#film dead end adventure

[optreasurecruise]

[andaniellight]

I used to obsess over this scene so much so of course I'd want this clip to be in my blog

[fxllingout]

does not include the alabasta and drum island ones bc lets be honest i had to cut some movies out to fit it into the poll options and those ones are basically just manga adaptations (also no straw hat chase because. no)

[dont-hug-me-its-yuri]

more fart end job headcanon!!!!!!!!!!!!!!!!!!!!!!!!!

More fart end job headcanons!!!

. Coffins love language is acts of service while Briefcases is receiving gifts

. Coffin loves horror movies while Briefcase is terrified of them

. Coffin actually hung out with Briefcase (outside of work) for the first time when he made them watch Hellraiser together

. they had to stop it 20 minutes in because Briefcase could not handle it

. Coffin is way taller than Briefcase, she could literally throw him

. Briefcase is totally ok with helping Coffin bury and carry dead body but will not go through the dissection phase

. Coffin gives Briefcase so many gifts that it doesn’t understand (wilted flowers, jewelry made out of actual bones, etc.)

. Coffin is constantly helping Briefcase out with injuries since the man is the most clumsy man you will ever meet

. Coffin has never showered and Briefcase is totally attracted to that (little freaks)

. Briefcase thinks that holding hands is scandalous and Coffin has no sense of personal space due to having no social interaction for most of her decades long life

pay 20 dabloons to get more!!!

[sanjipussyindulgence]

Would I be insane to say that One Piece Dead End Adventure might be my favorite One Piece movie? I mean, Baron Omatsuri and the secret island is like unquestionably the best, but dead end adventure is the perfect encapsulation of one piece as a series to me. Anytime I recommend one piece to someone I use that movie as their introduction because it’s the best way to get an accurate feel for the show.

[giveamadeuschohisownmovie]

Idea for a movie trilogy:

Similar to the “Cornetto Trilogy”, an anthology trilogy in which the main connecting feature is the cast and a joke that is split up between all three movies. What I mean is that:

1) the first movie starts a long joke, but the character gets cut off before they can finish it.

2) the second movie has a scene where a character is in the middle of telling a joke. Keen viewers will realize that the joke is picking up where the first movie left off. The character is cut off again.

3) the third movie does the same thing as the previous movie, but the character finally finishes the joke.

We can call this the “Finish The Punchline!” Trilogy.

A hypothetical outline of this trilogy could be:

1) “The Fist of San Diego”: Martial arts comedy film. A young girl (Jenna Ortega) who grew up in a hidden island of warriors is told by the island elder to find the reincarnation of the society’s founder before their enemies do. She ends up in San Diego, California, where she confuses a celebrity martial artist (Pedro Pascal) as the reincarnated founder. Shenanigans ensue as the real reincarnated founder (Steven Yeun) is actually an ordinary Starbucks barista who the young girl just missed.

2) “The Cursed Blade of Muramasa”: Period/historical action adventure movie. In the 1960s, an infamous grave robber (Steven Yeun) discovers a map that leads to the Cursed Blade of Muramasa. Since he can’t decipher the map’s puzzles, he hires an expert (Pedro Pascal), who brings along his daughter (Jenna Ortega). Shenanigans ensue as the father and daughter, who have never been in a dangerous adventure, have to tag along with the grave robber. Along the way, the trio deals with the Yakuza, who are also looking for the blade.

3) “Blood Heist”: A fusion of a heist film and a horror comedy. In a society where supernatural beings and humans coexist with each other, a vampire (Jenna Ortega) stages a heist on a blood bank that is said to have the highest quality of blood in the city. She recruits several vampires to help her. Among them is a hacker (Steven Yeun) who claims he is a vampire, but is actually a werewolf. Along the way, the robbers are being watched by the lead human detective (Pedro Pascal), who has a soft spot for the vampires.

[bobduh]

Spring 2024 - Week 4 in Review

Hello folks, and welcome back to Wrong Every Time. It’s been another productive week on my end, as I’ve reduced my outstanding Current Projects to less than a dozen essays and other features, with my article buffer now encompassing more than a month’s worth of drafts. I’ve matched that productivity with a fair portion of off-the-books anime viewing, as we munched through more of Gundam’s…

[fruity-phrog]

Okay, I saw someone say that Nimona, while being good representation, “didn’t take the big step forward in queer rep that everyone says it did”.

That is wrong. So wrong, my dude.

Yes, an explicit and open queer relationship in children’s cartoons is not new, per ce. Hell, just this year, two popular kids’ cartoons had the main character in an open, adorable, plot-based queer romance. But this is different for a few reasons.

Reason number one, it isn’t left in suspense. Yes, they had that split for three odd weeks, but they started the film as a couple. One of the very first scenes is them together as a couple, Ambrosius saying he loves Ballister, them holding hands, Ballister leaning on Ambrosius’ shoulder. Ambrosius says he loves Ballister three times during the film, and none of them are any more than halfway in. It’s very clear, from their very first interaction, that they are an established relationship, which isn’t something I’ve seen...at all in other animation.

Secondly, they are the plot. Ambrosius not believing Ballister, Ambrosius cutting off Ballister’s arm, Ballister trying to get the video to Ambrosius - this is what drives the plot. In any other children’s animation with queer relationships, the relationship is not the main focus. Even The Owl House, which is so amazing with its constant representation, would still make sense if Luz and Amity never happened. But Nimona’s plot wouldn’t make sense without Ballister and Ambrosius’ relationship. It, quite simply, can’t be erased. It could work as a friendship, yes, but that’s the point. They could have just been two close friends that fell on opposite sides of a fight, but they weren’t. They were two lovers that fell on opposite sides of a fight. 

Thirdly, they aren’t sanitized for “family viewing”. An emerging trend in children’s animation is to only have mlm relationships as fathers to make them seem more “family friendly”. With the exception of Kipo, there really isn’t many tv shows or films that places light upon an mlm relationship. And if it does, it'll be a teen relationship because teenagers being queer tends to come across as less “dirty” and more “innocent”. But Goldenheart is none of these things. They are adults without the mollifying aspect of having a family. And on top of that, they fight. They wield swords and they get bloody and they shoot at things and get angry and yell. They aren’t “clean” and “innocent”.

As well as this, they are in a film. Films are far more accessible than tv shows. You have to watch twenty seven episodes before Lumity in toh is canon. Troy kisses Benson on the eleventh episode of Kipo. And there are two hundred and eighty three episodes of Adventure Time before Marceline and Bonnie kiss. But with a film, the queerness is much more forward - especially in Nimona, where it’s literally the second scene. Animated films hardly ever display queer relationships, but Nimona did.

