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gfeblog · 1 year ago

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IN SEARCH OF HOME: THE HEART OF 'SAN FRANCISCO COWBOY'

Steve Long Director of Global Film Exhibition in conversation with Director Hassan Zee

I'm intrigued by the heart of your film's story a young cowboy's search for his mother. What’s the personal story behind this? Is there a bit of your own life reflected in it?

I met a character at the premiere of my first film 'Night of Henna'. We went for coffee and he told me his story which really affected me. He was abandoned as a child so that's where the story came from. The character Josh is an immigrant from a small town to a big city and I am an immigrant from Pakistan to San Francisco so you can see a lot of me in Josh. I have been working on this story for more than ten years. You can see a cameo of me in the film. When I came to San Francisco, I had two big bags in my arms and I knew no one. That's where I started my life. Your film brings together the wildness of the countryside with the urban soul of San Francisco. How does your own connection to these places color the narrative?

I was born in a village so I can understand the simplicity of life in the countryside. I have lived in big cities all my life but whenever I go home to Pakistan, I can feel there is something different in the eyes of those people living in the countryside. They look at life differently. Life is slow-paced and there is purity in feelings. Josh is not exposed to the fast and colorful life of San Francisco so the city is new to him. He is lost and meets all these interesting characters in the city who change his life forever. Josh learns a lot of hard realities of life and the viewer learns with him.

"San Francisco Cowboy" isn't just a drama; it's an adventure. How did your love for these genres shape the film?

San Francisco Cowboy is my sixth feature film. I always want to give something unique to my viewers with my films. Something which they have not seen before. I wanted to show the real places of San Francisco which have so much history and shape the culture of this city. It might look a bit unusual to the viewer but it's unique and I gave the viewer the real taste of an open city. You can be whoever you want to be in San Francisco. San Francisco is more than just a backdrop in your film it's a living, breathing presence.

Can you share an anecdote about how the city left its mark on you or the production?

I am in Love with San Francisco. Living in this city for the last 23 years is an adventure. I wanted the viewer to travel with Josh in this film, experience the real San Francisco experience the story, and meet these amazing characters. I wanted to cast the actors who have lived in the city or know the city of San Francisco very well. We were lucky to find the cast and crew locally in the San Francisco Bay Area. We found Jimmy Darling, Bunny Stewart, Dano Jason, and Kristin Jacques locally. We had great cinematographer Leo Moring and Carrin MacErlane.

The characters in "San Francisco Cowboy" are as diverse as the city itself. How did you find the heartbeat of each character, and how do they mirror the people you’ve met in your own life?

I have met many characters in San Francisco. There are so many young people who come to find their dreams in this city, I live downtown so I meet a lot of these characters all the time. I have conversations with these people as I was a newcomer once to the city and I met people who helped me. Now I help them. I met someone who told me her story and that's how I shaped Paris's character.

The concept of family runs deep in your film. What does family mean to you, and how do you hope this resonates with your audience?

As human beings, we want to belong. We want to be around people who love us. I had an amazing father and mother who have passed into spirit now. We cannot separate ourselves from our parents and in our culture family is everything. Josh wants to know who his mom is and he goes to San Francisco to find her. While growing up he looks at other children around him who had mothers and he did not, So he wants to find out what a mother's love actually feels like. Every film has its hurdles. Can you let us in on a moment during production that tested your resolve, and how you got through it?

Every morning my assistant producer will call and say, 'What's the disaster today?' I will say every morning, 'We will get through this'. When I make films I know things are not going to go smoothly every day. There are always hurdles. I overcome the hurdles every day and still be able to make the film. We won the Grand Jury Prize at Indo American Film Festival. We won the Best Cinematography award at the Cinematic European Film Festival and Best Make Up at the Wallachia Film Festival. When you win all these awards you forget about the hurdles. You go and make another film.

As we follow the cowboy's search for his mother, there's a lot of emotion involved. How do you hope the audience will feel as the story unfolds, especially in those final, pivotal moments?

A lot of people who saw the film cried. It's a very touching scene. That is the moment people have been waiting for while watching the whole film. I think people will not be able to forget that scene. People can also witness some amazing acting in those last scenes by the actors of San Francisco Cowboy.

Your journey is as inspiring as it is unique, merging the worlds of medicine and filmmaking. Having witnessed such profound suffering in your medical practice, how have those experiences shaped the narratives you choose to explore in your films?

I have worked in the burn unit of the hospital and I was working with women who were burned by their husbands or inlaws because these women could not bear children. These women were dying in my hands and I thought I must do something about these women. Give these women a voice. So a lot of my films are about women's empowerment and gender equality.

Finally, what's one piece of heartfelt advice you'd share with someone starting their journey in filmmaking, especially if they’re tackling themes as intimate as those in "San Francisco Cowboy"?

Take time to develop your story, Show your screenplay to trustworthy people to get guidance. Never give up on your dreams

#indie film #film festival #globalfilmexhibition #filmmaking #filmmagic #film marketing

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wulfies-kpop-fanfics · 4 years ago

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One Photo → Mark Lee [8]

↳ Pairing: Mark Lee/Reader

↳ AU: Soulmate!AU - The first touch of two soulmates permanently scars their bodies.

↳ Warning: angst if you squint, I guess

↳ Word count: 2,294

↳ Chapters: Prelude | 1 | 2 | 3 | 4 | 5 | 6 | 7 | You Are Here! | 9

⁙ Summary: For an end of the year photography project, you’re tasked with taking a photograph for your favourite group, NCT127, and coincidentally, discover your soulmate.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

WEDNESDAY - 8 TWO YEARS LATER

The heart of Toronto would never compare to the magnificence of Times Square in New York, but the mass amount of billboards by the Eaton Center always managed to send you into awe during your nightly trek home from work.

You looked up toward the billboards with a sigh as you waited for your streetcar, barely managing to squeeze out a smile as you saw Mark’s visage splayed along one of the electronic spaces. The night sky was too polluted with the city’s light to display any real stars, but Mark’s face was more than enough for you. For the past week, you had seen NCT127’s faces sprawled across that billboard, part of promotions for their latest global comeback. It was a brief respite as you waited for your streetcar home every night, to finally know that the day was over and that you could relax.

It had been such a long time since you’ve seen Mark in person. Even though you texted him every day when the two of you were awake at the same time and video chatted whenever he had five minutes to himself, it always felt depressing to be without him. To not kiss or touch or hug at all was torture.

Everyone knew that it was deadly for soulmates to be apart for so long, that depression would set in and even worse physical illnesses were a real risk. It was hard to be so far away and over the past year you had been let go from multiple jobs because you were constantly sick, and therein lies the problem. You simply couldn’t afford the solution to your problem. So, depression and illness it was. It took everything you had to keep your head above water, to keep your dream alive and know that one day your heart wouldn’t ache as much as it does at the present moment.

After a 20 minute ride on the streetcar, you entered your building and took the stairs up to your little hole-in-the-wall apartment, the bare minimum that you could afford after Rhiannon paid her last half of the old place’s rent. A single bed, bath and a tiny kitchen that housed a little chair and round table. Thankfully, there was enough counter space that you could place a tiny TV to watch Netflix on while you ate. You were lucky that the house had a large living room, which doubled as your studio.

The coffee table was one of the only things left from your old apartment, along with the tote of Marvel films you kept hidden below it. Atop the table now rested all of your cameras, a drawing tablet and cards that you got in the mail from Mark from time-to-time, instead of notes, binders and textbooks. Sitting against the wall across from the table was a small bookshelf and an easel with a large frame sitting on it, housing the last portrait you finished the night before, ready to be shipped to the buyer.

After… somewhat enjoying a quick pot of white cheddar mac & cheese and watching a rerun of Supernatural on your little TV, you head into your room and sit at the desk next to your bed. After starting your computer, you opened up discord and sat back in your wheely chair, waiting for Rhiannon’s status to change to green. Wednesday was the day that she had to be up early for her job, so that meant time for a 10-minute call before you went to bed and she went to work.

Next to your computer was a copy of the photo you took two years ago, of your soulmate and all his friends beneath the shedding cherry trees in High Park. You smiled at it, the memory was fond but now faint in your mind. You reached forward to pick it up, but you stopped yourself. You knew that if you inspected the photo more, you’d only miss Mark and all your friends more.

There were times where your apartment became so quiet that it reminded you how alone you really were. You had lived with Rhiannon most of your life, and that meant there was at least some noise going on at all times. Whether she had her headset unplugged when she was listening to music or watching youtube videos, she was clattering about when helping you wash and dry the dishes, or if she was walking around and tripped on nothing. She was always talking, laughing, or doing something that always let you know that she was there. Now, you had nothing.

The silence is broken and you’re startled by the calling sound from discord, Rhiannon’s icon popping up on the top of your screen. You place your hand on your mouse and click the join call button, adjusting the webcam perched on the top of your desktop monitor.

"Hey," Rhiannon was the first to speak, yawning and reaching back to pull her hair into a perfect, tight ponytail.

"Hey," you respond, watching her closely and leaning your chin on your right palm. "How are you holding up?"

"I should be asking you that, Jesus, you look like the Hulk if he got the swine flu," she retorts, and even through the grainy quality you can tell she has sympathy written all over her face. "I'm doing great, we've got two cleanings today and a wisdom teeth removal, so that'll be fun."

You scoff and attempt to smile, "I'm fiiiiine, other than the fact that I'm here and you're there, 13 hours in the future and at least one ocean in between us and an entire continent and a half. I'd say that constitutes abandonment."

"I got the getting while it was good and you know that," she stuck her tongue out at you. "You need to keep saving so that you can fly your ass out here." She squinted at the screen. "You really need to drink like… an entire bottle of nyquil, dude."

"If only it were that easy," you groan. "I don't even have a photographer's position yet. All I get is sitting at a desk and responding to emails… even with my head start, I can't find a good job and I barely make enough to keep living in Toronto." You stick out your tongue back at her for the nyquil comment. "As if I haven't been hiding a bottle of dayquil in my desk for the past week."

Rhiannon stopped what she was doing and leaned toward her camera. "You know why you can't get the jobs you want," her voice is soft, empathetic. "Mark is having trouble, too. He's been doing a lot of half days, so I don't know how they plan to do their tour with him being constantly sick."

You looked away. "I can't afford to take any more time off… I don't want to lose this job. If I do, I'm not sure that I'll be able to make my rent."

"You're going to need to take time eventually,” Rhiannon stated firmly. "If you don't get at least some of your strength back you're going to end up in the hospital like I did. Remember?"

You glanced back at your screen, watching Donghyuck wander around in the backdrop. You were beyond jealous that they got to live together.

"Maybe. I just miss you. More than I miss having a clear passageway in my nose."

Rhiannon smiled sadly at you. "I miss you too, everyone does. You'll be here soon, I promise. I gotta go, sleep well and drink plenty of water, okay?"

"Okay."

Rhiannon waved at you before her screen went dark, ending the call. The call was shorter than usual, so you presumed that she had woken up late. You zoned out a little, acutely aware that the apartment had gone silent again. You didn't want to cry, to give up after surviving for so long. You had made it this far without letting everything get to you.

You knew that your deteriorating health was because of your separation from Mark and companies saw that as a liability, even though laws had come into place last year to protect separated soulmates from workplace discrimination. You felt a tiny ping of hope when Rhiannon said you would be able to move soon, but you knew she was lying to make you feel better.

Feeling lethargic, you stand and make your way to the dresser in the corner of your room, stripping and throwing your clothes about the room. You open up a drawer and pull out a pair of sweatpants and the softest t-shirt you could find and slipped them on, wandering to your bed and slowly climbing in. You slipped off your glasses, placing them on your desk and reached forward to turn off your lamp.

You hugged your polar bear and tried to get comfortable, hoping to fall asleep quickly. You supposed you could call into work when you woke up; at least your manager was nice enough to understand when you needed a day off. You rolled over, tossed and turned, but sleep wouldn't come. Not while your phone was constantly buzzing.

"What the hell," you mumble to yourself, untangling yourself from the knot of blankets you had tied yourself in to reach for your phone. Your lock screen lit up with a photo of Mark, one you had taken two years ago of him standing in Union Station.

[Rhiannon (5)]

She sure knew how to type quickly.

Rhiannon: I'm on my way to work, I'll let you know when I'm there

Rhiannon: sorry our call was so short, I was running a little late

Rhiannon: I talked to Mark last night, did he say anything?

Rhiannon: are you asleep already? It's been like 5 minutes

Rhiannon: ok you're basically just ignoring me at this point

You: calm down bro I was getting in my pyjamas

Rhiannon: I forgot how slow you get when you're sick, I could die of boredom waiting for you to respond

You: hardy har

Rhiannon: so have you talked to mark today?

You: around lunchtime he woke up from a nightmare but I assume hes busy right now

Rhiannon: Things have been pretty bad around now, I think you might have guessed that

You: Yeah, things aren’t really that great here either, but I’m more worried about Mark… have they given him time off?

Rhiannon: Not much besides half days. He’s really been missing you. Maybe you should message him and see if he’s not busy

You: Yeah, maybe. I feel really guilty

Rhiannon: I know. I still could help you buy your plane ticket, you know. You: You know I can’t do that, I can’t take more from you than I have already. I owe you too much.

No response.

You: Rhiannon I’m sorry

You: Come on, you can’t have scrubbed in that fast!

You sighed, staring at your screen and still seeing no response from your best friend. You took a deep breath in and immediately regretted it when you began coughing up a lung, but at least you weren't upchucking your dinner. Instead, you decided to send a text to Mark.

You: mark, you there?

You close your mind for a moment, thinking that maybe going to bed even later than usual would just make you more sick in the end, but you really needed to know what was going on.

Mark: yeah I'm here babe, what's wrong, can't sleep?

You: no not really… do you have time to talk for a bit?

Mark: yeah, my legs gave out during our first practice so I'm taking a break

You: I'm sorry

Mark: it's not your fault (Y/N)

You: it kind of is, we're both dying because I can't afford to move

Mark: (Y/N), we're not dying, and it's okay, you'll be able to move soon

You: face it you know that we are… I haven't felt this horrible in a long time and I've thrown up three times today

Mark didn't respond right away.

Mark: why are you putting yourself down so much

You: I just… have a lot of regrets right now

Mark: what do you mean

You licked your lips and rolled over in bed, wondering if you should tell him.

Mark: are you okay?

You: no, I feel like this would make you hate me

Mark: I could never hate you and you know that. Tell me what's been bothering you.

You: For the past while… Rhiannon’s been offering me money. It’s honestly not much because everyone’s struggling nowadays, but it would be enough for me to fly to Korea, and I’ve felt so guilty about it that I kept saying no and she stopped offering

Mark: You mean that you could have been here faster? You: and now I feel that saying no was a really bad idea… and I.. I can’t afford anything, barely even food and now I hear that you’re even more sick than I am and I feel terrible

You: I don’t know what to do

Mark: It’s okay, (Y/N), really. I know how hard it is to take money from someone else, I’m not mad at you

You: Really?

Mark: I’m just disappointed that I have to keep waiting. You’ll be able to move soon, I promise, I promise, I promise

You: Are you going to be okay

Mark: As long as you are. Take care of yourself, okay? I’ll be there for you the second you land. Okay?

You: Okay. I… I should probably get some sleep now. Mark: Rest well, I love you

You: I love you too

You sighed, placing your phone on your desk and turning over in your bed. It was time.

#mark lee #mark lee x reader #mark x reader #nct127 #nct #nctu #nct scenarios #nct imagines #reader insert #fanfiction #kpop fanfictions #kpop scenarios #kpop imagines

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popculturebuffet · 4 years ago

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Ducktales: Terror of the Terra-Firmians! (Lena Retrospective) (Commission by WeirdKev27): Launchpad Looses his Last Brain Cell and I Loose My Patience

Welcome back Weblena Warriors to the second part of my look at everyone’s favorite Emo Teen Shadow Lesbian Duck... and probably the only one but hey, semantics, Shadow Into Light, which was made possible by viewers like you, the ultra humanite and a commission from WeirdKev27. Picking up where we left off, we have our first episode that has a different intended order than airing order.

As most of you probably remember, but some of you who joined later might not be aware of the broadcast order for the first half of season one is, in the academic sense, pretty fucked. It’s not Darkwing Duck’s entirely fucked by a web of badger spiders and a queen snake on top to make it some sort of train situation, but by just sorta airing whatever episodes they wanted to, Disney messed with the character balance so Huey got less focus, not that he got a ton of focus this season but still, as well as leaning into the episodes focusing more on the kids with less involvement from the adults which gave the wrong impression about the series. While it IS very focused on the triplets and webby, the show isn’t entirely about them, but as Frank has mentioned a few times, Disney Channel apparently has this WEIRD thing where they assume kids won’t like stories starring the adult characters.

Yeah I’ve been wanting to talk about this for a while. Mostly how it’s so dumb I could swear Pauly Shore was an exec at Disney Channel. And he might be I don’t know what he’s doing these days and i’d like to keep it that way. For starters, the Scooge comics, while barely published in the US these days, are still popular globally and have appealed to kids and adults for generations and are mostly focused on him, with the kids in a supporting role and Ducktales, you know the thing your directly remaking here, was also mostly about him with the triplets supporting, if a bit less than the comics. Most of the Disney Afternoon was about adult characters, with any kids in side roles in the main cast. And it comes off entirely hypocritical of them to say this when the MCU is easily marvel’s biggest cash cow at the moment, and marvel properties have appealed to both kids and adults, like the duck comics, for decades. And if it’s because the marvel cartoons weren’t doing well , I’ll let you in on a little secret: Those didn’t do well because they looked bland and from what I’ve seen of them felt kind of bland, though I haven’t seen enough to fully judge. Kids LIKE adult characters as much as kid characters, and also like teen characters despite not being teens. Focusing on either is valid and while I LIKED Disney’s youth starring shows I also want another X-Men cartoon before I turn 50, and I bet kids would like that too, with the last one only failing because you bailed on it because you were throwing a hissy fit over fox having the movie rights, and do not get me started on that. Point is this argument is horse shit and should stay in the stables.

