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andypantsx3 · 7 months

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𝐢𝐧 𝐚𝐧𝐲 𝐮𝐧𝐢𝐯𝐞𝐫𝐬𝐞 : 𝐭𝐨𝐝𝐨𝐫𝐨𝐤𝐢 𝐬𝐡𝐨𝐮𝐭𝐨 𝐱 𝐫𝐞𝐚𝐝𝐞𝐫

𝐜𝐨𝐧𝐭𝐞𝐧𝐭𝐬: 1.7k of unedited alien prince shouto thoughts based on this post from the other day! sfw, gender neutral reader. several elements of this universe were borrowed from my fave sci-fi novel; see end notes for deets!

he's beautiful—the todoroki prince. tall and strong in his high-collared uniform, strapped with lean muscle and handsomely humanoid. he's the first thing that snares your gaze as your party is guided into the hall of the sun—the reception dome that overlooks the rise of the star yuuei in the morning sky, used by the ruling family to receive visiting dignitaries.

it is morning, in endeavorian planetary time, and the sun has begun to rise. its light is weaker than you remember from back home—almost watery, pooling like quicksilver in the panes of the dome's ceiling.

up at the front of the hall, it catches in the strands of the white half of the prince's hair. from what izuku has told you, it's the half that indicates he's part of the himura bloodline. the himura dynasty has ruled the yuuei system from its capital planet of endeavor iv for tens of thousands of earth-years. it's the second longest line of unbroken rulers in mapped galactic history, an impressive feat.

the other half of the prince's hair is a fiery red, like that of the man who stands next to him—todoroki enji, the general of intergalactic renown, who donated half of prince shouto's genome as well as his clan name. each time a himuran royal from the main line marries, izuku had explained, talking at lightspeed in the podship, they take a branch name, typically sourced from the primary gene-donator. it helps keep inheritance lines clear.

prince shouto looks like he's inherited empress rei and todoroki enji's genes in exactly half—his coloring split down the middle, though his features are perfectly, almost hauntingly symmetrical. he wears a pin of flint at his collar that symbolizes his gender—one of yuuei's thirteen official designations. from what you understand from izuku, it most closely aligns with earth designation "man".

it's embarrassing how much you notice about the prince as you file into the hall, stationing yourself right at the gap between izuku and tenya's shoulders, so you can still see todoroki shouto.

"you don't think they'll reject the treaty and kill us all, do you?" denki mumurs nervously as he presses in behind you.

"no, i don't think so," izuku's gentle voice drifts back to you. he's a three-star ethnologist, studying for a command ethnology post. subsequently he's the most informed of any of the cadets that have been sent along with the treatise party. you and denki are just mechanics, sent along in case anything goes wrong.

"the alliance would be too much trouble for the yuuei," izuku explains. "they have good relations with the surrounding galaxies and tight control over a lot of resources. but the alliance is really large now, compared to the last time they approached the yuuei. they'll likely want to accept at least a loose federation with the allies."

up on the platform at the front of the hall, prince shouto blinks long and slow, like an earth cat. you realize with a start it's the first time you've seen him blink at all, and the subtle reminder that he is not just an extraordinarily handsome human man but the prince of an alien species makes your skin prickle.

"don't you think it's weird they are all this pretty?" denki asks. "it's weird, right?"

"definitely weird," you laugh, your eyes trailing over prince shouto's blade-straight nose, his pert, perfect mouth. "possibly illegal under intergalatic law."

prince shouto stills all of a sudden, and there is the tiniest tilt of his head. two heterochromatic eyes flick over your way, and you are completely embarrassed by the way your stomach swoops in response. you just manage not to grab onto tenya's uniform to steady yourself.

one of the prince's eyebrow arches almost imperceptibly, and you wonder if he's heard you from this distance—but no, that would be insane.

denki picks up his commentary, emboldened by your playing along. you think the prince's eyes linger just a little too long on the gap between izuku and tenya's shoulders, but then you're distracted by the reception beginning.

the alliance treaty officer strides forward, flanked by a few of the other officials your crew had ferried here. she performs an elaborate bow, as do the other officials. from izuku's muttering you gather it's some sort of ritualistic greeting, and empress rei at least looks pleased with it, waving a gentle hand to gesture the party forward.

there is some shuffling as various aides set up a table and a series of holo-tablets, along with various inks, a leathery roll of endeavorian traditional parchment, and—

"is that a knife?" you ask, peering at the long obsidian blade placed on the table in front of the officials.

izuku's fluffy head of green curls inclines. "treaties are sealed twice. once in the alliance fashion and then again in the local custom, to make it binding per both systems. blood pacts have been used in yuuei for millennia."

the brush of something over your face has your gaze turning back to the prince—to find him staring straight at you, those unblinking eyes boring into you.

"izuku, weird question. can the yuuei hear across rooms?" you ask, suddenly self-conscious.

a green eye peers back at you. "only in the event of their pair bonds—the yuuei are documented hearing their matepair across approximately ten earth-kilometers. i think we're safe over here though. why?"

matepair. the world settles strangely under your skin, as the prince's eyes brush across it.

"uh, matepair?" you echo.

tenya gives both you and izuku a quelling look, but it's not enough to deter izuku from ducking down to explain in slightly quieter tones. "the yuuei look human but they pair differently. they form a parapsychic bond with only a single partner, which they maintain and uphold for life. it's not just cultural—it's like a physical compulsion. they cannot take another pair, and they cannot be separated for long periods or they grow sick."

prince shouto is still staring straight at you, and it's not quite comforting enough to know that he cannot possibly hear you.

it's only his role in the ceremony that seems to eventually break the prince's weird focus in your direction. he steps forward to perform his duty as empress rei's chosen heir. you almost flinch as the knife draws across the pale skin of his palm, and he adds several drips of silvery blood to the parchment, symbolizing yuuei's intent to uphold the treaty across future monarchs.

the flesh of his palm knits itself back together in seconds, and another little shiver goes up your spine. those mismatched eyes flash back your way as he steps back, and the various aides and officials once again converge on the documents.

there is a brief flurry of activity, various bows and oaths, some stilted endeavorian verse. the chief treaty officer looks relieved when it's all over, and the royal family steps down from the dais to greet the rest of the visiting party, as is the customary honor granted to allies to the yuuei. tenya ushers you into the queue near the back with denki, a symbol of your lower status as mechanics.

you don't mind, as the thought of reaching prince shouto has your stomach doing what feel like backflips in your gut. the longer the delay the better.

izuku had walked everyone through the appropriate greetings on the podship, a few murmured words and a hand touch at chest-level—extremely hard to mess up, even for you. but nevertheless your pulse kicks up the closer you draw to the royal family.

there's a long line of them you greet first. offshoot branch members, then general todoroki enji, whose enormous palm burns hot against yours and who looks he'd rather take your party's hands off than touch them. then rei's unchosen heirs—the princess fuyumi, prince natsuo—and a gap where prince touya would have stood, were he not offworld.

and then you're standing in front of prince shouto, your pulse pounding in your ears. he's extremely tall up close, clearing six feet easily, broad across the shoulders and handsome in a way that almost makes your teeth ache. the yuuei look deceptively human, but this near you can see the tiny details that separate them from you—the slight double-point to their ears, the silvery undertone to their skin, the prolonged space between their breaths and their blinks.

and of course their inhuman beauty. they don't quite look like regular people, and it sparks a tiny note of wariness in the primeval part of your human hindbrain.

prince shouto's mismatched eyes pin you, silver and blue, as a sudden, silvery flush creeps across his face. you hold your hand out in greeting, trying not to wonder if you've somehow managed to offend him already—but instead of pressing his palm against yours, his long fingers suddenly grasp yours, clasping tightly.

beyond him, empress rei freezes too. all at once you can feel every single himuran noble turn to look at you, hundreds of eyes pinning on you.

reflexively, words tumble out of you. "shit did i—what did i do? were you supposed to get a different hand thingy?"

you can hear the treaty officer's horrified inhale at the terms shit and hand thingy, deployed in crass galactic standard in front of a literal prince. you immediately wish you could take them back, but from the look on the prince's face, he's already heard them.

something at the corner of his mouth twitches, like he's trying not to smile.

"y/n," he says, in a deep tone. it's crisply accented and just as beautiful as the rest of him.

it takes you a second to realize prince shouto has used your name, which he could not possibly know considering the uniform you'd been issued for the yuuei visit has no unique identifiers on it. you glance down at yourself, then back up at him, befuddled.

"how did you—? where did you—?" you garble out. "did denki put you up to this? how do you know me?"

prince shouto's fingers smooth over yours, delightfully warm, calloused and sure. "i would know you in any universe," he says, voice soft. behind you, you hear princess fuyumi make a tiny sound of delight.

you blink. "universe? what—uh, what universe? how would you—?"

but shouto leans in, tugging you closer with those deceptively strong fingers. he's so very warm up close, and so beautiful it makes your brain short circuit, especially as he lowers his face to yours. a shiver rolls down your spine as his other hand takes you gently by the chin.

and then he murmurs a single word before pressing his mouth to yours—

"matepair."

𝐞𝐧𝐝 𝐧𝐨𝐭𝐞𝐬: credits where they are due!! the idea of a space general dna donator, an overarching space alliance pursuing a treaty, & the flint pin denoting gender were taken from my fave sci-fi novel winter's orbit by everina maxwell! (if you love heartfelt gay love stories in space i am actually begging you to read it).

#todoroki x reader #shouto x reader #todoroki shouto x reader #shouto x you #todoroki x you

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brucewaynehater101 · 28 days

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Okay so, saw you wonder “How does Space Emperor Tim handle war with his morals?” And I think that Tim doesn’t

More specifically I think he is able to accept that this is where he fails. He’s a master diplomat and great organization leader, and although he is great at tactics as a Robin, he’s not willing to lead a war. He’s not willing to sacrifice his moral compass in this way

And I think the empire respects this because, in spite of his personal objections to leading a war effort, he does not leave the planets stranded and defenseless…

He assigns Cassie as the many armies prime military commander

Each of the planets likely has their own military structure and command, as a mostly decentralized empire. But I think we also have a centralized mixed cultures/peoples/planets military to promote cross cultural exchange as well as the exchange of tactical knowledge

Cassie serves as the head of the military council responsible for overseeing both the centralized and decentralized military forces

Cassie has already been shown to be a capable leader with YJ and I think her Amazonian training has specifically well prepared her for commanding military forces (Idk her lore perfectly so correct me if wrong)

There’s obviously a lot of training and research needed to adjust Earth based tactics to space wars, but the JL and Batman likely already had some resources prepped for that. And as one of the Great Baby Emperors Glorious Consorts, the many leaders under her command are happy to assist in her training

Kon and Bart likely also help her, providing emotional support and serving as sound boards for her ideas, but she’s the military commander right now. And she’s gonna kick whatever alien equivalent of asses these attackers got

Tim probably also continues to help in his own way, managing logistics and supplies (really important for armies). He’s also probably assisting with developing new technologies to help in the battle given his skills in R&D (maybe it’s only medical advancements or maybe he feels okay developing ships or weapons, or maybe that’s where Bart gets to go to town making his fantastical sci-fi space lasers) Tim is not going to abandon his empire, they have stood by him through thick and thin, and he’ll give whatever he knows he is able to give them

So yeah, Tim might not be an Emperor who leads armies, but he doesn’t leave his worlds defenseless and gives Cassie the perfect opportunity to show the Timpire, and really the whole galaxy, just how badass she is !!!

Oh my gods, you are brilliant. Cassie would 100000% be the military commander (I don't know enough about her lore either, but that checks out).

Hmm... The only issue I can see is whether or not Cassie needs Tim's approval to go to war. She won't just do it for the hell of it, but Tim won't really approve of it either. Then again, maybe they should spend hours upon hours upon hours arguing about the necessity of going to war, considering how likely it will lead to casualties.

While Tim won't lead into war, I can see him going over "hypothetical" plans with Cassie. Maybe not in the middle of a war, but I could see Tim stealing GL/JL space war files and going over it with Cassie.

For angst reasons, YJ at first doesn't take going to war seriously. They're kids when this starts. Yeah, they've been through shit, but leading an empire to kill other people for whatever reason they deem is necessary? Probably not.

Instead, they train on space war strategy by making games out of it. Tim and Bart create a hallographic board game that incorporates various space war variables. It's a fun pass time of theirs with the excuse of "training" (not that they ever believe they'll need that kind of training).

After their first war, they never pick that game up again. They do provide it the generals of each planet, though, and have the planets compete against each other for friendly bonding.

Tim does help with the logistics and defense of the planets. None of it is lethal, but he does have extreme measures (I'm thinking about that one panel where he threatens to permanently deafen people).

Bart collaborates with the planets for space travel, war machines, and weapons for the military.

Kon may not lead, but he helps develop creative strategies and plans to assist Cassie.

Tim may be the emperor, but Cassie becomes the name feared among all enemy planets.

#core four #thank you for the ask!!!!#dc au #ruler of worlds au #really glad i was finally able to answer this!!!!!

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felassan · 5 months

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this post is under a cut in case anyone would consider it to be DA:D spoilers, as the things it mentions came from the leak a year ago (spoiler warning for link) that included screenshots and a gif of the game. (the things this post mentions are therefore not new information and this does not reference a new leak)

I'm just thinking again about Rook (which seems to be the PC's name or title) and the imagery conjured by the name. ◕‿◕ this post is just speculation and overanalyzing for fun. also this post is a now-finished draft from my draft section from a while back.

I think it would work as a surname (like "Hawke") or a codename (think Leliana's spies and contacts such as "Butler", "Farrier", "Butcher", "Charter", etc although these are all professions that end in "-er" or "or" iirc). it could also be a title (like Warden, Hero, Champion, Inquisitor, Herald) or a nickname - like maybe it's short for "Rookie", it's a Varric-assigned nickname and it references how the DA:D PC is the newest member of the team after he recruits them?

I think it sounds catchy, and cool - it's snappy and short, Hawke-like in this way. and it sounds like the kind of name a spy or secret agent might have in a fantasy, superhero or sci-fi-type setting.

a rook is a black bird, Corvus frugilegus, a member of the corvid family. rooks have been perceived as vermin and nuisances by people in the past, and persecuted due to this. they bear a resemblance to their crow and raven relatives, both birds which have a large cultural footprint and lots of symbolism in areas such as folklore and art. Hawke obviously also had a bird motif going on from their surname and associated art pieces. corvids also bring to mind the Antivan Crows (assassins, thieves, & spies), reminding of the stuff about how in this game the PC may be trying to operate under the radar, and the reporting on a previous iteration of DA:D which had the game concept as being focused on spies and heists. rook plumage is inky black, bringing to mind darkness and shadow.

from the bird angle, a "rook" sounds neat opposite a "wolf" imo. wolves are obviously another animal that have large footprints in culture, myth and folklore. in the natural world there is symbiosis sometimes between wolves and corvids when hunting/feeding. there are lots of photos of wolves and corvids together.

a colony of rooks is called a rookery. of course, the fortress of Skyhold has a rookery. it's from there that Inquisition Spymaster Leliana operates (operated) sending her black birds on missions with letters and messages to her many agents and spies throughout Thedas. what if Rook is one of Leliana's... "rooks"? a spy or agent of the remnants of the Inquisition.