Finally - they aren’t perfect. I don’t know about you, but three weeks of thinking your boyfriend/maybe ex is a murderer? Doesn’t sound like a healthy few weeks to me. I have only seen big relationship arguments portrayed in straight relationships in cartoons - think Star Vs The Forces Of Evil - whereas queer relationships either have the massive fight prior to being canonically gay - She Ra - or have conflict, not arguments, that are dealt with quickly - Dead End/The Owl House. But Goldenheart? Goldenheart suffers. Their relationship is pushed to such extreme boundaries as for them to be pretty much exes throughout most of the movie. And yet, they are clearly healthy, happy and very much in love at the end. 

TL;DR - Nimona is amazing with the queer representation, and it is a milestone for LGBTQ+ cartoons. Not only is the relationship romantic for the entire movie, the plot is driven by Ambrosius and Ballister’s sort-of-break-up. In short, they are treated the same way straight people are. They have flaws, they have massive arguments, they have plot importance, they have backstory. They are in love. And that’s what matters more than anything else. 

[danrifics]

good morning i have slept a total of 2 hours here’s my spoiler breakdown for terrible influence antwerp

they start by playing a text to speech voice who welcomes us and the straight boyfriends and the dads (they’re a bit obsessed with the dads i’ll be real) the voice tells us if we film she’s gonna sue are asses. text to speech lady she is an icon

dnp come out and they’re like yo this is cool it’s the first show, you guys are gonna see what we’ve been up to and then they’re like it’s the first show so we can use you guys to decide if we change anything

they they’re like there’s probably people in the audience who don’t really know us so they do a 15 years of dan and phil lore breakdown with dolls of themselves in little set of iconic dnp locations (made by pj and sophie btw) they put these sets in a table in front of a camera and it shows on the big screen, (for 1 section of this the screen doesn’t work for the first part lol) also phil makes the dolls kiss and they also make the dolls hump the breakfast bar cos of course they do

i can’t remember what happens next or maybe it jumps right into the next thing i mention

they play a game show called role model or no-model which is a madlibs style game where you have to decide if the version of dan and phil the audience creates is a role model or not these are compared to real dnp. we had homophobic furry lawyer dan and linguistics dr phil wo has a thing for hamsters. just an fyi for this dan is really good at hearing what the audience is saying and phil is not at all and im pretty sure he made his up cos he couldn’t understand what we wanted

okay so after this iirc they start talking about the youtube landscape and what they’re gonna do after tour and how to keep people entertained and they go on a little adventure through different genres of youtube like minecraft lets plays, vtubers and then they pretend to be mr beast and pretend to give away a bunch of stuff that they don’t have, they cure us of any mental health issues and they cure us from being gay <3

then they decide to have a boxing match cos obvs that’s what youtubers do, they ask us to cheer for whoever they want to win and it has cool intro to it! i’ll be honest this boxing match goes on for entirely too long like it spans the end of the first half and the start of the second but they have like choreographed fighting and OMFG it’s very gay and like suggestive and they do many times look like they’re gonna have sex 😂 like one of phils moves is to hit dan with his ass while dan is holding him from behind so… yeah. anyway dan thought he won ours and then phil knocked him out with a tv, as he should!! also before they end the first half they’re having an insult match where phils tells dan hes gonna burn his house down only for dan to say they live in the same house and i was dying it was so funny, phil also calls dan a dickhead and this is where he also calls him a cunt and that’s how the first half ends. oh also phil has a fake 6 pack on and that’s the $300 dollar silicone btw

okay second half after dan is dead they have a sincere moment and then they’re like you guys keep telling us you want load of long unedited content and they ask us to tell them a topic to monologue about and someone shouts feet and they rant about feet lmao phil excitedly tells everyone he has a better wiki feet rating than dan

then dan goes on a rant about being discriminated against as a millennial (can’t remember how we got there) and phil gets bored and starts watching subway surfers and i’ll be real honest as a gen z i instantly got distracted by subway surfers and didn’t listen to what dan was saying (that was the point tho) and phil keeps turning up the volume and dan gets mad and he storms off

we have a nice sincere moment with phil but idk what tf it was cos neither did phil 😂

then suddenly a voice, oh here she comes, she asks if we’re ready to confess our sins and out comes sister daniel, everyone fucking loses it, if you heard me screaming so loud no you didn’t.

anyway they read some confessions (phil is father philip) and they read out a few including one from @dnphobe !!! phil has a water gun that he didn’t have when he was meant to and couldn’t find and then found and he was spraying it at people to cleanse them of their sins which is what they meant by people being in the splash zone btw also phil sprayed it at dan it was kinda cute

okay so they say they need to go and get changed and they head off stage and there’s a gag where they leave the microphone on and they’re purposely making it sound sexual and it’s so funny and then dan comes out and phil doesn’t cos he’s struggling with his leather fucking trousers that was a completely unscripted part for sure

then they talk about the hiatus a bit and how dan left us and they keep calling us their family and brb while i cry my eyes out

then they pull out a fucking banger of a song, like i can’t even explain to you how good it is, it has a fully like kpop style dance to it that im gonna fucking learn lmao and dan was so good at it like im not even kidding that man was pulling moves!! phil was doing great too btw but he definitely wasn’t as confident in it as dan was but damn it’s the best song yet imo!!

also i forgot to write the conspiracy bit because i forgot where in the show it is but on one of them they were trying so hard to make us say the opposite one but we were literally forcing tour bus on them and yes they confirmed they shared a bed on that tour bus!! and they played it off like its okay for friends to do that (cos it is) but they way they said it was that thing again where they blur the line a little so we know what they actually mean but still pretend they mean something else

okay some little things i remember that i didn’t write above

- “i can’t imagine my life without you”

- “it’ll be 15 years in december” (if you know you know)

- the absolute silence after they confirmed the bed thing cos none of us were actually expecting it

- dan had to prompt phil a little to remind him what to say next but it was very cute

- they kept looking at each other in *that* way

- phil lied to us about when norman died cos he had norman merch coming out

- sleepless night with phil 3 is fake!!

- they showed *that* video of phil asleep on the tour bus

- there were multiple times where i thought they’re gonna kiss right now???

