#finding a whole community will do that to a man

[wolfythewitch]

Haiii - just wanted to ask, how many people have told you you’ve altered their religious beliefs? I’m debating being Christian bc of you (and some other influences like the fallout new Vegas man lmao)

Um! A few! Which is very fascinating but I would like to put a little disclaimer that I don't do art to convert people 🙏 hahaha a lot of it genuinely stems from my interest in the bible. I'm very critical of the church and the religion as a whole while still being part of it! So if you genuinely do want to try being christian, then yeah definitely go explore it, but you have to understand that it is a Very tumultuous environment and I'd say spirituality comes before religion in a way. Make sure to do your research and find a good community to connect with

[hamilando]

ੈ✩ cowboy ride or ring ? (smau) ੈ✩

pairing : max verstappen x norris! reader

summary: a move will test where the heart lies

tw : fluff, suggestive

fc : nailea devora

a/n : this was requested anonymously ! lysm 🫶🏻

·:｡･ﾟﾟ･ ✩ ･ﾟ ･ﾟ·:｡･ﾟﾟ･ ･ﾟ·:｡･ﾟﾟ･ ✩ ･ﾟ ･ﾟ·:｡･ﾟﾟ･･ﾟ·:｡･ﾟﾟ･ ✩ ･ﾟ ･ﾟ·:｡･ﾟﾟ

liked by norriz, max1, lilyhye and 74 others

wdcrider being a cowgirl for halloween because my riding skills have no complains

view comments

chillijr why sing up for pornhub when the whole thing is right here

lordpercival you are going to get your account banned

wdcrider we will just do community service 💪🏻

max1 it’s meta not FIA

norriz CAN YOU LIKE NOT !?

norriz HOW ARE YOU AN INTROVERT !?

norriz MAx !? CONTROL YOUR FREAK

wdcrider how I feel knowing I am the only norris who gets to suck the verstappen dick

norriz AND I HAVE NO INTEREST IN HIM Y/N

norriz unless he lets me win the wdc, I don’t mind sucking

max1 ew

max1 you both are siblings fr

lilyhye but my girl is serving looks, SLAY MOMMY

wdcrider ITS SLAY COWGIRL

norizz ew, EW, eW, Ew

wdcrider telling mum about your 231 hookups

norizz EXCUSE ME !? I AM ALSO TELLING MUM

wdcrider about what? how I have one dick since like 4 years or that you can’t stay fixed on one ?

norriz HEY! I WAS COMMITED FEW TIMES

wdcrider ONLY TWICE, ONCE FOR LIKE A YEAR AND THE SECOND TIME FOR LIKE 3 MONTHS !?

norriz not my fault

wdcrider accept it, you don’t last with anyone for more than 5 days, surprised how you are with mclaren for so long

georgey calm down you two ratatouille rats, doesn’t lando’s recent situationship follow you ?

norriz fuck, bye , I don’t get married, it’s all on you dear sister

wdcrider well I am getting married because of you dear brother, so thank you 🤩

liked by norriz, lordoerceval, max1 and 103 others

wdcrider my man got me pink drink to show off my ring, what did yours do ?

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alexmieux mine didn’t get a FIA penalty 🤭

lilyhye mine crashed his car ����

carvroom mine is obsessing over Lewis

rebecamour mine is jobless

chillijr I do have a seat at Williams.

wdcrider technically jobless

albono what do you mean all these years …?

colawithice yes alex, I am off to redbull

wdcrider I AM ADOPTING YOU COLAPINTO

colawithice MOMMY 🤓

max1 sorry, I am young to be a dad

wdcrider who asked you to be the dad?

colawithice mommy 😚

wdcrider it’s ok baby, you go beat him

liked by max1, lilyhye, chillijr and 64 others

wdcrider max said that he will only marry me if I finish my finals

view comments

norriz great, you both are never marrying

norriz you pass any of your subjects and I am laying for your honeymoon

max1 well I am actually financially well off, so I can pay for it myself

wdcrider GO MY HUSBAND ! ! AND WAIT, LET HIM PAY

wdcrider I passed interior designing

norriz what bout the other 4 ?

wdcrider YOU SAID ANY

chillijr when is the wedding tho ?

wdcrider after yours and Rebecca

rebecamour 🤭🫶🏻

chillijr you really aren't getting married in this century

rebecamour the couch is waiting for you for the century

wdcrider blocked @ chillijr

wdcrider NO ONE TALKS TO MY WIFE LIKE THAT

wdcrider I WILL PUT A RING ON IT

rebecamour 😭🫶🏻

max1 return the one I gave then

wdcrider no refunds

liked by user1, ynverstappen, landonorris and 4,487,629 others

maxverstappen the one who gave me wings @ ynverstappen

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f1wags BREAKING ! FORMULA ONE WORLD CHAMPION MAX VERSTAPPEN IS MARRIED TO HIS LONG TIME GIRLFRIEND Y/N VERSTAPPEN. Currently no information is available as the couple seems to be very private about their relationship, the only picture which we could find of y/n is on alexandra mieux’s Instagram from 2021 when her account was private.

view comments

user1 and I oop-

user2 well, that’s enough Instagram for today

user3 HELLOOO!?

user4 MAX YOU CANT DO THIS !?

user5 ITS LANDO'S SISTER !?

user6 oh god, the fights-

user7 MAX BAGGED THE NORRIS SISTER !?

user8 HOW IS MAX ALIVE ?

user9 Max may beat him in f1, but in life Lando will beat him up

user10 the amount of plot twists -

user11 now imagine saying Franco got the rebull seat

redbullracingf1 yes.

user11 BAHAHAH WHAT !?

user12 STOP, ENOUGH NEWS TO DIGEST FOR A DAY

[thewalrusespublicist]

omg can you speak more to your latest post about the reverse happening in 1980, I’ve never about the coherence of the narrative actually :O

Yeah an alternate universe would be crazzyy because our main narrator and star witness of the Beatles would be resident shit stirrer … John Lennon.

John

Fucking

Lennon.

The thing with Paul is that he’s kept to a pretty consistent narrative for the past 40 years or so: John broke up the Beatles cause he wanted to move on, army buddies, they loved each other etc. You can criticise it (I certainly do), but it’s coherent. It’s also one that has allowed John grace and promoted love and community as a core message, something that the other last surviving Beatle Ringo is more than happy to support. It works, we get it, it's a good message in many ways.

Whereas John … wooo boy. The only idea we have of what John would have been like is the 70s where he couldn’t even make a narratively coherent sentence.

If you take his comments and put them together, the Beatles break up was because the guys were blokes he got bored of but also the temple he loved too much but also a marriage that had to end but also a mistake in many ways. Simple, right?

And who was Paul again? Oh, well he was his closest friend ever but also someone he was never very close to and a genius but also artistically dead and yeah, he talks to him often but hasn’t spoken to him in a decade and could talk about him for days but also never thinks about him and is his dear one but also a straight and his ex-coworker who he didnt really work with much … wait no fiance/brother that he would do anything for. Whatever emotion John felt at that moment was his new forever truth/cope and that was the shit he was sticking to on record for those five minutes.

