#film dead end adventure | Explore Tumblr posts and blogs

purplecoffee13 · 18 days ago

Text

Cross The Line*

Summary: “Harry and Y/N have always had a great professional relationship, all based on one rule; a line they drew the first time they met. But when one day that line accidentally blurs, Harry finds that he doesn’t want it to go back to the way it was…”

Wc: 13k

Tropes: Boss!rry x Secretary!Y/N

Warnings: A LOT of back and forth (this is what Katy Perry wrote hot and cold about), arguing, curse words, smut, dirty talk, degradation, light ch0king, dom/sub dynamics, edging, b0ndage, and recording while… yk🤗

A/N: I’m terribly sorry to have been testing your patience so much the second half of this year, here is a long one shot to say I’m sorry🥲 and I appreciate all of you and I hope you are happy and healthy and will get everything you want in the new year xx💘💘

General Masterlist

HEADER = POV change

Harry's relationship with his secretary is completely normal.

At least, he’s always thought it is.

Sure, it may have seemed more friendly than the usual boss/secretary relationship, but that was only because Y/N was special. She was one of the kind. Smart, stealthy, and sneaky if need be. She did everything he asked for, sometimes before he even realized he should ask her, and was always ready to do more.

Of course, she was attractive as well. Shit, attractive may have even been an understatement. Y/N was drop dead gorgeous and Harry was entirely aware of it. Her ambition made her even sexier, and it's one of the reasons he hired her in the first place.

When Y/N walked through his office door that first time three years ago, he couldn't believe his eyes.

He remembers it like it was yesterday, those wide eyes staring back at him as she froze a couple feet away from him. She was quick to regain herself, though—he had to give her that. But she was nervous as she sat down, even though her movements were calm and the tone of her voice stern. He saw the slightest shake of those hands of her.

Because that job interview hadn't been the first time Harry and Y/N came across each other. It was actually a Halloween party at some high end secretive club in New York one month prior. A night that ended with them hooking up in one of the private lounges.

Even back then, when he never thought he'd see her again, he knew that he would never forget that night, nor the way her face scrunched up as she clenched around him, or the sounds that she made as he drove into her.

He could see that she remembered it as well as she sat across from him that day, but Y/N had quickly made it clear that she was serious about pursuing a career in the film industry. She said she could prove what a great secretary she could be for him, as long as they could put that Halloween night behind them and pretend it never happened. She wouldn't make him regret it, she had told him. He took the chance.

And she had been absolutely right.

Three years had passed and Harry was still thankful to himself for hiring Y/N. She was the best around; fiercely loyal as well. Y/N had been offered jobs by other companies, but she turned down every last one of them. Harry liked to think their relationship played a bit of a part in that as well.

They had become friends—if that's what you could call it—over the years. They had a playful dynamic filled with flirty jokes and random phone calls and favors that blurred that line they had drawn so carefully during Y/N's job interview.

No matter what, Y/N would be the first Harry would call, every time. Whether it was bad business news or a drunken phone call, her number was most likely to be at the top of his last calls. And she always answered, even though she didn't have to. It was a special bond, and while they always danced on it—especially Harry—they never crossed that one line.

Not that Harry needed to. As a matter of a fact, he had quite the adventurous love life. With plenty of people on speed dial and a charming smile that could make anyone's panties drop, Harry wasn't short on romantic escapades. The one thing they all had in common, though, was that it'd never last longer than a few days, and they were rarely ever repeated.

The same couldn't be said for Y/N. In fact, Harry had never seen her with anyone outside of her work, and he never heard her mentioning anything about it...

He didn't know why, but somehow, that thought popped up into his head last Friday as they sat in his office with a drink, celebrating the outstanding reviews that critics had given the newest produced film that was set to premiere next week. Before Harry knew it, he was asking about it.

"Why are you rubbing your temples?" He questioned, watching Y/N massage the side of her head with her eyes closed. He was leaned back in his seat, whiskey in hand as he observed the woman across from him.

"Tension headache." She groaned in response. Despite her grumpiness, Harry couldn't help but grin. What could he say? She was cute when she was grumpy.

"We are literally celebrating, Y/N. What could you possibly be so tense about right now?" He teased, and felt his stomach swirl as a smile painted her lips. She might have rolled her eyes, but she still thought he was funny.

"Oh you have no idea." She mumbled, grabbing her glass and leaning back into her chair. She took a big gulp, her face pulling at the strong taste of the liquor. Harry chuckled.

"You should relax more. Maybe get a hot date to take care of some of that stress for you." He suggested jokingly. Y/N scoffed at the insinuation.

Shaking her head, she said: "I get taken care of just fine, thank you very much."

The equally teasing tone in which she responded caught Harry seriously off guard. Her slight grin pressed down on his chest, and despite having started this joking banter himself, he suddenly didn't find the topic very funny anymore.

"When?"

Y/N locked eyes with her boss. “What?”

"You're here 24/7, when do you even have time to hook up with someone?"

"You know there's this thing called weekends." She joked, but the amusement faded when Harry's mouth didn't even quirk upwards in the slightest bit. It fell quiet for a second or two, and just when Y/N opened her mouth to say something else, someone knocked on the office door.

"Come in."

Harry had said, and soon enough Robin, one of the managers walked in, telling them everyone was going to the pub down the street to celebrate, and if they wanted to come along.

Harry didn't even have the chance to reject the offer—he'd rather spend his nights with his secretary—before Y/N agreed to go along. Feeling obligated, Harry reluctantly gave in as well.

He ended up going home quite early that night, not even properly saying goodbye to Y/N like he normally would before leaving, and he couldn't get the image of her wrapped around another man out of his head the entire ride home. He didn't know why it bothered him so much. Maybe it was the fact that it shouldn't, and more importantly, couldn't bother him, which made it even less bearable.

Whichever reason there may have been for it, he decided to drown out his thoughts by inviting one of his old hook-ups to his house. But even as he drove himself into her as she kept screaming his name, he couldn't stop thinking of Y/N. When she had reached her climax and he began to chase his own high—Harry was caught off guard by Y/N's face flashing through his mind, and extremely embarrassed when those images triggered his orgasm.

The next week is awkward, to say the least. It started out Monday, when Harry could barely look Y/N in the eye. She had received the sudden cold shoulder pretty well, but Harry still felt horrible about it. His attitude got less stiff throughout the week, but it was still bad.

By the time Thursday rolls around again, Harry still hasn't had the chance to get that weird feeling out of his system. So when he approaches his office and spots Y/N behind her desk smiling at him, a wave of guilt washes over him.

He curses himself as he sinks into his desk chair, absentmindedly turning on his laptop. What is he doing? Y/N is his assistant. He shouldn't let his protectiveness of her get the best of him. He does not want to lose her in any way.

Harry flinches when there is a knock on his door. He looks up, finding Y/N standing in his doorway. Immediately, he signals for her to come in. She seems a bit nervous as she nears him, and considering she's never been nervous around him, his heart sinks at the idea that the cold shoulder he's been giving her the other night might have affected her way more than he thought.

He just doesn't know how to behave instead.

"You have a meeting in conference room C in five minutes. It's the banker's son who's been proposing his script for the past year. I know your schedule is tight, especially with the premiere coming up, but I thought you might as well get it over with." She says, putting a stack of papers on the table that Harry can only assume is the script. He nods, quirking up the corner of his mouth.

"Thank you, smart thinking." The praise falls from his lips in a casual manner, and he doesn't miss the way she physically relaxes at the positive reinforcement. She nods at him, and turns back to the door. Right before she is about to leave the office, she turns around again. Harry leans back in his seat, waiting to hear what she'll say.

"I'm sorry if I overstepped last week." She says, and Harry frowns at the apology.

"What?"

"I clearly said something that ticked you off." She explains,her shoulders slumping slightly. "I know we joke around, but I was afraid that maybe I'd accidentally crossed a line—“

"Y/N, stop it." Harry interrupts her, getting up from his seat. Her lips are locked within a second, and she stares at her boss with wide eyes. His stomach twists at the sight of it. "You didn't do anything wrong."

"But— if I said something inappropriate then I want to apologize for it." She says, straightening her posture again, biting her bottom lip so he won't see it quiver. As if he doesn't know the way her body works. As if he hasn't known for three years.

Putting his hands inside his pockets, Harry walks around his desk and stands in front of her. A little closer than he needs to, and yet not as close he would like.

"Let me ask you this: How many times have you declined booty calls for me?" He asks, tilting his head a bit. A slight smile appears on Y/N's face, and she pretends to think it over.

"Twenty-seven." Her smile crinkles her eyes, making them even more glassy. Harry quite literally feels his hand itch to touch her face, but he keeps it sternly in his pocket. "I kept track so I could count all the reasons you definitely won't get into heaven."

At that, he lets out a snort. Y/N can't help but chuckle too, and slowly but surely the weirdness dissolves from the room. When the laughter has died down, she speaks up again.

"So... we're good?"

"We're good." Harry smiles at his secretary, and his chest heats up when he spots the faint blush that appears on her cheeks. Jesus Christ, did she become even more beautiful than she was yesterday or was he just too stupid to notice earlier? Probably the latter.

"Well in that case you need to leave because your meeting is like, right now." She reminds him, and he hums in agreement as he gets up from his seat and walks towards the door with Y/N.

"Already gone, love." He winks at her, walking out the door with a lot more confidence in his relationship with Y/N. Maybe everything can go back to normal again. Maybe he was just exaggerating when he couldn't get her out of his head this weekend. Perhaps it was just a glitch, a temporary error in his brain that had come and gone in a flash.

That must've been it, he tells himself as he makes his way to conference room C. He takes a deep breath, musters a polite smile, and opens the door to the room. Harry already knows this guy is going to be wasting his time, but he made a promise to hear him out, so he will.

The guy sitting at the table is the stereotypical spoiled rich son. When John Longwell—a long-time business partner of Harry's— asked him to revise his son's script as a favor, Harry told him he'd do it if he ever found the time. He always hoped John's son would lose interest and forget about the script by the time Harry could find a free space in his agenda, but unfortunately that hadn't been the case.

And although the arc of the story had sounded absolutely horrendous— something about zombies fueled by a brainwashing radio song, which didn't even make sense to Harry because zombies don't have brains—he couldn't back out anymore. So he needs to get it over with, starting now.

Harry loudly shuts the door.

The guy—whose name he can't really remember at the moment—flinches and turns around, a big grin on his face as he gets up from his seat.

"Mr. Styles, it's a pleasure to see you." The man says, extending his hand, which Harry, in turn, takes. He only gives a slight nod before heading over to the other side of the table and sitting down.

"So, where's your script?" Harry asks, eyeing the empty table. The guy looks flustered, opening his mouth to say something, but the opening of the door interrupts that. Harry leans back in his seat when he spots his secretary walk through it, not even eyeing the other guy as she struts over to him and lays the printed out script on the glass table.

"Sorry, you forgot this. It was still on your desk." She says, finally turning to the man to throw him an innocent smile. His sheepish grin satisfies her enough to turn back to her boss and focus all her attention on him. "I also forgot to ask you— do you want to move up lunch today?"

The corner of Harry's mouth tugs up. Over the last three years, the concept of 'moving up lunch' has become a code for 'should I get you out of this early?'. Y/N came up with it a long time ago, and it has stuck ever since.

"Yes, I would very much like that. Thank you, Y/N." He says, and the way a smirk slowly creeps onto her face makes the hairs on his body rise.

"It's my pleasure, Mr. Styles." She gives one final nod before walking out of the room and closing the door behind her. Harry would lie if he said he didn't let his eyes fall onto the way her hips moved as she strolled away.

Unfortunately the fun doesn't last long, and with the slam of the door Harry is reminded that he still has to sit through this meeting a little longer. He looks down at the script.

"A Thousand Zombies

By Jason Longwell."

Right, Jason, that was his name.

"Jesus Christ, if that were my secretary I'd have her bent over my desk all day. How do you get any work done?" Jason breathed out, grinning like a stupid fucking schoolboy. Harry quite literally felt the storm cloud that came floating right above his head the second he heard that incompetent loser say those words. His hands balled up into fists at the suggestive comment, knuckles getting whiter by the second.

"Get out." Harry growls. John raises his eyebrows, looking around him as if Harry couldn't have possibly been addressing it to him.

"W— what?" He stumbles.