So yeah I do think this episode came too soon and it’s placement effected it at the time and as such it dosen’t have the best rep with the fandom aside from the Lena bits and that includes me. The fact it was very early in the series and the characterizations hadn’t yet sunk in really hurt this episode in places but is it really that bad? Join me under the cut to find out

We open at the movies! Which scrooge apparently hasn’t been too since the 1930′s or seen any on video despite Della existing and being really stubborn.

A rant for another episode. But the kids just got out of a Mole Monster movie, along with Lena, Beakly and Launchpad. Their reactions are as follows: Lena, Webby and Dewey really enjoyed it, Huey found it unrealistic... says the boy whose uncle fought a dragon made of gold a month or two back but we’ll get to that, and Louie was bored and felt it didn’t have enough of the ultra violence, kids these days it’s not about the gore it’s about the tension. And Beakly.. is just pissed Lena tricked them into seeing this and said it was educational. And the more I think about it the more this sounds like BEAKLYS fault than Lena’s. BEAKLY is the one who likely bought the tickets, who saw it was likely an r or pg-13 and who as we’ve seen HAS A PHONE, and ulnike scrooge probably isn’t so stingy she wouldn’t spring for a smart phone, so she could’ve just googled it, or whatever bird related pun is in this version.. gandered it.. yeah let’s go with that, gandered it, and SEEEN it wasn’t appropriate or walked htem out of the theater and ate the cost if she was that bothered by it. Sitting through a Horror Movie you didn’t research, didn’t pull the kids out of and dind’t bother to even check the poster for or use basic common sense is YOUR fault. And this could’ve worked fine, had Lena talk the kids into begging for it or had launchpad take them and have Beakly find out after, having driven to pick them up as she didn’t trust launchpad to take them home. Instead it makes the former super spy look REALLY stupid and feels really out of character for a SPY to not to do research. And it wasn’t like they decided on this later, Bentina being a spy was part of the character’s backstory from day one and its made clear as early as episode 2 in both airing orders. This is just lazy writing to justify the episode and I expect better from this crew.

But an argument errupts between Huey and Webby over the Terra-Firmians, a hidden race of rock people living in Duckburg’s discontinued sewer system, allegedlys. So Lena suggest simply going down which gets a disapproving look from Beakly, despite you know this being their bread and butter, and the fact that if she had a problem with Scrooge not being involved.. she could just call him. Exploring fabled rock people is something he’d be into. I mean there’s a low profit margin but it also costs him almost nothing to walk to the theater or have launchpad swing around and pick him up. Just gas which given how much he pays for jet fuel isn’t a big ask. But Beakly soon gets distracted by Launchpad whose convinced the film is real and is attacking the poster a grim sign of things to come as while Beakly annoyed me in this one on rewatch, especially after realizing the above... Launchpad annoyed me both times and for VERY good reason we’ll get into. This provides a distraction and allows the trio to escape. Cue titles.

After the title sequence, our heroes head deeper underground, there’s too much panic in this town... I mean props to Donald for trying something new but he really needs to rethink his cologne choices. Sex Panther is just.. not a good smell on.. anyone.

So our heroes journey through the depths of the subway system, and we find out part of why Huey’s so skeptical, as he finds anything that isn’t in the Junior Woodchuck Guidebook to not exist, though the cracks in this already show as he’s added anything that does. We’ll get back to this later but as you can tell the basic dynamic for 24 minutes is Webby being a wholehearted True Believer and Huey being a Skeptical Sally. And Lena is just sorta “Eh gives me an excuse for shenanigans” about it. We also get a peak into webby’s mind as we see her notes .. which really just come off as Terra-Firmian fanfiction involving a war of succession between two sides, the terra’s and the firmies, something based on previous media, and also some doodles of a fictional candy called webby-dings and herself as a superhero, both things I want to see.

But yeah the first third of the episode is pretty simple, just them journeying, the occasional shift in the firmament, and it’s not bad, and there are a few great bits: Huey nerds out about rocks, and finds them way more interesting than a possible rock monster.

Which leads to the best gag of the episode as when Huey tries to pick up a big sample Webby, annoyed at his hyperfixation on the JWG, asks him to ask his book for help.. which he does by reading it and actually manages to pick the large rock up. This is halted though when Lena screams.. though she really just did it to draw them to an abandoned subway car full of glomgold posters for glomgold products because of course a failed subway project has his name plastered over it. You can’t spell glomgold without failure.. the failure is silent. Glomgold is not.

The fun is interuptted though by a livid Beakly who had realized they were missing in an earlier scene, after telling the Manager that McDuck Industries would pay for the poster.. and then found out Launchpad also destroyed the toilets “They come up thorugh the sewers!”. Launchpad that’s CHUDS, Ninja Turtles and Rats who raised Ninja Turtles like their own sons, mole people dig or use old mineshafts. It’s basic mole science. Also Beakly really shouldn’t sweat it, I just assumed the city has had a runnig bill witht he company for “McDuck Family and Employee Related Accidents, Mayhem and Shenanigans”. I mean he’s had Gyro on his payroll for at least a decade and a half by the series start, Gyro has leveled whole sections of city in an afternoon more than most giant monsters. Of which several have destroyed Duckburg. It got better.

Point is she’s livid about them sneaking off with Lena pointing out their some sort of adventure family and Beakly.. saying she won’t see them again, or at least implying it hard. I’ll put a pin in this, as the train buckles and a bit of seismic, or rock men, activity means their stuck. So they divide into teams: Beakly will go try and unhook the train car from the busted cars so they can ride out, Launchpad will go try and fix it, and we get this lovely exxchange as a result

Launchpad: Cool never crashed a train before Beakly: Can’t you try driving it without crashing it? Launchpad: Wha?

His face in that scene is priceless. He takes Dewey along. More on that in a second. Webby, Huey and Louie are told to stay put with Beakly only bringing Lena along because she dosen’t trust her. So since we have three split plots for a second... let’s split up gang, starting with the most aggrivating, middling with what you all came here for and why this is part of the retrsopective, and ending with the plot that directly heads into the final part of the episode.

Launchpad and Dewey: GAHHHHHHHHHHHHHHHH

Okay starting with the most infamous plot and easily the worst part of this episode, probably the worst plot in any Ducktales 2017 episode. That’s not hyperbole it’s really that bad and really pissed people off, as fans of the original launchpad felt they made him overly stupid. This is where the airing order’s a problem as putting an episode with a subplot where one of your characters is obnoxiously dumb right up front means they assume this is his charcter and not just one poorly written chapter in a very dumb but very loveable characters life, likely because the writers hadn’t figured out how to properly scale his stupidity with comptience.

So as a result we get a good 3-4 mintutes if not agonizingly more of Launchpad assuming something he saw in a fucking movie film was real. That.. that’s his actual plot. Need I remind you, he’s in his late 20′s early 30′s. He’s not much older than me. While other episodes have him as dim this one claims he CAN’T TELL FACT FROM FICTION.

There are lines you have to keep with your characters to keep the audience from hating them. They crossed it about 80 times with this plot and make Launchpad into a gibbering dunderhead who can’t do anything right versus a regular dunderhead whose good at one or two things and loveable enough for us to like him and not care about his numerous safey violations and child endagerment charges. Thankfully this is the ONLY episode that gets this bad and they clearly learned from this, but it dosen’t make it any less of a tough sit.

Dewey spends most of the subplot with a look on his face that just screams that he’s as done with this bullshit as we are, as Launchpad assumes he’s a mole person and brought along a pipe to presumibly bludgeon him, because wanting to cave his best friends skull in over stupidity is a GREAT look> Thankfuly he does not. And when the lights come back on Launchpad.. assumes he’s a monster because of bright light, GAH, and locks him out before they end up outside and the plto resolves itself by Dewey pointing out by Launchpad’s utterly baffling logic that he could be a mole monster, so Launchpad.. assumes he is.

The subplot’s later buttoned up as he claims “I love being a mole monster”, again diffrent subteranian creature launchpad, she says he’s not and my suffering is thankfully at an end. This plot just sucks, it’s bad, overly stupid and dosen’t work with an adult character. Someone like say Ed from Ed, Edd N Eddy, or someone who belivies in weird conspiracy stuff like Dale Gribble or Stan Pines. with either of them this plot would’ve been fucking great. I could buy it from Dale and it just comes off as his normal paranoid weirdness. With Launchpad it comes off like he seriously needs help because the episode frames it as if he can’t tell ficton from reality, and his splotlight episode later would directly contridct this and make this episode even more aggrivating, as he’s a fan of Darkwing Duck, and KNOWS it’s acted out by an actor, so why wouldn’t he get this? It’s just....

It sucks, it sucks and I thankfully get to move on to a better subplot

Beakly and Lena: What You Are in the Dark

Beakly tells Lena she’ll never see Webby again after this.. then chastises her when she won’t help despite you know having just said she’s going to force their friendship apart, which Lena points out. She then gets mad at Lena making a sarcastic comment at her. Okay she’s lived with Louie for at least a week in airing order and a month or two in actual order. She has to be used to this by now. She’s insolent.. because you show her no respect, blame her for something that while sure she talked you into, you should’ve known better, and top it off by saying you want to keep her from the kids because they have bright futures and come from good familes and asks who rasied her and her face.. well.

Yeah wheras Launchpad and Huey, more on that in a second, were hurt by this being some of their earliest big roles, Bentina wasn’t.. until later when we found out just HOW bad Magica is to Lena and how much she dosen’t care about her other than as a tool to use. At this point we didn’t know just how much Lena was playing webby, how much she was only manipulating her, and even with her heroic act here we didn’t know if she only saw Webby as her way to break free. The next episode makes it clear she dosen’t and genuinely does care, 100%, so in hindsight it makes Bentina come off as ghoulsih for horribly asssuming about a girl she dosen’t know, and even if she did know about Magica wouldn’t know the full story, just like us, and then BERATING her after already saying she’s going to rip her away from Webby, which itself is PRETTY bad as she’s the only friend the girl has and sh’es doing so on... talking them into a horror movie, which as I outlined was more Bentina’s fault than Lena’s, and leading the kids into a dangerous place whicha gain, Lena pointed out is something she lets Scrooge do. And trust me i know that she actually knows Scrooge, and we later find out, as we’ll cover next month, that she isn’t ware HOW dangerous things are with Scrooge. It dosen’t change the fact she knows they do dangerous stuff to a point and that Lena may just be acting out. It also dosen’t change the fact she drove three children, yes including launchpad, down here with her instead of sending them home with Launchpad.. granted that option isn’t the safest but it’s safer than taking her with them thena cting like it’s ALL lena’s fault when three of the children, again including launchpad, are down there because of HER. Not Lena, HER. I’m harder on her because she’s older, wiser and was “raised properly” apparently. Though given the way she treats a random teen off the street she again knows nothing about and dind’t bother to ask... it begs the question.

IT’s a good question. I could see the classism coming from being raised in 40′s and 50′s britain, judging by the timeline.. but even then she’s seen the world, and while her nature is supscious, the classit bullshit makes no sense after presumibly working with, and later spymastering for, various agents of various backgrounds. How has she not dropped this in decades. Scrooge very clearly dropped the racisim and homophobia of his time, so it still stands on her for not dropping this. And Lena’s hurt shows under hte mask for the first time, that beneath the snark and secrecy.. is just an abused teenager with nowhere else to go and no way out being bullied by an older woman whose cutting off the only light at the end of the tunnel nto for good reason but out of classist, overprotective mallice. My issues, which to be fair probably were intentional in the episode but sitll are a bit overblown, aside we do get an absoluttley tremendous moment later as a car falls on top of Beakly.. and Magica, speaking once more urges Lena to leave her, let her die and let their plans progress. And while that iself is.. dumb, what if someone finds her or her corpse later, especially since Scrooge would likely perosnally want to retrive the body to give her a proper burial as she’s his only friend at this point, or the rest of the family questoin the story?, it fits Magica’s lack of foresight we see throughout the season. But Lena... saves her. While she later gives an explination, and a valid one at that, it’s clear from her expressoin, her actoins and how she does it... that this is her. Part of it is defiance, as she glares at Magica before doing it, her own stubborn nature mixed with her hatred of her “aunt”, meaning Magica just made it all too easy for her to do this. But the real reason is clear: It’s the right thing to do. While pissing off her aunt and getting away with it is the cherry on top.. the real reason is that unlike Magica.. Lena is not a killer, not a monster, and not a heartless vacum ofa person. Even if she doesn’t like Beakly, for good reason.. she can’t, she WON’T leave her to die and leave Webby an orphan again. She loves Webby too much to do that to her and while she may deny it.. she’s too good a person to leave someone to die for something so petty. Even if she never sees webby again and the plans ruined. It’s better than the weight of knowing she let someone who wasn’t trying to harm her and whose actions, while terrible, were out of misguided protection of her granddaughter, die like this. She saves her. And as we’ll see it pays off.. but before that.

Huey, Webby and Louie: Into the Unknown This plot’s a bit shorter, as Webby and Huey continue their argument, with Louie eventually making it clear, and not even hiding it when directly asked by Huey, that he’s playing both sides with a delighted expression on his face as the movie was boring but this, this is interesting. Which it is. But it’s interupted by dings on the roof and while Huey assumes i’ts just a regular rock, it moves while their not lookiung.. and soon red eyed, horrifying beasts look out at them and the kids flee back to the car. This dosen’t pan out as the car starts to shake and is clearly going to collapse.. and while Webby and Louie are prepared to flee, rock monsters or no, Huey, in an utterly heart shattering image.. stays in place, terrified of moving.

This is where this plot goes from mildly aggrivating, as Huey’s Skeptic shenanigans can get on the nerves.. to BRILLIANT. See at the time this was more annoying because it was assumed the skepticsim would be a part of Huey’s character and we’d get more episodes of him being annoying only to be proven wrong, as he semeingly dosen’t learn his lesson at this point, looging the terrafrimians in the guide book. But on rewatch.. this plot is amazing. For starters the plot subtly introduced the defening characteristic of Huey’s personality, one that’s become more prounounced in Season 3: His need for Order. He needs things to make sense: He solves stuff because he likes there to be order in the world and something he can understand, he can put in a box in his head. Like a lot of neurotypical people, myself included, he struggles horribly when the clearly defined boxes of his life and things he undestand have wrinkles or complexities he can’t get. I for instnace easily got it when I was introduced to the concept of trans people or being non binary.. they just make sense in hindsight: given how our brains are messya nd complicated it makes sense some people would be born in the wrong ones, and tht with all the science and medicine we have to correct that, should be allowed to transition if they so choose. It makes equal sense that some people just don’t have a gender or are gender fluid, being both or neither. Despite struggling with non binary prounouns due to force of habit.. I get the concept with no real difficulty. But when it comes to accepting I don’t have to apologize for everything and that everyone is not angry or that anger is natural and people sometimes get mad and you can’t and shouldnt’ fix it.. it’s something I STRUGGLE with even knowing it’s not right, because my brain is just wired that way.

That’s how Huey’s struggle comes off here.. he reveals he’s willing to stay and die.. because he’s SO scared of the unknown, that the idea of dying from something he at least knows what it is versus something he dosen’t.., so paralizyed by his own brain he can’t figure out the obvious.. it takes Webby reaching out to him figuratively and literally, to show him that sometimes you have to face the unknown. The unknown is fucking terrifying.. but it can be good and it’s better than sitting there, scared and unable to move. You have to try, to grow and take that risk that things may not go well to really LIVE.

So he does.. and they reunite with the rest of the group.. and soon find the terrafirmains.. who as it turns out once we get some light on them... are actually just goofy looking, brightly colored, each one matching one of the kids, kids themselves, and Huey reaches out and touches one, which by ET logic means their friends now, and the terrafirmians help them get out. And this lesson sticks. While sure Huey catalogues it and it seems it didn’t.. he’s never this skeptical again. This douchey skepticsim was only for one episode, his fear of the uknown replcaed with boundless curosity and from here on he’s CURIOUS about new stuff as long as it’s not trying to kill him. He loves taking in new experinces, maybe not to webby levels but he does actually try them and study them instead of just fearing them.

Before we wrap things up, obviously we need to talk about the JWG not having entries on a lot of stuff. This would be corrected next season as it returns to being a big book of everything, but dosen’t completely contridct this as Timephoon! shows there’s stillcgaps.. which i’m fine with. While it knowing EVERYTHING was fine for the original series here, with things being slightly more groudned, it’d just be an obvious plothole if Huey didn’t use it every single time they ran into something and that’d get boring. Instead it’s simply that it dosen’t know everything, and really in the comics at times it didn’t and the triplets found out new things. It knew almost everything mind you, but having some gaps for dramatic tnesion is fine with me and Seasons 2 and 3 decided on that instead of just having it being a scouting manual which wa sfor the best. And even by later in the season hit has guides to getting a small buisness loan, so they already course corrected.