A rook is also defined as "A cheat or swindler; someone who betrays" [noun], "mist, fog" [noun] and "to cheat or swindle" [verb]. it's also a type of trick-taking card game. these sorts of things bring to mind a rogueish, stealthy aspect, and the shady, shadowy dealings and card-game played in Minrathous Shadows.

a rook is also a chess piece. they're castle-like (since "rook" can also mean a castle or fortification) and usually have their top in the shape of a battlement. they can move in any direction along a rank or file on a chessboard on which they stand (horizontal/vertical, not diagonal). they can also do the "castling" move. in history, rooks have also been called towers, castles, rectors and marquesses. in chess, each player starts the game with two rooks at opposite ends of the first rank. chess itself is a game of strategy and tactics. "the chessmaster" as a trope is a character type who manipulates events, tugging on strings and moving 'pieces' into place on a metaphorical chessboard. [Solas' DA:I dialogue about his past, like the one he has with Sera about cells of spies/agents, hark to this]

in the castling move,

"Castling is a move in chess. It consists of moving the king two squares toward a rook on the same rank and then moving the rook to the square that the king passed over. Castling is permitted only if neither the king nor the rook has previously moved; the squares between the king and the rook are vacant; and the king does not leave, cross over, or finish on a square attacked by an enemy piece. Castling is the only move in chess in which two pieces are moved at once."

castling rules often cause confusion, even occasionally among high-level players. historically the move has its roots in the "king's leap", of which there were two forms and which arose in part it seems due to increasing importance of king safety as other pieces were given increased powers through time as the game developed. "the king would move once like a knight, or the king would move two squares on its first move. The knight move might be used early in the game to get the king to safety or later in the game to escape a threat." basically it moves the king away to safety and the rook to a more active position. there is also kingside castling and queenside castling. I wonder, symbolically.. is Rook more the king's rook, or the queen's rook? (reminds me of the Left Hand and Right Hands of the Divine hh). who or what is the king in this hypothetical analogy? the World of Thedas itself? as a castle or fortress.. Rook is the bulwark against what's to come? [over-thinking ik ik, tis just for fun hh].

by now we're all familiar with the chess game Solas plays in banter dialogue with Iron Bull during DA:I. in the in-world chess game, rooks are called towers. Solas moves his right-hand tower once. at a later point in the game, Iron Bull's "Arishok" piece takes Solas' left-hand tower, getting a check and leaving him feeling triumphant. Bull asks Solas wth he is doing as Bull takes Solas' remaining tower. "Your last tower, by the way". Bull, a spy and liar himself, bears down on Solas' pieces "with his full army", thinking a win is in sight. Undeterred, Solas executes a few moves in a sneaky plan and entraps Bull in a checkmate, winning the game after sacrificing various pieces to enact his plan.

rook also brings to mind the Tower tarot card and its meanings. it's associated with sudden, disruptive revelation and potentially destructive change. it connotes danger, crisis, sudden change, destruction, higher learning, and liberation, as well as adversity, calamity, deception, ruin and unforeseen catastrophe. reversed, it connotes things such as negligence, carelessness, apathy and vanity (vanity.. pride). in this depiction of the Tower tarot, lightning strikes from the sky, striking a crown (hubris) off the top of a tower and setting it alight as people fall from the tower to their doom. this imagery and the upright meanings of the card bring to mind the sudden massive change Solas seeks to bring about (destroying the Veil), the revelations and liberation for some that it might bring, his identity as Fen'Harel Lord of Tricksters (deception) as well as the destruction he seems to think the Veil destroying action will cause ("as the world burns in the raw chaos"...). the 'Tower scene' has also already played out once before in Thedosian history, when Solas created the Veil and sealed the Evanuris away, leading to the fall of Arlathan and its wonders. in modern Thedas, Morrigan and Flemeth (as well as possibly some side 'prophecy' type things) both allude to a big change coming to the world.

in DA:I, the Tower tarot card is ofc none other than Solas' ending card, if he is not romanced. in the DA:I version of the card, we see Solas, cloaked in a dark robe and holding a mage staff under a half-moon or eclipse. darkness seeps from his shadow, stark against the orange sky, and blends with the giant black Dread Wolf, looming ominously and open-mouthed above him with its many eyes. (the Tower tarot card Solas scene is later referenced in DA:D promotional art and DA:D-era in-world murals). it makes sense to have assigned this to Solas given the above discussed meanings of the Tower tarot card, but it's a verrry inchresting choice imo to then give "Rook" as a name/title for the DA:D PC.

and most inchrestingly, there's the symbol from the front of Mark Darrah's mysterious Red Book. this mysterious red book shows "a flaming rook" on the cover. the book was an internal guide for developer and publisher eyes only that summarized the vision for DA:D, in its Joplin iteration. we know that the Joplin project has since been revised to an extent that it was the newly codenamed Morrison instead, but the red book is known to still contain plenty of ideas likely to appear in DA:D. most pages of the book remain highly classified. it's the symbol on the front that's of most interest to us though for the purposes of this post. there is a castle, tower, or rook, like a fortress or the chess piece. above the tower, a fire burns, reminding us of the burning tower from the Tower tarot card imagery and what that symbolizes, as well as Solas' "world burning in the raw chaos" line from Trespasser. inside the fire is a wolf, the Dread Wolf, in a now very-familiar and repeated motif in DA:D art, merch, murals, teasers etc. whatever else "rook" may connote, it feels like it's not an accident at all that the PC's name is apparently "Rook", given this depiction of a fiery rook and the Dread Wolf together.

what do you think? ^^

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cityof2morrow · 2 months

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Space-O-Rama Build 001

Published: 7-19-2024 | Updated: 7-20-2024 SUMMARY “With intricate geometric patterns, delicate parabolas, and inverted inversion, Space-O-Rama glass sets a new standard that’s out of this world!” An odd mixture of low-to-mid poly items for retro-futuristic builds, inspired by the Space-o-Rama glass fences (Pets EP). There are 41 objects and a host of recolors using texture resources from PineappleForest (2022) actions from CuriousB (2010), Pixelhate, and Klevestav (2015; 2013). Many of the recolors have a weathered/distressed look.

DETAILS Requires Uni, Nightlife, and Apartment Life Eps. §100-500 | Build and Buy Files with “MESH” in their name are required. You also need the BBNiche1Master (BuggyBooz, 2012), Elemental TXTR Repository, and he Graphic Glass TXTR Repository from the Repository Pack (Simmons, 2023). Additional repo pack recolors can be found on this site under these tags - #co2recolors, #ts2recolors, #ts2repo #co2repo #co2repopack. ITMES 3 Fences (~1622 poly) 5 Divider Screens (1025-1528 poly) 8 Window Boxes (Columns) (576 poly) 4 Doorframes (Deco) (92-1353 poly) 2 Door Rugs (Columns) (34 poly) –for doors 003 and 004 7 Planters (546-1092 poly) 4 Wall Accents (Columns) (8-12 poly) (3) Neon Panels A-C (1080-1521 poly) – sharp corners and some overlap (shadows look better than when the mesh is completely smooth); small gap on the side ; requires the Nightlife EP. 3 Bunker Walls (22-24 poly) – some overlap 3 Garden Panels (99 poly) *You’ll need “moveobjects on” and “grid on/off” cheats since not all parts align perfectly. DOWNLOAD (choose one) from SFS | from MEGA

7-20-2024 UPDATE : Added alternative versions of Doors 3 and 4. The texture on the top interior was distorted when the poly count (“faces”) got reduced. I recolored that part separately in black. If you want the alternative versions, manually delete old files (they are “..doorframe3-MESH” and “…doorframe4-REPO”) and replace them with these new files (“…alt2”). DOWNLOAD (choose one) ALTERNATE DOOR 3 & 4 from SFS | from MEGA CREDITS Thanks: Simmers with meshing, cloning, and fencing tutorials. Sources: Beyno (Korn via BBFonts), Sci-fi House (AiKu via Creative Commons Attribution, 2018), Space-o-Rama Divider (EA/Maxis), 4t2 Eco Living Door (Ethan, 2020), Streets of Utopia (Stonemason, 2024), SciFi Panels (Unity Fan via CCA, 2023), Scifi Gate (Stan via CCA, 2023), Bomb Rush Cyberfunk Street [fan art] (Max Staples via CCA, 2023), Modular Bunker (mats de Wind via CCA, 2020), modular Walls (detona via CCA, 2018).

#ts2downloads #ts2cc #sims2cc #ts2recolors #co2recolors #ts2repo #co2repo #co2repopack

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bioniczombie · 6 months

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4t3: Sci-Fi Community Decor (Get to Work EP)

Continuing with the "we don't have enough supernatural items".

These are also found in World Edit under Landmarks.

❗ The Pipeline Endcap (last image) is partially invisible from the other side.

@aroundthesims already did one of the Communication Towers here, but I've included my own version to complete the set.

Compressed. 1 zip file (all included, unmerged), and individual files available.

➨ Download ➨ Alt Download

@xto3conversionsfinds, @matchsim, @simfluencer-network

Info under the cut:

Chimney Stack:

1 swatch. Not recolorable.

Found Under Decor>Misc for $100.

Can also be found in Word Edit under Landmarks.

Communication Tower:

1 swatch. Not recolorable.

Found Under Decor>Misc for $100.

Can also be found in Word Edit under Landmarks.

Communication Tower Old:

1 swatch. Not recolorable.

Found Under Decor>Misc for $100.

Can also be found in Word Edit under Landmarks.

Crashed UFO:

1 swatch. Recolorable. - I suggest sticking to solid colors.

Found Under Decor>Misc for $75.

Can also be found in Word Edit under Landmarks.

❗ Because I made this recolorable, it will be darker (grey) in World Edit.

This has been slightly edited from the original to be at an angle.

Placeable on slopes so you can create "crash sites" with the terrain.

Fuel Tank:

1 swatch. Not recolorable.

Found Under Decor>Misc for $100.

Can also be found in Word Edit under Landmarks.

Pipeline Elbow:

1 swatch. Not recolorable.

Found Under Decor>Misc for $15.

Can also be found in Word Edit under Landmarks.

Pipeline Endcap:

1 swatch. Not recolorable.

Found Under Decor>Misc for $15.

Can also be found in Word Edit under Landmarks.

❗ Partially invisible at certain angles.

Pipeline Junction:

1 swatch. Not recolorable.

Found Under Decor>Misc for $15.

Can also be found in Word Edit under Landmarks.

Pipeline Straight:

1 swatch. Not recolorable.

Found Under Decor>Misc for $15.

Can also be found in Word Edit under Landmarks.

Pipeline T:

1 swatch. Not recolorable.

Found Under Decor>Misc for $15.

Can also be found in Word Edit under Landmarks.

Pipeline Support:

1 swatch. Not recolorable.

Found Under Decor>Misc for $15.

Can also be found in Word Edit under Landmarks.

Satellite Dish EP01:

1 swatch. Not recolorable.

Found Under Decor>Misc for $500.

Can also be found in Word Edit under Landmarks.

Silo EP01:

1 swatch. Not recolorable.

Found Under Decor>Misc for $100.

Can also be found in Word Edit under Landmarks.

Water Tower EP01:

1 swatch. Not recolorable.

Found Under Decor>Misc for $100.

Can also be found in Word Edit under Landmarks.

My cc is always free, but if you would like to support my work, please consider leaving me a tip on ko-fi.

#s3cc #ts3cc #sims 3 cc #sims 3 #ts3 #a #buy #World Edit #GettoWorkEP

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late-draft · 25 days

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Time to categorize all the things I'm actually working on here:

#Late-Draft's ATLA complete series Most art will be part of my series of expanding/adjusting the canon to what I think would perfectly align with the narrative and enhance the themes. This is like additional content to the episodes, and in some cases heavy edits of episodes. Example would be that I think the Order of the White Lotus plotline has been extremely rushed and it didn't land as well as it should. There's also the fact that Zuko and Iroh never directly discussed anything about the war and that's not even the consequence of ATLA being restricted as a "children's show" - see The Avatar State episode. Work in this tag will be darker and more mature than the show itself. Examples in this category: Zuko freeing Appa comic All Fire Nation worldbuilding posts fall into this category as well, filed under #fire nation tag

#Last Air Keyholder AU Complete work on my ATLA sci-fi AU, which is an entire story that doesn't follow closely the beats of the original but has the identical emotional core and character development. Includes concept art, animations (hopefully an animated intro, for real), comics and perhaps I'll do it in a fanfiction format as well. The premise is that 1000 years in the future, the main characters are chased by villains through a huge metropolis while ancient Air Nomad technology lays dormant in the underground layers. Aang and his friends must find 3 other element key holders besides him to trigger the Harmonic Convergence, all the while avoiding Zuko and his entourage of Fire Nation rollerblade racers. Bending is used in combat and in enhancing your speed and technique in racing.

#ATLA social media AU Silly, non-committal snippets that are not meant to have underlying worldbuilding, these are just for fun and for exploring character dynamics. Everything is the same but characters have access to social media and they can't stop messaging each other.

* Super Secret Project that hasn't yet been made public - includes the entire storyline with just one thing altered, much more depressing than canon. Hint - the Moon is dead.

#info

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starlightvld · 2 months

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Bait & Switch, pt. 4

<< Part 1 // Part 2 // Part 3 // Part 4 // Part 5 >>

Based on "I wasn't in that tunnel."

Call of Duty, soapghost // CW: angst, hurt AND COMFORT, MWIII spoilers

---

The man with Johnny's face has spent the past six hours fighting for his life in a locked down medical ward at the temporary base of operations for Ghost's solo op.

The complications began during the helo ride when the medics attempted to treat his injuries. The gas hissing through the helmet apparently contains a powerful cocktail of drugs, and the withdrawal kicked in the instant they cut off his vest and removed the helmet. He was almost dead before before they found the compressed vial of liquid in the vest, figured out what was happening, and reintroduced just enough of the drugs via IV to keep him stable. The doctors are currently trying to find something to counter the severe withdrawal symptoms.

Ghost knows all of this because he refuses to leave the man's room.

He needs sleep, but he can't bare to close his eyes. His world has sped right past fantastical into the outright surreal. He's terrified of getting too attached and having to deal with the devastating loss all over again.

And yet there's no doubt the man in the other bed looks just like Johnny. The curve of his nose, the jut of his scarred chin... Ghost can't seem to rip his gaze away. He would think he's crazy if not for Laswell, who was waiting for them at the air field and immediately took charge. She's the reason they dragged a hospital bed into the room for Ghost instead of arresting and detaining him when he refused to leave. She's the reason the man with Johnny's face isn't hand-cuffed to the bed.

