#final 15 good omens

[greenchrysanthemum20]

Permanent Changes to Brain Chemistry (Or, This isn't the Genre you Think it is)

Hmmm, been thinking about Coffee Theory lately, and also the new wave of Aziraphale had a plan and was trying to communicate in Secret Code to Crowley but Crowley didn't get the part where it was in fact a code..... I have to wonder as someone who has been around the fandom block once or twice, I think both of these theories come from the same place: The Sherlock Hiatus. Yes, folks, we are in the new rendition of The Hiatus™. It feels weird to call it that, as Good Omens is not a show that regularly airs but that fact that we will be in a drought of Canon from August 2023 to 2026 at probably the soonest means that we are in fact in A Hiatus Season. Well, what the fuck does Sherlock have to do with Good Omens ??

I'm glad you asked! My New Thought of the week is that the Sherlock Hiatus permanently changed the brain chemistry on this website, or at least of fans of a certain stripe. Sherlock was a show that I obsessed over (rather late to the game, in 2017), and so did many others. With the cliffhanger of Sherlock's jump at the end of season 2, there was nothing for fans to do but theorize and theorize and theorize.

Sherlock was also a show that actively hated its queer legacy, and by extension, its fandom (looking at you, Steven Moffat). This is getting long so my point is, I think the off-beat super complex theories about GO and the final fifteen come from a place of being actively cat-fished by Sherlock, years ago. I mean, Sherlock S3E1 basically took all of fans' theories, tore them to shreds, spit on them, lit them on fire, and then presented it's own, Even More Crackpot theory as to how Sherlock survived??? The whiplash, maaaan.

So fans, having gone through All Of That, with Sherlock, have now come to almost expect mysteries in fannish shows to be overly complicated. And just, that isn't how Good Omens works?? Like, Neil and the rest of the cast and crew Do Love the fandom, and want to tell a story that is Doing Right by the fans. (Dottie and Sadie in Neil's asks are hard not to swing as the products of a good natured uncle winking and thumbing his nose at you). And second, I think these elaborate theories mistake the final fifteen as being part of a mystery show when in reality the final fifteen are part of a tragedy. Aziraphale is Hamlet. He is a tragic hero. We are to root for him, despite his flaws, or even because of them. It is because of Aziraphale's altruism that he makes the choices that he does. Altruism is Aziraphale's Hamartia, his tragic flaw.

He may be being played by Metatron, but because of who he is as a character, as a guardian and protector, Aziraphale cannot walk away from the chance to protect the earth and make things better in heaven without sacrificing a large part of his values and Who He Is. Metatron knows that Aziraphale is altruistic, as a constant, but that that altruism can be twisted and led astray.

In a tragedy, there is a point called Peripeteia, which means the point in which the tragic hero's flaw condemns them to a certain course of action. This is what we see Aziraphale go through in the final fifteen.

He is offered a choice, and he makes a choice, and in the end, it isn't a choice. Looking at GO through the lens of a tragedy, all of those statement can coexist, and they each have equal weight.

Crowley, on the other hand, is Orpheus. Don't look back. You are leaving, you are on your way out the door, you can sense her presence behind you. Don't look back. The cavern grows darker, the threat looms larger, you talk into the echoes, and every time you hear her reply, you cannot tell how far away she is from you. Don't look back.

You look back. You kiss him, furiously, in a bookshop. You have looked. She is taken from you. Crowley knew that that kiss was never going to have worked. But he needed to kiss Aziraphale anyway. He never could have told Aziraphale before the Metatron showed up that he loved him. (Can one blame Orpheus, for being a plaything to the muses?) (Can one escape a Hell that doesn't send Strongly Worded letters?)

You have to look. You have to love her. You have to let her know you love her, even as you cannot have her.

Obviously, Good Omens as a whole isn't a tragedy, but the final fifteen of Season 2 are one, and I think we have a lot to learn from treating them as such.

[tardxsblues]

Because you and Mr. Fell don't ever talk to each other. We talk all the time. We've been talking for millions of years. Bla-bla-bla-bla-bla-bla-bla-bla-bla. I say something brilliant, and he says something unintentionally funny back. It's great. You never say what you're really thinking.

[beerok23]

BAFTA: Let's nominate David Tennant for "Male performance in a comedy"

The Comedy:

Never heard of an actor who got his nominee for The Perfect Grunt™.