 And that’s John in normal factory mode. Now imagine the nuke that would be losing Paul, his Paul. Imagine every extreme feeling and every defense mechanism under the sun all going off at once and right in the interviewer's face like a deranged grief firework show. Then the added mess of Paul being seen as a saint and Paul the person not being there to reality check John’s view of him … chaos. On top of all that, if Yoko is right and John did contemplate an affair with Paul, you think he wouldn’t have spouted that at some point AMONGST OTHER THINGS WE DON’T KNOW ABOUT? 

Trying to work out the whole Beatles saga would be like trying to find Bigfoot but the compass is pointing in every direction and through several detours through an inexplicable amount of orgies, scandals and psychosexual drama.

 Who were the Beatles? God knows, apparently only the best band ever of bffs/coworkers who were so overrated and boring that John couldn’t wait to leave/never wanted to quit. Who the fuck was Paul McCartney? Duh, the most beautiful perfect wonderful genius man who had ever lived, one of the great loves of John’s life whose memory will stalk his dreams and waking hours until his dying day and has seances for on the reg. Oh he's also a sheep fucking devil who was hated and who intentionally and maliciously slept with half of London and wrote 'nogoodsongsshutup' in an evil plot to trick John to make music with him until Yoko freed him from his spell. What was their relationship? ????????? (okay maybe not everything would have changed lol but we would have so many more details on John’s side). There’d be no message from the Beatles tale, no story, no cohesion. Just a free-for-all pile of disparate tales of love, hate, treepanning and heartache to sift through.

In any case, I would love to see the madness that would be their version of Beatles tumblr.

[explaintome]

Dear Mouthwashing fandom, explain to me, why next to the incredible fan art, I find a fuck ton of shipping content, especially between characters where this is highly problematic? SPOILERS FOR MOUTHWASHING AHEAD CN for talk about sexual abuse, death, suicide & violence

DISCLAIMER: I do not shame the general practice of shipping at all. I am a shipper myself and I think it makes up for a lot of interesting dynamics and narratives outside the canon. Shipping is an important pillar of fandom communities and I am unable to forbid you to do it. HOWEVER, in the case of Mouthwashing I want to talk about what, in my opinion, feels tone-deaf to the themes and the canon of the game. But let me start with a short summary of the game before I get into it.

Mouthwashing is basically a visual novel that takes place on the Tulpar, the last manned cargo ship of the company Pony Express. The crew, consisting of Caption Curly, Co-Captain Jimmy, Nurse Anya, Mechanic Swansea and his intern Daisuke, is confronted with a crash against an asteroid and the consequences following it. The story is told out of order to reveal the truth bit by bit. What caused the crash, what happened and how the crew deals with the time afterward being stuck on the ship. Revealing sexual abuse, tragic backstories, the horrible side effects of late state capitalism and the neglect of people in command towards the people they are responsible for.

To boil it down we have two men who, out of societal misogyny, hurt the only woman on their crew by assaulting her or not acting as they should have in their position of responsibility. All of this would not have happened if Jimmy didn't rape Anya and impregnate her, and if Curly had disciplined Jimmy in a capacity possible on the ship and in Jimmy's position as co-pilot. To be honest, with the amount of automatization the ship has, I don't think they need Jimmy if it is not a case of emergency, but I digress. Jimmy is the perpetrator of the story, but Curly is an accomplice in putting his aim of finding a solution and compromise over punishing his subordinate as he should have.

And now to my actual point: I am a big fan of the game, the narration style and the utter tragedy of 5 people losing their lives in the isolation of space, with their company not giving a shit about them. Otherwise, they might have been rescued much earlier or at all. Or had enough cryo pots in the first place. Or a nurse with experience. Or any amount of better equipment and not the most cheap shit that somehow made it through a resemblance of regulations. There are probably no regulations.

Being a fan I, of course, looked into the hashtags on several social media sites, and between the incredible art and analysis of the game, I quickly found shipping content, and I have no idea why. I have literally no idea how that narrative speaks to you in a way of shipping characters romantically/sexually. Especially three shippings really rub me the wrong way.

ANYA/JIMMY

Are you fucking kidding me? Literally, what is wrong with you shipping a victim with their abuser? There was not one interaction between them, that suggest that there was consent or affection, that Jimmy has any sympathy for Anya. He knows what is going on, he knows that Anya is pregnant and takes no responsibility. Even worse, his idea of FIXING this was to kill everyone, at least himself, to avoid responsibility! Same goes for AUs where she kept the baby and is somehow okay and happy? I get the urge to fix it, but that is not a good fix. There is no good fix if you are pregnant due to rape.

ANYA/CURLY

A lot of argument I hear for that is that "at least Curly is her friend and was nice to her" and if that is your whole foundation of argument, I want to ask what your standards for a relationship are. Please know that you deserve more than the bare minimum. Another question in that context: Is Curly really Anya's friend? His friend was abused and instead of protecting her, he tried to reason and help her abuser! That is not the behavior of a friend! There is no "but Jimmy is his friend too!". If your friend is an abuser and that does not make you stop being their friend....why?

JIMMY/CURLY

It feels like it is a law on the internet, that two men who look at least averagely handsome will be shipped, especially if they have the tiniest of connection to each other. I am not even sure if I would call them friends in the first place. It appears that Jimmy, whatever his bad life before that job was (thanks to the developers for not giving us a backstory), he is still absolutely unsatisfied with that he has. He is jealous of Curly and his position, seeing how quickly he takes on the Captain title after the crash and only realizes far too late how hard the position actually is. Curly on the other hand feels a bit like a people pleaser to me. He probably had pity for Jimmy, took him under his wing to help him? Fix him? Whatever it is, it made him ignore Jimmy's bad side to a fatal degree. I respect the toxic yaoi but are you sure?

TLDR; I am worried about how the practice of shipping developed, from a way to extend the canon, explore queerness in cis/straight dominated media, into a compulsion of where some people can't look at any form of media or constellation of characters without immediately smashing them together like dolls. If you do this, maybe step back for a minute and ask yourself if it is appropriate. On that note, same goes in case you defend Jimmy. Why?

[ghostieblr]

Peter's Vows

When Derek is born, there is an earthquake. Beacon Hills is many things, but it is not a place of earthquakes. This is an anomaly, this sudden shaking of the land, and Peter watches Talia go through the pain of birthing a cub, and he makes note of how her cries resonate with the moving earth. As the baby is brought to the world of the living, the earth shakes more; giddy, Peter thinks of the land. Giddy at this baby's birth. That's what it is.

The town reels with the destruction, however minimal it seems to be. It is the strangeness of the earthquake that has the people in a panic, and it takes two days of Mayor Yukimura calling for council meetings and community barbecues that they begin to somehwat calm down.

The baby is named Derek on the first day itself, born underneath the Nemeton, his pale blue eyes reflecting the moonlight in silver hues. Talia sobs with relief, Nathan beside her, stroking her hair. Laura is back at the pack house, safely tucked in the bed, the rest of the pack members keeping watch. Talia had wanted to bring her with them, fearing the worst of the anomaly, but their mom had convinced her to not do it. The birth of the Alpha's cub is a big deal, but it is also private: only the Mate, Emissary and Left Hand are allowed to be present, for comfort, safety, and protection, respectively.