"I don't do business with insolent idiots. Get out." Harry repeats, getting up from his seat and buttoning his suit jacket. John follows his movements, anger starting to cloud on his face.

"What the fuck did you just call me?" He exclaims in a failed attempt to sound intimidating. At least, Harry assumes that's what he's trying to do.

"I called you an idiot. Now, get the hell out of my face before I boot your sorry ass right to the front door." With one brow raised, he waits as John tries to muster a response until he eventually gives up and storms out of the room. Harry throws the script into the trash as he walks out of the conference room half a minute later. Y/N is immediately by his side.

"That was quick, I didn't even have time to think of an emergency." She jokes as they walk back to Harry's office together. He raises a brow.

"Yes you did. What was it this time? Food poisoning?" He guesses, holding the door to his office open once they've reached it. Y/N grins as she walks past him and takes a seat at one of the chairs in front of his desk.

"Actually, your car was going to get stolen in about five minutes." She responds, the blush of her cheeks revealing the slight embarrassment of having to voice this excuse out loud. Harry's eyes widen as he walks over to his desk, feeling his assistant watching his every move. He quite likes the feeling.

"No way." He laughs. "You just get more creative by the day."

"What can I say, I'm good at crisis management." She shrugs, crossing her legs and getting into a more comfortable position on the chair. Harry tries his best to not let his eyes float to her legs.

"That you are." He murmurs, the huskier sound of his voice giving a different ambiance to the conversation. As Harry feels the mood switch, he curses himself. Why did he have to ruin it?

Y/N clears her throat. "Anyway— why'd the meeting end early?"

"It ended early because Jason Longwell is a sleazy douchebag." He responds shortly, straightening in his seat in an attempt to gain control of the situation again. He can't let himself slip like this again, and she can't know the real reason he kicked out Jason. But there is no denying the sheer rage that boils his blood when that comment flashes through his memory. He hates that the asshole thought he could just speak about Y/N like that.

"Ooh, what did he say when you kicked him out?" Y/N asks eagerly, still in a playful mood. "You did kick him out right?"

"I don't have time to get into this right now. I need to sign those contracts that were sent in yesterday before I go home." Harry says sternly, avoiding eye contact with Y/N as he speaks, but he still sees the slump in her shoulders at his sudden shift in attitude.

"Right, of course." She immediately returns to the responsible secretary she always is, getting up from her seat. He hears her exit the room, heels clacking against the wooden floor. As soon as the door has shut, Harry throws his head back in frustration.

So much for going back to normal.

Playing into the teasing will only rope him further into that forbidden fantasy, and he clearly won't be able to stop himself from resisting her if he does. But he's the one who started all the playfulness, massively screwing himself over he realizes now. If he shifts his behavior, she's always going to think he's mad at her because of something. But he's going to have to, because Harry can't go back to normal anymore.

Deciding he needs to clear his head, Harry grabs his coat and heads for the elevators without so much as a word. He pretends not to notice the way people's eyes widen when he walks by, suddenly on their best behavior, and although it used to give him an ego boost back when he started, nowadays he just prefers it if people aren't scared of him.

It turns out to be a particularly nice outside for a winter day in London. Not to get it twisted— it's still freakishly cold. It's just that the sun has replaced the endless rain of this entire month. Harry suppresses a chuckle at the irony of the sun finally being out at the very first moment where he's felt so shitty in a long time.

He doesn't know how long he's outside, so he knows it's not fair to be frustrated when he comes back and Y/N isn't at her desk, but he can't help the slight distress that washes over him at the empty seat.

"It's just a date—"

"Your second date!"

Harry creased brows don't do much to hide his feelings when he turns around to see his secretary with a co-worker. The shy smile on her face—accompanied with that blush on her cheeks she always gets when she's secretly giddy about something—disappears at the sight of her boss looking at her like she just killed a puppy.

"Ha— Mr. Styles." She is quick to catch her almost error. Her wide eyes bore into his, filled with confusion and worry. But Harry's frown doesn't give away much, aside. From the fact that he is obviously annoyed.

"I was looking for you." He states stoically, not even acknowledging the employee that is standing next to her. The woman takes the hint and gives Y/N and Harry a small nod before walking away. As soon as she does, Harry turns around and walks towards his own office. He can hear her footsteps following him inside, and with the inconsistent clacking against the floor he can tell she's having a hard time keeping up with his long strides. Still, he doesn't slow his pace.

"I need the papers for the donations printed out and on my desk. And I'll need you to move the meeting with the director of the romance movie to Tuesday evening."

"Yes, of course." The breathy response falls from Y/N's lips the second he finishes his sentence, and by the time he enters his office, she is long gone to do exactly what he asked. Harry shuts the door a little louder than intending to, accidentally shaking the framed artwork on the wall.

Y/N isn't very talkative for the rest of the day, that usual spark of hers seemingly having dimmed. Harry's chest is heavy, knowing his cold attitude was the catalyst for that, but he keeps it up nonetheless. He can't help himself from falling back into it every time he sees her face.

A date. She's going on a date. A second one at that. He can't believe it. Is this who she referred to when she said she gets taken care of? His stomach churns at the possibility.

He tries not to, but Harry still gets warped into the spiral of overthinking about 'date' Y/N has tonight. So much, in fact, that he almost doesn't notice the time flying by until Y/N knocks on his door at 6PM. Harry spots the coat that hangs over her desk chair, and he realizes the work day is over.

"Everything is done for the day and ready for next week. I also sent the papers about the donations with a courier who owed me a favor, so the documents are signed on both parts and the donations will be officially registered by Monday." She explains, hands behind her back. Her new shy behavior—while quite endearing—is excruciating to see. She had always been comfortable around Harry, until now. Until he had to ruin it for the both of them.

"Thank you." Harry gives her a firm nod.

"No problem." She responds a bit awkwardly. "So... I'm going to clock out for the day."

Y/N has already turned around by them time Harry's voice croaks out a 'no'. She whips her head towards her boss, head tilted as she awaited whatever it was that he was going to say.

"I need those contracts for that romance movie." He says before he can even comprehend his words.

"But you won't be negotiating that deal for another two weeks." Y/N retorts, her tone more stern than usual. He can tell she's tired.

"I don't care. I want them on my desk tonight." He holds his head high, despite knowing damn well what he's doing.

He's stalling. Long enough for... he doesn't know actually. For her to cancel her date? It sounds ridiculous now that he really thinks about it.

"Harry, I have an appointment tonight—"

"I said I don't care. I pay you to do as I ask. This is not something you can argue me on." He grumbles. With how Y/N's jaw is clenched, he can't say the same for her attitude. Without another word, she leaves the office.

Harry's worry begins to grow every minute that passes with Y/N out of sight. But when she returns with a stack of papers in her hand after a bit—seven minutes to be exact—that worry evolves into surprise. Walking over to his desk, she plops the papers on them a bit carelessly before speaking up.

"I had them made on Monday because I like to be a few steps ahead." She elaborates. "Now, if that's all, I'm going home."

Y/N doesn't even say goodbye when she grabs her coat and walks to the elevators. Harry sighs to himself, not knowing how the hell he should handle this. It takes him a few seconds before he realizes he really can't do this anymore. He needs to talk to her, if only just to clear the air.

And so, he gets up from his seat and hurries after his assistant.

He catches her just as she walks into an empty elevator, and he joins just before the doors close. Her knitted brows make it clear that she is not in the mood to talk to him.

"I'm sorry... about the documents." Harry confesses, but she doesn't face him. It stays quiet between them for a bit, until the biting sentence falls from Y/N's lips.

"You said we were good."

His heart cracks at her wobbly voice. He can't believe he made her feel this way. If any other person would've brought her to tears, he would've beaten the shit out of them. He reaches for her arm.

"W— we are." He lies. It's the biggest lie he's ever told her, and she knows it, because she immediately turns around.

"No we're not! I said I was sorry if I did something wrong, and you told me it was okay, and now all of a sudden you're being so... cold. I don't understand—" her eyes become glassy. "I don't understand what I did wrong."

Fuck, fuck, fuck.

Harry opens his mouth, ready to spout out his apologies, when Y/N's phone starts to ring. It takes them out of their little trance, and Y/N fumbles around her jacket for a bit until she's finally found her phone. He can't see who's calling her, but it can't be an expected call if he has to judge by the expression on her face.

"Marco, why are you—" her eyes widen at whatever the voice on the other side of the line is telling her, and Harry subconsciously finds himself leaning in a bit in the hope to find out what's wrong.

"What?" Y/N breathes. Her voice is small, and it sounds defeated, tired. The elevator dings, signaling they're downstairs, but Y/N doesn't move, so Harry doesn't either. She seems to notice and lets out a huff before storming out of the confined space and pacing around the lobby.

"You said we had a green light! That was months ago, Marco! Did you even—" She growls, clutching at her phone so hard Harry is afraid she's going to break it. "You know what, never mind. Give me his number."

The Marco guy seems to say something that he really shouldn't have said, because with the way Y/N's face twists Harry swears he can see steam coming out of her ears

"I don't care that they're not answering, I'll make them answer. Give me their numbers and then go find them." She orders before ending the call. And although the thought really shouldn't be crossing his mind right now, Harry can't help but notice how attractive Y/N is when she's mad. He shakes off the thought, telling himself that's the last thing he should be paying attention to right now.

Y/N paces around one more time, cursing under her breath, before striding past Harry and pushing the elevator buttons like a maniac.

"What's going on?"

Y/N shakes her head. "N— nothing. Just a little hiccup that could've easily been prevented. I won't be long."

Harry raises a skeptical brow, but she doesn't dare to meet his eye. She's lying through her teeth.

"Y/N—"

"Harry, really, it's nothing. I'm taking care of it." She tries to convince him, but he notices the way her hands are slightly trembling. "I'm sorry I was unprofessional. You're my boss. It's my job to take your orders, not question them."

Wait, no.

That aching feeling fills his stomach. His entire body, for that matter. He doesn't want her to be a silent and compliant assistant. That's not why he hired her. He needs someone to push back, to joke around with. Shit— what has he done?

Harry finds himself speechless as she enters the elevator and pushes the button of the seventh floor; the office. His brain isn't fast enough to think of what to say before the doors shut and the elevator ascends.

His feet stay glued to the ground as he ponders, his mind reeling like a rollercoaster. Frustration fills his body to his every finger tip. Everything has gone wrong, and he has no idea how to make it better.

At least ten minutes must've gone by by the time that a concierge taps Harry on the shoulder to ask him if he's okay. Still a bit wary, he nods before excusing himself and leaving the building.

Everything is going wrong.

Leaning over the desk with her face buried between her arms, Y/N is unable to hold back the tears that glide over her cheeks.

First, her boss gets mad at her, and she has no idea why. Then, just when they seemed to be okay again, he changed his attitude up again. And what does she do instead of letting it go? She starts a fight. And now Marco drops a disastrous bomb in her lap that could entirely ruin the movie premiere on Sunday. And if that wasn't enough—and she really thinks it was—this sudden crisis caused her to cancel her date of tonight.

It wasn't anything special, really. Y/N had met Jamie a few weeks ago, and they went out last week. He was a nice guy, handsome too, and she thought he was perfect for a short lived affair. Besides, her vibrator just couldn't live up to her fantasies. She was human, she needed to get off every now and then too. It was like Y/N had this itch in need of scratching, one she hadn't been able to reach in what felt like years.

But that wasn't going to happen now. In fact, she was risking being fired if she didn't solve this problem as soon as possible.

Damn! She really thought she had kept it all together, despite the extreme business this year. She thought she'd done a good job.

But that was a lie, because if she had done a good job, Marco wouldn't have ever gotten into the position where an artist on the soundtrack could manipulate the contract they signed. Y/N had told Marco to make it airtight, already having been suspicious of the artists' integrity from the moment they became part of the soundtrack. She assumed that they would try something.

'Chain' was an up and coming band known for their indie sound, but Y/N would just describe them as two pricks. Not only had they been subtly demeaning to her when Harry met with them, barely acknowledging her existence, they were arrogant as well. They came in expecting a lot more money than Harry and the rest of the company were willing to give them. It was absurd that they expected such a big number, but their cocky attitude didn't fade throughout the meeting.