So everything’s wrapped up and while Magica berates Lena for disobeying her.. Beakly interputps, thankfully not seeing magica and admits she was wrong and invites Lena for pancakes, even taking a crack about if their actually pancakes or english muffins with syrup, which sounds like my own living hell, in stride, having clearly grown. And Lena explains to Magica that this was the better approach: now she’s got the in theyw anted, and is above suspcison for now. Still not so much that an obvious act won’t be detected but enough that she dosen’t ahve to work actively around her anymore. Magica scoffs.. and while part of it is probably rage.. part of it is deep down both of them know she did it out of defiance.. and only Lena knows that she did it for the right reasons... she just dosen’t get why. She probably justifies it as playing the long game.. but deep down she knows something’s changing about her.. and she’s not sure if that’s a godo thing or not.

Final Thoughts: This episode is as you can tell a mixed bag. It’s 2/3 of a good episode, with the Lena plot, my issues aside, being excellent and the Terra-Firmian plot likewise fun, even if Huey can get grating the payoff is worth it, and the jokes are really high quality. It’s just bogged down by that fucking launchpad plot that just crushed my soul in it’s palms every time it came back. I went on at length why i hated that one but boy oh boy was the hate of that subplot warranted and I stand by calling it the worst plot of the series. It is: it’s not funny, it makes no goddamn sense, and it drags down what’s otherwise a pretty solid epsiode.

Next Time on Lena: Jaws the shark, lurking in the dark, in the depths of the bin one day of a lark decides to get rowdy, get real violent takes a vacay out to Duckburg er.. Island.. also Scrooge faces his greatest Nemesis.. a PR Tour to clean up his image after an unfortunate giant Beanstalk Incident. Be there and be hip to be square.

Next Time on This Blog: I Tackle a DCOM for the first time for another commissioned review as we take a look at racisim, specifically Apartheid and breaking indoctrination, with The Color of Friendship. See you next Rainbow.

#ducktales #ducktales 2017 #lena sabrewing #webby vanderquack #weblena #bentina beakly #launchpad mcquack #huey duck #louie duck #dewey duck #terror of the terra-firmians!#disney channel #disney xd #disney plus #disney #disney ducks #comissions

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the-moon-prince · 4 years ago

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The Last Of us~Kurapika x Reader ~Chapter X

AN: Hi my lovely fellows!

I’m sorry for the delay! Thank you so much for your patience and support! I’m here with the new chapter! I jope you will enjoy.

I wish you a pleasant read, and I hope you’ll enjoy the new chapter of my story. (Chapter I) (Chapter II) (Chapter III) (Chapter IV ) (Chapter V) (Chapter VI) (Chapter VII)(Chapter VIII)(Chapter IX) (Chapter XI coming soon!)

Paring: Kurapika Kurta x GN! Reader

Word count: 2 652

TW: Mentions of Hospital ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

The swings.

(Y/n) loved swings. So charming and amusing.

Even if they couldn't play like the other children, they could always go to the swings. Waving forward and then backward. Heights frightened them and even now terrified them. But with the swings, it was not like that. They felt brave and free. They had visited many. However, they remembered one in particular: the one that his grandfather gave them. The one in the garden of the house where they grew. When they swung, they could see the clouds and the sky. Knowing that their family saw the same azure as they did. They remembered the wildflowers that flourished at the end of the tubes that held it. They had quite a few memories of that swing. That also took place in that location. Their mami's face of horror at seeing them on the ground coughing blood tormented them for a while.

They were back in the hospital. They knew that they would return. The lonely hours where no visits were allowed seemed long, even reading.

The moments when they were able to be with their grandparents were joyous. Perpetually trying to smile so they wouldn't worry about them.

"(Y/n)!"- a voice cried their name.

They lifted as fast as they could, responding as well as the tubes in their throats allowed.

"Julian!"- They felt so relieved to see him. Each night they spent awake, believing that they would never see him again. The boy, despite being simply 2 years older, was much taller than them. He ran to them sobbing and held them as if they were going to vaporize.

Because that's what they believed.

"(Y/n)!"-he sobbed their name again-"I'm so sorry; I'm so sorry; I shouldn't have left you alone that day. Not because you can't play ball with me, I want you to leave me."-his grip tightened.

They were weak, and their arms were shaking. Yet, that did not prevent them from returning the hug with all the strength that their small body had.

"It doesn't matter anymore. I'm not upset right now."- they consoled.

If they were in his village, the two of them would look more like animals. Julian's tail would surely shake restlessly, and (Y/n) would rub their cheeks into him. They would be cat and dog, but they loved each other so much. Regularly playing clapping games, going for walks, reading together, or playing video games together. It's not like (Y/n) had someone else. From an early age, they had had difficulties relating to other cubs, including adults.

"Julian, watch out for running! They are going to scold us!"- a sweet voice called. Immediately two elders entered, their hands full of bags and gifts.

"Mami, Papi! Hi!"-they greeted, already smiling.

It was an afternoon full of laughter, cake, sweets, and gifts. They played cards and chess - matches (Y/n) won- watched movies, read new books, and hugged stuffed animals. Except it was not (Y/n)'s birthday.

Only visiting hours end sooner or later. And their company had to withdraw. The only difference was that the man stayed a while longer. Opposing hospital rules, which, as a doctor, he had never done previously. (Y/n) stared at him for a moment, not delivering eye contact, until they looked up.

"Papi, I'm going to die?"-they were looking directly in his eyes, searching for a response.

They had a particular method of expressing their feelings, but that didn't mean they did not feel-they possibly felt with more intensity than the majority. Most would expect a kid their age to cry in that situation, but they did not cry. They were smiling.

"(Y/n)..."-the old man whispered and sat near them. He hadn't the courage to say it.

"I can't tell you that. However, if I can tell you one thing."-he took out a small case from the pocket of his trousers. He held their hand and placed the present in their palm-"Whatever happens, I'll be with you. Wherever you go, you will not be alone. And if so, you have nothing to fear."

When they parted the lid of the box, in its inside covered in red velvet, laid a pair of earrings. They were drop-shaped pearl pendants. A peculiar gift for a kid their age. Most would give jewelry like this to someone older.

"My grandfather gave them to my mother, she gave them to me, and today I give them to you."-he continued-"When you have them on, I will accompany you wherever you go. Since our auras live in flowers, a part of mine lives in those earrings. I'll be reminding you who you are and where you come from. So don't forget that you have a home to go to. Don't be afraid (Y/n)..."

The room's door was locked, and the curtains were down. The old man did not own the same appearance as moments ago; he resembled a massive wolf. Intense but soft fur and a spot on the right ear. He knelt to be at the child's height. They looked into each other's eyes, which some say are the door to the soul, for a long time. Without vociferating a word.

"I love you (Y/n)."-he wept, holding his tears.

The mentioned one offered him a smile.

"I love you, Papi."-they mumbled. They leaned forward to hug him, taking the opportunity to snuggle in the older's neck fluff.-"But I am not afraid. Not at all."

The man hugged them back. His paws were so big that they would definitely fit them into just one of them.

After that, he left, promising that they would return the next day.

What they told was a lie, they were afraid. They sobbed enormously that night, except they didn't want their family to see them that way.

Kurapika opened one of his drowsy eyes, not feeling the embrace anymore. For a moment he was scared of being alone, that it was all a dream. Though (Y/n) was right next to him. Sitting on the mattress, their backs on the bed frame. They were not sleeping, just staring at the emptiness.

"(Y/n)?"-he groaned, the voice hoarse from sleep.

The appointed blink, as if dispersing the spirits that had them trapped.

They turned their heads to detect where the voice was originating from.

"Kurapika?"-they whispered, the speech clear.-"My apologies, did I wake you?"

"No. Rather, what are you doing awake?"-he was already awaiting the worst.

"I woke up and couldn't go back to sleep. Don't trouble yourself, please."-they quietly answers with a smile.

How could they request him not worry for them? You can't stop caring about what you love.

"What hour is it?"- he inquired, a bit bothered about the fatigue they might receive in the morning. At least it was Sunday, meaning neither of them had to labor. They would have the possibility of recovering hours of rest if they required it.

After a few seconds of silence, they answered-"4:37."

Kurapika knew the hard nights when attaining rest in a lonely bed seemed tedious. The difference is that they were not abandoned. He was there for them and wasn't intending on leaving anywhere anytime shortly.

At least they hadn't had a nightmare, if so they would have told him so, right?

He lifted the blankets as a symbol for them to lie down next to him over. He didn't know if they would. Simply with them reclined anew, he would be satisfied. They paid obeisance to him, approaching and lying down nearby him. They came face to face. Kurapika enveloped his arm over their body, they did not hug him back. Yet, they pressed their forehead on his chest.

The morning was peaceful and pleasant. Kurapika and (Y/n) were sipping coffee and eating leftover cake from the night earlier in the salon. A disk was playing on the record player. The melody was smooth, the saxophone and the lyrics combined quite well. The silence among the two was charming. From time to time, they were silent, in the same room, just savoring the existence of the separate person. Not because they had nothing to tell. Rather, it was a matter of having their own spaces without isolating themselves.

Except, the silence always finished up breaking.

"I suggest we watch a film tonight. Today you can choose it if you'd like."- Kurapika enunciated, happy to spend quiet time with his lover. Having relaxing nights was rare.

"I...I deem the most convenient thing is for you to come home."-they hesitated, to resume right away-"Not that I don't want to be with you. I'm pretty occupied tonight, and I don't wish for you to miss a night of rest."

The answer surprised him at first.

"Are you going to cover someone in the unit anew?"-he questioned fully of irritant. They were profiteers with (Y/n). His companions rested on their professional integrity and goodness. Kurapika got tired of seeing his lover could stay awake nights in a row to cover night shifts or take care of delegated documents. He knew they would not leave a patient to their own fate; although he foresaw to have a discussion concerning it with them.

"No, not this time."-(Y/n) disclosed. If it was simple paperwork, they did it often with him, as long as he did not interrupt them.

"What will you do?"-he scoffed this time, no commitment had been mentioned to him. Although they had a poor mania to omit some points, not maliciously; globally they were details. That was not a detail.

They resembled uncomfortable. Kurapika already recognized their body language, and despite their perpetual smile, he could read them.

Their gaze was downcast, shoulders hunched, and they played with the edges of their sweater sleeves.

"I'm going to reclaim someone from my clan..."-they wept after a moment of the uncertain reserve.

From the beginning, (Y/n) had helped him regain scarlet eyes. Getting information and accompanying him. Nonetheless, they hadn't mentioned anything about getting their clan back. No contact, no remains, no meeting. Until today. Why? They were trying to preserve him? Did they want to avoid him at a distressing moment? Kurapika believed that retaining such secrets had ended since their discussion. That stubborn part of them that dedicated obstinately to secrecy frustrated him.

"(Y/n)."-he scolded once more.

They narrowed more as if craving to hide from his gaze. He wasn't mad at them. But it frustrated him that he was powerless to help them.

"(Y/n), I'm not angry."-his tone softened-"I desire to accompany you."

Their posture decompressed, though they started to fidget more.

"It will be a rather longspun night. It will be tiresome."-they maintained.

"I do not tend."- He would stand firm with this.-"I am here to assist you."

They suspired-"Thank you, Kurapika."-They had communication difficulties to solve, and weren't oblivious.

"What time will it occur, where and with whom?"-he hinted, making sure to know the circumstances.

"The event will be held with a private collector. At his residence at 8:40 pm."-they specified-"Only that there is a relevant detail."-they added with a cautioned voice.-"The collector is another hunter."

The collector is another hunter. Not for lack of ability, but for the votes that restrained their children. It would be necessary to rely upon the strategy to evade some violent confrontation. On top of that, their identities could be in check.

"As it is clearly practically impossible to hide the fact that I am a hunter, I presented myself as a mere fellow hunter fond of oddities."-as suspected they already had a method.

"Regarding your company, we can pivot on my weak appearance."-they continued with the strategy-" He will never believe that a hunter would require a bodyguard, but an assistant is plausible. He told me that the "merchandise"- saying that last word with disgust-"will be weighty."

"I perceive that you had the strategy ready. That's why I don't worry. I'll stick with it."-regarding the tactical abilities of (Y/n), Kurapika did not waver. Their experience was remarkable.-"Still, you must tell me these genera of things."

"Reasonable, my apologies."-they bawled.

Kurapika wasn't going to reprimand them. He was aware that they were not doing it maliciously, the communication obstacles were rather difficulties. He could never get mad at them for having some kind of challenge.

The place concluded up being in an upper-class suburb of YorkNew. For the other hunter to live there, it had to be wealthy. And to be wealthy he had to be skillful. For this occasion, (Y/n) did not use its own vehicle. They rented a truck with a roomy hood. Once the house was spotted, they parked the truck far enough away for the details not to be well distinguished -being black it was conveniently camouflaged with the darkness of the night-but close sufficient to get there quick running.

Before going down, (Y/n) was silent for a short moment. Without moving from the driver's seat. Their pupils would look very dilated if it weren't for the contacts they were wearing. They both wore, so as not to give any kind of clue about their origins. Followed by that silence, they closed their eyes and pronounced a rhyme while poking their chests with two fingers, in a language that Kurapika did not understand. A mantra for good luck, perhaps.

There was no security of any kind seen from the facade. They walked to the front door, which was quite high and made of black wood. Shortly after the bell rang, the door opened. Revealing a man, about 31 years old, but he looked younger. It couldn't be said that he had good taste in dressing, but the clothes they wore were of great quality. His hair was somewhat lengthy yet shorter than Kurapika's and ash-black in color. His aura felt dense and heavy. It was easily deduced that he had no intention of hiding it.

The man, like his aura, was imposing. He made them notice it as if testing their courage and challenging them to enter. Almost as if they were unworthy.

"I presume you are (Y/n)."-he said, waiting. His voice was considerably gruff. The kind of speech that tilts in your eardrums.

"Precisely, a pleasure."-(Y/n) greeted, pulling their hunter license out of their wallet and showing it.

"Good, and he?"-the man pointed at Kurapika.

"Kurapika is here to assist me. I remember listening to you specify that the object was going to be substantial."-they reported hurriedly. Their tone of speech did not denote fear or insecurity. They weren't happy with the rudeness of pointing their lover

"I see. To be a hunter you look frail."-he expressed-"Come in, come in." The walls of the house were wide and the ceiling high. The interior was mostly light gray. The decor had a pretentious modernist tendency. A large number of objects stood out. Of all kinds, but all rare and peculiar. Shelves placed well in sight, figures, frames, vanities. They followed the man through corridors to a small bar, its wall full of bizarre exoticisms.

If it weren't for the assiduousness they were displayed in, one would say that the person was an accumulator. The idea that the person had become a hunter just to gain privileges and the ability to purchase ostentatious exclusive treasures was more and more evident.

"Let's sit down and have a drink."-the man bossed.

"Oh, don't bother. We-"-they got interrupted by the man. It was clear he was vulgar despite his money.

"I don't bother. I want to make sure that I'm not selling one of my prized items to anyone."

#kurapika kurta x reader #kurapika x reader #hxh scenarios #hxh x reader #hxh #kurapika hxh #kurapika kurta #hunter x hunter #kurapika imagine #kurapika x (y/n)#kurapika

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back-and-totheleft · 3 years ago

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"Hollywood rabble rouser"

Late one night in the summer of 2008, I found what turned out to be a stockbroker’s iPhone in the back of a NYC taxi. Turning it on in order to contact the owner, I noticed that amongst the stock watch apps and currency converters was an icon of Gordon Gekko, the corrupt market raider immortalized by Michael Douglas in Wall Street, Oliver Stone’s 1987 tale of insider trading and corporate excess. Intrigued, I hit Gekko’s pixilated face (it felt good) and a website flashed up with an entire transcription of his infamous “Greed is good” speech — one of Hollywood’s most iconic parables to the pursuit of unrestrained greed. Whoever owned the phone found those words as important as checking Facebook or texting his girlfriend. Gekko was his hero, his daily inspiration.

Watching back Wall Street a few weeks later as news of the Lehman Brothers collapse and global recession spread, it struck me that a whole generation of financiers must have grown up, like Charlie Sheen’s character Bud Fox, yearning to be Gekko. He was the business equivalent of a rapper wanting to become Tony Montana, another Stone creation. And some of these brokers, as we’ve all since discovered, were willing to trade money that didn’t exist in pursuit of pin stripe suits, corner offices, penthouses, boats, women, and stacks of cash. Perhaps the perks made the 22-year prison stretch Gekko received at the end of the film seem like a viable risk. Or they deliberately chose to ignore his downfall.

Inspired by financial fiends like Bernie Madoff, Stone decided to spring Gekko out of prison for Wall Street 2: Money Never Sleeps. Set in 2008, he is a reformed character that tries, and fails, to warn business leaders of the impending credit crunch. Many fans are understandably nervous about Douglas reprising his Oscar winning role, especially since his hair gel and brick phone have long been put into storage. Stone, who only agreed to direct the film because he felt that current financial climate lent itself to a sequel, understandably feels that it’s time for bankers to grow up. As the director of Natural Born Killers, JFK and Platoon he’s used to Marmite reactions. But, after giving Dubya an easy ride in W, will Gordon 2.0 be one step too far? Is the world ready for goody Gekko two shoes? Or will traders across Wall Street be deleting their “Greed is good” iPhone bookmarks forever? As they say on the stock market floor, let the bull charge.

Tim Noakes: When you were 18 your father got you to work on a financial exchange in France. Was that your inspiration for Wall Street?