-phil called dan kinda sexy

- ALL IS FORGIVEN, ANYTHING FROM THE LAST WE MIGHT HAVE DONE IS FORGIVEN THEY LOVE US WE ARE A FAMILY THEY ARE LITERALLY OUR DADS

[optreasurecruise]

[mcflymemes]

THE MUMMY (1999) PROMPTS *  assorted dialogue from the film, adjust as necessary

looks to me like you're on the wrong side of the river!

by the way... why did you kiss me?

it seemed like a good idea at the time.

that's called stealing, you know.

is it dangerous?

stop it! you'll kill them!

get me a glass of bourbon.

this just keeps getting better and better.

this door doesn't open.

who opened that chest?

i only want four!

the map! i forgot the map!

i think he's filthy, rude, a complete scoundrel. i don't like him one bit.

i guess we go home empty-handed... again.

look what i got.

i think you found something.

what exactly is this man in prison for?

you just got promoted.

you're with me on this one, right?

keep him busy.

we are in serious trouble.

this creature is the bringer of death.

you must not read from the book!

where are they taking him?

there's only one person i know that can possibly give us any answers.

can you look me in the eye and guarantee me that this isn't all some kind of flimflam?

i'm a very lonely man.

look at my library!

you're gonna get yours, [name]!

never did like camels.

what do you suppose killed him?

time to go.

take my hand, and i will spare your friends.

will you look at that?

do they know something we don't?

i need a new job.

have you no respect for the dead?

i've dreamt about this since i was a little girl.

you dream about dead guys?

patience is a virtue.

any last requests?

loosen the knot and let me go.

i don't think we need to know this.

ooh... that's gotta hurt.

you... i just don't get.

you probably won't live through it.

everybody else we've bumped into has died. why not you?

you're wondering... what is a place like me doing in a girl like this?

yeah, i was there.

can you swim?

of course we don't let him go!

you'll be dead when they do this.

i think i'll kill you.

think of my children.

i only gamble with my life, never my money.

i may not be an explorer or an adventurer, or a treasure-seeker or a gunfighter, but i am proud of what i am.

give me frogs! flies! locusts! anything but you!

compared to you, the other plagues were a joy.

i am so very sorry. it was an accident.

you are a catastrophe.

oh my god, i hate it when these things do that.

is he supposed to look like that?

of course i can swim, if the occasion calls for it.

now, because of you, we have failed.

you think this justifies the killing of innocent people?

what did you say?

i don't want to tell you.

let me get this straight.

you don't have any children.

you lied to me.

i lie to everybody.

what makes you so special?

sorry. didn't mean to scare you.

the only thing that scares me are your manners.

have you got any bright ideas?

i'm thinking. i'm thinking!

you'd better think of something fast.

what are we going to do?

wait here! i'll go get help!

i thought you said you didn't believe in all this fairy tales and hokum stuff.

forget it! we're out the door, we're down the hall, and we're gone!

i told you not to play around with that thing.

you heard the man. no mortal weeapons can kill this guy.

listen! we've got to do something!

is that my problem?

i appreciate you saving my life and all, but when i signed on, i agreed to take you out there and bring you back. end of job, end of story, contract terminated.

that's all i am to you? a contract?

you can either tag along with me or stay here and try to save the world.

do something!

you know, nasty little fellows such as yourself always get their comeuppance.

what's the challenge then?

rescue the damsel in distress, kill the bad guy, and save the world.

death is only the beginning.

why are you going back?

i'm going downstairs to get me a drink. you want something?

[if-whats-new]

What's New In IF? Halloween edition! Issue 26 (2024)

By Brij, Dion, Bex and Jen

Now Available!

Itch.io - Keep Reading below

If you read the zine, consider liking the post: it helps us see how many people see it! And sharing is caring! <3

~ EDITORIAL ~

Boo! Did you get scared?

Well we hope we didn’t scare you away! Our favourite time of the year is here and with it a Halloween themed Issue! Next to the regular WNIF stuff we included a recommendation section full of the best games to play in this time of the year, so be sure to check it out!

We want some feedback!

As we’re starting to get a hand of things, we would love some feedback from you guys! What you enjoy, want more or less off, how we could improve... Anything goes! We even have a nifty form!

Still looking for members!

Due to the severe changes in the Zine team, we are once again looking for free hands with a couple of hours to kill, and minds, looking to make a little difference in the community!

If you too would like to help us out in a more official capacity, please shoot us a message! You can check out the available positions here, but if you’d like to help in any other way, feel free to contact us as well!

No Small Talk for some time!

We hope you have a terror-ific time reading this issue!

BRIJ, DION, BEX AND JEN

~ BE A PART OF THE ZINE ~

THIS ZINE ONLY HAPPENS WITH YOU!

Want to write 1-2 pages about a neat topic, or deep-dive into a game and review it in details? Share personal experiences or get all academic?

WRITE FOR THE COLUMN!

Prefer to be more low-key but still have something to share? Send us a Zine Letter or share a game title for Highlight on…!

WE WANT TO HEAR FROM YOU!

Came across something interesting? Know a release or an update announced? Saw an event happening? Whether it's a game, an article, a podcast… Add any IF-related content to our mini-database!

EVERY LITTLE BIT COUNTS!

Contact us through Tumblr asks, Forum DMs, or even by email! And thank you for your help!!

~ EVENT SPOTLIGHT : ECTOCOMP 2024 ~

La Petite Mort or Le Grand Guignol? Either way, it’s going to get spooky!

Ever since October 2007 spooky-game enthusiasts all over the world have a chance to participate in ECTOCOMP, an annual competition for interactive fiction celebrating the SPOOKY MONTH OF HALLOWEENTOBER. Whether you celebrate Halloween, Day of the Dead, All Saint's Eve, or just love ghost stories and creeping people out, this is your time to shine!

Previously organized by Jason Guest for ADRIFT games, the jam is now open to all development platforms. Since the beginning of this initiative, there has been a motivation to unite and strengthen ties between international communities in the IF world. Creators can submit games either in one of the four main languages - English, Spanish, French and German or any other!

This year marks the 40th anniversary of Ghostbusters. Named after the Ghostbusters’ car license plate number ECTO 1, this year the jam pays tribute to the film that inspired the title! Some other subthemes and inspiration prompts are: Spooky adventure, Sweet supernatural, Halloween fest, Día de Los Muertos, All Saints', All Souls' Eve and any other festivity or mythology around the world.

As per tradition, Ectocomp has two categories:

La Petite Mort, for those who want to speed-write their game in 4 hours or less.

Le Grand Guignol, for games that, for whatever reason, took longer than 4 hours to write.

When the jam is over, all of the submitted games will be uploaded to the IF Archive.

~ ENDED ~

The voting for IFComp ended and the winners have been announced! Congratulations to the first-place winner, The Bat by Chandler Groover! Check out the complete results for this year's competition.

Another edition of the Bad Art Visual Novel Jam is upon us! Check out the two entries!

~ ONGOING (VOTING) ~

Entries have been submitted for the 6th Spooktober Annual Visual Novel Jam! You can vote for your favourites until October 27th! Every October Friday you can also watch Chizu's sponsored Spooktober Stream where she plays through all submissions!

Find inspiration in dusty old decrepit corners, revivify the forgotten - the Revival Jam 2024 is here! You can now vote for your favourite entries!

~ ONGOING (SUBMITTING) ~

Strip IF to it’s bare bones and all it become beautiful text. That’s what The Bare-Bones Jam is about.

It’s spooky month and with it comes the annual ECTOCOMP 2024. If it’s spooky or supernatural why not submit it?

Running until Halloween, the Phantasia Jam is a three months game jam to create a fantasy narrative game, with the theme of “Hidden Magic”. It accepts both VN and IF.

On the CoG Forum, Halloween is already there! Until Oct 31st, you can submit your projects to the Halloween Jam - but don't forget the theme! VAMPIRE, Murder, 70’s Disco!