It has been tradition since ages, and Talia is the last person to break it.

Derek is a calm baby. Sleeps through the night, doesn't cry for attention. Only does it for feeding, his survival instinct as strong as his lungs. Peter adores him, even if he may never admit it to anyone.

He is also curious about the boy. Why an earthquake? It cannot be a coincidence. Truly, he wonders how some people can be so dumb. Calling it a coincidence is insulting to the Powers That Be, which must have called upon such a natural reaction of the land for a reason. Derek is a special boy, and Peter vows to find out how.

Besides his incredibly compassionate heart, that is.

It is in his eyes, which have slowly turned into a kaleidoscope of colors, the kindness of him. Derek's trust is not so easily earned, but once it is, it is extremely difficult to dislodge it.

Derek is a boy destined to become a kind man, one that will be an Alpha with mercy in his heart but cunning in his mind. Peter sees the makings of it right from the beginning, the way the boy will procure solutions to his own problems as well as those he deems important to him. Laura is the first born and thus has the claim to being the next Hale Alpha, however Peter knows, somehow, perhaps instinctually, that Derek will be the Alpha.

Another piece of the puzzle falls in place when their emissary falls pregnant. She's an amazing woman, Claudia. Peter likes her wit and humor, and he enjoys the perspective of her husband, the deputy, and if luck is on his side, soon-to-be Sheriff of Beacon Hills. Peter is happy for the couple.

He is, also, astonished to see an almost five-year-old Derek climb onto Claudia's lap one morning, his small fists rubbing against his eyes, and his nose scrunching determinedly to find a scent.

Peter remembers the conversation well.

"Derek, honey? What are you trying to find?"

"Mine," is what Derek growls in reply to Claudia, and shoves his nose against her barely-showing belly.

Peter's laughing figure is shot out of the end of the couch and onto the floor by Claudia's impeccable throw of one of the decorative pillows from said couch.

Thereafter, it was peculiar but not unseemly to find Derek following beside Claudia, his whole little being focused on the life forming inside her. And when the night came, Peter wasn't at all surprised to witness the thunderstorm.

Claudia had plans of giving birth in the hospital, but due to miscalculated steps, or simply because of reasons not privy to them, the best possible option left for her seemed to be below the Nemeton.

John had lost his damn mind at the prospect. "It's raining! Heavily!"

"Talia gave birth in an earthquake," Claudia says through gritted teeth, "And the baby doesn't care, nor do I, John. It is—"

Her words are cut off by another scream, and she is right, of course. It is time.

Talia, John, and Peter are the only ones who should go with her, but Derek, the little sneaky wolf that he seems to have become, follows them. It isn't until halfway through that John, the human, realizes his presence first.

They move forward with the determined little boy, who is all sopping wet in his wolf onesie, and really, this is no laughing matter. Except it is.

Claudia is brought below the Nemeton, and the tree, big and branching and beautiful, hums in their presence. The canopy of it sheds them some, but not completely.

And so, under hard rain and sharp thunderstorms, Mieczysław Stilinski is born, his little body almost white under the moonlight, and his eyes, when they open, a shock of topaz, like a glinting jewel; a fallen angel, Peter thinks.

Derek carefully wraps the baby in the blanket Talia removes from the packed bag, her movements locked onto her son's and the baby's, while John tends to his wife.

Peter watches. He notes the way the baby is calmest in Derek's arms, the way Derek is mesmerized.

This is more than just being True Mates.

True Mates itself are the rarest of occurrences, but something tells him this is more than that. The earthquake, and this sudden rain, in April of all things, simply cannot be coincidence. There must be a reason, one that Peter must uncover.

In the coming years, he dedicates his time to the quest, and finds that, oh, this is something unique indeed.

Unique to the point of legend.

Of course, he gathers facts before telling anyone. Derek's control goes onto the list, as does his ability to switch between his shift as easy as breathing. Having such control at the age of seven is almost impossible, but he has it without the growing ego that would have inflated anyone else's with the amount of praise he gets.

Stiles, as Derek had nicknamed Mieczysław almost immediately post his arrival in the world, is no human. His mother's line has some pretty strong magical abilities, but the kind of power that this boy exudes surpasses imagination. Nobody notices at first, not even Peter, until Stiles is a couple of months past his third birthday. It truly isn't until Derek, almost nine, comes down from his room one day into the kitchen, says, "Which packet, Stiles?" that they realize it.

"Honey, he isn't a wolf. He cannot hear you," Nathan tells him, but Derek just shrugs.

"He is for today."

Peter hears the, "Blue one! Blue one! Blue is sooo pretty, Derek!" from Stiles, who is definitely sitting in Derek's room, upstairs.

Derek grabs the blue packet and goes upstairs, and Peter follows, followed by Talia and Nathan, who beckon Claudia as well.

Stiles sitting on the floor, a myriad of toys around him, while the packets of chips sit beside him, torn open, evidently by Derek's claws, who himself is playing with Stiles.

And they're both being fed flying chips.

The three wolves turn to Claudia as one. Her shaking head and awed face is enough to clue them in, and really, Peter thinks, this is fucking incredible.

Powers don't manifest as early as this in magic wielders. They're more of the puberty package, tied to emotions at the beginning rather than will.

This is... defying it.

Peter loves to see when the next piece of the puzzle will fall.

And it does oh so enticingly.

Years later, when Derek is fourteen and Stiles is almost nine, comes the first trial. The Alpha Summit & The Argent Treaty.

Peter doesn't believe Gerard's words to do no harm, so he sets up precautions in place. It pays off, because during the summit, he almost ends up blinding Deaucalion — something that could have turned super bad if left unchecked.

Gerard's attack is met with swift retaliation, but somehow, only his goons end up dead. Gerard himself remains free, and through sheer will, maybe, the old man manages to kidnap Laura.

By the time the adults sniff out their cub, they're too late.

Not in the sense of Laura being hurt, but in the terms of missing the action, somewhat.

When they enter the warehouse, they are faced with Gerard being held down by a black wolf, fangs around his neck, the eyes of the creature a deep, ruby red. Deeper than Talia's. At first, they all assume it to be one of the visiting Alphas, but then they realize Stiles' presence, too, and it clicks.

Stiles frees Laura from the painful looking electric rod, and comes back to Derek, coaxes him back to his human form as Peter and Nathan take care of the psychopath.

Laura lets Talia mother her, and then says, "We'll have two Alphas."

Talia looks at the now human Derek, and eyes shining with pride, she nods. "Come here, both of you," she beckons, and the boys run, Stiles' chattering a comforting sound for all of them.

A few weeks later, Derek admits to everyone he has a new friend, and talks about her often. Paige this, Paige that. Laura teases him, restrained in her words, trying not to upset Derek's control. Even Cora pulls back. Stiles, though, is almost worse.

