#filmes do tejo

[miracles-and-butterflies]

if no one asked yet can u do agustin headcanons?

Nobody’s asked for any of the characters yet, besides Julieta and I’d love to do more! So here’s Agustín:

Agustín’s parents were born in Bogotá, Colombia

His parents are called Sancho and Juana

His father taught him to play the piano, he gets most of his musicality from Sancho

He is a master at chess and tejo

He has studied many languages

He is fluent in English, Spanish, Italian, Portuguese, Greek, Latin and Hebrew

He is a carpenter

He and Pepa became close friends as they were both outcasts

There was never romantic feelings between them, although they did promise if neither were married by 50, they’d marry each other

He met Julieta through Pepa at a party as he needed to be healed after falling off a roof

Osvaldo Ortiz wasn’t a big fan of his

His relationship with Alma was always strained and he knew she only tolerated him because Julieta liked him

Whilst dating Julieta, he met Félix and the two became quick friends, to the annoyance of Pepa

Agustín, Bruno and Félix were the ultimate trio

He loves birdwatching

He is also friends with Señora Pezmuerto, the fish lady (they were neighbours)

He has always been very fashionable

He and Félix practised his proposal song for six weeks - Agustín also kept pushing the date back from his nerves

They were married in May, 1925 (film takes place in May, 1950, for comparison)

Agustín wrote his vows purely for Julieta full of cooking references and bad puns

They had a private ceremony with only a couple of close friends and their families in attendance

They always knew they were going to have three children

Isabela was Agustín’s choice

He frequently took baby Isabela on nature walks - they would both come back with bee stings

He and young Isabela frequently got themselves injured and in trouble with Julieta

He freaked out a lot with how late Luisa was

By the time November rolled around, he thought the baby was dead and had lost hope

He cried for hours when Luisa was born

Baby Luisa was very clingy and screamed if someone left her alone for even a second, she particularly latched onto Agustín

He proudly showed Luisa off to everyone and anyone when she started talking - her first word being “Papa”

Very much Alexander Hamilton with Philip

There was a lot of pressure for Julieta to deliver a son, as she had promised to name it Pedro, and it only got worse after each girl. So by the time the third pregnancy hit, everyone assumed it would be a boy, following Alma

Agustín and Julieta experienced postpartum depression with Mirabel, as it was a disappointment and everyone seemed to distance themselves from her

Agustín taught Mirabel to walk by throwing books off the shelf, which she would retrieve and put back as she didn’t like mess

He realised Mirabel needed glasses at Camilo’s ceremony, when she couldn’t see him shapeshifting

He is concerned for his girls’ health, but finds it funny that Isabela and Luisa are as clumsy as him

He taught Dolores piano prior her gift ceremony

Camilo is his favourite of Pepa’s children

He taught Mirabel piano when she was toddler

Isabela and Luisa always go to him for advice first

They also will admit to him if they’ve done something bad and he helps them hide the evidence from others

He has anisometropia (myopia in one eye and hyperopia in the other) - Mirabel has myopia in both eyes

He tried to teach his daughters languages, but none of them were overly interested, besides Luisa, who knows most of the languages he does

He leaves short, individual handwritten notes for Julieta and his daughters every so often

He cries for hours when Isabela starts wearing suits after the film

Agustín and Julieta get caught kissing, frequently

The older Mirabel gets the more he mistakes her for her mother, especially if she isn’t wearing her glasses

He can’t wait to walk his girls down the aisle

[ncisladaily]

@danielaruah - 3, 2, 1…. ação! 🎬 Vem aí a primeira edição europeia de um dos maiores festivais de cultura pop e entretenimento do mundo! Liderado por Robert De Niro e Jane Rosenthal, o @tribeca Festival entra na Europa através do rio Tejo e aterra em Lisboa para dois dias inesquecíveis em que atores portugueses e grandes estrelas de Hollywood sobem a palco para conversas exclusivas e inspiradoras. Vamos celebrar os filmes, as séries, a música e os podcasts. A SIC e a OPTO apresentam, em parceria com a @camara_municipal_lisboa , o Tribeca Festival Lisboa, a 18 e 19 de outubro no @beatoinnovationdistrict Bilhetes à venda em breve. Ah, e já agora: reconhecem a voz deste vídeo? Digam olá à @danielaruah 👀 #TribecaLisboa

[1weltreisender]

Tipps für eine Lissabon-Reise mit Kindern

Als familienfreundliches Ziel für eine Städtereise mit Kindern präsentiert sich Lissabon. Die Flugzeiten halten sich in Grenzen, gut ausgebaute öffentliche Verkehrsmittel, schöne Strände, viel Grün, kindgerechte Führungen in Museen oder Mitmach-Ausstellungen sowie zahlreiche Attraktionen für Groß und Klein gleichermaßen, sprechen für einen Trip in die Tejo-Metropole. Ozeanarium, Zoo oder das Lisboa Story Centre sprechen die gesamte Familie an.

Haie aus nächster Nähe: Oceanário im Parque nas Nações 

Die Unterwasserwelt im Oceanário im Parque nas Nações, einem der größten Meeresaquarien der Welt, beherbergt rund 16.000 Meeresbewohner. Durch eine Glasscheibe, die sich über zwei Stockwerke, eröffnet sich den Besuchern im großen Hauptaquarium, gefüllt mit fünf Millionen Litern Salzwasser, eine wunderbare Welt. Zum Greifen nahe ziehen hier unter anderem Haie, Rochen, ganze Makrelenschwärme und ein Mondfisch vorbei. Der Eintritt kostet 19 Euro pro Person, für Kinder von drei bis zwölf Jahren 13 Euro. https://www.oceanario.pt/en

2.200 Tiere im Lissaboner Zoo 

Wer noch mehr Tiere sehen will, der sollte den Lissabonner Zoo besuchen – vor allem mit Kindern ist dies eine schöne Sehenswürdigkeit, um einen Tag abseits des Trubels Stadt zu verbringen. Geparden, Tiger, Seelöwen, Affen und Koalas: Im mehr als 100 Jahre alten Zoo leben rund 2.200 Tiere und weit über 330 verschiedene Tierarten. Eine Seilbahn mit offenen Kabinen verläuft über das Areal und bietet interessante Perspektiven und Blicke auf die tierischen Bewohner. Der Eintritt kostet 25,18 Euro pro Person, Kinder von drei bis zwölf Jahre zahlen 15,68 Euro. https://www.zoo.pt/en/.