She pats Ghost's arm and sighs, though her gaze remains on the man in the bed. "You know... the chance that it's actually him—"

"Is almost nil," Ghost rasps. "I know. How much longer for the DNA test results?"

"Another few hours. But we don't know if that proves anything."

"What do you mean?"

Laswell shrugs. "We can compare his DNA with what we have on file for John MacTavish, but we cremated any other comparable evidence."

Ghost stills. "You mean from the... the other Johnny?"

"We'd need a blood sample. And even then... we have no idea what Makarov's done. If he's playing with genetic manipulation, even a DNA test might not be conclusive."

Ghost stares at the man who has tried to kill him hundreds of times. And who might also be the love of his life.

He wants to believe so badly, he's willing to do anything. He finally turns to meet Laswell's gaze.

"This is some sci-fi bollocks, but... Johnny's journal was in his tac vest when he was shot. It's covered in his dried blood. Or... the blood of whoever that was in the tunnel with us."

She covers her surprise well, but he catches the flicker of shock all the same. "If you can part with it, I'll see what the techs can do. It might be too late to get anything usable, though."

Ghost turns away to memorize what he can see of the new scars on the man's arms and what's visible of his face around the oxygen mask. Whatever can be said for him — enemy or not — he's not had an easy time under Makarov's thumb.

The heartbeat line flickers in time with the steady beep. Ghosts hands are shaking. He crosses his arms to hide the evidence.

"I"ll call Price."

---

In the end, the lab techs, supported by Laswell, come back with both the initial DNA results and a drug to help with the withdrawal around the same time. Ghost is on his own drip now, the nurses tsking his dehydration and lack of sleep, and he watches through drooping lids as the nurses slowly introduce the new medication to the man with Johnny's face. A subtle uptick in the man's heart rate is the only result, and based on what Ghost saw when they sedated the man in the helo, he doesn't think it means what the nurses think it means.

As they watch, Laswell's phone buzzes. She reads the message, shakes her head, and blows out a long breath before looking Ghost dead in the eye.

"The DNA for this man is a perfect match with our records for John MacTavish."

Ghost's heart rate kicks up several notches to match with the elevated beeping across the room. He can only stare at her before turning his gaze to—

"Johnny?" he whispers.

Laswell doesn't say anything, but her hand comes to rest on his shoulder. It feels like the only thing keeping him tethered to the ground. Nothing seems real anymore.

There's still a chance it's not him. Still a chance it's a trick, but...

"This is so fucking twisted," Ghost growls.

"I know," she murmurs. "But we'll get him."

Makarov.

Ghost's mind reels as the news truly settles. All this time, all these years, has his Johnny been right there in front of him? Trying to kill him and the others because of Makarov's sick game? Was Makarov laughing every time he sent Johnny to fight them?

It feels too cruel to be real. And yet when has his life ever been anything but cruel? Johnny was the one bright spot until that, too, was taken away.

But maybe... maybe this is his chance.

The nurses file out of the room, satisfied with the man's... with Johnny's progress. Ghost rolls himself out of his bed, biting back a curse at the strain to his stitches.

"Ghost!" Laswell knows better than to try to hold him back, but she does step in his way. "We don't know—"

"I need this," is Ghost's only answer.

His cracking voice conveys far more than the words themselves. He needs this moment. Needs to say what he never got to say to his Johnny, whether that turns out to be the man who died in a tunnel under the English Channel or the man lying in a hospital bed beside him.

Laswell stares him down, but he returns her gaze with equal determination. Finally, her shoulders slump.

"Just... try to keep in mind we don't know if this is real."

He gives her a curt nod. She sighs... and then helps him shuffle across the room, IV drip in tow, and gingerly settle on the edge of Johnny's bed. Much like Ghost, they've stripped Johnny down to nothing but a hospital gown, exposing a myriad of scars covering his arms and hands.

He's beautiful.

And alive.

For the first time since he thought Johnny died, Ghost's eyes burn with something other than impotent rage.

"I'm sorry, Johnny."

As if waiting to hear Ghost's voice, blue eyes flick wide open. A hiss from the other side of the room tells him Laswell has seen it, too, but the man he wants to believe is Johnny doesn't move to attack or even speak. He just stares. Ghost blows out a breath and pulls off his mask.

"I'm so sorry," he says again. "I shoulda done a better job protecting you. I... I failed you."

Johnny blinks and then narrows his eyes. "I'm the one who failed. I let Makarov take me. Let him turn me into a monster."

His voice rasps through the room, guttural and angry. But Ghost understands. If this is truly his Johnny, the anger could only be directed at himself.

"Don't be stupid. It's not your fault. This is all Makarov."

"Ghost," Laswell warns.

"It's true, isn't it?" he asks over his shoulder. "Even if this man isn't really Johnny, he wouldn't be here without Makarov pulling the strings."

Johnny's gaze doesn't waver, but there's a horrific kind of self-loathing swimming in his eyes. Ghost reaches out, hesitating for just a moment before brushing his shaking fingers over the back of Johnny's hand.

"I..." Ghost swallows around the lump in his throat. The words that finally escape are no more than a whisper. "I want to believe it's you. Promise me... promise me you're really you."

The twist of agony in Johnny's expression cuts through Ghost like a knife. "I don't know, Ghost. I think I am, but... There's so much I don't remember. The man in the tunnels... he thought he was me by the end, too, I think."

Ghost tries to pull himself back together. Tries to keep himself aloof.

But it's no use. Now that the idea has taken root, he can't dig far or fast enough to uproot it.

"S'alright," he says in a soft voice. "Laswell's on it. We'll get it sorted."

Johnny stares at him and then slowly looks over at where Laswell is standing off to the side. She glances at Ghost, her face a study in stoicism. She shakes her head, and finally her expression melts into a wry smile.

"We're glad to have you back, Soap."

Soap blinks. The agony in his expression transforms into surprise before slowly morphing into the heartbreaking dawning of hope.

The moment stretches.

And then Johnny surges upward and shoves himself into Ghost's chest. Ghost thinks he should probably fear the sudden movement, but other than a faint uptick in his heart rate, his body barely reacts. Hearing Laswell's admission about the DNA flipped some kind of switch in his brain, and whether he likes it or not, this man is now Johnny in his eyes.

If that belief turns out to be misplaced, if this man is a... a clone or a trick meant to destroy him, so be it.

"Please," Johnny whispers. "Please, Ghost."

Ghost knows what it's like to come back from torture. He could barely stand anyone touching him after it was all said and done. He was like that for years.

But this is the man who always sought out touch in some way or another. Who probably hasn't experienced physical kindness in literal years. Ghost gives in to his weakest impulses, gently wraps his arms around the broad shoulders he remembers so well, and lets himself sink into the moment. Johnny's arms are trapped between them, his head buried in Ghost's chest and body shaking with increasingly violent tremors, though Ghost feels no tears seeping through his thin hospital gown.

Probably too much in shock to cry.

So Ghost just holds him, his embrace strong but gentle. He holds him through the first round of nurses, who check Johnny's vitals and exclaim over how well he's doing for a man who almost died a few hours ago. He holds him when those same nurses chastise Ghost for getting out of his own bed. He holds him until his eyes droop and his head bobs, exhaustion and the promise of sleep too potent to deny.

He even holds him through the arduous process of lying down in Johnny's bed, careful not rip stitches or get limbs or bodies in the way of either of their various tubes and wires.

If it were up to Ghost he'd never let go of Johnny again.

But Makarov is still out there, and if anything, the revelation of what that monster did to his Johnny makes him all the more eager to put a bullet in the man's brain.

For now, though, he'll stay by Johnny's side... in spite of Laswell's concerned glances.

<< Part 1 // Part 2 // Part 3 // Part 4 // Part 5 >>

#soapghost #ghostsoap #simon ghost riley #john soap mactavish #ghoap #COD #Call of Duty #COD MW reboot #bait & switch #hurt/comfort #we have reached the comfort stage!#kate laswell #Ghost POV #Yes there's a part 5 #gotta get Price and Gaz in on this #OG Starlight

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azure-firecracker · 3 months

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The X-Files Season 1 Review (First-Time Watcher)

(Any fans-please come talk to me about the show and send me asks-I’m obsessed!)

It did not take long for me to realize that this was going to become my newest hyperfixation show. It has everything I love in my shows-a strong focus on its main characters, campy sci-fi monsters mixed with some genuine creepiness, slow burn romance, banter. In short, it’s the perfect show for me. I was basically hooked right away.

Like all first seasons, it was pretty clear that the show was still finding its footing. There were some clunky bits to iron out and the show definitely found its vibe more and more as it went along. I would say it began getting overall more consistent around episode 10 (with individual exceptions before and after that).

In terms of episodes, I enjoyed almost all the episodes of this season even though I would only call a couple stellar. Most episodes were fun or at least had fun moments, and the banter between Mulder and Scully (what’s their ship name?) is enough to keep me going through even the clunkiest and cringiest plots.

Speaking of Mulder and Scully, it’s rare that a show can make me love two characters so equally but I really do. Although Scully is much more in line with my usual favorite characters (she is my special girl and I will do anything for her), I also have a special place in my heart for Mulder’s neurodivergent traumatized puppy energy. Of course they really go together so it’s natural that I love them both.

The only weighty criticism I have for this season is that I feel Mulder gets more spotlight moments than Scully. Not egregiously, but it feels like he’s usually the one in the final fight, seeing the aliens, figuring it out, etc. I do know that they were trying to break gender roles by making Scully the skeptic, but given that the aliens are so real…here at least she often came off as oblivious and she sometimes felt like she was tagging along on Mulder’s quests. Which SUCKS! Because I LOVE HER and she could be SO USEFUL if the writers LET HER. This is why I really loved the moments where she got to step up. Veteran viewers…want to tell me if this gets better?

That criticism aside, I could watch these two fight monsters for days, and I know the S2-S5/6 stretch is considered the show’s best, so I’m looking forward to that.

Individual episode reviews under the cut.

Pilot: Fantastic introduction! It did a great job establishing the characters and their dynamic pretty seamlessly, as well as introducing the alien lore in a way that we could digest. It wasn’t perfect and the story was a bit clunky at times, but it got me hooked and did its job well. I also liked Scully being the audience surrogate here. 8/10

Deep Throat: This episode really solidified the dynamic introduced in the pilot, and is packed with great character moments. It gets a HUGE boost from Scully exchanging the guard to rescue Mulder at the end. I mentioned living for the moments when Scully gets to step up, but I think it was necessary to put this moment so early. Because Scully is new to the X-Files and also clearly wrong about aliens, it was necessary to show us that she had a lot to bring to the table and that Mulder needs her. Also a special shoutout to Seth Green as a stoner. 9.5/10

Squeeze: A very fun monster of the week episode, slightly reminiscent of BtVS. Decently creepy with that 90s horror/sci-fi vibe we all love. Plus lots of great Mulder/Scully moments. (Also, despite my complaints about Scully being underutilized, I enjoyed Mulder saving Scully at the end. Rescuing one another from mortal peril is actually my favorite trope, as long as it’s balanced. In that regard, this season has been). 8/10

Conduit: Honestly this episode was a little slow for me, I felt like the pacing could have been better. I had a hard time staying interested. Also it was hilarious that this was supposed to be Iowa because Iowa does not have mountains like that. It gets a boost from the ending scene which in itself is a 100/10. 6/10

The Jersey Devil: Now this is campier and goofier than suits the show, and I feel like they realized that soon after this. The Mulder/Scully banter still made this a good time, but it wasn’t great. Also not helped by the fact that everything happened during the day (the only time in this show where the lighting was too bright) and the Jersey Devil looked like a normal person with some dust on her. 6/10

Shadows: I found the mystery of this one quite engaging. Back with those 90s horror vibes we love, and it kept me guessing right up until the agents figured it out. Negative points for the lack of Mulder/Scully banter though. 7/10

Ghost in the Machine: Was this cheesy? Yes. Was it objectively good? No. Did I enjoy it anyway? Yes. Who doesn’t love a killer computer? Also Scully crawling out of the vents was badass af. Objectively like a 6/10 but 7/10 for my personal enjoyment.

Ice: Now THIS was the stuff. An objectively great episode of television. The tension, the paranoia, the fallout, seeing what our leads do under that kind of stress…brilliant. (Although my dad the geologist couldn’t help but point out that there is no ice sheet in Alaska). Very tempted to write an alternate version where Mulder actually is infected and Scully has to find a cure before the others kill him. That would’ve been interesting. Anyway 10/10

Space: Apparently people don’t like this episode but I enjoyed it. It had a ticking time bomb feel that I quite enjoyed. Also Mulder’s space nerdiness was adorable. 8/10

Fallen Angel: Similar to Conduit, this episode felt rather slow to me despite the fact that there was a lot happening. It just sort of failed to hook me, which is a rarity for this show. 6/10

Eve: This was FUN! I love when we get to unravel the mystery along with the agents and the plot twists definitely kept me guessing. Props to the child actors who did a great job. I did get thrown off by the many parallels to Stranger Things-even though this obviously came out first. 8/10

Fire: Once I got over my anger at sharing a name with Mulder’s horrendous ex, I liked this one. Both Mulder and Scully got good character moments here, with Mulder trying to shield Scully from all his drama and also showing one of his flaws-he’s susceptible to manipulation. Scully, conversely, was really the MVP of this episode and carried the investigation on her back. Also props to our bad guy of the week-great job being creepy! 7.5/10

Beyond the Sea: Immaculate. Probably my favorite episode of the season. Scully burying her grief in work and Mulder being gentler with her than he’s ever been. Scully’s family lore reveal. Both of them going toe to toe with this killer (forgot his name) and not knowing what to believe. Mulder getting shot and Scully getting FURIOUS. Scully’s complicated relationship forming with this killer while she also thinks about her father (rather reminiscent of Silence of the Lambs). Cinema. 10/10

Genderbender: So we have gender switching aliens who kill people…I’ll give the show overall a pass since it’s 1994 but I will not be revisiting this one. Extra points for Mulder yelling GET OFF OF HER at the guy who’s working his weird magic on Scully. Minus points for him blaming her for it after. 2.5/10

Lazarus: So we got panicked Scully 2 episodes ago and now we get panicked Mulder and it is GLORIOUS. I also found all 3 side characters-Scully’s ex as well as both criminals, interesting, especially as Scully’s ex began to mix with the bad guy. Minus points for not shooting the bank robber until after he started shooting up a room full of civilians, extra points for Mulder being great this entire episode. 9/10

Young at Heart: Episodes with creepy killers are always my favorite, and I loved seeing Mulder get toyed with. Reverse aging science…eh it’s not the main point. Minus points for the worst plan ever (let’s invite the killer into a crowded area and let him shoot at Scully even though apparently her bulletproof vest barely saved her), but extra points for Mulder angst. This man has so much guilt. 9/10