He riles Derek to the point of him using his Alpha voice to shut up, and the whole Pack silences itself, even Talia. Stiles, though — an exception to all things sane — doesn't back down. The voice doesn't work on him, and Derek isn't phased by it. However, the smell of guilt filters through their home, and Stiles' sigh is followed by comforting words. There is no apologizing though.

Soon, they'll learn from Derek himself that he hates that everyone is walking on eggshells. That is why he kept bringing up Paige, so that someone would tease him, uncle Peter, Laura, Cora. Or that Stiles would rile him up.

"Why would he, though? He should be happy for you. I am." Cora's words are met with a laugh from Derek, and a groan of embarrassement from Stiles.

"He's weirdly possessive — don't push me, you know you are."

"Alright," Stiles sighs, "I am."

"And Paige is a great friend, but I don't nearly think about her as much as I might have let you all believe."

And that is when Peter sees it. The blink-and-you-will-miss-it purple flash of Stiles' eyes. Peter doesn't put thought into why now; he simply focuses on completing the puzzle.

And he does. True Alpha and Purple Eyes? That's easy.

That's legend.

Set in stone as the first Alpha and the first Emissary as well as Spark, who, arguably, also set in stone the sword of Excalibur.

That part of the legend has questionable sources, though. Sure, Merlin Emrys is, as per theories, the most powerful sorcerer of all time, and Arthur Pendragon the greatest ruler, the once and future king, but it doesn't have as much merit.

What Peter is sure about is that somehow, the Powers That Be decided that this is the pack to send these two to.

He watches Stiles argue about the best type of pasta with Derek, and thinks, suddenly, that perhaps this is their happy ending. What legends end happy? None. So this must be their time to be happy.

Peter vows another quest, then. To always protect Derek and Stiles.

[bengiyo]

hello, i am a huge fan of your writing on asian queer media from queer perspective. i'm a lesbian who often enjoys BL but feel like it's hard to find one that i truly connect with, maybe because i'm looking for something different than the core audience - reading your post about The Knowing i realized that's exactly what it was. i feel like my whole life has been defined by this knowledge of being different, wrong, unable to truly connect. and seeing it unfold on the screen is some special kind of catharsis. since your last addition to the post, do you have some recommendations of new releases where The Knowing can be seen in the characters?

Looks like I haven't updated the list of boys who experienced The Knowing since The Warp Effect.

Last I remember, @/respectthepetty called out Zo in Hidden Agenda as one who experienced The Knowing, and I do have to agree. He was outed and made to suffer for it.

My boy Dynamite clearly experienced it, and Fire did, too. Still a fan of Cooking Crush.

I think Nomoto Yuki experiences a really compelling version of The Knowing complicated by the expectations of being a woman. Everyone should watch She Loves to Cook, and She Loves to Eat.

Xiao Yuan is a compelling example because of the complicated family dynamics. Despite specific qualms, I did really enjoy Unknown.

Tanaka Kazuhito from Living With Him (aka Kare no Iru Seikatsu) is probably my favorite Japanese BL example of the year, because he's conscious about it and resolved about how he will manage it.

My actual favorites of the year come from Don't Care For An Old Man's Underwear! (aka Ossan no Pants ga Nandatte Ii Janai ka!)It's almost unfair to the BL shows on this list, because this show is a different kind of drama. However, I will love Daichi for the rest of my life. I hope he and Madoka work through their issues and learn to communicate better.

My favorite Thai example of the year comes from Knock Knock, Boys! Peak's entire character arc is based on The Knowing.

The best Korean example this year comes from reigning champion Hwang Da Seul's Let Free The Curse of Taekwondo. Both of these boys are a mess because of it.

Mainland China is back in action and delivering with Blue Canvas of Youthful Days. Qi Lu definitely knows, and this one is not doing bromance.

But honestly, if you really need The Knowing, you should watch Love in the Big City. It's the most intensely personal and semi-autobiographical project of the year.

Thanks for the ask! Let me know if you watch(ed) any of these, and share your thoughts.

[dimmadoome]

Yall will do anything but actually take responsibility for what you've created. Fanon is literally that. Canon crested by fans. They're all headcanons created by you, yes. Literally you, the person reading this that has written fanfic and drawn comics and posted your essays. You are the people writing stories and sharing art and making tumblr posts. Each an every person on here, commenting on my post outraged that I like the collicteve works of yourself had had a hand in creating fanon just by existing in the fandom. You all speak with such derison about yourselves and its actually making me laugh.

You actually can find fanon from people of color. Many many different ways. From discord servers to tumblr to twitter and beyond. AO3 Is just an archive for writers. It is not the be all end all of fandom. But, while we are talking about AO3.

It is not a streaming service. It is not youtube. The works there are not paid for. They are made by you and me and a billion other people who only want to share their art. THEY ARE YOUR PEERS, NOT A CONGLOMERATE. This whole response makes it sound like you're all complaining about the fucking disney channel queerbaiting you again. If YOU want more Babs stories. Write them. You dont want racist tropes in your fanfiction? Well howdy do you've already proven you can both write and post to the internet just by responding to this post. Write. Create. Build. Just like the rest of us normal people did when we added onto the fandom. If you want Cass to be more present in stories, write those. Jesus christ yall. This is YOUR baby you're trying to throw out with the bathwater.

At the end of the day, you need to step back and realize that if someone is telling you they like your work and the community you built with your own bare hands. Maybe say, hell yeah. Im glad you like it, instead of acting like you're above your own hard damn work.

Also. As a side note. Im an indigenous trans person. I understand what it means to desperately want to see representation for me and to know that i will likely never be able to make it a reality in any canon works. I find that fanon is more likely to be written by people of color, disabled people and queer people than canon will ever be. Fandom is a bigger and more diverse collective than canon. Which makes me love it more. Because I can have my voice heard. Because you can have your voice heard.

Its new and its beautiful and its ever changing and its so, so much better than almost 100 years of writers having to sanitize themselves for the capitalist elite who need every batboy to look the same and cant let gay characters exist without making it tragic or retconning it every two seconds.

In the end all I can say is this

Fanon is beautiful.

Fanon has more for me than canon does. Likely, if you are not white, not straight, not cis or not able bodied, it also has more for you than canon ever will.

You all deserve to love your community too. If there are racists. Well fuck man, do what everyone else is doing by drowning them out with your own, obviously not problematic the sligtest, content. So go. Fix what youre complaing about. But realize that you are part of the problem. You are part of the collective you are angrily decrying and nothing you can say will change anything unless you put your hands to paper and actually start working for the changes you want to see.

Hot take but I prefer fanon Batfam to Canon batfam because at least fanon does its best to give each of the batfam very distinct personalities and looks.

I love living in a world where blue eyed black haired white boy doesn't describe half the group, ya know?

[0w0tsuki]

One thing this recent bile that's been spewed at me is just how reactionary the "Transandrophobia" movement is.

Oh hey look it's everyone's favorite transandro bro looking to coddle the dude who called me a "Deranged Hysterical Screeching Wailing Pro Cop Pro Eugenics Victim Racist Ableist Cunt Bitch" because I said "hey don't lie about my friend being a fascist who who wants to genocide nonvoters. No where in her post did she say that where did you even get that?"