Zoologischer Park in Lissabon / ©ATL

Quer durch Lissabons Geschichte im Lisboa Story Centre 

In der interaktiven Ausstellung begeben sich Besucher auf eine virtuelle Reise in die Vergangenheit Lissabons – von der Entstehung bis zur Gegenwart. Auf 2.200 Quadratmetern erfahren Besucher mittels einer multimedialen Ausstellung in rund einer Stunde alles Wissenswerte über die Stadt von ihrer Entstehung bis zur Gegenwart. Die Ausstellung ist in sechs Bereiche unterteilt. Kernstück des Lisboa Story Centre: Groß und Klein können das Erdbeben von 1755 „erleben“. Außerdem erfahren sie anhand eines Modells, wie die Stadt vor dem großen Erdstoß ausgehen hat. In einem eigenen Bereich informiert die Ausstellung über den Wiederaufbau Lissabons nach den Plänen des damaligen Premierministers und Stadtplaners Marquês de Pombal. Besuchern steht ein Audioguide in neun verschiedenen Sprachen zur Verfügung – auch auf Deutsch. Eine kindgerechte Audioführung ist ebenfalls erhältlich. Das Lisboa Story Centre liegt an dem Platz „Praça do Comércio“ im Zentrum der Stadt und ist täglich von 10 bis 20 Uhr geöffnet. Der Eintritt kostet 6,50 Euro pro Person, für Kinder von sechs bis 15 Jahren drei Euro. www.lisboastorycentre.pt

Zentrum für Mythen und Legenden in Sintra

Mystik, Geheimnisse und Romantik sind hingegen der Hauptbestandteil des Centro Interpretativo Mitos e Lendas von Sintra. Hier geht es um die verdeckte Geschichte des Ortes. Die Route, die durch das Museum führt, besteht aus 17 Bereichen und nimmt die Besucher mit auf eine Reise durch Geschichte, Musik und Literatur. Dabei kommen bei der Präsentation Szenografie und Multimedia-Techniken wie Hologramme, audiovisuelle Effekte und 3D-Filme gleichermaßen zum Einsatz. www.visitlisboa.com/de/setzt/interpretives-zentrum-mythen-und-legenden.  

Abenteuer im Adventure Park 

Beim Canopy geht es darum, Hindernisse, die sich zwischen Baumkronen befinden zu überwinden. Dies können hängende Brücken, Seile, Netze oder Tunnel sein, wobei am Ende eines Parcours immer eine Rutsche steht. Im Adventure Park klettern Besucher vor den Toren Lissabons mitten in einem dichten Wald auf bis zu zwölf Meter hohen Bäumen – sicherlich ein spannendes Abenteuer für die ganze Familie. www.visitlisboa.com/de/setzt/adventure-park

Jede Menge Wissen im Pavilhão do Conhecimento 

Im Pavillion des Wissens gibt es Wissenschaft zum Anfassen. Bei dem interaktiven Museum dürfen sich Groß und Klein auf allerlei Experimente freuen, die nicht nur unterhaltsam sind, sondern auch gleichsam lehrreich. Mit mehr als 300 interaktiven Modulen erhalten die Kinder spielerischen Zugang zu einer Vielzahl unterschiedlicher Wissensgebiete. Sie lernen hier die Welt der Physik durch eine Reihe von Versuchen kennen. Oder sie tauchen beispielsweise in der Ausstellung „Fishanário“ in die Tiefe des Meeres ein und lernen die Bewohner des Ozeans kennen. Diese riesige Meereswelt zu kennen, zu respektieren und zu schützen, ist für die Zukunft der Menschheit unerlässlich. Der Eintritt kostet zehn Euro pro Person. Kinder von drei bis elf Jahren zahlen sieben Euro, von zwölf bis 17 Jahren acht Euro. www.pavconhecimento.pt/en/ Titelfoto / Oceanário de Lisboa / ©ATL

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[considerandos]

Desabafo

.

Hoje aprendi que a sociabilidade é não só o caminho para a felicidade como também para a longevidade, porque aumenta as defesas e preserva o equilíbrio biológico do corpo.

Aparentemente a solidão mata e o isolamento atrai depressão e toda uma panóplia de doenças, quer físicas quer psicológicas. Houve até quem o quantificasse peremptório: o isolamento tem um efeito na saúde equivalente ao consumo de quinze cigarros por dia.

Ora considerando que durante toda a minha vida fui solitário e que durante trinta anos dessa mesma vida fumei, de facto, cerca de quinze cigarros por dia, chego agora à conclusão que, entre os quinze e os quarenta e cinco anos fumei efectivamente um maço e meio de tabaco por dia e desde então, apesar de ter deixado de fumar, continuo a consumir cerca de quinze cigarros diários, os quais, embora tenham a vantagem de serem gratuitos, não deixam de reduzir substancialmente a minha esperança de vida.

A solução, de acordo com a maioria dos psicólogos, é simples, basta sair, conviver, inscrever-me num grupo coral, num partido político não extremista, num grupo excursionista, dedicar-me ao voluntariado, embora não sugiram concretamente em qual. Enfim, conviver com outras pessoas.

Mas quem nasce solitário e sobrevive solitário até aos 54 anos de idade, tem alguma dificuldade em vencer o isolamento inscrevendo-se num grupo coral ou nos alunos de Apolo, convenhamos.

Sou solitário é certo, não gosto de grupos, nem de conversa fiada, nem de má língua, nem de futebol, nem de política. Na verdade não gosto muito de pessoas, as que não são chatas são pretensiosas e não tenho pachorra nem para umas nem para outras. Mas isso nunca me impediu de ter uma vida social. Estudei, trabalho (sozinho e por conta própria é certo, mas trabalho), casei, tenho filhos e por muito apático e deprimido que seja, ainda não me atirei da ponte sobre o Tejo.

Nunca tive muitos amigos, é verdade, tive poucos e sempre geri as amizades com parcimónia, precisamente para não me enjoarem. Reconheço que sempre investi pouco nas amizades. Se dependessem só de mim acabariam depressa, mas havendo quem me desafie para um programa, eu frequentemente aceito, desde que o aprecie, naturalmente. Mas não posso dizer que tenha grande intimidade com as pessoas, nem quero. Grande intimidade acho que só tive com a minha mulher durante algum tempo, mas até essa já passou à história. Ela convive com as amigas e eu leio e escrevo e oiço música e vejo filmes e trabalho. Vamo-nos cruzando cá por casa, fazendo umas refeições juntos onde quase nunca há nada de novo para contar, por isso a intimidade é pouca. Não conheço a maioria das amigas dela e pouco lhe mostro do que leio, vejo, oiço e escrevo. Nem ela tem paciência para os meus sarcasmos nem eu para as suas séries da Netflix.

E então? O que podemos fazer? Obrigar-nos a uma intimidade forçada? Isso faria alguém mais feliz? Seguir cada um o seu caminho? Mas não é já isso que acontece agora? Haverá alguma vantagem em gastar dinheiro em divórcios, partilhas, rendas de casa e o diabo a sete? Acho que a maturidade nos deu a capacidade de agir com ponderação. Antes assim que pior.

E quanto ao convívio há que viver um dia de cada vez. Do nada podem surgir amizades inesperadas com quem se partilhem verdadeiramente interesses. Porque amizades de café ou de banco de jardim, sinceramente dispenso. Não me iriam trazer felicidade nenhuma, seguramente. E não tenho jeito para cantar, nem vocação para escuteiro.

