#film within a film

[thesobsister]

Arooj Aftab, "Raat Ki Rani"

Tessa Thompson-directed cinematic video for this single off Arooj Aftab's upcoming album Night Reign, due out on May 31.

[pokimoko]

I can't keep being fundamentally changed as a person by animated movies, it's just not sustainable.

[heybabybird]

raided the Fenton's weapon vault✌️👍

waiting for backing cards and I'll start shipping them out next week!

[edwinisms]

you know. I think the reasons it feels so literally narratively wrong when people refer to charles as being straight (such as in interviews where his love life comes up and so on) are that A) he’s never deemed outright straight in the show, so it’s just an assumption that he must be straight by default (which is silly in a show like this), and B) what he says following edwin’s confession. I know I’m biased, but even when I try to look at it as neutrally as possible, the way he reacts in general and the specific words he uses just don’t sound right when you imagine them being said by a Totally Definitely Straight guy.

first of all if you actually listen to it instead of absorbing the scene superficially it’s not particularly a rejection at all, and the actors have stated that themselves– it’s not him saying no, it’s him saying “I can’t give you an answer right now, but I will eventually”. that’s not an interpretation, that’s literally just the truth of what he said (and again, the actors agree). can you imagine a straight guy saying that, or possibly even more damning, “we have literally forever to figure out the rest [“the rest” meaning anything that goes beyond the kind of love charles already solidly has for him]”.

imagine you’re a straight man who’s unwaveringly confident in his orientation and your gay best friend confesses his feelings for you. you would not respond with the implication there is a “the rest” to figure out. since the main, obvious obstacle would be your solid lack of attraction to men, that’d probably be essential to your response– it wouldn’t be a “I can’t say–“ it’d be a “I can’t be–“. and on top of all that, I feel like the whole thing would have to sound far more apologetic– “I’m sorry, I love you and that’ll never change, but I just can’t love you the way that you love me.” something like that, right?

tldr: this is a rare instance in television where assuming a character is straight by default makes Less sense than the alternative. and charles’ choice of words in the confession overtly suggest that he is, at the very least, unsure of his orientation.

[ominouspuff]

Downtime with the disaster lineage

[gebo4482]

THE SPIDER WITHIN: A SPIDER-VERSE STORY | Official Short Film (Full) | Sony Animation

Dir: Jarelle Dampier Star: Brian Tyree Henry / Shameik Moore

[aviscranio]

The Spider Within: A Spider-Verse Story (2024)

[mudwerks]

(via Tumblr: Image)

"Paging Mr. Herman...Mr. Herman...you have a telephone call at the front desk."

[that-ineffable-devil]

I really appreciate that, in Charles' wrap-up of "the pennies dropped" he specifically uses the word "murdered" in reference to Niko. Because she was murdered. She didn't sponteously die. She wasn't killed by accident. She was murdered. It was intentional. Esther threw that bolt with the intention to kill whoever it hit. It doesn't matter that it was meant for Crystal.

Words are powerful. Words have meaning.

And of course he would use the right word. After all, both he and Edwin were murdered. Maybe the boys who murdered them didn't have that exact intention, but their intentions were no less lethal and no less malicious.

[vizual-demon]

The Beast Within

(2024) dir. Alexander J. Farrell

[shihlun]

Jim Jarmusch

- Permanent Vacation

1980

Aki Kaurismäki

- Drifting Clouds

1996

[sentientsky]

the fact that this profound, world-rendingly beautiful movie that leaves me in wracking, heaving sobs every time is not more popular kills me

[thinwhitedoc]

CARGO | Martin Freeman as Andy Rose

[foggyworksbutbetter]

something minor i noticed in “the spider within”

so they dropped a new spiderverse short, and after like the 5th watch i noticed smth interesting

you’ll notice the bed, miles, and the spider within are animated on twos (which means theres a new drawing on every other frame) while everything else around him is animated on ones.

some of the broken pieces of the bed so start being animated on ones, assumedly to make it smoother, but miles and the spider within all remain on twos as miles is pushed out of his room.

this was a technique they used during into the spiderverse as well. when miles is learning how to be spiderman, he’s animated on twos while peter is animated on ones to represent the gap in their skill levels and also the difference in their universes. you can also see this technique used on a couple other spiderpeople in that movie. it creates an effect where you can just tell how unnatural their movements look in the world around them—even if you can’t quite pinpoint why—because they aren’t in the right universe. applying that idea to this scene, it shows miles’ disconnect from the world around him, from reality itself. we already know that what he was seeing and doing wasn’t real, since his dad didn’t react to any of the screaming or panicked crawling despite being a very alert person (demonstrated when he jumps at miles opening the door). it’s a very minor but interesting detail that further shows how out of touch with reality miles is as a result of his stress and trauma.

[carrieisscary]

The beast within 1982

[gebo4482]

The Spider Within: A Spider-Verse Story