The post that's supposedly downplaying transmascs anxiety specifically

Like the most hostility your from this is an irritation at the notion that this is the end of all life forever for trans people. No where is she attempting to downplay the risk. The summary of her statement is "Things are tough. They've been tough before. Don't lose hope and let others control you. There are options even in seemingly hopeless situations and maybe don't kill yourself a". A statement which doesn't call any group out in particular because it's addressed to ALL trans people who are concerned about the election and their hormone access.

And this is the sentiment I've seen from all the trans girls who have been talking about it. Nowhere have I seen transfems attempt to use this as a way to belittle AFABs specifically for being afraid cause guess what? WE'RE SCARED TOO. These posts are an address to a giant of doomerism about the elections that "I'm going to die because Trump is going to take away my hormones and Death before Detransition".

For a group who so commonly accuses trans women being self obsessed and wanting every discourse to be about us, they are incapable of even considering that we might address our own in this. Not only can they not conceive the notion that these are positivity posts meant to elicit hope, they are convinced that we are using this to attack and belittle them specifically. Because in their mind ONLY AFAB people are expressing concerns about being jailed for being trans. Cause it's not like, you know, this is all about an election where the PROGRESSIVES candidate had a history with throwing trans women in men's prisons. What do trans women have to fear of prisons? For a group whose half of their rhetoric is "it's not all about you" they are unable to even fathom that they are not the only ones scared of going to jail for being trans.

You can't even argue this is a straw man because that would imply that there's some fringe Transfem legitimately arguing this that they are using as representative of us as a whole. It can't be a straw man because that would require the physical material of straw to construct it from. They are reverse engineering what our opinion must be from their preconceived notions of us. They are boxing at shadows.

That's why there's no "Unity" with these guys. For all the big game they talk about it they don't WANT unity with us. What they WANT is a bitch to yell at and take the blame whenever something goes wrong in their community. They WANT their whipping girl. I am surely convinced that even if there were no "beaddels", that trans women just shut up about their own oppression forever, these dudes would still be out here twisting the most banal positivity posts aimed at the wider community by trans women, and finding ways to spin it as us attacking them specifically.

[jbaileyfansite]

Vanity Fair Interview for the Hollywood Issue (2024)

In the last 13 months or so, Jonathan Bailey has carried on a secret gay love affair in McCarthy-era Washington, performed cunnilingus in a Regency England manor, rendered teenage boys speechless with a pop-philosophy lecture, and danced through life in a prince’s bedazzled breeches. This coming summer, he’s fleeing dinosaurs.

That would be in, respectively: Fellow Travelers, Bridgerton, Heartstopper, Wicked, and Jurassic World Rebirth. But even if he’s just pretended to do all those things, it’s understandable why Bailey is, right now, pinking his nose at a villa in Puglia.

“It is just so dreamy to be able to chill out,” he says via Zoom. “The cortisol levels have depleted.”

Playing Fiyero in Wicked was a dream come true for Bailey, who at one point in our conversation fantasizes about going to a Broadway rave with his castmates—he refers to Ariana Grande and Cynthia Erivo as simply “the girls”—and dancing to techno remixes of Wicked tracks, like “Defying Gravity,” under pulsating green lasers.

After filming the two-part movie with the girls, he’s nabbed an Emmy nod for Fellow Travelers and started a charity, the Shameless Fund, to uplift the LGBTQ+ community he’s proud to be a part of.

We’re thrilled to have Bailey as part of our 2025 Hollywood Issue. Here, he shares his thoughts on being a change agent in Hollywood, how he chooses roles, and the secret talent that he wishes he’d kept a secret.

Vanity Fair: What a run! How are you feeling?

Jonathan Bailey: I’m very much enjoying my holiday. But the girls started rehearsing Wicked, what, two and a half years ago? I think people assume that I haven’t had any breaks, but I have. Also, we had the strike right in the middle. What was crazy is going from Fellow Travelers to Wicked, just insane.

The Wicked movie is so close to the stage show that if you’re a big fan, you’re not going to be like, “Well, I can’t believe they…” It hews so closely, how could you complain there? But that flip. Are you a secret tumbler?

I remember I’d flown back from Canada and then I was filming Bridgerton. I met the girls then, and they were well and truly underway. I remember going to the dressing rooms, and theirs were pink and green and were just spilling into the hallway. And mine was just an interrogation room with nothing.

But I did spend the whole day with [choreographer] Chris Scott and went from Chris Scott to see [musical writer] Stephen Schwartz, and it was just, for me, boot camp days. You just lean on the amazing choreographers and obviously [director] Jon M. Chu’s vision. So when it came to the beginning of “Dancing Through Life,” I felt like it had to be sort of a flair and sort of performative, but hopefully in a way that was just with abandon and not arrogance. I did gymnastics growing up and I did dancing. I was the only boy within a whatever-mile radius. And because I was a boy and I was dancing, whenever the Royal Shakespeare Company wanted to cast someone, they called. It was dancing that got me into acting. And in dance school—not school, but a hobby club—they had acrobatics, which I was obsessed with. So I had, and still do have, a very bendy back, as shown in Wicked.

I’m a big fan of Heartstopper, the books and then the show; I loved the comic. Was that something that you sought out, or they were like, “Hey, we need someone who’s so handsome that he sends multiple people into a crisis”?

I sort of wedged myself into that part. I was so moved by the series and also the graphic novel.

And, of course, doing Bridgerton—it’s funny what comes with doing a lot of press, and suddenly there’s a lot that people want to know about you, and there’s a lot that’s asked of you that, obviously, in any other industry, you wouldn’t have to talk about. So I was hyperaware of the complexities and nuances of how I felt about myself being a gay man, let alone a gay actor, and suddenly finding success in playing a straight part and talking about that. Heartstopper seems to allow people to feel catharsis and to feel a sort of melancholic sort of nostalgia for what could have been. I was feeling all of those things anyway. And [executive producer] Patrick Walters is really good friends with Josh Cole, who produced Crashing, so it is all a bit of a small world.

I love the cast. I think they’re brilliant. I remember seeing all of them speak to their own experiences and being like, My God, they’re so erudite and grounded and thoughtful and kind and compassionate in their answers. I would be really proud of myself if I could be a part of that as my younger self. Everyone above the age of 40 should be forced to watch it.

Do you think that Hollywood is more open to risk than it used to be? So many of these projects wouldn’t have existed 10 years ago.

Yeah. And with huge budgets and [the] trusting of Universal and Donna Langley and Peter Cramer, obviously they just got the right people, with Marc Platt, and they took their time. That’s the common denominator between these things: Fellow Travelers took 10 years to percolate and run its way in his genius, genial brain, and then four years to commission. Wicked, I think they’ve been trying to make a film of it for over 10 years. With Jurassic as well, this time they’re going back to David Koepp, the original writer of the original film, and Gareth [Edwards] is shooting on film.

I’m going to crack on with the work and I’m just incredibly excited for opportunities. I do think that as long as the work is good, anyone should be able to do the job. And I think that’s what’s changed. I obviously did not imagine myself in this sort of career, so that must be a sign of progress.