Oliver Stone: No, it was a great summer job actually, because it was very exotic. My father was always into the stock market, into numbers. He loved that world in New York and I grew up on the fringes of it but I wasn’t particularly attuned to it. So it was a chance to see it first hand but I didn’t do very well as a trader. In those days you’d run from the phone booth in the back to the floor. It was cocoa and sugar. It was violent and busy. They used to elbow each other to get into the inner circle, like matadors. It was a real crush. I elbowed my way through it and got up to be assistant buyer, which was very complicated because you had to make the orders for everything right. You couldn’t screw up. A lot of money’s involved. So then I thought I should be one of the cocoa buyers. I was a little too ambitious for my own good.

Your father died before you made Wall Street. What do you think he would have made of it?

I think he would have appreciated that I had done a business movie. We always talked about it. He loved movies and he took me to them. We discussed them afterwards, which was an invaluable experience, and he would say that there weren’t many business movies. And there weren’t. There was not a specific genre. Hollywood was not into the business movie concept. It’s hard. I can understand why. It’s all financial talk, it’s not interesting to most people and it lacks those human emotions. Money is an interesting subject, however, for America. That’s why I addressed it in 1987. I thought, ‘Americans love money’, and what lengths they will go to get it is what that movie is about. Especially coming off Platoon, which is a different kind of movie. I was trying to prove that I could do something domestic with ‘Wall Street’.

The original was very much of its era.

It was the era of “Greed is good” and Reagan. With Wall Street 2, I’m obviously more mature, I’ve done more films, I have more confidence, I hope. I’m trying something a little bit deeper in the relationship field. There’s no Darryl Hannah in the movie. There’s a real English girl this time (Carey Mulligan). She anchors strongly the emotions of the film, because she is damaged. She’s the daughter of Gordon Gekko, if you can imagine what that can be like.

Michael Douglas once said that your style of directing is like taking people into the trenches. What did he mean by that?

He makes it sound like I dress him up in uniform and have a military hierarchy. Every single actor that I’ve worked with, and there’s obviously dozens now, you’d have to talk to every single one of them to get their perception. I would say some would disagree. Maybe Michael, because he hasn’t been in the military, would regard it as a military experience. I didn’t think of it that way. I think of a movie as an organisation that has to work at a very fluid pace involving a large amount of people who have to move quickly over a landscape. Call that what you will. It could be an adventure party or a military organisation. It’s really a satellite business. You form, you group, you rehearse, you shoot, you separate. It’s very nomadic. In that chemistry you bring together so many conflicting types of people who have different kinds of egos. It’s quite a mix. At the end of the day, if you look back at the — what is it? 19, 20 films — that I’ve directed, it’s just a mix of styles. Sometimes it really works with people. It clicks. I think Michael did great work on both films, so I’m very pleased with his result. My style might not have been good for him, but it works for other people. Some people, like Shia LaBeouf and Josh Brolin, were digging it. They loved the way I worked because it was intense and to the point and relatively fast.

Do you see yourself as a hard taskmaster or a disciplinarian?

No, I’m not a disciplinarian. I’m disciplined with myself and I think I try to lead by example not by imposition of my will. I try to lead by example. That’s just to say that people know that I’m trying to get this thing done. My approach is that we’re all in this together. The idea is king. We all serve that king. It is not a democracy, it is a constitutional monarchy, so to speak, with strong legislative power in the House of Lords. No, but the idea is king. I repeat that. Not the director. The idea. I serve the idea.

How do you balance the logistics with trying to create a piece of art?

Oh boy, if I didn’t tell you I wasn’t humbled so many times, you would not believe it. It’s a very humbling experience to make a movie, because you’re at the mercy of the elements. Of the winds and the weather as well as conditions that can go wrong — disease, sickness, bad tempers. All sorts of stuff can happen. Given that nature, to pull off a movie is extremely difficult. The editing room is another humiliation. All your mistakes are thrown back in your face. No matter how many good choices you make, and making a movie involves thousands of choices, you’re constantly having to question yourself again. I find it a very difficult position. I don’t think I enjoy it. I think I’m more experienced at it but I don’t think I completely enjoy it. I think sometimes it’s so painful you want to scream bloody murder and run somewhere.

What’s the cut-off point? How do you stop?

How do you stop? A famous director once said that every film is abandoned, never finished.

So you just let it go?

Some people won’t but I do let it go. I’m not looking for perfection. I don’t believe in it. I believe that a film is many things to many people and it changes over time. I think you have to feel good about it and about what you did. It hangs together and it’s going to be a story that can move an audience. It’s so difficult to pull off quickly. It takes time.

The world’s moved on since Wall Street. Were you apprehensive about creating a sequel to such a well-loved film?

Apprehensions? No. I’d have had more apprehensions if I’d had to do it in 1990, I think. Twenty-three years is a long time to call it a sequel. I think of it more as a bookend.

Don’t you think that’s laying you open for even more criticism? Look at what George Lucas did with Star Wars..

We’re not going back into that period. The beauty of this thing is that there’s a new period upon us, which is quite different, technically. It’s a different kind of Wall Street. The landscape has changed. It’s no longer 1987. It’s really a computer game now. The money has accelerated at a square root that is beyond belief from millions to billions. Hedge funds invest 30–40 billion dollars. Even to have one billion dollars is an enormous amount of money. When you hear these guys say, “Oh, it’s just a billion dollar hedge fund” it’s unbelievable arrogance. The heights are dizzying, and the losses are dizzying. It’s just unbelievable what happened. By all accounts it was a near-fatal heart-attack.

Were you planning on revisiting Wall Street is the crisis hadn’t happened?

No, that was the catalyst for it. It wasn’t the only reason. It was a wonderful idea for a script, that Gekko would be a different type of person. That he would start from the outside. He didn’t have power or connections anymore. Time had passed. He was dated.

Is Michael Douglas in danger of becoming a pastiche of what made Gordon Gekko good?

I feared that. That’s why we approached it in a wholly different way. Michael is playing it twenty-two years older, he’s coming out of prison. Michael has changed in that interim. He was a charming rogue, certainly, in the Eighties. You saw a lot of that in his subsequent performances. You saw a lot of Gekko in later films, so I think it was smart to move away from that pastiche, as you call it, because it would have been boring after a while. There are flashes of the old Gekko, which I love, but it’s not like the charming reptile, so to speak. It’s a different man now. I’m not saying that he’s a wholly reformed figure looking for a martyrhood, but what’s interesting about him is what he’s going to do, and how he’s going to play the game to get back. He has suffered extensively in prison, his family has fallen apart, his oldest son has committed suicide. It’s very tough on him.

How did you persuade Michael to get back on board?

Frankly, I didn’t convince anybody. I passed on the script in 2006. It wasn’t important for me to make it. I felt, what was the need to make this movie if it was going to glorify the pigs on Wall Street? They were really making money and it was ugly. There was a spate of books too like The Wolf of Wall Street, which was a big hit and they are going to make a movie out of that. There was kind of a surfeit and there was sickliness to it all. I got turned off by it. I passed, and I moved on with my life, and I did W and World Trade Centre and stuff like that. Then there was this crash and the crash changed the equation I think, I hope.

Do you think the original message of Wall Street failed because young traders ended up idolising Gordon Gekko?

That’s a very good question. Frankly, I wondered at times. The original Wall Street came about because of my experiences on Scarface. I was living in New York and I was hanging out with the dealers and the mob. That whole scene in Miami was a very shocking thing in 1982–3. Wall Street, was like Scarface north. I was suddenly seeing people my age, in their twenties, making millions of dollars, so easily, so quickly. Moving inordinate amounts of money. Also, snorting and drinking. The partying scene had really kicked in big time in the 80s. It was all new to me, so that’s how that was born. Then it went to excess. But I was very clear that Gekko was the antagonist in the movie, but as you say a lot of young people caught on to him. I do think, and perhaps I’m retrograde, that although he was not feted at the time the anchor of the movie is Charlie Sheen.

But no-one wanted to be Bud Fox.

Well that’s the movies. They want to be heroes. They want to make money. I did meet a lot of people in their 40s that said, “When I saw your movie I was studying this-or-that at this-or-that school, I was going to do history or medicine or law but then I saw the movie and I moved to Wall Street for that reason.” The the kicker was that some of them were multi-millionaires, one of them was a billionaire, and they had moved to Wall Street because of the movie. I said, “Oh boy, I wish I had a royalty on that.” These guys are really rich.

I find that quite worrying.

I gave birth to some rich people. But some of them did good. Some of them created something. That was the whole point of the original. Not to shit on Wall Street but to basically say, ‘Look, this is an engine of capitalism’. This can work. My father always felt that Wall Street was a good thing. It creates companies, it finances new companies, creates research and development, and it does. It still does, by the way, it’s not forgotten but it’s been buried in the greater picture of making bigger profits and more greed, but it’s still there. Wall Street is a good thing. It was a good thing and it can be a good thing.

Throughout your career critics have said you shouldn’t glamourise the people you put on the big screen. Do you like to provoke that reaction?

No, I like to make bigger-than-life characters but ‘World Trade Centre’ is about two very ordinary men who were real heroes. On Bush I guess you could say I supped with the devil and brought out all the reasons I thought why people voted for the guy. There is this fundamental thing which Americans like in him, and I was trying to root that out and how he became President.

You were criticised for making Bush too likeable.

You can fault that, but he was re-elected. I didn’t like him. I was very clear — I empathised. Empathy means I walked in his shoes, or tried to. As opposed to sympathised. I don’t agree with anything he said. Anything. I think he was a disaster. It was a nightmare eight years.

Do you think you were too soft?

No. I wish I’d done it a year earlier and it would have been more timely. He was out of favour when it came out, because of the economy, but frankly the movie was about the national security state which concerned me more.

Why are you drawn to these anti-heroes?

They don’t do me any good. Nixon, too.

I see a lot of similarities between Tony Montana and Gordon Gekko. In Scarface, Tony says “You need people like me to point the finger at and say, ‘That’s the bad guy’”. Do you think film critics see you in that light?

I think you’re right. I think film critics have me as a punch ball. It’s an easy target, I guess. I’ve been misidentified with the characters, but I think over time you see that there’s a whole assortment of different characters. But I agree, I think that’s true and I think that’s hurt me. It’s hurt my career as well as some of the political statements I’ve made and positions I’ve taken in documentaries I’ve made. They’ve hurt me too and they’ve given me a profile that’s not necessarily me, it’s just a profile. Absolutely.

There’s been huge furor recently that you’re reported to be attempting to humanise Hitler, Stalin and Mao Zedong.

I think it’s out of context. I did use the word ‘scapegoat’ and I think that was an unfortunate word, but frankly it’s a very interesting history that we’re putting together. We’re using the facts that we have, that are known but have been forgotten. There’s no question that Hitler had a big hand up the ladder. He didn’t come out of nowhere. He is a Frankenstein, he is a monster and I have no sympathy for him, but he was created by a Dr Frankenstein. That Dr Frankenstein is a very interesting mixture and you have to study cause and effect to understand history, otherwise you don’t learn anything from it. It’s my fault because I’m interested in the world, and I’m willing to go out there. I’m not trying to provoke, I’m trying to look for the truth. I’m trying to shine a light. For Christ’s sake, I feel like we’ve become so politically correct that you can’t do shit anymore. You’re not supposed to turn around.

Do you feel like you sometimes exploit sensitive subjects too much? More than some people can take?

Well, that’s why I like the English. They’re much more out there and they’re willing to explore subjects that the Americans are not. Having been to war, having seen the devastation America visited onto Vietnam, I cannot just be another typical American and live in isolation. My taxes are going as we speak to blowing up people in Afghanistan. I don’t feel good about that.

Back to Wall Street. Gekko says “Every dream has its price”, what’s the biggest price you’ve paid to get to where you are?

I’d have to talk to my psychotherapist, who I haven’t seen in ages. I suppose the price is that you do have long absences from home and normal quotidian values, at times. Your children grow up and you have to readapt to the fact that you haven’t been the attentive father. That’s a big issue, but I have been as attentive as I can be in taking care of them. Still, there’s gaps there. Divorces have happened. Those things.

I see Wall Street as epitomising the ruthlessness of the Eighties. During that era did you find yourself being a slave to the success that you had earned?

Yeah, I suppose everybody can become a mental slave to the need to produce. Remember, I was on a roll in the sense that I had to get financing for very complicated movies. I felt like I had a mission. To get JFK made in that era was very tough, still. You need heat. To make that movie after The Doors you need to keep rolling. In a sense I worked very fast, and hard, but I knew that I could get things done. Nixon was sort of the end of the line. I was making movies all those years. Platoon was impossible to get made. So was Salvador. Every single fucking one. ‘The Doors’. They were always problems. There were always tremendous issues. You asked what the price is? The price was to keep going fast, before they change their mind. The idea was ‘Wrap it up, get another one done’. These are tough subject matters. With ‘Nixon’ I’d done eleven or ten, I was exhausted. Frankly, I needed to take a break.

What kept you moving on? Obviously the pressures that you’re talking about manifested in different ways. You had your drug problems earlier on, but how did it manifest when the financing started to crumble down? Did you resort to those kind of vices?

I think there’s other factors. There was a lot of living. A lot of pain. Children. Divorces. This and that. But I think I have been very successful. I got movies made that wouldn’t have been done in the normal radar. They were not on the scope.

In Wall Street 2 Shia LeBeouf says, “No matter how much money you make, you’ll never be rich”. With all your success, do you empathise with that sentiment?

Of course I do. I don’t think money is the solution to happiness. Life is complicated, but certainly money can have the opposite effect. It can make you unsatisfied with life, and make life harder for you. There are two effects of it. One is that it leaves you unsatisfied, you always want more, as we see from these billionaires. Two, it leaves you falsely content and over-satisfied.

And you’re not either?

I don’t feel that way, no. I feel like I’m one trade away from disaster.

The new film is called Wall Street 2: Money Never Sleeps. What gets you off to sleep?

What gets me off to sleep? Sonata. Medication. I’m just joking. The best solution for sleep is having lived a full day and tried hard to live life fully. That makes you feel the reward of sleep.

-Tim Noakes, "The Hollywood rabble rouser sets his sights on a new generation of Wall Street wolves," Medium, Mar 3 2010 [x]

#medium #tim noakes #w.#wall street #wall street: money never sleeps #oliver stone

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thegeekyzoologist · 4 years ago

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My opinion on Jurassic World: Camp Cretaceous (SPOILERS)

Like many people interested in the Jurassic franchise, I binge-watched that show back in september and here are my thoughts. First of all, I precise that I had no expectations for the series as the combo Jurassic World + kid show didn’t attracted me at all, and the trailers have done nothing but confirm my fears.

