#fiona’s writing isn’t as good

[m4ndysk4nkovich]

i really want people to realize that i don’t hate lip or fiona because i think people may be starting to think that. lip’s my third favorite gallagher, i don’t like his actions and i personally believe he’s a misogynist but he is also one of the best written characters on the show

[super-nova5045]

sylvia plath, todd anderson and virginia woolf (aka ACTUAL tortured poets) watching taylor “im breaking up with my boyfriend for his intense depression and blaming it on him, im dating a racist who enjoys watching woc being brutalized and harasses young woc artists, i sent my fans out on a hate train to attack a young woc actress for a line she had to say as part of her job to show how mentally ill her character was, im dating a maga supporter, i refuse to say anything about a current genocide despite being the most influential person in the world right now, i am a billionaire, i fly 13 minute flights and have the highest carbon emission of any celebrity, i am a known white feminist who only speaks about issues when it affects me and has constantly let my fans get away with extreme racism and even encouraged it by associating myself with known racists” swift call herself a tortured poet (her writing sounds like a bunch of thesaurus words slapped over gabba hanna and rupi kaur-esque poetry that was created purely as a trinket for an edgy pinterest board)

[lyn-1225]

Hospital visit

Pairing: Carl Gallagher x fem!reader

Warnings: fluff, hospital, ambulance, emotions, dehydration, slight starvation. I think that’s it.

Word count: 4000 to 5000

A/n: I had a good time writing this :) the idea of this imagine popped up in my head and I immediately started writing it. I think it turned out pretty good.

——————————————————————

Your POV:

“Hello there Franny” I speak in a baby voice towards the baby sitting in her chair in front of me.

I continue feeding her the smushed baby carrots that I’ve somehow got her to enjoy.

Before she wouldn’t even go near them, but according to Debbie ever since I’ve started babysitting her, her taste for them has changed.

Being carls girlfriend meant being best friends with all of his siblings.

I was lucky enough for them to like me.

We were friends long before we got together, so I pretty much knew the Gallaghers as much as Carl did. I mean I practically grew up with them.

When me and Carl announced that we were together the entire family supported it.

I practically lived there as well.

My parents loved the Gallaghers. When they would be in Chicago we would all often times have small cookouts.

They go away a lot due to their large business that they own. Which meant that I would stay at the Gallaghers a lot for good amounts of time. Including now.

My parents never questioned where I was because they always knew I was at the Gallaghers.

Their home was my home.

“Hey” carl smiles leaning down to place a small sweet kiss on my forehead.

“Hi babe” I smile closing my eyes as his lips meet my skin.

Once his lips leave my forehead, I open my eyes looking up at him through my eyelashes.

He has a smile on his face as he stares back at me. He puts a hand on my right shoulder as he walks over to the empty seat to the left of me at the table.

He takes a seat lingering his hand on my shoulder a few more seconds before taking it off.

“Eat, then school” Fiona demand placing a plate of bacon, eggs, and a bagel in front of him.

“You too” she says placing one in front of me as well.

“Ya, ya” I roll my eyes in fake annoyance, turning back towards Franny when she starts to fuss.

Placing the baby food down, I pick Franny up and out of her chair rocking her back and forth making sure her head is supported.

Carl stares at me with a glint in his eye. He adores me with kids.

“I have to go. I have a test first thing today” I frown placing Franny back into her chair.

I grab my school bag from off the floor before walking over to Carl who is stuffing his face with bacon.

“Bye guys” I smile placing a kiss to carls head before opening the back door.

“Bye y/n!” Everyone yells when the door closes shut.

School was easy for me. I was scheduled to graduate one year earlier than the rest of my class which made all my friends and family proud of me. Carl being the most proud considering he wasn’t the best in school.

His thought process was that there only needed to be once smart person in the relationship and that of course was me. I didn’t object although I would constantly yell at him saying that he is smart as well.

He knew things that I didn’t know most times. Mostly when it came to common sense stuff. I wasn’t very good with that.

-time skip brought to you by Sammi the snitch-

This school week has been really fucking busy.

It seems like I never really had time to do the things I normally like to do.

Of course i still have time to hang out with Carl and babysit for Debbie, but anything beyond that was out of the question. Since it was nearing the end of school tests and final grades were starting to stress me out.

Carl has tried to help me with studying and relieve my stress but no matter what, the stress isn’t gonna go away until I know I’ve passed everything.

“Thanks for the ride home Lip” I thank getting out of the backseat of the car. Carl gets out on the other side as well dragging his backpack out with him.

“It’s not problem” Lip said taking a hit from the cigarette hanging loosely out of his mouth.

“Have a good time with hacking shit” I yell back to him as me and Carl make our way to the front door hand in hand.

“Yup!” Lip yells back driving off down the road.

Me and Carl smile and laugh as we open the front door and walk in practically throwing our school bags somewhere else in the living room.

“I can’t wait till all of this shit is over” I sigh landing onto the couch, my muscles finally relaxing.

I finally was able to relax without having to worry about studying. At least for right now. I still had at least two more tests to study for. Those fortunately were next week. After that I’m free.

“Me neither” Carl agrees landing next to me with a loud huff. He rolls on top of me getting rid of any little space we had between us.

I start to laugh when he drags his hands up my sides. He starts to tickle me making me laugh even harder.

“No god please” I laugh tears brimming the edge of my eyes. I try to move out of his grip but fail immensely due to the fact that he was stronger than me. 

“Do you give up?” Carl asks stopping his actions against my sides.

Getting an idea in my head I suddenly wrap my arms around his neck dragging his body into the position I was just in. I then grab his hands pinning them above his head.

I stratal his waist making sure he couldn’t go anywhere. The shock in his face makes me laugh as I let go of his hands slightly sitting down on his thighs.

“Do you?” I sass crossing my arms over my chest. He smiles at our position eyes wandering over my body.

“Not yet” he says, suddenly picking me up from of the couch so that he’s standing while my legs are wrapped around his waist.

“Holy shit” i yell out of surprise. He throws me onto the couch again before lightly jumping on top of me. He keeps my hands above my head now with his face just mere inches away from me. My eyes are wide at the very sudden maneuver.

“You tired yet?” He asks touching the tip of my nose with his. My vision goes black for a split second before it comes back, a wave of dizziness following shortly after.

What the hell.

I shake me head to try and rid myself of the dizziness in my head. Of course me shaking my head made it slightly worse.

The weight of Carl leaning over me lessens as he sits straight up looking at me with a confused expression.

“You okay” Carl asks waiting for me to respond. The dizziness slightly subsides the room still slightly blurry.

“Ya I’m alright” i say using my best reassuring voice. I look up at him to see if he believes me or not. At first he seemed unsure but then he decided that my answer was good enough for him to trust.

“Alright” he smiles getting off of my lap before walking away from me into the kitchen. The sound of the refrigerator door opening can be heard.

He rummages for something before closing the door and walking back into the living room. He hands me one of the coke bottles in his hand before sitting next to me. He takes the remote from off the coffee table turning on the tv.

He turns it to a show that interests him before looking over to me to see if I was ok with what he picked. I nod my head at him giving him the okay. He smiles at me before tapping my leg with a gentle hand.

Raising my eye brows I look at him waiting for him to tell me what he wants to say. He points to the drink in my hand basically asking why I haven’t drank from it yet.

“Ohh right” I say un-capping the cold bottle taking a small drink of the cold bubbly liquid.

He nods his head smiling at me before turning back to the tv.

We sit there for a few minutes when the front door suddenly swings open making me jump and Carl stand up out of defense. He runs in front of me to shield me from any sort of intruder that could be breaking into the house.

Fiona walks through the door way trying to carry a large amount of grocery bags. If it weren’t for me running to help her she probably would have dropped at least 3 of the bags that were barely hanging off her fingers.

“Thank you” Fiona sighs walking through the living room and to the kitchen. I follow behind carrying the bags I offered to help with. Carl follows behind me after closing the door behind Fiona.

“Of course” I smile placing the bags on the kitchen table so that I could help unload them.

“You don’t have to do that” she says opening cupboards and drawers while unpacking the bags she set down.

“It’s really no problem. I love helping” I smile handing a few things to Carl so that he could help out as well.

“What’s up everybody” Kevin yells from the front door followed by Veronica’s voice telling him to quiet down.

“Hey kev, hi V” Fiona says handing a few things to V so that she could put them away.

“Hi” I smile taking the bread and the flour out of the bag placing them on the table.

“What’s up little ones” Kev asks coming over to me and Carl rubbing our heads. I swat his hand away laughing at his father like structure.

Kev and V were just as much family to me as the Gallaghers were. I would often babysit Jemma and Amy as well.

“I would avoid the Alibi for awhile” Kev commented taking a seat at the table.

“Why” Fiona asked looking up from the bags placing her hands on the counter.

“Franks made that his hot spot for the weird group of kids he somehow got to call him daddy Frank” V responds opening the refrigerator door placing a gallon of milk on the shelf.

“Ew” I fake gag grabbing the flour bringing it over to V before handing it to her. She gladly takes it from me placing it in the upper cabinet next to the other baking supplies.

Carl laughs at me taking the bread over to where Fiona was standing. “I will definitely avoid it then” Fiona rolled her eyes taking the bread from Carl placing it next to her.

“Where’s Debbie?” I ask folding up the bags that were empty so that we could keep them for later just in case.

“Her, Franny, Liam, and Lip are off doing god knows what, and Ian is at work” Fiona says folding up the bags that she emptied out.

“Makes sense” I nod handing the folded bags to Fiona.

The dizziness suddenly comes back making me slightly stumble into the counter. The room starts to spin, the grip I have on the counter tightening.

“Y/n honey are you ok” V asks walking over to me with worry in her eyes. This sentence gains everyone’s attention as all of their eyes meet my unstable body.

“Ya I um. I think I’m just tired” I say squeezing my eyes shut for a second before opening them back up.

The room still spins as I slowly lean off the counter making my way slowly to the stairs.

Suddenly my entire body feels weak as I collapse onto the floor. My eyes continually get more and more blurry and the room continues spinning.

Right then and there my vision goes black.

Carls POV:

The worry in my mind from before renters when I hear V ask y/n if she’s ok.

She did this before on the couch. Something was wrong. She was gripping the counter with a grip I didn’t think she had.

“Ya I um. I think I’m just tired” she said before walking over towards the stair case. I wasn’t fooled. She wasn’t ok and I knew it.

Out of no where she collapsed to the floor. My instincts kicked in as I ran to her side. “Fuck” I say looking at her face. V runs over next pressing her fingers on her wrist to see if she had a pulse.

Tears start to brim my eyes as I start to think about the fact that my girlfriend was passed out on our kitchen floor. “She has a pulse” V yells moving her hands to her face.

“Call for an ambulance!” Kev yells immediately taking out his phone so that he could call the others. Fiona grabs her phone slightly crying at what’s going on. “I need an ambulance right away” Fiona cries telling the operator on the phone all the info they needed.

I place my hand in y/ns hand squeezing it as if a way to reassure myself that she’ll be alright. “Wake up, please wake up” I plead as V tries shaking her a bit to see if she’d wake up.

Sirens can be heard outside of the house when the front door flies open to reveal Ian and another paramedic.

“What happened” Ian yelled running over to the side of y/n that V was at.

“What does it look like dip shit she passed out” I yell. I didn’t mean to be rude I was just really worried for her.

Ian carries her out of the house placing her in the gurney that was sitting just outside. I run out of the house with him making sure I didn’t get to far away from her.

“Can I come with” I plead looking at Ian and the woman that is with him. “Paramedics only” she says as he pushes the gurney into the back of the ambulance.

Your POV:

The sound of sirens fill my ears as my eyes start to slowly open. A quick flash of a light goes over my eyes. My vision becomes more clear as I see Ian in his paramedic uniform waving a thin flashlight in front of my eyes.

I look around at my surroundings realizing that I was in an ambulance. Seeing my body strapped to the gurney makes me freak out a little bit. I look around frantically trying to find any sort of reason why I’d be in there.

“Y/n calm down your okay” Ian says taking my head in his hands turning it towards him. “You passed out” he explains yelling something to the driver that I didn’t understand.

“We’re taking you to the hospital to do some tests” he says placing his fingers on my wrist. He yells something else about my pulse before taking it off my wrist.

“Where’s Carl?” I ask looking at Ian worry lacing my voice. I try to move my body but the restraints around my upper body makes it extremely difficult.

“Everyone’s ok they’ll all be at the hospital when you get out of testing” he reassures me before the ambulance comes to an abrupt stop.

The doors swing open as the woman driving takes the bottom end of the gurney while Ian takes the front. They roll me out of the back making sure I get into the emergency room safely.

The woman speaks to the doctors and nurses in some sort of doctor talk that I couldn’t comprehend.

I look towards Ian fear evident in my face as I silently ask what they are talking about. He looks back at me with a hand on my shoulder.

“There gonna place you in a room and do tests to see what happened” Ian explains rubbing my shoulder as a female doctor comes to my side. She escorts me to another room helping me switch from the gurney to the actual bed.

Both were extremely uncomfortable but I guess I didn’t really have a choice.

Carls POV:

Me, Fiona, Debbie, Lip, Liam, Franny, Veronica, and Kev run into the emergency room asking the people at the front millions of questions.

I pace around the room questions and worry filling my head.

Please god let her be ok

Kev and V walk over to me leading me over to the waiting room just off the side of the front desks.

“What’d they say” I asked Fiona running up to where she was sitting at a chair. She looks up at me with just as much worry as I had. “She didn’t say anything. She said to wait for a doctor” Fiona sighs placing her hands over her head.

“Fuck” I yell gaining the attention of all of the other people in the waiting room. Lip pulls me back into a chair wrapping his left arm around my shoulders. In a way it was comforting but the thought of her being in a hospital room was to large in my mind.

“She’ll be ok” Debbie says to me holding Franny up to her chest rocking her back and forth to keep her from freaking out.

I nod my head slowly tears coming to my eyes. “God I hope so” I say rubbing my hands down my legs.

Your POV:

A nurse and a doctor came in just as soon as I got in the room starting to tell me about all the tests they were gonna do on me.

Being completely honest at the time I wasn’t even paying attention to what they were saying. I was just worried about what everyone was thinking and how worried Carl was.

A few tests later the nurse walked in carrying a pink clip board. She had dark brown hair that was tied up into a tight ponytail. Her eyes glowed of brown.

“Hello miss y/l/n” she said sweetly walking over to the monitors hooked up to me.

“So it looks like everything looks good I just have a few questions for you if that alright with you” she asks looking down at me.

I nod my head still scared at the fact that I was all alone having to deal with the scary topics.

“When was the last time you ate or drank” she asks taking a pen out of her shirt pocket.

I think back to the small sip of coke that I had with Carl.

“I had a small sip of coca-Cola earlier today around 3 ish” I say trying to think back on what else I drank or ate.

Now that I think about it I haven’t eaten anything in 3 days. I haven’t drank anything in a few days either.

“The last time I ate or drank before that was, I think three days ago” I say looking up at her as she writes all of this information on her clipboard.

“Ok this is all great information. I’ll be back with the results of what’s going on” she smiles walking back over to the wide open door. “Thank you” I say her smiling at me before leaving to go speak with my doctor I assume.

A few minutes pass when a bunch of footsteps come running down the hall. Carl bursts into the room immediately running to my side.

Just as excited as him I wrap my wired arms around him letting tears of joy fall from my eyes. “I missed you so much” I cried tightening my already tight grip around him.

He tightens his grip too being careful of all of the wires attached to my body.

“I’m so glad your ok” he says pulling away from the hug to hold my face in his hands.

“I’m okay” I reassure him pulling his hands away from my face and into mine.