It was truly a favor to the director, why Harry worked so hard to compromise with Chain. The director had been so passionate about the movie, and he had really wanted the song. If one thing was important to Harry, it's that there went passion onto the projects he produced and invested in. So, he decided to help, and eventually managed to struck a deal with the singers. It was still way above the pay grade they should've got—in Y/N's opinion—but they agreed.

Having seen first hand how greedy those two were, she had told Marco—the guy who handled all the legal documents—to make that contract airtight. She demanded to look it over, but because of her busy schedule, she let Marco have another lawyer look at it before sending the contract.

And now, because of a lazy mistake Chain's lawyer found, they are demanding more money or they'll waive their rights to the music. Something which would be absolutely detrimental because the entire climax of the movie, the cinematography and timing are all tuned to the song.

If she doesn't find a way to solve this problem, this entire premiere could fall apart, and it would all be her fault. She gave the green light to Harry, who gave it to the director. It's all her fault.

She should've fucking read that contract herself, then this would've never happened.

Between Harry being mad at her, the fact that she was in her luteal phase, and this sudden disaster, the tears began streaming down her face, and the soft crying only turned into full on sobs the more she tries to calm herself down.

She allows herself the mental breakdown, but when she begins to regain control of her breath again after a few minutes, Y/N decides that it's enough. She has a job to get done, and no one was going to swoop in and save her.

So, she starts making call after call, ringing everyone in the immediate vicinity of the two arrogant bastards. It's crucial she reaches them before the night is over. Only forty minutes have passed by the time she is on the seventh person, but it feels like an eternity nonetheless.

She flinches when, while trying to reach Chain's tour manager, the elevator door dings and a shadow nears. Her tense shoulders sink a little bit at the sight of Harry, glad it's not some creep. Her brows crease as she watches him walk towards her. He's carrying a couple of bags with... is that food? It sure smells like it.

When the call goes to voicemail—for the third time—Y/N puts down the phone and gets up from her seat, hurrying over to her boss and stopping him before he could reach her desk.

"What are you doing here?!" She asks, blocking his way. He lifts the bags, a subtle, apologetic smile on his face.

"I brought food—" He looks up at her, and his eyes darken as soon as he takes in her face. "Have you been crying?"

Y/N raises her hands to her face, quickly glancing at the ground while she wipes her cheeks before meeting his eyes again. Harry puts the bags down, and it feels like her heart skips a beat or two when his thumbs stroke the skin under both her eyes. He leaves his hand around her face, cupping her jaw while he stares at her with such a piercing pain in his eyes that it makes Y/N's eyes water altogether again.

"What's wrong?" His voice is soft, and the feel of his big, warm hands holding her is comforting her in a way she hasn't experienced in a quite some time. Y/N only focused on his chest, afraid that the welled up water in her eyes will spill out again the second she looks at her boss. She told herself the crying was over, so why wasn't she able to control herself?

A few seconds pass, and silence runs between the thick air that makes it nearly impossible to breathe normally. Then, Y/N feels the slight pressure of Harry's hands, inching her head upwards. Automatically, her gaze flicks to that of her boss, and when she sees the worry on his face, a tear escapes her eye. His thumb catches it before it has the chance to roll down all the way down her cheek.

"I messed up." She only says, closing her eyes in shame. Harry says nothing, only letting out a sigh as he continues to caress her cheek.

Suddenly, the phone rings. Y/N reluctantly backs away from Harry's touch, and runs over to her desk to pick up the phone.

"Hello?" She says, her voice laced with such desperation that she internally cringes at it.

"Y/N? It's Marco. I found them, they're at a studio just outside the city."

She hums, grabbing a pen. "Give me the address."

"No, I'm going. This is my mess, Y/N, I'm not going to let you clean it up." Marco croaks from the other side of the line, and Y/N feels his voice tug at her heartstrings.

"Marco, listen to me. This is as much my fault as it is yours. I should've read the damn thing and notice the mistake." She replies, leaning over her desk to grab her coat.

"Y/N, I'll take care of it, okay? I found a fault in their loophole, they're stuck. Let me handle this. You just go home and enjoy what's left of your evening I ruined—" Marco tells her. "Wait, didn't you have a date tonight? Oh my god, did I ruin your date?"

"I did... but it's alright. It probably wouldn't have worked out with him anyway." Y/N chuckled awkwardly and glanced towards Harry, who looked weirdly annoyed at what she said.

"I'm so sorry, I promise I'll make it up to you." Marco shares the desperate plea.

"You can make it up to me by giving me the address of the studio." Y/N tells him cheekily.

"Y/N..." he warns.

"What? I promise I'm going home. It's just so I know where you are." She lies. Y/N is a good liar, except in front of Harry. Having a tendency to get nervous, she always betrays herself. She's lucky that this is a phone call, otherwise Marco would've known she wasn't planning on going home at all.

Hesitantly, he gives her the address, which she immediately writes down on her hand.

"Okay, thank you Marco. Good luck." She says, hanging up the phone with a lot more confidence than ten minutes ago. She can feel Harry staring her down as she puts on her coat, clearly waiting for an explanation for this whiplash-like behavior.

"I really have to go."

Harry shrugs. "I'll give you a ride. You can explain everything to me on the way to your house."

Y/N shakes her head, walking towards her boss. "No, really, you don't have to."

"Yes I do." Harry argues.

"You really don't."

"Do you have a problem with me bringing you home, Y/N?" He asks as if he's dumb, as if he doesn't know she's secretly trying to go to that studio.

"No!" She is quick to protest.

"Or does it have anything to do with the address of that mysterious studio you've written on your hand?" He teases, and Y/N clenches her jaw in frustration.

"I just— I need to make sure it's handled." She sputters. Harry shrugs.

"From what I heard it's being handled just fine." He points out. "You've got to learn to let things go sometimes, Y/N."

She shakes her head, looking the floor. "I can't. Not with this."

Harry lowers his head, trying to get on the same eye-level as her and searching for her eyes. "Why not?"

"I told you; I messed up." Her voice quivers as she tells Harry the truth. "There was a mistake in the contract with Chain. Somehow they found a loophole, and now they want more money or they'll waive the rights to their song."

"What?!" Harry growls, exactly like Y/N anticipated he'd react. God, he's going to fire her any moment.

"It's my fault. It was a reference mistake I could've easily spotted if I had taken the time to revise it." She admits, feeling extremely shameful of her lazy actions.

"What are you talking about? This is the legal team's fault, they should've seen that damned mistake! It's not in your job description to revise a contract, it's not your responsibility. It's not your fault, Y/N." He explains. She sucks in a breath, his words hitting her harder than she expected. Heart aching, the one sentence rings in her head.

It's not your fault.

That couldn't be true, could it? She was responsible for this deal, and for Harry. She should've seen this coming, even though she couldn't have possibly known. Did she not always pride herself in having this sixth sense, in being ahead of everyone else? What was she without that? What was she if not the best at the one thing that made her special, that set her apart from the crowd. What was she worth without that invincibility?

"You revise every contract, don't you?"

Her eyes flick towards her boss. She doesn't say anything, but the answer is hidden in her pupils. And it seems Harry can read them like an open book. "How long have you been doing that?"

"Two years." Y/N stammers, her arms crossed as if it will keep her body from revealing whatever her mouth won't. Harry just lets out a breathy chuckle before pulling her into his arms, taking her into a sweet embrace. With his chin leaning on her head, Y/N takes the opportunity to bury her face in his chest, trying not to bask too much in the heavenly scent of his cologne.

"Remind me to give you a raise." He jokes in a soft whisper, earning a sniff of laughter from Y/N.

For a while it seems like everything that tore her down, including what went down between her and Harry, didn't exist anymore. There was just him and her, their embrace and a distant ticking clock, the only indicator of time passing. Yet it felt like the world stopped, or slowed down at least, being in Harry's arms like that. And suddenly, that itch that she hadn't been able to scratch in so long, it felt like it was soothed by a stroking hand instead, and in a way it fulfilled her. It just so happened to be a way she did not expect.

The initial shock at the realization—this puzzle piece that suddenly clicked—made Y/N back away. She clears her throat, fiddling with her hands.

"They're supposed to be at this studio right outside the city. It's only twenty minutes away by car. I just need to be sure." She announces. Harry grabs the bags of food he put down before placing his hand on her lower back and guiding the both of them back to the elevator.

"We'll take my car." He states, and although Y/N can tell by his tone that Harry expects there to be no talking back, but she just can't help herself.

"Harry, I told you I can take a cab." She suggests as they wait for the elevator door to open. Harry doesn't respond as he guides them both into the small space and pushes the button for the ground floor. When the door closes, he turns to her, looking down at her with such an intimidating stare that Y/N feels like she's shrinking.

"And I told you: we're taking my car." He says sternly, his low voice twisting her stomach in an interesting way. When Y/N goes to open her mouth again, Harry lays his finger on her lips. He hums in disapproval, shaking his head.

"I was being clear, right?" He asks rhetorically. His gaze sweeps over her mouth before settling on her eyes again. Not daring to speak another word, let alone breathe, Y/N only nods in response.

"Good." Harry responds, a cocky smirk framing his face as he strolls out of the elevator, leaving Y/N breathless and in a slight trance. Blinking a few times, she comes back to her sense and hurries after her boss.

Richard has always been a master at reading people, and this time is no exception. The second he began driving, he raised the partition, leaving Harry and Y/N with some privacy.

Harry really has a knack for hiring the right people.

The first few minutes of the car ride are silent, and Harry spends it observing Y/N as she picked at her nail beds, frantically looking at of the window as if it would make the car move faster. She has so much tension inside that little body of hers; she is clearly in need of a distraction.

"I think I'm jealous."

Y/N's head whips to him, brows raised at the sudden confession. Her body turns with her, knees now in Harry's direction as she leans back into the seat, getting comfortable as she lays close attention.

"Of me?" She asks, utterly confused. She seems very lost, not really connecting the dots. Harry doesn't blame her; that confession was quite out of the blue.

"Of whoever gets to take care of you."

Pure silence. Harry swears he could hear a pin drop. Y/N stares at him like a deer in headlights, probably having no idea what to say or do or think. She gulps.

"What?" Her voice is so soft that he almost doesn't hear her, but since all his focus is on her, he doesn't miss it. Letting out a breath, he leans forward, placing a hand on her thigh. His face inches closer and closer until their mouths are mere inches away from each other. Checking for her reaction with every small movement, he can't help but notice how she doesn't stray away from him. In fact, she leans in, causing their lips to brush against each other.

"The idea of another man touching you, having you, it makes my fucking blood boil." He says, voice hoarse. Her eyes frantically search every last inch of his face, looking for something she seemingly can't find. Perhaps she's attempting to find the usual playfulness that always accompanies any conversation that blurs that line between them. In that case, she could keep looking forever and ever, because he is dead serious. Fuck how it used to be and fuck whatever's right or wrong.

And most of all, fuck that line, because he's crossing it.

Harry closes the small gap between them, trying to suppress the moan that threatens to work up his throat at the sole feeling of her lips against his. What a fucking idiot he was for ever agreeing to forget about that Halloween night. Not that he ever truly did forget about it. Besides her obvious competencies, hiring Y/N was a way of keeping her where he seemed to like her best from the moment they met; close to him.

With that thought in mind, he wraps his hand around her face and pulls her closer. She complies, clicking her seatbelt free to move further towards Harry when he slips his tongue inside.

Their mouths move against each other like it's both the first time and the hundredth time they've done this. So familiar and yet it's like nothing he ever felt before. A sensation so different from three years ago, one so heavy and laced with a detail his brain can't quite seem to grasp. Deep down, he knows what it is, he just can't quite lay his finger on it.

But his body can, and it does, and so does Y/N's, because her grinding against him is exactly what he needs. His hand sneaks around her neck, lips curling into a smile at the familiarity of the curves of her neck and the identical moan that falls from her lips just as it did three years ago.

Harry groans when the car suddenly stops and Y/N falls forward a little bit, the friction against his trousers being a bit too much to bear at the moment. Slowly, the partition lowers, and without so much looking at them through the mirror, Richard speaks up.

"We've arrived."

Wrong. Harry clearly hasn't.

Before Harry can catch his breath, Y/N can get off his lap, and either one can even answer, the partition rises again. Immediately, Y/N throws her face into Harry's neck.

"Oh my god, oh my god, oh my god." She wheezes out in pure, utter shame. Harry shakes his head, a faint grin on his face. He would have been laughing his ass off if he wasn't so painfully hard right now. Instead, he only pats Y/N's back, telling her it's fine. She groans and opens the car door.