Let’s start by the positive: - Amidst the cringefest that the first episodes were, the scenes with Darius back home stand out from the rest by their quality as they are centred more on drama and character development and not on clumsy comedy like the scenes on Nublar. The idea of getting an access to Jurassic World and Camp Cretaceous as a reward for beating that virtual reality game reminded me the recruitment of Eli Wallace by the SGC at the very beginning of Stargate Universe. - Starting from the beginning of the season’s second half, the series gets better and a little more mature in its unfolding and writing, up to the point where it doesn’t seem targeted for young children but rather young teens. Some dumb scenes remain however (like the one of the geneticist Eddie, abandoned in the lab with the sole company of his birthday cake). - There is a few action and suspenseful scenes that aren’t bad in the second half with, among other things, a hide-and-seek game with the Indominus amidst the containers, a part in the tunnels that can remind some people of Telltale’s game, a monorail attack by the pteranodons which should have deserved a live-action treatment, and a climax in a storage area where the protagonists have to use their wits in order to defeat the carnotaur and escape from the underground network. On the matter of the carnotaur, one can note a nice paleontological reference with its difficulty to turn when it is chasing prey. - Of all of the characters, Roxie is the most realistic, responsible and reasonable one (and the only tolerable one in the first episodes). And let’s bring now the negative aspects: - On the matter of the original soundtrack, I don’t remember any of the original themes sadly. As I had the same problem when I viewed The Witcher though (I didn’t liked its first season but I rather well appreciated its soundtrack following a separated listening), I will wait for the release of the soundtrack before criticizing it further. - The first episodes are a total farce with a succession of all kinds of nonsenses with the bunch of stereotypical buffoons that the kids are that are involved in stupid acts by the night of their first day, acts that fall under Reversed Darwinism (the survival of the most idiotic like Grant would say in Jurassic Park 3) and that gave me the desire to give some slaps and send those Kennys to a firing squad (for the crimes of property destruction and, above all, endangering dinosaurs and employees); the infringements during the activities of hygiene and security rules that are applied in many theme parks and laboratories around the world (with the kids wandering around in the lab and touching to everything in a total dissidence; running down a zipline and brushing past brachiosaurs...); the counsellor Dave which talks to Wu like if he was an old pal of his while Wu is one of the highest corporate executive around and someone famous and respected in-universe; Wu being depicted with the subtlety of a fat beer-drunk sea lion (with his mannerisms and attitude worthy of a James Bond villain, we know right away that he is bad); cartoony action scenes (I mean bloody hell. Look at that Parasaurolophus that jumps off the jeep’s roof like he was a fookin’ kangaroo while the jeep itself wasn’t miraculously crushed under the hadrosaur’s weight); the employees and the park’s security being shitty (one enter so easily in the underground network that Biosyn could organise rave parties there right under InGen’s nose; Darius and Kenji being left with no supervision in the middle of the jungle while they are supposed to shovel shit as a punishment); the dinosaurs that passes too as incompetent for failing to kill the kids while such situations in real-life or in the first films would have unforgiving or barely forgiving but only at a certain cost. - Despite the ordeals they are going through, the kids seems to be never traumatised or at least shaken like the Murphys, Kelly Malcolm or Maisie were respectively in JP, TLW and FK since here, they seems to be in shock for a moment or two before starting again to squabble or quipping once they are away from danger. - At the end of the monorail attack scene, I thought that the writers had the balls to kill off Ben and I would have tipped my hat to this narrative decision and give more credit to this kid show if we didn’t had the reveal at the end that he was still alive. At the end, we just got another Billy Brennan situation. - Bumby is useless in this season, aside from encouraging toy sales and being the show’s cute caution and still, it’s relative as her closeups along with Brooklynn’s rapy face in episode 2 have scared me more than the predators’ attacks in the season’s second half. And her growth rate is so fucked up as she hatch in episode 2 before reappearing in episode 5 I think which is supposed to be set two days later, where she is already the size of a bulldog. And the scene where she cries while the kids are being kicked off the lab (for understandable reasons) is so ridiculous... - Aside from in the action and suspenseful scenes mentioned above in the positive aspects, the use and depicting of dinosaurs is either anecdotal, either WTF with the Sinoceratops being almost as gentle as a lamb (try to do with a hippo or a rhino what the Kennys did with the sino, I wouldn’t mind some funny antics...). I’m not a fan of the bioluminescent Parasaurolophus and their scene either. It seems like they wanted to copy the Na’vi River Journey’s attraction from Animal Kingdom in Orlando, with semi-aquatic parasaurs worthy of some outdated depictions from the last century. - Visually speaking, the universe and the artistic direction are poor. The jungle has the same look everywhere on the island (with trees of average height being relatively spaced from one another while the ground is covered with grass) and its scenery never seem foreboding or ominous while Isla Nublar and Isla Sorna were, in some way, entire characters in the films that sometimes aroused an eerie sense of mystery and danger, at east in the original trilogy and Fallen Kingdom. The park itself is quite empty too, even before the evacuation. There is only scene with a large amount of people and the latter seems to all share the same model and the same animation in addition of being blurred (probably as a camouflage for the lack of budget) and we don’t believe in this world as nothing grand comes out of the visited locations (aside from maybe the eponymous Camp Cretaceous) and that everything seems so bland, with even the employees being of the same corpulence, age group and behaviour except for a few exceptions. - Finally, let’s discuss about the coherence with the Jurassic World film, of which this show is supposed be a canon interquel. Even though if there is several nods to some of the latter’s events (Masrani’s helicopter is seen a couple of times; the Kennys take the ACU’s van; they walk past Zach and Gray’s destroyed gyrosphere and the killed ankylosaur’s body...) as well as other materials of the franchise, including JP3 and Masrani Global website, like if the show wanted to tell us “Hey look! I did my homework!” in order to please the fans. It’s one thing to make references to the rest of the saga and it’s easy actually, but it’s another to use them for something else than just fan-service. Despite all this, Camp Cretaceous has its share of inconsistencies with Jurassic World. I won’t list them all since it wouldn’t be that interesting but among other things, we have the mention of fences falling apart across the entire island while nothing like this happened in JW (it seems they mixed up the JP and JW incidents) or at least not on this scale; the kids visit a lab somewhere north of the park whose existence seems a bit off as the Innovation Center’s lab can do everything that lab does, in addition of housing Wu’s secret lab; the surroundings of the mosasaur lagoon which seems empty by the end of the afternoon while chronologically speaking, the scene is supposed to happen just after the pterosaurs attack (and thus the area should be crawling with employees that are looking for eventual late visitors, or the still running security cameras could have spotted the kids) and why did those foolish Kennys didn’t thought of going to the nearby hotels right after the ordeal with the mosasaur instead of hanging around in the bleachers up until sunset, hotels where a large number of visitors are supposed to be found up until quite late in the night according to the Jurassic World film? Anyway, Camp Cretaceous might have got a kick up the backside halfway through and the quality of the episodes did increased little by little but the whole season stays nevertheless mediocre and the viewing of the series is honestly quite dispensable, especially if you were disappointed by the Jurassic World films. Some will probably tell me that I’m being too hard with a kids show but actually, the fact that it is targeted for kids is no excuse for some flaws like a lack of ambition in the artistic direction, the shitty humour or the wtf scenes. Whether a work is for adults, for all audiences, or for kids, the creative investment and the work quality should stay the same.

#jurassic #jurassicworld #jurassic park #jurassic world camp cretaceous #camp cretaceous

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comrade-meow · 4 years ago

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Dawn had only just broken over the mountains. While most of the women and children on the camping grounds were still asleep, others were already wide awake, huddling together in the first rays of sunlight and drinking coffee.

To a casual observer, this place might have seemed similar to any mainstream festival campsite. A distinguishing factor, however, was that there wasn’t a single man in sight. The sign on the main entrance left no one in doubt that only women and children were welcome at this event: “Men not permitted to enter.”

Women’s participation in Mexico’s 25-year-old Zapatista National Liberation Army, or EZLN movement, has represented an incredible organizational achievement since its original uprising in 1994. On International Women’s Day, the female militants of the EZLN did not fail to meet expectations when welcoming 7,000 people to the “First International Political, Artistic, Sports, and Cultural Encounter for Women who Struggle.”

Two thousand indigenous Zapatista women from various parts of Chiapas state and 5,000 visitors from all over the world came to Caracol Morelia, near the northeastern town of Altamirano, to hear what they had to say.

Uniting women

The event was entirely initiated by women of the EZLN. They planned it from beginning to end, and made sure everyone who attended was allocated a sleeping place, had access to drinking water and was cared for in the case they fell sick during the three days the event took place. Zapatista events such as these have commonly been accessible via invitation only. This event differed from most of the EZLN’s previous “Escuelitas,” or “Little Schools,” summoning all women and children who were interested in the struggle to overcome misogynistic culture.

“What we wanted was to meet many women,” said Commander Jenny, who coordinated the event. “We thought that only a few women were going to come, so we are very happy to see how many of you have joined us here.” Although only her eyes were visible, a smile was detectable behind her black balaclava. “It has been hard work, but we are very pleased to see that there are many other women who are fighting patriarchy.”

The event was not only an opportunity to create educational or professional networks, but also a space to consider one’s health and well-being as a woman in the fight for justice. There were activities ranging from workshops, discussion panels and movie screenings to theater performances, art exhibitions and sports events, including basketball and soccer matches. Themes included gender violence, self-defense, self-care, sexism in the media, sexual rights, health and education, misogyny and childhood, discrimination against indigenous LGBTQ communities, women environmental rights defenders, and decolonization. All of the activities were led and held by women, and all of them were aimed at generating consciousness of gender inequality or the restoration of women’s self-confidence and autonomy.

“Capitalism is not only colonial, it is also patriarchal and racist,” said Fernanda Esquivel, a 20-year-old student from Guadalajara. “To come here and see that the Zapatistas are still resisting and have resisted for so many years is a huge inspiration for me. Being with so many women and feeling united also makes me feel hopeful about really creating a change. In academia there is nothing that can show you what it is like to come here, and to feel and share these experiences in practice.”

Young women like Esquivel have grown up watching the Zapatistas evolve and followed their fight through media reports, the Zapatista’s own communication channel, “Zapatista Connection,” and more recently a Facebook page and YouTube account. Women from a total of 42 different countries, some of whom were already familiar with women’s movements or other social, political or environmental activism, attended the event in hopes that they would gain skills and inspiration from the women’s Zapatista struggle.

“Apart from wanting to amplify my vision of how different fights against the extractive industries are developing,” said Katherin Cruz from the National Network of Women Human Rights Defenders in Honduras, which accompanies women human rights defenders involved in territorial conflicts. “I came here so I could recharge my batteries and take home experiences that strengthen me individually and prepare me for the work that I do, and for my political activism within the feminist movement in Honduras.”

The birth of the EZLN

In 1983, a group of indigenous peasants in Chiapas organized in secret, educating themselves politically and creating an entirely unique philosophy that insisted that “another world is possible,” one that focuses on collectivity, serving the Zapatista community and creating an autonomous social and economical environment for themselves within neoliberal and capitalist Mexico. Finally on January 1, 1994 the group went public, calling themselves the Zapatista National Liberation Army, named after the hero of the 1910 Mexican Revolution, Emiliano Zapata. That day, the EZLN launched an armed uprising, occupied seven towns in Chiapas, including San Cristóbal, and declared war on the Mexican government.

During their brief occupation, followed by a 12-day battle, the EZLN criticized the effects of global capitalism on local farmers and indigenous land. They drew attention in particular to the North American Free Trade Agreement, or NAFTA, calling it a death sentence for the indigenous peasants of Mexico. NAFTA would be responsible for dismantling collective land rights secured by the Mexican constitution and prioritizing export manufacturing. The Zapatistas fought for a fairer distribution of wealth, as well as the right to political participation for indigenous people in Mexico.

After their initial uprising, in 1996 the Zapatista organization gained constitutional recognition from the state through the San Andres Accords and formed the National Indigenous Council. The Mexican government did not comply with the agreements and the Zapatistas continued to suffer from violent attacks, such as the Acteal Massacre in 1997, where 45 Zapatista sympathizers were killed in Chiapas. Since then, they have peacefully organized mass marches and protests, created their “caracoles,” or administrative headquarters, formed autonomous governance, justice, health and education systems and launched public campaigns drawing attention to continued racism and discrimination in Mexico. According to the Mexican newspaper El Universal, the EZLN now governs over 250,000 indigenous people living in the Autonomous Rebellious Zapatista Municipalities in Chiapas.

Today, the image of the Zapatista soldiers, clad in red scarves and balaclavas, has reached some of the most remote corners of the world. Their movement is now well known for its transition from armed struggle to nonviolent resistance to advance their demands for indigenous land rights and autonomy, which has triggered tremendous support and solidarity from anti-capitalist activists globally. However, many of the major issues for indigenous communities addressed by the Zapatistas, such as abandonment and marginalization, continue to exist in Chiapas and other parts of impoverished Mexico.

Women’s involvement and participation

During the gathering, Commander Marina took the stage to tell the story of the first female Zapatistas, their struggle for recognition in a male-dominated space and their experience of clandestine meetings prior to their public appearance in 1994. “We took our safety very seriously so that no one would realize where we were going. We had meetings in the mountains, these were very important. We had talks on politics, read books and watched films. We studied the situation of poverty our community was submerged in,” she said. “There was nothing to gain trying to demand things from our bad government.”

The backdrop of the women’s movement within the Zapatista struggle reveals extreme levels of violence against women, poverty and abandonment from any sort of federal health or educational institutions. Intersectional discrimination for being poor, indigenous and women was commonplace, and girls were often forced into marriages or sold by their fathers or families. During the opening ceremony of the encounter, the Zapatistas made it clear that women were sidelined and perceived by the community as second-class citizens. According to Commander Flor, even “midwives would charge less when girls were born.”

Their struggle has led the women in the ranks of the EZLN — which comprise about a third of the organization’s participants — to see themselves from a different perspective and shed light on the problematic behaviour caused by gender inequality. “At the beginning, we were not used to saying our opinions, or having discussions. We would all agree to everything and nod our heads,” Marina said. “We had to fight among our own compañeros, since it took a lot for them to understand the rights we have as women. There is a lot left to achieve but we are convinced that we will accomplish our ideals because we are organized, and we are strong as a collective. We have put fear and doubt aside.”

Many followers of the Zapatista revolution were not aware of the key elements that formed the movement before going public in 1994. Undeniably, one of the key characteristics that shaped the movement was the “Women’s Revolutionary Law,” passed by the Zapatista committees in 1992.

For Sylvia Marcos, a sociologist and expert on indigenous movements across the Americas, the emphasis on women’s rights is a defining factor for the organization. Furthermore, she indicates that these rights were claimed not solely for women as individuals, but were “fully linked and interwoven with collective rights.”

The unique transformations achieved by the Zapatista indigenous movement are manifest in its attempt to re-imagine gender and decolonize oppressive discourse for the sake of personal empowerment.

Enduring inspiration

Over the last three decades, the revolution continues to abide by laws made by the autonomous Zapatista government. With military strategist and spokesperson Subcomandante Marcos “resigning” from his activities, the Zapatistas have moved out of the media spotlight. However, the successful turnouts for their events prove that the Zapatistas are still an important source of inspiration for social mobilizations and women’s movements today.

Not simply an iconic reminder of what indigenous communities were up against in the past, the Zapatistas are engaging in great efforts to revise their strategies and continue to create networks of people who resist, especially among women. Though alternative visions of gender relations have flourished among the Zapatistas, women in the movement continue to suffer gender violence and are battling other issues not uncommon in Chiapas, such as malnutrition, and lack of access to health care and education.

The Zapatistas are addressing some of these issues through their own internal initiatives. Part of their collective work towards independence and sustainability relies on their agroecological farming projects, coffee sales, cooperative shops, community kitchens, traditional medicine and tortilla businesses. However, the fundamental purpose of the Zapatista movement is to promote their way of life and organize collective resistance to resource appropriation, historically-determined economic and social disadvantages and institutional neglect, which exacerbate poverty, sustain the governmental elite and destroy local traditions. Much of their work revolves around inspiring new generations to begin their own journey towards deconstructing norms in their respective societies.

The Zapatista movement currently functions like an organization that promotes constructive dialogue, communication and continued reflection on problems that affect their communities, as well as a support network for other national movements, including the water conflict affecting the indigenous Yaqui community, the 43 Ayotzinapa students missing since 2014 and the recent presidential campaign by the indigenous activist Maria de Jesus Patricio Martinez.

Women’s participation within the EZLN has played a key role in their success and ideology. They have made it clear that there will be no democracy without them. What the event last month demonstrated to many of those who were present, was the need to create safe spaces for all women, which allow them to heal and inspire them to continue fighting their own battles in their own ways. “We made an agreement, and that agreement was to live!” Commander Marina said. “And since, for us, living is fighting, we agreed to fight — each of us according to our means, our place and our time.”

#Anglo.txt

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trenchcas · 4 years ago

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episode origins p1

i was watching moriah earlier today and was wondering what the significance of the name moriah was, so i searched it up. i’ll explain it here in this. i wanted to learn which episodes have titles derived from pop culture, literature, etc. so i put together this list. it’s not complete, feel free to reblog with more!

why did i waste hours on my life on this, you ask? i don’t know.

season 1

pilot: obviously, all the first episodes of shows are called pilots. nothing new here.

wendigo: they’re fighting a wendigo

dead in the water: the phrase means “unable to function, move”.

phantom traveler: the name of the demon they’re fighting

bloody mary: based off the legend

skin: shapeshifters, also there might be a meta about how it’s a metaphor for dean

hook man: they’re fighting a hook man

bugs: bugs

home: they go home

asylum: they go to an asylum

scarecrow: scarecrow

faith: the concept of god first comes into play here, i thought that was pretty interesting. that’s why it’s called faith, duh. dean + faith is explored.

route 666: racist truck yes

nightmare: sam’s visions

the benders: i think it’s based off of the bloody benders, a family of serial killers

shadow: meg’s stalkery?

hell house: it was literally a hell house

something wicked: originally chanted by WITCHES in shakespeare’s macbeth. the full line is “something wicked this way comes, open locks, whoever knocks”. obviously the shtriga is a witch and it refers to that.

provenance: painting provenances, it’s in the episode

dead man’s blood: they use dead man’s blood

salvation: being saved or protected, like the boys and john do with the family

devil’s trap: the devil gets them in a trap. and they built a giant devil’s trap too.

season two

in my time of dying: based off of the led zeppelin song [x]

everybody loves a clown: based off of the gary lewis song [x]

bloodlust: i think it’s for the vampires but they were also a band in the 90′s

children shouldn’t play with dead things: based off of the 1972 movie

simon said: the whole “you do what i say” thing with andy and evil andy

no exit: it’s a song by blondie and in the episode h.h. holmes captures blondes...? am i just clowning

the usual suspects: based off of the 1995 movie

crossroad blues: based off of the robert johnson song (fave!) [x]

croatoan: i like this one. okay, so you guys probably know about the whole roanoke/croatoan thing in the 1600′s. so there’s a theory that the settlers were wiped out by a disease (similar to this town). also, the town would disappear off of the map.

hunted: gordon hunted sam

playthings: dolls, but the little girl was the grandma’s sisters plaything

nightshifter: a shifter in the night

houses of the holy: based off of the led zeppelin song and album [x]

born under a bad sign: based off of this song [x] there are a bunch of others including jimi hendrix but...?

tall tales: yeah i think this one is self explanatory

roadkill: someone got killed on the road

heart: werewolf heart but also how sam gave his heart to madison aww also there’s a band called heart

hollywood babylon: based off of the book by the same name

folsom prison blues: based off of the johnny cash song!! [x]

what is and what should never be: based off of the led zeppelin song [x]

all hell breaks loose: yes it did

season three

the magnificent seven: based off of the pretty famous western go watch

the kids are alright: based off of the who song [x]

bad day at black rock: based off of the 1955 movie

sin city: there’s a bunch of songs but the city was sinning so

bedtime stories: they were bedtime stories

red sky at morning: the full phrase is “red sky at morning, sailors take warning”. with the theme of this ep it fits pretty well.

fresh blood: fresh blood yes

a very supernatural christmas: i’m not sure. i think it’s based off of a christmas album?

malleus maleficarum: a 1400′s book of witches. latin for “hammer of the witches”.

dream a little dream of me: i love this song! based off this: [x]

mystery spot: mystery spot

jus in bello: i can’t really explain it but here [x]

ghostfacers: g h o s t f a c e r s

long-distance call: long distance call

time is on my side: based off of the rolling stones song [x]

no rest for the wicked: a biblical quote that means “evildoers will face eternal punishment”. also, “one’s work never ceases”.