I look around the room to see everyone standing around looking at me with tears in their eyes. I didn’t realize until now just how much all of them really cared about my health and well being.

“I’m so glad to see you guys” I say leaning up on my bed. They all take turns hugging me of course Liam giving me the longest one. I’ve always had a connection with him. He’s always thought of me as a big sister.

The same nurse from before walks in slightly surprised to see the amount of people around.

“Well hello there” she chuckles walking over to the side of me that Carl wasn’t at. “I’m assuming your all her family” she says pointing towards me with her pen.

“Yes” Fiona immediately says making me smile.

I like that.

Family.

“Ok so we have the tests back and we found the cause on why she passed out today” she looks at me giving me a reassuring smile.

Fiona nods her head waiting for the nurse to explain the circumstances. Carl rubs my hand staring intently at the nurse just across from him.

“So the blood work came back normal. The only thing is that we had to start a drip for her because when she came in she was dehydrated” the nurse explains. 

“That’s the main reason she passed out but another factor could be that she hasn’t eaten anything in a few days” she says telling everything to the people around me.

Carl looks at me with sadness in his eyes realizing that all the work I’ve been doing for the past few days has occupied my mind so much to the point where I forgot to eat and drink.

“After the drip is gone and she has something to eat, and we do some more blood tests she’ll be good to go home” the nurse smiles checking the monitor next to me.

“I’ll leave you guys to it” she say walking back to the door. “Thank you so much” Fiona says looking to the nurse.

“Of course” she says walking back out of the room.

Everyone turns to me making me shrink down in my hospital bed. I hated this attention.

“I’ve been so stressed with school lately that I guess I forgot to do simple tasks such as eat and drink” I whisper looking down at me and carls intertwined fingers.

“Y/n we’re not mad. We’re just worried that’s all” Fiona says walking over to my other side placing a soft hand to my shoulder.

I nod my head feeling grateful that they weren’t mad.

We all sit around in the room talking about anything and everything as we wait for any sort of news from the nurse.

The room I was in didn’t have enough chairs so a few of the nurses had to bring in other chairs from a storage room.

Carl continued to sit next to me keeping his hand in mine the entire time.

A different nurse walked in carrying a plate of hospital food placing it off the the side at the small table next to Carl.

“Here’s your dinner sweetie” she says handing me a cup of water. “Thank you” I smile taking a long sip of the drink.

She walked back out of my room with a grin on her face. I look over towards Carl silently eyeing the food right next to him. He gets the hint taking the cover off of the food before silently asking me to sit up.

I sit up placing the extra pillow I had onto my lap so that the plate could rest on something. He places the plate onto the pillow making sure not spill anything onto me.

The food consisted of chopped up potato with some broccoli and some sort of pasta.

“Yum hospital food” i scrunch my face up with a tight lipped smile. Carl chuckles handing me a fork that the nurse left for me.

I take the fork from him before taking bites of the food in front of me.

To be honest it wasn’t as bad as I thought.

Everyone smiles when I start to eat making sure to engage in conversation to make it seem like they weren’t all waiting for me to eat.

Once I’ve finished the food and drank all the water the nurse from before that brought me the food came back to pick up everything that was left.

I left no food on the plate which made everyone including me feel happy. I go through a few cups of water, immediately making me feel better than earlier that day.

The nurse that told me and the others what happened walks back into the room a smile brighter than the lights in the room. “Okay so I have amazing news” she says coming over to the monitors.

“As long as you sign the papers she can go home as soon as possible” she says taking off any wires on my body that weren’t currently in me.

Fiona started signing the papers accepting anything she had to accept and writing any information she needed to write.

The nurse who’s name I found out was Emily started to take out my empty IV which signaled that I could leave as soon as I got changed out of the hospital gown.

With carls help I got out of the bed making sure to hold the back of the gown closed. I don’t need anyone seeing me from behind in my underwear.

Carls chuckle fills my ears when he sees what I’m doing with the gown. I glare at him grabbing my clothes before walking into the bathroom that was attached to the room.

I change back into my clothes walking back into the room feeling like a whole new person even though I was extremely tired.

The paper work gets turned into the front desk meaning I could go back home. The home that Carl and my family lived in.

Ian was standing outside now out of his uniform waiting for all of us. “How are you” ian asks coming over to me to look at me. “I’m doing good thanks to you” I smile wrapping my arms around him. He hugs me back rubbing my back with his hand.

“Come on let’s get you home” he says walking me over to the car. I get into the back seat Carl getting in right next to me.

There was two cars outside so that everyone would be able to get home safely without having to all cram into one car.

Lip gets into the driver seat as Ian gets into the passenger seat. Me, carl, and Liam sit in the back placing our seatbelts on. Liam was already sleeping against the window next to me.

I was sitting in the middle, Liam to my right, Carl to my left.

I let my body lean into Carl my head falling to his shoulder. The darkness outside flows passed as the car starts to head towards their house.

Carl kisses my forehead leaning his head on mine before wrapping his arm around my shoulders.

“Don’t ever scare me like that again” he demands pulling me in tighter to his side. “I won’t” I say cuddling into his side.

The streetlights pass by making this moment even more perfect than it already was.

——————————————————————

A/n: Hi everyone! I hope you liked this imagine. If you have a request don’t hesitate to send it my way. I will try my best to get to it as soon as I can. Thank you for reading and I hope that you read my other ones as well!

Have a great day everyone!!

[kybercrystals94]

Carrying On

Read here on Ao3!

Whumptober 2024 - Day 4 - "you're still alive in my head" (Billy Locket, More)

Rated: G | Words: 375

“That form’s not going to fill out itself.” 

Fives sighs. “I know that. I’m trying to figure out how to word this.” 

“You’re trying to figure out how to lie on an official report,” Echo deadpans. 

“I’m not going to lie,” Fives counters. “I’m going to embellish to hide the ugliness of the truth. Those are two very different things.” 

“Hmm,” Echo hums, unimpressed by the argument. “Rex is going to see right through your osik. So will the General.” 

“Well, then,” Fives says with a grin, “I guess I’ll just write for their entertainment.”

“Reports aren’t supposed to be entertaining. They’re supposed to be informative.” 

“They can be both if they’re not written by you,” Fives croons. He begins typing. 

“Don’t forget to add where you dropped into the wrong corridor,” Echo says. 

Fives grunts. “That’s irrelevant.” 

“Seems relevant when you set off two alarms doing it.” 

“I deactivated them before I got caught, didn’t I? I’m an ARC, I improvised.” 

“You were sloppy.” 

“I would’ve liked to see you do better,” Fives snaps. His breath catches for a moment and he stops typing. “No. You would’ve done better.”

Echo doesn’t answer for a long moment, and Fives is afraid he left. He closes his eyes and waits. “We all make mistakes,” Echo says finally. “Just…you need to be more careful, Fives.” 

“I’m trying,” Fives mutters. “It’s not the same without you covering my six.” 

“I’m not the only brother who can have your back,” Echo says. 

Fives frowns down at the datapad gripped in his fists. “But I need you.” 

“I’m not there,” Echo tells him. He sounds like he’s pleading. “You have to carry on, Fives.” 

“Easier said than done,” Fives murmurs. 

A knock behind him makes Fives turn, and Rex stands in the doorway. “Got that report almost finished?”

Fives clears his throat. “Um, yeah—yes, sir. Almost finished.” 

Rex nods. “Good, man.” His expression shifts. “First solo mission.” 

“Yes, sir,” Fives says. 

“You holding up?” 

“Of course. Carrying on.” Fives tries to smile. He knows Rex isn’t convinced. 

The Captain doesn’t say so. He only nods again and leaves Fives to finish his report. 

“Echo?” Fives whispers. 

Silence, deep and empty. Then, “I’m here, Fives. I’ll always be here.”

I listened to the song More by Billy Locket on repeat while writing this story (which is where the prompt came from for today!). Please, please listen to it...it's such a beautifully tragic song, and I couldn't help but think about our clone boys while listening to it 😭

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[forever-and-whats-left]

I saw someone make a headcannon post, so why not?

Erik:

• he knows pressure points, human weaknesses, etc. basically my excuse to say Erik would know how to disarm Meg in LND because what was that.

• good at everything to an infuriating level. (Everything psychological not so much)

• has an arsenal of dad jokes he uses in increasingly insensitive ways.

• has some weird thing about size. Type of guy to call you “small” as a flirtatious move…

• easily hurt, both physically and emotionally, but refuses to take a break or admit it. Unless Christine is concerned, then he’ll do nothing but wail about it for attention.

• his hands are both cold and smelly, take that translation truthers!

• if he were an ordinary man, he’d still be a complete snob.

• when he’s going crazy he vents his emotions out on a Carlotta-esque toad puppet. There is a tiny wooden stick he beats it with.

Christine:

• would love Fiona Apple.

• her love language is tolerating you.

• people call her “nice” because they rarely speak to her at all. Not that she isn’t, but I’ve always thought she was a bit asocial.

• extremely empathetic to animals. She can’t even kill a spider. (Ahem)

• dislikes being touched.

• moved around with her father a lot, so she has some pretty severe attachment issues. She had good reasons to leave Erik, but Raoul(while he can be a jerk) takes the brunt of her poor coping mechanisms.

• In another life, had Erik not been so pushy and murder-y, they would’ve been very very close.

• Asexual. Yeah. Take that.

• Or she at least would dislike the very potent closeness and intimacy the devils tango brings. In other words sex repulsed.

• After the book, I imagine she took a small break from opera. She'd spent so much of her life doing things for others, and now it was time to do something for herself. Maybe she started singing what she wanted to sing, or maybe she pursued something entirely different. My idea: she began writing stories. After all, her connection to them had always been strong.

• a private woman, thus why she didn’t speak with leroux.

Raoul:

• can be an asshole, but more willing to admit it that others. I choose to interpret the fact that he so readily admitted how cruel he was(to a man who would publish this no less!) as an admission of guilt.

• would never take away music from her.

• a bit pudgy, but has some real muscle beneath it. He can’t be a twink doing sailor work I don’t think. (That rhymed!)

• hates Erik for taking his brother from him. He has a hard time watching Christine mourn Erik because of it.

Daroga:

• becomes Christine’s friend after the plot of the book. How, you ask? Beats me.

• I don’t have many headcannons about him I’m so sorry. Please, pitch your own id love to see em! He’s such an interesting character I feel so bad!

[daffi-990]

WIP Wednesday📝

Tagged by @tizniz 🩵

Okay so I owe you all some more info about my secret buddie wip … are y’all ready???

This wip is actually a sequel …

To Rival Firefighters �� !!!!!

Whhhhaaat?!?!!! Crazy right?

Someone of you might be like ughhh why are you writing a sequel? But I hope most of you are just as excited as I am.

I didn’t have any plans to revisit the rivals world so soon (or at all, but I hadn’t ruled it out), but James asked me if I’d ever revisit it, particularly the shooting. Some ideas were thrown around and then like a week later I had words in a new doc and things have just gone from there.

So everyone who is a fan of the Rivals universe, say thank you to James 😘❤️

Without further ado, here’s a little something from Eddie’s POV.

Prev snippet here

Buck definitely breaks a few traffic laws to get to the hospital as fast as he does, and when he stops in his tracks in the doorway to Eddie’s room, Eddie feels like he can breathe properly for the first time since he woke up.

Buck’s got dark circles under his eyes and he’s carrying a tiredness that isn’t from a lack of sleep. He looks like shit, but he is still the most beautiful thing Eddie has ever seen.

“Hey, Buck”

Buck lets out a relieved laugh that quickly turns into a sob, rushing forward to envelope Eddie in a hug that both heals and fractures his heart.

He closes his eyes and wraps his good arm around Buck, ignoring the throb of pain in his injured shoulder. He’ll put up with a little bit of pain if it means holding Buck in his arms like this.

Buck is shaking, his tears soaking into Eddie’s hospital gown as he repeats Eddie’s name over and over again like a prayer.

“It’s okay, sweetheart.” Eddie murmurs. He kisses Buck’s hair, breathing in the scent of him. Here. Alive. “I’m okay.”

No pressure tagging: @diazsdimples @diazheartsbuckley @disasterbuck @hippolotamus @spotsandsocks @smilingbuckley @watchyourbuck @wikiangela @wildlife4life @alliaskisthepossibilityoflove @wellcollapse @exhuastedpigeon @elvensorceress @eddiebabygirldiaz @rainbow-nerdss @monsterrae1 @missmagooglie @queerdiazs @spagheddiediaz @lover-of-mine @lonelychicago @bekkachaos @captain-hen @steadfastsaturnsrings @try-set-me-on-fire @thewolvesof1998 @theotherbuckley @princessfbi @fiona-fififi @glorious-spoon @giddyupbuck @honestlydarkprincess @beyourownanchor6 @jeeyuns @jesuisici33 @kitteneddiediaz @actuallyitsellie @inell and as always, anyone who has anything they want to share -> consider this your official tag 🏷️

[spotsandsocks]

20 Questions for Fic Writers

Tagged by @tizniz @diazsdimples @wikiangela @hippolotamus @bi-buckrights @exhuastedpigeon Thank you lovelies 💖

How many works do you have on ao3?

89 that’s not too shabby is it. Three years of writing this summer.

What's your total ao3 word count?

902,255 that is quite a few words isn’t it.

What fandoms do you write for?

911

Top five fics by kudos:

If You Break It 3.2k Chris overhears a something and gets upset, then he tells Buck who gets upset too.

They say the Truth will set you free 2.3K Buck get a dose of something at work and gets emotional and chatty

Could Have Should Have Would Have 3.2k an unexpected“I love you” but it’s too late. Isn’t it?

Just Ask 1.7K Eddie's having thoughts, he wants to touch. Buck's ok with that, all Eddie has to do is ask.

Looking from the outside 2.4K TWhat happens when everyone you meet thinks you’re married to your perfectly platonic best friend. Most of these are quite old now, I think I’ve written some just as good or even better but fics don’t seem to get as much kudos these days

Do you respond to comments?

yes everyone is really important to me

What is the fic you wrote with the angstiest ending?

No fics really end angsty round here but this one’s pretty emotional along the way.

Alone With Your Thoughts Buck gets very badly hurt (for plot reasons) and trying hard to stay alive he realises he’s not as alone as he thought.

What's the fic you wrote with the happiest ending?

See above! All happy can’t choose the happiest.

Do you get hate on fics?

Not yet- think I’m too small to get noticed maybe!

Do you write smut?

Um yes I certainly do 😏 and quite well I like to think 😉 in fact an example will be popping along in FIF shortly

Craziest crossover:

Nope - now AUs is a different story

Have you ever had a fic stolen?

Not that I know of! Can’t imagine anyone noticing my fics enough to steal them

Have you ever had a fic translate

Someone asked to once but who knows!

Have you ever cowritten a fic before?

Nope

All time favourite ship?

Gotta be buddie hasnt it. They just inspire me

What's a wip you want to finish but doubt you ever will?

All of my wips languish right now and are crying out for attention but I fully intend to finish them all. I do!

What are your writing strengths?

Not sure?! I think my more canon style fics are quite consistent with the characters in the show. Think that I’m pretty good with a complicated plot but you tell me?? I like the way I can wrap a bit of humor around the more tense bits too.

What are your writing weaknesses?

Long sentences? An over enthusiasm for the comma? Too long? Poor tagging?

Thoughts on dialogue in another language?

Maybe controversial but I’m not a huge fan of eddie using Spanish terms of endearment in fics. If he ever does it in show I’ll feel better about it, but it doesn’t actually feel very him, apart from that I don’t mind

First fandom you wrote in?

911

Favourite fic you've written?

