#film drole

[actusdefilmsetseries]

Comédie : regardez « Comme chien et chat » pour vous divertir

L’inspecteur prétentieux Leppel est forcé de collaborer avec Langsam, un alcoolique dépressif, pour résoudre des affaires dans la comédie « Comme chien et chat ». Les différends abondent dans ce long-métrage, mais ils doivent s’unir pour sauver l’ex-femme de Langsam, Bonnie, prise en otage. Ne manquez pas les aventures explosives de ce duo improbable !

[vinescreens]

Drôles d'oiseaux

[dexdia]

Highly considering doing a Seven Deadly Sins rewrite myself bc man there's so much missed potential and honestly a lot of things that don't make sense or haven't been gone over enough-

My biggest gripe being the Goddess race, we barely know anything about them, the archangels were said to be oh-so-strong but 3 of them died not to long after being introduced- And my biggest gripe is that the author definitely pulled that "Bloody Ellie" thing out of his ass during the fight with Demon King Zeldris.

Like man, even the Demon race feels so lacklustre..

Oh! And don't get me started on Chaos!! Especially since its literally the entity that gets put into Arthur who's the main antagonist and villain of the sequel series!!!

Like, I'm pretty sure we don't know about chaos until it's actually revealed,,

Like in my mind, if I was to add/redo things- One of the things I'd do is make the Supreme Deity into a religious figure, being praised as the "Benevolent Goddess" among humans, setting up basically a religion- And maybe this could stem into the magic, such as human believing that the magic they hold was a blessing of the Supreme Deity.

And maybe also set up a clearer hierarchy system among the Goddess and Demon race.

I just want the Goddess race and Supreme Deity herself to play a bigger role cause man I don't really like how she was defeated within like the final 20 minutes of that one film.

Because I think it'd be so interesting to have humans actively worshiping the Goddess race, specifically dedicated to the Supreme Deity and the archangels.

Also, I'd have Chaos introduced a lot earlier- who knows, maybe I could throw in like a group that are worshippers of Chaos.

Tbh I'm just spit balling but it's mostly bc I'm so frustrated at simply how bad the author is at writing- Cause I feel like a lot of the time, he throws in ideas just because he thinks it's cool and doesn't elaborate and explore said ideas.

As I mentioned earlier, the whole "Bloody Ellie" thing ( a character who was established a pacifist in the Gloxinia + Drole flashbacks thing) as well the thing with Helbram where he talked about how fairies were captured and had their wings torn out (I believe we never hear anything about it again after Helbram tells us it), honestly many things.

Also, I just thought of another thing I'd change- Instead of having Derieri, Tarmiel and Sariel die useless deaths, I feel like we could've had Ludociel fight Esta/Mael when the Mael reveal happened bc I feel that would've been so much more impactful-

Because imagine, Ludociel finally fights the person who he thought "killed" his brother and before he goes for the finishing blow, the spell corrodes away and Ludociel is left with the shock and horror that he nearly killed his own brother.

And one more thing or else I'll be ranting forever, have Meliodas' and Elizabeth's relationship questioned and have them actually have to go through challenges

Have people question as to whether or not it was their relationship that trigger started the holy war, have other characters question the way he acts towards current Elizabeth, have Elizabeth have questions herself and wonder if the war was worth it- Let them have arguments!!

I think the only one they technically had was when Elizabeth wanted to rejoin the adventure at the start of season 2 if my memory serves me right.

But yeah.

It's just those little tweaks and add-ins that really begin to flesh it out to its potential, imo.

Anyway, rant over before I continue ranting up to 30k+ words more.

