode 204 “The Storm Big Shot – Episode 108 “Everything To Me” Star Wars: The Bad Batch – Episode 106 Marvel Studios Legends – Loki
June 9
Disney+ Originals Loki – Premiere
June 11
New Library Titles Disney Junior Puppy Dog Pals (S4)  The Happiest Millionaire Gordon Ramsay: Uncharted (S3) – Ep. Portugal’s Rugged Coast  The Incredible Dr. Pol (S18)
Disney+ Originals  Zenimation Season Two Premiere Big Shot – Episode 109 “Beth MacBeth” High School Musical: The Musical: The Series – Episode 205 “The Quinceanero” Star Wars: The Bad Batch – Episode 107
June 16
Disney+ Originals Loki – New Episode
June 18
New Library Titles Dino Ranch (S1)  Disney Just Roll With It (S2) Gordon Ramsay: Uncharted (S3) Ep. The Maine Ingredient  Heartland Docs, DVM (S3)
Disney+ Originals Luca  Big Shot – Finale High School Musical: The Musical: The Series – Episode 206 “Yes, And…” Star Wars: The Bad Batch – Episode 108
June 23
Disney+ Originals  Loki – New Episode
June 25
New Library Titles Disney Bunk’d (S4) PJ Masks (S4) Gordon Ramsay: Uncharted (S3) – Ep. Croatia’s Coastal Adventure Running Wild With Bear Grylls (S6) When Sharks Attack (S1- S6)
Disney+ Originals The Mysterious Benedict Society – Episode 101 “A Bunch of Smart Orphans” Wolfgang High School Musical: The Musical: The Series – Episode 207 “The Field Trip” Star Wars: The Bad Batch – Episode 109
cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });
June 30
Disney+ Originals Loki – New Episode
The post Disney+ New Releases: June 2021 appeared first on Den of Geek.
from Den of Geek https://ift.tt/3hZIUC5
0 notes
musiccosmosru · 7 years ago
Link
Unconscious Time Slip“Back in 1995, I was driving my car on the highway one ordinary winter night around 3 A.M. Suddenly, everything was quiet and looked as if I was watching a flat TV screen, only minding for the red lights of a car before mine. I could not figure out where I was although I knew perfectly well my way home, but I had no worries. I just kept on driving along the highway that had no more exit lanes, for a length of time that I could not tell. Then suddenly, I was conscious again, like waking up, stuck in a traffic jam, with dozens of cars beeping around, at 4 A.M. That seemed incredible to me! There was no reason at all for those cars to stop and so many of them! More strange was the fact that I saw on my right, in far distance, a huge shiny silver round building, really huge like a stadium, though this kind of architecture was sci-fi at the time. I knew this building did NOT really exist and got away with it by saying to myself that it was another one that I knew was totally different and completely elsewhere. Then I realized I was ten miles ahead of where I should have exited.” – Lee Gally
Beyond Creepy
**********
Britain Heat Wave Sparks Rat Plague
As temperatures continue to rise – and The Commons environmental audit committee said adapting to a warming climate was “a matter of life and death” – the red-hot heatwave has sparked a plague of rats.
Experts say numbers of the rodents have risen alarmingly in recent weeks as they gnaw on food rubbish warmed by weeks of sun, and early-ripened fruit.
And as MPs issued an alert over 7,000 heat-related deaths a year, forecasters say it may hit 37C (99f) on Friday for the hottest July day on record, beating the 36.7C (98F) set three years ago.
With the mercury rising, councils may step up household bin ­collections in a bid to battle the rising rat population, while Brits have also been told to not exercise outdoors. Read more at Sizzling temperatures of 37C will set a July record sparking plague of rats as sharks ‘infest’ coast
**********
Underground Liquid Water Lake Found on Mars
A massive underground lake has been detected for the first time on Mars, raising hopes that more water — and maybe even life — exists there, international astronomers said Wednesday.
Located under a layer of Martian ice, the lake is about 12 miles (20 kilometers) wide, said the report in the US journal Science.