How can I chose!! But these old chestnuts I’ve gone on about before but I, very proud of them actually

The Lost and The Found werewolf/shifter au

Good Knight Sweet Prince Prince/knight au

Tied To You From The Start smutty paranormal shenanigans

And obviously dragonriders au… see FIF post shortly

Thanks for tags you lovely lovely people you’re all so so talented I adore you you make my days so much brighter ☀️💜☀️

@rogerzsteven @hoodie-buck @thekristen999 @loserdiaz @weewootruck

@shipperqueen6 @stagefoureddiediaz @underwaterninja13 @steadfastsaturnsrings @daffi-990

@bidisasterevankinard @bekkachaos @elvensorceress @rainbow-nerdss @honestlydarkprincess

@saybiwithme @loveyouanyway @lover-of-mine @watchyourbuck @jesuisici33

@monsterrae1 @eddiebabygirldiaz @shortsighted-owl @fiona-fififi @the-likesofus

[yeoroot]

9 Fandom Peeps to Get to Know Better

Thank you for the tag @soup-du-silence !!

3 ships I like: JamiKali/KaliJami (TWST), LouWill (Metaphor Re:Fantazio), AtsuKita (Haikyuu!!)

First Ship: I can’t remember…? It may have been Sonic related like Sonic/Amy or Sonic/Tails or Phineas/Isabella from Phineas and Ferb-; now that I think about it I may have shipped Shadow with Rouge or Silver (ironically i know nothing about sonic now other than through a friend or if my brother wants to watch the movies)

Last Song: Get Him Back by Fiona Apple (I’m cycling through the album rn; I’ve been listening to 4 of her albums + the ost for Metaphor on repeat for weeks-)

Favorite Childhood Book: Hibi Chouchou (or Like a Butterfly); I used to read a lot of shoujo manga and I just found out while searching for it that it was made by the same mangaka as A Sign of Affection what-

Currently Reading: Metaphor Re:Fantazio fics! I’m specifically looking for LouWill; I’ve been watching the amount of fics for the game update for the past few days, and I just read a Chinese fic thats currently at 97k words via my phone translator. Read another Chinese fic for LouWill and was surprised by the dynamic, I’m cheering so loudly- (I also felt like writing for the ship, so I have two Google docs, one for stray ideas and another I’m working on slowly, but I forgot that it then stirs my want to make a fanbook and illustrate all of it, this isn’t good-)

Currently watching: Brooklyn Nine-Nine on repeat; sometimes I like to put myself in a type of purgatory where I become not that bored but not that entertained from the repetitiveness that I’m stirred into action. I also recently finished watching House M.D.

Currently consuming: a bright yellow soup with fish in it. My mom made it for me but because she told me the name of it in Vietnamese, I do Not know what I consumed. It was pretty good though!

Currently craving: x2 Buldak noodles. I’m stressed by a bunch of tasks, things I want to do, and the concept of time. Plus my tolerance grew from the frequency I’ve been eating them due to stress this is not a good combo who told me spice was good for stress-

Tagging: @pointy-spiral, @kobanzme, plus anyone who wants to do this! (No pressure if you don’t want to btw)

[theitgirlnetwork]

Hi! I love your writing soo much! Especially your" Better" series. Do you think you could write something where Lip is a single, teen dad who has a daughter? I really want to see him as a girl dad!

Hii!!! Thank you so much! I'm glad you're enjoying! I appreciate this so much. He is very girl dad coded to me so I love this. I also think being a dad, particularly a teen one would bring out some complex feelings in Lip. Also there's a bonus at the end that people who don't like Charlotte (the OC from Better) should skip. It's short and sweet, but let me know if you guys want more from Phoebe Gallagher.

warning: strong language

“I’m fucked.”

That was the first thing Lip said to his little brother Ian, blowing smoke into the air of their shared bedroom when he got home from seeing his…girlfriend…bestfriend…? Babymama. 

When Karen had invited him over to her house earlier that day, he’d assumed he was gonna get to fuck. Or at least get some head. He’d had a long day in the two classes he’d attended, a blowie was exactly what he’d needed. And to her credit, that’s what he’d gotten. Except immediately after she spit into one of her mother’s doilies and got off of her knees she unenthusiastically announced to him, ‘I’m pregnant.’ And then she started flipping through a magazine. 

Lip sat on the edge of her bed for a solid twenty minutes just opening and closing his mouth. Finally swallowing down the lump that immediately formed in his throat and fixed his wide blue eyes on her.  “You…gonna keep it?”

It’s fair. That Karen kicked him out. He understood. 

But shit. He was just a kid. He wasn’t ready to be a fucking dad, he’d been carrying around the same $30 for the past week in an attempt to replenish he and Ian’s weed supply. Fiona was gonna fucking kill him. He was gonna fucking kill himself.

Lip dragged himself home from Karen’s, ran upstairs, ignoring the calls from Debbie to help her with her homework and slammed the door. Ian had made his way in a lit a blunt for them to share, pushing open their rickety window, sitting with him in silence until the dam finally burst and Lip started confessing. 

“Yeah, you are.” Ian blows a cloud of smoke from his nostrils, snorting as Lip kicks his leg with his own. “I don’t know why you’re so worried man, there’s no way Karen’ll keep it. Even if she does, any person with a dick within a 40 mile radius could be the dad.” 

“Fuck you.”

“You’re gonna have to clean up that language when the baby gets here.” 

After Lip climbed over the bed and kicked Ian’s ass, he rolled back into his, gritting his teeth to himself. He was at an impasse. He couldn’t believe he’d fucked up like this. Sure he’d hit raw a couple of times, but he’d thought they were good. He mostly pulls out. And Isn’t Karen supposed to handle that? And he’s not a fucking idiot. He knows Karen is a hoe. But the intimacy he’d had with her, he can’t believe she shares with everyone else. They’re best friends, and they love each other. There’s no way she’d let him believe the baby was his if it wasn’t.

So he’s having a baby. So what? Lip is living in a modern era. There are…options. Before the baby is born and after. If Karen keeps it, they can put it up for adoption. They could give it to a family who really wants it, who will take care of it. They could give it a good home, away from it’s shitty parents. It wouldn’t get stuck being a Gallagher with an addict and bum for a father. His baby…the baby…it could be loved and cared for. And Lip could go about his business. He could live up to his potential, without any baggage holding him back. 

He’d really believed that to be true, too. He thought he’d be able to see that baby one good time, and pass them off without any regret, content to know that any responsibility he had for it had dissipated. 

But then he saw her. 

Lip was standing there, in oversized scrubs, and clutching Karen’s hand when he first heard her take her first breath. She’d let out a wail so loud and Lip felt his heart ache at the sound. He hadn’t even noticed that he’d let go of Karen’s hand. His feet moved without his permission, guiding him over to the sinks where the nurses were washing her off. He trailed after her to get a good glimpse, and when he did, the world changed. 

Large blue eyes. Little wisps of hair. Her cries slow to small hiccups. 

Lip was in love. 

The older nurse rocks the newly swaddled baby slowly, smiling brightly as she makes her way back to where Karen lies in the bed. “Well, Mom, your beautiful baby girl has arrived. Let me let you hold her-”

“No.” Karen cut in sharply, her tone startles Lip and all off the nurses. The teen girl grips the railing of the bed, grunting as she scoots up, looking at everyone but the little angel squirming in the nurse’s arms. “I…don’t wanna hold her. I don’t want to see her. Give her to the agency lady.” 

“But-” the nurse stammers, looking between her and Lip.

“Honey,” the doctor lowers her mask, bending to make herself level with Karen. “You can change your mind. You can still decide that you’d like to keep your baby.”

“She’s not my baby.” Karen breathes, screwing her face up in determination. 

Lip doesn’t understand. He can’t understand. How could she be here, in the room, with that baby…hell, carry her for 9 months, and choose not to even look at her. Even hold her. He could respect not wanting to be a mom yet, not being ready. But right now, the way Karen was acting, she’s never reminded him of his own parents more. 

That little girl deserves better. She deserves love. She deserves someone who would love her more than anything.

“Um, excuse me,” He hears himself say. His hands extend toward the nurse as everything else in the room becomes blurry except the new little human that was half of him but just that fast, all his. “I’d…um…I’d like to hold her.”

“Phoebe, baby, it’s good. Watch, Daddy likes it.” 

Lip brings the pink rubber spoon to his mouth, spooning a small scoop of his daughter’s turkey puree baby food into his mouth. As soon as the taste hits his tongue he gags, dropping the spoon to the table and shooting up. “Motherfucker!”

Phoebe squeals, giggling as her father darts over to the sink, sticking his head under the faucet and attempts to flush out the foul taste. 

“That shit is fucking nasty, Daddy’s sorry he tried to give you that.” He coughs, lifting the girl out of her highchair and into his arms. The blond buries his face into his daughter’s chubby cheeks, nosing her golden curls out of the way before kissing her cheek repeatedly. 

“Are you still here?” Fiona asks, tilting her head and crossing her arms in disapproval as she watches their display. She’d been surprised when her brother had stopped his ex-girlfriend from putting their baby up for adoption last year. He’d been determined, filling out the necessary paperwork for full custody before completely ex-communicating Karen. He'd not asked Fiona about moving the newborn into their home when he asserted he’d be raising her himself. He was undeterred by her declaration that he’d be on his own, and the baby would not at all be her responsibility. He’d simply adjusted the baby carrier on his hip, flipping her off before carrying the little girl up to his room. 

His academic excellence was the only thing that encouraged teachers to be understanding about his almost constant absences. “I, uh, I gotta skip today, Phoebe has a doctor’s appointment.” He says, smoothing a hand over his daughter’s cherub cheeks, brushing away remains of the baby cheese puffs he gave her while he’d gotten her food out. 

“This is the third time this week.” Fiona sighs, crossing her arms. “Lip-”

“It’s fine, fuck it, it doesn’t matter.”

“It’s your senior year. There’s limits on how many days you can miss before they stop you from graduating.” Fiona nods to herself, mumbling an ‘okay’ under her breath. “I can watch her today. I don’t work until tonight, alright, I’ll take the baby, you go to school, we’ll figure out a schedule later.”

Lip wants to accept. He does. He’s done a year of being a father without accepting any help, mainly because no one was fuckin’ offering, but also because no one would take care of his baby quite like he would. He stops by the school and picks up his work. Hell, some days, he brings her with him, the ghetto ass district he lives in isn’t exactly strict, how could they tell their most promising student he couldn’t bring his very well behaved baby with him.  He glances down at the baby girl in his arms and feels his heart grow with the innocent little smile he receives back. 

And the thought of leaving her feels unappealing as ever. 

“Nah, I got it, thanks though.”

Something about Lip being a dad shocked the whole neighborhood. No one was surprised that he’d knocked someone up, it was only a matter of time the way he was going. And only a few had raised a brow at the fact that he’d promptly told Karen to fuck off and kept the baby to raise himself. With how he grew up, anyone could guess he’d have a thing about abandonment. No, what shocked them was the way that suddenly, Lip Gallagher was some kind of family man. 

No parties. No weed. No dealing. 

No hookups.

Lip got hit on way more than he did back before Phoebe took over his life. When he was at the store or in the park, his baby cooed broken words as he carried her on his shoulders, pointing at small trinkets that she whined for. Easily pocketable things that occasionally magically appeared in his pocket to give her when they got home. Girls would come up to them, fingers in their hair, chests as pushed forward as they squawk about how adorable Phoebe is, how sweet it is that Lip is actually taking the time to raise his own daughter, and how they’d like to help him in any way they can. 

Usually, he would just leave it at no thank you before turning away. The more persistent ones would get a curl of the lip and head shake before adjusting his baby and pushing past. 

See, Lip was fucking strict as a dad. He didn’t give a fuck what other people thought about him and the life he lived before, everything changed when Phoebe showed up. 

“Hey, I uh, really don’t give a fuck what you do, but keep that hoe shit to a minimum when you’re over here, okay? My fuckin’ daughter can see you.” 

More than a few neighborhood girls had stormed their way out of the Gallagher house with hot, fat tears of embarrassment streaming down their face as they declared they’d never talk to Debbie again. Because…you know… her brother’s an asshole.

By the time Lip is 17 and Phoebe is 2 it’s a well known fact that the Gallagher Princess is spoiled rotten. She’s clingy, and whiny, traits that the blond teen had never been known to tolerate but suddenly had all of the patience in the world for. She barely could stand to be held by anyone else, constantly in her father’s arms or wrapped around one of his legs, holding on as he walks for them both.  The only people he really let's watch Phoebe are Ian and Mickey. For some reason, Mickey seemed to have a soft spot for Phoebe. Maybe it was because they understood each other. They're both cute, and bratty, and bite. It was ironic considering who Mickey is, and his distain for Lip but when the blond teen had been overwhelmed one day and passed out on the couch with his books after school, his brother's boyfriend had been the one who stepped up. He'd been in the Gallagher home in search of some cheap weed Ian had promised him, but he saw the little girl whining and after a failed attempt wake Lip, made her a bottle his damn self. When Lip had woken, he found Mickey rocking the squirming little girl in his arms, trying to pretend he wasn't enamored with her. After that day, Mickey proclaimed himself the girl's favorite uncle, and got damn near violent if anyone even tried to so much as give her a tap on the wrist. Lip appreciated it considering he felt the same.

Other parents fucking dread when they see the father-daughter duo making their way to the park because it immediately means that play was over for all of the other kids.

Timmy Keeves had learned the hard way. The little boy was all but 5 when he first encountered the terror that was Phoebe Gallagher. She was a 3 year old terror and loud and bossy as ever. Her blonde curls and bright blue eyes gave her the appearance of an angel, so Timmy hadn’t been alarmed when she’d walked slowly, but confidently over to the swing, his swing at the little run down park a couple streets over from his house. She was holding hands with a little black boy who looked a little older than her, but not by much.

Timmy had waited his turn, really. The other kid before him had swung five whole minutes before he had climbed on with great effort. “Hi!” He’d chirped down at the kids in front of him. 

“Hi.” the little boy said back.

Not the little girl. No, she pointed at the swing with her free hand, mouth spreading into a wide smile, revealing one missing tooth.”My turn!”

Timmy’s eyes had grown wide and he gripped the chains a little tighter. “No! I just got on it!”

It happened fast.

In a matter of seconds. Timmy hadn’t meant to nudge her out of the way with his foot. Really. He’d already been swinging and she’d moved in his way. But before he knew it Phoebe Gallagher had plopped onto the rocks and clay in front of him, and suddenly he felt his back hitting the ground.

“Hey!” Timmy wails as his own father storms his way over and some young blond guy comes running up. “Gallagher, your fuckin’ kid just pushed mine off the swing!”

The blond man flicks his cigarette on the ground and shrugs. “I didn’t see it. You push him Liam?”

“He pushed Phoebe first!” 

“It was an accident!” Timmy hollers.

“Sounds like the little fucker deserved it. Don’t push girls, kid. Or next time I’ll knock you on your ass.”

“Are you threatening my kid?”

“What’re you, gonna hit me?” Lip snorts, picking his daughter up and brushing off her skirt. “I’m a minor.”

“You need to get those hoodrat kids of yours in order!” 

“What you need to do is stop whining like a little bitch, it’s rubbin’ off on your kid.” The teen adjusts the girl on his hip, grabbing his little brother’s hand on the other side and guiding them away. 

So, Lip wasn’t a great disciplinarian. As far he was concerned, his daughter was still a good kid. She’s fuckin’ smart like him. And sweet, like Debbie and Ian. Funny like Carl. Determined like Fiona. She makes him want to be better. He finished high school so she could see how important learning is. He put off college a little bit, just because he’d rather use that time to make money to take care of her. Besides, when it came to Phoebe, there was nothing more important. He didn’t want to miss a thing.

“Daddy?” Phoebe whispered from her spot between his legs. She was watching Little Bear on the tv as Lip rested the book he was reading atop of her head, sloppy pigtails that he’d forced into her blond mop that morning. “How come there’s three?”