E se entretanto me der uma coisinha má paciência! Ninguém fica cá para sempre e eu não faço questão nenhuma em dar trabalho a ninguém! Nem de andar a ouvir conversa de doentes pelos corredores e enfermarias dos centros de saúde e dos hospitais.

Desculpem-me a honestidade, mas sempre ouvi dizer que antes só que mal acompanhado. E eu concordo plenamente.

[nuka-cola-blood-of-christ]

Fallout: New Vegas

-The Latest Cool and Hip™ reboot movie from Bethesda

John McWhiteman was just an average joe working his 9-to-5 in Vegas. Stuck as a small time accountant working for the biggest casino on the strip, he dreams of making it big, when his world is turned upside down! When he’s struck by lightning on the roof, he’s suddenly transported to a wacky post apocalyptic wasteland version of the city of sin, where only the strong survive, as John quickly finds out. When he’s comically robbed at gunpoint for his favorite souvenir silver poker chip, hapless fish-out-of-water John accidentally gets caught up in a plot between the biggest gangs in the wasteland to take over the city. With a wacky, ragtag group of companions, John will encounter Boobs, guns, and just maybe… the true meaning of friendship

STARRING:

-James Mardsen as John McWhiteman

-Justin Beiber as Arcade

-John Cena as Boone

-Danny Trejo as Raul

-Matthew Perry as Benny

Mellisa McCarthy as Veronica

-Tilda Swinton as Cass The Movie:

-Constantly breaks the fourth wall and references pop culture

-it simultaneously makes inappropriate jokes as if it was aimed at adults, but it’s so stupid and juvenile that it’s also trying to appeal to kids. It constantly censors itself because they want a PG-13 rating. No one is allowed to say fuck (not even once)

-Tilde Swinton gets cast as Cass. She spends 7 months living in the Mojave desert as a ranch hand preparing for the role. She gets 5 lines in the movie and doesn’t even appear on the poster.

-There’s several poop and/or fart jokes 

-There’s a John Cena joke that has aged like milk

-Bud Light product placement

-Benny dabs

-Veronica says “ok Boomer” to Elder MacNarama

-Forced Horse Armor Joke

-An arrow to the knee joke also

-Somebody says ”It just works” when they’re talking about the Platinum chip plan

-During the tent scene Caesar says that he “cancelled” Joshua Graham

-Rex is renamed Dogmeat for no reason, also is horribly CGI’d. There are hours of embarrassing footage of a man in a morph suit acting as dogmeat in the behind the scene special features, and they attempt to pass this off as a marvelous feat of special effects 

-There’s a Todd Howard Cameo that’s incredibly unsubtle. 

-Lily is in it for 5 seconds and she’s dumb like an east coast mutant

-13 minute Benny sex scene

-In one scene Vulpes Inculta is forced to do the whip and nae nae when he’s trying to blend in in the Tops casino and he cries

-When they introduce Caesar there’s a joke about him doing aerobics in his underwear and drinking wasteland-approximate starbucks-ish drinks before he makes public appearances. We get a gratuitous ass shot for the joke while Big Booty Bitches by TSpoon DJ Squad plays over it, and it permanently haunts your mind for the rest of the film

-Danny Tejo and Matthew Perry reprise their roles, they look like they’d rather be anywhere else

-Just when you think the movie is finally about to be over, The movie ends with a dance party where Vulpes shows up again and leads the cast in what’s arguably the worst, low energy rendition of “what does the fox say” ever made. It clashes with the rest of the film tonally despite everything else in it, and the cast look like they all want to die.

[turdbrown]

A chuva

Um dia sem novidades. Enfiei a mordaça. Caminhei até ao Tejo a passo estugado com ar de grandes propósitos. O Terreiro do Paço andava às moscas. Avancei pela Ribeira das Naus. Chutei com a biqueira a arte urbana entre o muro e o rio. Esculturas efémeras. Seixos uns por cima dos outros em equilíbrios improváveis. Meti alguns nos bolsos do casaco cinzento. Reparei num cagalhão constelado de milho. Concluí que as moscas estavam mais interessadas no Terreiro o’ Paço. Avancei para a água. Escorracei uma gaivota que me queria roubar o bigode. A água cheirava mal. Saí. Voltei. Pus musiquinha. Mahler de Morte em Veneza. Beijoquei o retrato de meu ídolo e mestre Rudy Giuliani. Pintei o cabelo de verde uma trabalheira. Liguei a televisão. Tentei ver um filme artsy-fartsy sobre um velhadas de semblante carregado a caminhar na margem de um rio setentrional. Era careca. Esta cor não me fica bem. Amanhã vou roubar um frasco de petróleo Olex.

[kuaintrelle]

Mal à la tête

The writer: "And why are the women traveling in a truck? Symbolically, does this mean that women are seen as cattle or objects that can be trucked around?"

Mon reaction: symbolizing the women as cattle? It was insane, maybe you're never do some research to a small city or the rural and see what a mass transportation they used to get their access to go somewhere. Oops.. Ofc you used the car, the plane or the train in your comfort life. Enjoy it, privileges!

The writer: "What nobody seems to mention also is the fact that all the women are wearing the hijab, the Islamic headdress. If this film were made 20 years ago, this would not have been the case. There is a common consensus that Muslim attire is the indication of a good woman. How shallow, naïve and wrong is that? Bu Tejo is a case in point, but there are many other real women, who engage in corruption and other illegal acts, while wearing the hijab. "

Mon reaction: you need to know all women wearing hijab has the different idealism, principal, culture, the necessity, and oh need to remind you this one; also their heart indeed. You can't generalizing all hijabers are the same. It's like you thought that all human has the same things in and out. Take your common sense, please.

[stop-sells]

[likesofcrespo]

Domingo junto ao Tejo❣️ 😉 · · · #MPMMCF #RioTejo #Santarem #Portugal #Video #Filmar #Shoot #Canon750D #SamsungS10Plus #Luz #light #videos #videooftheday #VideoDoDia #Filmando #filming #instavideo #VideoMaker #videoshoot #Fauna #wonderlustportugal (em Margem Do Rio Tejo) https://www.instagram.com/p/B7Wn19zAmVfPIajdSuteWY4kC-EpKOJMhNgS-g0/?igshid=85dxmp4m8qq0

[pt-tiagosantos]

Maria João Mayer ensina metodologias de distribuiç��o

Devido a moti­vos de saúde a orga­ni­za­ção do curso de cinema ​‘Cine­ma­lo­gia’ adiou a rea­li­za­ção do módulo de Dis­tri­bui­ção de Cinema. A repo­si­ção desta for­ma­ção ocor­rerá a 31 de maio, das 9h30 às 18h30 no Depar­ta­mento de Enge­nha­ria Infor­má­tica da Uni­ver­si­dade de Coim­bra.

O pro­grama pre­visto está dis­po­ní­vel em www​.cami​nhos​.info/​d​i​s​t​r​i​b​uicao, bem como será ainda pos­sí­vel a ins­cri­ção nesta acção de for­ma­ção.