"No it's not! God, I will never be able to look him in the eye again!" She says, punching the bridge of her nose. Harry shuts the door and grabs Y/N's waist, pulling her towards him. She stumbles into his chest. He lifts her face with his fingers, forcing her to look up at him.

"You're going to have to, because I don't want to fire him." He jokes, and Y/N bites her lip to keep her smile from growing too wide. Not wanting to give Harry the satisfaction that he made her laugh, she looks to the side, but her face expression falls quickly.

"This is not my apartment." She notes, looking at the huge building next to her. "This is yours."

Harry nods.

"I can't be at your apartment, I have to—" Y/N stops herself before she can say more. But Harry already knew what she was going to say. Playfully, he raises a brow.

"You have to... what?"

"To... I have to—"

"Sneak out to that studio?" He finishes her sentence, and her eyes widen. She tries to regain herself but her cheeks are flushed and there is nothing she can do anymore. He's got her. "Yeah, that's not going to happen."

With that, he places a hand on her lower back and guides her towards his building. She stumbles a bit, but eventually catches onto the pace. But her body language is apprehensive, looking back at the road where Richard is standing. Or well, was standing. Harry ordered him to drive away as soon as they got out of the car.

Still, she turns around in a quick motion, trying to get to a cab. Harry's arm catches her, however, and he pulls her back against his chest. Along with his other hand, he turns her around, catching sight of her big eyes boring into his.

"Don't try me." He speaks slowly, dipping his head down until he finds himself inches away from Y/N. "You know what happens if you try me."

His voice is lower than before, having flipped a switch now that her mouth has been on his. He got a taste for the first time in years, he wasn't going to let her get away now. Y/N's breath hitches, eyes flicking down to his mouth.

Knowing he's got her right where he wants her, Harry pulls back and strolls toward the entrance of his apartment building. Soon enough, he hears those heels behind him and he smirks.

It's silent when they step in the elevator, and for the first few seconds, as Harry leans agains't the wall and observes his secretary, it stays that way. She eyes him a couple of times, her ears getting redder.

"What?" She breathes out, looking down at her body like there must be something wrong if he's looking at her for so long. He simply shrugs.

"Nothing. Just admiring you."

At that, Y/N vigorously shakes her head and crosses her arms. A soft scoff leaves her mouth, one she didn't think Harry would hear, but he did. He takes a few steps towards Y/N, inching her against the wall.

"You have no idea how beautiful you are, do you?" He asks sincerely, searching for her eyes. When she finally looks up at him, the nervous smile on her face fades a bit.

Harry doesn't like that look on her face. Needing to fix it, he leans forward and plants his lips on hers again, grabbing her face and pulling her into him. It only takes a matter of seconds before her arms are wrapped around his neck and their bodies are impossibly close to each other again.

Tongues delving deeper into each other's mouth, Harry feels himself floating on some sort of feeling. Despite not being able to define it, he is absolutely positive that he doesn't ever want it to stop. And since kissing Y/N causes this specific feeling, the only feasible option is to never stop kissing her. It's the best plan he's had in ages.

It doesn't take long before the situation gets heated, much like it did before, and Harry's hands trail to Y/N's hips to pull her against him. Desperate for any sort of relief, Harry's hips automatically start to move, and Y/N immediately responds. His body feels like it's on fire, and he tries not to let out any sounds as his strained cock rubs against his tight pants.

Harry takes his lips off Y/N's mouth, peppering kisses to her jaw instead. Slowly, he works his way towards her ear, where he stops to whisper in her ear.

"I'm going to remind you how fucking beautiful you are." The hot breath that left his mouth had her shuddering against him, a slight whine escaping her lips. As he leaves sloppy kisses on Y/N's neck, Harry's free hand slowly travels under her shirt, finding her bra.

She gasps softly when his hand starts to massage her breast, the sensitivity of both spots leaving her hot and bothered under Harry. Fuck, she is so fucking stunning, how did she not see it herself?

Suddenly, the elevator stops, and the door opened. Taking a step back, Harry only winks at Y/N before he turns around and strolls out as if it's a casual Friday. As if he doesn't have his secretary, whom he left high and dry, trailing behind him like a lost puppy.

"Would you like something to drink?" He asks when they enter his home, Harry immediately going into the kitchen.

"Absinthe." Y/N breathes out, leaning over the kitchen island. Harry peeks inside his fridge.

"I only have white wine."

Y/N shrugs. "I'm sure it'll have the same effect if I just keep drinking."

Harry chuckles, grabbing the bottle of wine and placing it on the counter. He walks to a cabinet and takes two wine glasses out of it. Placing one in front of Y/N and the other in front of himself, he opens the bottle and starts pouring, not stopping until the glasses are halfway full. Y/N laughs at the ridiculously full wine glass that he pushes her way, but takes it gladly. He doesn't miss the way her breasts nearly spill out of her top as she leans forward a bit further than intended to in order to grab the glass.

"To the unexpected." She says it like it's a dare. Amused, Harry decides to entertain it, and nods his head.

"To the unexpected."

They raise the glasses before both taking a long sip. Y/N rests her arms on the table, giving a perfect view of her tits right in Harry's frame. She smirks when his eyes accidentally fall on it, and Harry's stomach swirls with excitement. She's trying to play.

"Crazy, how fast life can change, isn't it?" She asks rhetorically, and Harry just hums, waiting patiently for her to reveal what she's trying to do. "I mean, I got up today thinking I'd end the day in another man's bed."

There it is.

She's always been smart, and she knows how to push Harry's buttons. Though his fingers grip the kitchen counter tightly, so much that his knuckles turn white, Harry keeps the corners of his mouth lifted.

"And now you're here." He says, head tilting just a bit. She hums in agreement, taking another sip from her wine.

"Yeah, but just crazy to think that I went into the day thinking I'd hook up with someone else." She tells it so innocently, as if she's mostly talking to herself. Harry's jaw clenches as he stalks around the kitchen island and nears Y/N.

"But you're not, though." Harry notes, falling right into the trap. He knows what she's trying to do but he just can't help himself. He doesn't like the idea of her being with another man. He waits for her answer, hearing his own heartbeat pounding in his ears.

"I know, but I could have—"

Before the sentence has entirely left Y/N's mouth, Harry's hand flies to her neck. The amused look on Y/N's face tells him enough, but he doesn't care.

"You're not. You're in my bed tonight, and any night after that as far as I'm concerned, so I don't want to hear another fucking word about it."

Her eyes twinkle with amusement as she stares up at him. "You really are jealous."

The corner of his mouth tilts upwards, "And you've gotten feisty over the years."

Y/N bites her bottom lip, humming in agreement to his observation. Harry lets out a soft chuckle, tightening the grip on her neck. Y/N gasps in surprise.

"But do you still like to be put in your place?" He asks, inching his face close to hers. The answer is written in her eyes, and yet Y/N doesn't respond. When it's clear that she won't anytime soon, Harry's free hand sneaks around the waist of her pants. She shivers at the touch.

"Well? Do you?" He repeats himself, and slowly but surely, Y/N nods her head. Harry lets out a disapproving noise. "That's not a proper answer."

Closing her eyes, Y/N lets out a deep breath. "Yes, I like to be put in my place."

"That's what I thought." Harry laughs, taking his hands off of her entirely. She frowns, but her eyes widen when he barks out a demand. "Take off your clothes."

He watches carefully as she follows his orders, and she clearly takes her time stripping down to her underwear. When she has, she looks to him for some sign of approval, but Harry just raises his brows. His hands are sunk into his pockets as Y/N lets out a little breath and takes off her bra and panties.

His eyes trail down her body, his cock hurting at the sight of her. God, she's beautiful. He feels like an absolute idiot for not having fought for her earlier, but he reminds himself that he can't change the past and that she is here now, stark naked in his kitchen. A grin spread across his face.

"Do you remember how you addressed me all those years ago?" He asks. It takes a few seconds before Y/N answers, but she gives him a firm nod.

"I called you sir."

Harry nods. "Rules haven't changed. Now, get on the counter."

Her eyes flick to the marble countertop, shock flashing through her eyes. "But Har—"

His right brow lifts ever so slightly. Catching the hint, Y/N stops herself before she can finish the sentence and hoists herself on to the cold countertop. It must not be very pleasant to lay your naked body on that freezing surface, but it was an uncomfortable temporary obstacle. The results would be great, and in about thirty seconds, she'd forget all about that cold touch against her skin.

Harry pulls out one of the bar stools and sat directly in front of Y/N. Spreading her legs apart, he catches sight of that perfect pussy he has been waiting three years to taste again. Like a starved man sat in front of a feast, the urge to dive right in is almost too strong to bear. But before he has her writhing under him, he wants to make her shiver.

"Can't believe it took us so long to get here." Harry hums, tracing his fingers up her thigh, carefully observing the way Y/N tries to control her breathing. Her fists are balled up into curls, attempting to send her concentration to anything else than Harry. He tries not to let his smugness show too much, but he has to say he likes seeing her struggle a bit. A bit of payback for trying to toy with him just now.

"You've always been stubborn." Y/N jokes, a gasp strangling out of her when Harry's fingers ghost over her clit. He chuckles, the tone of his voice so low that it could almost be considered evil.

"If I remember correctly, you're the one who wanted to forget about that Halloween night." He notes. Y/N hums.

"I also made the condition to act professionally, but we didn't do that either." Her eyes gaze into his, catching the fond smile with which he stares at her. A faint blush erupts on her cheeks.

"You drew the line." Harry retorted, and Y/N scoffed.

"You crossed it about a hundred times." She argues in response. He only hums, that cocky smirk on his face.

"I did, and consider this hundredth and first time to be the last, because I'm not getting behind that line again."

Y/N has never been so turned on her in her entire life. Harry’s words are the epitome of determination, and the way his fingers slip inside her so easily the second he finishes his sentence only solidifies that notion. The gasp that leaves her mouth is cut short and evolves into a low moan as Harry’s lips latch onto her clit.

Sensitive would be an understatement for her current state. She is aching, and the way Harry is ravishing her almost hurt. But any pain dwells in comparison to her desire she was overcome with at the situation she currently finds herself in. She is on Harry's kitchen counter, legs spread wide open and letting him do all the things that slipped into her dreams over the past three years.

Harry sucks in all the ways that made her squirm, moving his fingers with such ease that made it seem like he has fingered her a thousand times already. As if he knows her like the back of his hand, as if he knows all her secrets, even ones she doesn't know herself.

Y/N's hand buries itself in Harry's hair when he begins to kitten lick her clit, and she feels that inevitable climax inching closer and closer. She wonders how she had been able to keep herself composed for so long, because the high that creeps up on her feels like it was long overdue.

Unfortunately, the sensation comes to a grinding halt when Harry backs away from Y/N. Her head shoots up, and finds him leaning over her body, wearing boyish half-smile that is now glimmering with her juices.

Wrapping one arm around her waist and the other one under her legs, he picks her up bridal style. She holds onto his shoulders, burying her face into his neck as he carried her to his bedroom. When she begins unbuttoning his shirt, he throws her on his bed. She lets out a soft yelp, bouncing onto the bed.

"So greedy..." Harry tuts in disapproval, but Y/N doesn't quite care. She wants him, bad, and now that she's had a preview of what's to come she doesn't want to wait any longer. She needs him and she needs that orgasm.

She pulls him closer by his pants and starts to unbuckle his belt. "You're taking too long."

Y/N is about halfway done when Harry's firm hand wraps around her neck and pulls her closer to his face. Inching down, he growls: "You'll take what I give you."

"Then give me something." She spits back, and Harry's eyes turn five shades darker at her invitation to a challenge. He slowly leans back, Y/N watching his every movement in anticipation.

"On your stomach."

Y/N stomach swirls at the command, and she obeys as quick as she can. It stays silent for a little bit, and she awaits his further actions eagerly.

"Hands behind your back."

Again, she does what he says. Y/N doesn't dare to turn her head as she hears Harry walking around his room. When she feels a silky material around her wrists, she knows enough. He's tying her up.

Knowing better than to do otherwise, Y/N keeps her mouth shuts as Harry makes an impenetrable knot with his tie. She moves her wrists, assessing how tight it really is, and gets interrupted by a punishing slap on her ass. The sting remains for a couple of seconds, and she is sure there is now a red print the size of Harry's hand on her right cheek.