Do you get recognized out and about a lot? You’re in all these properties now that have such intense fan bases.

It’s funny—obviously, you do get recognized, but the Bridgerton of it all is really interesting, because it’s one thing to be on a show that is national, but I feel like I was more recognized outside of the UK than in the UK. It takes time to adjust to, it really does. It’s not an easy thing, but it also is amazing.

Do you have any secret talents? You already said that flipping is your party trick.

Yeah, I think that, and I was going to say dexterous toes…

What do you do with them?

…. but I would regret that, so I didn’t say it.

But then you did. What can you do with them that makes you so sure they’re dexterous?

Nothing about this goes well...I just remember entertaining my sisters by being able to pick things up with my toes, but like a monkey. But we probably don’t need to put that in writing.

Physical therapists, I’m sure, hail you.

I did ballet for ages, and I’ve only as an adult found out I’ve got very flat feet. Doing Fiyero, I learned that. And the physio one day walked in because my knees were twanging, and across the room he went, “You got flat feet.”

Your big secret: flat feet.

Yeah, that’s my party trick as well.

Revealed. Do you consider yourself to be a rule follower or a rule breaker? Are you afraid of getting in trouble?

I’m not a rule breaker, I just don’t really adhere. Do you know what I mean? If someone says, don’t do that, I won’t not do it. Probably people would always have said I was probably quite naughty.

You have a philanthropy, the Shameless Fund. Can you tell me about what inspired you to start that?

I’ve always found it is impossible to talk about this without sounding like an asshole, but it’s something that I do think about: opportunities for other people. And I also see where there’s an abundance of energy, whether that be money or creative, that could be siphoned off into other areas.

With the Shameless Fund particularly, there were certain commercial opportunities that were coming my way that I just wasn’t interested in because they just didn’t feel right, or I didn’t want to be stepping into [them]. I’m hoping next year we’re going to start giving out grants, in 2025.

Whom will the grants be going to?

Well, we’ve got three that we are certain on, nonprofits and charities that work internationally and locally in the UK for areas of the LGBT+ community, to educate and elevate. Hopefully, we’ll get to a point where we can offer smaller nonprofits a platform.

The three weeks after Bridgerton came out, there were so many requests from charities that I found it so upsetting and distressing because I wanted to do all of them. “Can you come to this thing, or can you speak, or can you send a shoe, or could you send a bag? Could you sign a script?” So this is also a way where you can work with multiple groups, become a bit of a patron.

Is there anyone who you feel reached back and helped you along in your career too?

Theater directors massively. Ian McKellen was wildly amazing, and I did King Lear with him. He was one of the first people to come to see me when I did Cock on the West End, and we went for a drink afterwards. He was so clear about how it might play out, and should it play out that way, what to be excited about and what to be aware of. I couldn’t wish for a better role model.

Source

[theeternalwombtarot]

I want to talk about the normalization (especially in ethnic communities ) in baby mama culture including even those of us who have grown up sheltered or wealthy or are currently wealthy or considered celebrities (for example like skai Jackson, keke palmer, Halle Bailey, Jayda cheaves, etc.) and the types of fathers being chosen and fetishized.

A lot of girls within black and brown communities are not raised nor taught what it means to have high levels of self worth, standards, or boundaries which leads to a whole lot of us going out into the world when we’re ready to seek out romantic relationships and connections and connecting with men who are less than satisfactory, can’t fulfill our needs, can’t love us, are in a wounded masculine energy, and have generations of karmic cycles and trauma that would not benefit us if we were to invest in relationships with them or procreate with them. We are not taught that if we can’t find a husband in a man that he should not get a child out of us nor be in our energy, and/or finding a romantic partner in us. We’re not taught what fully healed and divine masculine men look like, we’re not even taught what you should do when we come across individuals in our lives who can’t love us, display dysfunctional behaviors, display abusive or toxic behaviors, etc.

I had previously made a point a long while ago about the suppression and demonization of femininity within ethnic households when it comes to raising little girls and daughters. My post was mostly surrounded around black girls as I grew up black so I have a first hand account of that experience. The type of suppression I’m talking about can fall into purity culture, the “too grown” rhetoric, the idea of raising girls and women in ways that highly encourage them to grow up and be home makers and serve and center men in their lives in self-sacrificial and codependent ways, etc. interest in romantic relationships and connections starts as early as middle school and you have a responsibility to your daughters to raise and teach them up in a way that will prepare them to be discerning and have high levels of self love and worth growing up and also prepare them for becoming and being a fully grown woman and a functional one at that.

There are way too many girls and women who don’t know their worth because they weren’t taught, way too many girls and women who don’t quite make that transition from being a teenager/a young girl into being a grown woman and operating as such, way too many girls and women who were never taught the ways of womanhood or what it meant to cultivate your femininity or carry it in a way that was conducive to them and their development (down to hygiene basics to etiquette and “game”)

And then we wonder why girls end up being baby mothers, end up in abusive relationships or attached and stuck to men who don’t really love them, don’t know their worth or don’t know who they are, and don’t know how to be women and operate as one in the world. Because they weren’t taught. You have to teach them.

[meo-eiru]

I kinda like the small yet big detail in the game, like I'm sure myself and some other people were expecting a wholesome dating sim that would also get quite spicy (FROM HOW WE KNOW MERU)

And we all just kinda got kicked in the butt, like Starling being too hot to be true yet so terrifying at the same time, but not the terrifying kind that we know, like Micah or Silas etc

More like the type that makes you forget that he still is more a siren than a merman, like he successfully managed to lure in the whole community with his hot ass😭😭and then we get backstabbed by him munching our fingers off as if they're some carrots, like as a simple lunch snack-💀💀

Or in the other ending where it's basically simply Mae dying and getting turned into a possession and probably just another body to fill up with tongues

From my interpretation, Starling doesn't really have that kind of romantic interest in Mae, but she kinda thought it could go into that direction, but then got stabbed in the back like that😭😭(probs everyone who played it, thought like Mae there too kinda💀so we all got the betrayal🙁)

And you guys did a really good job in simply catching us all off guard in most scenes, it's it's beautifully written and drawn, I love that game so much!!!

Spoilers for the game

Honestly maybe Sel would give a different answer but I do think Starling likes Maelyn. Due to his past and what he has now become his way of showing it is probably different, but for Starling I don't think Maelyn is just another body for storing tongues. If that was the case he wouldn't have went out of his way to clean her body up, find a wedding dress and "marry" her in his own makeshift way.

He probably didn't even view it as a betrayal. Because until the very end Starling was making sure the no longer breathing Maelyn could be comfortable in her pearl necklace.

For the writing style, probably Sel writing the story played a big part in this.

Sel and I have very similar tastes in a lot of things, on levels I myself can't believe sometimes. But we do have a different style at how we depict similar concepts.

I love presenting dark stories on a silver platter. Prettied up with the most delicious icings and shiniest sprinkles. I like my stories and characters to look beautiful. Enjoy them while thinking you're just having whimsy adventures only to realize you're done for once you truly look. Like Silas. It's easy to make fun of him, forget the things he is capable of doing as you're too busy enjoying his silliness. He feels safe, a gentle giant who loves and takes care of you.