E.B.E: Honestly the plot of this one wasn’t super interesting but that’s not what we’re here for is it? Every Mulder and Deep Throat interaction? Perfect. Scully’s little « the truth is out there, but so are lies » speech? Immaculate. The ending where Deep Throat reveals his backstory and Mulder says « I’m trying to decide which lie to believe? » Cinema. 9.5/10

Miracle Man: A bit of a letdown after such a strong streak, but still solid. Pretty good! And I admired that they had the guts to kill the kid too. 6.5/10

Shapes: Another fun 90s horror episode, HEAVY on the BtVS vibes. And it actually dealt with all of the Native American issues better than I thought it would! Not necessarily well in every aspect, but I was expecting much worse considering Genderbender. 7.5/10

Darkness Falls: Y’all this was GOOD! I loved the sense of impending doom that was just present the whole time, and the melancholic feel of the entire thing. Minus points for the anti-environmentalist sentiments and for the blatant plot armor at the end (they really should have died…but then there wouldn’t be a show). 9/10

Tooms: While Tooms being let out on parole was a bit of a stretch, I enjoyed seeing Mulder stretched to his limit. He’s a good character to do that with. Tooms was an even better villain here than in Squeeze imo, because his craftiness really got to shine through. Huge bonus points for the scene in the car. « Mulder, I wouldn’t put myself on the line for anybody but you. » I’M DEAD. 8.5/10

Born Again: The most memorable parts of this episode for me were the thick fake New York accents and the fact that the kid was named Michelle so I kept quoting Derry Girls in my terrible fake Derry accent the whole time. 5/10

Roland: This was the only episode I hated. I could barely get through any Roland scenes-I thought the autism portrayal was clunky and unnecessary and I just don’t want to watch autistic people suffer. It pained me. There wasn’t even any Mulder/Scully banter to salvage it. In fact, it seemed they were barely in the episode at all. It gets half a point because Scully looked really pretty this episode. 0.5/10

The Erlenmeyer Flask: Now this was GOOD STUFF. I feel like since we know the aliens are there and there’s less mystery, alien-focused episodes so far have been slower and I’ve liked them less but THIS kept the pace up and the mystery going throughout. I was fully hooked. I was also WORRIED for Mulder at the end-I thought we were getting a season cliffhanger! And those chemical burns looked BAD. And I DID NOT expect Deep Throat to die OR for them to get shut down. Where the heck are they gonna go from here? I love it. My favorite thing about this episode was really getting back into Scully’s headspace for the last 10 minutes or so. With some exceptions, I feel like a lot of the season has been shown through Mulder’s eyes (part of my gripe from earlier), but the pilot was 100% Scully and circling back to her here felt right. I also liked that she had to do another hostage exchange-a parallel to the first time she really showed why Mulder needs her. So much to love here. 10/10

Idk how many txf fans I have here aside from my one post that made the rounds, but if you’re here congratulations for making it through my essay! Let me know if you’d like any more thoughts/analyses, and if you’d like shorter, episodic posts when it comes time for Season 2:)

#the x files #x files #txf #txf s1 #fox mulder #dana scully #mulder and scully #mulder x scully #msr #david duchovny #gillian anderson #azure txf reviews

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randomfoggytiger · 1 month

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React: A Late-Canon Reviler Gives the Revival a Try (My Struggle I), Part I

For David Duchovny’s birthday, I put out a poll asking Tumblr which of his projects I should watch for the first time.

The Revival won. Welp.

I then, fool that I am, put up another poll wherein I doomed myself by including an option to watch the whole thing.

And here we are.

My Struggle I.

Oh, boy.

This post will be long because I'm laying the groundwork for the rest of the series.

MY MODUS OPERANDI

I don’t care how cute or cuddly or happy or heartfelt individual MSR moments are, popcorn will be thrown if those scenes are achieved through incomplete, inane, or nonsensical plot points. Give me 1+1=2 or give me death.

The Revival is part of a whole that includes all of Seasons 1-9 and Fight the Future and I Want to Believe. As much as I prefer to distance this series from canon, the reality that it functions as a direct follow-up remains; and it needs to be judged accordingly.

And, as always, I separate the art from the artist~.

...WELP. It’s time to face my doom.

Let's go!

MY STRUGGLE IV

The intro’s… fine. Engaging, even.

I did notice, though: the last series and Fight the Future and I Want to Believe began with the same formula: glimpses from what will be an x-files case, then straight to Scully’s perspective. Usually Mulder’s narration and POV didn’t feature until the tail-end of a two or three parter, i.e. Redux or Amor Fati or… well, even then, it was juxtaposed against Scully’s.

Scully was the voice of The X-Files-- even Chris Carter noted that her report of each episode’s casefile became a motif of the show. Mulder’s narration was rare, very rare, even in episodes that were written to focus on him.

A definite and purposed choice, to be sure. Mulder as an active agent in his own story. …OR a story that focuses on Mulder’s voice instead of Scully’s.

We shall see.

The intro continues; and it’s still engaging, possibly gripping (too bad I know where this leads)... but the music got a bit LOTR there. Is that just me? Seems… mellow, orchestral, a little more fantasy than sci-fi. Am I nitpicking? Maybe.

The BIBLE references UFOs?? Lol, no. (Unless you count the objects described in Revelations-- the book, not the episode-- but even then, those are largely considered to be drones, not UFOs.)

Chris Carter, I see you.

(Note from the future: NOW I see why the Bible bit was included-- lots of heavy-handed "God means this, Scully" in order to get her on-board to join the files. Ugh.)

…They’re really doubling down on the UFO lore, huh. All of which evaporated because of global warming, I guess.

GUYS, why couldn’t this have been about life on Earth after Colonization?????

It fits with the disaster footage, it fits with Mulder’s voiceover, it fits with the character progression from Season 9 (I GUESS), it fits with a whooooooooooole ton of other factors.

I’ve never been one for wanting Colonization in canon, but it literally would have worked for this series. There wouldn't need to be a complete wipeout of humanity, maybe just a “disaster happened, but the humans are fighting back” scenario.

And that would fit with Mulder and Scully’s "breakup", PERHAPS-- they spent so much time working, trying to save the world (she in science, he on the ground or with untainted factions who coalitioned post-Colonization) that their relationship cracks would need to be actively worked through. Not broken up so much as together and repairing.

It would also help CC and co. to avoid the tempest of modern US politics and the more mainstream conspiracies that were taking hold at that time-- a broader reach to all audiences, a "bigger picture" for everyone to unite under.

(Guys, they should have let me write for this show. …I take it back, I’d have quit after three days.)

Also: The show writers spent all their brain power on this sequence and this sequence alone, didn’t they?

Obiwan Kenobi and Military Man are going on a bus somewhere.

...On closer inspection, neither man looks like anything like Obiwan Kenobi, but the nickname is staying.

We’re back to Scully at a hospital-- not unlike I Want to Believe’s opening.

Skinner called? Oh. Didn’t know he was “here” this early.

WAIT.

Wait, wait, wait.

Scully just called up Mulder like nothing’s a big deal? He answered like nothing’s a big deal? She’s smiling over his joke from the get-go?

…And we’re supposed to believe they’re seriously broken up. Which the show will insist is the case.

David and Gillian really said, “Script? What script?” and did what they wanted. I salute them.

Also, “What’s happening out there, Scully?” is a great line to point to Mulder’s continued isolation… which the series will IMMEDIATELY toss aside because he’s, apparently, not been as much of a hermit lately? (Granted, this could be a joke at his own expense because he’s no longer claimed by ~the darkness~, but…. I don’t think the writing’s gonna be that clever, I’ll be honest.)

Siiiiiiiiiiiiiiiigh.

Fine, I admit it.

I’m loving this so far.

And that’s gonna make me even angrier later on.

“Why doesn’t he [Skinner] just call me?”

“He doesn’t know how to reach you, Mulder. I barely know myself.”

Mulder is baffled and a tinge annoyed, Scully is amused and straight shooting.

THERE IS NO HINT, BEHAVIOR, OR MANNERISM SUGGESTING THEY’VE BROKEN UP. None. At all. He’s isn’t reluctant to answer her call, isn’t sad or withdrawn, isn’t affected by anything she’s saying other than to be teasy or poky. She isn’t hesitant to call, isn’t sad or depressed, isn’t anything other than a little pleased to dangle a juicy tidbit in front of Mulder’s face.

This is gonna follow IWTB’s ping-pong writing-- they’re fun and in-character, they’re suddenly out-of-character, they’re fun and in-character, they’re suddenly out-of-character, etc. etc. etc.-- isn’t it?

(Mulder taping over his laptop’s webcam is a great touch and not something at all that I’ve done before. At all.)

“I thought you were done with UFOs-- the ‘stranglehold they put on your very existence’, I believe you put it.”

“I’m just the messenger, Mulder.”

That’s GOOD, that’s necessary writing. That’s planting the seeds of what happened between them, what led to a cooldown or a breakup or a whathaveyou. AND STILL neither character acts as if they’ve broken up: no melancholy, no sadness, no nothing.

Mulder’s timbre became a little sardonic while quoting back her words, but that doesn’t mean they’ve broken up. If anything, that points to a bicker and line-in-the-sand between them-- him bringing up UFOs at the dinner table and her reminding him to talk to someone else about it before turning the topic to how the lettuce is growing or something.

Neither actor is performing like one would if pain and trauma and heartbreak and distance were placed between them; and that really complicates things because the breakup is built on top of the aforementioned list of struggles.

Would Mulder have dug his heels in post 2012, seeing it as a sign that “the aliens” just changed their plans? Yes.

Would Scully have seen a pursuit down that rabbit hole as a waste of time? Debatable. The Truth S9 Scully wouldn’t have-- the aliens are still out there; and they cost her months of her life, months of Mulder’s abduction, months of Mulder’s death, months of Mulder’s separation, and the ultimate cost: William’s adoption and their life on the run. Post The Truth Scully would have seen this as her quest, too: she won’t give up, she says in the finale, because he won’t.

IWTB Scully, however, would- and that's a problem.

I’ve already discussed, at length, how out-of-character Scully was in I Want to Believe (posts here.) Although Mulder doesn’t escape from the same writing blunders, she is really, really scalped: of her courage, of her will, of her determination.

Whenever Scully gave up, in canon, it was only because she thought she was holding Mulder back, or when she felt Mulder had lost his faith and trust in her. That held true in Season 9-- despite the appalling writing choices there, too-- but didn’t in IWTB.

The Revival had the perfect opportunity to factory reset the writers' mistakes: portray a wiser duo who continue to fight the fight according to their strengths, like they always have before Mulder ever met Scully. (When Mulder tells Scully to set up a meeting with Skinner, he adds, “Don’t pretend I’m going alone”-- which reinforces my point.)

But I know that's not going to happen.

Scully goes without argument-- THAT’S GOOD, THAT’S GOOD CHARACTER WRITING. At this point in the game, of course she would-- they trust each other, they have for years, they’d have reached even deeper levels after going on the run for [insert math] years. All good things!

The problem: this will create a huge conflict with her actions later.

(I’m already so disappointed.)

“Uber?”/”Hitchhiking. Relax, Scully, I’m kidding” was a fun modernization of their humor, I’ll take it.

This scene is starting to highlight the distance between them, which is all well-and-good, but feels tonally different from the previous scene. As in, their two scenes were definitely filmed on different days, in different moods, and with different intents.

She’s worried about him, with tears in her eyes; he has his walls up; there’s distance, as previously noted.

“Good for you to get out of that little house every once in a while”/”Certainly was good for you” is followed up with knowing, indulgent, pleased smiles and you expect me to believe these two are seriously broken up. Nope. I’ve seen Scully sad but amused, I’ve seen Scully too sad to be amused, but these two? This moment? Nah.

Tonally dissonant-- the IWTB problem: at-ease and close one minute, at-odds and distant the next. Hoorayyyyyy....

None of this makes sense for a long-term, permanent (as Scully infers later to someone else) breakup. Nor for a short-term, semi-permanent one. Math doesn’t math.

“I’m always happy to see you,” she says, implying he's the one who permanently pulled away… which will be contradicted later this very episode.

“I’m always happy to find a reason [to leave the house],” he says, somberly.

Both of which are odd lines.

If he’s happy to leave the house to see her… why hasn’t he?

If she’s happy to see him, always, but says a relationship between them was "impossible" (which she will later), why is Scully staring at him with heart eyes, hoping he gets better so they can continue their relationship? (And mark my words, this tone underscores her interactions with him the rest of this series.)

Tad’s here. He’s... fine. He represents the overly cautious very well. At least he hasn’t gone full Alex Jones mockumentary (...yet.)

I’ve heard criticisms that Mulder and Scully don’t act like themselves in this series, but based off the few minutes I’ve seen here… I don’t agree.

The essence is the same. Truly. Scully’s got the same face that lights up the same way, Mulder’s got the same expressions and young-at-heart humor. Neither are really melancholic. Neither are David or Gillian esque.

Perhaps that will change.

(Note from the future: OH BOY. Which Mulder and Scully are we talking here-- OG Mulder and Scully? Nope. IWTB Mulder and Scully? Yep. David and Gillian? Once or twice.)

But, again, their interactions feel… wasted. Hollow. They’re supposed to be broken up, but their breakup doesn’t contribute to their interactions or the plot. They’re supposed to have suffered and are working back to each other… but they aren’t really separated, haven’t seemed to suffer (note from future: except for one scene which comes outta nowhere), and won’t collapse back together on-screen.

They’re supposed to be wiser and more mature, but they’ll still engage in a silly will-they-won’t-they while Mulder eats up the latest UFO or conspiracy slop he’s either already engaged in or debunked [insert math] years ago and Scully clings to her cowardice like a leech.

First nagging problem: Scully smiling at Tad, Scully excusing Mulder’s mannerisms when he becomes briefly jealous, Scully making nice with a conspiracy nut.

…Isn’t that Mulder’s job? Didn't she leave because conspiracies were consuming her life? Does this mean she actually does want this life back but is she playing coy or elusive because...?

Furthermore, when Mulder popped a comment off to a witness or informant in the past, Scully never excused him-- just breezed over it professionally with another question. She’s only saying “excuse him” here because she’s taken a shine to Tad. WHY, on this post-2012 global warming green Earth, WOULD SHE?

Tad says Mulder is the X-Files, Mulder says that “book is closed”... WAIT. Wait, hold up--

Pause. Stop. Rewind.

Mulder wants to believe. Actual proof is hard to come by.

Tad thinks Mulder is the X-Files.

MULDER SAYS… *ahem*... Mulder says, “I’m afraid that book is closed.” …Which means he’s no longer into UFOs or aliens, too. SO. why did Scully LEAVE.

If that’s behind him, why aren’t they together again???? Mulder didn’t know who Tad O’Malley was a minute or so ago, meaning he’s been outta the conspiracy scene for a bit. That MEANS his departure from Conspiracyville's been long enough to patch-up his obsession and ensuing depression, I guess.

But then... what about Scully??