"Ass up." He barks out his final order, no doubt smirking as she changes her position, slightly struggling now that her arms are of no use.

Y/N bites her lip in anticipation when Harry's hand grabs onto her hips, steadying himself behind her. She slightly flinches forward when the tip of his cock teases her entrance, and attempts to speed up the process by leaning backwards a bit. She's rewarded with another slap on her ass.

But then Harry finally sinks in, and that dreadful itch that plagued Y/N for such a long time is finally scratched, over and over again as he begins to pound into her with long, slow strokes.

"Fucking hell..." Harry murmurs, his cock suctioning into Y/N's tight, clenching pussy. He is so big, and it bruises her in all the right ways.

"Oh baby... thaaat's it." He groans when Y/N begins to bounce back on his cock, aiming to get it even deeper inside of her. She is ruthless in her movements, groaning at the overwhelming sensations. When Harry gropes her ass— and his nails bite into her skin—she loses control.

Burying her face into the mattress, Y/N screams as she reaches her peak. The sound of Harry's moans at her pussy convulsing around his cock only strengthens her orgasm. Her mind goes entirely blank as the shattering release ripples through her like an earthquake. The only thing she can think of is Harry's name, and it's the only thing she cries out as the dizzying explosion settles all over her body.

"You really are desperate, aren't you?" Harry sneers as he pulls his cock out of Y/N, letting go of her hips. She nearly falls over, her tied up hands making it difficult to catch herself. This orgasm was so intense, she could feel the three years of pent up tension as it washed over her. Her cheeks are burning red and her teary eyes makes her vision somewhat blurry.

Y/N is thrown off when Harry suddenly turns her around and she finds herself lying on her back. The way he towers over her would have been intimidating had it not been extremely hot.

"Came on my cock so fast..." he mumbles cockily, corner of his mouth pulled up like the arrogant bastard he is. "Such a slut for it."

Y/N wants to give him some snappy comeback, but her brain is still fried from the orgasm and she's always liked to be degraded in bed, so she decides to only glare at Harry while he speaks. He catches it, and his grin only widens.

"You know it's true, baby." He tells her, bringing your legs over each of his shoulders. That deviant smirk is the last thing Y/N sees before her eyes roll into the back of her head at the feeling of Harry's cock stretching her out again.

He leans forward, almost folding her in two, and reaches deeper. He stays there for a few seconds—as if he is catching his breath—then slowly backs out of her before slamming right back in. Y/N lets out a screech that, if it hadn't been for the desperation laced in its tone, would've sounded like someone was trying to murder her.

Trying to keep her own moans at a minimum, Y/N closes her eyes and listens to the harsh slaps of Harry's skin against hers, and the groans that escape his mouth with each thrust. The strength behind each movement makes her clench around Harry, who in turn hisses her name as if it were a curse word. It only causes her to clench more.

"Fuck, such a pretty little whore." Harry praises as he drives into her. Y/N can only whine, her tits bouncing uncontrollably at the impact of his motions. She must look fucking helpless. Opening her eyes, she catches the way Harry looks at her; like she's a dream. Like she's his dream.

"My pretty little whore." He growls, leaning back and holding one of her legs with his arm while the other reaches for her breasts.

"Yes..." Y/N breathes as he begins squeezing her breasts, getting lost in the sensations of him. Somehow it feels like Harry is everywhere. As if he has latched onto a part of her soul and she feels him coming to claim that every time his cock sinks into her.

"Such a tight fucking fit." He groans, taking her nipple between his fingers. "You should see how perfectly your pussy sucks in every inch of my cock..."

Y/N bites her lip as Harry talks, trying not too get too overwhelmed by the filthy things he's telling her as he plunges in and out of her. Her eyes catch the flex of his muscles that occur with every thrust, and she wonders how she got a man so perfect to fuck her stupid like this.

"Should record it... make a little video for just the two of us. What do you think?"

Oh my god.

"Don't you want to see how perfect we fit together?" He taunts, thrusting his hips harsher than before, hitting a spot that had been untouched for quite a while now. Y/N's face scrunches up.

"F—fuck! Yes, yes..." She responds when Harry stills inside of her to await an answer. He chuckles at the apparent hurry in her voice and reaches for—what Y/N assumes to be—his phone, on the bed. His motions are slow and soft, determined to keep Y/N satisfied at least a bit while he logs into his phone and searches for the camera app. She notices the start of his recording by the sudden change of pace and force of his movements.

His camera is pointed right at her pussy as he begins thrusting deep inside of her, and Y/N screams out Harry's name. The concentration on his face as he captures how she takes him proves too much to bear, and she shuts her eyes tightly, head flopping to the side.

She can hear his ragged breathing over all the other sounds that their bodies are making. The small grunts he makes in an effort not to moan too loudly is all she can focus on, and the tension in her belly grows exponentially with each vibrations of his voice that reaches her ears.

Harry slows his pace, putting more emphasis on the impact of his moves. It allows him to bring his free hand down to touch Y/N's clit. Her legs begin to shake the second he does.

"Are you gonna come again for me? I'm so close, baby. I can tell you are too." The softness in the delivery of his words have Y/N's ovaries rattle. She can only nod, a whine that was an attempt at a 'yes' falling from her rosy lips. Harry grins, his eyes flicking from his phone to her face. Everything feels so hazy, much like a daydream.

"Please don't stop." She squeals in such a high pitch that surprises even herself. Y/N had no idea she could go that high. Harry's bringing out an entirely new side of her.

"I'll never stop, baby." Harry rasps, pressing down on her clit in such a way that Y/N becomes cross-eyed for a second. Her nails grip into the bedsheets, the second release rippling through her like a hurricane. She never quite understood the word bliss, until now. This must be it; this feeling of... pure ecstasy.

Like a blank canvas splattered on with all the bright colors that exist in the world; fresh and exciting and psychedelic in a way. Impossible to define yet such a specific feeling. Y/N let all of it tingle from her head down to her toes, wanting to remember it forever.

The continuous pounding Y/N through her orgasm comes to a grinding halt when Harry reaches his own, pulling out just in time for his sperm to coat her puffy clit and swollen tits. His camera is focused on her frame, recording every spurt that paints her. She's the canvas, he's the colors, Y/N realizes. Harry is her definition of bliss.

The words shared between the two are scarce as Harry unties Y/N's hands, picks her up and carries her to the bathroom to clean her up. But the smiles on their faces says enough, both knowing what they feel is rare, and beautiful. Y/N assesses Harry's face, concluding that the soft edges of it makes him look like a proper angel.

When he's dressed her in one of his shirts, he takes her back to the bedroom, where he pulls her against his frame. Y/N wraps one leg around his torso, hugging him from the side with her head buried into his neck. The way his chest rises and lowers fills her with pure ease, and she leaves a few soft kisses in his neck as a silent thank you. Harry only hums in satisfaction, his arm only tightening around you, as if he's afraid you might let go.

"I'm never gonna let you go now." You tell him before you can even fully comprehend your words. Your heart starts racing, afraid that might've been too soon to say.

"Promise?"

Your racing heart is now melting as you turn your head and see Harry holding up his pinky. You are quick to interlock it with your own.

"Promise." You say with a smile.

General taglist: @mema10

#harry styles #writing #fanfic #fanfiction #harry #blurb #one direction #one shot #smut #excerpt #harry styles fan fic #harry styles fic #harry styles fanfic #harry styles fanfiction #harry edward styles #harry styles imagine #harry styles one shot #harryedwardstyles #harry fanfic

1K notes · View notes

danrifics · 4 months ago

Text

good morning i have slept a total of 2 hours here’s my spoiler breakdown for terrible influence antwerp

they start by playing a text to speech voice who welcomes us and the straight boyfriends and the dads (they’re a bit obsessed with the dads i’ll be real) the voice tells us if we film she’s gonna sue are asses. text to speech lady she is an icon

dnp come out and they’re like yo this is cool it’s the first show, you guys are gonna see what we’ve been up to and then they’re like it’s the first show so we can use you guys to decide if we change anything

they they’re like there’s probably people in the audience who don’t really know us so they do a 15 years of dan and phil lore breakdown with dolls of themselves in little set of iconic dnp locations (made by pj and sophie btw) they put these sets in a table in front of a camera and it shows on the big screen, (for 1 section of this the screen doesn’t work for the first part lol) also phil makes the dolls kiss and they also make the dolls hump the breakfast bar cos of course they do

i can’t remember what happens next or maybe it jumps right into the next thing i mention

they play a game show called role model or no-model which is a madlibs style game where you have to decide if the version of dan and phil the audience creates is a role model or not these are compared to real dnp. we had homophobic furry lawyer dan and linguistics dr phil wo has a thing for hamsters. just an fyi for this dan is really good at hearing what the audience is saying and phil is not at all and im pretty sure he made his up cos he couldn’t understand what we wanted

okay so after this iirc they start talking about the youtube landscape and what they’re gonna do after tour and how to keep people entertained and they go on a little adventure through different genres of youtube like minecraft lets plays, vtubers and then they pretend to be mr beast and pretend to give away a bunch of stuff that they don’t have, they cure us of any mental health issues and they cure us from being gay <3

then they decide to have a boxing match cos obvs that’s what youtubers do, they ask us to cheer for whoever they want to win and it has cool intro to it! i’ll be honest this boxing match goes on for entirely too long like it spans the end of the first half and the start of the second but they have like choreographed fighting and OMFG it’s very gay and like suggestive and they do many times look like they’re gonna have sex 😂 like one of phils moves is to hit dan with his ass while dan is holding him from behind so… yeah. anyway dan thought he won ours and then phil knocked him out with a tv, as he should!! also before they end the first half they’re having an insult match where phils tells dan hes gonna burn his house down only for dan to say they live in the same house and i was dying it was so funny, phil also calls dan a dickhead and this is where he also calls him a cunt and that’s how the first half ends. oh also phil has a fake 6 pack on and that’s the $300 dollar silicone btw

okay second half after dan is dead they have a sincere moment and then they’re like you guys keep telling us you want load of long unedited content and they ask us to tell them a topic to monologue about and someone shouts feet and they rant about feet lmao phil excitedly tells everyone he has a better wiki feet rating than dan

then dan goes on a rant about being discriminated against as a millennial (can’t remember how we got there) and phil gets bored and starts watching subway surfers and i’ll be real honest as a gen z i instantly got distracted by subway surfers and didn’t listen to what dan was saying (that was the point tho) and phil keeps turning up the volume and dan gets mad and he storms off

we have a nice sincere moment with phil but idk what tf it was cos neither did phil 😂

then suddenly a voice, oh here she comes, she asks if we’re ready to confess our sins and out comes sister daniel, everyone fucking loses it, if you heard me screaming so loud no you didn’t.

anyway they read some confessions (phil is father philip) and they read out a few including one from @dnphobe !!! phil has a water gun that he didn’t have when he was meant to and couldn’t find and then found and he was spraying it at people to cleanse them of their sins which is what they meant by people being in the splash zone btw also phil sprayed it at dan it was kinda cute

okay so they say they need to go and get changed and they head off stage and there’s a gag where they leave the microphone on and they’re purposely making it sound sexual and it’s so funny and then dan comes out and phil doesn’t cos he’s struggling with his leather fucking trousers that was a completely unscripted part for sure

then they talk about the hiatus a bit and how dan left us and they keep calling us their family and brb while i cry my eyes out

then they pull out a fucking banger of a song, like i can’t even explain to you how good it is, it has a fully like kpop style dance to it that im gonna fucking learn lmao and dan was so good at it like im not even kidding that man was pulling moves!! phil was doing great too btw but he definitely wasn’t as confident in it as dan was but damn it’s the best song yet imo!!

also i forgot to write the conspiracy bit because i forgot where in the show it is but on one of them they were trying so hard to make us say the opposite one but we were literally forcing tour bus on them and yes they confirmed they shared a bed on that tour bus!! and they played it off like its okay for friends to do that (cos it is) but they way they said it was that thing again where they blur the line a little so we know what they actually mean but still pretend they mean something else

okay some little things i remember that i didn’t write above

- “i can’t imagine my life without you”

- “it’ll be 15 years in december” (if you know you know)

- the absolute silence after they confirmed the bed thing cos none of us were actually expecting it

- dan had to prompt phil a little to remind him what to say next but it was very cute

- they kept looking at each other in *that* way

- phil lied to us about when norman died cos he had norman merch coming out

- sleepless night with phil 3 is fake!!