Disabled Rep VN Jam has a very simple premise but a very important message.

Once upon a time, a game jam was held to create stories around the theme of fairy tales… and that game jam is the Once Upon A Time VN Jam. It’s running from October 1st to January 31st.

Concours de Fiction Interactive Francophone 2025 is for all French-speaking enthusiasts. Submissions are accepted until March 3rd 2025.

Are you perhaps a fan of more somber, melancholic themes? Then check out the Dying Year - Visual Novel Jam! You have until the end of the year to participate.

The Black Visual Novel Jam is all about working with creative professional developers who work in visual novels to bring more Black stories to life. The goal is to create a space where Black creators can show their unique storytelling through visual novels.

Bare your teeth and sharpen your claws because the Monstrous Desires 2024 Visual Novel Jam is here! Dedicated to the love of entities, horrors, and monstrosities, this jam will be full of romantic Visual Novels (VN) that heavily focus on a monster may it be original or from classics, folklore, modern media, etc.

~ OTHER ~

Jams are a great way to find new games! Don’t be afraid to check out submissions from previous years as well. There might be some gems hiding between them!

~ NEW RELEASE ~

Heavens’ Revolution: A Lion Among the Cypress (CScript) is a flintlock space fantasy inspired by eighteenth-century Iran.

Love and Death in the Shadow of the Demiurge (Twine) is an interactive tale of self-love and self-hate, beauty and the lack of it. @infimace-blog

As the Eye Can See (Twine) is a short story about the day before Halloween. @skyshard13

Larut (Ren’Py) is a fictional work retelling of the Indonesian folklore and mythological figure, Nyi Roro Kidul.

As always, don't forget to check out the submitted entries to the events mentioned in the previous pages. They deserve some love too!

~ NEW RELEASE (WIP) ~

You're only 20 when suddenly your life goes bam! Throwing you into a whole new city, a different country even. Can you find your place in the world and restart or lose yourself in temptation? Time to find out in Paved in Ashes (CScript)! @pavedinashes-if

Spotlight (CScript), navigate the red carpet, bloodthirsty paparazzi, cut-throat tabloids and complicated relationship dynamics with A-list celebrities (who may or may not be completely unhinged.)

Exit Through The Gift Shop (CScript) is about the arc of your life, from beginning to end, as experienced through the lens of trips to the museum, with each chapter moving forward one decade.

Blood of the Living (CScript), the first public demo for Blood of the Living, sequel to Fields of Asphodel is here! @chrysanthemumgames

Bridge Ices Before Road (CScript) Finding your place again in your old hometown might sound tough, but nothing is tougher than being an Olympic athlete. You have to juggle training along with all that, but you try not to let it get you down. After all, skating is your passion! @bridgeicesbeforeroadif

Fortuna Favours the Bold (CScript) is a low fantasy, high stakes, romance forward tale about self-discovery and hidden secrets. @fortunafavours

Being the only homicide detective around for miles, it’s up to you now to find out what exactly happened to your brother, why it happened, and who did it in A Bouquet of Chrysantemums (Twine). @abouquetofchrysanthemums

it's been a long, long time (CScript), a group of three find themselves reunited through their shared past, grappling with the haunting memories of a tragedy that shattered their bond. @haynahkho

In Spices of the Heart (CScript) you step into the shoes of an ambitious chef who has landed a job at a prestigious restaurant known for its innovation and artistry. @when-life-gives-you-lemons-if

Love to be Forgotten (RPG Maker MV) is a visual novel inspired by historical figures like Lucrezia Borgia and eerie vampire folklore, such as the tale of Jure Grando.

~ UPDATES ~

Keyframes (Ren’Py) released a patch update. @blankhouse

Shepherds of Haven (CScript) alpha preview has been updated. @shepherds-of-haven

One Knight Stand (CScript) released Chapter 2 Part 3. @oneknightstand-if

Weeping Gods (CScript) added new content to Chapter 2. @jcollinswrites

The In-Between (CScript) released Chapter 10. @dalekowrites

Space Captain (CScript) released updated their demo.

Hunter's Requiem (CScript) added new content to their demo. @huntersrequiem-if

The Inn Between (Ren’Py) released an extended demo. @catslilypad

When Stars Collide (Ren’Py) released Episode 1. @steamberrystudio

Made Marion released Will’s route. @velvet-cupcake-games

Wasteland Pony Express updated their Patreon demo. @katieaki

~ OTHER ~

The Halloween Sale 2024 on Itch.io is here!

Are you a Girls! Girls! Girls!? fan? You can now pre-order an artbook!

The Retro Adventurers podcast released Episode 9, where they have a conversation with Robin Raymond about the project Kingdom of the Seven Stones, a sprawling text/graphic adventure.

Studio Mansoon Games is hiring! Are you a Programmer or a Game artist? This is your chance! @allieebobo

~

As always, we apologize in advance for missing any update or release from the past week. We are only volunteers using their limited free time to find as much as we can - but sometimes things pass through the cracks.

If you think something should have been included in this week's zine but did not appear, please shoot us a message! We'll do our best to add it next week! And if you know oncoming news, add it here!

~ MAYBE YOU NEXT? ~

We did not get a submission this week. But if you have an idea for a short essay, or would like a special space to share your thoughts about IF and the community...

Shoot us an email!

~ HIGHLIGHT ON ~

A couple of games that we thought were cool.

Viatica by @fir-fireweed (Twine)

Wonderful prose, interesting worldbuilding, lovable characters! Chapter 10 was recently updated and it tore my heart out 10/10.

//submitted by Silly//

Do you have SALT? by BRXKEVN (Steam)

I wanted to tell you about the salt.

//submitted by Oreolek//

Your favourite game here?

Do you have a favourite game that deserves some highlighting?

An old or recent game that wowed you so much you spam it to everyone?

Tell us about it! And it might appear here!

H/T = Horror/Thriller H = Halloween themes S = Supernatural C = Creepy

~ RECOMMENDATIONS (COMPLETE) ~

It gets so lonely here (H/T) by ebi-hime (Ren’Py)

Yuri yandere visual novel, what else needs to be said? //submitted by Remm//

Deepest Grievances (H/T) by 17 confused villains (Ren’Py)

Equal parts murder mystery, eldritch horror, and office satire. This is a great adventure-style VN with a puzzle that made me gasp when I figured out the solution. //submitted by Natasha//

Hanna, We're Going to School (S) by Kastel (Twine)

You and your ghost friend go to school and everything goes sideways. My favorite piece on queerness and rage. //submitted by Emerson//

Last seen online (H/T + S) by qwook/sochinstudio (Three.js)

It is a very great and short game. It includes puzzles that are both satisfying and sad to solve. //submitted by anon//

Escape from Hell (S) by Nils Fagerburg (???)