Because Mulder wants her to come back (already subtly established in each scene), and Scully is concerned for his welfare; but Scully thinks he’s still into UFO conspiracy and hasn’t come back because of it? BUT SHE ISN’T SHOCKED WHEN HE SAYS “I’m afraid that book is closed” MEANING SHE KNOWS HE’S PUT THAT BEHIND HIM... BUT STILL HASN’T RETURNED?

And both of them aren’t acting as if they’ve broken up, anyway, except for a pointed line of dialogue here and a brief reaction there before they yeet back to the status quo.

They’ve left that behind them, Scully says, for better or worse. And Mulder latches onto that better or worse, making a pointed barb at their breakup, but…. There’s no writing glue, just suggestion and inference; and the suggestions themselves don’t add up.

Here come the bullet points.

Season 10 posits Mulder became depressed after the aliens didn’t invade in 2012-- that’s reasonable and logical, his nature is depressive when his expectations are subverted or smashed or etc.

Season 10 also posits Scully left because Mulder became too much to deal with. That’s… not logical, since her nature is to rescue and nurture, even when Mulder’s being an actual boil on her sittin’ cheeks (ala Demons, etc., etc.)

Season 10 posits Mulder’s hard to get a hold of-- despite being in the same house the FBI helicoptered to in IWTB-- and posits it might be hard for Scully to get a hold of him-- despite the fact both characters easily got in contact, knew it was each other, and even joked about the fact it’s hard to get in contact with Mulder… which means it really isn't. (The script doesn’t catch these discrepancies, of course, pretending Mulder is very hidden away at the same ol' house he'd been discovered at in 2008.)

Season 10 says Scully doesn’t want UFOs to be part of her life anymore, that it was a stranglehold… yet she came along on a conspiracy gig without question to… what? Be around Mulder? But then, why warm up to the conspiracy guy-- an embodiment of what drove her and her partner apart?

Season 10 posits Mulder chased Scully off with his conspiracy spiraling YET ALSO states he’s put that part of his life-- conspiracies, UFOs, the X-Files-- behind him. Which implies: A. Mulder’s aaaaaaall better now and B. he put that all behind him but Scully never came home and C. Scully shouldn’t know he put that all behind him if that’s what’s keeping her away; but she does know because his declaration doesn’t take her by surprise, which means she’s still driven away and concerned for him for no discernable reason.

Season 11 posits Scully didn’t leave because Mulder became too much to deal with but because she, too, had issues to deal with. This point wasn't mentioned or hinted at in the episode that introduces their breakup, which makes that line of reasoning a complete rewrite. (Whatever. I’ll judge how well that’s executed when I get there.)

It doesn’t add up.

Are we surprised.

Five seconds after this, I had to listen to a back-and-forth between Tad O’Malley and Mulder on conspiracies and Conservatives and alien beliefs and the O’Reilly Factor and….

This seems out of touch, I’m not sorry.

When this show aired, Conservatives already had their miles-long conspiracy theories. For Mulder to be ignorant of that fact while allegedly knowing exactly who and what Tad believes while also alleging….

More bullet points!

Fox “I’m afraid that book is closed” Mulder has, supposedly, been out of the conspiracy scene.

Fox “I’m afraid that book is closed” Mulder isn’t aware that not only did 2015 Conservatives believe in aliens-- despite the fact Tad is a watered-down copy-paste of Alex Jones-- but that there were also Conservative believers in the 90s (who were a fringe in their own group, but.) This was Mulder’s expertise; and his eidetic memory isn’t likely to have tossed that info because it was no longer relevant to his life.

Fox “I’m afraid that book is closed” Mulder has supposedly not been out of the conspiracy scene-- despite saying he is-- because he does know who Tad O’Malley is-- despite not knowing who he was two minutes ago.

Mulder is assuming that Conservatives “of your credentials” don’t believe in UFOs or “9/11 false-flag conspiracies” despite people from the Left, Center, and Right publicly believing those conspiracies in 2015.

Fox “I’m afraid that book is closed” Mulder is supposed to be dismantling Tad’s grift; but he (and the writers) sound uneducated and incredibly out-of-touch during this dialogue-- as if all Conservatives were still Bush-era believers. Most were suspicious of the government by this time (they helped elect a man who ran on a “drain the swamp” campaign, after all.) Mulder’s bewilderment here is old and tired, even by 2015 standards.

This writing is flashy-- long sentences, quick back-and-forths-- but poorly constructed and badly executed.

This is also the first segment where David Duchovny is peeking through Fox Mulder; where Scully is swinging wildly between absolutely-fine-with-Mulder and we’re-no-longer-together; and where we, the audience, are being force-fed that only one side of the political aisle believes in aliens-- or the Bigger Question or whatever-- on a show that wants to poke at unfounded conspiracy beliefs.

Oh, look! Scully made a Scully-face, so everything’s good now!

(UuuuuuuuUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUGH--)

Sveta. Aww, I like her--

“You don’t remember me.”

“No, I think I’d remember.”

WHAT WAS THAT.

Show writers, STOP with the romantic triangulation, it’s NOT. GONNA. HAPPEN. David doesn’t even TRY to make that romantic-ish. Yet you angle on Scully’s face as if she’s supposed to be out-of-the-loop and a tinge jealous.

WAIT, WAIT, WAIT, hoooooooooooooooooooold up.

Svetta was a dark-haired little girl Mulder interviewed after her first abduction, meaning she’s set up to be another Samantha.

So…………………. What’s with the murky jealousy issue, CHRIS. You wedged it in solely so Scully would feel jealous over Mulder? Y’know. Like I Want to Believe?

And I say Chris Carter because he wanted to play the breakup angle:

"We do it in an interesting way," Carter told The Hollywood Reporter. "We put some of the tension back in that was relieved by them being together. It added to the storytelling opportunities. It's something that I came up with; I had been thinking about it. There was always talk of [breaking them up] if we did another movie."

The first shot canon takes right between the eyes:

Scully being “familiar” with the “screen memories” abductees are given was a cool touch… except she’s never been given “screen memories.” The abductees in Jose Chung’s From Outer Space were given screen memories-- she was returned a blank slate. (Even Mulder didn’t have “screen memories” after his abduction.)

Scully poking Sveta about aliens taking her unborn fetuses seems a tad (heh) strong except all the alien-related pregnancies have been the result of government testing, not alien probes. So. If this scene followed canon's rules, her skepticism would be warranted.

But this skepticism is still odd.

Two seconds ago, she was making nice to Tad O’Malley in the car, and now she’s leading the questioning for Sveta. The odd icing on top of this odd cake is that Scully left because she didn’t want UFOs to have a stranglehold on her life, yet here she is leading an interview with an abductee.

Sveta: “I have alien DNA, for sure.”

Scully: “Have you had a doctor confirm that?”

Sveta: “No.”

Me, too, Mulder. Me, too.

Scully doesn’t question the alien DNA bit, so that’s good.

…I’ll bet everyone forgets she and Mulder have a bit lingering in their systems from the black oil and his brain thingy and residue from when she touched the ship and and and.

“Something you can test. Dana.”

What… what was that.

Honestly, what was that. Whatever mood David was conveying through Mulder, it didn’t match anything from any previous scenes, let alone this one.

Is he poking at Scully? Why? He’s not jealous anymore (if he even was.) The way he says it and her expression in response implies they have a tense back-and-forth going on, but they don’t. THEY DON’T.

We’re 13 minutes in and I could make another numerical list. But I won’t. Yet.

Back to not-Obiwan Kenobi and Military Man.

That alien’s stupid bad-looking.

Wait.

That’s not how canon said Roswell unfolded.

And the first alien shot on Earth was by Deep Throat’s hands-- that was his whole turning-point backstory.

CURSE YOU, LACK OF A SHOW BIBLEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE!

(Note from the future: All of that past canon? Fake. Faked. All lies. None of that happened.)

“What have you done??” Not-Obiwan Kenobi yells… and what have they done?

Back to Scully and Sveta.

Sveta can move things with her mind-- not all the time-- but at least Scully is listening to her claims without automatically shutting them down.

But also…

“I can move things. With my mind,” should have IMMEDIATELY had a greater impact on Scully, up-close-and-personal as she was to her son’s abilities. But nope! No reaction! Of course!

Sveta “You were together but now you’re not” is asking the right questions. I don’t even mind Sveta. I’ll bet this episode’s the last time we see her, though.

Does she contribute to anything? No. But she’s nice, so.

WAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAIT, WAIT, WAIT.

Scully diagnosed-- wait, hold up, list time.

Scully diagnosed Mulder with depression.

That killed their relationship.

…THAT killed their relationship? After everything?

The writers are going to have to explain, in detail, why that killed it.

Why does canon need to explain? Because we have a history of Scully sticking by Mulder during the worst periods of both their lives-- leaving him would have to require a very, very good reason.

And there is no indication, thus far, that Mulder’s depression drove a humungous wedge between them, forcing her to walk away. In fact, there is no indication a wedge exists between them, AT ALL-- only the odd, inconsistent word or phrase here or there that bears no weight on the plot or their ultimate decisions.

Whenever Scully left in canon, it was because she could no longer help Mulder. Season 11 will rewrite Season 10’s initial explanation but setting that aside: we’re not given any indication that she did try to help him; or that his depression was so deep and so dangerous that it drove her away.

And if it were that deep or that dangerous enough to drive her away, Scully leaving would have been the last and worst possible action she could have taken. If Mulder's mental state was in such a massive nose-dive that she couldn’t handle what he was going through, Scully-- a medical professional-- would have had him hospitalized, even temporarily against his will, because she would know (per Demons or Gethsemane or Amor Fati) that this level of depression always manifested in suicidal tendencies for her partner.

But Mulder, as per the rules laid out in this episode, never went that far in his deterioration. (Note from the future: We'll get to that.)

If he had, Skinner would have been aware of his hospitalization and wouldn’t have asked for his help; Scully would have been aware and wouldn’t have passed on the information; and Scully wouldn’t have called from the hospital with a degree of buoyancy when relaying Skinner's request to Mulder.

In short: Scully leaving = very big, very drastic measure. Mulder suffering from depression = very big, very bad consequences. Scully's nature and past actions = getting Mulder help, even if he resists at first (i.e. shooting him in the shoulder to save his life.) Mulder and Scully's partnership = unbroken, except through distrust or botched writing.

“And you have a child together.”

Wow, that wasn’t clunky at all.

SCULLY STICKS SVETA HARD WITH A NEEDLE BECAUSE SVETA MENTIONS WILLIAM, darkly saying "That's enough", SO SVETA WOULD KNOW SHE DID IT ON PURPOSE.

I’m… so disgusted. Like, eck. Urk. Awful.

Telling Sveta to back off, strongly, would be in-character; USING PAIN TO DO SO is…. So wrong on so many levels. Scully never utilized medicine to inflict pain or injury on her enemies.

Wow, this grossed me out. You know why?

Scully diagnosed Mulder with depression and left. At first glance, that seem like an out-of-character action that the writing can salvage later by this or that means.

BUT THEN, Scully inflicts pain on Sveta for mentioning William, leaving the audience with the impression that she’s vindictive.

Which then connects the dots between “vindictive” and “left Mulder when he was diagnosed with depression.”

And since we, the audience, haven’t been given a stronger reason for how Mulder’s depression got that bad or why she didn’t help him through it, we’re then left with a sour impression of Scully’s character.

The writers then try to imply Sveta was spilling out Scully’s personal secrets to prove that her powers were real, but that still doesn’t give Scully the right to abuse her power. Especially because a traumatized woman was trying any method possible to be believed.

And the fact that Sveta is also victim of the government weaponizing science and medicine makes me even angrier at Scully.

Ohhhhhhhhhhhh, BOY, another helicopter outside the Unremarkable House, my favorite part of IWTB....

Mulder’s never seen… an alien replica vehicle.

Oh, my mistake: “No. Never. Not like that.” Covering all the bases, I see. Y’know, in case the writers FORGOT MULDER SAW ONE in SEASON 1, EPISODE 2.

OH, LOOK, he’s got his wonder face back, everything’s aaaaaaaaaaaaall better now!

Running on free energy they’ve had since the 40s, sure Jan. Whatever you say.

This just feels so old. Like. Tech we haven’t had since the 40S, GUYS, GET IT, BIG MONEY CORPOS KEPT IT FROM US. Yeah, we got it.

And the flashbacks to Not-Obiwan Kenobi just walking off with an alien corpse because Military Man didn’t… see… value in studying… it. I guess.

Scully doing “God’s work” giving kids ears because their biology neglected it.

I admit, that’s an intriguing window into her perspective of God vs. science, and how she sees a person’s biology separate from God messing them over or messing them up just because. I dig it.

(Note from the future: This will be used as a plotline club rather than a nuanced discussion of her faith.)

Mulder being the most challenging relationship she’s ever had-- “and the most impossible”-- is a weird line. Because yes, it’s true that their relationship is challenging; but her fervor at impossible is the only time in this episode we see an adversarial tendency, DESPITE My Struggle I trying to drum up moments to prove TENSIONS still LINGER (they don't.)

It’s IWTB all over again. Siiiiiiiiiiiiiiiiiiiiiiiiiiiiiiigh.

“Yeah. I got that impression.” Tad says, and Scully’s hurt because she thinks Mulder gave Tad that impression of her.

So. So. Wait.

Scully lied when she stated “It’s impossible” because she didn't like Tad poking into her private affairs?

But she sounded truly convinced their relationship was "impossible" while saying it.

So, she was either angry or still confused about her emotions-- which is fine, Scully's not always in-tune with her inner workings-- when Tad replied, "I got that impression."

Which explains why she was so hurt at Mulder's seeming rejection.

Because she thinks Mulder’s behavior led Tad to that conviction.

Which means CC just wants Mulder and Scully to be caught in a miscommunication fic.

Also, why is Tad so sad about this? Were they his OTP, or is he pretending to sympathize to get in Scully’s pants? Because that’d be crummy, Chris, to have her be overly nice to Tad only for him to try to twist that into an opening as the new conspiracy guy on the block.

On a lighter note, Chris Carter said Mulder and Scully could still get it in their 50s, so there’s that.

HE DID, HE DID SET SCULLY UP TO BE PURSUED BY TAD--

WHAT. WHAT. WHAT WHAT WHAT--

KNOCK IT OFF, CHRIS.

Poor Sveta. She’s gonna be butchered in this script, isn’t she?

The series is EATING up vast amounts of time with very little scale or grounding. For all I know, a day or a week could have passed.

It’s so, so badly paced.

Mulder’s investigating now, without Scully, because he noticed Sveta had a tell during the interview.

Um.

Sure, that’s a Mulder thing to do.

Oh, wait. This is the “work of men” realization.

The dialogue between Mulder’s questions and Sveta’s answers are really disjointed, as if they’re mildly talking past each other-- another aspect of IWTB I couldn’t stand.

Welp, at least it’s easy to prove they were both written by the same people.

The second shot-in-the-head for canon:

“Sveta, who took your babies?”

“Men.”