[jobamakes]

[Project Story] Sultan T

What is it? 1m30sec Music Video Clip When: 2022 Where:  Lisbon Roll: Director / Co-Producer / Post-Production Director What I Did: Went to Lisbon visit some friends ended up falling in love with the city and showcasing it on a music video clip for a producer friend. With: Cam Roda, Thomé Fioravanti, Madhu Chanda

Here I am, back to Belgium at my family’s house. It’s march and snow is falling. As I finish editing Shun’s Odyssey, nostalgia starts to rise. Thibaut was still in Vietnam, doing a lot of things and sending them over for editing. But everytime I opened those fresh Vietnamese rushes, a cold flash would rise on my spine and hit my brain with a question “Why did I leave?” Anyways, I had to keep active and move on. The idea was to finish Shun and go back to Brasil, but as I started sending messages to my foes back there, everybody was either trying to get away from it or already leaving abroad.

So I decided to take my chances and visit all of those friends around Europe. First stop was Amsterdam, at Pedro Sugiura’s, aka Meraki, house. He had just moved. Pedro is a music producer and he already had collaborated with Phoq FM before, recording a chilled DJ set. He has a wonderful soul and everytime I visit him, his energy and Amsterdam’s combined generate weird and delightful experiences.

Second stop was Lisbon, where a lot of friends moved, including my former roomate André Ribeiro, one of my dearest friends, and Thomas Bicudo, another dear friend from Brasil, which I wrote a whole article about once [in portuguese tough =/]

Back in Brasil, me and Thomas went to a Lollapalooza festival together, at the apex of Brasil’s last cultural explosion (right before that Bolsonaro thing happened and got the whole country back to a medieval scenario), and he brought Thomé with him. That was the only time I met Thomé in Brasil. Since, Vietnam and a lot of other thins happened, and I have to admit I had kind of forgotten him.

Anyways, in Lisbon I stayed at André’s and quick went visiting Thomas. He had just moved as well and was sharing a really cool apartment with Thomé.

The energy of their kitchen was so nice (haha I’m not kiding) that I started hanging weekly with them. Some joints and laughs later, Thomé told me about his music production project, Sultan T. Then he presented to me Cam Roda, a funny tall guy from the U.S.A. that had a drone and made travel vlogs, and Madhu, a dancer and tea lover from Ukraine that was crashing at Thomas/Thomé’s place. 

The kitchen haha Thomé, Thomas and me.

We decided to team up and film a video clip for one of Thomé’s freshly produced tracks. 

At that time, I was already in love with Lisbon. The ceramics, the Tejo, the chilled lifestyle, the beach nearby... Such a big change from the cold Brussels. And to be surrounded by Brazilians brought back that warm latino feeling that I miss so much. I was closer to home.

We didn’t have a DSLR camera, only iPhones, but Cam had a 4k Drone, so we decided to produce a fast paced clip with mostly drone clips, and let the iPhone lesser quality for the texture and slowmo shots.

Even if the production was small, it was so refreshing to be back on a set vibe, facing all the troubles and surprises of filming, and the pressure of editing (we sent the Video Clip to a local competition, so we had a deadline).

Soon after we finished it, I had to head to Barcelona for another Brazilian friend meet up. But I will forever cherrish those moments in Thomas/Thomé’s kitchen, the laughs, and the improvised tattoo Thomé did on me.

Obrigado Lisboa !

Me, Thomé and Cam on my last night in Lisbon.

Last tattoo.

Creative meeting under fresh lime tree.

Madhu getting ready to dance in the middle of a ghost classical pool

[1weltreisender]

Portugal im Herbst: Achtung Sonnenalarm

Kurztrip nach Portugal: Lissabon und Alentejo im Herbst entdecken Inhalt:Warmes Wetter (fast) garantiert Bad im Atlantik im Herbst Fotostrecke Strand Praia dos Gémeos in Carcavelos Lissabon - Stadt des Lichts Historische Straßenlaternen in Lissabon Ein britischer Militärführer in Lissabon Parque das Nações Fotostrecke Parque das Nações Auch interessant Ein Blick aus meinem Fenster in Berlin im vergangenen Oktober zeigt mir, dass der Herbst in vollem Gange ist sich zu entfalten: trübes Wetter, kein Sonnenstrahl, die Blätter färben sich und geben sich der Schwerkraft hin. Ich gebe zu, letzteres mit den Farben hat auch seinen Reiz. Aber ich sehne mich nach Sommer und Wärme.

Warmes Wetter (fast) garantiert

Wo gibt es das in Europa im Oktober? Zum Beispiel in Portugal. Garantiert ist gutes Wetter nicht, aber doch sehr wahrscheinlich. Also auf nach Portugal. Vom Flughafen Berlin-Brandenburg  fliegen derzeit die Airlines easyJet, Ryanair und TAP Air Portugal direkt nach Lissabon, Flugzeit rund 3,5 Stunden.

Lissabon: Kaum zu glauben - es ist Mitte Oktober / Foto: Ingo Paszkowsky Während der easyJet-Flieger in Schönefeld vom BER, Terminal 1, zu einer angenehmen Reisezeit um 11:30 Uhr abhebt, ist die Startzeit des Rückflugs dagegen die Härte. Denn bereits um 6:15 Uhr startet EJU7651. Das bedeutet, wer mit Aufgabegepäck reist, muss um 4:15 Uhr am Flughafen sein. In Lissabon ist Terminal 2 das Abflugterminal für Billigflieger. Formal kommen wir mit unserem Flug auch dort an, die Gepäckausgabe ist aber im Terminal 1. Wir werden von unserer Maschine mit Bussen also direkt zum Terminal 1 gefahren, das größer, komfortabler und ansehnlicher ist. Am Ausgabeband wird die Zeit angezeigt, wann das Gepäck voraussichtlich auf dem Laufband erscheint. Fast auf die Minute genau läuft das Laufband mit den Koffern unseres Fluges an. Gut organisiert ist der Taxistand am Terminal 1. Es gibt genug Taxis, immer vier Taxis fahren gleichzeitig vor, ein Einweiser sorgt zudem dafür, dass es keine Drängeleien gibt. Und so ist die Riesenschlange innerhalb weniger Minuten abgebaut. Die Abfahrt vom Flughafen mit dem Taxi ist teurer als die umgekehrte Strecke zurück, aber für Berliner Verhältnisse vergleichsweise trotzdem preiswert. Warum für die Strecke vom Flughafen mehr zahlen muss? Weiß ich auch nicht. Ich könnte mir vorstellen, dass die Taxiunternehmen für den Start am Flughafen eine Gebühr entrichten müssen.

Bad im Atlantik im Herbst

Lissabon erstrahlt im Sonnenschein, Mitte Oktober laufen die Leute im T-Shirt durch die warme Stadt. Der Strand Praia dos Gémeos in Carcavelos in unmittelbarer Nähe Lissabons ist gut besucht. Leute baden. Ich war leider nicht mal mit den Füßen drin, um die Temperatur zu erkunden. Irgendwie vergessen. Sorry. Oder auf Portugiesisch: Lamento muito. (Laut leo.org). Gegen Abend kommen immer mehr Surfer. Viele deutsche Stimmen sind zu hören. Studenten der nahegelegenen Nova School of Business & Economics. Vom Hörsaal direkt an den Strand, einfach toll. Fotostrecke Strand Praia dos Gémeos in Carcavelos

Einfach aufs das Foto oder hier klicken, dann kommst Du zur Fotostrecke über den Strand Praia dos Gémeos in der Nähe von Lissabon.