[princesssarisa]

Opera on YouTube 3

Il Barbiere di Siviglia (The Barber of Seville)

Mario Lanfrachi studio film, 1965 (Sesto Bruscantini, Valeria Mariconda, Ugo Benelli; conducted by Alberto Zedda; no subtitles)

Jean-Pierre Ponnelle studio film, 1974 (Hermann Prey, Teresa Berganza, Luigi Alva; conducted by Claudio Abbado; English subtitles)

New York City Opera, 1976 (Alan Titus, Beverly Sills, Henry Price; conducted by Sarah Caldwell; English subtitles)

Arena Sferisterio, 1980 (Leo Nucci, Marilyn Horne, Ernesto Palacio; conducted by Nicola Rescingo; no subtitles)

Teatro Real de Madrid, 2005 (Pietro Spagnoli, Maria Bayo, Juan Diego Flórez; conducted by Gianluigi Gelmetti; Arabic subtitles)

Teatro la Fenice, 2008 (Roberto Frontali, Rinat Shaham, Francesco Meli; conducted by Antonino Fogliani; Italian subtitles)

Royal Opera House, Covent Garden, 2009 (Pietro Spagnoli, Joyce DiDonato, Juan Diego Flórez; conducted by Antonio Pappano; English subtitles)

Vienna State Opera, 2019 (Rafael Fingerlos, Margarita Gritskova, Juan Diego Flórez; conducted by Evelino Pidó; English subtitles)

Arena di Verona, 2022 (Leo Nucci, Nino Machaidze, Dmitry Korchak; conducted by Daniel Oren; English subtitles)

Garsington Opera, 2023 (Johannes Kamler, Katie Bray, Andrew Stenson; conducted by Douglas Boyd; English subtitles)

Rigoletto

Wolfgang Nagel studio film, 1977 (Rolando Panerai, Franco Bonisolli, Margherita Rinaldi; conducted by Francesco Molinari-Pradelli; Japanese subtitles)

Metropolitan Opera, 1977 (Cornell MacNeil, Plácido Domingo, Ileana Cotrubas; conducted by James Levine; no subtitles)

Metropolitan Opera, 1981 (Cornell MacNeil, Luciano Pavarotti, Christiane Eda-Pierre; conducted by James Levine; no subtitles)

Jean-Pierre Ponnelle film, 1982 (Ingvar Wixell, Luciano Pavarotti, Edita Gruberova; conducted by Riccardo Chailly, English subtitles)

English National Opera, 1982 (John Rawnsley, Arthur Davies, Marie McLaughlin; conducted by Mark Elder, sung in English)

La Monnaie, Brussels, 1999 (Anthony Michaels-Moore, Marcelo Álvarez, Elizabeth Futral; conducted by Vladimir Jurowski; no subtitles)

Arena di Verona, 2001 (Leo Nucci, Aquiles Machado, Inva Mula; conducted by Marcello Viotti; Italian subtitles)

Zürich Opera house, 2006 (Leo Nucci, Piotr Beczala, Elena Mosuc; conducted by Nello Santi; no subtitles)

Paris Opera, 2016 (Quinn Kelsey, Michael Fabiano, Olga Peretyatko; conducted by Nicola Luisotti; English subtitles)

Teatro Massimo, 2018 (George Petean, Ivan Ayon Rivas, Grazia Schiavo; conducted by Stefano Ranzani; English subtitles)

Così Fan Tutte

Vaclav Kaslik studio film, 1969 (Gundula Janowitz, Christa Ludwig, Luigi Alva, Hermann Prey; conducted by Karl Böhm; English subtitles)

Jean-Pierre Ponnelle studio film, 1988 (Edita Gruberova, Delores Ziegler, Luis Lima, Ferruccio Furlanetto; conducted by Nikolaus Harnoncourt; English subtitles) – Act I, Act II

Teatro alla Scala, 1989 (Daniela Dessì, Delores Ziegler, Josef Kundlak, Alessandro Corbelli; conducted by Riccardo Muti; Italian subtitles) – Act I, Act II

Théâtre du Châtelet, 1992 (Amanda Roocroft, Rosa Mannion, Rainer Trost, Rodney Gilfry; conducted by John Eliot Gardiner; English subtitles)

Vienna State Opera, 1996 (Barbara Frittoli, Angelika Kirschlager, Michael Schade, Bo Skovhus; conducted by Riccardo Muti; English and Italian subtitles)

Teatro Comunale di Ferrara, 2000 (Melanie Diener, Anna Caterina Antonacci, Charles Workman, Nicola Ulivieri; conducted by Claudio Abbado; no subtitles)

Zürich Opera House, 2000 (Cecilia Bartoli, Liliana Nikiteanu, Roberto Saccá, Oliver Widmer; conducted by Nikolaus Harnoncourt; no subtitles) – Act I, Act II