“Men? Humans? You saw their faces.”

Also, Sveta’s babies are referred to as her babies, but William-Jackson isn’t Scully’s baby despite sharing half her DNA but Emily Sim was Scully’s baby despite also only sharing half her DNA.

It’s a mess.

Well… Mulder doesn’t seem too surprised here that men were involved in her abductions (I mean, he's long since been aware the government was involved from day one, so.) It’d be really stupid if the writing made him surprised about this later, wouldn’t it?

…Wouldn’t it?

Another poorly constructed set of lines:

“I haven’t worked for them [the government] in years.”

“But you always wondered… if they were lying to you, too.”

No, he didn’t wonder-- he believed it.

A wonky way to address his old skepticisms, for sure.

JUST AFTER I NOTED THAT MULDER DIDN’T LOOK SURPRISED AT SVETA'S REVELATION, HE CALLS UP SCULLY AND MAKES A BIG DEAL ABOUT IT BEING A CONSPIRACY OF MEN.

I knew this was coming, but maaaaaaaaaaaaaaaaaaaaaaaaaaan that was so, so poorly handled.

SCULLY WAS GETTING (sort of) WINED AND DINED BY TAD O’MALLEY??????????????

I HATE IT HERE, WHAT ARE YOU DOING, WHAT IS HAPPENING, WHAT IN THE WORLD AND WHY, HOW COULD YOU BE SO EASILY FLEECED, DANA, THIS ISN’T AN ED JERSE PARALLEL BECAUSE YOU THINK MULDER DOESN’T WANT YOU, THIS IS STUPID, THIS IS THIS IS THIS IS

WHAT.

I thought Scully had dated Tad O’Malley in the past (sometime after the breakup) but this is worsefarworse.

SVETA IS THE KEY TO EVERYTHING, I’M SO TIRED.

“Mulder, where are you going?” sounds exactly like Scully, and now I’m mad Gillian didn’t use that voice for the rest of the show (voice recovery aside....)

I KNEW SKINNER WAS BEHIND GETTING THEM BACK. He just calls up Scully to call Mulder up, then just unlocks the old office when Mulder wants to get back in. 110% Skinner thought this would help his buddy Mulder. And he’s not wrong.

Wait.

Did Skinner put in more effort to save Mulder from his mental health struggles (per this My Struggle I episode) than Scully??????

Iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii-- my brain is broken.

The hold on Skinner’s face while he says “Can you tell me what this is about” was way too long.

Also, don’t try to play coy with me, Skinman.

Now the camera’s zooming around and losing its “X-Files” feel by being too… modern.

Skinner telling Mulder to calm down is the only time in canon where I agree with him. Mulder’s just spouting and demanding and not really making clear sense and this is why you don't let Mulder back into his basement without Scully by his side, Skinner-- don’t you remember that lesson?

Skinner telling Mulder to calm down then saying he doesn’t take orders from him only for Mulder to say “Who do you take orders from?”, ugh.

GUYS, THIS WAS RESOLVED IN SEASON. 2. BECAUSE MULDER KNEW MEN WERE BEHIND THE CONSPIRACY SINCE SEASON 1, EPISODE 2; AND SKINNER SINCE SEASON 2, EPISODE ASCENSION.

BECAUSE SKINNER’S ALREADY HAD HIS LOYALTY TESTED AND THIS IS HURTING MY BRAIN MAKE IT END.

I’m not even 25 minutes into this, help.

“Why do you think I called you? Because I was looking out for you, because I’ve always looked out for you.” Is… is Skinner the only character who’s progressed? That’s exactly what he would do-- he’s acting sensibly, rationally, and in-character... and more mature, more veteran, than his agents.

I know the Revival is supposed to be “Mulder and Scully all grown-up” but none of their actions have been intelligent, measured, or informed by their age or life experience. It’s a farce that I hope future episodes will rectify.

“A decade of my life--” Mulder rants and kicks his poster like a toddler AND YOU KNEW ALL THIS INFORMATION FROM SEASON 1, MULDER. NONE OF THIS IS NEW. WWWWWWWWWWWWWWHAT IS THIS.

I can’t imagine how disappointed philes were when they tuned into this episode. Well... I can because of how I feel; but at least I knew, roughly, how bad it would be going in.

This is worse.

Skinner: “You’re blaming me for that?”

Mulder: “No, I’m blaming myself. I’m sure they lied to you, too.”

This isn’t a revelation, chump.

At least Skinner confirms my theory: “There hasn’t been a day since you’ve left that I haven’t reached for my phone to call you, Mulder, wishing you were still down here.”

Feral Mulder is touched.

“Since 9/11--” OH NO, WHY ARE WE GOING THERE “--this country’s taken a big turn and in a very strange direction.”

Guys. Guys. This isn’t… this… what.

“Now they police us, spy on us, and tell us that makes it safer--” CAN THE WRITERS GET OFF A SOAP BOX FOR FIVE SECONDS. Of course it isn’t safer to be unnecessarily policed or spied on, but the answer isn't just "boo, the government!" What… why… my brain’s melting, I feel it deteriorating.

This, again, feels so Bush-era. Like, whoever wrote this didn’t update their mentality.

Also, the camera shots and cuts are weird. Holding too long, zooming out at “pause and take THAT in” moments, focusing on Mulder’s phone while he silently calls up Skinner to prove a point… it’s supremely unsubtle.

Back to Tad, I don’t care. You did this to yourself, Scully, cozying up only to be used as a name drop on his show. Stupid.

Is Scully gonna be shocked she has alien DNA? She shouldn’t be.

But then again, Mulder shouldn’t be shocked this has all been a work of men, so.

She’s expecting-- no, hoping-- for a call from somebody named Mulder.

Sure, they’re broken up with hard feelings. Sure. Absolutely.

Is this old man Not-Obiwan Kenobi?

Of course.

At least Mulder seems old hat at this informant business.

But of course, he’s “not even close” to putting it all together.

Stupid.

WAIT.

The countdown was WRONG-- Mulder states it began, not ended in 2012, meaning he's believed this theory for some time. Meaning... why was he so depressed after 2012? Why are there still depression concerns in 2015?? Seriously, what's with his depression if the 2012 Colonization was allegedly the cause of it but there is no Colonization and the clock's simply been reset????

WHY WAS HE DEPRESSED IF HE RECONFIGURED THE COUNTDOWN. WHAT.

Mulder: "Not by aliens, not with aliens, but by a conspiracy of men--"

“You’re wasting my time.” Tell him, old man Not-Obiwan Kenobi!

“Ten years ago, you came to me--”

Wait, ten years ago? What, 2005? The guy showed up while Mulder was on the run? And Scully never… knew about this?

There were no aliens lighting each other on fire??????????????????? WAIT, I NEVER HEARD THIS INFORMATION.

THERE WERE NEVER ALIENS, AT ALL???????????????????? Like, AT ALL?????

The writers are saying that Scully's experience on Ruskin Dam in Season 5 was not two warring alien factions BUT TWO GROUPS OF MEN LIGHTING EACH OTHER ON FIRE, OR GIVING EVERYONE FALSE MEMORIES OF ALIENS LIGHTING EACH OTHER ON FIRE, OR...??????

hONESTLY.

Let's be real specific for a second: Chris Carter expects us to believe that the ENTIRE mytharc from the original show was ALL faked; that there were no aliens, ZERO, ZILCH; and that CSM and Deep Throat and all the others created elaborate schemes JUST to manipulate MULDER because the aliens weren't a threat from the start????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????? DON’T BELIEVE YOUR LYING EYES. THEY WERE ALL MEN IN SUITS.

Like… do you realize how stupid that is? How actually, unfathomably stupid that is? It’s not just “the aliens didn’t invade because of global warming,” no, it’s “they were never a problem to begin with, we just manipulated Mulder into believing they were because… because he’s so important, I GUESS.”

Roswell’s also a smokescreen, of course.

Y’know how, during the 90s, DD thought The X-Files was a stupid sci-fi show? If he thought each mytharc plot was as bad as this one, no wonder he wanted to bail.

Oh, by the way, the global warming explanation is part of a theory: the fascist elites will dominate the world and escape from consequences into space, leading the rest of humanity to die by a globally warmed planet. The aliens weren't chased off by global warming because they were never a factor to begin with.

Wow.

I CAUGHT A CONTINUITY ERROR!

Scully shows up at his place in her uniform from yesterday, panicked, like she’d just run from Tad’s side to see what happened despite her saying over a day has passed.

Going to ignore his “What are you doing here, Scully?” because we’ve ping-ponged back to the out-of-character Mulder that the writers use when it’s time to remind everyone he and Scully are broken up.

It’s IWTB all over again, I’m so tired.

They’re talking past each other and he’s touching her shoulders now because he needs her to trust him and yadda yadda yadda.

It’s soooo, sooooo, soooooooooooooooooooooooooooooooooooooooooo highschool, I’m sorry. This is Riverdale. This is [insert whatever teen series you want to watch.] These are teenagers masquerading as adults, for the angst.

None of this holds up, their emotions shift left and right without provocation, things just happen, and there is no strand of continuity stringing anything together.

Scully trying to talk Mulder down from further pursuit doesn’t make sense because, AGAIN, she’s the one who's always gone back to the files even when he walks away; and every time he’s given up, or wanted to, SHE'S called him back and held him accountable and kept him going.

This is the Scully from IWTB with no gumption of her own, who denies her leaps forward because of plot, plot, plot.

Guys, I’ve been religiously dosing myself with caffeine (via chocolate), but my body keeps trying to make me go to sleep because it’s so uninvested. I don't even need sleep.

“This is my life, this is, this is everything I believe in--” HOW. MANY. TIMES. Has he said this before. WHEN HAS THAT LINE EVER WORKED ON SCULLY.

But that's beside the point: "this" was no longer his life after Amor Fati, by his own choice. Closure brought him closure, but he was already spittin' walk-away talk by Requiem, chose to leave in Vienen, and insisted Scully stay gone in Alone. In Season 9, it was Scully who had to beg him into hiding to pursue the Truth or whatever; and it was Scully who brought him the case in IWTB and Scully who relayed Skinner's request and tagged along both times until she got uncomfy and decided never mind, too hard.

Y’know? This claim gets to me because it’s a lie. A lie so blatant that 90s Mulder would have thrown hands over it, a lie so baseless that it erases his declaration in the hallway:

“I don’t know if I want to do this alone. I don’t even know if I can.” And every time Mulder yells his “THIS IS MY LIFE”, he erases that part of his past, the part that willingly left the files or the big Truth or the next chase to save Scully’s life or to keep her by his side.

Chris Carter said Mulder and Scully were The X-Files post The Truth… but I guess he keeps conveniently forgetting that. More accurately, he keeps making MULDER forget that, in spite of all evidence in Mulder’s history and personality to the contrary.

It infuriates me.

“Tad O’Malley is a charming man--” get outta here.

Now Scully’s been played the fool so she’s going to think Mulder’s being toyed around with by a social media sociopath. You’re an idiot, Scully.

You’re an idiot, Mulder.

You expect us to be idiots, writers.

Here’s some ham-fisted “Fate” dialogue for you, *ahem*:

Scully: “How do you know he’s not playing you, he’s a player!” (You would know, Scully.)

Mulder: “He’s a Godsend!”

Mulder’s not a believer in God, BUT this is also supposed to refer to the God conversation Scully and Tad had in the hospital, which will inadvertently make Scully ~believe~ again.

“What are you talking about?” I’m with ya there, Scully. I’m with ya, there.

Scully’s trying to insist Mulder's on a verge of a breakdown, which… UGH.

This scene implies Mulder hasn’t had a breakdown or a break from reality YET-- Scully spends the episode constantly concerned for his health and begging him, here, to watch what where he's stepping because he’s on the verge of spiraling.

Which means he hasn't spiraled, because she's afraid of what would happen to him IF he did.

MEANING that there wasn’t an inciting factor that made her leave: no alcoholism, no outbursts, no nothing. He just became depressed, probably withdrawn, and wouldn’t change; so, she left.

Do you realize what that means, per this episode? It means Scully ANTICIPATED a breakdown and left BEFORE it happened. Then hoped he’d get better before it did.

Which breaks the established morals of her character. If she had been able to help, she would have stayed. If she hadn’t been able to help, she would have found another way to help him, even if it involved calling in a third party against his will. Instead, she withdrew and hoped he would get better BEFORE he reached a breaking point-- essentially, leaving him to an impending breakdown while hoping and praying against it.

This makes her decision to leave a mark of weak character-- not because she was a woman who left her depressed husband, but because Dana Scully, whose character we amply know, left. It checks none of the boxes she'd have to clear first before choosing to take one step out the door.

All the fic I’ve read to justify their breakup-- and make no mistake, CC wrote her to say “as your friend” intentionally-- or time apart or whathaveyou had Scully reach a breaking point. Because, of course! That's logical. But here, in canon-- in black and white-- that didn’t happen.

We, the audience, have to create a plausible scenario in our minds to justify the steps she took. Because. it. Is. not. In. canon (as per this episode.)

Now Scully’s gonna get jealous of Sveta, I’m so done. Riverdale, uuuuuuuuugh.

Mulder just lets Scully walk away because Scully thinks he wants Sveta but “Sveta is the key to everything” and if Scully wants to misunderstand that she should have more trust in him, I guess, and I NEED A RESPIRATOR.

He just says “Scully” once and lets her huff off.

TAD’S BACK, GO AWAY.

WAIT, TAD STOPS HER BEFORE SHE LEAVES.

Mulder: “I would have invited you, Scully, but I didn’t think you would come.”

That’s…

That’s….

Let’s break down this stupidity:

Scully shows up.

Mulder had Sveta in the house because he was calling her and O'Malley for a group meeting.

When Scully becomes nearly hysterical over his safety, he doesn’t reason with her, just spouts like a lunatic.

When she misreads the Sveta situation and stomps off, he lets her go with a weak, “Scully"--

--because he knew Tad was right behind her and was pulling in to stop her from leaving.

Because Tad and Sveta were invited but Scully was not.

And Scully was not invited because.

Because she might not show up.

I’m just preaching to the choir at this point, continuing on.

Scully gave in, just like that. Guess she’s not leaving, anymore.

She’s so, so… spineless. Has been since Season 9, has been a BIT since Season 8 (though that was at least justified and kept to a bare minimum.)

I’m just. So sick of passive Scully.

I HATE THOSE STINGER NOISES NOW.

It’s always, “You can't let this information out because these men work in secrecy”/”What is it?”/”You’ll see”; then stinger; then we, the audience, are immediately shown what it is.

No suspenseful build-up.

Tad: “Then why are you [Scully] here?”/”Scully: “Mulder, what are you up to?”/Mulder: *knowing look*/stinger/next scene.

KNOCK IT OFF ALREADY.

“Implanting of alien embryos”-- so Sveta’s babies weren’t her babies.

So Scully’s baby wasn’t her baby.

But Emily was her baby but William isn’t.

Sure, Jan.