“Three what, angel?” he asks without looking up from the pages, snorting to himself at the philosophy of Thoreau in Walden. 

“Three bears.” Little fingers push at his face, trying to force him to look at the screen. “Look.”

“Okay, shit, okay. What?” He asks, leaning forward to rest his head on top of hers and dropping the book to the couch. 

“Th-there’s a daddy bear, a baby bear, and a mommy bear. We only have two. Daddy,” she places her hand on his stomach, turning in his grasp, “and I’m the baby. Except I’m a big girl.” 

Lip’s heart squeezes at where he knows this conversation is going. His baby is smart. She’s always been smart. He should’ve seen this coming. But for some reason he hadn’t prepared yet for this question. “We uh, we have more than two. We’re Gallagher’s, there’s too many of us. Like, Fiona, Ian, Debbie, Carl and Liam. There’s a lot of us.”

“But no mommy, right?” Phoebe’s little brows furrow as she runs through the list in her head. 

All Lip could do was open and close his mouth as he searched for words. He was only 18 when this conversation came. Still a kid himself, he’d just stopped giving a fuck that the closest thing he’d had to a mom was his own older sister. Sometimes he still felt bitter. Unwanted. Cheated. That was the last thing that he wanted his baby to feel. He’d spent the first two years of her life trying to ensure she wouldn’t notice. To do everything he could. Fill every space. She didn’t need anyone but him, because he was so fucking here. Every girly dance, every beauty salon, every tea party, he took the time to do. Because he didn’t want her to feel the sting of having a parent that didn’t give a fuck about you. He didn’t want the look in her eyes that he saw in his siblings, the one he refused to acknowledge reflecting back at him in the mirror. Going above and beyond what an adult man could do as a child himself. All for her.

Yet here she was. Wondering where mommy was.  

Lip could fucking kill Karen. If she wasn’t the one who gave him Phoebe.

He must’ve not hidden his face well. Because as advanced as his daughter was, the face that slipped onto her own was nothing but that of a child. Her eyes widened as she observed him and little hands squeezed his forearms. “It’s okay, Daddy. I like just two. It’s okay.”

Lip could kill Karen. But for now, he was going to focus on his daughter.

Bonus: Lip: 20yrs Phoebe: 5yrs

“And if someone fucks with you?”

“My dad will kick your ass.” Phoebe smiles, swinging Lip’s hand as she holds it in her own. “But no one is gonna be mean to me, Daddy. I’m a pretty girl.”

“Yeah, well I’ll kick their ass if they’re too nice too. Hold on, angel lemme get the keys from Kev.” 

“Kay!”

It was Phoebe’s first day of school and to say they were both nervous and excited was an understatement. Lip had saved up for three months for new clothes for Phoebe to wear to school. They’d used the flashcards at the library for the past year to give her a head start. Lip was finally starting college too. He’d do two years at community college to save up more money until he could transfer his credits and get a place for him and Phoebe closer to the university. But all of that was the future. Right now, he just had to survive dropping his baby off to school. He’d always been stingy with Phoebe. She was something that was his alone. Yes, they had family but he kept her far away from Frank and left the house altogether whenever Monica tumbled into town. He never offered for Karen to see her, even when she came back, only accepting the occasional child support check from Sheila and spending it solely on Phoebe. Now he’d have to share her with the world and ask (demand) for it to be kind to her.

“I wanna ring it!” Phoebe hollers, lifting her arms for Lip to hoist her up to ring Kev and V’s doorbell. He grunts dramatically as he lifts her, cherishing her giggles as she presses the bell over and over again.

Lip’s brows furrow when he hears a sweet voice calling from inside of the house, ‘I’m coming, I-jeez I’m coming!” 

Phoebe’s gasp echoes Lip’s inner thoughts as the door swings open, revealing a young woman who is definitely fucking not Kev or V. The girl smiles brightly, keys to Kev’s truck dangling around her dainty, manicured finger. Long lashes flutter around pretty brown eyes that glance at him politely before focusing on his daughter.

“Daddy! A princess!” Phoebe grins, tugging at the collar of his shirt.

The girl just smiles wider, brow lifting as she places her hands on her hips. “Well I was just about to say the same thing. Pleasure to meet you, your highness.” she dips into a brief curtsy, causing his daughter to squeal and kick her little legs. Those same pretty brown eyes lift to meet Lip’s again and he realizes he’d just been staring at the exchange, mouth agape, like a fucking idiot. “I’m Charlotte.”

Lip knows scientifically he doesn't have ovaries, but if they did, the way his daughter was looking at this girl would’ve made his burst. 

“Lip.”

[lavend-ler]

BORDERLANDS: DEBT OR ALIVE BOOK REVIEW

I have read the new Borderlands book Debt Or Alive. I did not like it. In fact, I hated it so much I needed to pour out my thoughts in this review. It’ll be very long, so bear this in mind while reading through it because it’s been a while since a piece of media has made me this angry.

There will be spoilers to ALL of the book so you’ve been warned. I am going to analyze this book very thoroughly so everything that can be spoiled will be spoiled.

TL;DR – I hated this book. I accept Borderlands 3, I think it’s fine and I really like aspects of it. I wasn’t enthusiastic about New Tales From The Borderlands but in the end, I thought it was fine. But Debt Or Alive? It’s probably the only piece of Borderlands media that I won’t consider canon from this point forward. Half-assed story with shallow characters and ham-fisted message which retroactively ruins the events of the game(s). Don’t buy it, don’t waste your time on this just to see the worst version of characters you love.

A more detailed review will be under the cut. It’s over 10k long.

1. Tales From The Borderlands made even worse

I have a complicated relationship with Tales From The Borderlands. I think my best friend had put it in the best way – Tales From The Borderlands is good when you don’t think about it for too long. For me, it’s a fun game to play once every 4 years, remember the story and move on. The more you think about it, the more apparent the cracks get and the worse it becomes.

Debt Or Alive REALLY makes you think about Tales From The Borderlands in the worst way possible.

I have always thought that Fiona’s part of the story is weaker than Rhys’. It’s told in a way that sort of meanders until it’s reached its conclusion. The first sin Debt Or Alive commits is that the ending of Tales is its beginning. What should be the conclusion, the nice ribbon to tie the story is now the jumping off point. In my opinion, it’s always a terrible narrative decision to make your sequel start where the story left off. It always implies the fact that your conclusion is meaningless and that your characters didn’t learn anything. To write a new story, you need more challenges which also means that characters need new struggles. In Debt Or Alive’s case, it means that everything that happened in Tales isn’t worth a thing.

To me, nothing was more apparent of it here than the Vault scene. The Vault of the Traveler grants a wish to everyone who steps there. The Vault should be the conclusion to what we know of the characters and sort of “off screen” this happens to Rhys. We see Fiona hear that Rhys wishes for Atlas and that’s the end of his story in Tales. Though I will touch upon why I didn’t like this later, it does make narrative sense, he was supposed to be more independent and choose his own path instead of following others. It’s a ribbon that ties to his character in Borderlands 3 and New Tales From The Borderlands.

Then it’s time for Fiona and… Oh, yeah. What would SHE wish for? Throughout Tales, we see Fiona evolve as a character from the ragged con-artist who wishes to just go by, to the independent and certain Vault Hunter. Or do we? Yes, there is a moment in which Sasha dies which would be traumatic for Fiona but she’s from Pandora. She should know the dangers of living and instead, she should be happy that she came back as the hero. In the ending of Tales, we can hear Fiona say “This [Vault hunting] life…suits me” so she already reconciled the danger and in fact, she welcomes it. But to make this half-assed story be a thing, we have to disregard this entirely.

So in the Vault, Fiona is given a chance to wish for anything she wants. What does she wish for? Nothing, actually. Presented with an opportunity of a lifetime, Fiona has no idea what to wish for. I can’t even begin to tell you how bad of either an opener or an ending this is for her character. For an opener, we have a protagonist who doesn’t know what she wants and where she needs to go. Sure, it’s a start for an arc but not for Fiona who already DID have it. It’s an arc she had earned, so why would she have a restart and go through this all over again? And as an ending, it’s a terrible reminder that Fiona probably didn’t learn a thing. The time in the Vault was for nothing, Athena didn’t teach her anything. Burch doesn’t know his character well enough to think of anything for her to wish for.

Hence the whole journey moving forward truly is just a bad rehash. If Fiona didn’t learn a thing about herself and needs to do it again but worse, what’s the point of this story? To see her come to the same conclusion as she did at the end of Tales but worse? The answer is yes. As this story suggests Fiona is a protagonist who doesn’t know what to do with her life and just wants to protect her sister and that’s all. Which is the exact same point her character was at, at the beginning of Tales.

Actually, why did the Vault have to grant wishes, anyway? It doesn’t make sense for neither Fiona nor Rhys and even later, Gaige cements that this didn’t have to be the case. Part of the charm which Tales From The Borderlands brought was the story of everyday people. This wasn’t a story of glorious Vault Hunters with great stamina and luck, who chose the adventure for the guns and glory. This was a story of a middle manager and a con artist, two unremarkable people who were basically forced onto this adventure from outside forces and because of their will became heroes of their own stories. It’s a story of normal people who have made their own self-made destiny.

Debt Or Alive, of course, scoffs at this idea. Rhys’ Vault wish for Atlas makes no sense as he already has Atlas and already probably works under this trademark. It doesn’t mean a thing that he wishes for the whole legal action thing, when his character progression to have Atlas from Jack would be so good. But no, it’s cosmic power that grants him that wish fully. Fiona too, she was supposed to be a self-made Vault Hunter but in the end (or the beginning), she rejects this and doesn’t know what to wish for. Just an absolutely horrible way of planning out her character. No one wants a passive character and this is what this story makes Fiona to be – a bystander, rather than an igniter.

I also want to point out that the events of Tales and characters she meets are truly nothing but cameos. A big part of Fiona’s story was gaining independence when her father figure Felix turned out to be a snake who sold them out. Within Tales, it’s very clear that Felix was abusive towards Fiona and Sasha, forcing them into roles they didn’t want, favoring Fiona and making them live such a strict life, they thought it was the best they could get. Of course, none of this is ever touched upon in Debt Or Alive. It’s never mentioned that Fiona is an abuse survivor and how it would shape her as a person with her protectiveness and willingness to give up greatness for simply “good enough”, and being held to impossible standards. There are also barely any mentions of Athena and their time together. At no point does Fiona use tactics she had learnt from Athena or recounts their time. Those are passive mentions which make Fiona look like she didn’t learn a thing.

My own ribbon that ties this section will be the funniest thing that for me exposes how much Tales is made worse. Tales From The Borderlands is a game in which choices DO NOT matter. There are no consequences and each choice will yield the same outcome. Again, it’s just meaningless and it’s so funny to me that this book wants to wink at the audience becoming a “choose your own adventure” book in two sections, which both lead to the same result. It truly does not mean a thing.

2. Anthony Burch cannot write women and Fiona’s character assassination

Anthony Burch cannot write women. This is a fact that I wanna point out every single time I can because it was never more apparent to me than in this book. Let’s start with women in Borderlands and the stories which he had written for them. Maya has a good theme but falls flat when she’s only an object for Kreig to lust over. Nisha is Burch’s sexual fantasies coming true in a gross way. Athena in Tales is made only stone cold, no-fun character who is a liar to someone who loves. Janey in Tales is made to be an overbearing girlfriend trope but it’s progressive because she’s a lesbian. Vallory is a collection of tropes. So on and so forth.

Hence right from the beginning, I was very skeptical of a book by Burch which will have the most female-driven cast in all of Borderlands. My skepticism was proved not only to be right but also that it was much worse than I had realized. Because I haven’t even shown you the issues of Fiona and Sasha and trust me, there are some even in Tales. However from Tales I could very easily tell you what character traits Fiona and Sasha have and what differentiated them.

Fiona, as described in Tales promotional material is a con-artist with a heart of gold. She has been raised on streets, she loves money and she has a silver tongue to get out of every situation she’s in. Fiona also cares about those she loves a lot, as an older sister she can get overbearing but her situation in life made her realize that it’s justifiable. She can also be a nerd, she’s curious and fun, likes to joke around. Sasha is a character who loves danger far more than Fiona. She likes guns and has great knowledge of them, she’s more a doer than a talker. Sasha doesn’t want the con life and longs for something tangible, rather than just be a prize in the books. She also has an inferiority complex, due to Felix’ abuse which she masks with her forwardness and action personality. She shines through when she can do things she loves, becoming headstrong, honest and independent.

Do you really think we’ll get any of this in this book?

The answer is no and it’s very easy to tell it right from the start. I know I keep getting back to the Vault scene but trust me, this is the culprit from which I knew this book will be a failure. In this scene, Fiona doesn’t know what to wish for, so she “wishes” that Sasha was there. This wish is granted and it’s now both sisters in the Vault. From this you can see the issue – this book does not treat Fiona and Sasha as separate characters. They ALWAYS have to be together, always mention each other, they’re basically never given a room to breathe because whenever a scene calls for just Fiona or just Sasha, their internal monologue will keep mentioning the other.

I can’t even really make a case for either of the characters individually because this book itself makes such a bad case with them. I’ll give it my best shot because when these moments occur they are, well, bad. I’ll start with Sasha because I have less to say since the book itself had less to say about her too. There is a certain moment in which Sasha, being tired of Fiona’s carefulness, goes Vault hunting with Gaige. I was very happy at this, since I have shipped Sasha and Gaige before and I thought their personalities would mesh well. Yet, in this particular instance, Sasha isn’t enjoying anything regarding Vault hunting and the danger, while constantly thinking of Fiona. Why is that, why wouldn’t she be thrilled for the adventure and getting to know another person like Gaige more? They could bond and start a friendship but in the end, they barely talk and Sasha isn’t into it. Even guns don’t excite her that much. What happened to her?

I think even her reflections towards life after death are very much shallow and omitted. We get a sense of it, we get that Sasha is terrified that there’s nothing when she dies but we’re not given anything of it. I figured this would be her turning point, that Sasha will realize that if there’s nothing afterwards, it’s best to live her life to the fullest, going on adventures, not wasting chances. But nothing like this has happened. Sasha doesn’t enjoy Vault hunting, she shrugs at guns, she can’t have her own fulfillments, her relationship with Rhys is wishy-washy. You’d think that with sudden realization of death, Sasha would have a breaking point and start thinking if it’s all worth it and how her life should now be like. But that would require interesting philosophical questions that Burch doesn’t want to answer. Not when they lose the life-giving crystal, nor when Sasha dies a second time when she chooses to. It’d be such an interesting discussion of the meaning of life, how Sasha approaches life and what it all means to her but no. Not given any thought to this. At the end it’s not even unique to her as Fiona dies and is brought to life too so again, no point.

Another faucet to her character is the on and off relationship with Rhys and just… I was never a fan of shipping Sasha and Rhys together and this book reminded me of it in the worst possible way. Sasha is disinterested with Rhys’ world and they never mesh well together, having such different goals in life. She doesn’t even want to acknowledge their relationship, leaving Rhys to look like a sad wet sock (more on that later). It’s described how she’s used to acting a certain way and that’s fair, that’s a huge roadblock in a relationship. But we never see this roadblock get pushed. Sasha at the end of the book is still terrified of the potential relationship and doesn’t want this. We only learn that one time she calls him her boyfriend off screen, which is just such a cop out I can’t begin to describe it. I’m so sorry, Sasha, you deserve an actual relationship not just Burch’s fantasies.