season four

lazarus rising: in the bible, lazarus is the righteous man, which makes dean the righteous man. and he rises. so.

are you there, god? it’s me, dean winchester: based off of the judy blume book (maybe?), are you there, god? it’s me, margaret.

in the beginning: they go back in time

metamorphosis: with the rugaru but also sammeh

monster movie: monsters and movies

yellow fever: referring to the disease i think, but also there are a few songs

it’s the great pumpkin, sam winchester: based off of it’s the great pumpkin, charlie brown.

wishful thinking: yeah

i know what you did last summer: dean + hell, sam + ruby. is it based off of the shawn mendes song? i don’t think it is because this came out way before the song.

heaven and hell: opposite sides meet, dean’s hell experiences.

family remains: there are remains

criss angel is a douche bag: idk?

after school special: based off of the abc program? i think?

sex and violence: there was a lot of sex. and violence.

death takes a holiday: death took a holiday

on the head of a pin: i’m not sure but this article is interesting, maybe related. probably related. [x]

it’s a terrible life: based off of it’s a wonderful life? i love that movie btw

the monster at the end of this book: ughhh! yes!!! first of all there’s a sesame street book by the same title. also, chuck actually was the monster at the end of the book! that’s crazy. insane.

jump the shark: “(of a television series or movie) reach a point at which far-fetched events are included merely for the sake of novelty, indicative of a decline in quality.“ probably the whole long lost brother thing.

the rapture: a belief that christians will rise to “meet the lord in the air”. kinda like jimmy does.

when the levee breaks: based off of the led zeppelin song [x]

lucifer rising: lucifer rose

season five

sympathy for the devil: based off of the rolling stones song [x]

good god, y’all!: cas goes to find god

free to be you and me: a marlo thomas album and the brothers split up

the end: yeah it’s the end

fallen idols: i think we get it

i believe the children are our future: a lyric from a whitney houston song

the curious case of dean winchester: based off of the short story, the curious case of benjamin button.

changing channels: channels were changed. the end.

the real ghostbusters: based on the 1985 animation

abandon all hope: the full phrase is “abandon all hope, ye who enter here” and that pretty much sums up this episode.

sam, interrupted: i’m not sure?

swap meat: meats were SWAPPED.

the song remains the same: based off of the led zeppelin song [x]

my bloody valentine: based on jensen’s movie. but also the band?

dead men don’t wear plaid: based on the 1982 movie

dark side of the moon: a pink floyd album

99 problems: that one jayz song whatever

point of no return: a 1993 movie but also the poto song hehe

hammer of the gods: based off of the 1985 book i think? it’s about led zeppelin so probably yeah.

the devil you know: means that it’s better to deal with a situation you understand than one you don’t.

two minutes to midnight: this phrase is commonly used as a countdown to a global catastrophe (i.e. the fucking apocalypse)

swan song: someone’s final performance before retirement (i think this is about both brothers because it’s sam last battle and dean’s last fight before living with lisa)

season six

exile on main st.: based off of the rolling stones album [x]

two and a half men: it was a sitcom? but idk if that’s where it’s from

the third man: based off of the 1949 noir thriller? maybe? but there were also three men so idrk

weekend at bobby’s: it was a weekend at bobbys

live free or twi-hard: based off of twilight and that bruce willis movie that i watched once way back when

you can’t handle the truth: truth goddess. soulless sam gets exposed ig

family matters: based off of the 1989 sitcom? maybe

all dogs go to heaven: based off of the 1989 movie? probably

clap your hands if you believe: i think this is an original title idk

caged heat: based off of the 1974 movie i think

appointment in samarra: probably based off of the 1934 novel of the same name

like a virgin: based off of the madonna song [x]

unforgiven: sam does unforgiven things

mannequin 3: the reckoning: not sure

the french mistake: just... just read this link [x]

and then there were none: based off of the agatha christie novel of the same name

my heart will go on: y’all all know what’s up [x]

frontierland: they went to yeehaw town

mommy dearest: based on the 1981 film? maybe?

the man who would be king: based off of the 1888 novel by rudyard kipling

let it bleed: based off of the rolling stones album/song [x]

the man who knew too much: shares a name with the 1956 film

season seven

meet the new boss: they met the new boss idk

hello, cruel world: sad sam

the girl next door: there’s a 2004 romcom with the same name

defending your life: a 1991 romcom! wow!

shut up, dr. phil: sam and dean became philanthropists idk

slash fiction: hahahahaha i think we know what it means but wHY is it called that?

the mentalists: they met a bunch of magic people wow!

season 7, time for a wedding!: more like season 7, time for a slightly r*pey episode and GARTH!

how to win friends and influence monsters: based off of the 1936 book how to win friends and influence people

death’s door: they were at death’s door idk

adventures in babysitting: based off of the 1987 movie by the same name

time after time after time: based off of the cyndi lauper song? [x]

the slice girls: prolly based off of the spice girls idk

plucky pennywhistle’s magic menagerie: yeah idk

repo man: it’s a 1984 film too

out with the old: they were fucking around with antiques

the born-again identity: obviously based off of the bourne identity which i haven’t seen in forever

party on, garth: hahaha

of grave importance: it was very important

the girl with the dungeons and dragons tattoo: probably based off of the movie/book the girl with the dragon tattoo.

reading is fundamental: reading is fundamental. go read a book.

there will be blood: there was blood

survival of the fittest: everybody fought idk

okay i’m gonna stop here for this one because i’m tired asf and i’ll do part 2 later

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darkestwolfx · 5 years ago

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Up from the Depths P.1 - Re-Review #32

Now, just to stick my personal opinion in here... we’re about to get to two of my all time favourite episodes. The amount of references to Jeff, and the purpose for IR - there’s just golden moments everywhere you look. So let’s have a look at some of them.

“What is it, John?”

“You’re gonna’ want to see this.”

“The TV-21! No, it can’t be...”

Well, it is (or we wouldn’t have an episode)!

“Is that what I think it is?”

“It’s the TV-21!”

“Is anyone gonna’ clue me in here?”

“It’s the TV-21!”

“That is not helping!”

Don’t worry, Alan, I’ll try and catch you up. But that just serves as another well-placed reminder of all the things Alan (and Kayo) is too young to remember about IR.

The fact Jeff etched his name onto the ship does not surprise me. It goes towards showing how proud he was of it, and completely fits in with everything we are told about him by Grandma (once again, wonderfully well placed comments).

Now, the TV-21, is given to us as “the first Thunderbird”, the fastest ship (at the moment), and Jeff’s pride and joy. There’s a nice little reference to Jeff’s previous careers as well, with the fact they’ve added the ‘Colonel’. Nice touch.

But of course, of all the places to crash land, it had to be in the Mariana’s Trench. I mean, there is a reason why it’s “the world’s last unmapped ocean”, according to the crew. It’s a pretty dangerous place. If you want to read about it, feel free, National Geographic have some incredibly interesting articles on what they theorise could be down there based on their limited exploration. But what we do know, is that it’s actually a very hostile seascape, and that the marine life which inhabits it seems to have evolved drastically to cope. I think that if we are ever able to understand it, we will know a lot more towards global warming and the mutations of animals. But I hate swimming. Water’s not my area. I prefer to research land mammals and leave my colleagues with the wet-weather adventures.

Anyhow, I think it’s totally awesome that Virgil was playing the piano and that Scott was sat at Jeff’s desk in the opening for this episode too. It’s always nice to see little throwbacks to this very human family.

So let’s discuss the origins of TV-21 for a moment. Before it was a Thunderbird, it was a comic series! And it’s original name was ‘TV Century 21′ which was eventually shortened to TV21. It had various mergers, which featured additions to the name, but TV21 stuck for the majority of issues. It was a weekly comic published by City Magazines, beginning around 1965. It’s content was... drum roll... the sci-fi TV series created by Gerry and Sylvia Anderson’s company: Century 21 Productions - thus where the comics name originated from, the TV being added to clarify where the material was coming from and hopefully encourage people to watch and read both in tandem.

The comic often had newspaper front pages, dedicated to the fictional news stories of the multiple Anderson worlds, e.g. Thunderbirds, Captain Scarlet, Stingray.

Some really well known artists of the time worked on the comics, which only serves to increase their value. In our current day, the original ‘TV Century 21′ editions (Issues 1 - 154) are really hard to find, and so they sell/auction for incredibly high prices when one can be found - like much of the Anderson’s work which made it’s way into print. It does also mean that the first half of this great comic series is practically lost to the world.

Which is a big shame, because it was in many of these first issues (with their print time colliding with the original air slot of ‘Thunderbirds’) featured many episode-story related additions. For instance;

The supposed capture of ‘The Hood’ - which might have gone someway to explaining his disappearance during Series 2 of the show.

An addition to the US Army’s story line from ‘Pit of Peril’.

An addition to the events of ‘Sun Probe’, as well as an in-depth story on Thunderbird Three investigating the connection between the sun and natural disasters (better known now as global warming). My dad still has his copy of this edition, and I have no plans on selling it. It’s ironic that it features the only story line relevant to my current career. Hey, maybe there is such a thing as fate over coincidence (as ‘Doctor Who’ does suggest).

A special story for Thunderbirds Two and Four, upon which it is rumoured that the opening rescue of the ‘Thunderbirds’ (2004 film) was based upon. I personally think this was one of the best stories for the pair, and I’m disappointed it never appeared in an episode (as such). There were also rumours that this story was an expansion of the TOS episode ‘Atlantic Inferno’, but those were never confirmed and all suggestions ever made pointed towards it being a completely separate idea. There are interesting similarities in places though, so it’s worth consideration.

An expansion to Thunderbird Two’s ‘disappearance’, after the events of ‘Terror in New York City’, which covered the rumours spiraling during the time Thunderbird Two was out of operation, and some of the missions which were undertaken during said time.

And one of the few Fireflash related stories to feature outside of the TOS TV episodes. It was also one of the comic editions which fans come to know as ‘Thunderbirds meets Doctor Who’. At the time, both shows were scoring some of the highest viewings, and so I suppose these crossover editions only made sense. Many of the early editions featured such crossovers, including 2 other issues which I’ve posted above.

When we actually get to 2065, there’s going to be a bit of confusion over dates - the comics (set still in the futurist time - ever encroaching for us) were released on the corresponding dates, but with the year still set a hundred forward, e.g. 1965 was 2065, but the 13th March was the 13th March.

Right, enough of my geek-worthy knowledge on comics, and back to the episode. I mean, look at Scott’s face. He’s definitely had enough of my comic-based ramblings.

“Begging your forgiveness, Your Mongrel-ship.”

I think the fact that Parker serves Sherbet tea (with one sugar) it’s just classic.

“I believe ‘wild goose chase’ were the words they used.”

“Well, as it happens, Parker loves a good chase. Parker, bring the car around would you? That’s right Sherbet. ‘On the double’.”

“hOn the double, hit his. Taking horders from ha mut, never though hI’d see the day.”

He does it anyway though - dedication right there,

Well now, time to visit the ocean. Did anyone else think the Deep Ocean Surveyor looked a bit... wrong? I had bad feelings about that thing from the start.

“This ship sure is a weird looking thing.”

Yeah, thanks for the back up there Gordon. Should have kept a closer eye on that one, although I do completely understand why they got so distracted and don’t blame them for it.

I love how Scott - Mr in command and always right - turns straight towards the TV-21 as soon as he knows they’re no injuries to worry about and that the DOS is all okay. Wasn’t he the one saying there was a rescue to prioritise only minutes ago?

“Gordon, what about the TV-21? Have they found part of the wreck?”

“Stand by, Scott, I’ll take a closer look. Just gotta’ clear some debris. It’s not just part of the wreck, it’s the whole thing!”

That is actually quite surprising! You know, something surviving like that. Good craftsmanship is all I can say.

https://www.youtube.com/watch?v=UvltZMDOK5g

I can’t describe this scene any better than the scene itself, so I’m just gonna’ leave it there for you to re-watch at your own leisure. The faces are pictures!

“Why’s everyone making such a big deal about a wrecked plane? I don’t even remember it!”

“The TV-21 was Dad’s baby. The first ever super Mach-20 ship. It was the prototype to Thunderbird One. Dad invested everything into, but The Hood sabotaged it in flight. Dad had to abandon the plane somewhere over the Maraina Trench rather than let The Hood get his hands on it. I remember it broke Dad’s heart. I always thought it was smashed and lost in the deep.”

And there we have a link to that Hood-Jeff backstory (which the writer’s then conveniently shoved into a like ten-fifteen second explanation of ‘I am a bad guy because’, but hey, we’re not quite there yet!) that kinda gets forgotten.

“Cor!”

“I believe the word you’re looking for is Bingo. Well done Bertie.”

“Very smart of you to track that signal John.”

“We got lucky.”

You don’t have to be so modest you know John.

“It seems The Hood may be up to his old tricks.”

“I’ve seen engineering like this before. It’s the work of The Mechanic.”

“Oh no! That’s The Mechanic’s ship! Thunderbird Four, get out of there!”

“Too late.”

Yeah... it might have been good to notice that a little bit sooner.

Now, someone has some serious anger issues! I mean, I now he wants them out of the way (and later on that’s he’s being controlled), but that was seriously uncalled for!

“You better come up with something fast. Thunderbird Four’s hull integrity is failing. You’re getting crushed!”

Thanks Virgil, we can see that, unfortunately. This is another of those moments where - even though I know how it ends - I have a little panic.

“Hull integrity at 28%. Gordon what are you doing?”

“The airlock’s jammed. I can’t get the door open.”

“Then make a new door! But do it fast, you don’t have long. Hull at 7%. Gordon, get out now! Thunderbird Four is offline.”

“What happened?”

“Thunderbird Four's been rendered in operative.”

“Gordon!”

“I’m here. I’m okay. But Thunderbird Four’s a little... ur... beat up.”

This is a little like that moment in ‘EOS’, where I think our collective hearts stopped.

I know Gordon left the sub to try and free it, but it was actually a good thing that he did, else he probably would have been crushed, which wouldn't have been good. He was caught a little in the blast anyway, so I’m surprised he was a well-able to continue as he was.

But back to those serious anger issues - The Mechanic, you need to learn that once you have damaged someone’s ship past the piloting level, you don’t need to then snap it in two - that is just downright mean, not to mention unnecessary!

Poor Thunderbird Four. I seriously thought at the time that it wasn’t going to be recoverable. Look at Gordon’s poor little face.

The determination to get the TV-21 back as well was just wonderful.

“Not possible, only Thunderbird Four can survive the pressure. We need to come up with something extraordinary and fast.”

“We can use the TV-21!”

“It’s been sitting on the bottom of the ocean for years. Do you think it will still work?”

“Absolutely. I build things to last.”

“Gordon, we need you to get on board the TV-21.”

“I always wanted to fly Dad’s plane.”

Of course he did.

Now this was a sight to behold. Look at him!

“I can’t believe we used to wear these things.”

This was such a lovely little throw back moment.

“You could try the Jeff Tracy fix. After all, it is Dad’s plane.”

“FAB. This is TV-21. We have lift off.”

And hell did that work!

Rescue count: 35

I mean, let’s just momentarily forget that this part ends with The Mechanic making a grand come back and stealing it.

“To The Mechanic, let me tell you who you’re dealing with. We’re International Rescue; you can’t push us around, you cant tell us what to do, and you absolutely, positively can’t take our stuff!”

“No, let me tell you who you’re dealing with. I’m The Mechanic. I take what I want, from who I want, whenever I want it.”

Yeah... shivers.

Let’s just remember Gordon’s great moment getting to pilot it.

“So tell me, what is it like flying Dad’s plane?”

“It was awesome.”

See, that’s a nicer ending.