In spite of this information, the Revival will paint William as their son until it doesn’t; despite, again, stating from day one that the alien babies are implanted embryos and not biological babies.

So, these two boneheads should have suspected that William wasn’t theirs, anyway.

Even though William is theirs because the CSM timeline doesn’t add up, which they would have mathed in their heads by the time little William was snuggled in their arms.

It’s all so stupid.

Why does this feel so fearmongery about the government? And I’m not going to sit here and say the government should be trusted-- it has a VERY bad history, I'm aware. But this is “my first conspiracy” level of worldbuilding.

Did the writers think it was clever to set O’Malley up as a bad actor then reveal he was a good actor, modeling him after the notorious Alex Jones only to point and jeer, “HAH, you assumed! He’s actually on Mulder’s side!”

Because that’s not genius, that’s laziness.

Scully only now decides to inform everyone Sveta has no evidence of alien DNA? So, what, she was never going to tell them unless Mulder kept being, what, crazy?

“They got to her” says Mulder about Sveta, but Scully LITERALLY SAID she had no alien DNA, so what was Sveta supposed to believe???????? That Tad O'Malley wasn't using her for as a hoax???

Mulder ran all the way to her house, or ubered then ran, or whatever… and she’s gone, of course.

Poor Sveta.

Tad O’Malley’s Truth Site is gone, oh, noooooo.

Look, I’ll always be against censorship. But this is sending so many odd and mixed signals that it’s creating craaaaaaaaaaaaazy levels of dissonance.

Mulder wrote “Don’t Give Up” in Scully's car dust….

Riverdale.

Mulder presents the global warming = no aliens theory?

I’m so tired.

WAIT, SCULLY BELIEVES MULDER'S THEORY NOW THAT HER BOY TAD’S BEEN PULLED OFF THE NETWORK.

“We need to find her [Sveta], Mulder,” Scully insists.

Hold on, prediction time: Scully only changed her mind because this case now involves her-- i.e. only extending empathy to Christian (a boy that reminded her of William) and not to the string of missing, possibly murdered, women in IWTB.

OF COURSE. Her results for Sveta ended up being wrong AND HER OWN GENOME HAS ALIEN DNA IN IT, TOO.

You selfish, self-centered clone of Dana Scully.

Scully truly hasn’t recovered since… Season 9, let’s be real, where she told Mulder to leave then spent the whole year crying over his absence. In IWTB, she brought Mulder a case then left him when he wouldn’t stop his pursuit (to SAVE. LIVES.) And in the Revival, she called Mulder and the gang crazy until her own genome showed alien DNA.

Hate this, hate this, HATE this.

Also, yeah, she already knew she had alien DNA in the OG series, moving on.

Oh, and now they get a call from Skinner just when Scully says someone has to stop the bad guys.

OF COURSE.

Remember the God convo from earlier, guys???? GOD. FATE. SOMETHINGSOMETHINGSOMETHING.

You had ONE good idea to explore-- how Scully views God vs. the aberrations of biology-- and then just... used it as a convenient club to beat in the “God/Fate means for us to do this” instead.

“Scully, are you ready for this?”

“I don’t know there’s a choice.”

Can’t someone PLEASE just explore her faith with nuance? PLEASE?

Sveta's DEAD???????? I’M SO MAD, I liked her!

YOU FAILED HER, SCULLY.

YOU FAILED MULDER, SCULLY.

WHY DOES SCULLY HAVE TO KEEP FAILING PEOPLE????????????

Skipping the CSM scene because I don’t care, the END.

CONCLUSION

How does Scully’s mischaracterization keep reaching new lows?

How does Mulder become less wise with age?

How is Skinner the only mentally mature character here?

I’m so tired.

#txf #React #Revival #A Late-Canon Reviler Gives the Revival a Try #Revival Reviler's first-time watch through #My Struggle I #mine #first-time watch through #Part I #x-files #xfiles #the x files #Mulder #Scully #Tad O'Malley #Sveta #S10 #xf meta #thoughts

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villainofmyownstory · 4 months

Text

Light years

masterlist

pairing: Simon “Ghost” Riley x android/hologram!Reader

summary: Many decades of longing. A lot of years of waiting. Hundreds of light years away from an Earth that no longer seemed like a memory, but a fictional story. A fairy tale written by poets. Earth no longer existed, and life on Zeus 2 went on as if the years of intergalactic war had never happened. As if the destruction of most of humanity had never taken place. There were still a few people on the new planet who remembered their lives on Earth. A past that was a memory stinging under the ribs. A small personal utopia for the last living people. Paradise lost.

tags: sci-fi!au, android, angst, ambiguous/open ending

1.4k words

author's note: Unfortunately, most of the 5th chapter of Day Zero, I don't know why, but it disappeared from my files, probably my mistake that I wrote it on my phone…. and I don't know when I will finish the 5th chapter. So I decided to write something else. I have never read sci-fi books, I have only watched a few movies of this genre in my life. Everything I've written here are my own thoughts about this alternate universe I've invented. Let me know what you think.

This story I wrote for @glitterypirateduck #GhostChallenge. I used prompt #’s 9 and 17. Challenge Masterlist

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Wet streets and neon lights are two certainties of any Saturday evening. The man started his motorcycle from the parking lot with a squeal of tires. The vehicle flashed through the streets of the crowded city at high speed despite the heavy rain. Passing through one intersection after another, the man paid no attention to his surroundings. He had one goal in mind. Like every second Saturday of the month. One damn hour. Just one. Sixty minutes.

He cursed Captain Price in his mind, even though he knew the man had a visit this Saturday, sending him and Gaz to a neighboring planet to see if the unrest caused by the robot revolt has been adequately handled by the new authorities. Although they had their cybernetic teammates on the new planet, the captain trusted his human soldiers the most. Only Price and his three subordinates remembered well their service in the former Task Force 141 many decades ago on Earth. Sometimes, on their free evenings, they reminisced about their past lives, like a long-read book or a movie they watched. Memories that seemed so distant. It was hard to tell that they were their own. And yet they were. Earth had once existed. Their lives were different. A better place.

As the man approached his destination, he wondered if the next visit would look the same. Every month he deluded himself that this time it would not be like the previous one. That the clinic's staff would inform him of progress. About a breakthrough.

So much time. It had been so many, many years since they had lived on Earth. So many decades of longing and hope.

White, smooth walls. The floor lined with rectangular snow-white tiles. 134 pieces to be exact. Electronics and many screens on one of the walls. A comfortable chair and an empty space on the other side. He has long known every nook and cranny of these two rooms. The one where he stays during every visit and this small room, behind bulletproof plastic glass.

As on every single Saturday evenly at 7 pm he was greeted by the same artificial, synthetic voice.

"Welcome, you are a visiting guest at medical facility number 3 and your appointment is about to begin. Sit comfortably and enjoy the company of your still living loved ones.Thank you for using our services. To change your monthly subscription package, please head to room 221 on the 2nd floor. Memories from Earth eternally alive. Light years are no longer an obstacle. With us, everything continues uninterrupted. MedZeus 3 at your service. Light years don't matter. Earthly memories at your fingertips."

When silence falls, he counts every breath. Exactly 17, when a light comes on in the room behind the glass. The figure flickers and after a moment is visible in all her divine beauty.

You are as he remembers you. You are the same as you were taken out of his mind. A memory.

"Hi Simon!" The man clenches his tightened fists. Your voice is always the same. Bright, melodious. Joyful. Like every month you stand in the same place. In that fucking white void. So close and so far away. He dreams every day to be able to touch you again. To feel your soft and smooth skin under the pads of his scarred, rough hands. To touch your wavy hair at least once more and smell the fruity sour fragrance of your favourite perfume. He would like to see your rosy cheeks one more time. At least one damn tear in your eyes. Some human emotion.

"How was your service? You look tired. I hope the mission was successful." The same sentences spoken for months. He so longed to hear something different. Sorrow. Longing. Joy. Anger. Anything, some human feeling.

Meanwhile, everything is just as the signed script predicted. The programmed hologram of your character stands dressed in a plain black t-shirt with your favorite band and plain straight jeans. Hair tied in a loose ponytail. Just as he remembered you. Just as he saw you on the last day of his life. Yours.

If you hadn't been so stubborn, if you hadn't said those words. Maybe you would be together now. Light years from Earth. Light years from that life together.

The man slowly gets up from his chair and walks over to the glass. He removes the glove from his hand and stares at the bare palm to the cold transparent wall separating you.

“I miss you.” He finally says while swallowing that damnable, choking tightness in his throat. That bitterness that appears every time he looks at the product of his memories. You're seemingly here. You're so close. But he knows it's not you. You were now the product of his selfish desire. When he was awakened from centuries of hibernation many years ago the first thing he bought in his new reality. In his new life. You.

He damn well regretted that decision. He should have buried you long ago, erased your memories as other living people have done. Forget you and live on Zeus 2 like the others. He could eventually start a family, or adopt a small humanoid robot-child. He could even buy himself an android wife. After all, he was an intergalactic soldier. An Earth hero. One of the last humans from Earth. A myth.

That's probably why he couldn't let you go. You were something that kept him alive. Were you? No. For him all the time - you are. He didn't want to be like the others, he didn't allow his DNA to be changed. Even Captain Price was no longer fully human. He was afraid that with making him half human and half robot he would destroy the last part of you that had been in him all along.

Long minutes of silence after saying that three words. I miss you. They caused the figure behind the glass as if trying to process and quickly in gigabytes of stored data to find the answer to his words.

He smiled gently. But maybe the staff of the facility has managed to improve something, maybe there has been some kind of revolution and you will finally be more human. His again.

The hologram twitched slightly, as if it was about to disappear. The man glanced anxiously at his watch, it had been only 17 minutes since the start of the meeting.

“Simon”

Your voice is like behind a fog. His name whispered with the same tenderness when you first confessed your feelings for each other. That rainy November evening when he held you for the first time in his bare arms. When he gave you his heart. When he first said that he…

The man shakes his head. He didn't give them back those intimate memories. No. That's what he didn't transfer to the data cloud. So how is it possible…

“Don't let go, Simon. Never.” Your lips don't move. Your figure again slightly disappears for a fraction of a second. No it can't be true. Maybe this some bug in the system. A badly written code. Maybe a virus crept in, or a hacking attack. He had heard at the base, about recent cyber attacks on medical facilities. Maybe the attacks have reached his planet as well.

The image of your hologram is back to normal. As you do every month, you tilt your head slightly to the side and extend your hand. The man freezes, holding his breath. You always make this gesture at the end of your meetings.

You put up your thumb, index finger and pinkie finger, while keeping your ring finger and your middle finger down.

“I Love You” in Sign Language.

After a moment of hesitation, he extends his hand and his palm shows the same gesture. He rests his forehead on the cold glass closing his eyes.

You are about to disappear. Again you will remain just a part of a recollection. Data stored on the server.

When the man opens his eyes again he continues to see your figure. In white. A braid of tiny white gypsophila and purple eustoma flowers adorns your head. Your hair is loosely undone. Slightly curly hair reaches below your shoulders. A simple white dress covers your body from neck to ankles. Lace sleeves adorn your arms.

Time seems to have stopped. Again. As if there were no light years from earthly life. Like that tomorrow has simply arrived. Your image presented to him.

It wasn't his memory. He had no right to see you in your wedding dress. He did not have time. Tomorrow never came for the both of you.

This is your memory.

#GhostChallenge #call of duty fanfic #call of duty #cod #simon ghost riley #ghost #ghost x reader #call of duty x reader #simon ghost riley x you #ghost cod #ghost simon riley #ghost x female reader #ghost call of duty #ghost x y/n #simon ghost riley x reader #ghost x you #simon riley x reader #simon riley x female reader #simon riley

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astral-mariner · 1 month

Text

Updated pinned post with my social links and recent art and fics! About: I'm a queer man in my mid 30s. I've been writing for over 20 years, and it's what I love to do. Horror/angst, sci-fi/fantasy, and erotica are my favorite things to write. I've been in the Dragon Ball fandom for over a decade and have been a fan longer than that.

Links:

AO3 Twitter/X Ko-fi Bluesky

Fics:

I have 2 spicy vegebul one-shots, "Strength and Weakness" and its sequel "Indulgence and Denial." Below are illustrations I've done for each one.

I also have a Saiyans under Freeza/Vegeta backstory darkfic currently in progress! I've posted the prologue and part 1 so far, but I've written about 80% of the rest of the story. I want to finish it before I start posting regularly. Summary and illustration below: Homeworld Lost:

Via Raditz’s broken scouter, Bulma tries to recover access to Planet Trade networks and technologies to get an upper hand against the androids. But in so doing, she discovers Raditz’s private files—writings and recordings he kept for himself over his long travels with Vegeta and Nappa under Freeza. Tales of their exploits and descent into madness come to change her perception of Vegeta and her relationship with him. Homeworld Lost is a novel-length dark science-fantasy story with explicit violence, horror, and erotica (sometimes simultaneously). Generally canon compliant. Explores Vegeta’s backstory under the Planet Trade Organization and his fraught relationships with his comrades, particularly the twisted bond he and Raditz share. Most of the story is narrated by Raditz, but there are lots of twists. He is an unreliable narrator, and in places, altered mental states allow him to take other points of view. We also get interludes from Bulma as she reads and reacts to Raditz's account.

I illustrate fics for myself and others generally! I also enjoy doing screencap redraws. Here are some of my recent pieces:

#dbz #dragon ball #vegeta #bulma #raditz #vegebul #astral art #astral writing

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dairy-farmer · 6 months

Note

I just had a thought! :3c Multiverse+A/B/O/ shenanigans! And it goes on longer then I expected it too!

Consider!

Tim. Clever, ruthless, barely holding in there. Standing in the ruins of what once was Gotham, air tank running, filters On. The air of planet earth has finally passed the point of no return. The last human hold outs have finally fallen.

He was hoping it wouldn't come to this.

The Great Pyrrhic Victory.

Batman's Doomsday Vault. Buried deep under the rumble of Wayne Manor. With every last Fuck You, Batman ever found. All the "taking you with me" plans, laid out side by side. And Tim?

He needs the one at the very back.

Because this... THING. Won't stop. Not ever. And the Multiverse can't afford that. So Tim fights forward. Runs out of weapons. Bashes in those last few skulls with and empty air tank. And then he digs.

And digs.

He runs out of air tanks, day seventeen. But the rubble filters the poisoned air enough. It has to be enough. Three hours later he hits Vault. Uses the last of his wrist computer's battery to power the entry pad and door. He's in. At least the air is clean here, for now.

And there? In the back? Sits the plain black lock-box.

A sci-fi looking hand grenade with extra bits. The bomb that can Destroy Everything. Not just the world. But the entire universe. Tim's whole reality and everyone in it. He would never consider it, if there was anyone left. Any way to fix this. But there's not.

It's just him, a monster, and the bomb that can end all of this.

He doesn't bother to say good bye. Why give that THING a chance to stop him? He pulls the pin.