Opera Lyon, 2007 (Maria Bengtsson, Tove Dahlberg, Daniel Behle, Vito Priante; conducted by Stefano Montanari; French subtitles)

Salzburg Festival, 2009 (Miah Persson, Isabel Leonard, Topi Lehtipuu, Florian Boesch; conducted by Adam Fischer; English subtitles)

Zürich Opera House, 2009 (Malin Hartelius, Anna Bonitatibus, Javier Camarena, Ruben Drole; conducted by Frans Welser-Möst; English subtitles)

Aïda

San Francisco Opera, 1981 (Margaret Price, Luciano Pavarotti; conducted by Luis Garcia Navarro; no subtitles)

Metropolitan Opera, 1985 (Leontyne Price, James McCracken; conducted by James Levine; English subtitles) – Act I, Act II, Act III, Act IV

Teatro alla Scala, 1986 (Maria Chiara, Luciano Pavarotti; conducted by Lorin Maazel; English subtitles)

Metropolitan Opera, 1989 (Aprile Millo, Plácido Domingo; conducted by James Levine; English subtitles)

Teatro Comunale di Busseto, 2001 (Adina Aaron, Scott Piper; conducted by Massimiliano Stefaneli; Italian subtitles)

St. Margarethen Opera Festival, 2004 (Eszter Szümegi, Konstantin Andreev; conducted by Ernst Marzendorfer; English subtitles)

Metropolitan Opera, 2012 (Liudmyla Monastyrska, Roberto Alagna; conducted by Fabio Luisi; Russian subtitles)

Tbisili State Opera, 2017 (Maqvala Aspanidze, Franco Tenelli; conducted by Marco Boemi; Russian subtitles)

Teatro Colón, 2018 (Latonia Moore, Riccardo Massi; conducted by Carlos Vieu; Spanish subtitles)

Teatro la Fenice, 2019 (Roberta Mantegna, Francesco Meli; conducted by Riccardo Frizza; French subtitles)

[alvinsinger]

JLG - film-annonce-du-film-qui-n-existera-jamais-droles-de-guerres

[archivesdereves]

2021

j'ai reve que je gagnais de l'argent

et apres le matin j'ai reve de hugues en shooting campagne falaise genre etretat un peu chihiro et on s'est assis pour regarder un film sauf que c'etait des vrais humains. qui jouai devant et yavait Pauline a cote la stagiaire et l'histoire du film etair des gens qui traversaient la riviere et on se recevait de l'eau des vagues mais c'etait drole et on commentait le personnage

0 note

[laplumesansmasque]

Seules les bêtes, film noir & comédie

seules des betes est exceptionnel: en meme temps un bon policier, un film sur le pouvoir d’Internet et des sites de rencontre, film sur la jeunesse africaine, sur les relations entre la France et l’Afrique, super drole et tres original du debut a la fin, un bonheur ce film!!! Dominique Moll a un talent fou. Jana What do you want to do ? New mailCopy

[actusdefilmsetseries]

Le cinéma derrière votre écran, c’est possible !

Il y a de nombreux films à télécharger qui sont disponibles sur la Toile et dont vous pourrez profiter sans aller au cinéma. Si vous ne savez pas quoi choisir, laissez-vous tenter par les classiques qui ont déjà séduit de nombreux cinéphiles. En l’occurrence, vous pouvez vous plonger dans un long-métrage où le suspense sera au rendez-vous ou alors, suivre une romance passionnante. Si vous…

[fovarosiblog]

Egyik kedvenc filmem, A vágy forradalma.

malacos

[babalescale-blog]

Regarder un film culte et drôle, un remède à la morosité

Regarder un film culte et drôle, un remède à la morosité

Le sens de la fête… avec Jean-Pierre Bacri. Le nom est là et je me sens déjà mieux. Les jours « down », les jours où tu n’as pas envie de sortir, les jours où tu voudrais être dans ta bulle, regarde un bon film drôle, mais surtout choisis un film culte. Le film culte est source de plaisir avec les autres, il socialise, il fait partie de la mémoire collective. Il peut faire remonter ton moral en…

[dagss]

est-ce que je devrais me mater vdf (la série) ? genre est-ce que ça vaut le coup ?