[televised-eyes]

the way crowley’s lil head bobble lines up perfectly with aziraphale touching his back, it’s as if the touch caused an involuntary shiver up crowley’s spine…

[dingledraw]

Alternative ending of season 2… *BONK*

I collaborated with the sweet and talented @t-nartin again 😁 They came up with the idea and put it together 🤩

[itsscottiesstark]

[seedsofwinter]

Danny Motta's good omens final 15 face journey is so relatable. 😭

[crowleysgirl56]

One thing I haven’t really touched on is the final fifteen because there is honestly so much going on here and so many different theories that I feel if I tried to discuss any of my own thoughts I’m afraid I’m just going to get it all wrong.

But one thing that has struck me recently as I keep thinking over certain things is specifically the look in Aziraphale’s eyes when Crowley starts kissing him.

Let’s think about what types of romantics the Ineffables are:

Aziraphale: he’s a traditional romantic. He gets his point of reference from books. The classics basically. He throws a ball with the intention to get Maggie and Nina together but it comes from the Jane Austin trope of “people can discuss how they’ve misunderstood each other and come to realise they’re made for each other”.

Crowley: he’s a modern romantic. He gets his reference from cheesy Rom-com movies. Grand gestures, one fabulous kiss in a sudden rain storm, run to the airport last ditch attempt to declare you love before they leave, one final last minute desperate plea to keep them by your side.

At first glance Aziraphale’s look in the above gif suggests confusion. Painful confusion. I’ve seen some people interpret this as Aziraphale doesn’t want to be kissed or never wanted to kiss Crowley. I disagree, you can’t tell me that this is the face of a man who isn’t thinking about kissing Crowley every damn second of this season:

The man has been thinking of kissing Crowley every damn second for 6000 years. And I think that’s kind of the point. He’s been thinking of his version of how their first kiss would go. The hopeless traditional romantic. A lovely ball, a confession of love, a walk in a park, a dinner date at the Ritz, soft kiss under the moonlight, that sort of thing. And I honestly think Crowley would have loved that too. But bigger. Grand gesture after all. Fireworks, grand parade, dash to the airport, sudden rainstorm, music swells. But instead, Crowley was left with a last minute desperate plea. And I think Aziraphale knows it.

The pain and confusion in Aziraphale’s eyes is not because he thinks that one first magnificent kiss he’s been dreaming of them sharing has been “ruined” or “stolen” from his ideal way. He’s in pain because he realises exactly what it is Crowley’s doing, why he’s doing it, and he’s devastated that it came to this. That’s why he kisses back. Because he needs to let them both feel it, even for a second.

All this to say, it’s been 15 months and I still can’t stop thinking about it. Though to be fair, I’m guessing neither can they.

[beebopboom]

does it ever just randomly hit you how hard they are clutching each other during the kiss

for beings that hardly ever really touch each other, though it has been getting more frequent, who are known for their longing gazes and soft, brief touches. Yet here they are hanging on for dear life, desperate to get every inch closer to each other.

and the slight hesitance from Aziraphale makes it so much more powerful, the surprise and also knowing this shouldn’t be happening but he can’t help clutch on to Crowley, finally, while it last.

…..imma go lay on the floor for a bit, it’s been over a year people

[ineffablehubbys]

I’m still not sure how I managed to draw this. Think I must have blacked out

[dalliancekay]

Somebody threatens Crowley

What does the angel do?

He thinks fast and saves him.

What did he do this time? What is he hiding? What did he decide to do? What's his plan? He's smart and quick enough that nobody has noticed, we know that. Nobody had any idea he swapped the photo.

They've made him very angry.

And you know

I think Crowley has an inkling on what his angel is capable of.

[rat-a-toot]

the sadness in Aziraphale's eyes when Crowley puts his glasses back on AND the small smile at the end when Crowley finally looks back up at him in hopes that he would follow him up to heaven

[tardxsblues]

key to a successful marriage: always support your partner's dreams even if they are rubbish

[beerok23]

I'm so sorry for this...😅😅😅

[glassiskies]

he sad :(

[justaweirdonothingtoseehere]

”There are only two reasons you leave someone you’re still in love with - either it’s the right thing to do, or it’s the only thing to do.” -Tiffany Riesz