It is the largest body of liquid water ever found on the Red Planet.
“Water is there. We have no more doubt,” co-author Enrico Flamini, the Italian space agency’s Mars Express mission manager, told a press conference.
Mars is now cold, barren and dry but it used to be warm and wet. It was home to plenty of liquid water and lakes at least 3.6 billion years ago. Read more at Liquid water lake discovered on Mars
**********
Tumblr media
ARCANE RADIO IS BACK! on the Paranormal King Radio NetworkFacebook event announcement: Arcane Radio – Nicole Strickland – Paranormal Researcher / Author
Join me as I welcome paranormal researcher / author Nicole Strickland to Arcane Radio. Nicole Strickland currently resides in San Diego, California, and has been innately intrigued with the paranormal since childhood and has studied the field for many years. She has been actively investigating historical landmarks and private residences for paranormal activity since the early 2000s, after a profound experience with the spirit of her beloved grandmother. She is the Founder and Director of the San Diego Paranormal Research Society (SDPRS); and serves as the team’s EVP Specialist and historical locations case manager. Nicole has worked with various Southern California paranormal research teams prior to developing SDPRS in 2009. She was also a core member of the Ghost Research Society holding the GRS Southern California Area Research Director position from 2009 – 2017. Nicole also serves as a consultant to World Paranormal Investigations as well as a California Representative for the American Spectral Society. Nicole has written 5 books, including her most recent title ‘San Diego’s Most Haunted: The Historical Legacy and Paranormal Marvels.’ http://www.authornicolestrickland.com/ – You won’t want to miss this interesting show! Join us this Friday, July 27th at 9PM ET / 6PM PT on ParanormalKing.com ———- Big thanks to my newest Arcane Radio Patron…rhpatton1Become a ‘Arcane Radio’ Patron for only $1 per month! https://patron.podbean.com/ArcaneRadio
Each $1+ donation gives that Patron:
– a ‘thank you’ mention on Arcane Radio, and a ‘thank you’ post on the ‘Phantoms & Monsters’ blog and on all of our social media (Facebook, Twitter, Tumbler, Google+)
– a digital copy of ‘Mothman Dynasty: Chicago’s Winged Humanoid.’ When you become a patron, forward your email address to me at [email protected] and I will email a copy to you.
– an entry into the monthly drawing to receive a free signed copy of my most recent paperback title. The winner’s Podbean ID will be announced on this site, the blog and on my social media. Simply forward your mailing address to me at [email protected] and I will send a copy to you.
Thanks! Lon
**********
TODAY’S TOP LINKS
Scientists revise the Rio Scale for reported alien encounters
Woman Claims to Solve Strange Cougar Situation Using Telepathy
Scientists Find ‘Unprecedented’ Reversal of Wrinkles and Hair Loss
Scotland’s greatest UFO mysteries: Is the truth out there?
Mystery of UFO spotted from Plymouth revealed
**********
Star Wars: The Last Jedi (Theatrical Version)
In Search Of…The Complete (146 Episodes) Leonard Nimoy)
The Godfather 3-Movie Collection
Clint Eastwood: The Universal Pictures 7-Movie Collection [Blu-ray]
Paranormal Activity Three-Movie Collection [Blu-ray]
UPDATED WEEKLY: Lon’s Suggested Reading List – Books & Films / DVDs
**********
Tumblr media Tumblr media
ARCANE RADIO PODCASTS: PodBean – iTunes – Stitcher – YouTube – Spotify– Google Play – blubrry – Player FM – TuneIn – Podbay FM – Spreaker
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
This newsletter is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.
Disclaimer:
The publication of any and all content e.g., articles, reports, editorials, commentary, opinions, as well as graphics and or images on this web-site does not constitute sanction or acquiescence of said content unless specified; it is solely for informational purposes.