Lissabon - Stadt des Lichts

Selbst wer nicht romantisch angehaucht ist, wird es entdecken, dieses besondere Licht, auch als goldenes Licht bezeichnet. Werbeagenturen aller Welt lieben dieses Licht für ihre Video- und Fotoaufnahmen (halbstündiger Film auf 3sat über Lissabon) - weiches, nicht so hartes Licht. Nicht nur bei den Werbe- und Produktionsfirmen ist Lissabon beliebt, sondern vor allen Dingen bei Touristen, die den Flair und das Ursprüngliche lieben. Dabei kehrten früher viele Einwohner der Stadt am Tejo den Rücken. Wohnten in der Metropole 1980 noch 800.000 Einwohner, waren es 2017 lediglich noch 500.000. Grund für den massiven Einwohnerrückgang waren strukturelle Probleme wie die marode Bausubstanz und der überbordende Straßenverkehr. Seitdem wurde viel saniert und zahlreiche Neubauten errichtet. Mittlerweile soll die Einwohnerzahl wieder 600.000 betragen. Im gesamten Distrikt Lissabon leben knapp drei Millionen Menschen.

Die Mitfahrt in den historischen Straßenbahnen ist bei Touristen äußerst begehrt / Foto: Ingo Paszkowsky Die Stadt selbst wird internationaler. Immer Ausländer ziehen in die schöne Stadt am Tejo mit ihrem kunstvollen Pflaster, ihren beeindruckenden Fliesen und der überall im Stadtbild zu bewundernden Street-Art. In Campo de Ourique, einem sehr ursprünglichen Bezirk, sind die  Veränderungen deswegen gerade gut zu sehen. Straße um Straße werden die Gebäude saniert. Neue Cafés und Restaurants wie das Amelia werden eröffnet. Vor einigen Jahren wurde die alte, zentrale Markthalle, Mercado de Campo de Ourique, in einen Erlebnisbereich Essen umgebaut. Markstände gibt es immer noch, aber auch viele Gelegenheiten preiswert zu essen oder etwas zu trinken.

Neue Cafés und Restaurants wie das Amelia eröffneten in Lissabon Traditionsbezirk Campo de Ourique / Foto: Ingo Paszkowsky Mercado de Campo de Ourique, R. Coelho da Rocha 104, 1350-075 Lissabon, Öffnungszeiten: Montag und Dienstag von 7 bis 23 Uhr, Mittwoch, Donnerstag und Sonntag von 10 bis 24 Uhr, Freitag und Samstag von 7 bis 1 Uhr Facebook https://www.facebook.com/mercadodecampodeourique

Warten auf Kunden. Fischstand im Mercado de Campo de Ourique / Foto: Ingo Paszkowsky

Vor einigen Jahren wurde die alte, zentrale Markthalle, Mercado de Campo de Ourique, in einen Erlebnisbereich Essen umgebaut. / Foto: Ingo Paszkowsky Anfahrt: Vom Zentrum nimmt man die Straßenbahn 28, bleibt bis zur Endhaltestelle Campo de Ourique sitzen und muss noch einige Schritte laufen. Von der Endhaltestelle gesehen befindet sich Markt hinter der Kirche Igreja do Santo Condestável. Übrigens befindet sich an der Straßenbahnhaltestelle eine andere berühmte Sehenswürdigkeit, der Cemitério das Prazeres, der Friedhof der Vergnügen.

Der Friedhof erscheint wie eine kleine Stadt. Foto: Ingo Paszkowsky Geheimtipp: Vitor Vac, Inhaber des traditionellen kleinen Restaurants Segredos de Goa in Campo de Ourique, reagiert auf die veränderten Essgewohnheiten durch die internationalen Gäste, indem er zusätzlich zu seinen traditionellen Gerichten der Küche aus Goa und Mosambik, auch eine Vielzahl veganer Gerichte anbietet. Im Segredos de Goa werden keine Fertigprodukte verwendet, alles werde selbst zubereitet.  Und es schmeckt.

Vitor Vac, Inhaber des traditionellen kleinen Restaurants Segredos de Goa in Campo de Ourique, bietet neben traditionellen auch vergane Gerichte an. / Foto: ingo Paszkowsky

Historische Straßenlaternen in Lissabon

Lissabon ist für sein besonderes, ja einmaliges (Tages-) Licht bekannt. Aber auch das Licht der Straßenlaternen ist eine Besonderheit. Die alten, an Wänden befestigten Laternen aus Metall und die modernen Straßenlampen in Säulenform erzählen die Geschichte der öffentlichen Beleuchtung der Stadt.

Historische Straßenbahn und historische Beleuchtung: Lissabon ist für sein besonderes und einmaliges (Tages-) Licht bekannt. Aber auch das Licht der Straßenlaternen ist eine Besonderheit. / Foto: Ingo Paszkowsky Die von Königin Maria (1734 bis 1816) installierten Olivenöl-Lampen wurden durch Gaslaternen und ab 1878 durch die ersten elektrischen Lampen ersetzt. Nach und nach hielten schmiedeeiserne Laternen - Vertreter der Romantik und der Moderne - Einzug. Oft sind sie mit dem Symbol für Lissabon verziert: einer Karavelle mit zwei Raben. Man findet sie in den historischen Stadtvierteln.

Ein britischer Militärführer in Lissabon

Abends wartete ich auf einem kleinen Platz in Campo de Ourique auf eine Freundin. Während des Wartens bin ich auf eine Büste mit einem Abbild vom Duque de Wellington aufmerksam geworden. Mit stellte sich die Frage, warum wird hier ein Brite gewürdigt? Arthur Wellesley, 1. Duke of Wellington, war Feldmarschall und laut Wikipedia der hervorragendste britische Militärführer der napoleonischen Zeit. Truppen, die er gemeinsam mit seinem preußischen Kollegen Feldmarschall Blücher befehligte, besiegten Napoleon in der Schlacht bei Waterloo. Wellesley war außerdem britischer Außen- und Premierminister.  Aber vermutlich nicht nur wegen dieser Verdienste wird Wellesley dort geehrt.