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andrewgmooney · 4 years ago

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Thought stream. Word Salad 🥗 Brain Salad Surgery

93... I don't. Not consciously. I've abandoned all notions that my rational mind is supposed to be running the show because I found out that wasn't the case a long, long time ago. Now I just accept my rational conscious mind is a PTSD shipwreck and I accept that I have no idea 💡 or control over what happens next. The more I resist surrendering to thus 'process', the sicker I'll get. #IContainMultitudes, etc. It's now more difficult to not meditate 'excessively' thzn to remember to do so. I gkt trappex jn the doldrums, an albatross adrift on topographic oceans as I navigated my #OdysseanEducation with impatience and irritation, fed up with the blather of #Kabbalah and being stuck on that occult train going #StationToStation with no discernible destination. Like #Bowie in Vladivostock waiting for a boat 🛥 to Hokkaido, I mix ny metaphors promiscuously and I trust in Art as Heilung completely. I was at Victoria Station when he supposedly did the Hitler salute but I neither saw nor recall any such thing. Remember David was a pop star, albeit far less of an arse than the rest of them but he craved FAME and £$¥€ and only 'woke up' from that cultural trance programming after his heart attack to realise 'art 🎨 for Art's sake, money for God's sake' but I told Ziggy in the Bull Ring that chasing mass consciousness via celebrity hysteria was already past its sell by date. Then Elvis flushed his Blackstar down the toilet but the nonsense not only continued, it's been amplified, weaponised by The Spectacle that is the 'living your best life' nanotechnology of delusion that is #Instagram. 15 Seconds Of Fame is the new Soma, the 'Eyeball Attention Economy' of The Globalist pseudo-fake Global Village - Panopticon👀 🙄 🤔' is Warhol' s maxim magnified by orders of magnitude, multiplied by McLuhan. So, this is the kind of stuff running on the ticker tape at the bottom of the screen as I wake up in 😰 terrir from the nightmarish dreams of The Scream 😱 in my head as my body writhes in my restless bed🛏, soundtrack by the pop song sounds of my youth : ✝️ 🌍 🏴󐁧󐁢󐁥󐁮󐁧󐁿 🎸 🎼 🥁 🎙️ 🎤 "The Green Manalishi with the two-pronged 👑 crown. ... Shall I tell you about my life? They say I'm a Man Of The World 🗺... I've flown across every Time : fcukd lots of pretty boys and girls... Don't ask me what I think of you cause you might not get the answer that you want me to... Albatross (instrumental healing waves of sound ⚡ ⚡).. Bare Trees. January, you've been hanging on me ... Oh Well... " I wouldn't wish PTSD on my worst enemy. Arthur and Tommy Shelby are fictional phantoms from an upcycled #BCFC-z #SmallHeath but I'm the real deal, from the Babylon of Birmingham in the 1970s. Thank God for the small mercies, that The Muses of #MerciaRising let me finish raising my Holy Family before returning to reclaim my soul. I made that deal with the 👿 Devil at the crossroads after watching Crossroads one hundrum evening: Poets Corner. Armory Road. BSA 🏭. factory. The Factory. Should I release the Polaroids proving Warhol met the real mad Art genius Andy in New York City? 🤔 Or leave them with the 35mm film 📼 reels of porn-orgies with police-priests on Fire Island to be analysed by Posterity? I guess I could just reveal I'm a real/imaginary Bitcoin Billion $ Boomer Baby if The Muses decide that it's Time to let Fame's fatal flames consume me. That's what's so hilarious about crypto : unless you 'manifest in Fiat', only God knows if you're telling the truth or taking the piss. But, that would be too obvious a move and would ruin everything. No doubt that playing with the Faketoshi Bitcoin Jesus #ChaldeanNumerology memetic cauldron is fun but if it gets out of control that would be 'problematic', to put it mildly. That Jane Austen opening line? Amazing how sexy an old man suddenly becomes once a hidden fortune is suspected. Bitcoin brings out the inner Borgia in families, including mine. Of all my travails, this is the one that has almost 💔 broken my heart ♥ alongside inflamed my traumatised mind. I need Fame like a Cobain sized bullet hole 🕳 t

#AnIrishChildhoodInBabylon

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tannerpint779 · 4 years ago

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10 Shortcuts For Today Accurate Football Prediction That Obtains Your Lead To Document Time

Genuine Madrid Head Of State Backs Soccer Modifications Article.

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Different the sports with a ';' instead, as an example 'acrobatics; badminton'. Where a variety of sports are associated with a single attribute after that divide the sports with a ';', as an example 'gymnastics; tennis'. It has educated me many lesson both on an off the program.

What football player has the most rings?

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Who is the world's worst footballer?

Ali DiaPersonal informationDate of birth20 August 1965Place of birthDakar, SenegalHeight1.78 m (5 ft 10 in)Playing position(s)Striker16 more rows

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NFL referees now make an annual salary of $205,000, an increase of around $56,000 from their previous amount. In comparison, the average referee outside of the NFL makes around $16.26 per hour.

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NFL Team Penalties per GameRankTeamAway1New England4.62LA Rams4.93Miami5.34Houston5.411 more rows

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artificialqueens · 6 years ago

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interlude 1.1 (Branjie) - PinkGrapefruit

A/N - before i say anything i’ve just got to say a massive thank you to Evan (formercongressman) for beta-ing this for me and Alexandria (alexandriabelle1) for pointing out i should probably get one. They’re absolute godsends.

This is a 5 time fic prompted by an anon and tbh i loved writing it so if anyone has anymore they want to send me, i’d love to hear them. As usual, Brooke is ‘him’ and Vanjie is ‘her’ just for clarity of reading and this is my interpretation and in no way supposed to be accurate or anything. Enjoy!

The 5 times Brooke kissed Vanjie to calm her down, and the one-time Vanjie kissed Brooke.

[episode one]

She’s ecstatic and god he can see why. Between the two of them, they collectively slayed the first challenge and she looks on the verge of tears. Her chest glitter is mixing with the sweat from awful studio lighting and her eyebrow might be slipping but she’s just so happy. None of it matters now.

He pauses for a moment to watch her, and he knows that this might not continue but it’s such a beautiful sight and to never see it again would hurt. He vows to commit the contours of her face in this face at this moment to memory, so he can flick back through them like a scrapbook, discerning the good from the bad.

She looks over to him, the twinkle in her eye a congratulation on his success, but more so, a challenge. Like she knows he’s been staring. In truth, he knows she’s been staring too. He’s sure that the producers will make them voice over these moments in sugary anecdotes and play their blossoming whatever like a fiddle for views, but he just can’t bring himself to care. Because she’s so happy.

He takes her challenge, later in the werkroom when it’s quiet and colder and the glitter and the makeup have all washed away. They’re pseudo-alone on their couch in the corner - everyone else crowded at the other end of the room, obscured by tables or out in the smoking area absorbing the fresh air into their clogged pores. She looks at him the same way she did in Untucked, stares with her glistening eyes and starts to cry because ‘I never thought I’d get this far, I don’t know how I’m still here’. He leans in and savours the feeling of her stuttering breaths on his chin, the scent of powder and strong makeup remover that cloud her from his vision. He hyper-focuses on the crease above her lip that looks so good. He knows there are tears rolling freely down her cheeks as he places one hand to steady himself and takes another deep breath of her.

When their lips touch it’s warm and soft and nothing like he’s ever felt before. In an instant he feels like he can see their future, he can watch like a spectator in his own life, and he lets himself melt into her as they become one to fit the contours of the couch and each other. Her breathing instantly calms, because nothing about this kiss is passion or fury or anger. It’s just sweet and reassuring and everything she needs; he’s everything she needs.

[january twenty nineteen]

The trailer just went up and she’s terrified. He heart is pounding and her head is spinning and god she needs everyone to shut up but no one is talking. She’s locked herself in a bathroom stall somewhere in the World of Wonder building where everyone is getting set up to film their Meet the Queens live stream, and honestly she’s just praying no one finds her. She’d gotten about ⅔ through her makeup before the panic overtook her in its entirety, but it’s swallowing her whole and it’s terrifying.

She’s uncertain still as to why this is affecting her the way that it is. It shouldn’t, of course, because she’s done it all before, but this time is just so different. The first time around she had nothing but a legacy to uphold and a quick wit. She came out of it a broken person but damn she learned. She took everything she got from 30 seconds on television and built herself a career out of it. This time, she’s come out of it with solace, dignity, and a fine looking Canadian. She has a life now, pets, and a man who takes her as she is and she loves him for it. Plain and simple, she loves him like she’s never loved another person, and the fear of losing that to the global tours and shows and flashing lights… it scares her.

She hears the door open before she sees his shadow. It looms over the stall door and fragments like shattered glass when it hits the light. She can’t find the stability to talk, though, so her breathing carries on in its brutal staccato, harshly shallow and burning.

He taps quietly on the door, knowing she needs space but just wanting to help her. God knows they’ve been doing this long enough now that he knows just what to do. He momentarily wonders why she didn’t just come to him, but he remembers his own excitement towards the day and knows that she didn’t want to ruin it for him. Briefly forgetting the current situation, it warms his heart to know that she thought of that.

She doesn’t have to speak when she slowly opens the stall. He knows her well enough to be able to tell what’s going on, and she knows he wouldn’t push anyway. Instead, he just pulls her into his arms in a tight hug, tells her he loves her in actions, not words. His nose grazes her fade, breath tickling the stubble. She leans into him willingly, her own nose nuzzling at his chin. He smells like always, like cigarettes and coffee and Fenty lipsticks, and it soothes her soul like menthol and tea.

When their lips meet it’s not for show, for anyone but themselves. Even though they’re in the same environment that’s always exploited them, they take this moment for them. She knows that no matter what happens, they’ve still got this.

[august twenty eighteen]

It’s 3am on a warm and windy night in New York as he walks into the AirBnB they’re sharing for the week. He’s so glad that for once since they’ve returned from Drag Race they can share the same four walls for longer than a night, can let themselves be a couple again. His gig had run long and he’s angry that he’d missed her going to bed but he’s here now. As quietly as he can without waking her, he places the keys on the counter by the door, snakes into the kitchen and pours a glass of water. Sneaking back through to the lounge he rummages for a second in her rucksack to find the Advils she always keeps. He pops two out and places them next to the glass on the table. Contemplating writing himself a note (because he always questions the Advil in the mornings) he remembers that for once, he’s not alone. Tonight there doesn’t have to be a note.

‘Crap’ he mutters to himself as he crosses the wooden floor with a creak. He pauses. Listens.

As he strains though, he can hear soft whimpers coming from their closed room. All attempts at silence are abandoned as he rushed to the door, pushing it open as quietly yet quick as simultaneously possible. He wants so desperately to be imagining things. He knows, quite quickly, that he isn’t.

Brooke moves around the bed. It’s roomy when you consider the size of the apartment but they both knew the second they saw it that they wouldn’t need that much. Not when they sleep like koalas, clinging to each other til morning.

When he realises she’s still asleep he can’t tell if he’s glad or not, but hearing her soft cries in the night breaks him. He just wishes this wasn’t her bren to carry alone. Wishes he could split the anxiety and the panicking and walk up the mountain together. Luckily he’d had the wherewithal to shower and de-drag at the venue and he’s dressed for comfort. All of this is good news to him as he drops the last of his bags at the end of the bed and slowly, carefully, sits on the edge. Swinging his legs on, he leans back so his chest is level with her head and draws her into him. She goes quiet as she burrows into his chest, so small in that moment and, as he presses a long, protective kiss to the top of her head - he promises to never let her go again.

[episode four]

He follows her over in Untucked as she panics to herself. It’s the least he could do, he muses, as she frets over something he feels is trivial. But even less than a fortnight in, he knows not to argue or point it out. He’s all to aware that she’s experiencing this differently to everyone else, he’ll just have to accept that.

The tension is seeping out of her and he can feel it, hot on his skin. Her body has a quiet shake to it as if she’s vibrating softly, but he knows that the sweetness of that imagery is nothing compared to what is happening. He’s seen it before in his friends. In Courtney before her first drag coven show. In Nina the first time they met. He’s seen it in himself before every performance since he was 7. But despite his exposure to it, he hates it on her. The twisted look on her face pains him as she tries to sort what she’s doing and all he can give her is encouragement, full of conviction and maybe the naivety of someone falling in love.

‘Out of the three of them I know you were, I feel like you were given the least harsh critiques’

He’s hoping he said it with enough persuasion that she’ll believe him. She needs to believe him because he can’t keep watching her tear herself apart like this without knowing that he did everything in his power to stop it.

‘Fuck that shit’

Her reply is short but definitive and frankly, he’d be laughing at her bluntness if he didn’t know that it was a defence mechanism. He brushed the blonde hairs from her chin, takes a moment to admire the wig on him and notes that it’s a fantastic look. The orange is, too. The whole thing is something he’ll bring up later.

‘Honestly they gave you like almost no negative critiques… and you were killing it with the dancing’

He feels it necessary to equivocate on his beliefs. He won’t allow her for a second to believe that he’s not 100% supportive and confident in her abilities. She just makes soft humming noises and he can hear ‘Living in America’ booming from the Apple headphones that she’d haphazardly shoved into her ears. It’s at this moment he realises that he’s not going to get anything else out of her and so he just pulls her into his arms, laying a gentle peck at the corner of his mouth, not letting his lipstick mar her cheek. She turns her head and he can see the pain in her eyes as she puckers her lips at him. He leans down and captures them, knowing that when he pulls away his lips will be tacky with gloss and glittering a pleasant gold. It looks good on her but it’s not the most subtle thing.

As the producers call cut on the conversation they weren’t even directing, Brooke smiles to himself. He knows that they’ve just secured her safety, knowingly or not, and he’s just grateful that they will have more time.

[march twenty nineteen]

He’s in the cab back from his gig with Nina when she calls him. It’s late there but not too late in comparison to the pitch black 4 am they can see out of the windows. Their seven-seater taxi feels too crowded, full of sweat and drag queens and he feels like this conversation will need privacy. He knows that even if it does he won’t get any.

She’s drunk in a t-shirt dress and a yellow waist length wig muttering about instagram stories or love and he knows she misses him. It’s evident purely from the fact she’s facetiming him on the break between her sets, in a storage closet. If that wasn’t enough, she’s spilling secrets left right and centre and if he was sober he’d be terrified, but honestly it’s so good to see her face and it feels good to laugh with her again. She holds off on the sobbing til he gets into his own room (although she isn’t shy on imitating him, screeching ‘I have two kitties’ at an ungodly pitch for Brooke’s own waning drunkenness).

When he’s alone though, she begins to cry, it’s hard to make out on the grainy facetime that will never do her face justice for him. They use it too often to truly dislike it, but it’s not a substitute for holding each other on cold nights like these when they’re both too lonely to be alone. If he were to write a list of things he misses, he would list her at the very top, leave a few lines blank, and then write poutine. But even that was hard to miss in Canada, so really she is all he longs for and fuck it hurts. The incomparable yearning he feels burns into his very soul, and he wonders how cruel the world must be to have found him someone so perfect when they’re both required to be everywhere but together all the time.

She brings him back to the present as she tries to blot her running foundation with a receipt she found in her pocket. He wants to reach through the screen and brush them off her soft skin himself. Even though they’ll both be together by the end of the day, it hurts that they’re so far apart now.

They cry together, when he’s taken off his makeup and hung his outfits up nicely on the back of the door. They cry for the naivety they had when he thought they would be okay doing this. Before they’d spent weeks on opposite sides of the country. They knew it would get worse but god they hoped it would get better first because she can’t stand this anymore, and he isn’t far behind her.

Later, when her show’s done and she’s home and it’s almost the afternoon in Canada where he is, he talks her to sleep and maybe in his fantasy he kisses the tears off her cheeks till she calms down. He places a meaningful kiss to her forehead and turns off facetime, knowing that when she wakes up he’ll be next to her.

[march twenty nineteen]

She rolls over to the sound of her alarm going off. It’s almost 3 in the afternoon, which means she has about an hour to get her ass out of bed and pick him up from the airport. She realises she may be cutting it close. In the shower, she uses up the remainders of his favourite shampoo, knows he loves how it smells when he presses his nose deep into the unruly mop of hair she keeps trying to maintain. She puts ice compresses under her eyes as she eats what can only be described as a pseudo-breakfast (because it is neither eaten at the time of breakfast nor does it contain any real breakfast foods, but it does the same job), and she almost forgets to take them off as she leaves the house. The hope is that they removed the last remnants of her crying herself to sleep but frankly, the hangover might have done that too.

The drive is mostly uneventful, although she flips off an unusual amount of drivers in the baking Los Angeles heat. She’s bouncing in the driver’s seat by the time she arrives and she rushes into arrivals with less dignity than she afforded herself going home first because she’s so excited she might burst and her man is coming home.

He’s hard to miss, a 6’3 Canadian ballerina in a crowded airport and his thousand bags help her to spot him almost immediately. She does a quick once over of what she’s wearing as she fiddles with the bandana around her neck, knowing it will make Brooke happy (and also so mad). It takes the very little restraint she posses not to scream when he runs over to her. Suddenly all his bags are on the ground and she’s up in the air, feet dangling, and they’re both crying again because the feeling of each other will never get old.

She’s engulfed in the smell of that one time that he made seafood at 3am and they laid on the street til dawn. The time she pulled him into the Florida ocean when all he wanted to do was get Panda Express and watch TV. The smell of airports and long nights and coffee and menthol and shit red wine and good red wine and everything all at once. He smells like love and he smells like home and she kisses the tear tracks on his face because she fucking can.

#rpdr fanfiction #brooke lynn hytes #vanessa vanjie mateo #branjie #angst #fluff #hurt/comfort #pinkgrapefruit #interlude #concrit welcome #submission #canon compliant #on set fic #s11

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urbanfantasypodcast · 5 years ago

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Haunted Histories: Waverly Hills Sanatorium

[Cross posted on Urban Fantasy Blogging at Wordpress.]

Welcome to Urban Fantasy, a blog filled with content on haunted locations, urban legends, and cryptid histories. This is our first post on Haunted Histories and first up is the Waverly Hills Sanitorium in Louisville, Kentucky (my birth state)! For those who have no idea what a sanitorium is or why this location is on the list, let’s start with a rough overview.

A sanitorium is, typically, a place for people with a long-term or chronic illness. Waverly Hills in particular took care of those who were considered to be infected with a ‘plague’ in the time it served as a sanitorium, which was roughly 1926 to 1961. This building saw thousands of deaths, and not many of them were peaceful. First, though, let’s take a step back and talk about the plague that Waverly Hills dealt with.

When we talk about plagues that have wiped out millions of people, our thoughts tend to land on “the Black Plague,” but many would be surprised to know there’s a plague far more deadly. It’s been called “the plague of all plagues,” the “White Death,” and many more, but most tend to know it as tuberculous, or, TB.

First, what is TB? Tuberculosis is a dangerous infection that infects the lungs and, essentially, destroys them. Simply put, “Tuberculosis (TB) bacteria are breathed in through the nose and mouth and can enter the lung [and] Tuberculosis is spread through droplets put in the air by infected people who do not cover their mouths and noses when they cough” (1).

This isn’t just a disease that only affects certain parts of the world, either. “Tuberculosis (TB) is a global disease, found in every country in the world. It is the leading infectious cause of death worldwide” (2). While the disease was far more deadly back in the days when Waverly Hill was open, it’s still a deadly force, even today.