So I move to the main character of the story, Fiona. And oh god, how badly has Burch treated Fiona, words cannot describe it but they will try. From the beginning, we see one of Fiona’s traits be amped up to 11 – her protectiveness which turns into overbearingness. Constantly, we are reminded that Sasha died and Fiona can’t forgive herself. Which is fair but again… We saw her happy and fulfilled at the end of Tales. But since Tales doesn’t matter and probably it’s better if it didn’t exist, it gets shrugged off. May I remind you, this book starts right as Tales ended. Which is a year later from the start. Which means Fiona is 30 and Sasha is 25. Their actions do not portray two characters of this age, especially Fiona’s towards Sasha’s.

Look, I’m 24 and I have a sister who’s 33, so close-ish range to them. If my sister would do the things that Fiona did to Sasha I would be pissed off as all hell because guess what, my adult sister does consider me an adult woman. Unlike apparently Fiona and Sasha. Because for Sasha’s “safety” Fiona puts her into a fucking jail on a planet they do not know, just towards her “safety”. Yes, it’s regarded as dumb and wrong in the book and that Fiona knows that Sasha would pull through but it’s just mind boggling to me that Fiona would even do that. She should know her sister. But then throughout the book we see Fiona acting like know all be all authority to her, constantly second guessing her actions and opinions and being completely overbearing. I’m sorry but her apology at the end doesn’t make it remotely okay to be so controlling of Sasha.

I guess that’s the point. In my opinion, this book is a character assassination for Fiona. People will whine and moan over how Rhys got ruined in Borderlands 3 and New Tales but no, I had and will always disagree with this. But Fiona in Debt Or Alive? Burch truly showed how he has no clue how to write female characters because she is completely ruined here. None of her actions make sense, neither do her choices, the little character she has is so unlikeable and I just can’t believe he thought it was all good.

The best way to show you how Fiona got ruined is to have a little overview of Fiona as a character before and her background. She is a Pandoran, born and “raised” there, through the life of crime and bribery. Her biological parents died, she only has Sasha with her. Thus she feels responsible for her and their wellbeing. Fiona also had Felix, a man who brought her and Sasha with him and raised them in a very abusive manner. Fiona all her life had lived in poverty, struggling to get by with her cons, constantly having Felix make her think she’s responsible for the failures or successes of the group all on her own. She lived in a caravan, she barely had any money to her name. She’s no stranger to the climate and cruelty of Pandora, having lived there all her life, though she herself prefers the “word” combat.

Got it? Well, now forget it because that’s what Burch did in his book.

I know that wealth can change people, I really do and the sum of money Fiona and Sasha received is enormous. What I don’t understand is that they both did a complete 180 on their perspectives. I do realize that living in poverty all their life, Fiona would start spending money on dumb things but to hammer home this fact, Burch tries really hard to show us how dumb some of the purchases are. But would she really act like this in this setting? First, it’s hard for me to believe that she would willingly move to Eden-5, seeing the corrupted system and life in which it operates. It’s just Pandora but with chrome paint on it. Yet, Fiona doesn’t see red flags and just continues on living, buying dumb shit. We don’t learn anything new about her through this either, it’s just a dumb thing after dumb thing. Why couldn’t it start with things that she really wanted and then move on to unnecessary things? I think it’s because Burch couldn’t even establish what her wishes would be from Pandoran times.

What also made me just want to throw this book away was that it took Fiona around 200 pages to realize that people who work for her are also bound by debt. It’s such a nearsighted thing, I cannot believe that she would do it. Especially since I think we’re led to believe that this book happened in the span of 4-5 years. For Fiona to be this bound by greed and wealth doesn’t fit her character at all. How could she just not see that people who work for her have been tortured by poverty? Up until this point, Fiona lived in poverty herself, she should KNOW that this is a thing people struggle with. Not to mention, in the book there are talks about how people have multiple debt cuffs on them. It’s unacceptable that Fiona wouldn’t care about those who were beneath her. And if she really did, do you think this makes her character any more likable? And do you think that her turn around is a moment of triumph when we’re led to believe she ignored those people for YEARS?

I think the story itself just makes you shrivel at one moment in particular. Fiona purchases a sapphire kitten, which shatters. Classic Borderlands humor, right? This moment truly disturbed me but not in a way that Burch wanted but for the implications. Fiona spends money on bullshit she doesn’t want just to have it. Who else spent money on unneeded bullshit just to show wealth? Handsome Jack. And when you’re comparing your hero to the most vile villain from the series, I don’t think it’s a good sign. Especially since in canon Handsome Jack loved and cared for Butt Stallion. Unlike Fiona.

Even the breaking point moment of Fiona, the destruction of Rustville, felt shallow. Reading this, I couldn’t help but to go back to the moment of Helios’ destruction in Tales. It was such an incredible moment for Rhys, seeing the destruction of a place that was close to him, death of people who he knew and respected. And seeing this “reprise” of sorts with Fiona just felt shallow. At this point, Fiona was in Rustville around 3 times if I can recall? She met people but didn’t form any meaningful relationships (because Burch doesn’t want either of the sisters to have meaningful relationships besides each other) or got to know anyone better. These were all one off interactions with random people. Unlike Rhys, it wasn’t Fiona’s choice to destroy Rustville. It was only an act that she maybe sort of allowed to happen but it was an action of one rich woman. Fiona had no agency in her actions, there was nothing she could’ve done to neither prevent it nor cause it. Thirdly, Fiona is a Pandoran. She should know the carnage, death and destruction, as it is ingrained in Pandora’s system and society. For her to act so devastated and shocked, it simply doesn’t make sense.

Another thing is that this story really dumbs Fiona down, to the points that I couldn’t comprehend how dumb she was. She goes alone to Tetanus Wilds, even if with Sasha she’d have more chances. Especially since she was going to Gaige’s stash and let’s be real – Sasha knows guns, Fiona does not. Fiona goes to destroy Rustville without any weapons and without any protection which of course results in her basically getting killed. Fiona takes a leap of faith thinking she’d die in the ditch but forgets that Deathtrap can fly and catch her. How would she forget if she was tinkering with him before? The same way she’d forget her weapons it seems.

I also wanted to mention how it always made sense to me that Fiona and Sasha would have a falling out in some part of the story, so both of the sisters would become independent and chase their own destinies. It would require Burch to stop thinking of them as a singular character, which does not happen. This part in particular made me especially angry. A skilled writer would make Fiona’s overbearingness and constant promises to be a start of Sasha realizing she needs to live her own life, Fiona as well. Anthony Burch is not a skilled writer so nothing of such happens.

Within Debt Or Alive we don’t learn anything new regarding neither Fiona nor Sasha. We are spoon fed information that we already know, seeing characters we love either devolve to their pre-Tales state or make terrible, nonsensical decisions. There are no moments in which  either of the sisters can breathe on their own. They are thrown into situations where something just has to happen. Thus, we don’t learn anything about them as people.

I also want to point out that the writing of Gaige is fine. I’ll talk more about this later but she truly was fine and I didn’t see issues with how her character was carried. Granted, I think it’s very hard to screw up writing Gaige but it’s Burch, he can do it all. I’m still sad that she’s a lonely outcast like in Borderlands 3 but in general, I didn’t have issues with either her writing or the story.

3. There will never be another Handsome Jack and the death of a good villain

Some of you have already started to roll your eyes at the mention of Handsome Jack but trust me, I have a point here to make. Whenever you hear people talk about Handsome Jack a special kind of sentence emerges – a villain you love to hate. I think this sentence is a great guide to creating your villain so that they’re impactful, fit the story, be likable enough to want to be with them but you’re happy when you get to kill them. And nothing made me feel like it’s a craft long gone than reading Debt Or Alive.

Countess Holloway is a nothing villain. She truly doesn’t represent anything and I can’t tell you anything of what she is as a person. Actually, it can boil down to one sentence – she’s rich and she’s evil. That’s all there is to her character but I guess it goes to show that even then, Burch cannot write women.

Going a little deeper, we gotta discuss the parts that make a good villain. I’m sorry for the comparisons to Handsome Jack but we really need to talk about what makes him great and what makes Holloway shallow.

On the surface level, the points are there. A villain needs to be connected to your heroes in a specific way, having an impact on their lives. Holloway does meet that quota, as she’s not only the motor for this story but also is actually the reason why Fiona and Sasha got rich in the first place. She is a vain person, who loves to live for shallow things and doesn’t care about the rest. From this point of view, we could think that Holloway serves as a reminder to Fiona and Sasha of “be careful who you can become” but neither of them have this revelation. Throughout the story, Fiona and Sasha basically do turn into Holloway, yet nothing of it is neither stated nor explored. It’s not a revelation that characters have, it’s what we think when we connect the dots.

When we start to think more, it all begins to fall apart. The key thing that lacks here is motivation. Looking back at Handsome Jack, it was clear how his goals were stated – he was a nobody who became somebody by his charisma and cunning ways. Now he projects his awful world views on others and it’s your job to stop him. There’s also the fact that his daughter Angel works for him and killing her for Jack is the breaking point. You see him be cruel, vain and abusive but you see his more “human” side that does not excuse his actions (I am looking away from Tales) but makes you understand how much of a terrible person he is and how he deserves to die. It’s effective and fantastic storytelling and his personality makes you want to be around him, even if he’s an awful person who deserves to die.

Let’s go back to Holloway and examine her as I described the traits of a good villain via Jack. Holloway’s motivation is that 7 years ago Gaige murdered her daughter Marcie and now she wants revenge on her. This is already a problem, as this is a passive goal. Holloway is presented as an arrogant woman who doesn’t like to get her hands dirty, hence she can’t kill Gaige on her own. Understandable but also she doesn’t seem very interested in it anyway? She wants to kill Gaige but passively. There’s a bounty on Gaige but Holloway doesn’t have a squad to look after her. Wouldn’t it be more interesting if Holloway had people looking for Gaige and when they die she swiftly replaces them with another one? It would be active but instead we’re presented this information as “well, maybe Gaige dies or maybe she doesn’t, idk, it’s alright either way”.

Another point is that Holloway is a very shallow character. In general, yes but in her actions too. What do we really know about her? She is rich, vain, vengeful, powerful and likes to spend money on frivolous things. Sure but that’s so basic you could tell this about so many other villains it wouldn’t make a difference. There is nothing in her nor in her behavior that would be an indicator of any interesting persona or character. Holloway just exists and we’re told that she’s evil. Wonderful character writing, gotta say.

We’re introduced to Countess Holloway in a way that she is the potential buyer of the Typhon DeLeon Vaultlander figure. Why would she want this? We’re not told nor shown. Thinking of it logically, we could say that it’s supposed to show us that Holloway likes to spend money on whatever bullshit she wants, which is fair. But wouldn’t it make it more sense if after the death of her child, Holloway became obsessed with Vault Hunters, knowing the murderer of her child became one? How did she start researching stories of Vault Hunters and think about how much she hates them, which would lead to her gaining knowledge? This way, Holloway could’ve been prepared for the attacks of Vault Hunters and Vault Hunter wannabes, since she would predict it all. Or even set a lure with a promise of amazing loot. Nothing like this happens.

Even the death of Marcie isn’t exactly a driving point to Holloway. When Angel dies in Borderlands 2, you see the impact it has on Handsome Jack. You know he’s an abusive parent yet even within this, he still acts as sort of father of the year type and constantly manipulates you, saying this is your fault. For Holloway, it seemed that the death of her child just happened and yeah, she’s pissed but you know, things happen. She doesn’t mention who Marcie was, even in her shallow understanding of it. It could’ve made a very interesting character bit where she would tell lies about Marcie, as she was more of a commodity to and of Holloway than anything else. Instead, Marcie’s death isn’t really a drive for Holloway, it’s just a thing that happened and she’s kinda bummed about this.

Is Holloway an imposing force, a ticking clock of sorts? No, she is not. We’re told that during all their stay on Eden-5 (again, around 4 or 5 years), Fiona and Sasha are neighbors with Holloway and nothing is done with it. They’re not anxious that she could strike at any moment or that she could catch Gaige. They don’t care about Gaige actually. That’s why Holloway makes a very poor villain in the imposing sense. There’s no impact of hers and her power felt throughout the book, when Fiona and Sasha can happily live next to her and nothing happens.

The only interesting display of her power is during the gala at Fiona and Sasha’s place, where Holloway shows that she can very easily change the whole Elite’s perspectives regarding the sisters. Yes, it’s a good moment for Holloway but it also truly makes me think how shallow she is as a character. First, the fact that Fiona fell for the Claptrap Vaultlander is another testament of how dumbed down she was. Burch, you made a whole joke about how Claptrap sucks at the beginning and how Fiona hates him, the least you could do was to think that she’d immediately throw this away (especially since you’ve established that Fiona is frivolous with her possessions now).

Second, it’s such a bait and switch moment for Holloway and the whole Elite. I get what it was trying to accomplish, it was for us to see that the Elites are stupid and will follow anyone as it goes. But wouldn’t it be better that out of her hatred for Fiona and Sasha she would work behind the scenes, telling other Elites how they are just stupid Pandorans who can’t achieve anything? It could’ve been a carefully plotted plan with instances that the blackmail was happening hinted at throughout the story but that would require the time when Fiona and Sasha spent on Eden-5 to mean something (it does not) and Holloway to have an ounce of personality and planning skills (she does not).

Another thing that Holloway for me lacks is the backstory. To create a good villain you must make us believe that they had a reason to do all that so we can hate them even more. I think in general, Borderlands does a great job with this, with Knoxx, Handsome Jack, of course, Colonel Zarpedon and the twins. But Holloway? We do not know anything about Holloway’s life. It was probably done so the billionaire character is just a shallow representation of this world but it makes for a very boring and one note character. We don’t know how she got this money, if she lived all her life like this and hates outsiders who she thinks are unworthy of this. Or is it a thing she got later in life thus is so cutthroat about this because she doesn’t wanna go back to poverty. No, you just get a one note shallow villain with no motivation and nothing to play off of.

Even her death is such a nothing death too. Throughout the book we see everyone trying to get at her and eliminate her and not succeed. It’s why Gaige is here, it’s a whole moral dilemma for Fiona and Sasha to grasp upon. As much as Holloway is baiting them to do this but calling them cowards and the sisters just lamenting over how they should’ve done this, you’d think Holloway would get her way. Possibly being quite literally torn to shreds by the sisters, Gaige and the poor people of Eden-5. I mean, it’s Borderlands, deaths like these could happen! But no, she just falls to her death. Even Gaige didn’t deserve to get a shot at her, it seems.

4. The themes of why all billionaires deserve to die or lack therefore of

In a now deleted tweet, Anthony Burch describes Debt Or Alive as a book about how “all billionaires deserve to die”. Why he had deleted this, I have no idea and I’m not here to speculate. However, I did not forget this tweet and throughout reading Debt Or Alive I kept reminding myself of itt. It should be the credo of this book, right? Or at least it once was. That is why, I wanted to simply sit down and speculate, what does this tweet actually mean for the themes of this book.

(This screen isn’t mine, I didn’t get to screenshot it when it was up)

I am a leftist, my politics are very much so on the left. My expertise lies in environmental issues and I know less about socio-economics but it’s fine because it seems that Anthony Burch himself doesn’t know much about this. Hence while reading Debt Or Alive, I asked myself the same question over and over. Let’s say I’m a person who likes Borderlands, likes Fiona and Sasha, isn’t too involved in politics and now I read Debt Or Alive – will this book convince me to learn more of the theory or think that all billionaires should die? In a way yes but in none of the right meaning of such speculations.

On the planet of Eden-5, it seems that life is determined by money and social status. Even the smallest crimes (or rather inconveniences towards the wealthy) will result in you getting a debt cuff. The imagery is already very ham-fisted but let’s go forward with this idea. What are the debt cuffs? I can’t really tell you how they work. While reading I couldn’t have deduced how exactly they operate with that premise. 