Büste von Arthur Wellesley in Campo de Ourique / Foto: Ingo Paszkowsky Das kleine Portugal musste sich seit Bestehen gegen seinen größeren iberischen Nachbar Spanien wehren, aber auch die Franzosen hatten es auf das schöne Land abgesehen, sogar im Verbund mit Spanien. Den Eroberungszügen Frankreichs schob Wellesley im August 1808 mit seinen Truppen einen Riegel vor. Er besiegte die französischen Truppen in der Schlacht bei Vimeiro. Allerdings handelten seine Vorgesetzten mit den Franzosen einen unvorteilhaften Vertrag über das Ende des Kampfhandlungen aus. Dafür landeten die drei vor einem Militärgericht in Großbritannien. Wellesley wurde im Gegensatz zu seinen beiden Chefs entlastet. So konnte er auch den zweiten Versuch der Franzosen, Portugal im Frühjahr 1809 zu erobern, abwehren.  Mit der verlorenen Schlacht bei Talavera Ende Juli 1809 mussten die Franzosen ihre Portugal-Ambitionen endgültig aufgeben.

Parque das Nações

Der Parque das Nações (Park der Nationen) umfasst das ehemalige EXPO-Gelände, das am Fluss Tejo entlang liegt. Die Gegend wird ständig weiterentwickelt. Es entstehen mehr Grünanlagen, aber auch gelungene, nachhaltige Neubauten mit Büroflächen und  Wohnungen.  In den ehemaligen Expo-Hallen sind auch viele Restaurants mit portugiesischer und internationaler Küche untergebracht. Das Gelände lässt sich gut zu Fuß und mit dem Rad erkunden. Fotostrecke Parque das Nações

Hier gelangst Du zur Fotostrecke Parque das Nações (Park der Nationen) oder klick einfach auf das Foto / Foto: Ingo Paszkowsky Ein Teil des Parks lässt sich über eine Länge von 1.230 Metern mit einer Gondel überqueren. Telecabine Lisboa heißt die Gondelbahn vom Parque das Nações. Unweit der Station Norte der Seilbahn befindet sich der Vasco-da-Gama-Turm, ein 145 Meter hoher Aussichtsturm, der 1998 für die Weltausstellung Expo 98 errichtet wurde. Seit Ende 2012 ist in einem zusätzlichen "Anbau" das Hotel Myriad der Sana Hotels-Gruppe untergebracht, mit Zimmern mit grandioser Aussicht. Zu den bekanntesten Bauwerken im Parque das Nações gehört zudem das Ozeanarium, in dem viele Meerestiere bewundert werden können. Der Bahnhof Oriente prägt das Stadtbild am Parque das Nações. Auch wenn Du nicht mit dem Zug fahren solltest, dieses architektonische Highlight ist einen Besuch wert. Hinweis: Der Beitrag wurde erstmals im März 2022 veröffentlich und wird seitdem ergänzt. Titelfoto / Im Hintergrund Praia do Moinho. Nachmittagssonnenstrahlen am Strand Carcavelos im Großraum Lissabon / Foto: Ingo Paszkowsky

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Portugal im Herbst: Achtung Sonnenalarm - Hier ist das Überwintern mit Wohnmobil in Europa am günstigsten - Lissabon: Der Parque das Nações (Park der Nationen) – Fotostrecke - Lissabon: Der Strand Praia dos Gémeos in der Fotostrecke - Portugal: Wunderschöner Alentejo in der Fotostrecke - Special: Portugal entdecken - Auswandern: Zwischen Schiff und Sesshaftigkeit – ZDF begleitet Familie Read the full article

[yhollow]

Yo akhirnya aku ada feeling buat actually nulis

Soooo many things happen during this pandemic, dan akhir-akhir ini aku jadi lebih sering recording daripada nulis. 

Anyway, makin kesini makin kepikiran relevansi trend budaya apa yang bakal populer di masa kedepannya, karna pandemi ini memincut banyak banget perubahan.

Aku ketrigger nulis ini spesifik karna teater sih. meski kemaren-maren udah recording soal konteks lain, kayak anak-anak, internet, teknologi, UX, dsb. Duh anjir jadi sakit perut. damn that's how excited I am about this topic. 

Habis baca buku A Cultural History of Fashion in the 20th and 21st Centuries by Bonnie English (2013), aku baru tau fashion mengadaptasi metode teatrikal dalam sejarahnya. with a clear, sustainable purpose, yg kemudian pada zamannya menyebabkan revolusi fashion dan budaya. Sekarang, masyarakat hampir sepenuhnya udah pindah mobilisasi ke dunia digital, apa teater bakal masih relevan?

Tokoh-tokoh teater, performing artist, maupun tim produksi dan tata panggung menghadapi krisis ini dengan cara yang berbeda-beda. tokoh besar seperti Sujiwo Tejo berhasil memproduksi pentas online. Organisasi2 keteateran lainnya juga banyak yang beralih ke kegiatan online seperti podcast, webinar, online workshop, online meet, rekaman play/ekspresi, dsb. Di sisi lain, bayak pula yang beralih meninggalkan teater dan mencari sumber penghasilan lainnya, sebagaimana yang diceritakan Sekar Dewantari (di postnya @ehvaganza, yg ngetrigger gw nulis ini, karna gw sad.)

Tapi, apakah sebenarnya esensi dari teater itu? apa yang membedakan teater dengan perfilman jika hanya direkam dan diupload online, apa bedanya dengan reportase jika hanya diliput live, apa bedanya dengan radio jika hanya podcast? akan jadi apa musik, kostum, artistik, rias, dan pencahayaan tanpa teritori panggung?

Dicari! panggung teater!

Dunia ini memang mungkin adalah panggung sandiwara. panggung itu milikmu sendiri. bagaimana jika kau menjadi orang lain? mahluk lain? bagaimana jika kau ingin menjadikan orang lain merasa.. lain?

  Dalam dunia digital, konsep ini dikenal dalam istilah yang sangat-sangat dikenal. Yaitu RPG.G stands for 'Game'. Tapi banyak fenomena 'kegiatan' yang sebenarnya membawa suasana RP ini. Buat yang suka baca, pernah gaksih lo baca novel yang seru banget, terus dunia sekitar rasanya kabur, dan lo tenggelam pada kisah si tokoh utama novel itu. Habis itu bahkan begitu kelar baca lo masih uring-uringan gabisa move on dari ceritanya? ada kutipan dari Richard Peck, 

" I read because one life isn't enough and in the pages of a book, I can be anybody." 

feels familiar? Buku sebagai media narasi kemudian berkembang menjadi media narasi digital, seperti yang banyak kita temui sekarang. Game, visual novel, interaktif novel, bahkan film dan MV (ato sekalian RP twitter). 

Kalau dilihat-lihat, dalam sejarahnya, selain pada mulanya digunakan sebagai religious dan ceremoial purpose seperti dalam peradaban kuno, ada masa ketika teater digunakan untuk mengangkat cerita dari literasi, terutama pada eranya Shakespeare. Mungkin akan ada masanya teater VR (lol). tapi untuk sekarang, selain kemampuan dan sumber daya yang jauh dari mampu, audiencenya pun akan sangat terbatas. (tapi keren buat gimmick si). Jadi mari kita kembali pada konsep role-play. Teater, mau itu untuk tujuan religius, upacara khusus, atau penampilan pelipur, pasti memainkan cerita. (that's why it's called 'a play'. figures something?). Tidak ada pangung fisik bukan berarti kita tidak bisa 'bermain'. Dan permainan yang baik tetap membutuhkan pensuasanaan yang bagus. 