Dr Mario Raviglione, the WHO's tuberculosis director, said, "Tuberculosis and HIV are now competing to be the number one cause of death from infectious disease in the world. … Tuberculosis now ranks alongside HIV” (3). This is a terrifying disease that still plagues us and can lead to a gruesome end - which is where the haunted part of this history comes into play.

Waverly Hills Sanitorium was built in Louisville, Kentucky, and in 1900, “Louisville, Kentucky had the highest tuberculosis death rate in the country. This was due to the fact Louisville is such a low valley area and before development, was basically all swampland and perfect breeding ground for the Tuberculosis bacteria” (4).

As someone who lived in this state for 22 years, I can promise that’s not an exaggeration, either. The Ohio River and warm, muggy valleys and swamplands played as the perfect breeding ground for this plague, infecting thousands of people in its time. Being an airborne disease, there was little that could be done to stop such a rapid spread, especially when this was before the cure had even been found. It was a deadly, terrifying disease, and to put it into proper perspective, “[b]y the dawn of the 19th century, tuberculosis—or consumption—had killed one in seven of all people that had ever lived” (5)

It’s been said that tens of thousands died at Waverly during the height of the epidemic, but this is more of a lie than a myth. Overall it was estimated that over 8,000 people died on Waverly’s property, including worker suicides (6).

This also includes patients who underwent surgeries such as deflating a lung and removing ribs to give the lungs “more room to breathe” all without anesthetics (6) to those from when Waverly Hills was turned into a geriatric care center in 1962 that performed horrific experiments on the patients for non-existent conditions (7).

Now you’re starting to see where the haunted comes into play. Waverly Hills has seen more death and torture in its walls than can be fathomed. Suicides by depressed workers who could no longer handle the countless deaths, soldiers from World War II who were infected with illnesses that could not be fought, patients with TB who had no cure besides “fresh air and sunlight” and often died on the hour every hour, and elderly patients who were rumored to undergo torturous procedures such as shock therapy, lobotomies, and many others “treatments” all met their end in this building.

Haunted happenings have ranged from hearing voices telling people to get out to the smell of baking bread in the kitchens, to the sound of children laughing, to the sights of gathered shadow people. Yes, countless children died within the halls of Waverly Hills, as well.

A small part of the reason this Sanitorium saw so much death was that it functioned much like a miniature city. It was originally purchased by Major Thomas H. Hays in 1883 and was used as a home and school for his daughters before the city purchased the building and land to use due to the rapid increase in TB patients (8). As such, the land already had its own farm that was converted for patient use, but as patients increased, so did the need for more amenities.

“Waverly Hills had it’s own post office, water treatment facility, grew it’s own fruits and vegetables, raised it’s own meat for slaughter and maintained many of the other necessities of everyday life. Everyone at Waverly – patients, nurses, doctors and other employees had to say ‘goodbye’ to everything they knew on the outside world. Once you went to Waverly Hills, you became a permanent resident “on the hill” (9).

This was a horrifying reality, and “In 1916 a pavilion for children was opened at Waverly Hills. A schoolroom in one end of this building accommodating approximately 40 children, furnished with necessary equipment…” (10).

For many, many people, Waverly Hills was the last place they ever saw, and it was filled with death, decay, and the knowledge that they would likely never leave. It’s hardly any wonder the building is haunted to this day; especially in the area known as the Death Tunnel or “the Body Chute.”

This underground tunnel runs from the front entrance of the main building to the bottom of the hill and was originally over 500 feet long. It was used as a heating duct, originally, and to climb the hill safely in the winter, but during the TB years it was used to transport the dead so they wouldn’t be seen by any other patients in an effort to bolster morale. This means this tunnel saw thousands of dead bodies, many of them only deceased for a few hours or less by the time their body made the trip. Countless people today have said that the tunnel is “haunted by those who made their last journey through it” (11). It was to the point that a movie was named after it, Death Tunnel (2005), and filmed at Waverly Hills.

Interestingly enough, the reason the haunted hospital is so run down and broken is due to one of its last owners, a man who wanted the building condemned so he could build the world’s largest statue of Jesus Christ (that’s Kentucky for you). “He let vandals come into the building and tear it up. After breaking windows, porcelain sinks, toilets and doors, they began spraying graffiti on every available wall. The owner then dug around the foundation, in some places as deep as 30 feet, to try and make the foundation crack” (4). Needless to say, the man failed in his endeavor.

In 2001 Waverly Hills was sold to the current owners, Tina and Charlie Mattingly, who are paranormal enthusiasts and offer tours around Waverly Hills, all proceeds going to fix the building up and restore it.

As you’ve read, Waverly Hills Sanitorium was a place filled with tragic death and loss, but it’s important to keep in mind that it was also a place of healing and hope! This building was originally made to help people heal, and they did their best for the time period they were in. The building stands vacant, now, but, well… There are different meanings to the term vacant.

If you get a chance, I highly recommend exploring the building and trying your own look in spotting any who might be left behind. It’s not uncommon to hear children playing or to see nurses and doctors still making their rounds and checking on patients.

Just be careful of the underground tunnel that travels down the hill. There’s more than one place for a tunnel to let out, after all.

Did you enjoy this post and learning about Waverly Hills? Considering dropping a few dollars into my tip jar at https://ko-fi.com/mjanderson or pledging monthly to my Patreon where you can gain access to posts in progress, exclusive content you won’t see anywhere else, and so much more, all at https://patreon.com/mjanderson!

For even more reading about the Waverly Hills Sanatorium, check out the work done by the Buzzfeed Unsolved team in their own exploration of the building: https://www.youtube.com/watch?v=LXhLlWQtdt0

https://www.buzzfeed.com/unsolvednotes/notes-for-unsolved-waverly-hills-sanatorium

Sources in Order of Appearance

[1]https://books.google.com/books?id=5mCn7y_B16sC&pg=PA88&dq=what+did+tuberculosis+do+to+the+body

[2]https://www.tballiance.org/why-new-tb-drugs/global-pandemic

[3]https://www.bbc.com/news/health-34658015

[4]http://arch.thomas-industriesinc.com/Bldg_WaverlyHills.htm

[5]https://www.pbs.org/wgbh/americanexperience/features/plague-gallery/

[6]https://www.onlyinyourstate.com/kentucky/waverly-hills-sanatorium-ky/

[7]https://www.historicmysteries.com/waverly-hills-sanatorium/

[8]https://en.wikipedia.org/wiki/Waverly_Hills_Sanatorium

[9]https://www.therealwaverlyhills.com/about

[10]http://freepages.rootsweb.com/~waverlymemorial/history/newspapers/waverly_herald/History_wh/history_p12.jpg

[11]http://mentalfloss.com/article/17263/haunted-hospital

[Some Photos]http://www.lovethesepics.com/2013/10/waverly-hills-sanatorium-1-of-the-scariest-abandoned-hospitals-in-america/

#kentucky #waverly hills #waverly hills sanatorium #haunted locations #tuberculosis #haunted histories

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sagamemes · 6 years ago

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love and other disasters (2006) sentence starters. below the cut, you’ll find a total of 140 lines of dialogue from love and other disasters. as per usual, feel free to alter diction, pronouns and anything else your heart desires. i’ve edited slightly to fit roleplay and randomised the order. warnings for sexual themes, aids mention, marihuana use, cheating.

❝ well, actually i was just having lunch across the street and came to tell you the good news in person. ❞

❝ why is it that as soon as i fall in love with a man, he abandons me? ❞

❝ we fuck and then you say you don’t want a relationship. ❞

❝ so despite your fragile beauty, you’re actually built like an ox. ❞

❝ what other secret are you keeping from me? ❞

❝ what’s more important, true love or fashion? ❞

❝ you’re straight? since when? ❞

❝ why else would someone like you have a coffee with someone like me? ❞

❝ you make me sound like an exchange student. ❞

❝ i can’t believe i drove him out of the country. ❞

❝ what’s the point of shagging someone ad nauseam if you’re never going to love them? ❞

❝ it’s okay. i forgive you. so you can stop feeling sorry for me or guilty or whatever. ❞

❝ i think accidental meets are better... that is not to say accidents can’t be planned. ❞

❝ i had to give his ego cpr. ❞

❝ it’s just sex. he fills a void. literally. ❞

❝ news of my crush just travelled across the atlantic ocean! ❞

❝ you’d know if you were great. ❞

❝ i suppose i first noticed when i was around 8. i thought it was just a phase, you know, but eventually, i had to accept the truth. i like women. ❞

❝ it’s a romantic comedy! how do you think it ends? ❞

❝ i’m like, fuck that. i know i’m talented. i don’t need some ____ degree to tell me. ❞

❝ have you ever thought this whole ‘true love’ thing might be a conspiracy? ❞

❝ [full name] may be a giant, but you are a giant in waiting. ❞

❝ three years and you still treat me like a one-night stand! ❞

❝ the stages of a relationship can be defined by farting. ❞

❝ no, actually, i’m very out of shape and that nearly killed me. ❞

❝ i was so caught up in my head i missed out on getting to know you. and i would like to get to know you. i mean, if you’re willing to give me another chance? ❞

❝ i've never actually been in a relationship except in my own head. ❞

❝ so how do i get to know you? ❞

❝ i don’t know that [name] is the love of my life. but i’ve decided to give him the chance to be. ❞

❝ are you asking if i’ll still love you? ❞

❝ there’s nothing more important right now than global poverty. i mean in the warming sense. ❞

❝ that boy---gay as a goose. ❞

❝ i think you’re exactly the kind of person they would have wanted me to marry. ❞

❝ we had a row about his car. i told him i don’t generally get into vehicles that cost less than my handbag, he accused me of being a spoiled bitch. ❞

❝ if you’re going to get any more in touch with your inner child, you’re going to need an inner nanny. ❞

❝ was i right or was i right? ❞

❝ he went to [public/private/boarding] school. he probably enjoys being spanked. ❞

❝ where did you learn to speak [language] like that? ❞

❝ what’s more important, anything or fashion? ❞

❝ you /are/ a desperate fantasist. ❞

❝ do you want to go to bed? you know, have sex. ❞

❝ it would’ve meant breaking your rule to only to have sex with people you don’t really love and to only love people you don’t have sex with. ❞

❝ i had no idea that under that shy, sweet exterior was such steely confidence! ❞

❝ i’m afraid you’re drunk. ❞

❝ truth is way too complicated. and unsatisfying. and hard to believe. ❞

❝ i’m going to this black tie thing for my roommate. ❞

❝ that’s not love, [name], that’s the flu. ❞

❝ we work in fashion. everyone is an overpampered monster. ❞

❝ [name] is going through a nasty divorce. she needs positive affirmation. ❞

❝ i’m sorry, but [full name] stands for everything i absolutely despise. ❞

❝ i think people shouldn’t bite the hand that feeds them. ❞

❝ how very ‘all about eve’. ❞

❝ i’m just nervous. he’s meant to have a ferocious temper. ❞

❝ i’m probably gonna get fired tomorrow, but it was worth it just to see [name] in action. ❞

❝ he came over and we shagged. then i asked how he felt about monogamy. ❞

❝ and this is the person you think you could be in love with? someone you’ve never even spoken to? someone you’ve never even met? ❞

❝ the only thing that’s changed is what might happen between you two. ❞

❝ i mean, i had a bad age five. i had a terrible age five, actually. ❞

❝ maybe love isn't something that happens to you. maybe it's something you have to choose. ❞

❝ you could’ve worn something nicer. ❞

❝ you want a brownie? i made them myself. ❞

❝ i’m not miserable, and i believe in true love. ❞

❝ well, you know what they say, ‘the way to a man’s heart is through his stomach’. ❞

❝ [name], pick out the sexiest outfit and go home immediately! ❞

❝ i think my parents would have really liked you. ❞

❝ i can’t believe you’re cooking dinner for some guy you met yesterday. ❞

❝ an affair? you’ve only been going out for two weeks! ❞

❝ nothing like a happy set. ❞

❝ well, i better be off. my flight’s at 9 and i’ve still got to pack. ❞

❝ my memoirs, darling. i’ve decided to publish. ❞

❝ i’m sure you’re far prettier than [name]’s wife. ❞

❝ everyone’s miserable because they’re looking for this nonexistent ‘thing’, or else they’re miserable because they think they settled for less. ❞

❝ do you always judge people so quickly? ❞

❝ you and [name]? you and---you and [name]? oh my god! oh, look, i... i.... i won’t say a word, i promise. cross my heart. ❞

❝ i’m a superficial assistant at a major fashion magazine. you’ll ruin my reputation. ❞

❝ stop doing research and would you write your goddamn screenplay! ❞

❝ when’s the last time you’ve considered falling in love?---i’m not talking about some character in a book or a movie. ❞

❝ [name] would have loved to come tonight, but thanks to the conspiracy of silence between the catholic church and the tories in the face of aids, he can’t. ❞

❝ love isn’t always a lightning bolt, you know? maybe sometimes, it’s just a choice. ❞

❝ there’s quite a bit of hash in them. ❞

❝ i’m following your advice. i’m breaking my rules. ❞

❝ i know i should have said something before. but every time i started, it seemed like the wrong time. ❞

❝ everyone knows you can’t be drunk and tango. so if i can tango, then i’m not drunk. ❞

❝ would it be alright if i borrowed an outfit just for tonight? i have kind of a date. ❞

❝ actually, i can’t believe i haven’t tried to fix you up with him years ago. he’s perfect for you! ❞

❝ can we not talk about my non-existent film career right now? ❞

❝ well, i suppose i’d never have lived up to your fantasy anyway. ❞

❝ you’re almost out of shampoo so i had to use soap. ❞

❝ you broke up with him a month ago! ❞

❝ i just remembered. i need a pedicure. ❞

❝ for the last six months, you’ve been saying one thing and doing another. ❞

❝ there is no need to be nasty to me just because i don’t remember people’s names. ❞

❝ hello? i’m waiting! [name], when i have to ask for it, it’s too late! ❞

❝ that’s the problem with life. it’s nothing like the movies. ❞

❝ apparently, he shags her four times a day and inspires her to write new volumes of poetry! isn’t that great? ❞

❝ i happen to care about [name]. a lot. and i hate the fact that he feels more than me. and i hate the fact that i'm not in love with him. because i know i should be. because he's smart and sweet and decent and i don't want to hurt him. so i keep hoping that i’ll grow into it. ❞

❝ you could’ve worn something, full stop. ❞

❝ we can’t have you all alone in [city] on a friday night! ❞

❝ so then i had to fuck him. ❞

❝ he calls me five times per day, begging me to go out with him. apparently, my voice haunts him. ❞

❝ oh, these are lovely, but [name] hates flowers. ❞

❝ i promise i won’t make a pass. ❞

❝ i’m going to enjoy making her feel stupid about this one. ❞

❝ but you don’t like me in that way. ❞

❝ oh, so you’re saying i should forget about him for purely geographical reasons? ❞

❝ why are you reading a cookbook in the nude? ❞

❝ since when do you say ‘lots of love, big kiss’ to your boss? ❞

❝ i can’t explain it, but... it was amazing. because it was like i was finally seeing the person i’d been waiting for my entire life. ❞

❝ we’re related, but only by birth. so don’t hold it against me. ❞

❝ i mean, thanks to a chance encounter at a beach party, you hook up with one of the world's top fashion photographers. first class travel, exotic locations. you really hit quite the jackpot. ❞

❝ i just wanted to tell the truth and somewhere along the line it got mixed up with a bunch of lies. ❞

❝ i thought this whole dead animal thing was ten years ago. ❞

❝ you don’t talk about monogamy /after/ you shag a guy... ❞

❝ whoever designed those heels must really hate women. ❞

❝ you’ve got to go. i’ve got friends coming over for brunch. ❞

❝ he never even showed, which proves my theory: he must think i’m a stalker freak. ❞

❝ he’s in love with you, [name]. you’re not in love with him. it doesn’t get more simple than that. ❞

❝ well, unless you want me to feel totally humiliated, say ‘yes’. ❞

❝ i just don’t see much of a future together. ❞

❝ you’re an artist, [name]’s an artist. ❞

❝ he said you really sorted him out on the relationship front. and i could certainly use some help there. ❞

❝ you’re not stupid, you just saw what you wanted to see. ❞

❝ i just remembered [name] might have a boy at the house. can i stay at yours? ❞

❝ we’re having a strictly phone-based relationship. ❞

❝ i can’t help it, i’m naturally dramatic! ❞

❝ oh, you know, i said how great he is, how he’s going to make the right [girl/boy/person] happy, how it’s really not him, it’s blah blah blah... ❞

❝ i’m feeling small enough as it is. ❞

❝ look, most great artists have to deal with rejection in their lifetime. ❞

❝ see, this is exactly why i don’t want to be in a relationship with you! ❞

❝ i’m always like this when i have to see my mother. ❞

❝ maybe true love is a decision. you know, a decision to take a chance with somebody. to give to somebody without worrying whether they'll give anything back. or if they're gonna hurt you, or if they really are the one. ❞

❝ the problem with straight men is that no matter how hard they try, they still need to control, to dominate. ❞

❝ thank god you’re gay! ❞

❝ you seem to think the only reason anyone would be with him is for this ‘jackpot’. ❞

❝ i never felt ugly or fat. ❞

❝ i’m not getting married without a maid of honour. ❞

❝ he’s just the sweetest, funniest guy i know. if he wasn’t [straight/gay], i’d have married him ages ago. ❞

❝ i’m a fantasist, not desperate. ❞

❝ you don’t know me. and if you did, you’d know i’d never take advantage of [name]. ❞

#rp sentence starters #rp sentence meme #ship sentence meme #rp meme #rp ask meme #* meme.#* sentences.

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