First thing is that a person can have multiple debt cuffs but it is never specified if the cuffs ever reach their limit in amount of money on it. As we see Fiona and Sasha get their cuffs and then we learnt you can get multiple, it truly got me thinking – how is that possible? How is it possible to get another, if the screens are digital (and they are described to be digital) how can they reach the limit and be forced to get another? In a highly technological society like Borderlands, nonetheless? How are the body parts chosen for this process? Fiona gets one on her ankle (I think, either this or arm, I forgot) but Sasha gets one on her neck. There are people who have so many cuffs they can’t walk anymore. How can they have so many?

Truth be told, we won’t learn anything about the cuffs or how people operate with them. We simply know they are very common and every citizen of Rustville is described to wear one. Even children, in an incredibly not subtle way, are described to wear “debt cuffs 4 kidz!”. We’re told the cuffs are very heavy but people live with them. We won’t learn who manufactures them, who is in charge of the law to give them away. We’re not even told about the ones who have paid their debt without help from Fiona and Sasha.

The moment when the book takes us to debt prison and the guard says there are some prisoners who can’t even walk because of their cuffs, I realized what these truly were. The cuffs were nothing but the least subtle visualization for us for the statuses of Eden-5 citizens. A literal ball and chain to be exact. For me it just serves as a very ham-fisted metaphor for what could’ve been an interesting concept. We could’ve seen someone pay up their debt but the cuff stays on because the Elites don’t want anyone to be free. We could’ve seen Elites wearing some as a “fashion statement”, mocking the suffering of the lower class. We could’ve seen an Elite who has an actual debt cuff and can’t pay it away, resulting in them hiding it from others. We could’ve had anything but the complete disregard Fiona and Sasha had for their workers and not realizing all of them wear at least one.

For all it’s worth, the book has a very black and white approach towards wealth and money, one that is very unusual for Borderlands. Though we get the usual for Borderlands “everyone is an asshole”, we have such a divide between Rusters and the Elites, it’s hard to mistake it for anything else. Because of this, world building suffers with this incredibly. There are only the poorest people around or the richest people around. There is no nuance or a conversation, there is either this or that. Even Gaige doesn’t offer any insider information towards it, even if she was born and raised there. Nowhere does her very outspoken politics mention the structures and Elites of Eden-5 which she should be completely against. And the fact that she knew Marcie and that she doesn’t wear any debt cuffs that are omnipresent on Eden-5 and the fact that Elites don’t want anything to do with Rusters makes me wonder – is Gaige actually rich? Because everything shows this, and if so, great work, Burch on creating a character whose identity is all over the place.

That was my big issue with showing the problems of wealth and social structures it creates. With no middle class, the conversation lacks another point of view. There are either the wealthiest around or the completely poorest lowest class imaginable. With getting rid of the middle, Burch fails to show us how daily life operates and robs us of the potential conversation. Where are the people who chase wealth and fortune? Where are those who would betray their whole class just to have that taste of top dog life? The only thing we are offered in this conversation are Face and Pick (you don’t have to know anything about them), who want to give Fiona and Sasha away for Holloway, just for the money. But that’s treated as a plot twist, rather than an actual plot point and the siblings already paralleled Fiona and Sasha, so there’s no conversation, just a very shallow shock.

Another point is how the Elites are presented to us. The Elites are the villains, of course and just like billionaires in real life, they aren’t good people. It’s more of how they are presented to us or lack of such presentation. Debt Or Alive doesn’t show us insides to the minds of the Elites because frankly, they don’t have any. I do understand that Burch wanted to show that these are stupid, cruel people, I get it, but even in real life, billionaires are stupid but not necessarily unintelligent.

In the book, we don’t see much of Elites, actually. We see them on the gala Fiona constructed and on Holloway’s gala at the end. At first, they are mindless people who cannot think for themselves. They’re either doing what Fiona wants or what Holloway wants. Secondly, they are quite literally used as meat shields for our heroes to hide behind. So in all senses, they have no personalities, either as a group or individuals. I think the biggest crime is that even in their rich years, Fiona and Sasha don’t interact with the Elites. We could see them be cruel to the lower class citizens, purposefully making them do things that would rank up their debt. We could see them spending money on idiotic things which Fiona and Sasha would point out as dumb. We could even have descriptions of Holloway’s house that are garish and grotesque because she has so much money, she doesn’t know how to spend it anymore.

Truly, the only billionaires whose mind we can read are actually Fiona and Sasha. But for this kind of story, you need a strawman, which is absent. I genuinely thought that Gaige could become their strawman but their relationship is so shallow and so one note I quickly realized it’s impossible. In stories like this, usually when the protagonists become rich and get to make stupid, meaningless purchases, there are already signs that something like this is bad. And though there are plenty of moments in which the girls make stupid choices over their greed, it takes them so damn long to wake up from that dream.

There’s also no critique of overconsumption or consumerism in general. It should be an easy task, regarding how Fiona and Sasha spend their money but though we never see the effects on them, for example throwing away new things or we don’t see the workers (besides that one lady) in such conditions. It’s all a very interesting subject that is brushed away at rich ladies’ boredom. Though we are told that these purchases are stupid, we aren’t given an answer to what they should do instead. And the only point of activism Fiona and Sasha do is to finally free the workers from cuffs. Took them long enough.

I simply can’t understand why this plot even had to involve the sisters, since it truly makes them worse by association. All throughout Tales we hear that Fiona and Sasha hate Hyperion and don’t want anything to do with Rhys. It’s a fair assessment, they’re Pandoran and Hyperion destroyed Pandora as they knew it and is personification of greed. So… Why were they so eager to live a rich and boring life? Was their issue only with Hyperion? Even more so, why were they so hateful regarding Hyperions? For all we know, Rhys is just a simple white collar worker who also gets screwed over by the system, yet they hate him for being part of the system even when it’s to also get by. Reading this story, I had a feeling that Fiona and Sasha simply hated Rhys for being a white collar worker and they had no problems with greed and destruction of lives via riches.

The story also really doesn’t want to take sides in this whole debacle. Fiona and Sasha lose all their money and want to start a revolution, killing all the Elites. This thought isn’t given any time to sink in or develop. At some point, the sisters realize no, we shouldn’t kill the Elites because that is how we’re gonna liberate the people, with their money. But then Gaige tells them they’re wrong? It’s very all over the place and the story really doesn’t want to take sides in this. 

That does make me think, what kind of impact will this story even have on both Fiona and Sasha? All in all, it seemed that they didn’t learn anything. They have to be on the run because the Elites want them dead but also they’re still into the riches and spoils of the Vault. Since Rhys is rich now, wouldn’t they not want to associate with him? Or are we gonna play the “not all rich people” card? I love Rhys and I actually like fictional rich people. But while writing a story like this, you have to stick with your principals and make them call out Rhys’ practices, not side with him because he’s one of the good guys. You can’t lead a revolution and then make puppy eyes towards a rich capitalist.

I have left out the discussion of race, because I am white and I feel like this isn’t my place to be talking about this. Don’t listen to me regarding this, listen to people of color. I want to, however, point out that Burch stayed within the racial ambiguity of Fiona and Sasha and their racial identity is not spoken of, while we learn the ethnic identities of two white characters (Gaige and Felix). Not to mention that I can criticize that having two women of color be painted as rich assholes and drawing parallels between Fiona and Handsome Jack who is in canon called a fascist is incredibly insensitive. And within the revolution literally having them be called out on being “outsiders who want to lead revolution that isn’t theirs and they talk over the native people” is so bad I can’t believe Burch thought of this. 

All in all, would this book convince me that all billionaires should die? With its heavy-handed metaphors and subtlety equal to a trainwreck, I truly don’t think it would. It’s a mess of themes and missed chances on having actually said something regarding the fact that billionaires should not exist and that they are vapid people who can’t look out for others. The story is just complicated when those people you criticize are also your protagonists, like Fiona and Sasha here.

We could’ve had interesting stories of class struggle and differences. The Elites could’ve been destroying the land, long before that laser hit Rustville. Destruction of land and resources for people to live is one of the oppression strategies real life rich people do. And just like the environmental issues won’t be solved with only everyday people making a change, it doesn’t mean we shouldn’t try to make things better. Write better stories with better themes. Maybe it’s just a tie-in novel for a game from 10 years ago but it could’ve said something instead of giving us a caricature of a rich person who spends money on little whale serving dishes.

See how I mentioned my passion for environmental issues at the beginning and it came back here? Set up and pay off. Something this book lacks.

5. Writing not just a better story but A Story in general

I am a writer. Sure, I write fanfiction but that doesn’t disqualify what I’m about to say. Not everyone is a showrunner, you need screenwriters too. What is this book if not officially commissioned fanfiction regarding Fiona and Sasha? When I myself am writing a story to explore, I always ask myself what is my theme, what am I building towards. Every story is fundamentally about change, right? That was why, when I stopped asking myself if I think all billionaires should die, I started asking myself – what did I gain from reading this story? What did the characters gain from this story being told? The answer is actually nothing.

Some of you probably had thought “this is just a tie-in novel to the games, it’s not supposed to be high art” and I agree with this but it is supposed to be art, no matter what. You could’ve said the same thing about the original Tales From The Borderlands, it’s nothing but an addendum to the main stories within the Borderlands. Yet, it moved a lot of people, inspired them, wanted them to create and follow the stories of these characters. For years, I’ve seen people longing for a story of Fiona and Sasha post Tales and this is what we get. Maybe in this regard Debt Or Alive is a high art, since it’s been making me nothing but angry these past couple of days. Or maybe it truly is a nothing piece of art, since at the end of the day, the feelings are just of shallowness.

Coming back to the fact that every story needs change to be worthwhile, I mean it even in the smallest of sense. It doesn’t have to be a huge change, but there has to be one no matter what. After I read Debt Or Alive I realized there was completely no change involved in the process. We start this book with Fiona and Sasha not knowing where they are in life and at the end, they decide to be Vault Hunters. You can say it is a substantial change but think about it like this – it’s the same kind of character arc they’ve had in the original Tales From The Borderlands.

Nothing had changed, they’re still at the same point they were almost 10 years ago when we finished episode 5. What Burch does is a classic shitty storytelling technique of the sequel that is just forgetting everything that had happened before and rehashing the character arc from the first one, just worse. Fiona goes from a self-reassured con-artist to a confident Vault Hunter. Sasha goes from a closed off younger sister to someone with agency. Those are the same kinds of stories we’ve already been told but when there’s no one to bounce off of, you realize that the sisters didn’t need this journey to realize it, they just needed to think for 15 minutes.

There’s also no change to the dynamics between Fiona and Sasha, and every attempt at it is shallow and pointless. At the beginning, we see Fiona being anxious that Sasha literally died before her eyes. Fiona is basically patronizing, Sasha goes Vault hunting but dislikes this, goes back and they make up. There’s no sense of change between them or maturity. I’ve already discussed the sense that their “class consciousness” is meaningless when they at the beginning were lower class. But even between each other, it’s the same song and dance. Fiona is a little overprotective, Sasha wants to show that she’s not just the younger sister. I’ve seen this already, Burch, you’ve told me this in Tales.

It doesn’t help that Fiona and Sasha really are treated constantly as the same entity, so their “changes” just don’t appear. They’re bound by the hip, unable to grow because of their limitations of the relationship. It’s too bad that a story about siblings has to treat them like they can’t exist without each other, when it could be an interesting story about independence. What if Sasha decides that Vault hunting is for her and actually goes away with Gaige? What if Fiona realizes that she’s been too caught up in her sister’s life that she forgot how to live her own? Those are all interesting questions that get tossed off the window, when you realize you have to do Tales but worse.

Just like that, the sisters can’t form any meaningful relationship. Not with the cardboard cutouts of the supporting cast, not with Gaige, there really is nothing. Fiona and Sasha don’t interact with their environment in an interesting way, it’s just a ham-fisted need to show that rich people are bad. Yes, I know they’re bad, I just want to see them discover it on their own. But we get nothing.

You can also argue that Sasha’s story regarding Rhys is just a rehash. As I’ve said, I was never a fan of this couple but I can’t imagine being satisfied with a solution that Burch brings to the table. Through the story, we see Sasha denying her feelings, not being ready for a relationship until Fiona steps in and says “actually, you are or you’re not” and off-screen we see that Sasha decided on their relationship. It’s truly insulting to see the “will they, won’t they” scenario with adult people and solved not before us.

What you have to understand is that this period of life that we’re seeing, with Fiona and Sasha is not a brief period of time. Maybe Burch doesn’t want exact numbers but this is clear when you think about a certain fact – Rhys has a mustache. I’m bringing this up because in Borderlands 3, Lor is actually surprised to see him like this, which means that the Maliwan invasion is well on its way. Which Rhys doesn’t bring up, of course. But deducing from this single comment we can calculate that between the beginning of the book and the ending, 4 or 5 years had happened. That is a damn long time and the fact that during this Fiona and Sasha do not resolve anything, do not develop and only go forth with their very surface level resolution is just a slap in the face.

We finished when we had started – it’s just that Burch doesn’t want you to realize that we had started at the ending. And this itself has consequences that he doesn’t ever want to acknowledge.

6. Show me my silver lining

I think at this point it’s very clear to see that I very much so didn’t enjoy this book. It’s just that I can’t bring myself to give a fully negative review, when there is one thing that I have to actually compliment. That thing is the arc of Gaige and what she’s been through in this book.

How we see Gaige is an actual arc and change of the character. We start with her being petty and bitter, returning to her home planet of Eden-5 for revenge. She wants to kill Holloway for destroying her and especially for the fact that she had imprisoned her father. We see Gaige’s smarts play the role against Fiona and we actually see the unbeatable Vault Hunter lose. Her father died at the prison. She has to hide, plotting her revenge. At the opportunity to bring her father back with the life crystal, she takes it immediately. But when it fails, Gaige is avoidant and quiet. Not wanting to see that she had failed yet again.

What was a terrible point in Fiona’s characterization, the destruction of Rustville, is the moment where Gaige shines through. Being presented with a choice by Holloway, she actually altruistically chooses to get caught, so she won’t hurt anyone. Sure, Holloway doesn’t keep her promise but it’s what Gaige is doing what is important. Instead of her usual snarky demeanor, we see her give up, something she had never done on her own. And in prison we see her still fighting for her life, screaming at the top of her lungs, even if at that point both her father and Deathtrap are gone.

The one genuinely great moment was when at the gala, Gaige gets a chance to open up about her feelings to her ECHOtube (I think that was what it was called?) subscribers. She talks about her love for her dad and how much he meant to her. How she misses him but wants to avenge him and wants him to be proud of her. It’s a very powerful moment, in my opinion, the best in all of the book. Gaige, surrounding herself with cheap thrills and adventures, seeks something that is real and opens up. It’s a beautiful moment of humanity for her that is just lovely to see.

Why she decided to take up the job of a party planner, I have no idea. Even with her explanation it still didn’t mean much to me. Thinking of how sad and once more, avoidant and lonely she ends up in Borderlands 3 does make me feel regret but I wanna hold onto that moment. Of Gaige’s sass and positive spirit, the only thing that made me go through that book.

Also there was a moment in which Rhys admits that he had a voice surgery. Made me go “what the fuck” at first but then I kinda laughed. Nobody needed that but whatever. Also fuck Troy Baker, all my homies hate Troy Baker.