Fair Use Notice:
This site may contain copyrighted material the use of which may not be specifically authorized by the copyright owner. We are making such material available in our efforts to advance understanding of environmental, political, human rights, economic, democratic, scientific, social justice, and religious issues, etc. We believe this constitutes a ‘fair use’ of any such copyrighted material as provided for in section 107 of the US Copyright Law. In accordance with Title 17 U.S.C. Section 107, the material on this site is distributed without profit to those who have expressed a prior interest in receiving the included information for research and educational purposes.
You understand that all Content posted on, transmitted through, or linked from the Phantoms and Monsters Site, are the sole responsibility of the person from whom such Content originated. You are responsible for all Content that you post, email or otherwise make available via the Phantoms and Monsters Site. Phantoms and Monsters does not control, and is not responsible for Content made available through the Phantoms and Monsters Site. By using the Phantoms and Monsters Site, you acknowledge that you may be exposed to Content from other users that is offensive, indecent, inaccurate, misleading, or otherwise objectionable.
Please Note:
On this day, November 27, 2014, in accord with 15 U.S. Code Chapter 107 – Protection of Intellectual Property Rights, I declare that my rights are attached to all personal data, voice recordings, photos, art, text, titles, etc. published or reproduced at any media source. For commercial and/or recreational use of the foregoing my written consent is required at all times. By this release, I tell all unauthorized person and/or parties that it is strictly forbidden to disclose, copy, distribute, broadcast, or to take any other action against me on the basis of its contents. The actions mentioned above apply equally to employees, students, agents and/or other staff under the direction of the offending parties. The contents of my profile include private information. The violation of my privacy is punished by the law (UCC 1 1-308 – 308 1 -103 and the Rome Statute) NOTE: Any use of witness information, which includes any attempt to contact a witness or persons involved in an event, is strictly prohibited without the written consent of Phantoms & Monsters.
© 2005-2018 Phantoms & Monsters – All Rights Reserved
<a style="display:none" rel="follow" href="http://megatheme.ir/" title="قالب وردپرس">قالب وردپرس</a>
The post Phantoms and Monsters: Pulse of the Paranormal appeared first on MusicCosmoS.
0 notes
flauntpage · 8 years ago
Text
Blue Jays Mailbag: Osuna, Travis' Health, and Trading for a Mets Outfielder
This article originally appeared on VICE Sports Canada.
Andrew Stoeten answers your questions in our Blue Jays Mailbag, which runs weekly at VICE Sports. You can send him questions at [email protected], and follow him on Twitter.
The Blue Jays are through a strange and frustrating road trip, which ended up being uplifting thanks to a Sunday win and an appearance from their closer.
The club continues to float around the .500 mark, and have had a devil of a time crossing it, but in the two-team wild-card era, that means they are firmly still in the playoff picture, and fans are thinking long and hard about trading for upgrades—as we'll see below in this week's Blue Jays mailbag!
So let's crack it open and feast on the goo inside!
If you have a Blue Jays question you'd like me to tackle for next week, be sure to send it to [email protected]. As always, I have not read any of Griff's answers.
Should the people that bagged on Osuna for taking time due to mental illness be shot into the sun *or* ocean? Sean
This seems to be as good a place to start as any, because yeah, it ought to be at least one of those places, right? But… hmmmm… since those people were such fucking squids, maybe they'd be a little too happy to be sent to the bottom of the sea. So… yeah… sun it is!
Seriously, though, I was fortunate in that I was away for the weekend and so only managed to have one eye on this stuff as it was happening. I hardly even know what to say about it now, except that it was great to see Osuna back out on the mound Sunday, as well as his teammates' reaction to it. And if seeing that helps underline, for all the fans who sometimes have trouble realizing, that players are actual human beings, that's another positive we can take from it—to go along with the fact that Osuna being brave enough to have this be so public will only help to destigmatize such issues.