- they showed *that* video of phil asleep on the tour bus

- there were multiple times where i thought they’re gonna kiss right now???

-phil called dan kinda sexy

- ALL IS FORGIVEN, ANYTHING FROM THE LAST WE MIGHT HAVE DONE IS FORGIVEN THEY LOVE US WE ARE A FAMILY THEY ARE LITERALLY OUR DADS

#titspoilers #dan and phil #phan

617 notes · View notes

optreasurecruise · 2 years ago

Text

#one piece #gasparde #film characters #film dead end adventure

2 notes · View notes

mcflymemes · 5 months ago

Text

THE MUMMY (1999) PROMPTS * assorted dialogue from the film, adjust as necessary

looks to me like you're on the wrong side of the river!

by the way... why did you kiss me?

it seemed like a good idea at the time.

that's called stealing, you know.

is it dangerous?

stop it! you'll kill them!

get me a glass of bourbon.

this just keeps getting better and better.

this door doesn't open.

who opened that chest?

i only want four!

the map! i forgot the map!

i think he's filthy, rude, a complete scoundrel. i don't like him one bit.

i guess we go home empty-handed... again.

look what i got.

i think you found something.

what exactly is this man in prison for?

you just got promoted.

you're with me on this one, right?

keep him busy.

we are in serious trouble.

this creature is the bringer of death.

you must not read from the book!

where are they taking him?

there's only one person i know that can possibly give us any answers.

can you look me in the eye and guarantee me that this isn't all some kind of flimflam?

i'm a very lonely man.

look at my library!

you're gonna get yours, [name]!

never did like camels.

what do you suppose killed him?

time to go.

take my hand, and i will spare your friends.

will you look at that?

do they know something we don't?

i need a new job.

have you no respect for the dead?

i've dreamt about this since i was a little girl.

you dream about dead guys?

patience is a virtue.

any last requests?

loosen the knot and let me go.

i don't think we need to know this.

ooh... that's gotta hurt.

you... i just don't get.

you probably won't live through it.

everybody else we've bumped into has died. why not you?

you're wondering... what is a place like me doing in a girl like this?

yeah, i was there.

can you swim?

of course we don't let him go!

you'll be dead when they do this.

i think i'll kill you.

think of my children.

i only gamble with my life, never my money.

i may not be an explorer or an adventurer, or a treasure-seeker or a gunfighter, but i am proud of what i am.

give me frogs! flies! locusts! anything but you!

compared to you, the other plagues were a joy.

i am so very sorry. it was an accident.

you are a catastrophe.

oh my god, i hate it when these things do that.

is he supposed to look like that?

of course i can swim, if the occasion calls for it.

now, because of you, we have failed.

you think this justifies the killing of innocent people?

what did you say?

i don't want to tell you.

let me get this straight.

you don't have any children.

you lied to me.

i lie to everybody.

what makes you so special?

sorry. didn't mean to scare you.

the only thing that scares me are your manners.

have you got any bright ideas?

i'm thinking. i'm thinking!

you'd better think of something fast.

what are we going to do?

wait here! i'll go get help!

i thought you said you didn't believe in all this fairy tales and hokum stuff.

forget it! we're out the door, we're down the hall, and we're gone!

i told you not to play around with that thing.

you heard the man. no mortal weeapons can kill this guy.

listen! we've got to do something!

is that my problem?

i appreciate you saving my life and all, but when i signed on, i agreed to take you out there and bring you back. end of job, end of story, contract terminated.

that's all i am to you? a contract?

you can either tag along with me or stay here and try to save the world.

do something!

you know, nasty little fellows such as yourself always get their comeuppance.

what's the challenge then?

rescue the damsel in distress, kill the bad guy, and save the world.

death is only the beginning.

why are you going back?

i'm going downstairs to get me a drink. you want something?

#rp meme #mcflymemes #rp memes #rp prompt #roleplay memes #roleplay prompt #rp starters #the mummy #roleplay inbox prompts #ask meme #ask memes #roleplay meme #rp inbox meme #inbox prompt #inbox meme #sentence starter prompt #sentence starter #sentence starters

525 notes · View notes

ohisms · 23 days ago

Text

✱˚｡⋆ ↪ 𝐈 𝐒𝐄𝐄 𝐅𝐈𝐑𝐄 . ( a collection of dialogue prompts from the film the hobbit : the desolation of smaug . adjust phrasing as necessary . )

this is no chance meeting , is it , [ name ] ?

take back your homeland .

what if i were to help you reclaim it ?

that's not the worst of it .

we have another problem .

what did i tell you ? quiet as a mouse .

will you just listen ? i'm trying to tell you there's something else out there .

the bear is unpredictable , the man can be reasoned with .

come away from there , it's not natural . none of it .

it's obvious , he's under some dark spell .

you'll be safe here tonight ... i hope .

we grow in number , we grow in strength .

death will come to all .

there are others like you ?

you're running out of time .

a darkness lies upon that forest .

i would not venture there except in great need .

go now while you have the light .

this forest feels ... sick . as if a disease lies upon it .

something moves in the shadows unseen , hidden from our sight .

if our enemy has returned , we must know .

i would not do this unless i had to .

you've changed , [ name ] .

you must stay on the path . do not leave it . if you do , you'll never find it again .

is there no end to this accursed forest ?

we're going around in circles , we are lost .

the sun . we have to find the sun .

we're being watched .

they're growing bolder .

not just a thief , but a liar as well .

i myself suspect a more prosaic motive .

i have seen how you treat your friends .

you turned away from the suffering of my people .

a hundred years is a mere blink in the life of an elf . i'm patient . i can wait .

did he offer you a deal ?

shh ! there are guards nearby .

you were supposed to be leading us out , not further back in !

are you mad ? they'll find us .

please . please , you must trust me .

this is not a nice place to meet .

why now , [ name ] ? i don't understand .

a human sorcerer could not summon such evil .

in our blindness , the enemy has returned .

the enemy is preparing for war .

i started this . i cannot forsake them , they are in grave danger .

you want me to cast my friends aside ?

i think we've outrun the orcs .

we've no weapons to defend ourselves .

do it again , and you're dead .

what makes you think i would help you ?

no doubt you have some hungry mouths to feed .

oh , come on - enough of the niceties .

i would like to know who you are . and what you're doing in these lands .

we need food , supplies ... weapons . can you help us ?

i'd wager there are ways to enter that town unseen .

for that , you'd need a smuggler .

there was more he could have told us .

i don't care what he calls himself , i don't like him .

we don't have to like him , we just have to pay him .

i've been bled dry by this adventure ! and what have i seen for my investment ?

if you value your freedom , you'll do as i say .

folk in this town are suffering .

you'd do well to remember ; we know where you live .

it's a small town , [ name ] , everyone knows where everyone lives .

who would have the nerve to question my authority ?

you promised us weapons .

death ! that is what you'll bring upon us .

have you forgotten what happened to [ name / location ] ?

let us not be so quick to lay blame .

join us when you're healed .

[ name ] , you belong with the company .

i belong with my brother .

we have no time to wait , we're on our own .

the evil that is hidden here ... i command it reveal itself .

you have keen eyes , [ name ] .

let all those who doubted us rue this day !

i know these walls ... these halls , this stone .

i do not know what you'll find down there .

it never ceases to amaze me . the courage of hobbits .

if there is in fact a live dragon down there , don't waken it .

come , now ... don't be shy . step into the light .

there is something about you , something you carry .

there you are , thief in the shadows .

i did not come to steal from you .

do you think flattery will keep you alive ?

what else do you claim to be ?

truly , you are mistaken .

you have nice manners , for a thief and a liar .

i know the smell and taste of dwarf .

they are drawn to treasure like flies to dead flesh .

did you think i did not know this day would come ?

you should leave us .

and go where ? there is nowhere to go .

the dragon , it's going to kill us .

i kill where i wish , when i wish .

my armor is iron , no blade can pierce me .

i need you to distract the guards .

time to do what , to get killed ?

yes , i'm afraid . i'm afraid for you .

you're not yourself .

the darkness is coming ... it will spread to every corner of the land .

you were only ever a means to an end .

i will not part with a single coin . not one piece of it .

your reputation precedes you .

you have no equal on this earth .

i think our little game ends here .

so tell me , thief ... how do you choose to die ?

we've given him the slip .

there may be a way out .

it's our only chance , we have to try .

i've heard tales of the wonders of elvish medicine .

that was a privilege to witness .

i will not die like this . cowering . gasping for breath .

if this is to end in fire , then we will all burn together .

perhaps it is time i paid them a visit .

this isn't their fault !

you care about them , do you ? good . then you can watch them die .

i am taking back what you stole .

you will take nothing from me .

i laid low your warriors of old . i instilled terror in the hearts of men .

this is not your kingdom . these are dwarf lands .

revenge ? revenge ?! i will show you revenge !

i am fire . i am death .

what have we done ?

#inbox prompt #rp inbox prompt #rp meme #inbox meme #ohisms #fantasy rp meme

234 notes · View notes

if-whats-new · 3 months ago

Text

What's New In IF? Halloween edition! Issue 26 (2024)

By Brij, Dion, Bex and Jen

Now Available!

Itch.io - Keep Reading below

If you read the zine, consider liking the post: it helps us see how many people see it! And sharing is caring! <3

~ EDITORIAL ~

Boo! Did you get scared?

Well we hope we didn’t scare you away! Our favourite time of the year is here and with it a Halloween themed Issue! Next to the regular WNIF stuff we included a recommendation section full of the best games to play in this time of the year, so be sure to check it out!

We want some feedback!

As we’re starting to get a hand of things, we would love some feedback from you guys! What you enjoy, want more or less off, how we could improve... Anything goes! We even have a nifty form!

Still looking for members!

Due to the severe changes in the Zine team, we are once again looking for free hands with a couple of hours to kill, and minds, looking to make a little difference in the community!

If you too would like to help us out in a more official capacity, please shoot us a message! You can check out the available positions here, but if you’d like to help in any other way, feel free to contact us as well!

No Small Talk for some time!

We hope you have a terror-ific time reading this issue!

BRIJ, DION, BEX AND JEN

~ BE A PART OF THE ZINE ~

THIS ZINE ONLY HAPPENS WITH YOU!

Want to write 1-2 pages about a neat topic, or deep-dive into a game and review it in details? Share personal experiences or get all academic?

WRITE FOR THE COLUMN!

Prefer to be more low-key but still have something to share? Send us a Zine Letter or share a game title for Highlight on…!

WE WANT TO HEAR FROM YOU!

Came across something interesting? Know a release or an update announced? Saw an event happening? Whether it's a game, an article, a podcast… Add any IF-related content to our mini-database!

EVERY LITTLE BIT COUNTS!

~ EVENT SPOTLIGHT : ECTOCOMP 2024 ~

La Petite Mort or Le Grand Guignol? Either way, it’s going to get spooky!

Ever since October 2007 spooky-game enthusiasts all over the world have a chance to participate in ECTOCOMP, an annual competition for interactive fiction celebrating the SPOOKY MONTH OF HALLOWEENTOBER. Whether you celebrate Halloween, Day of the Dead, All Saint's Eve, or just love ghost stories and creeping people out, this is your time to shine!

Previously organized by Jason Guest for ADRIFT games, the jam is now open to all development platforms. Since the beginning of this initiative, there has been a motivation to unite and strengthen ties between international communities in the IF world. Creators can submit games either in one of the four main languages - English, Spanish, French and German or any other!

This year marks the 40th anniversary of Ghostbusters. Named after the Ghostbusters’ car license plate number ECTO 1, this year the jam pays tribute to the film that inspired the title! Some other subthemes and inspiration prompts are: Spooky adventure, Sweet supernatural, Halloween fest, Día de Los Muertos, All Saints', All Souls' Eve and any other festivity or mythology around the world.

As per tradition, Ectocomp has two categories:

La Petite Mort, for those who want to speed-write their game in 4 hours or less.

Le Grand Guignol, for games that, for whatever reason, took longer than 4 hours to write.

When the jam is over, all of the submitted games will be uploaded to the IF Archive.