Tapi, riskannya dalam ranah digital adalah, jika special effectnya berlebihan, ia akan menjadi film. David Patrick Green menyatakan dalam artikelnya,  "The 3 Major Differences Between Stage and Screen Acting," bahwa  “reality is less enhanced when a camera and microphone become involved. In fact, due to camera-work, score, lighting, and other effects, it is sometimes better to do less than you would in real life because so many things are augmenting your performance.” Oleh karena itu, meski kita melihat jauhnya pengembangan yang dapat diraih, we shall stay true to the main characteristic of the field. Mengambil contoh perjalanan Pixar, misalnya. meski mereka menemukan teknologi yang semakin canggih dapat menciptakan karakter yang semakin realistis dan detil, they didn't do that. kenapa? 

"if a human were to look to real, then they would enter the realm of the disturbing uncanny valley. so while details like follicles and pores, could have been added, they were purposely left out." (The Pixar Touch: 2008). 

kesadaran itu kemudian dihubungkan dengan karakteristik dan keahlian khas Pixar itu sendiri; "Pixar has been able to build convincing humans that doesn't follow all the basic rules of human anatomy throughout the years."Sampai sini konek? Now, what the heck do ya think theater REALLY is?

[ Mon, 280920, 9 pm ]

[whatalovelyboy]

Lisboa, de Ulisses a Pandora

Vários são os sujeitos do nosso apaixonamento. No humano desejo social entregamo-nos a pessoas; com o intelecto, a livros e filmes; noutras formas de intimidade construímos lugares de pertença até na imaginação. Lisboa, cidade que Ulysses fundou e as Tágides camonianas persistem em seduzir corporalizando peito e ventre desta cidade milenar, ostenta mitos fundadores do seu encantamento. De alto a baixo as colinas respiram histórias de povos diversos, episódios e experiências que alimentam memórias, páginas e imaginação. É fácil entender o desejo do encontro e o amor de perdição que inunda os visitantes. Cantam poetas e fadistas a Lisboa mulher, menina e moça, a cidade-amante, que nos abraça e rapta para noites boémias.

Destas sensações se fizeram ideias de marketing, e Lisboa surgiu aos olhos de muitos como a mais excitante paixão da Europa. Histórica e castiça certamente, a experiência lisboeta foi vendida como a novidade de um passado moderno, de algum modo virginal, e a diferença que faltava face a outros destinos. Em poucos anos, parafraseando Júlio César, milhões de pessoas chegaram, visitaram e partiram. Lisboa era finalmente uma cidade global, para gáudio da administração local e governamental, de hotéis e restaurantes. Todo o sistema turístico local reinventou-se, entre oportunidades e oportunismos (no jeito desenrasca e chico-esperto tão português), e rapidamente reclamou a cidade para si própria. Demasiado rápido, na verdade. Em cerca de seis anos fomos desapossados da nossa cidade. Entre 2016 e os primeiros meses de 2020, os turistas que antes com orgulho achávamos graça, tornaram-se em "hordas de estrangeiros invasores", exasperando repúdio, e por vezes fermentando intolerância imprópria para uma sociedade democrática. Lisboa massificou-se na senda de Barcelona, Paris e Veneza.

A capital tem perdido população nas últimas quatro décadas. Em 1961 havia 802.230 habitantes. Entre 1981 e 2001 diminuiu em cerca de 300 mil, resultado de vários factores sociais (demografia) e económicos (deslocação para subúrbios, p.e.). Os resultados provisórios do Censos’2021 indicam que existem 545.923 lisboetas.

Quanto aos números do turismo, um relatório da Deloitte indicava que a cidade recebera em 2005 cerca de 2,5 milhões de visitantes, com crescimento ligeiro até 2013 (3,1 milhões). Daí em diante os números escalaram extraordinariamente, até atingir 7,5 milhões em 2018. Na verdade, toda a região de Lisboa, de 2016 a 2019, recebia quase dez milhões de turistas por ano.

Escrevi o seguinte em 2017: "Que Lisboa tenha mais visitantes, óptimo. Que Lisboa se assuma cosmopolita e global, magnífico. Que as pessoas possam tirar rendimentos disso tudo, muito bem. Mas tanta gente está a tornar muita gente gananciosa, a transformar os bairros very typical em dormitórios elitistas de curtíssima duração, degradando todo o seu espírito e genuinidade, potenciando a sua irrelevância social a médio prazo, eliminando lisboetas (nativos e adoptivos) a favor do dinheiro fácil de um qualquer turista. A Câmara Municipal de Lisboa precisa intervir e ter legislação para proteger os residentes, os que querem viver e trabalhar na capital, cuidar da cidade como um conjunto de comunidades que merece respeito, oportunidades, justiça e integração social. Uma cidade que se desocupa dos seus habitantes e se preenche com privilégios unicamente para visitantes caminha para um parque de diversões museulógico e nocturno, sem integridade social e a perda das apelativas características e valores que hoje possui e umas das razões da sua procura.”

Ao regressar a estas palavras recordo sentir-me estranho em terra estranha nesses anos controversos, e afastar-me por vários meses. Para muitos pareceu que Lisboa abrira, com o turismo, a caixa de Pandora, e de lá sairam hordas de tuk-tuk's ruidosos e poluentes, filas intermináveis de camones nos Pastéis de Belém e em todas as ruas, à beira-Tejo e na diversão nocturna, acelerando fins de contratos de arrendamento para dar lugar a alojamentos locais e bairros gentrificados.

As críticas mantêm-se, outras levantam-se com o conhecimento mais largo entretanto adquirido. O cosmopolitismo desenhado para a cidade deslumbrou-a ficando cega de si própria, à beira de vender a sua alma na pressa de uma ocupação e reconfiguração urbana (necessária) mas que descura realidades e dinâmicas sociais preexistentes, e onde até mesmo um inocente negócio por via da nova conjectura económica alimenta o imperialismo turístico que desfaz e desenraiza os lugares.

A pandemia Covid-19 interrompeu ciclos de migração turística e laboral. A cidade ficou silenciosa, vazia, desocupada. A vantagem deste intervalo sanitário deu espaço para respirar. Mas, claro, a perigosidade do momento retirou o fervilhar que se conhecia antes do terramoto turístico. Quando se sofria pela nostalgia de um passado — como todos, ilusório, assente numa cultura petrificada nos templos e no isolamento (Pfeijffer, 2021:113) —, percorrer as ruas calmas em glória de reconquista rapidamente resvalava para o desconfortável último habitante vivo da cidade.

Mia Couto escreveu numa das suas crónicas: ”A cidade não é apenas um espaço físico mas uma forja de relações. É o centro de um tempo onde se fabricam e refabricam as identidades próprias. (...) A cidade não é um lugar. É a moldura de uma vida.” (in Pensatempos, 2005).