Osuna told reporters this past weekend that he's been dealing with anxiety. Photo by Dan Hamilton-USA TODAY Sports
It, perhaps, can also serve as a reminder to a not-dissimilar subset of fans that nothing good can come out of blinding, venom-spouting frustration, especially about a sport which is so naturally awash in frustrating moments. And also, you dopes, that when a manager says an unused player "wasn't feeling well tonight, that's all you need to know," it isn't necessarily a thinly-veiled attempt at covering for some colossal fuckup or an affront to your right to know absolutely everything about an ugly loss that so badly and thoroughly loosened your bowels.
---
Why is Jason Grilli still on the team? Ryan
Because of Drew Storen.
Or… OK… Grilli isn't exactly still here because of Storen, but consider the case of last year's would-be setup man. "Two's Scorin'" had an awful time on the mound for the Blue Jays, lost the confidence of the fans and his manager, then worked his way back to looking OK-ish (from May 20 to June 24 he pitched to a 1.35 ERA, allowing just 12 hits, walking 4 and striking out 12, in 13.1 innings), wobbled a bit again, and then was flipped for Joaquin Benoit—a reliever who'd struggled in his own right in Seattle, but who ended up being crucial for the Jays in the second half.
Grilli, sadly, has been worse in 2017 than Storen ever was for the Blue Jays, but the velocity is still there, and he's shown for a long time that he can get the job done. Teams aren't going to pay a lot for that, but the Jays aren't crazy to think that they can make him viable again, or that there might be another team willing to flip a similar player to them for the chance to try it themselves.
The veteran Grilli has gotten torched this season. Photo by Dan Hamilton-USA TODAY Sports
Yes, there will come a time, if things don't improve, where they'll need to part ways with him, but right now, what's the upside? Grilli has only pitched four times in the three weeks since getting blasted by the Yankees earlier this month, so the opportunity for someone else to provide significantly more value in that role just really isn't there. Upgrading their fifth-best right-handed reliever simply wouldn't do much for this team beyond making Grilli haters feel satisfied with themselves. And given what Grilli has been in his career, what he did for the Jays last season, what they like about him as a veteran in the clubhouse, and what he (theoretically) could still be—either as a trade asset or as an asset on the mound in his own right—I completely understand why the club is having more patience here than some fans maybe would like.
---
Granderson could probably be had for a relatively low price. Think he's a viable option for LF? I realize he wouldn't be first choice. @renusm
I'm not sure Granderson would be the Jays' first choice on his own team, to be honest.
Late in the winter of 2016, the club appeared to have worked out a trade that would have sent Michael Saunders to the Angels, a few presumably not-so-great prospects to the Reds, and Jay Bruce from Cincinnati to Toronto. I wrote a piece at the time that I titled "Jay Bruce Is Bad, But That Might Not Stop The Jays From Trading For Him," which has led a few readers to assume over the last year that I have some kind of massive problem with Bruce. I definitely did cheer when the deal fell apart, but I also wrote this:
If it's just Saunders, and if it's somehow cash neutral, I can buy believing in Bruce's ceiling over Saunders' (despite Saunders' 3 WAR advantage in 2014, his last healthy-ish season), given the big uptick in durability and his (theoretical) potential as a 2017 asset [ Bruce had a 2017 option, Saunders was due to be a free agent]. I could even buy paying a premium to make that switch, I suppose. But not a big one. And certainly not one where the organization ends up committing dollars that could have gone to literally anything else that could have helped this club out.
It turns out the Jays' thinking was similar to my own, with one crucial exception: they liked Jay Bruce. And rightly so, it turns out.
We later learned that the Reds were going to pay $8 million of Bruce's $12.5 million salary, making the deal close to cash-neutral (Saunders made $2.9 million in 2016) and presumably low in terms of the prospects given up. A year ago the front office looked extremely fortunate that the deal had fallen apart—Bruce was OK enough, but Saunders was on his way to making the AL All-Star team. Over the last 365 days, though, it's become clear that Mark Shapiro and Ross Atkins were likely onto something: Saunders has been essentially the worst position player in baseball (his -1.2 WAR is dead last among the 242 players with at least 350 plate appearances over that span and he was just released by the Phillies), while Bruce has been more than fine, putting up two wins, a 111 wRC+, and blasting 37 home runs.