Switch between monsters and use their abilities to help you escape! Elegant design with fun puzzles. //submitted by Sera//

Neighbourhood Necromancer (H/T) by Gavin Inglis (CScript)

Command the undead to take revenge on the suburbs! Perhaps you’ll start by taking over a convenience store.

Yûrei Station (H/T) by Atelier Sentô (Unity)

A girl takes a night train heading to an unknown destination…

Everyday Horrors (H) by Jacob Aberdevine (Bitsy)

A short Halloween game about fear and uncertainty.

Ghosterington Night (H/T) by Wade Clarke (Inform 7)

Danger-filled Ghosterington Manor appears atop the same cliff each year on Samhain night. It’s hidding four poems that are worth a fortune, and you, famous adventurer Jubilee Grief, are determined to find them.

Forever and Ever (H/T + H) by @PetricakeGames-IF (Ink)

Halloween night comes to a close and you're just settling in to get a good night's sleep when your son Lucas lets you know there are monsters in his room.

First Bite (S) by firstbitegames (???)

One night. Three (very hot) vampires. Make a deal with Death or die trying… (Alejandro Saab is in it so you know it’s good. Also very 18+.) //recommended by Dion [team]//

Well Tended (C) by danielle taphanel (Bitsy)

A short storybook simulator about wandering through death's shade-filled garden, following the spiraling path of poisonous plants to the center.

Witches x Warlocks (H + S) by Nifty Visuals (Unreal Engine)

Seven days until Halloween! Seven days until Fay Nightshade gets booted out of school for being the only witch unable to cast a single spell.

Eat me (C) by Chandler Grooverr (Inform 7)

In this castle, you'll eat or be eaten. May contain dairy, carnage, puzzles, nuts.

~ RECOMMENDATIONS (WIP) ~

We Wretched Creatures (H/T) by @darkfictionjude (Twine)

Who can you trust? What’s the truth behind your family? What are things that you see in the dark?

Sentience (H/T + S) by @sentience-if (Twine)

After a near-death experience at the hands of a crazed angel, you're suddenly thrust into a conspiracy surrounding a corpse-worshiping cult, divinely mad saints, and something buried far, far beneath the earth.

Fervency (H/T) by @fervency-if (CScript)

After getting cured from a vicious plague, you begin to feel some strange and unfamiliar cravings - namely a fervent desire for flesh or blood.

The Story of Sin (H/T + S) by @devilishmango (Twine)

You are the spawn of Satan and The Devil. You decide to defy them once again, and just like always… they aren’t exactly too happy about that. This leads them to decide to punish you one last time- only, this time, the punishment is deadly.

Reanimated Heart (H/T + S) by @doubledeadstudio (???)

Figure out how to build a life from scratch in a strange dimension where the sun never rises and supernatural creatures live freely.

Van Helsing (S) by @vanhelsing-if (Twine)

You are the last of a family of elite slayers. When you get tasked with slaying an ancient Entity in four months, will you remain the indomitable Van Helsing of legends or will this finally be your breaking point?

SLAUGHTER☆SQUAD (H/T) by @harlequinoccult (Twine)

For the most part, you’re a pretty normal mid-20-something year old who lives in a shitty apartment in the city. Well, except for one thing. Your ”Associate” Carter “Dollface” Abernathy. Who is a murderer.

Did we miss your favourite game? Don’t worry, there’s still a chance! Fill out this form and we will include it in our next Halloween issue.

WE LOVE TO HEAR FROM YOU ALL! WHETHER IT'S GOOD OR BAD, OR EVERYTHING IN BETWEEN...

Have something to say? Send us a message titled: Zine Letter!

As we end this issue, we would like to thank: Silly, Oreolek, Remm, Natasha, Emerson, Sera and the awesome anon!

For sending us their game recommendations and highlights!

And as always, huge thanks to all you readers who liked, shared, and commented on last week's issue! What might be tiny actions are huge support and motivators to us!

Thank you for cheering us on this journey!

~ ~ ~ ~ ~ ~

We now have a Linktree! Accessing all of our links has never been easier.

And see you again next week, even more spooky!

BRIJ, DION, BEX, JEN

WHAT'S NEW IN IF? 2024-ISSUE 26

[mellxncollie]

Part 1 of looking into some of the technical cinematography aspects of the show

(or, why does Dead Boy Detectives look Like That?)

(update 6/30/24: there's now a part 2! check it out here)

Dead Boy Detectives has some interesting things going on with the cameras. You probably noticed it at some point while watching the show. Whether it was the weird blurs or the sort-of-fisheye, there’s something about many of the shots that doesn’t look the way many people expect TV shows to look.  

The main reason why is because it uses an anamorphic lens instead of a spherical lens. These lenses are pretty different from spherical lenses, and the recent rise of anamorphic lenses in TV has not been without some pushback, as viewers unaccustomed to them may find the look weird, distorted, or that it pulls their focus away from the content. Whether you enjoy how Dead Boy Detectives looks or find the cinematography distracting, this post is designed to explain the different effects that the lens has on the show.

This post is very long and very graphics heavy (I made lots of gifs to illustrate my points) so the rest is under a read more.

What is an anamorphic lens and what is it used for?

To begin with, a bit of history and technical info. Say you’re making a movie at most any point before the mid-'90s and you want it to be widescreen. However, the 35mm film you’re shooting on has a smaller aspect ratio (closer to a square than widescreen). You could use letterboxing (black bars on top and bottom) but then you waste the top and bottom parts of the film, and it ends up being slightly lower in ‘resolution.’ The solution: use a lens that records the full height onto the film, but squishes the picture horizontally so that it fills up the whole film frame without any letterboxing. Then, a projector (or a computer) can stretch it out again to display the whole thing in widescreen. The kind of lens that can do that is an anamorphic lens. They've technically been around since before the 1920s but were mostly used between the 1950s and the 1990s.

Up until sort of recently, television networks broadcasted using a smaller aspect ratio that they required shows to be in, and TV shows were not given the kind of cinematography budgets that movies were afforded. Anamorphic lenses are expensive and for widescreen, so they really just weren’t used for TV shows. Instead, a spherical lens was used, which is just the standard lens you think of when you picture a camera lens. 

In the 90s, new flat/spherical film formats came out that allowed for widescreen (one of the popular ones being Super 35) caused anamorphic lenses to drastically drop in popularity. However, there has been a recent resurgence, one that you’ve probably subconsciously noticed in both film and television.

In the last 10-15 years, TV has been given larger and larger budgets. Additionally, the rise of streaming services and the use of phones and computers to watch shows rather than actual televisions has meant that networks have started allowing wider aspect ratios, paving the way for anamorphic lenses to begin to be used for series. 

The history of these lens’ usage means they’re associated with a ‘cinematic’ look. They have a lot of characteristic effects that are not really ‘natural’ and depending on the viewer, this either enhances the experience or detracts from it.