7. Lightning round of criticism

Having said all of that and more about this book, this little section is about criticisms I had but didn’t want to dedicate a whole section to them. It’s just a list of things that bothered me as hell there but that will be shorter to sum up:

-        The humor of this book was unbearable. After several of those “jokes” you could very easily predict how the next one would go. It’s one person making a statement, another person contradicting it and then the outcome is a contradiction or first person admitting to the contradiction. Imagine this dry explanation but repeated over and over again and you get at least 40% of the whole dialogue. I don’t think it’s a good thing when you can sum up your entire humor in a descriptions like this

-        The new side characters are so paper thin, I cannot tell you anything about them. I can guarantee that if you ask me who they are in a month or two, I simply won’t know. All of them were characterized by a gimmick and not given anything real to do. The sisters, too, don’t have interesting interactions with them. Side characters here exist for cheap scenes that sorta progress the bad plot. In the words of a streamer Oboeshoesgames “Katagawa Jr. What a crazy character. He’s almost as memorable as Chet Smith.”

-        The way this book handled Rhys is horrendous. Equated to the kicked puppy who desperately wants Sasha’s attention, constantly described as stupid and worthless and then acting like a teenager when he’s pushing 30. I don’t think Borderlands 3 ruined Rhys. I don’t think New Tales ruined Rhys. But this? This is the worst written Rhys I’ve seen in years

-        Speaking of, Burch trying his damn hardest to write as if he’s a gen z person throws out words that make him look like Steve Buscemi “how do you do fellow kids” moment. In one moment, he even calls Rhys a himbo. Burch, do you know what words even mean

-        The narration style suffers from “tell don’t show”. Look at this example, here. Not only is this just flat out bad writing, we don’t need to be told three different times how badly Holloway treats people. A good writer would just show it to us via her actions towards her staff and juxtapose it with how Fiona treats her staff but of course, none of this happens

-        Being a video game writer, Burch doesn’t know how to progress a story. For him, the more important things are side quests and instant gratifications, not real emotional bits. The story rushes to the next point and leaves no room for you to breathe. You can’t spend time with those characters, you can’t learn anything new because you have to do another thing

-        Maybe that’s just me but I hate the non descriptive narration style. The world of Eden-5 feels shallow and pointless because the sisters don’t explore it and we don’t get any descriptions of it. Those are just empty phrases of wealth and dirt and nothing else

-        Last but certainly not least, I gotta ask, what the hell was Burch thinking with making this healing watch be the same thing as the healing crystal from New Tales? I always hated the deus ex machina of the watch but here it just had gotten ridiculous. It makes no sense, it’s a contrived way to bring it together. How does it connect? We never know, it is never explored. Maybe in Borderlands 50 or something

8. Conclusion

I hated this book. I wish I could’ve said something more profound but sometimes being direct is better – I truly hated this book and I won’t consider this canon to the Borderlands storyline. You can take my word that the canon won’t acknowledge it either. It’s a shallow cash grab directed at people who love Fiona and Sasha, engineered to be as meaningless as it could be and not to say anything either about its themes or its characters. It’s not a character study. It’s not a jumping off point for meaningful class structures and struggles discussion. It’s not even a fun popcorn adventure for fans of the series. With huge letters stating that it was written by the writer of Borderlands 2, I think we gotta ask – maybe it’s time to stop relying on the past and have someone write a spectacular story on par and better than Borderlands 2? Just anyone but Anthony Burch. 

[powdrz]

Hii!! I’m looking for a rp partner!! :) 

I’m currently 18!!I don’t have a specific preference age wise, but I do prefer 17+. I know the gap isn’t big, but it’s totally different maturity levels!! I’m okay with all sorts of themes, such as romance, platonic pairings (friends or siblings), angst, fluff, nsfw (as long as you’re 18+, and also obviously in a romance aspect. I’m not comfortable with anything like sexual assualt or that! Mentions are fine, as long as they’re past type things, not something that happens during the time of our rp if that makes sense!)i shouldn’t have to say it, but I do NOT support any sort of proshipping, dni if you do. 

I don’t do fandomless rps, and i don’t rp with or against ocs, sorry! I am into many fandoms and ships, and if there’s a fandom or ship on the list that you wanna ask if i’m up for, just ask, i honestly might be! :] i’m also up for doubling!!!

I’m gonna rank it from what i wanna do the most to least, but if it’s closer to the bottom, don’t fret! I put it on the list for a reason :)

Arcane

Powder/Jinx x Ekko (preference for Powder/Jinx)

Vi and Powder/Jinx (Jinx/Powder pref)

isha and Jinx (Jinx pref)

Xmen/deadpool

Origins Deadclaws(will write either)

Deadclaws(will write either)

Vanessa x Wade (wade pref, willing to write vanessa)

Scogan (will write either)

Cherik (will write either)

Negasonic x Yukio (will write either)

Cablepool (Wade preference, not really up to write cable)

Supernatural

Destiel (either)

Samwena(Sam preference, kinda up to write Rowena…idk how good i’d do though LOL)

Drowley (Dean pref not wanting to write crowley)

Megstiel (either)

Sastiel (haven’t explored it…kinda curious, and i’ll write either)

LisaDean (either)

JoDean(either)

Claire x Kaia (Claire preference)

Sam and Dean (either)

Castiel and Claire (Either)

Hannibal

Hannigram (Will preference. Won’t write for Hannibal, sorry!)

Will x Alana (either)

Margot x Alana (either)

Abigail and Will

Abigail and/x Marissa (ship or platonic, either works and i’ll write for either)

Shameless

Gallavich (Ian, Mickey, Mandy preference! Won’t write for either Sandy or Debbie sorry💔)

BonnieCarl (bonnie preference, will write carl ofc)

Jasmine x Fiona (Fiona preference)

V x Svet (either)

V x Kev (Kev pref)

any of the sibling duos!

The hunger games

Everlark (either)

Stranger things

Lumax (Max pref)

Elmike (el pref)

Elmax(either)

Ronance(Robin pref)

ChrissyEddie (before anyone says shit, chrissy is 17 and 9 months, Eddie is 19 it is genuinely not that bad😭) (chrissy preference)

There’s probably more, but these are the ones i’m most interested in as of right now!! I don’t have any specific plots in mind, and if you read all of this, thank you!!! I’m open to aus, and open to canon based stuff, open to whatever!! One of my favorite aus have been college aus for some reason, but, yeah! Just reach out with either an idea or we can brainstorm together !! :) also, i prefer to write on discord, and do NOT add me if you’re gonna give me one liners, i prefer description, at LEAST 3-5 paragraphs, and I can write up to two nitro messages max :)! I mirror lengths! If you’re interested do NOT just like the post!!! Please comment or dm me. State your age, the fandoms and pairings your interested in, who you’d like to play, plot ideas(if you have any), triggers, and preferred themes(if you have any)!!!

[elwenyere]

Kelly Hayes, from "Beyond the Blame: Fighting for Each Other in the Face of Fascism"

Our dependence on social media, which has intensified in harmful ways during the pandemic, has only worsened these divides. While these platforms hold some utility for our movements, we were never meant to live the bulk of our political lives in these realms. Social media has damaged our ability to communicate across difference, rewarding acrimony, sanctimony, and excommunication. Modeling politics has too often replaced the work of doing politics. At some point, many people of conscience lost the ability to engage in principled disagreement—if they ever bothered to learn. For many, persuasion isn’t even an option anymore. Quite often, political discourse is about categorizing people, dividing us into the morally correct and the morally irredeemable, with no middle ground and no plan to change the math. It’s as though many people believe they can simply disqualify the majority of humanity from political life, thereby saving the world.

...

It’s important to remember that our political aspirations have not been vanquished. We are not on the cusp of positive transformation, but that does not mean that all hope is lost or that we cannot breathe new worlds into being. During my four decades on this earth, I have repeatedly witnessed victories and political transitions that I did not believe were possible. I have also experienced losses that reshaped the political terrain, paving the way for future victories. We should never give up on transformation and material change. We are all worth fighting for, no matter how bleak the situation may be and no matter the odds. Determined, organized people have toppled dictators, ended oppressive institutions, including chattel slavery, and freed each other from the clutches of carceral systems. In dark times, people have always found ways to make their own light. That work is now upon us. To undertake it, many of us must face feelings we’d rather avoid. People who cannot self-regulate emotionally or engage in principled disagreement will not create stable, sustainable movements. You can’t organize people you hold in contempt. As I write these words, I can already hear some people justifying their anger. I will not argue with your litany of grievances against your potential allies. I have a lot of justified anger, too. But I try to be selective about expressing it because my political goals matter more to me than the temporary satisfaction of lashing out. If you believe the whole world is at stake, as I do, ask yourself: How much discomfort is the whole world worth? How important is your need to lash out? How can you balance your impulses with what you know must be done? I’m not saying to suppress your anger or hold it inside. It’s important to have outlets. This is a good time to vent the fury we need to express in group chats, with trusted friends, and in therapy. Be intentional about where you put these feelings. If you need to break something, then break something—as safely as you can. Rage rituals are a legitimate form of self-expression. (As Fiona Apple said, “Better that I break the window / Than him or her or me.”)  To everyone hurting right now: please make space for your grief. Don’t let anger shield you from sadness or bury your pain in escapism. Let your heart break over what’s ahead. Accept that, no matter how hard we fight, there are harms we will not halt. If that awareness brings tears to your eyes, then weep. Spend time with your grief, share it, and find comfort in your loved ones. Engage with the land and water, and feel your connection to the biosphere we must defend. Immerse yourself in art, music, and all that remains beautiful in this world. Humanity is flawed, but our capacity for kindness, connection, and transformation is real, too. Take solace in decency—it’s still there. Our capacity to do good can be nurtured. It can grow and flourish, but that cultivation is collective work. We cannot change the world alone. We must learn how to be flawed and human and messy together. We must learn how to forgive and how to do the work of collective survival with people we don’t like or understand. We must recognize that, while principled critiques are often necessary, we have to communicate like people who still need each other–because we do. A lot of people out there are not going to be ready to do the work I’m describing until they make space for their grief and pain and for the grief and pain of others. If you are hurting right now, remember that the pain you are feeling is a natural consequence of your decency. Don't try to bury that. Nurture the tender parts of yourself. Your capacity to feel other people’s pain is inextricably linked to your potential to change the world. Your grief is bound up in your understanding that an injury to one is an injury to all and that all of our fates are connected. Evading your grief will only compound your angst and isolation, or even increase your tolerance for injustice. We cannot afford to let that happen. 

[dragonsdendoodles]

similar vein to that other ask but opposite, what do you think enoch and horace would argue about non trivially, like the worst disagreement theyve had

Oh good lord angst time. Buckle up kids today we’re going over why my friends yell at me. Fair warning this one’s also gonna be long

So there are two scenarios. One where Horace is the one hurt, and one where Enoch is.

I think whatever it is either way, it started small. I think generally they’d be good at communication, having picked that up from Hugh and Fiona, but it was, at the time, a small issue. It was not a stupid issue, because if it were a stupid issue it would turn into an argument about the argument itself.

The two things that made the first scenario significantly worse:

1. We have seen how Enoch is just in general. He has zero filter and he’s a jerk and sometimes it’s funny and sometimes he takes it a bit too far. I think, very similarly to myself, he can’t actually tell. He can tell when he’s hurt someone, but he doesn’t actually know what it was that hurt them. We’ve also seen him argue with people quite a lot, which leads me to believe he can be pretty volatile.

2. My headcanon for Horace being upset is that whenever he is, he gets in his head until he’s convinced himself that if he voices his concerns with whoever upset him (especially Enoch) he’s either going to be yelled at again and it’ll go nowhere or he’ll bother them more by bringing it back up and that combined with blaming himself for the whole thing means that eventually he just kind of shuts down. Stops talking. Waits for it to go away.

Normally, if I were writing them in this fashion (surprise surprise, I have a fic draft where I am,) Enoch would pester Horace about whatever he’s upset about until he fesses up, they talk it out, kiss a little, after an hour of trying to get this out of him it’s over in ten minutes.

However, if they were to get into a Big Actual Fight about whatever it was, I think Enoch would not have the patience to sit and deflect Horace’s “I’m fine/nothing’s wrong/you didn’t do anything/I’m just being stupid”s for as long as he usually has to. If Horace’s stubbornness wins out instead of Enoch’s and Enoch is both upset that Horace won’t ever fucking talk to him and doesn’t have near enough patience to keep pushing the issue to be able to have the information to resolve it, Enoch decides fine. If you’re going to be like this, then I’ll let you fucking be like this until you can be a fucking adult and actually fucking talk to me. Except that doesn’t come out like that, it’s Enoch, so it comes out as insults. Horace snaps back because the insults were uncalled for, Enoch snaps back because oh we’re doing this now, and neither knows who raised their voice first but now they’re both yelling. It gets messy. Someone gets called unreasonable, the other asks why he’s even still with him if he’s so horrible, the first asks why the hell he’d even say that when he knows why (the answer is he’s not, they’re both just pissed off and throwing words at each other to see what sticks,) it goes on for maybe twenty minutes tops. They get tired of crying and screaming at each other so depending on how bad they need one, one of them hugs the other and they actually talk about it or one of them goes away to calm himself down and process everything and then they hug and talk about it. Things are a little shaky for a while, but for the most part they’re just relieved it’s over and for some reason the other is still here and still loves them and isn’t leaving anytime soon. They apologized, they solved the issue by sitting down and talking about it, so for the most part everything’s okay now. There might be a day or so of walking on eggshells for fear of it happening again, but for all the hurt and all the shouting, chances are they don’t even remember what they were arguing about in the first place.

The important canon point and headcanon for the second option: Horace is shown in (at least my reading of) the books to be a bit of a people-pleaser. He does not like confrontation, he does not like upsetting people, he is too anxious and would much rather just Not Deal With That. Because of this, I am of the opinion that when he is in a particularly anxious mood or if he can sense that something is going wrong and he needs to fix it, he’ll make something up to hopefully dissipate the situation. (Think Dear Evan Hansen but on a lesser scale. It would not go farther than one person in this instance.) He knows it’s a terrible habit to have, and he is genuinely trying to fix it, but occasionally something slips out involuntarily and he feels horrible about it.

The biggest problem with that, other than the habit of being a compulsive liar: it doesn’t work. It works on people he doesn’t know, because they don’t know what his face means when he says something and then immediately gets even more nervous, but his friends and Miss Peregrine absolutely do. He knows they can tell and he is genuinely trying to fix it, so he just as quickly apologizes and corrects himself. It still hurts the other person, but it’s better than doubling down, which used to be how that would go because this all started to get himself out of trouble.

It hurts everyone involved and Horace absolutely hates that he does it, but the worst person he could do it to is Enoch. Because now his own boyfriend can’t fucking trust him and if there is one thing that pisses off Enoch more than pretty much anything else, it’s being lied to. And Enoch can and will call him on it. Immediately. Horace is doing his best to stop that from happening and chooses his words very carefully when he’s nervous in an effort to prevent it, but occasionally he gets paranoid that he’s done something Enoch won’t like and then he gets careless and forgets and then it’s just about getting out of this and uh oh.

When that happens, Enoch stops talking to him for a while. If Horace tries to say something, they fight about it and it’s an argument Horace cannot win because Enoch’s right. He should be able to trust and be honest with him, but for some reason he was scared enough to convince himself he couldn’t, and now Enoch can’t trust him. Once Enoch comes back from processing everything, they have a serious talk about why he said what he did and the thought process behind it and why Horace thought lying to him about whatever the completely innocent thing was would be a good idea and this cannot happen again. Horace understands and apologizes and tries to make up for it because that’s all he can do, and Enoch’s still upset about it for a while, but eventually he trusts Horace again and the issue is resolved. Neither of them feel good about the situation until it’s all but forgotten in a few weeks, after they’ve built that trust back up.

In writing this I realized that one can very easily lead into the other, so for all intents and purposes if we start with one and it becomes two, the argument stays two and two cannot turn back into one. It’s no longer about whatever actually caused it, it’s about the fact that now one of us is just saying things to appease the other and that habit happens to be the one thing that had it been literally anyone else that relationship of any kind would have been over.