Twenty of those home runs for Bruce have come this year, as he's put up a 131 wRC+ to go along with his best walk rate since 2012, and his lowest strikeout rate since 2009. His defence has been much better than the way it was trending a year ago, too. Though the samples are too small to be too meaningful, the +4 DRS and +1.7 UZR he's sitting on as an outfielder (he loses defensive value in the overall because of a handful of bad games at first base) are both pretty impressive. And they're better marks than Granderson has been capable of in recent years.
I haven't looked at Bruce's defence much this year, if at all, so I'm not going to act like these numbers are the be-all, end-all and he's suddenly good out there, but it seems like he's not going to kill you in the field and has been an asset with the bat. Bruce has been streaky, with noticeable drop-offs in his production in the second half of every year since 2013, but with the success this year, plus the previous interest (he was linked to the Jays several times early on this past offseason), and the cost, I wouldn't be surprised if he was the one the Jays are interested in.
But Granderson does make some sense, too. He's likely to be better at getting on base (once Bruce regresses a bit), offers at least a little bit of speed that Bruce doesn't, a little bit of power in his own right, and could maybe hit at the top of the Jays' lineup if they did acquire him.
Both are a cut above what the Jays will roll out there, even once Ezequiel Carrera returns to full health, and both should come at a relatively low price tag, given that they're not great, and are free agents at the end of the season. So… sure...
---
What's your thoughts on Travis, injury prone time to move on, bad luck, wait it out or something else Paul
Time to move on?? Holy shit, man.
Look, to be honest, my credibility on the idea of whether or not a player deserves the "injury prone" tag went down with the good ship Brandon Morrow several years ago, but I'm of the mind that fans think they know and can see and understand a whole lot more about this stuff than they really do. A.J. Burnett was a guy who was always injured… until starting in 2008, at age 31, he reeled off seven straight seasons of 30 or more starts, y'know? And Dustin McGowan could never stay healthy, and yet he's thrown 107 innings out of the Marlins' bullpen over the last two years, and has done a damn fine job of it.
Travis has been limited to 213 games over the last three seasons and was recently transferred to the 60-day DL. Photo by Kim Klement-USA TODAY Sports
I guess what it comes down to, for me, is that there's a difference between "that guy is always hurt" and "that guy is always going to be hurt," and I certainly don't think Travis is in the latter category yet.
Like, we're basically only talking about two injuries when it comes to Devon's young Blue Jays career: a shoulder injury caused by the fact that his bones didn't fuse properly as he was growing up, and the ongoing trouble with his knee, which seems to have not quite healed right. They've played out like multiple injuries—Travis tried to play through pain and keep himself on the field as best he could—but are they? Really?
And if his medical history with the Jays really comes down to just two injuries, serious as they have been, I'm not sure it's fair to think that he's always going to be hurt, or to act like there's something especially wrong with him, physically, that means he's more likely than anyone else to pick up any other kind of injury.
The Jays could use a rental second baseman to finish out this season with, and it would be silly of me to say that all this must have only been bad luck and he should be entirely fine going forward, but as far as I'm concerned there is not a lot of reason to be afraid of him having trouble staying healthy beyond that. Which means I probably just cursed him. Fuck!
---
Hi Stoeten
Ideally, the Blue Jays could use a huge talent upgrade at multiple spots to lift themselves out of the pack of teams within a couple games of a playoff spot. But with relatively few teams that are actively selling and a front office looking to balance the present and future, it is likely the team will have to find particular areas to focus on at the trade deadline.
If you were the front office, how would you rank the following areas of need?
-Second Baseman who can hit and is at least adept defensively -Left Fielder who can field and is at least adept offensively -Late inning left-handed RP -Back-up Catcher -Starting pitcher with a proven track record of winning games which bring the team to .500 (or maybe just additional rotation depth)
Or would you just throw out the idea of ranking needs and sell everything!?