Lots of recent series have been embracing these lenses (to varying degrees of success), including The Witcher, Sandman, Shōgun, Narcos: Mexico, The Mandalorian, Andor and Chilling Adventures of Sabrina. Doctor Who also started using anamorphic lenses at the switch to the 13th Doctor, so that may be a good reference point. For some of these, it’s a very subtle look, for others, the lens choice is glaringly obvious and overdone (I’m looking at you Sabrina), and sometimes, as is the case with Dead Boy Detectives, it’s really obvious but it remains an effective and compelling choice. 

Why use an anamorphic lens in the 21st century when you could just use a spherical lens?

Anamorphic lenses create a look that some filmmakers desire, whether for their associations with a more cinematic look or their sometimes unusual quirks. In a film and tv world filled with spherical lenses that are nice, clean, and precise, anamorphic lenses introduce some irregularity and character. Making an informed decision on what kind of lens to use can enhance different themes of the work. 

I want to briefly bring up Moonlight to illustrate this point. Go watch the trailer if you haven’t seen it, and you’ll probably see some parallels with the cinematography of Dead Boy Detectives. There’s less of the ‘radial’ look, but otherwise, there’s a lot of the same kinds of things. Moonlight uses an anamorphic lens and it makes the whole thing look dream-like, nostalgic, and a bit like we’re getting into the character’s heads. To me, it indicates that the story is being filtered through people. We’re not detached from the characters, observing them. The story we are watching is personal, emotional, and necessitates intimacy. 

Dead Boy Detectives really benefits from the same visual effects. This is not because it enhances a dream-like or nostalgic quality, but because in the context of the show, it makes it look a bit otherworldly, magical, or otherwise supernatural. Additionally, the constraints of the lens means we get lots of focusing in on individual characters, with nice long looks at their faces allowing for more reflection on their dialogue and reactions.

So, here’s 5 different effects of anamorphic lenses to point out to you all. Starting with the one that allows us to easily identify that anamorphic lenses are being used in the first place.

You’ve probably heard of bokeh before. It's the way the lens renders the direct sources of light that are in the background but out-of-focus. You can see in this shot of Jenny how all the string lights are not circular, but elongated. On a spherical lens, these would be round.

In this next shot of the Cat King, the candles around the floor are all those elliptical shapes. Additionally, lots of other details in the background that aren’t from direct light sources also have an elongated shape. This is sometimes called waterfall bokeh.

Finally, check out this shot of one of the cats. Not only are the lights in the background irregular and elongated, but if you look to the left where the ‘horizon’ line is, there's a series of elliptical shapes where the light hits the edge of the docks.

The bokeh effect is one of those things that just happens because of the lens, and makes it pretty easy to identify that an anamorphic lens is being used. Unlike some of the other effects I’ll mention, I don’t have much to say about how this does or doesn’t add to the visuals.

Breathing is how the field of view changes when you refocus to a subject closer or farther from the lens. While spherical lenses also breathe, there’s a much more distorted look to the breathing that occurs with an anamorphic lens.

Lets start with this shot:

You can see how much the frame widens when the focus shifts from the jar of coins to Jenny. It affects the edges much more than the middle of the frame. Here’s the same shot, but with some of the features outlined (forgive my messy outlining, I used my laptop trackpad) so you can see the movement.

The frame widens when the focus goes from the foreground to the background. It appears like the whole shot is being stretched apart horizontally and compressed vertically.

However, it also does the reverse, narrowing as the focus moves from the background to the foreground.

(also in that last shot of hell, notice how the two points of light in the background elongate into those oval bokeh once they are no longer in focus)

Breathing is a very dramatic way of refocusing, and it forces us to pay attention to different things. In the shot of the Night Nurse, we have a light but the important thing after it turns on is not the light but the reaction that the people have to the cause of the light. In that shot of Niko and Edwin, it’s telling us: listen to Niko. In the shot of hell, it’s not letting us forget what the characters are running from. 

The next effect is the lens flare. You can get a lens flare from a spherical lens too, but anamorphic lenses typically generate strong, horizontal flares. A spherical lens would typically create a more radial flare, with multiple lines shooting out in different directions from the light source like rays from the sun.

We see these all over the show, sometimes they’re very prominent, such as in these shots with obvious light sources:

And sometimes they're a bit more subtle. Take this shot of Edwin, Charles, and Crystal on the dock:

While the lens flare at the top of the frame has a clear source, there’s a bunch of other horizontal lines cutting across near the middle and bottom half of the frame. These likely come from light sources outside of the frame.

Some directors, cinematographers, and other creators really like anamorphic flares. Others don’t. For a show with so many dark scenes that have colorful and dramatic lighting, the lens flares seem to enhance this. They are also a constant reminder of the interaction between the lights and the camera, kind of a fingerprint of the production. Sure, they make it seem more ‘cinematic,’ but I think they also ground us in the physicality of the production. (Kind of ironic given the lack of physicality of the main characters, and also you could consider the flares themselves to be the ghosts of the lights and the camera!)

Barrel distortion is where we start getting into why exactly the show looks the way it does. This is basically a subtle fisheye effect. Because of the squishing and stretching of the footage, anamorphic lenses have more distortion than spherical lenses, and it is strongest around the edges. 

You can see it most clearly in shots that have lots of vertical lines. They are relatively straight in the middle of the frame, but the closer to the edges, the more they are warped.

Looking at that shame shot of Niko in the bathroom, I have set it to stop at 3 different spots. Pay attention to the shape of the edge of the door.

At the start, it’s curved outward, like an open parentheses: (

Then, in the middle, it’s a vertical line: |

Finally, as the door passes all the way across the frame to the opposite side, it curves inward, like a closed parentheses: )

Again, notice how the lines in this shot of the Lost & Found Department change as they move from the outside towards the center. The door has an outward bulge at the beginning but becomes more 'normal’ shaped as it gets further away.

Anamorphic lenses can also have a pretty shallow depth of field and it’s used a lot in this show which is why we get a lot of those centered close-ups, and why we get that ‘radial blur.’ 

The center of the frame is where the actors are least likely to be distorted, meaning its easiest to have just one character in the dead center (pun intended). With a shallow depth of field, the background is out of focus, and since the actor is in the center, the background gets the most affected by the barrel distortion, leading to the sense that the background has been radially blurred. 

This blurred background with a strong, centered foreground really makes objects in the foreground pop. We are then able to really focus in on different objects and characters. It brings immediacy and intimacy. Here, we have nothing to do but consider Charles. He isn’t speaking so we must consider his reaction to what’s being said. 

Also, the further a character is from the center of a shot, the more they are distorted, such as Edwin and Charles in this still:

This kind of distortion definitely lends a more unnatural look to the shots, which definitely supports a show about ghosts and the supernatural. If the subjects are able to see things in our world in a way the viewers cannot, then why display the physical world the way we see it?

Finally, we have focus falloff. This is (like some of the other effects) a distortion that occurs around the edges. Here, the focus decreases the further from the center of the frame even if they’re all about the same distance from the camera.

