#film talks

[tboyblogger]

movie is burnt money (2000). probably the best set up for a trio yet: two men having the most heart wrenching crazy ass psychological warfare gay sex and their token cishet comedic relief court jester. i'm actually amazed by the way the trio's relationships were written. they feel... strangely... humane? hmm my new favorite for sure

[filmkareleri]

The Salute of the Juggers /The Blood of Heroes (1989) // David Webb Peoples

I like B movies for many reasons. One of the reasons is the probability of coming across something truly fresh and original. Small budgets breed practical skills along with mastery at set design, costume and editing. This one is a great little flick and it has more that you'd imagine.

There are two versions of the film. One (The Salute) is reported to be longer and more sombre in tone. The other (The Blood) is a nice underdog story with positive feelings. I searched the former for few years and finally caved in and watched the latter.

There are some production stories about the initial scope of the project and not-so-little budget. Apparently this one was shot as a more lavish film with deeper characterisations and a bigger cast. Some of the original footage was thrashed in the editing room. So the bizarre feeling of a closely orchestrated small film is not unwarranted.

I seek films like this. Naturally, It's an acquired taste but I recommend the Salute/The Blood...

(Let me know if you're familiar with the Salute version. I'm curious)

[twisted-tales-told]

Update Elle definitely has autism

[badolmen]

People against piracy fail to realize that no, I can’t just ‘buy it.’ They stopped making DVDs and Blu-Rays. They’re barely offering digital copies for download. I am not spending money I could use for food or bills to pay for a subscription service just so I can always have access to a beloved piece of media. Especially not when the service will remove media on a whim without concern for how the loss of access to that piece will make its artistic conservation nigh impossible.

For example, I recently learned that Disney+ had an original film called Crater. It’s scifi, family friendly, and seems cool - I would love to buy it as a holiday gift for my little brother! But: it’s exclusive to D+ and THEY REMOVED IT LITERALLY MONTHS AFTER ITS RELEASE.

The ONLY way I can directly access this film is through piracy. The ONLY available ‘copies’ of this film are hosted on piracy websites. Disney will NEVER release it in theaters, or as something to buy, and it may NEVER return to the streaming service. It will be LOST because we aren’t allowed to purchase it for personal viewing. If I can’t pay to own it, I won’t pay for the privilege of losing it when corporate decides to put it in a vault.

So yes, I’m going to pirate and support piracy.

Edit: if you are able, use $5 you would otherwise use for a streaming subscription to donate to a GazaFunds campaign.

[cassianandfenrysaremyboyos]

Goncharov coming third in tumblr's top 100 movies of 2023 is so damn funny. Imagine being a film studio exec who spent millions making some of the other 97 movies listed below it only to be beaten by a film that cost exactly zero dollars to make and doesn't exist

[marklikely]

how it feels to use the word diegetic

[jaybirdscoffee]

forever thinking about D-16’s “I want to kill him.” monologue. that initial line hit so hard. it was a line that made me think There He Is. because, yeah, that’s the megatron we know. that’s the megatron that worked in the mines, and when cybertron’s government turned its back on him, his rage won out. he devoted his life to something for nothing, for a world that didn’t give a damn about him. the story may have changed, but the essence of his origin is still there.

[userscully]

This is a game about winning the points that matter. CHALLENGERS (2024, dir. Luca Guadagnino)

[archibaldtuttle]

I got bored so here's a movie chart

I went to the List of biggest box-office bombs wikipedia article and put all the data into an excel sheet. I simplified the data by taking the highest estimates anytime there were ranges of estimated loss/budget. Then I made a neat little chart.

On the left axis you have the amount lost in millions, adjusted for inflation. Each dot represents a film and is placed at the year it came out.

So! What does this tell us?

This tells us that, even accounting for inflation, box office failures have been more and more expensive and more and more frequent. Which means two things - films are getting more and more expensive as are their failures... but also, those failures are no longer enough to kill studios.

It used to be that even a major production studio could risk dying out from one or two big budget bombs. It is no longer the case. A lot of the later ones, the second half of the 2010s and the 2020s, are Disney productions.

In fact! out of the 25 films on this list that came out in the 2020s, 15 are Disney or 20th Century productions (20th being owned by Disney). That's completely ridiculous. Those films all have budgets of 150 million dollars at least. They all lost at least 100 million dollars. And that is not accounting for the marketing budget of the films - it is generally accepted that a modern film's real budget is double its production cost, because studios will spend around the same amount marketing the film as they do making it.

The fact that Disney productions is not currently reduced to ashes is complete nonsense.

And that, dear readers, is what monopolies do for you. That is what "too big to fail" means. It doesn't mean too big to encounter failure... It means too big for any failure to really affect you.

[bixels]

I watched Starship Troopers tonight.

[theqhreator42]

[tboyblogger]

march 15th. he's not an invincible comet speeding on its guided arc toward the outer reaches of the galaxy in cosmic space-time. rather, he is a boy that will die young. he will drown on this planet in the steady current of the deep, dirty, magnificent river that flows night and day through the veins and arteries of its own ancient city

[razzafrazzle]

enough strong bads... time for strong sads (theres still a strong bad here)

[image description: a page of drawings of a human design of strong sad from homestar runner, where she is depicted as a fat, tan-skinned trans woman with gray and brown hair pulled into a bun and multiple piercings. she is wearing a gray sweatshirt, jeans, and steel-toed combat boots, and next to her is a note stating that she is trans and bisexual and that her pronouns are she/they. next to that is a drawing of her smiling and wearing a sloshy t-shirt, and above that is a comic of strong bad poking her in the stomach and saying "even her gender is my hand-me-downs", to which she stays silently angry at him. end id]

[twisted-tales-told]

I WOULD BE SO NICE TO ELLE BY THE WAY

I WOULD SUPPORT HER SO MUCH

[leandrocrossard]

something really cool happened today that i wanted to share:

my nephew is 9 years old, and a stereotypical little boy. he likes dinosaurs, minecraft, and ninjas.

today i walked in on him excitedly watching Nimona with my dad. (minor spoiler warning!)

i had never heard of it, but i sat down and watched some of it, just to see why he was so happy.

he started narrating it, anticipating parts of it, almost as if he’d seen it before. he had.

we didn’t get to finish it, but i watched it on my own, because it looked fun and i wanted to see how it ended.

and i loved it. it was a fun, exciting, fantastical adventure about the importance of acceptance people who are different to us.

and it had a very clear queer subplot.

one that my nephew hadn’t mentioned at all in his explanation of the film. his summary was “it’s about a monster who helps a knight that was framed for killing the queen”.

and honestly yeah, that is what the film was about.

before sharing it with us, he had watched it all, engrossed himself in the story, took it in entirely, and the part he cared about most was whether Nimona got her acceptance. he wasn’t indoctrinated, or confused, or questioning anything about himself.

he didn’t bat an eyelid over a gay love confession. he just enjoyed the film, raved about it, made my 60 year old dad watch the movie about the monster who didn’t fit in.

he’s still the same little boy who’s been asking us how to get a girlfriend.

the only thing a movie centred around queer and queer-coded characters taught my nephew was that those who are different to him are not monsters. that’s it.

and that dragons are really cool.