~ ENDED ~

The voting for IFComp ended and the winners have been announced! Congratulations to the first-place winner, The Bat by Chandler Groover! Check out the complete results for this year's competition.

Another edition of the Bad Art Visual Novel Jam is upon us! Check out the two entries!

~ ONGOING (VOTING) ~

Entries have been submitted for the 6th Spooktober Annual Visual Novel Jam! You can vote for your favourites until October 27th! Every October Friday you can also watch Chizu's sponsored Spooktober Stream where she plays through all submissions!

Find inspiration in dusty old decrepit corners, revivify the forgotten - the Revival Jam 2024 is here! You can now vote for your favourite entries!

~ ONGOING (SUBMITTING) ~

Strip IF to it’s bare bones and all it become beautiful text. That’s what The Bare-Bones Jam is about.

It’s spooky month and with it comes the annual ECTOCOMP 2024. If it’s spooky or supernatural why not submit it?

Running until Halloween, the Phantasia Jam is a three months game jam to create a fantasy narrative game, with the theme of “Hidden Magic”. It accepts both VN and IF.

On the CoG Forum, Halloween is already there! Until Oct 31st, you can submit your projects to the Halloween Jam - but don't forget the theme! VAMPIRE, Murder, 70’s Disco!

Disabled Rep VN Jam has a very simple premise but a very important message.

Once upon a time, a game jam was held to create stories around the theme of fairy tales… and that game jam is the Once Upon A Time VN Jam. It’s running from October 1st to January 31st.

Concours de Fiction Interactive Francophone 2025 is for all French-speaking enthusiasts. Submissions are accepted until March 3rd 2025.

Are you perhaps a fan of more somber, melancholic themes? Then check out the Dying Year - Visual Novel Jam! You have until the end of the year to participate.

The Black Visual Novel Jam is all about working with creative professional developers who work in visual novels to bring more Black stories to life. The goal is to create a space where Black creators can show their unique storytelling through visual novels.

Bare your teeth and sharpen your claws because the Monstrous Desires 2024 Visual Novel Jam is here! Dedicated to the love of entities, horrors, and monstrosities, this jam will be full of romantic Visual Novels (VN) that heavily focus on a monster may it be original or from classics, folklore, modern media, etc.

~ OTHER ~

Jams are a great way to find new games! Don’t be afraid to check out submissions from previous years as well. There might be some gems hiding between them!

~ NEW RELEASE ~

Heavens’ Revolution: A Lion Among the Cypress (CScript) is a flintlock space fantasy inspired by eighteenth-century Iran.

Love and Death in the Shadow of the Demiurge (Twine) is an interactive tale of self-love and self-hate, beauty and the lack of it. @infimace-blog

As the Eye Can See (Twine) is a short story about the day before Halloween. @skyshard13

Larut (Ren’Py) is a fictional work retelling of the Indonesian folklore and mythological figure, Nyi Roro Kidul.

As always, don't forget to check out the submitted entries to the events mentioned in the previous pages. They deserve some love too!

~ NEW RELEASE (WIP) ~

You're only 20 when suddenly your life goes bam! Throwing you into a whole new city, a different country even. Can you find your place in the world and restart or lose yourself in temptation? Time to find out in Paved in Ashes (CScript)! @pavedinashes-if

Spotlight (CScript), navigate the red carpet, bloodthirsty paparazzi, cut-throat tabloids and complicated relationship dynamics with A-list celebrities (who may or may not be completely unhinged.)

Exit Through The Gift Shop (CScript) is about the arc of your life, from beginning to end, as experienced through the lens of trips to the museum, with each chapter moving forward one decade.

Blood of the Living (CScript), the first public demo for Blood of the Living, sequel to Fields of Asphodel is here! @chrysanthemumgames

Bridge Ices Before Road (CScript) Finding your place again in your old hometown might sound tough, but nothing is tougher than being an Olympic athlete. You have to juggle training along with all that, but you try not to let it get you down. After all, skating is your passion! @bridgeicesbeforeroadif

Fortuna Favours the Bold (CScript) is a low fantasy, high stakes, romance forward tale about self-discovery and hidden secrets. @fortunafavours

Being the only homicide detective around for miles, it’s up to you now to find out what exactly happened to your brother, why it happened, and who did it in A Bouquet of Chrysantemums (Twine). @abouquetofchrysanthemums

it's been a long, long time (CScript), a group of three find themselves reunited through their shared past, grappling with the haunting memories of a tragedy that shattered their bond. @haynahkho

In Spices of the Heart (CScript) you step into the shoes of an ambitious chef who has landed a job at a prestigious restaurant known for its innovation and artistry. @when-life-gives-you-lemons-if

Love to be Forgotten (RPG Maker MV) is a visual novel inspired by historical figures like Lucrezia Borgia and eerie vampire folklore, such as the tale of Jure Grando.

~ UPDATES ~

Keyframes (Ren’Py) released a patch update. @blankhouse

Shepherds of Haven (CScript) alpha preview has been updated. @shepherds-of-haven

One Knight Stand (CScript) released Chapter 2 Part 3. @oneknightstand-if

Weeping Gods (CScript) added new content to Chapter 2. @jcollinswrites

The In-Between (CScript) released Chapter 10. @dalekowrites

Space Captain (CScript) released updated their demo.

Hunter's Requiem (CScript) added new content to their demo. @huntersrequiem-if

The Inn Between (Ren’Py) released an extended demo. @catslilypad

When Stars Collide (Ren’Py) released Episode 1. @steamberrystudio

Made Marion released Will’s route. @velvet-cupcake-games

Wasteland Pony Express updated their Patreon demo. @katieaki

~ OTHER ~

The Halloween Sale 2024 on Itch.io is here!

Are you a Girls! Girls! Girls!? fan? You can now pre-order an artbook!

The Retro Adventurers podcast released Episode 9, where they have a conversation with Robin Raymond about the project Kingdom of the Seven Stones, a sprawling text/graphic adventure.

Studio Mansoon Games is hiring! Are you a Programmer or a Game artist? This is your chance! @allieebobo

As always, we apologize in advance for missing any update or release from the past week. We are only volunteers using their limited free time to find as much as we can - but sometimes things pass through the cracks.

If you think something should have been included in this week's zine but did not appear, please shoot us a message! We'll do our best to add it next week! And if you know oncoming news, add it here!

~ MAYBE YOU NEXT? ~

We did not get a submission this week. But if you have an idea for a short essay, or would like a special space to share your thoughts about IF and the community...

Shoot us an email!

~ HIGHLIGHT ON ~

A couple of games that we thought were cool.

Viatica by @fir-fireweed (Twine)

Wonderful prose, interesting worldbuilding, lovable characters! Chapter 10 was recently updated and it tore my heart out 10/10.

//submitted by Silly//

Do you have SALT? by BRXKEVN (Steam)

I wanted to tell you about the salt.

//submitted by Oreolek//

Your favourite game here?

Do you have a favourite game that deserves some highlighting?

An old or recent game that wowed you so much you spam it to everyone?

Tell us about it! And it might appear here!

H/T = Horror/Thriller H = Halloween themes S = Supernatural C = Creepy

~ RECOMMENDATIONS (COMPLETE) ~

It gets so lonely here (H/T) by ebi-hime (Ren’Py)

Yuri yandere visual novel, what else needs to be said? //submitted by Remm//

Deepest Grievances (H/T) by 17 confused villains (Ren’Py)

Equal parts murder mystery, eldritch horror, and office satire. This is a great adventure-style VN with a puzzle that made me gasp when I figured out the solution. //submitted by Natasha//

Hanna, We're Going to School (S) by Kastel (Twine)

You and your ghost friend go to school and everything goes sideways. My favorite piece on queerness and rage. //submitted by Emerson//

Last seen online (H/T + S) by qwook/sochinstudio (Three.js)

It is a very great and short game. It includes puzzles that are both satisfying and sad to solve. //submitted by anon//

Escape from Hell (S) by Nils Fagerburg (???)

Switch between monsters and use their abilities to help you escape! Elegant design with fun puzzles. //submitted by Sera//

Neighbourhood Necromancer (H/T) by Gavin Inglis (CScript)

Command the undead to take revenge on the suburbs! Perhaps you’ll start by taking over a convenience store.

Yûrei Station (H/T) by Atelier Sentô (Unity)

A girl takes a night train heading to an unknown destination…

Everyday Horrors (H) by Jacob Aberdevine (Bitsy)

A short Halloween game about fear and uncertainty.

Ghosterington Night (H/T) by Wade Clarke (Inform 7)

Danger-filled Ghosterington Manor appears atop the same cliff each year on Samhain night. It’s hidding four poems that are worth a fortune, and you, famous adventurer Jubilee Grief, are determined to find them.

Forever and Ever (H/T + H) by @PetricakeGames-IF (Ink)

Halloween night comes to a close and you're just settling in to get a good night's sleep when your son Lucas lets you know there are monsters in his room.

First Bite (S) by firstbitegames (???)

One night. Three (very hot) vampires. Make a deal with Death or die trying… (Alejandro Saab is in it so you know it’s good. Also very 18+.) //recommended by Dion [team]//

Well Tended (C) by danielle taphanel (Bitsy)

A short storybook simulator about wandering through death's shade-filled garden, following the spiraling path of poisonous plants to the center.

Witches x Warlocks (H + S) by Nifty Visuals (Unreal Engine)

Seven days until Halloween! Seven days until Fay Nightshade gets booted out of school for being the only witch unable to cast a single spell.

Eat me (C) by Chandler Grooverr (Inform 7)

In this castle, you'll eat or be eaten. May contain dairy, carnage, puzzles, nuts.

~ RECOMMENDATIONS (WIP) ~

We Wretched Creatures (H/T) by @darkfictionjude (Twine)

Who can you trust? What’s the truth behind your family? What are things that you see in the dark?

Sentience (H/T + S) by @sentience-if (Twine)

After a near-death experience at the hands of a crazed angel, you're suddenly thrust into a conspiracy surrounding a corpse-worshiping cult, divinely mad saints, and something buried far, far beneath the earth.

Fervency (H/T) by @fervency-if (CScript)

After getting cured from a vicious plague, you begin to feel some strange and unfamiliar cravings - namely a fervent desire for flesh or blood.

The Story of Sin (H/T + S) by @devilishmango (Twine)

You are the spawn of Satan and The Devil. You decide to defy them once again, and just like always… they aren’t exactly too happy about that. This leads them to decide to punish you one last time- only, this time, the punishment is deadly.

Reanimated Heart (H/T + S) by @doubledeadstudio (???)

Figure out how to build a life from scratch in a strange dimension where the sun never rises and supernatural creatures live freely.

Van Helsing (S) by @vanhelsing-if (Twine)

You are the last of a family of elite slayers. When you get tasked with slaying an ancient Entity in four months, will you remain the indomitable Van Helsing of legends or will this finally be your breaking point?

SLAUGHTER☆SQUAD (H/T) by @harlequinoccult (Twine)

For the most part, you’re a pretty normal mid-20-something year old who lives in a shitty apartment in the city. Well, except for one thing. Your ”Associate” Carter “Dollface” Abernathy. Who is a murderer.

Did we miss your favourite game? Don’t worry, there’s still a chance! Fill out this form and we will include it in our next Halloween issue.

WE LOVE TO HEAR FROM YOU ALL! WHETHER IT'S GOOD OR BAD, OR EVERYTHING IN BETWEEN...

Have something to say? Send us a message titled: Zine Letter!

As we end this issue, we would like to thank: Silly, Oreolek, Remm, Natasha, Emerson, Sera and the awesome anon!

For sending us their game recommendations and highlights!

And as always, huge thanks to all you readers who liked, shared, and commented on last week's issue! What might be tiny actions are huge support and motivators to us!

Thank you for cheering us on this journey!

~ ~ ~ ~ ~ ~

We now have a Linktree! Accessing all of our links has never been easier.

And see you again next week, even more spooky!

BRIJ, DION, BEX, JEN

WHAT'S NEW IN IF? 2024-ISSUE 26

218 notes · View notes

mellxncollie · 8 months ago

Text

Part 1 of looking into some of the technical cinematography aspects of the show

(or, why does Dead Boy Detectives look Like That?)

(update 6/30/24: there's now a part 2! check it out here)

Dead Boy Detectives has some interesting things going on with the cameras. You probably noticed it at some point while watching the show. Whether it was the weird blurs or the sort-of-fisheye, there’s something about many of the shots that doesn’t look the way many people expect TV shows to look.