In this shot of the Tongue & Tail, the sign 'Butcher Shop’ is clear and legible. But imagine if that sign was up in the top left or right corners, where things start to get blurry. We probably wouldn’t be able to read it.

It's also visible in this shot of Edwin. Not only does the floor get blurrier the further you get from the center, but you can see how the rope is less in focus in very top and very bottom of the frame.

The falloff (combined with the barrel distortion) is how we get the really unique dream-like look of the Edwin and Niko scene on the roof in Episode 8. (If you’re having a hard time spotting the falloff here, look at their legs)

When you start looking for falloff in this show, you start to see it everywhere. It’s easiest to spot in the corners of shots, but you can usually see all the way around the edges.

Look at the corners of this still of Edwin, or the way the top and bottom of Niko’s rent envelope aren’t as clear as the middle of it.

Or in this still, look at Charles’ jacket. The arm closest to the center has a much more defined line between it and the background compared to the arm closest to the edge. 

This blur definitely is one of the more noticeable effects in the show, and it’s good at focusing our attention on the center of the frame. It guides the viewer exactly to what we should be looking at. We get tons of centered shots in this show because of this and the barrel distortion. 

The falloff makes the show look softer and artistic, sometimes painterly or impressionistic. More than any other effect, the falloff is what makes me feel like I’m watching a dream or a vision. It puts us into the sensation of being fully immersed in a story.

I would argue that all of these effects (but especially the last two) not only enhace the supernatural aspect of the show, but they help us fall in love with the characters. They focus us on their faces, and encourage us to reflect on their motivations, reactions, and thoughts. The lens is telling us that we are not to take things at face value. It’s not letting us forget that there are multiple people and multiple stories involved, that things are blurry around the edges, and that things are not perfect and clean-cut. 

-----------

Sometime in the next week or so I’ll be working on part 2, where we’ll take a closer look at the cinematography of Edwin’s flashback to 1916 in Episode 1. It's posted! Read it here.

I really wanted to highlight the work of the cinematographers, Marc Laliberté, Craig Powell, and Pierre Gill because it’s clear that there was so much care and intention put into every aspect of this show. 

I’m so glad fans of this show are really embracing the work of different crew members, like the work of costume designer Kelli Dunsmore (and if you somehow haven’t seen @captainfantasticalright's posts about the costumes and other aspects of the show, please go check them out right now. My roommates and I have a kind of 'stop everything, new costume analysis dropped' attitude towards their posts, and their approach to show analysis was definiteily an inspiration for this)

If you want to read more about anamorphic lenses, the article Why ‘Shogun’ (and the Rest of TV) Is Slightly Out of Focus in The Ringer is about Shōgun and the rise of anamorphic lenses in TV (Marc Laliberté also worked on a few episodes of Shōgun) and it's a great place to start.

Finally, I want to first thank @skyvoice for these tags on one of my gifsets for semi-inspiring this post (I was already considering making this but these made it into a reality).

[ilypaigebuckets]

C.C. Family Vacation Headcanons

headcannons for you going on vacation with Caitlin and her family! requested by anon!

➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖

- You were SO excited when Cait’s family invited you on their summer vacation with them, but you were also really nervous

- you sat next to her on the plane and end up falling asleep on her

- you two would make little vlogs together throughout the trip

- you’d be shy around her parents and brothers at first, but quickly warmed up to them

- she would take so many pics of you and posted them on her feed or her story, she just wants to show you off 24/7

- if you’re somewhere warm, she has to make you wear sunscreen. if you’re somewhere cold, she has to force you to wear your coat

- caitlin’s parents share one hotel room, her brothers share one, and you and caitlin share one

- when you get back to your hotel after a long day of exploring, all caitlin wants to do it cuddle with you

- your adventurous spirit sometimes gets you carried away and caitlin is right behind you scared you’ll get hurt

- you would put up your phone to film tiktoks after you got ready and she always ‘ruined’ them by pulling you into a huge hug or ruffling your hair

- her mom would take so many pictures of you two together

- you end up stealing and wearing half of what she packed for herself to wear

- super clingy, always wanting to give you kisses

- “babe, your parents are right there”

- “i don’t care.”

- she’s still a morning person even on vacation

- she wakes up early and just lays in bed with you on her chest

- she helps you curl/straighten your hair before you go out

- she buys you little souvenirs in gift shops even though you’re literally on the trip with her

- when you guys get home from the trip, you two pass out from being so jet lagged and her parents didn’t know if you two had gotten home safe and were freaking out

- “hey dad. no we’re good. not dead just sleeping”

hope you like this!! thank you so much for your request! i honestly love writing but its hard for me to start when i dont have a basic plot idea in my head, so these requests really help me have a vision ☺️

[milling-around]

The Bad Batch Finale and Joel Aron’s cryptic tweet

Okay so Joel Aron, Director of Cinematography Lighting & VFX at Lucasfilm, tweeted this:

Initially, I thought that this was going to be the runtime of S3E15 The Cavalry Has Arrived. This episode being longer would make sense as it’s the finale of the show and it’s close in length to S1E1 Aftermath. However, I saw a screenshot floating around the other day that says the runtime of the final episode “spans 24 to 25 minutes”.

If this episode is the typical length then this timestamp must be referring to a different piece of media. The question is, what media? In an effort to determine what could happen in the finale, I went to that point in the films to see what I would find. None of them strike as much fear in me as what’s happening in A New Hope.

The Phantom Menace - Anakin has just won the pod race and they are celebrating his victory.

Attack of the Clones - Jango Fett and Boba Fett have just attacked Obi-Wan with seismic charges.

Revenge of the Sith - Anakin is looking out over Coruscant from the Jedi Council room. He has just revealed to Mace Windu that Palpatine is a Sith.

A New Hope - Before leaving to disable the tractor beam on the Death Star, Obi-Wan delivers a line which may foreshadow what’s to come in The Bad Batch.

Empire Strikes Back - Luke is trying to lift the ship out of the swamp on Dagobah.

Return of the Jedi - Luke, Han, and Chewbacca, along with the droids, are captured by the Ewoks.

Star Wars: The Clone Wars - Anakin and Ahsoka are heading towards Tatooine to deliver Jabba’s son back to him.

At 01:09:56:01 in A New Hope, or as close to it as I could get (Disney+ sucks) this is what we see:

Sorry it’s a photo of my computer, I don’t know how y’all take screenshots of Disney+.

“Your destiny lies along a different path from mine.”

Many people have been theorising that the show could end with the Batch and Omega surviving but being separated, either by choice or by circumstance. This line from A New Hope, as well as the fact that Omega’s voice actor, Michelle Ang, has described the ending as “bittersweet”, definitely make that a solid theory.