O regresso foi lento. Sempre que posso, vou lisboando sem parar por todas as ruas e calçadas, velhas e novas, como se nunca as tivesse abandonado, como se as tivesse esquecido, como se sempre as tivesse vivido. Talvez seja esta sedução e imaginação que tantos turistas partilham. Em cada janela encontro um reconfortante rosto desconhecido da minha infância. As ruelas ostentam a mesma largura das balizas do futebol de rua que infernizava os vizinhos. Passo por uma porta entreaberta que esqueci fechar algures nos meus frescos vinte anos ao escapulir no raiar da manhã após uma noite aventurosa. Sinto a cidade no modo idealizado em que me (re)vejo, ignorando a ilusão geográfica da utopia, tão-somente porque quero. Acumulo lembranças, invento memórias, construo identidades. Na Lisboa europeia, moura, africana, criola, poética e enigmática, esta cidade inventa-se à minha medida, pois só regressa a casa quem mantém vivo o sentimento de pertença (in "O Angolano que comprou Lisboa (por metade do preço)", Kalaf Epalanga, 2014). E caminho no destino de maratona infinita, cujas pausas se revelam no beijo das fachadas centenárias, no abraço perfumado das árvores homónimas na Travessa da Laranjeira, na beleza simples e anfitriã no miratejo que Santa Catarina e o Adamastor romanceiam de casa aberta. Recebo aqui a luz do entardecer em todos os poros, refresco a sede com gostosas cervejas, e fixo todos os sentidos físicos e misteriosos na paisagem. Esta é a minha Lisbon Story, um deambular plural — lisboando é a palavra — entre veredas das várias facetas, experiências e memórias da cidade. Assim comungam, neste lugar e final de dia, o estio destas sensações, os turistas de fora e este turista-da-casa.

[indiarooney]

Salento

After a long 21 hour journey we arrived in Salento, a small town which apparently was the inspiration for the new Disney film Encanto. We stayed in a quiet hostel with 3 super cute dogs and a cat they all hated.

The main attraction in Salento is the beautiful Valle de Cocora with palm trees that can grow up to 200ft tall. We had hoped to do a 5 hour hike through the valley but recent heavy rain had meant most the route was shut. We got about 40 minutes or so into our short hike but had to loop back round as it started raining heavily again. We were able to enjoy the views before the clouds came into the valley! To get to and from the Salento we had paid for a shared jeep. With the rain coming down no one wanted to stand on the back of the jeep and hold on but the queues were huge and a bit chaotic (they don’t queue like we do) so we opted to stand and hold on. By the time we left the rain had eased off and it was actually really fun! That evening we went out and played Tejo again 💥

This region is major for growing coffee and chocolate, 2 things I now can’t enjoy thanks to covid. We had planned to do a chocolate tour the following day but the rain was relentless so we had to abandon the plan and decided to just head to our next destination of Cali earlier instead. It was a rainy couple of days but definitely worth it! It was quite different to anywhere we had been.

[saltfeed]

udaariyaan written update begins with Tejo saying ‘sorry’ to Kushbeer and saying that she doesn’t realize that Rupy is additionally challenging in political race against him. She gets stunned on seeing Jasmine conversing with Fateh. Other hand Jasmine demands Fateh to excuse Tejo. She expresses him to recall that a third individual ought to exploit his battle with Tejo. She leaves. Tejo tells Kushbeer that the best candidate ought to win the election.Fateh comes to Tejo and asks what she’s doing here. He says that they saw her real nature. He expresses that there’s no any connection among them and requests that Tejo leave. Tejo leave getting injured.

Read Also : sasural simar ka 2 written update

Jasmine gives Tejo the leaflets. Tejo reviews Jasmine chatting with Fateh. All at once Abhiraj comes to Tejo and asks where her ID card. Tejo looks for her satchel. Angad comes and recommends really taking a look at the CCTV film. Tejo and Angad actually look at the recording. Tejo gets stunned on seeing Fateh and Jasmine rolling inside the tent.

Tejo reviews her past. Angad says that Jasmine could have misread Fateh for Amrik. Tejo will not really accept that Angad’s point and leaves. Angad shows Fateh and Amrik and says that the two of them are wearing same variety garments. Angad feels that he persuaded Tejo, yet thinks about the thing Jasmine is plotting.

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Fateh recalls his words to Tejo and thinks twice about it. Other hand Tejo is miserable recalling seeing Jasmine and Fateh together. Fateh recalls Jasmine saying that Tejo is harmed in light of Fateh and can’t rest in the evening. He says that he can’t rest as well. He says that he truly adores her.

Tejo says that she’s questioning Fateh like he questioned her. She chooses to converse with Fateh once to clear everything. Fateh recalls Jasmine requesting that he apologize to Tejo. He messages Tejo saying he needs to meet her. Tejo additionally messages him back that she likewise needs to meet him.

Angad sees Tejo heading off to some place and ponders where she’s going in the evening. He believes that she could have battled with Fateh and chooses to follow her. Fateh and Tejo meet in Tejo’s number one spot. Fateh apologize to Tejo.

The last option jokes and says that Fateh is insane and he should be treated after marriage. Fateh gets shocked that Tejo concurred for the marriage. He says that nobody interfered with them after their marriage. Fateh dream breaks when Tejo calls out to out him.

Fateh starts to talk. Tejo asks Fateh how he was doing Jasmine inside the tent. She inquires as to why they were together in the Haripur and what’s happening between them. Fateh says that he called her to figure it out all that by saying ‘sorry’ as far as she might be concerned, yet she’s blaming him. He requests how long she will affront him with his previous slip-up.

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Tejo says that she’s not questioning him. Fateh says that she’s questioning him. Tejo tells Fateh to think by come at the situation from her perspective. She further says that he interrogated concerning connection with Angad when there’s nothing between them. Fateh is going to apologize it for his demonstration Angad shows up there. On seeing Angad there Fateh yells at Tejo.

He says that she needn’t bother with his apologize and starts to leave in in udaariyaan today episode. Angad stops Fateh and attempts to persuade him. He inquires as to whether he disappears, Fateh will pardon Tejo. Fateh beats Angad. Tejo stops Fateh and asks how he thought for even a second to lift hand on Angad. She says that she laments coming here. She says that she got everything now. She strolls from that point taking Angad.

Sandhus are sitting tight for CM appearance. Abhiraj says that Tejo made a video about the assistance Rupy done to the general population and she will be coming. Virks likewise show up there. Tejo shows up there.

Satti says that Tejo looks extremely drained. Rupy and Kushbeer’s allies get into a battle. Fateh and Tejo stop them. Fateh’s pen drive tumbles from his jean’s pocket and Tejo’s sack falls on the ground. Angad shows up there. He gets the sack and provides for Tejo.

The clergyman and all accumulated to see the recordings. Fateh looks for his pen drive. A kid comes to Fateh and gives a pen drive saying that he tracked down it on the ground. Fateh expresses gratitude toward him.

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Fateh trusts that Kushbeer will get glad. He plays the video. All applauds. Kushbeer’s party part says that Tejo showed a similar video to persuade the party individuals. All of a sudden Tejo and Fateh getting close video plays on the screen stunning all.