And let's go.

Aaaaand it works EXACTLY as it's creator designed it too. VERY big boom. Everything dead. Etc etc. Reality? Hard Deleted. No take backs. But! Creator dude was a coward and a scoundrel. Like FUCK was HE going to stick around and Die with you PEASANTS. Absolutely the fuck not! He just hated you! To death!

HE was gonna hop to a DIFFERENT reality! One that probably had blackjack and hookers! Appreciated his GENIUS! Or at least that had been the plan... until Batman Super DUPER broke his bones for threatening all of reality. As one does.

It was in the file.

Page 17.

Tim only bothered to read to page 15. Because he was short on time and the world was dying. He didn't give a shit about the assholes life story. He probably should have. Because if he HAD? He would have realized he wasn't going to die today.

Instead he's in the Vault.

THE Vault.

The Super Dangerous Batman's Final Fuck You Vault of DANGEROUS EXPLODING DOOM Vault(tm). He's not doing so hot. What with the hiking for days without rest, poisoned air, no food or water, and expecting to die. He's standing in front of THE "destroys the universe" bomb. Blinking dumbly down at it.

These many factors are probably why he fails to dodge.

WHAM!

Getting full body takled by a well rested, highly trained, adrenaline filled Alpha? BIG Ouch. But at least Tim get medical aid and an IV of fluids! Followed by everyone's FAVORITE gameshow~ Paranoid Bat Duel Interrogations, Code Word Exchanges, and General Angry Wet Cat Posturing!

The fact that Tim does not EXSIST here? Doesn't help. But his wrist computer DOES. The OTHER problem? Is this Reality has secondary genders? What? I mean, he HAS heard of planets like that. But...

It apparently trips them out just as much, that he only has one. But apparently Uncle Clark has the same problem. So he's given fake Beta pheromones to where.

He's... surprised they just let him stay. To be honest. But apparently "pack is pack", and HIS family may be gone, but so long as THIS version is alive? He has a home with them. Tim doesn't cry. It's dust. Sweat got in his eyes.

But! This wouldn't be a smutty Ask Thought if it stayed so wholesome, would it?

Because Tim is awkward. Clearly trying his best. But unsure of... how to? Bond. He doesn't HAVE the enhanced sense of smell. The scent glands. The instincts. He loved his family, but they didn't DO touch nearly as often as A/B/O/ packs need for healthy bonds. So really, he comes off as skittish. Jumpy. Abused almost.

In need of attention.

Bruce casually rubbing his shoulder. Clasping the back of his neck. Sitting near him. Duck tucking Tim's arm in his, resting his head on Tim's shoulder theatrically so he can rub his scent on him subtly. Jason slinging arms around him and using him as a leaning post.

And Damian. A child who never knew him as any sort of Rival or threat to his position, who sees him NOW as a battered and abused member joining the pack. A hero in his own right, Tim is no threat to Damian's long held position as Robin. Damian is out here legit RESEARCHING how to rehabilitate abused Betas and Omegas, trying to apply a hybrid approach.

Treating him like an easily spooked cat.

Tim starters getting used to being touched. Cuddled even. Pulled into laps and flopped upon. Honestly, even kinda LIKES this whole nest idea. It's pretty comfy.

But then it goes to shit. In the way it always seems to. Tim has started helping out. Building a record of Red Robin's presence LONG before Tim Wayne appears. Planning outings for when he CAN go out together with the others. Comparing realities. But then? Ivy. And ugly fight.

Heat inducer, straight to the face.

He calls it in. Already used a near by hose to get it off him. But... but he feels sick. Like, lose meal you ate as a four year old sick. Nightwing gets to him. Jabs him with the counter agent. Helps him back to the cave.

But not before a dangerously high fever starts to kick in. Blurred vision. Sever nausea. He's not REMOTELY aroused, but he IS being affected. They scramble to figure out what's happening.

The inducer is poisoning him.

The counter agent is helping, so another, STRONGER dose is applied. But that's all the can do. And even that, is incredibly rough in his liver. And he's still nauseous, still has a fever.

His body just doesn't have the proteins to break down the chemical of the inducer. Bruce sends everyone back out on patrol. He scoops Tim up. He'll tuck him into bed so he can rest. There really is nothing they can do.

But that's not true and they all know it. It's that none of them are willing to SAY it. To name the truth. There very much IS a way to get Tim the proteins he needs to break down the drug poisoning him. And with how deeply nauseous he is, it wouldn't be orally.

But they choke on it.

Eyes lingering on their other-reality pack mate. Frustrated, they leave to go take there anger out on some goons. Bruce himself tries not to think about it, as he carries Tim upstairs. As every jostle and sway makes Tim desperately suck in air to keep from hurling. As sweat catches the light. Making the younger man look like he'd just run a marathon.

He rests Tim on his bed. He's refusing to think about. Helps Tim out of his clothes. Isn't thinking about it. Goes, comes back, with cool water and a wash cloth. Most CERTAINLY not thinking about it.

Tim his thrown an arm over his eyes. To block out the light. Is pulling in even, practices breathes. Utterly miserable. When... when he doesn't have to be. Bruce wets the wash cloth and wipes him down. It's basicly with holding treatment.

Bruce's eyes stray the the sheet, lightly draped over Tim's hips. Only thing that covering him, now. He is horrifyingly glad Tim is scent blind. Tears his eyes away. Tells Tim that... technically... there IS one way to get the proteins into his system. If he doesn't want to wait this out.

For a long, terrifying, moment there is dead silence.

Bruce has ruined everything.

Tim hates him.

He's going to run away and never speak to him aga-

Bruce is pulled from his brooding panic spiral, by Tim dryly pointing out, that in CASE Bruce us unaware? He's fucking huge. And Tim is nauseous as shit right now. He WILL blow chunks. Not exactly sexy. Perfect timing as always, Bruce. Somethings truely ARE universal.

Bruce snorts. But Tim has a good point. This is hardly the most romantic situation. As sensual as sandpaper to the face. He promises to make it up to Tim. Feels that distinctly Alpha thrill at the prospect of GETTING to take care of someone. Tuck them close and provide for them.

For now, he massages. Gently. Careful not to rock. Slides his hand down to gently rub. Twirl his finger around and tease Tim's little cocklette clit, when things are wet enough, drift lower to slid in. Start to gently stretch his hole.

He doesn't have to fit. Today. Just has to get deep enough that no seed will slip out. A though occurs to him. They have heat aids, don't they? He bought them for Dick and Jason. They probably don't USE the smaller ones anymore, since they've grown. But that doesn't mean Alfred would have thrown them out.

Bruce leans down. Presses a kiss to Tim chest. And tells him he'll be right back. He's gonna get something that'll help.

Heads for the Heat/Rutt nest.

And yep. Right there on the high shelf in the back. The smaller plugs and toys. Grab that and a bottle of artificial slick, he's good to go. Back in short order.

The slick makes his fingers slide in so EASILY. He pulls back, picks up his favorite rutt sleeve from where he stashed in the box. And imagines what it will feel like, working himself inside that tight, fluttering hole. Brings himself to the edge with brutal efficiency, but doesn't let himself fall over. Sleave off, crawl forward.

Gently pushing. Still too tight. Tim gasping and gripping his arms, legs spread beneath him. He wants so BADLY to rock forward. To fuck into him. But he won't. Not Today. Just the tip, pushed just deep enough to gush inside, as he cums. He shudders, milking his cock into that body. Then grabs the cute little blue plug that'll keep it all inside him.

Rock it in.

It's impossible NOT to cuddle Tim after that. To wrap him in his scent and body. Instincts and hormones demand it.

His son's are of course FURIOUS. Mostly that he enticed Tim with out discussing it with them or with them there. His youngest, also being an Alpha, tries to stab him at breakfast. It's to be expected. The important thing is Tim feels better.

Tim is ALSO immediately hunted down by Damian, when maiming his father for sexing up Delicate Timothy failed. Scoundrel! Cad! Damian bets he wasn't even gentle and attentive! Barbarian! How could he!

So obviously, it's up to the ONLY Alpha in this household with ANY decency! To fix this! Which is how Tim starts the first day of MANY exciting days to come, by waking up to Damian eating him out like it's his mission in life. Fingers on a mission to find his g-spot or die trying. One overwhelming, if confused, and still waking up orgasm later?

Damian is tucking a pillow under his hips. Adjusting his grip. And..? Oh! Oh, big is genetic! Very full! And he hasn't even hit his final growth spurt yet. Holy shit. Then Damian pulls his hips back and snaps forward, and Tim's not thinking much of anything. Mostly just incoherent babbling and scrambling at the sheets.

Getting That Spot HAMMERED.

Shuddering apart.

Feeling something... different. Pressure. Stretch. Popping in and out, until it CANT and its just dragging the grind, just inside him. Damian shuddering, snapping his hips forward like he wants to FORCE it deep. Like a FIST inside him. Spraying his guts. Full! Oh god, full! It's grinding against everything that feels good. Amazing and like he's gonna die. Tim can SEE the little bulge of seed, from how full he's gotten.

He gets to learn EXACTLY how long it takes for a knot to go down.

"They" get caught Dick. Who hums and offers Tim advice. It CAN be a lot, can't it? Dick meanders over. Eyes trailing over Tim's straining and sweat soaked body. Where Damian is buried deep and knotted inside him. And leans down.

You know what always helps DICK when a knot is too much?

Tim knows that look in Dicks eyes. He does not trust that look. Tim doesn't want to know, Dick.

Too bad~☆! Says Robin number one, grining like a shark.

What helps HIM, is more orgasms, He informs, as his clever hand makes contact with Tim's clit. Tim jerks but can't escape. Pinching, twisting, tugging. Rubbing. Tim whines and jerks, coming apart while Dick watchs. Waits his turn.

It's a long morning.

Luckily, Omegas can't Knot. Unfortunately, that does NOTHING to stop them from bending you in half and railing you through the mattress. Pulling you up into their lap then up and down their cock like a sleeve. Kissing the air out of your lungs as they pin you to a wall, so they can get better leverage, fucking deep and hard like they want to permanently rearrange your insides.

Sometimes Omegas are ALSO Superhero acrobats.

Tim hides out in Jason's room, after he escapes Horny Devil and his beloved gremlin. Gets a shower. A nap. It's a mistaaaaake. Or not? Jason, at least, props him up in a comfy position before sliding home. Apparently stretched him A LOT while he slept, because frankly, the fullness feel nice instead of bloated.

He could almost go back to sleep.

Gentle rocking. Sweet praise being rumbled in his ear. Warm pressure covering him like a weighted blanket. The slow, building, hum of pleasure. 'S nice. Jason even arranged the pillows so Tim could slump face down and still breath just fine!

........you know what? He NEVER gets to sleep this easy. Go for it. This is nice. Unlike SOME people, at least Jason is being thoughtful. Have fun.

And Jason does have fun. Tim drifts in and out of a light snooze. Getting some sleep, getting some orgasms. Waking up to an absolutely GUSHING hole stuffed with cum. An exhausted Jason cuddled up next to him. The sheets may be beyond saving.

He has to shower, again.

Sticks to the walls. Hugs corners. As he keeps an eye out for Fuckwing the cuddler. Tim is HUNGRY damn it! He missed both breakfast AND lunch thanks to him! He eats quickly. Does not notice Alfred's exasperated look. The Beta can smell everything, after all.

And since HIS room is compromised. Tim, having learned nothing, decided to hide in Bruce's room. The perfect place to nap!

Which is obviously exactly where Bruce finds him. Smelling like bratty, young adult drama and jealousy, exhausted on his bed. Poor Tim. His kids fighting over Tim Time should NOT be taken out of Tim. They'll learn THAT the hard way, when he inevitably avoids them to rest.

Bruce, luckily, already learned all this in his playboy phase.

Want a massage? Some juice? Cuddles? I'm VERY non-threatening. Here if you ever feel horny. Let's get you all nested up, hmm?

And Tim's not even an Omega. He's not an ANYTHING. But damn if that's not effective. Bruce paying attention to him. Talking in that low, soothing rumble. Touching all soft and gentle. Not pushing or demand, just warm and smelling so GOOD and just.....

He's squirming out of his clothes and dragging Bruce down on top of him. Feeling incredibly decadent and kinda bratty. Pay attention to him. Fill him up and make him feel good. He's pouting and demanding and feeling clingy. And wonder of wonders?

Bruce doesn't scold him or scowl. But grins so indulgently, hums and hushs. Yes, yes. Of course. His little pillow princess, gonna get so full and knotted.

And Bruce is huge. But Jason stretched him so, SO much. So Bruce can rock into him now. Punch the air out of him, little by little, as he gets filled up. Whine and pant as his clit his teased. As Bruce fills him even when it feels like there should be no room left. Until he bottoms out. Grinds with little rocks of his hips.

Slides back and seems to take Tim's insides with him. Slowly. The more. In and out. Held still. Praised as his insides stretch out. As it starts to feel overwhelming good instead of just overwhelming. Faster. Harder. Whimpering and drooling as everything is pummeled by the snap of those hips. Fucked.

He's not even knotting him yet.

Bruce making him orgasm first. Almost dragging it out of him. So his body will relax enough to TAKE it. Then the pressure. The short, brutal little rutts against Tim's best spots. Made all the more sensitive having just orgasmed. Each one making Tim jolt and squeeze, milking that quickly expanding pressure. Having it GRIND, almost cruely, against where it feels best.

Unable to move, barely able to BREATHE, as he finally locks and begins to gush. Pumping deep. Filling and filling. Hot hands, rubbing to ease the strain. Or maybe just in fascination. He's been with Beta's but never someone who body straight out WASN'T designed for this sort of thing. Not poorly designed for. NOT designed for.

Tim looks almost pregnant. Not heavily. Just that tiny swell. But it's enough to wonder. Are they even compatible? He finds himself hoping the might be. Let's his hand drift down as he leans forward to press kisses to Tim's face. Works him up to another orgasm. See? Being knotted is nice. Feels good.

It's a bit awkward due to the angle, thanks to his own poor planning, but he is able to cuddle close to Tim. Who is finally getting used to it. Is nested in pillows, covered by Bruce, and filled to the brim. High as a kite on hormones thanks to the near but not quiet pain and repeated orgasms. There'll be no Red Robin on patrol tonight.

Tim of course, can barely walk the next day.

Which means he can not escape his brother's. Who love him VERY much and have multi-step plans to becoming THE favorite. Tim may soon become the stabby one, if they don't let him rest. Alfred is the favorite. He has food and doesn't keep Tim from his work.

(That's a lie. He loves all of them. But his fuck bruises have fuck bruises, so currently they're all BASTARDS. Dead to him! Hisssss!)

-🐼🐼🐼

!!! the angst of tim losing his universe but then ultimatly sent to another, an a/b/o one where he's the object of their desire but he can't fully handle it because his biology just isn't fully compatilble but that doesn't stop them from trying!!!

#answered asks #asks #anonymous

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