But he's still a man who has forced himself on you not only physically but also mentally. Trapped and limited you beyond belief. No electricity, no internet, no contact with anyone other than him. Only talking to him, only feeling him, only knowing him, only consuming him. A beautiful and sweet man no human mind can handle for more than a few weeks.

But Sel, from what I've seen, is a bit different. She doesn't shy away from showing the darkness and scariness of the stories she makes. Before you even know it you'll be facing concepts you didn't think could be possible.

And not only that, she hides so much under every word she uses. Often times the things she places in front of you are not even the scariest parts. The more you read and the more you decipher they get deeper.

I'm frankly a big fan of the things she writes. They often leave me flabbergasted (and mortified, she knows what I mean) but they are also so so fun. So scary yet beautifully poetic.

I know she doesn't like being under the spotlight that much. But ever since I met her and saw her stories I wanted more people to get the chance to see and appreciate them the way they deserved. I think they are truly special, and they make me want to do my best to illustrate them in the perfect way possible.

Honestly I'm not sure if I'm good enough at it, but if it helps the stories reach more people I'm happy with it.

I don't know if she'll read this post so that's why I'm being sappy like this but I genuinely hope you guys like her stories like I do. And I hope both you and I can see more and more of it.

[maleyanderecafe]

Dear Villainous Husband , the One to be Obsessed with is Over There (Webcomic)

Created by: Menanic

Genre: Isekai

I wish the translation for this one was a bit better, but I do think that there are a lot of fun things that I haven't seen as much in other isekai such as a tyrant that actually does seem fairly scary, another person besides the main character who has been isekaied into this world and the plot of trying to get back to the original body. The empress can also be sinister as the tyrant, though sadly it's not utilized as much as I would have hoped. As of writing this there are about 40 chapters out right now, and the yandere takes a while for him to kick in (like a long while).

The story starts out with the male lead, Lanius pretty much killing all of his sibling and his father from a young age because he was bored and wanted the title of king. Angelica, or Angie is chosen to be Lanius's empress, with Angie crying as she doesn't want to be killed considering she read the book before she isekaied. She wants to do her best to survive and run away. Angie asks Lanius why he chose to marry her of all people, with Lanius recounting that he had a whole wall of marriage candidates in which (to his eyes) looked the same, so he ended up throwing a knife, which landed in the portrait of Angie's eye. Initially, Angie is kind of bullied by the maids until she decides to bring in one of her own from her old hometown. The head maid, Jacques gets majorly angry after Angie tries to defend herself from the bullying, with us seeing that she's also the mother of the main love interest in the story, Sylvia, who is also being abused by Jacques. Afraid of what Lanius will do if he's too bored, Angie proposes a manhunt to sate Lanius's bloodlust, which works well, however Lanius states he will only do it if Angie participates as well. Angie agrees and starts training. While she prefers a bow and arrow as to not get to close to the opponent, Lanius also trains her on sword fighting as he wants her to survive. On the day of the manhunt, Lanius feeds Angie some sort of drug that makes her much more fearless and ruthless. She is able to finally kill the maid that bullied her thus ending the man hunt once and for all and bring Sylvia to work for her. Angie gets nightmares after about this event.

After a banquet where she flexes her authority as the empress, Angie decides to go to Tunia to find the original male lead, Eden a knight for the Templar. She does find him there and finds that he too is a transgressor, isekaing into the world similar to how she has. The two of them discusses the possibility of trying to go back to their original world before having to disperse as to not cause Lanius suspicions. Lanius does seem to catch on, visibly being more jealous when Angie and Eden talk, which forces to the two to send secret messages with each other. Angie and Eden discuss their escape plans together, with Angie preparing for escaping Lanius while the romance between Angie and Lanius grows stronger to the point where Lanius actually seems to like her instead of having her be just an interesting toy to him, with him bringing her to different places as sort of dates. Angie is starting to waver at the idea of going back home though as she feels there's nothing to go back to and that she is actually falling for Lanius as well. Lanius goes on a mission to kill a bunch of monsters, finding out that feeding the offspring their mother's corpse actually makes them loyal to him, and Eden during the fight also finds a special door that could relate to getting them back to their world, something that it seems only he can see. With Angie, she finds a book that is similar, with details that only she can read. Eden also decides to disguise himself as a butler at Angie's estate to gain more information and be able to communicate with Angie more easily. We learn that Sylvia still has a vendetta against Lanius, that the only way to get back to their old world is that Lanius has to die, something that Angie seems to struggle with coming to terms with. Angie ends up trying to start her escape plan by refusing to go with Lanius to the war and buying up an inn area to live in.

Like I said before, there are a lot of good concepts in this webcomic that are pretty interesting and well utilized (if only the translation weren't so bad). I feel with a lot of isekai plotlines, the villain characters or tyrant characters are not... that evil? They can be of course, and it can serve its purpose in the story, but I feel like with Lanius I can actually see why Angie would be so scared of him. His intro of killing his siblings and his father to attain the crown was really brutal, and the scenes after when trying to explain why he chose Angie in the first place and how he slyly threatens her does make me understand why Angie would be really wary around him. I do wish it continued to show more of it, maybe like killing off some employee he didn't like, but we do see him basically take control of an entire monster army and run like two man hunts, so there is at least something to it. I think it's also interesting that he's not a yandere right away, with him being more like a threatening psychopath instead. While I do like yanderes that are more upfront about their yandereness (just mostly because it's easier for me to write a recommendation on) I do think that waiting for the eventual development of feelings does help with Angie's dilemma of staying with him versus going back home, as his death is what will allow her and Eden to eventually go back. Speaking of Eden, it's very astonishing to me that there is so little isekai that have more than one character isekai into the same world. I feel like that has a lot of potential for good team ups, rivalries and various other arcs that I guess nobody wants to actually write about for isekais. I also think that the premise of Angie actually slowly developing some of Lanius's traits of being intimidating and seemingly heartless in some scenes (namely the witch hunt, the banquet and the inn at the end) were really fun too, even if the first time was induced by drugs. I really wished that it was something that showed up more often since I really do like that side of her and is a good corruption arc type thing when hanging out with Lanius.

Lanius starts out as a typical psychopath who only cares about what sick things entertain him, but it's done pretty well to showcase how terrifying he actually is. Besides the initial backstory of how he was able to rise to the throne, the fact that Angie was pretty much chosen out of chance and the fact that he is basically implies through the fact that he finds them so uninteresting that he can't recognize their faces that if she does something that he considers boring, he could just kill her. I'm not sure why he tries to help her out by feeding her the drug to make her more fearless, or even tries to train her but maybe it's to heighten his enjoyment (?) of watching the manhunt? I have no idea. I do think that Lanius eventually getting pretty possessive over Angie (especially when Eden shows up in the picture) and apparently in the webnovel, Lanius goes pretty yandere stockholm after he finds out that Angie tries to escape and pretty much confines her, which does sound very in character for someone like him. I also think it's a good way to drive tension when Angie does start falling for him and then finds out that the only way to really go back home is to have Lanius die. I feel kind of bad for Eden though since he does actually seem like he wants to go back, so that's going to be an issue for Angie even if she does want to stay.