Neither of these happens often. They are very good at communication generally, having been friends and best friends long before they were boyfriends, so 99.9% of the time if something happens that would cause an argument, they sit down and actually talk it out and it’s fine. This is just that .1% where it gets pretty bad. They understand each other better than even they think they do sometimes, so they come out okay, if not for a couple bad memories. They do talk about those bad memories sometimes as well, especially if it started with an insecurity of one of them, and they make sure that whatever it was all is forgiven and nothing is permanently damaged. If there’s damage left over, they talk about it immediately and do whatever needs to be done to resolve it. Neither holds grudges against the other.

[tiredemzz]

S4! FIONA C. AT SOME CHILDRENS BDAY BE LIKE <3

a/n: so how’s yall doing?.. I’m tired af cus I’m not a morning person lmao.

disclaimer: this is basically a rewrite of that tua s4 episode with the children birthday party with lila and diego but my oc is in this season! there will be oc x cannon involved since im shipping five x flame- not five x lila b/c it doesn’t exist on my acc. if you don’t like oc x cannon, then this acc isn’t for you sadly. also i will be adding the deleted scene with five and klaus b/c idk why they didn’t add that scene.. like why? also five & fiora r in there 20s cus its s4 & five isn’t apart of the cia b/c my boi needs a break. also dave is alive b/c klaus needs his bf <3

warnings: fiora breaking the 4th wall, gets a little spicy between five & fiora but they get c0ckblocked by klaus & dave lmao, fluff (ofc), fiora hanging with kids (she can’t stand them sadly but doesn’t mind them.), cussing (ofc), mentioning of fish head (aj aka her adopted father)

a/n: this is my first time writing for these characters, so my bad if they seem ooc. Especially five lmao. (my boy was written worse- fuck you steve.)

We see Fiona herself, smoking a cigarette outside of the birthday party place. She sighed softly in relief, taking a few puffs after a long day of singing in clubs, bars for men/women alike because the girl herself thinks that everybody deserves love in there time.

Except bad people, she really hated bad people and her adopted father, who basically forced her to do evil things and run errands for him but since he’s dead.. Fiona felt relieved and a bit of guilt flowing in her body due to her and adopted father’s relationship with each other but she chose to ignore it, putting out her cigarette and heading back inside to see Grace running towards her with her arms out, hugging Fiona’s waist, making her a bit shook but she looks down at Grace and saids “hey sweetheart, how is my favorite niece doing?” Grace looks up at Fiona and saids “I’m good Auntie Flame! Have you talked with Uncle Five yet?” Grace asks while Fiona blushed a bit by Grace mentioning Five towards her, it’s been a while since those two have talked really- Fiona heard that Five is taking a break to himself but she shrugged and said “I have not sadly. Been busy with my singing and doing alot of painting- so I haven’t really talked with anyone in a while.” Grace pouted a bit and asked “why Auntie?” Fiona sighed softly and said “ever since everything has gone back for normal, I been going to therapy to talk about the past and who I really am inside. Except I still have my powers because I want to have them forever, I don’t want them to go away. I enjoy having them. Been taking time for myself to focus on my mental health and yeah.” Fiona smiled softly at Grace while Grace understood Fiona and smiled back at her.

“Now your Auntie Flame is gonna have fun, okay?” Fiona said, going down on one knee and kissed Grace on the forehead, making Grace giggle and said “ok but make sure you join me in the ball pit later, ok?” Grace asks her while Fiona laughed a bit and saids “alright alright, I promise I will but right now.. let me go have fun. Bye bubbles.” Grace giggles, waving at Fiona and going to have fun. Leaving a smiling Fiona on one knee and slowly getting up, standing on her feet.

Fiona began to walk around the place, seeing parents having fun with there children and slowly not smiling anymore since she never found her real parents but she decided not to give two fucks about it.

She noticed the bubbles, making her smile and popping one. While she popped one bubble, she felt someone watching her from afar and she noticed that a smiling Five was watching her while holding beer in his hand, making Fiona walk slowly towards him while smiling a bit and said “Five Hargreeves, my long time frenemy and the man who killed the fish head aka my adopted father. How are you old man?” Five deep chuckled a bit and said “Fiona aka the demon gal who hated me cus I killed her horrible adopted father and had to do it for my family. I’m doing well Flame, how about you?” Five said with a bit of a sarcastic tone in his voice and taking a few sips of his beer.

“Well, I been doing great. You mind giving me beer?” Fiona said with a bit of a soft tone in her voice, Five hummed a bit, giving her a beer bottle as well.

“Thanks Romeo, appreciate it.” Fiona said while smiling softly, opening the beer bottle, taking a few sips of it and just smiling softly at the children running around the place while Five smiled softly, just staring at her and asked “you thinking about something?” Fiona sighed a bit, looking at Five and answered this “yeah, just watching the children run around the place like they own it- reminds me of myself as a child. Good times good times really.” Five hummed softly at her answer and decided to hold out his hand, he asked “you uh wanna hold my hand love?” Fiona nodded yes and began to hold his hand while taking that hand back and deciding to grab on his tie with a bit of a smirk and asked “so you uh got any plans pretty boy? I’m loving the new look of the new you. Suits your pretty self.” Five smiled a bit, looking down at Flame and said “no, I don’t have any plans really.. didn’t expect you to be confident. Why’s that?” Fiona let go of his tie, answered with “I been using my charm- I call it the demon flirt charm. It’s uh something but eh. I don’t really like to be confident in myself.”

Five sighed softly, wrapping an arm around Flame’s shoulders and said “Listen to me sweetheart, you always feel confident in yourself. Be proud of that, be proud in your heart that you can still do the things that you love. You still kick ass Flame, still do and you can’t forgot that on how many times you managed to beat me at arm wrestling.. and sometimes Smash Bros when we were back in season two.” Flame started to laugh softly, feeling happy and said “yeah, those were good times- I mostly blame my author sometimes for stupid shit.” Five chuckled a bit at the last part on what Flame said. Suddenly Klaus, alongside his boyfriend Dave started to walk towards Five and Fiona.. Klaus said “Fiona! Five!” Fiona started to run towards Klaus, giving him a hug while smiling softly, still holding her beer while looking up at him and said “Klaus! I missed you buddy. How are ya? Also who’s the boy next to you?” Klaus chuckled softly, messing with Fiona’s hair a little bit and said “Fiona, homie- this is my boyfriend Dave. Dave, this is my homie Fiona.” Fiona waved softly at Dave while Dave waved back at her and said “It’s nice to meet you Fiona, heard so much stuff about you. Coming from Klaus ofc.” Fiona laughed a bit and started to stand next to Five while smiling softly.

Five started to ask “So, how long have you been sober Klaus?” Klaus responded with “Oh, uh, coming up on three years on January 15th, but who’s counting right?” Five said “that’s amazing” while Fiona gave Klaus a thumbs up, she was proud of her bestie becoming sober for three years and Fiona said “Really, good for you buddy. Proud of ya.” Klaus smiled softly at the two and said “thanks guys, really appreciate it.” Dave started to have an arm around Klaus while feeling proud of his boyfriend while Klaus, Five and Fiona did a toast with there beer bottles.

Feeling proud of themselfs for surviving.

Flame started to check her watch, sighing softly and said “I was supposed to join Grace at the ball pit- fuck. Gonna need somebody to go with me.” Five decided to go with her while the two waved goodbye at Klaus and Dave.

While the two were walking, Five said “I don’t really have a choice on joining, do I?” Flame said “nope, you don’t. You’re her uncle ofc.” As soon as they got to the ball pit, Five pushed Flame into it, laughing a bit at Flame while Flame got a little annoyed at him but soon she saw Grace, Grace was giggling and laughing at the duo while Flame rolled her eyes playfully. Soon enough, Five got in as well- he didn’t like it but eh. You win some, you lose some.

•

•

•

a/n: well- how’s that yall? good? good. hope yall enjoyed this little oneshot/drabble of s4 flame and everybody else. Yes- I added Dave b/c he and Klaus were fucking cute! Anyway, hope I wrote Five better then *cough* Steve *cough* did. I do appreciate freedback- so if you got any freedback on this.. let me know!

anyway, have a great rest of your weekend, day, night or wherever you live. Stay safe and take care of yourself ^v^

-author anon !

disclaimer, you are not allowed to copy and paste my work on to wattpad, a03 or deviantart or tumblr. that’s stealing and plagiarizing. And I will not allow that. >:(

[kybercrystals94]

Come Back (ch. 2)

Read here on Ao3!

Whumptober 2024 - Day 13 - Prompts: Team as a Family // Familial Curse

Rated: T | Words: 773

<<Previous Chapter | Next Chapter >>

A/N: Told myself I was not going to write anymore multi-chapter stories for prompt challenges...but here we are...not sure which prompt will be the next chapter, but keep a look out! (Special thanks to @fionas-frenzy & @omegafett99 for their suggestions with this prompt fill!)

“How’s it looking?” 

“We’re in luck. Whoever scuttled this ship didn’t wipe the hard drive’s data imprint. I’m transferring the files.” Tech doesn’t have to ask if Omega wants to help. He already knows she does. She would not have sought him out otherwise. He holds out the data stick, and she readily takes it. “But I still need to copy the master drive. It’s under that panel.” He goes back to his own work. 

“Tech?” Omega asks a moment later, and he waits for the expected questions to come next. Instead, she asks nothing related to copying the master drive. “What was the war like?” 

Omega may have been bound to Kamino her whole life; however, she has been surrounded by the essence of war. The Kaminoans were not discreet in their purpose for cloning soldiers. The question, therefore, seems unnecessary, since she surely knows the definition. “It was a primary mission objective comprised of battles on various fronts.” 

 “But what was it like?” Omega asks again, emphasizing her words in such a way as to indicate he had not just answered her question. 

“Hm?” There is no other answer to give. “I just told you.” 

**

“What was the war like?” Tech echoes the distant question, voice a breathless whisper. “I didn’t understand your question at the time, did I?” 

Omega is not present to answer. He wonders if she and their brothers got off Eriadu safely. This can’t all be for nothing. His brokenness, of body and spirit. He does not want to think his mind might be broken too. Not yet. 

Time is moving strangely. He doesn’t know if it’s been mere minutes or hours or days. But he can’t stay in this cave forever. He needs to find water at the very least. And then a way off this planet. A way back to his siblings. But maybe he can rest just a few moments more. 

“The war was everything,” Tech says to the darkness where the warmth of Omega’s presence lingers like a ghost. Maybe his mind is broken after all. “It was our whole lives, our whole meaning, our whole purpose. There wasn’t anything else. Until the Order. Until you.”

He has to find his way back. He has to tell her about the war. About their history. About her brothers. He has so much left to teach her. He was willing to go through with Plan 99, and had meant the words with his last breath. 

Only the plan had failed, and he had drawn breath again against all odds. 

“I’m picking up a heat signature over here,” a voice says. It isn’t modulated through the comm of a helmet, but that doesn’t make Tech fear any less. He can crawl further into his cave, hope that he isn’t worth coming after. 

Before he can force his fragmented body to move, a set of hands claws into the narrow opening, fingers trying to find holds on the remains of his armor. He wants to struggle, to pull away, but perhaps he is more injured than he initially realized. Perhaps it was adrenaline that pushed him this far. 

Perhaps he is dying after all. 

Perhaps…this is the end. 

He is dragged out roughly and dropped. He cries out in pain. 

“What are you doing here, Empire scum?” the voice demands. 

Tech coughs, a rattle deep in his lungs. That is not good, he thinks faintly. “I am…” he gasps out, “...not with the Empire.” 

“You’re a clone.” 

“I have freewill,” Tech bites out, fingers clawing into damp earth. Dew has settled. “My brothers and I chose against the Empire.” 

“Your brothers,” the voice scoffs, voice saturated with disdain. “You mean other clones.” 

Something inside Tech breaks. These individuals, whoever they are, hate the Empire. Hate him. Hate his brothers. But they are his only chance now. He won’t survive much longer on his own power. “Please. I want to go home.” 

“Why would we help you? Why shouldn’t I just end you now, put you out of your misery?” 

“Because I have information that might be valuable to you,” Tech says, and maybe some unchecked emotion leaks through, but he is too exhausted and shattered to care.

A boot rolls him to his back, and Tech is staring up into a twilight sky. The misty clouds he fell through have cleared, and stars blink down at him, brilliant pinpricks of light. Even without his goggles he sees them. Omega loves the stars. 

“Prove that you have information we want,” the voice says. 

But Tech can’t think of anything to say before his thoughts and vision go dark. 

TBC

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[eatmeeraw]

INTRODUCTION POST.

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the. sea speaks more honestly to those willing to drown.

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i’m circe, i’m a writer and an aspiring actress. she/they ; 18 ; cisgender(?) ; lesbian. hyperfixation on scream, especially jill roberts. i cannot say i’m talented, my writing isn’t necessarily good, but i enjoy venting my thoughts and ideas via such act, and that’s the motive i created this account. english isn’t my first language, please have patience with me and try to understand my position.

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WHAT DO I WRITE? WITH WHAT CHARACTERS?

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angst, fluff, comedy, and smut. i will add a warning everytime one of my written creations will include suggestive context, or straight up detailed sex scenes. probably will write only character x fem!reader, having a preference for wlw stories. will try to write something about the men i will write down with the rest of the characters now. REQS ARE OPEN.

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Fandoms

— Scream ( 1, 2, 3, 4, 5 and 6. )

Characters i write for:

Scream 1: Billy Loomis, Stu Macher, Tatum Riley, Sidney Prescott, Gale Weathers;

Scream 2: Sidney Prescott, Gale Weathers, Dewey Riley (maybe);

Scream 3: Sidney Prescott, Gale Weathers, Dewey Riley (maybe);

Scream 4: Jill Roberts ( <3!! ), Sidney Prescott, Gale Weathers, Dewey Riley (maybe), Charlie Walker, Kirby Reed;

Scream 5: Tara Carpenter, Sam Carpenter, Amber Freeman, Mindy Meeks-Martin, Chad Meeks-Martin.

Scream 6: Quinn Bailey/Kirsch, Tara Carpenter, Sam Carpenter, Ethan Landry/Kirsch.

p.s.: can do cross-overs between movies.

— The Substance

Characters i write for:

Sue, Elisabeth Sparkle.

— Miller’s Girl

Characters i write for:

Cairo Sweet, Winnie Black.

— American Horror Story

Will be added soon.

— Stranger Things

Characters i write for:

Nancy Wheeler, Robin Buckley, Eddie Munson, Steve Harrington.

— Hades

Characters i write for:

Aphrodite, Nyx, Thanatos.

— Wednesday

Will be added soon.

— Marvel

Characters i write for:

Felicia Hardy, ATSV characters (Hobie, Miguel, etc.), Peter Parker.

— You

Characters i write for:

Love Quinn, Guinevere Beck, Joe Goldberg ( maybe ).

— Jennifer’s Body

Characters i write for:

Jennifer Check.

This is not all, i will probably upload as i get into more fandoms and study more characters.

— AHS (American Horror Story)

S1, S3 , S8 and S9 for now

Characters i write for:

Violet Harmon, Tate Langdon, Cordelia Goode, Madison Montgomery, Zoe Benson, Kyle Spencer, Misty Day, maybe Marie Laveau, maybe Fiona Goode, Michael Langdon, Xavier Plympton, Brooke Thompson, Montana Duke.

DNI

minors shall not interact with the stories i say are strictly 18+. basic dni criteria. if you don’t like women, LEAVE. if you don’t support palestine, LEAVE. if you are a radical feminist, LEAVE. if you’re sensitive to blood, swearing, violence, and similar things. leave for your own safety, they will be the main themes on my account, unfortunately.

your worst sin is that you have destroyed and betrayed yourself for nothing.