O U I, je dirais même plus : il faut. rend-toi immédiatement sur youtube. (sans te commander <3)

en plus la s1 va très très vite à voir, au départ c'est des petits épisodes de 5 minutes bricolés vite fait et qui avaient pas d'histoire derrière, et au fil du temps ça avance vers un énorme plot c'est assez fou. je te dirais de te faire une idée sur la saison 1, et de voir si tu veux continuer ? (sachant que les personnages sont encore mieux dans la s2, notamment JUDITH my love ♥)

[lawinteam]

Quand elle te dit qu’elle est zébre 

[princesssarisa]

The Top 40 Most Popular Operas, Part 2 (#11 through #20)

A quick guide for newcomers to the genre, with links to online video recordings of complete performances, with English subtitles whenever possible.

Johann Strauss II's Die Fledermaus

The most famous Viennese operetta, a rollickling comedy set amid Vienna's high society.

Studio film, 1971 (Eberhard Wächter, Gundula Janowitz, Renate Holm, Waldemar Kmennt, Wolfgang Windgassen; conducted by Karl Böhm)

Mozart's Cosí Fan Tutte

A comedy of romantic partner-swapping, its cynical libretto juxtaposed with Mozarts sublime music.

Zürich Opera, 2009 (Malin Hartelius, Anna Bonitatibus, Javier Camarena, Ruben Drole, Martina Janková, Oliver Widmer; conducted by Franz Welser-Möst)

Verdi's Aida

The quintessential "grand opera": a tragedy of love vs. duty and country amid the pomp and pageantry of ancient Egypt, which inspired the Elton John/Tim Rice musical of the same name.

St. Margarethen Opera Festival, 2004 (Eszter Sümegi, Kostadin Andreev, Cornelia Helfricht, Igor Morosow; conducted by Josef Pancik)

Humperdinck's Hänsel & Gretel

The quintessential "children's opera," based on the classic fairy tale.

Studio film, 1981 (Brigitte Fassbaender, Edita Gruberova, Sena Jurinac, Hermann Prey, Helga Dernesch; conducted by Georg Solti)

Donizetti's L'Elisir d'Amore (The Elixir of Love)

A sweet romantic comedy in the Italian bel canto style.

Vienna State Opera, 2005 (Rolando Villazon, Anna Netrebko, Leo Nucci, Ildebrando d'Arcangelo; conducted by Alfred Eschwé)

Puccini's Turandot

A dark fairy tale of love and deadly riddles in ancient China: controversial in its Orientalism, but with thrilling music, including the ever-famous tenor aria "Nessun dorma."

Opera Hong Kong, 2018 (Oksana Dyka, Alfred Kim, Valeria Sepe, George Andguladze; conducted by Paolo Olmi)

Die Lustige Witwe (The Merry Widow)

Another iconic example of Viennese comic operetta.

Metropolitan Opera, 2014 (Renée Fleming, Nathan Gunn, Kelli O'Hara, Alek Shrader, Thomas Allen; conducted by Andrew Davis) (sung in English)

Act I, Act II, Act III

Tchaikovsky's Eugene Onegin

The most famous of all Russian operas, based on Alexander Pushkin's great verse novel of unrequited love.

Kirov Opera, 1984 (Sergei Leiferkus, Tatiana Novikova, Yuri Marusin, Larissa Diadkova; conducted by Yuri Temirkanov)

Verdi's Nabucco

The grand Biblical opera, based on the story of Nebuchadnezzar, that first launched Verdi to fame.

St. Margarethen Opera Festival, 2007 (Igor Morosow, Gabriella Morigi, Bruno Ribiero, Elisabeth Kulman, Simon Yang; conducted by Ernst Märzendorfer) (click CC for subtitles)

Rossini's La Cenerentola (Cinderella)

The world's most famous fairy tale reimagined as a "realistic" comedy of manners with sparkling bel canto music.

Studio film, 1981 (Frederica von Stade, Francisco Araiza, Paolo Montarsolo, Claudio Desderi, Paul Plishka; conducted by Claudio Abbado)

[imagesdrolesnet]

J’aime ça!

[youri-garfinkiel]

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