Thanks Josh
Well, I certainly wouldn't sell everything. I also don't see much need for another starter at the big league level—though depth pieces could always help. Backup catcher seems fine, too—though I'd be terrified to see more of Luke Maile as a starter, should anything happen to Russell Martin again—so I guess it's just the other three things the Jays should be most concerned about.
The thing is, the Jays aren't exactly dying for any of these positions to be upgraded, either. The right-handers in their bullpen have handled lefties well, their left field situation won't be too bad once Ezequiel Carrera comes back (which is a crazy thing to think, but he's had a nice year so far!), and second base is... ugly, but they've at least got some adept defenders to use there.
Are one of these Mets a future Blue Jay? Photo by Noah K. Murray-USA TODAY Sports
I guess by the way I've characterized it there, second base would have to rank at the top, followed by left field, then the bullpen lefty. But why rank? I've never seen the point in these sorts of exercises, to be honest. There are places to upgrade, there are pieces to upgrade with, and the deals that make the most sense will make the most sense. I don't think teams benefit from being rigid about which sorts of moves have to be made more than others (unless the problem is especially obvious, like the 2015 Jays needing a starting pitcher), because there are just so many moving parts and so many ways to go about adding value.
Which is to say: it seems to me like the easiest way to add value to these Jays would be to find a legit second baseman for the rest of the season, but it's entirely possible their best way to make the team better (while preserving future assets as best they can) may not run through second base. And I also think that thinking about it too much this way just leads to nonsense like we saw after the Tulowitzki trade in 2015, where some fans lost their minds about shortstop not being as important a spot to upgrade as the rotation was, as though there couldn't be another trade still coming, or the club was too focused on the wrong priorities. They're focused on every place they can make the club better.
Blue Jays Mailbag: Osuna, Travis' Health, and Trading for a Mets Outfielder published first on http://ift.tt/2pLTmlv
0 notes
ivanpage61 · 4 years ago
Text
Movies!! (After We Collided) (2020) Full Movie Watch HD Online
Hey Guys this one is about the beloved and amazing Show.The interactive Adventure is becoming… something for digital streaming services. Overview When the Emperor of China issues a decree that one man per family must serve in the Imperial Chinese Army to defend the country from Huns, Hua Mulan, the eldest daughter of an honored warrior, steps in to take the place of her ailing father. She is spirited, determined and quick on her feet. Disguised as a man by the name of Hua Jun, she is tested every step of the way and must harness her innermost strength and embrace her true potential.
Tumblr media
--> After We Collided F.u.l.l M.o.v.i.e --> After We Collided F.u.l.l M.o.v.i.e O.n.l.i.n.e --> After We Collided F.u.l.l M.o.v.i.e E.n.g.l.i.s.h S.u.b.t.i.t.l.e --> After We Collided F.u.l.l M.o.v.i.e S.t.r.e.a.m.i.n.g --> After We Collided S.t.r.e.a.m.i.n.g O.n.l.i.n.e --> After We Collided O.n.l.i.n.e --> After We Collided E.n.g.l.i.s.h S.u.b.t.i.t.l.e 2020 --> After We Collided F.u.l.l M.o.v.i.e S.t.r.e.a.m.i.n.g --> After We Collided O.n.l.i.n.e S.t.r.e.a.m.i.n.g --> After We Collided S.t.r.e.a.m.i.n.g -->PLAY:»»  https://t.co/QmND8vdZpS?amp=1
Tumblr media
🎥➠  https://tinyurl.com/y2kmthg6 Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended. ¦H¦A¦P¦P¦Y¦ ¦W¦A¦T¦C¦H¦I¦N¦G¦ ¦E¦N¦J¦O¦Y¦ Find all the tv series and movies that you can stream online, including the series that aired today. If you are wondering what can you watch on this website, then you should know that it entails genres that include Crime, Drama, Mystery, Action & Adventure series, shows. Thank you very much. We say to all those who are happy to accept us as news or information about the program schedule of the season, episodes and how you watch your favorite television shows. Hopefully we can become the best partner for you in finding recommendations for a television show from various countries around the world. That’s all from us, greetings!, Thanks for watching Guys, keep in touch on Twitter and make sure you let us know if you enjoyed it or not (we don’t give a fuck if you don’t like it). Don’t forget to make around you smile with a sense of optimism. :)) TELEVISION SHOW AND HISTORY A television show (often simply TV show) is any content produced for broadcast via over-the-air, satellite, cable, or internet and typically viewed on a television set, excluding breaking news, advertisements, or trailers that are typically placed between shows. Television shows are most often scheduled well ahead of time and appear on electronic guides or other TV listings. A television show might also be called a television program (British