The main reason why is because it uses an anamorphic lens instead of a spherical lens. These lenses are pretty different from spherical lenses, and the recent rise of anamorphic lenses in TV has not been without some pushback, as viewers unaccustomed to them may find the look weird, distorted, or that it pulls their focus away from the content. Whether you enjoy how Dead Boy Detectives looks or find the cinematography distracting, this post is designed to explain the different effects that the lens has on the show.

This post is very long and very graphics heavy (I made lots of gifs to illustrate my points) so the rest is under a read more.

What is an anamorphic lens and what is it used for?

To begin with, a bit of history and technical info. Say you’re making a movie at most any point before the mid-'90s and you want it to be widescreen. However, the 35mm film you’re shooting on has a smaller aspect ratio (closer to a square than widescreen). You could use letterboxing (black bars on top and bottom) but then you waste the top and bottom parts of the film, and it ends up being slightly lower in ‘resolution.’ The solution: use a lens that records the full height onto the film, but squishes the picture horizontally so that it fills up the whole film frame without any letterboxing. Then, a projector (or a computer) can stretch it out again to display the whole thing in widescreen. The kind of lens that can do that is an anamorphic lens. They've technically been around since before the 1920s but were mostly used between the 1950s and the 1990s.

Up until sort of recently, television networks broadcasted using a smaller aspect ratio that they required shows to be in, and TV shows were not given the kind of cinematography budgets that movies were afforded. Anamorphic lenses are expensive and for widescreen, so they really just weren’t used for TV shows. Instead, a spherical lens was used, which is just the standard lens you think of when you picture a camera lens.

In the 90s, new flat/spherical film formats came out that allowed for widescreen (one of the popular ones being Super 35) caused anamorphic lenses to drastically drop in popularity. However, there has been a recent resurgence, one that you’ve probably subconsciously noticed in both film and television.

In the last 10-15 years, TV has been given larger and larger budgets. Additionally, the rise of streaming services and the use of phones and computers to watch shows rather than actual televisions has meant that networks have started allowing wider aspect ratios, paving the way for anamorphic lenses to begin to be used for series.

The history of these lens’ usage means they’re associated with a ‘cinematic’ look. They have a lot of characteristic effects that are not really ‘natural’ and depending on the viewer, this either enhances the experience or detracts from it.

Lots of recent series have been embracing these lenses (to varying degrees of success), including The Witcher, Sandman, Shōgun, Narcos: Mexico, The Mandalorian, Andor and Chilling Adventures of Sabrina. Doctor Who also started using anamorphic lenses at the switch to the 13th Doctor, so that may be a good reference point. For some of these, it’s a very subtle look, for others, the lens choice is glaringly obvious and overdone (I’m looking at you Sabrina), and sometimes, as is the case with Dead Boy Detectives, it’s really obvious but it remains an effective and compelling choice.

Why use an anamorphic lens in the 21st century when you could just use a spherical lens?

Anamorphic lenses create a look that some filmmakers desire, whether for their associations with a more cinematic look or their sometimes unusual quirks. In a film and tv world filled with spherical lenses that are nice, clean, and precise, anamorphic lenses introduce some irregularity and character. Making an informed decision on what kind of lens to use can enhance different themes of the work.

I want to briefly bring up Moonlight to illustrate this point. Go watch the trailer if you haven’t seen it, and you’ll probably see some parallels with the cinematography of Dead Boy Detectives. There’s less of the ‘radial’ look, but otherwise, there’s a lot of the same kinds of things. Moonlight uses an anamorphic lens and it makes the whole thing look dream-like, nostalgic, and a bit like we’re getting into the character’s heads. To me, it indicates that the story is being filtered through people. We’re not detached from the characters, observing them. The story we are watching is personal, emotional, and necessitates intimacy.

Dead Boy Detectives really benefits from the same visual effects. This is not because it enhances a dream-like or nostalgic quality, but because in the context of the show, it makes it look a bit otherworldly, magical, or otherwise supernatural. Additionally, the constraints of the lens means we get lots of focusing in on individual characters, with nice long looks at their faces allowing for more reflection on their dialogue and reactions.

So, here’s 5 different effects of anamorphic lenses to point out to you all. Starting with the one that allows us to easily identify that anamorphic lenses are being used in the first place.

You’ve probably heard of bokeh before. It's the way the lens renders the direct sources of light that are in the background but out-of-focus. You can see in this shot of Jenny how all the string lights are not circular, but elongated. On a spherical lens, these would be round.

In this next shot of the Cat King, the candles around the floor are all those elliptical shapes. Additionally, lots of other details in the background that aren’t from direct light sources also have an elongated shape. This is sometimes called waterfall bokeh.

Finally, check out this shot of one of the cats. Not only are the lights in the background irregular and elongated, but if you look to the left where the ‘horizon’ line is, there's a series of elliptical shapes where the light hits the edge of the docks.

The bokeh effect is one of those things that just happens because of the lens, and makes it pretty easy to identify that an anamorphic lens is being used. Unlike some of the other effects I’ll mention, I don’t have much to say about how this does or doesn’t add to the visuals.

Breathing is how the field of view changes when you refocus to a subject closer or farther from the lens. While spherical lenses also breathe, there’s a much more distorted look to the breathing that occurs with an anamorphic lens.

Lets start with this shot:

You can see how much the frame widens when the focus shifts from the jar of coins to Jenny. It affects the edges much more than the middle of the frame. Here’s the same shot, but with some of the features outlined (forgive my messy outlining, I used my laptop trackpad) so you can see the movement.

The frame widens when the focus goes from the foreground to the background. It appears like the whole shot is being stretched apart horizontally and compressed vertically.

However, it also does the reverse, narrowing as the focus moves from the background to the foreground.

(also in that last shot of hell, notice how the two points of light in the background elongate into those oval bokeh once they are no longer in focus)

Breathing is a very dramatic way of refocusing, and it forces us to pay attention to different things. In the shot of the Night Nurse, we have a light but the important thing after it turns on is not the light but the reaction that the people have to the cause of the light. In that shot of Niko and Edwin, it’s telling us: listen to Niko. In the shot of hell, it’s not letting us forget what the characters are running from.

The next effect is the lens flare. You can get a lens flare from a spherical lens too, but anamorphic lenses typically generate strong, horizontal flares. A spherical lens would typically create a more radial flare, with multiple lines shooting out in different directions from the light source like rays from the sun.

We see these all over the show, sometimes they’re very prominent, such as in these shots with obvious light sources:

And sometimes they're a bit more subtle. Take this shot of Edwin, Charles, and Crystal on the dock:

While the lens flare at the top of the frame has a clear source, there’s a bunch of other horizontal lines cutting across near the middle and bottom half of the frame. These likely come from light sources outside of the frame.

Some directors, cinematographers, and other creators really like anamorphic flares. Others don’t. For a show with so many dark scenes that have colorful and dramatic lighting, the lens flares seem to enhance this. They are also a constant reminder of the interaction between the lights and the camera, kind of a fingerprint of the production. Sure, they make it seem more ‘cinematic,’ but I think they also ground us in the physicality of the production. (Kind of ironic given the lack of physicality of the main characters, and also you could consider the flares themselves to be the ghosts of the lights and the camera!)

Barrel distortion is where we start getting into why exactly the show looks the way it does. This is basically a subtle fisheye effect. Because of the squishing and stretching of the footage, anamorphic lenses have more distortion than spherical lenses, and it is strongest around the edges.

You can see it most clearly in shots that have lots of vertical lines. They are relatively straight in the middle of the frame, but the closer to the edges, the more they are warped.

Looking at that shame shot of Niko in the bathroom, I have set it to stop at 3 different spots. Pay attention to the shape of the edge of the door.

At the start, it’s curved outward, like an open parentheses: (

Then, in the middle, it’s a vertical line: |

Finally, as the door passes all the way across the frame to the opposite side, it curves inward, like a closed parentheses: )

Again, notice how the lines in this shot of the Lost & Found Department change as they move from the outside towards the center. The door has an outward bulge at the beginning but becomes more 'normal’ shaped as it gets further away.

Anamorphic lenses can also have a pretty shallow depth of field and it’s used a lot in this show which is why we get a lot of those centered close-ups, and why we get that ‘radial blur.’

The center of the frame is where the actors are least likely to be distorted, meaning its easiest to have just one character in the dead center (pun intended). With a shallow depth of field, the background is out of focus, and since the actor is in the center, the background gets the most affected by the barrel distortion, leading to the sense that the background has been radially blurred.

This blurred background with a strong, centered foreground really makes objects in the foreground pop. We are then able to really focus in on different objects and characters. It brings immediacy and intimacy. Here, we have nothing to do but consider Charles. He isn’t speaking so we must consider his reaction to what’s being said.

Also, the further a character is from the center of a shot, the more they are distorted, such as Edwin and Charles in this still:

This kind of distortion definitely lends a more unnatural look to the shots, which definitely supports a show about ghosts and the supernatural. If the subjects are able to see things in our world in a way the viewers cannot, then why display the physical world the way we see it?

Finally, we have focus falloff. This is (like some of the other effects) a distortion that occurs around the edges. Here, the focus decreases the further from the center of the frame even if they’re all about the same distance from the camera.

In this shot of the Tongue & Tail, the sign 'Butcher Shop’ is clear and legible. But imagine if that sign was up in the top left or right corners, where things start to get blurry. We probably wouldn’t be able to read it.

It's also visible in this shot of Edwin. Not only does the floor get blurrier the further you get from the center, but you can see how the rope is less in focus in very top and very bottom of the frame.

The falloff (combined with the barrel distortion) is how we get the really unique dream-like look of the Edwin and Niko scene on the roof in Episode 8. (If you’re having a hard time spotting the falloff here, look at their legs)

When you start looking for falloff in this show, you start to see it everywhere. It’s easiest to spot in the corners of shots, but you can usually see all the way around the edges.

Look at the corners of this still of Edwin, or the way the top and bottom of Niko’s rent envelope aren’t as clear as the middle of it.

Or in this still, look at Charles’ jacket. The arm closest to the center has a much more defined line between it and the background compared to the arm closest to the edge.

This blur definitely is one of the more noticeable effects in the show, and it’s good at focusing our attention on the center of the frame. It guides the viewer exactly to what we should be looking at. We get tons of centered shots in this show because of this and the barrel distortion.

The falloff makes the show look softer and artistic, sometimes painterly or impressionistic. More than any other effect, the falloff is what makes me feel like I’m watching a dream or a vision. It puts us into the sensation of being fully immersed in a story.

I would argue that all of these effects (but especially the last two) not only enhace the supernatural aspect of the show, but they help us fall in love with the characters. They focus us on their faces, and encourage us to reflect on their motivations, reactions, and thoughts. The lens is telling us that we are not to take things at face value. It’s not letting us forget that there are multiple people and multiple stories involved, that things are blurry around the edges, and that things are not perfect and clean-cut.

-----------

Sometime in the next week or so I’ll be working on part 2, where we’ll take a closer look at the cinematography of Edwin’s flashback to 1916 in Episode 1. It's posted! Read it here.

I really wanted to highlight the work of the cinematographers, Marc Laliberté, Craig Powell, and Pierre Gill because it’s clear that there was so much care and intention put into every aspect of this show.

I’m so glad fans of this show are really embracing the work of different crew members, like the work of costume designer Kelli Dunsmore (and if you somehow haven’t seen @captainfantasticalright's posts about the costumes and other aspects of the show, please go check them out right now. My roommates and I have a kind of 'stop everything, new costume analysis dropped' attitude towards their posts, and their approach to show analysis was definiteily an inspiration for this)

If you want to read more about anamorphic lenses, the article Why ‘Shogun’ (and the Rest of TV) Is Slightly Out of Focus in The Ringer is about Shōgun and the rise of anamorphic lenses in TV (Marc Laliberté also worked on a few episodes of Shōgun) and it's a great place to start.

Finally, I want to first thank @skyvoice for these tags on one of my gifsets for semi-inspiring this post (I was already considering making this but these made it into a reality).

#dead boy detectives #charles rowland #edwin payne #niko sasaki #crystal palace #cinematography #cinematography analysis #dbda #mygifs #dbda meta #dead boy detectives analysis #dbdagifs

363 notes · View notes