Maybe I’m barking up the wrong tree though. There’s also speculation about whether Omega is force sensitive, so maybe Luke using the force in Empire Strikes Back is the real clue. Despite Ventress not believing Omega to have a high m-count, and her not being one of Hemlock’s designated m-count specimens, we have seen characters with a low m-count who were capable of wielding the force. Sabine Wren, for example.

Still, Omega being force sensitive doesn’t prevent the theory that she gets separated from the Batch from being true. It could actually be a reason for that separation because she may pursue training or decide that her proximity to the Batch endangers them.

But wait, there’s more!

At this timestamp in S1E1 Aftermath, Omega is on the Marauder with the Bad Batch (minus Crosshair) and they’re setting off on what will be her first big adventure. Omega’s Theme is playing and she’s gazing out at space with child-like wonder. While they’ve just parted ways with Crosshair, the overall feeling in this scene is hopeful.

If the tweet is referring to this episode, it could mean that we get a wholesome Bad Batch family moment. Whether Tech is there or not may rely on CX-2 being unmasked. Perhaps it’s bittersweet because Tech truly is dead or because he’s alive but they cannot save him from the Empire. Or maybe it’s bittersweet for a whole host of other reasons.

Honourable mention

@kiffobaby also looked into what is happening at this timestamp if you combine the runtimes (including credits) of all episodes in clone relevant story arcs and didn’t really find anything of note. If credits were removed then it would put at us a different point in the arc, however it’s unlikely that we’d be looking for a timestamp in an arcs combined duration anyway.

If you’ve read this far, I love you and don’t worry, we’re almost done.

Secret 16th episode?

Seasons 1 and 2 each had 16 episodes which leads me to speculate that this timestamp could actually be the runtime of the final episode, a secret 16th episode.

Is it likely? No. Can I dream? Yes.

[wellofdean]

OK, I was going to reblog this excellent post by @luckshiptoshore so go read it, because yes. Yes!! YES!!! But then when I got started my post got super long and I felt bad tacking it onto her post and decided to make my own in response to these tags:

#i am actually a bit obsessed by the whole hunting as queerness metaphor#it’s so clearly something everyone involved in the show is thinking about#supernatural

Gurl, me too! Like go back to the start! By the time Supernatural began, the backlash against the Joseph Campbell Monomyth-style mode of storytelling had already begun in the hallowed halls of USC film school, and yo: I was there at the time of Kripke's graduation, and my best friends from college are full scale big giant time filmmakers now, whose names I will not share on main because it's uncool, and I don't want that attention, but... yeah. I am referencing FIRST HAND SOURCES on this.

But, for a real source? The Oxford English Dictionary places the first use of the term "Queer Theory" in 1990, with Queer Studies as an option in the academy by 1992. I know the kids think it's a new-fangled thing, but Kripke graduated USC in 1996 (I graduated in 1995) and it was ALL THE RAGE by then. My friends read queer theory in their Critical Studies courses in the Film School, I read it in the College of Humanities getting my degree in Literature. By that time, you could not get through that school with any degree in any non-STEM subject without knowing about ye olde postmodern lenses, queer and feminist theory, and without knowing how to employ those lenses.

Queer refers to sexuality, yes, but the word's earliest use (again, according to the OED) is in the 1500's, meaning: strange, odd, peculiar, eccentric. Also: of questionable character; suspicious, dubious.

So, ok, in 2005, Enter Supernatural, episode 1:

Presented? Two brothers. One actively seeking credit in the straight world that is not available to him in the bosom of his family: Stanford, law school, hot co-ed girlfriend, the other bound to his fractured, wounded family by duty, yes, but also by love, living on the fringe, alone, fighting monsters, and chasing after his father's approval, and who has long since given up any dream of being 'normal'. Episode 1 presents Sam's call to adventure, which he refuses when it's just familial duty, honor and love calling him, but accepts when the show takes a very straightforward and very telling path by classically fridging his woman. Ok, now he's on board. Like John, whose motivation is another dead woman, his motivation is revenge. So far so straight!

Dean though: he's different. He is already on the adventure and he was not 'called' or given the option of accepting or refusing because he had no agency when his feet were set upon this road. He does not fit the straight world at all, because he is cobbled together out of love, duty, deep guilt, striving, desperation and fear. This is who he is now, in some elemental, incontrovertible way. It was not a choice for him, he was born to it. His mother is dead, and we later learn, she made the choices that brought them all to this fate. Dean remembers her idyllically, but he is not motivated by revenge, more than any other thing, he wants to be worthy. He wants his father's approval, his brother's love.

Enter Supernatural's main theme: fucked up relationships between men enmeshed in patriarchy, which will eventually expand to include fucking GOD HIMSELF.

And like, there are SO MANY CLEAR STEPS ALONG THE ROAD in season one, and I am not even talking about sexuality and gender here, but there is SO MUCH TO SAY about it in season 1. But I am not talking about that -- I am talking at a structural, narrative level, the whole thing is just fucking all the way queered, yo.

The big climax?

At the end of the season, Dean says: "I just want my family back together. You, me, Dad... it's all I have." He is Sam's mother, John's partner! His vulnerability and emotion is feminized and contrasted with Sam and John's more overtly driven by their more masculine/straight heroic revenge quest. John: "Sam and I can get pretty obsessed, but you always take care of this family." Only that's not John talking, it's Azazel, and Dean knows it is because his father would never forgive how soft he is, how he will always choose love and family over revenge. Then, in the end, the show makes a huge point of telegraphing that Sam is finally aligning with Dean by refusing to shoot Azazel because he's possessing John, and Sam just can't do that to Dean.

Sam and Dean are thus bound together and cemented into a marginalised path, living on the road, haunting liminal spaces and cheap motels, confronting the monstrous everyday. Sam is presented as the brains of the operation, he does research, logics his way through things (masculine) while Dean is the heart who acts impulsively and on instinct and intuition (feminine).

It later transpires that Sam has a piece of the monster inside himself, and Dean has to learn to love the monstrous, he has no choice, because Sam is his brother and then Cas... and, and, and!

Like... I could go on and on, citing ENDLESS EXAMPLES. This could be a literal book. Maybe one you need to read with a magnifying glass like my condensed edition of the OED. LIke, the queerness of Supernatural is DIZZYING and MYRIAD.

But basically? FROM THE START, hunting is a queered version of family, and within that, Dean is a queered version of a Campbellian hero. Hunting is a metaphor for otherness and liminality, and that's even before you say a WORD about sex. It starts in deviation from the norms of family, masculinity and expands from there on so many levels both in story and on a meta level. The story is flesh on queer fucking bones.

I'm so sorry, but anyone who thinks queerness was not BAKED INTO Supernatural and more specifically into Dean from DAY 1 has clearly never seen Dean's insane lip gloss in season 1, and vastly underestimates the cultural awareness of people who write shit in Hollywood, and also the other people who put pink lip gloss on pretty boys in Hollywood. Nothing that gets on your screen wasn't a fucking choice made and approved by a LONG LIST of people who know what they are about.