English: programme), especially if it lacks a narrative structure. A television series is usually released in episodes that follow a narrative, and are usually divided into seasons (US and Canada) or series (UK) — yearly or semiannual sets of new episodes. A show with a limited number of episodes may be called a miniseries, serial, or limited series. A one-time show may be called a “special”. A television film (“made-for-TV movie” or “television movie”) is a film that is initially broadcast on television rather than released in theaters or direct-to-video. Television shows can be viewed as they are broadcast in real time (live), be recorded on home video or a digital video recorder for later viewing, or be viewed on demand via a set-top box or streamed over the internet. The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 1930s. Televised events such as the 1936 Summer Olympics in Germany, the 1937 coronation of King George VI in the UK, and David Sarnoff’s famous introduction at the 1939 New York World’s Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 1947 World Series inspired many Americans to buy their first television set and then in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name “Mr Television” and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 4, 1951 when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T’s transcontinental cable and microwave radio relay system to broadcast stations in local markets. The first national color broadcast (the 1954 Tournament of Roses Parade) in the US occurred on January 1, 1954. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 1965, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 1972, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season. FORMATS AND GENRES Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional series). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows. A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little. If some change happened to the characters’ lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order. Since the 1980s, many series feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television series to have this kind of dramatic structure,while the later series Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intended five-season run. In 2012, it was reported that television was growing into a larger component of major media companies’ revenues than film. Some also noted the increase in quality of some television programs. In 2012, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: “I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television. CREDITS Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama, Anime Movie, etc. Thank you very much. We tell everyone who is happy to receive us as news or information about this year’s film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That’s all from us, greetings! United States When a person or company decides to create a new series, they develop the show’s elements, consisting of the concept, the characters, the crew, and cast. Then they often “pitch” it to the various networks in an attempt to find one interested enough to order a prototype first episode of the series, known as a pilot.[citation needed] Eric Coleman, an animation executive at Disney, told an interviewer, “One misconception is that it’s very difficult to get in and pitch your show, when the truth is that development executives at networks want very much to hear ideas. They want very much to get the word out on what types of shows they’re looking for.”[7] To create the pilot, the structure and team of the whole series must be put together. If audiences respond well to the pilot, the network will pick up the show to air it the next season (usually Fall).[citation needed] Sometimes they save it for mid-season, or request rewrites and additional review (known in the industry as development hell).[citation needed] Other times, they pass entirely, forcing the show’s creator to “shop it around” to other networks. Many shows never make it past the pilot stage.[citation needed] The show hires a stable of writers, who usually work in parallel: the first writer works on the first episode, the second on the second episode, etc.[citation needed] When all the writers have been used, episode assignment starts again with the first writer.[citation needed] On other shows, however, the writers work as a team. Sometimes they develop story ideas individually, and pitch them to the show’s creator, who folds them together into a script and rewrites them.[citation needed] If the show is picked up, the network orders a “run” of episodes — usually only six or 11 episodes at first, though a season typically consists of at least 22 episodes.[citation needed] The midseason seven and last nine episodes are sometimes called the “mid-seven” and “back nine” — borrowing the colloquial terms from bowling and golf.[citation needed] Thanks u for visiting, I hope u enjoy with this Movie Have a Nice Day and Happy Watching 🙂
#COVID-19
0 notes