I do think that this webcomic has a lot of good ideas, and it executes them at least somewhat decently. The only real problem I have with it is that I think Lanius could go even farther with being ruthless to his people and that the translation just isn't that good. If it follow the plot of the webnovel with Angie basically being imprisoned by Lanius, I think that would be really great too.

[dinahthemighty]

Thank god I'm done with that application so I can concentrate on what my body apparently wants to do today: be horny

[mellotronmkll]

I need to stop having one weird reaction with someone and then letting the anxiety decide in my head that the friendship is doomed because I ruined it like it's my absolute worst trait and I just have to move past it but it's hard

[alexjcrowley]

Hey I just want to know something: am I the stupidest person on the planet or the f1 fandom is built differently?

Everytime I go on a social media to look up f1 content I see cute/horny (let's be honest) edits and everybody calling the drivers pookie or making memes. And that's alright, I guess.

I most definitely know that a bunch of (mostly white) men in a very competitive male-dominated sport rooted more than many others in capitalism are probably going to have scandals around them. I am not that dumb. I also know that because probably none of them is scandal-free and people who get crushes/hyperfixation on them just learn to live with them, but I didn't think they just...ignored them? Swept them under the rug? Let me explain.

When I so much as stumble on a TikTok with a song by The 1975 or McCafferty- or hell even Lovejoy recently- I see comments flooding with "bUt DoN't YoU kNoW tHeY'rE pRoBlEmAtIC?". Same happened with content about cinema or books. And on Tumblr happens less but still happens. As soon as you mention something that has ties with sexism, racism, homophobia, etc. people will soon point it out to you. Maybe because they're some of those people with the obsession of only consuming "morally pure" content, maybe they genuinely want to inform you, maybe they fucking hate that song/book/movie and want to give YOU a reason to dislike it.

But can someone tell me if I'm fucking dumb and I managed to stumble in the wrong part of instagram/tumblr/TikTok or NOBODY fucking talks about the shit some drivers have done? Because I am stumbling on a LOT of shit done by drivers I really liked lately even though I have been interested in F1 for a while now. Not too long, but enough that I think I would have heard some stuff.

Like, if I spent like 6 months on the hashtag of Guy Who Drives, why am I now finding out that they said something really discriminatory? I am just confused, I simply thought it would have popped out sooner, but apparently it was buried under 500+ posts about their abs? Like what?

I get that anyway it's not like you can cancel a driver, no matter what shit they say they'll probably still going to be racing the next weekend, but why people don't talk about it? Was my socials' fault for showing me horny posts everytime I simply looked up the name of a guy or do people don't talk about this stuff in the f1 community because "what are you gonna do anyway"?

I am leaning towards the second option because there are a few things that happened while I was already watching f1 (not in order: Lando's comments about, Trump, Hornergate, most drivers saying Hornergate was just noise) and at first people were talking about it but then they just...stopped? Like, I don't know, personally the words of disenterest many drivers expressed about Hornergate made me change my opinion about them at least a little and people seemed so outraged at first but now...it's like it never happened. Everybody back thirsting on main for Ricciardo, Norris, etc.

Genuine question, is the general response of the f1 community to these behaviours "forgive and forget in time of the next gp"? Am I missing something? I don't think they should be crucified but why I have not seen more people talking about this stuff? The "serious sport bunch" seems to be uninterested in "gossip" or whatever happens outsid the tracks, the good old fashioned fandom is writing fanfiction/making edits/funny posts, who keeps tracks of this stuff?

I have never been interested in a sport before. In the artistic world (cinema, literature, etc.) some scandals can get you out of a job and a long lasting hatred from the community. In motorsports, because the success of a driver does not depend from his fans' engagement but can be "objectively proved" by results and victories, do people just...make peace with the fact that some athletes are pieces of shit?

I want to specify it one more time, I am NOT saying LET'S CANCEL ALL THE DRIVERS AND BOO THEM BECAUSE THEY HAVE DONE SOMETHING QRONG AT SOME POINT, I am asking:

how do you deal when an athlete you cheer for does something really fucked up, and you know other athletes in the same field are no saints?

[batsplat]

A sentence in Casey’s book impressed me, even though he didn't name anyone explicitly

“Maybe someone who could put on the charm when they need it regardless of sincerity could have turned the situation around but I don’t have that skill.”

He totally gets that Valentino has endless charm, lol. I’m sure he felt it too when they hung out

yes!! this was about casey and his relationship to the fans wasn't it, and in a section of the book where he was talking about his rivalry with valentino, so hardly a stretch to say it was deliberately alluding to him. and of course casey talking about valentino's charm is not unrelated to how casey did seem to like valentino perfectly fine back in the day... how he said back in 2007 that he liked talking to valentino, that they generally talked about stuff other than racing, how valentino gets on with most guys in the paddock... though it's interesting (if not particularly surprising) how by the time the autobiography is written, casey portrays the early dynamic between the pair of them pretty dispassionately. just from the book you'd get the sense of someone who was coolly respectful of valentino until valentino started pissing him off, rather than someone who was... y'know, also a bit of a fan. somebody who got the valentino rossi appeal, shall we say. we all have our crosses to bear

which, I don't even think it was just about the racing. I doubt he ever wanted to emulate valentino in the same way jorge or marc might have wanted to do off the track, but stuff like calling him a "great competitor and a great sportsman"... that for years he'd been "dreaming to be like him"... that valentino and doohan were "the sort of people I wanted to become like"... I reckon that's a little more than simply respect for him as a rider, and I don't think casey back then would have said that stuff just because he knew it'll play well with the public. he found valentino exciting, like so many before and since have done - and still did so for the entirety of 2006 (he said more recently that he was even more impressed by valentino after that season, which is kinda noteworthy given that's the year valentino did, you know, lose the title). but then they became direct rivals, and. well

of course the "regardless of sincerity" in the quote is pretty pointed lol, like he does clearly see valentino as very two-faced and willing to spin a line regardless of whether it's true or not and also as someone happy to deceive others for his own gains. and his rhetoric has also changed just a wee bit since he published the autobiography on that count, where he more recently does stress how... well, he did learn from how valentino played the media! he learned how to get friendly with journalists! he learned how to play that game, of trying to win the public discourse! he might never have liked it, and he still probably would say like in the autobiography that this "charm" "regardless of sincerity" isn't something that he'll ever be as good at as valentino was. but he did dabble in the dark arts just a touch... I think one of the most interesting tensions of that rivalry is to what extent valentino forced casey out of his comfort zone both on- and off-track and ended up making casey adopt behaviours and attitudes he continued to find reprehensible. casey considers valentino 'selfish' both on- and off-track but to fight him both on- and off-track he became more selfish in turn... very dramatically compelling

anyway, here's casey chatting to fellow aussie jb when he's come to watch the podium celebrations after one of valentino's 2005 wins: