#figured i'd sort it all out lol

[every-sanji]

finished queuing sabaody and now we will be getting into post timeskip stuff soon...

[theflyingfeeling]

I don’t know if I’m just imagining things but I feel like Olli and Aleksi are actually so close 🥺 for example I feel like they post so many pics together and I know they post with others too and it’s not a big deal but e.g. Olli has posted 5 pics with someone else this year and 3 of them are with Aleksi.. so it must mean something right?? 🥺 and I feel like they spend a lot of time together yk even ”outside the band” when they’re having a day off and they still do music (the remix) etc. together 😭

Yeah I mean I for one am so deep in the Olli/Allu delulu land that it's VERY easy for me to agree and confirm all of this 😭 they're boyfriends secret lovers special friends and it shows 🥺

Here are all the pictures of the two of them I could find on Olli's IG, for reference 💞

+ the group picture Olli posted when Aleksi first joined the band, with the caption 'so now there's six of us' 🥺

[dandyshucks]

posting here bc theres less ppl following me on this blog compared to main FDJSKL but it is thundering (and therefore lightning is striking as well) currently and we've been in an intense heatwave and there's evac alerts and orders all around the area and i've just kind of been like 🧍‍♂️ for the past couple weeks trying to be chill about it bc this is the fourth or fifth year in a row of this so i am somewhat used to it but also aough :( also now i have an expensive drawing tablet that i would not be able to buy a new one of so i am trying to figure out if i should include it in my grab-n-go evac bag... its so big though and would take up so much room but RRRGHHH I DUNNO i hate these sorts of decisions 😭😭😭

[keeps-ache]

the urge to talk my head off vs. the calm of quiet vs. the Thoughts

[doctorwhoisadhd]

there's a certain quality the harmonies of like... early to mid 2000s alt rock has. which i am obsessed with... like i wanna do that. i NEED to figure out how to write harmonies that sound like that

[c0rpsedemon]

my naming scheme for the resurrectionists causes me undue stress a lot of the time but when it works it Works

[unproduciblesmackdown]

with the recent like self-analytical framework of [putting hand on own shoulder] "are you looking for the external validation of value in this which would never be guaranteed, and you don't even think it should be contingent on this anyways" it's like, that also speaks more to like "yeah i did really enjoy live performance / theatre-adjacent and -overlapping stuff"

like i have my sense of how much i loved things and none of that involves any memories of having enjoyed it b/c of any feedback i got, from peers or instructors or anything. memories of curtain calls don't stand out much. like fun Specific Feedback was a kind older (relative to me) performer with the central role telling me that my literal leaping onstage (dance performance. grande jete entrance) despite a technical difficulty that would have to be improvised around was Inspirational/Motivating lol. i stopped having any particular stage fright (although is that when you're onstage? more like, anxiety beforehand about messing up. being onstage was the easier, enjoyable part) thanks to just having to yolo through those technical difficulties lol....anyways and then that same show actually, some relative to me younger audience member's dad was like "she's your (role's) biggest fan" and we nervously take a pic together lol. these things were fun & standout but Not Even It; not at all like "this is what makes it all worth it" like this is largely beside the point but a fun little bonus outlier event or two

like there was also no "i loved it b/c of Being In A Cast" nor b/c of any particular like, hanging out having fun Social Element. i loved rehearsing, though. loved being backstage (or in green rooms, or dressing rooms) but not because of any particular company or goings on. loved waiting & practicing / warming up & getting things together like your own costuming & being summoned to backstage & whatall. loved all the technical elements of getting a show together, when things were being assembled / worked out, though i didn't get to have much of any active hand b/c i'm like this twelve year old just learning the part, but it was fun to witness. none of my sense of what contributed to having a great time entailed any particular praise or anything; there was some implicitness in how all at once i graduated from [ensemble performance, back row for tall people] to [roles with solos] and the like, but there was just like, being busy, doing things well enough that it just wasn't Impeding anything lol, and in other arenas where i might've gotten more comments about being like, an outlier per whatever measure of success, it was definitely like, it's all just [successfully avoided negative attention] and ofc people think good grades are good but i'm not particularly moved by the awareness that that in turn is what's good or impressive about me, or something. or that i have to have anything like that for [successfully avoided negative attention]

and i wouldn't have like, done a monologue to an empty room and been like wow magical. i'd do my thing for rehearsal, and then for an audience, but you can't really see the audience and you're like ten doing local ten year old recreational stuff so it's like, the curtain calls you don't remember much (by you i mean me) and then you're done, and for me it was the fun of just like Everything Before. no like classic memories montage of great times socializing, it was me sitting in the green room equivalent, me warming up in the hallway, enjoying being in an auditorium for like 7 hrs of rehearsal, etc, we didn't do any like social events like high school performance afterparties or anything; i wasn't like Friends w/even the occasional person i also knew from school, and that didn't matter or diminish things in the least. performing A Show and for whatever Audience and that abstract is completely good enough. any of my parents' involvement, unavoidable b/c i couldn't even get places without being driven, was a major downside; i didn't like any like post performance [congrats] from them b/c that stuff was just its own unconstructive Performance that you, by which i mean me, were required to be sufficiently like Oh Wow about when it's like, the focused attention from you here means i want to leave; being left all amongst other adults during rehearsals was the good shit, while it also wasn't the case i needed like support or hype from any of those adults either.

there was Some tradition of like, older students in some program who'd take a trip to nyc / do some performance or other, and that seemed exciting but it stopped existing before it could be relevant to me lol. also for the first like, show that was like "audition for parts" vs "class recitals" they gave us like a relevant keepsake for it, and that was a nice surprise, since i had a great experience and all. and one of my main [not dance, with lines and everything] experiences being this fourth grade english class scenes from julius caesar, auditioned again, i'm like hell yeah that this has to be nongendered b/c it's all a bunch of guys, so i play a guy, and an antagonist yippee who doesn't die midway through and sounds easy-peasy to be like [be the dictator assassin] lol. it's funny how already i Cared about like, wish we had Effects instead of awkward silence for the drama of that assassination. wish i like, knew fuckall about acting. but the teacher just focused on telling us all to talk louder b/c nobody could be individually mic'd, and in the end you really couldn't hear fuckall of other performances so that was a win. and we got to do it twice b/c some people's parents got stuck in traffic. all i remember of my parents' presence was being like "omg yes i get to stop being here talking to you b/c we get to do that Again hell yeah"

like it's social but in a Parallel way. i'm contributing my part, i know my role, you know yours, i'm fondly remembering sitting in some school lobby having mini muffins with hours to go before our performance, amongst other people but not at all hyped abt interactions with them or at all disappointed abt the absence of any. i enjoyed it all being in front of people, others involved in the show, or the audience, but i wasn't there for any specific feedback, just being Part of that group constructed experience there. truly this case of like....loved all of that exactly as it happened, was on my own shit, did not need any external validation, didn't need a specific kind of Socializing that's supposed to look like having individual interactions with personal friends, had this passion for it that i also was having a perfectly good time exploring on my own, whilest also enjoying working with / learning from whatever instruction i got. like sure wishing i knew fuckall about acting but that it turns out no not everyone necessarily all loves stage acting as The Peak like that, and this comfort and interest with it that comes from like, you have all the practice of Having to perform and mask and act in life against your supposed incorrect abnormalities, but here's this constructive and creative and expansive edition of that art and science. good enough for doing it all through like fourteen

[forever-nerdsrope]

yearning to be in a relationship again fuckkkk can't do this

[lilacs-stars]

moon + tides

this is part 1, read part 2 here! pairing: james hook x fem!reader (requested) SUMMARY: you, ariel's daughter, find yourself in a strange relationship with the one and only infamous pirate captain, who's absolutely obsessed with you GENRE: yandere, a bit of angst, some comforting fluff here and there, especially at the end CW: a few mentions of violence, someone walking a plank, mentions of drowning, some suggestive material, nothing too graphic though WC: 4.2k

A/N: this req was really fun to write! I might have gotten a bit carried away, heh...this part includes the backstory of how you two got together and the first part of the req, and the second part will include the rest of it. hope you guys enjoy reading this cause I definitely put some hard work into it lol. also please give me feedback and suggestions, I'd really like to know your thoughts!

If you could go back, would you change what happened?

This is something that you often ask yourself. 

You think about that fateful day frequently. It was the summer before your first year at Merlin Academy. You had finally convinced your parents, the famed mermaid Ariel and her Prince Eric, to let you go for a swim unsupervised. Being half-mermaid, half-human allowed you to transform back and forth at will. And although life on land was pretty good, your heart always ached to go back to the sea, to feel the cold, salty water as it engulfs you. To race along the reefs, tail swishing back and forth, allowing you to reach speeds far past what your human form can do. To leisurely swim amongst the many species of fish and plants that created the world of the ocean. To go back home.

Your parents had already gone over the rules with you hundreds of time, to the point where you could recite each one of them word for word: “Don’t go past the boundaries,” “Don’t approach any animals you don’t know,” “Don’t go so deep where you can’t see any light,” “Come out at the first sign of bad weather,” and, most importantly, “Do not, under any circumstances, interact with any humans.”

Your mother may be renowned for rescuing a stranger from the unrelenting grasps of the sea—if she hadn’t, you wouldn’t even be here right now—but that was a very rare case. Far more often than not, mermaid interactions with humans out on the waters ended up in the mermaid being tortured, held hostage, or even killed.

You knew the rules by heart, and yet, maybe it was because of your young age, you still broke them. You weren’t really aware of your actions in the moment; one second, you were swimming alongside a pod of dolphins, racing against the currents. The next, you heard loud voices and realized that almost directly above you, yet still a good few dozen meters away, was some sort of ship.

You had ducked down next to a big sponge, peering up apprehensively. It was at that moment you realized that you were far outside of the boundaries set for you by your parents. You should have turned back, should have swam back home, but there was something about the ship, something that intrigued you so much it forced you to stay in place.

A few moments passed, and seeing as there was no commotion, you let your curiosity get the better of you. After all, that ship shouldn’t even have been out there. Slowly, you crept closer and closer to the surface, making sure to remain in the shadows. The noises were becoming clearer; you could make out people’s voices now. But they still weren’t sharp enough for you to understand what they were saying.

Finally, you took the risk and poked your head out of the water near the rear of the ship. The sight before you elicited a sharp gasp, and made you wish you had just gone back when you still had the chance. 

Extended from the side of the ship was a long, wooden plank. Standing on one side of it (the safe end), was a man, gagged, blindfolded, and bound. He looked to be no older than forty, with a scraggly beard and ripped clothes.

A pirate.

Another figure emerged, walking to the edge of the deck. Your reflexes caused you to duck down quickly, so only your eyes were barely above the water. This figure was much younger, with dark brown hair parted neatly and angular features twisted into a wicked smile. He donned a maroon blazer that covered a white shirt with an upturned collar. Something in his left hand shined brilliantly under the sun’s bright rays.

The younger figure laughed, but not in the way one would laugh at a funny joke. He unsheathed a cutlass from his side, using it to poke the back of the man on the plank. 

“You see, Mr. Jones? This is what happens when you cross the most feared pirate captain in all the lands!” the young figure roared as he yanked off the older man’s blindfold, revealing to him his fate. The fear and panic that spread across the man’s face has been forever etched into your mind, even to this day.

You heard the man beg and plea for mercy, watched as every move he made caused the plank to sway even more violently. The pirate captain simply laughed, his crew along with him. Finally, when you suppose he tired of hearing the man grovel, you watched in terror as the captain gave the man a good kick in the back, finally sending him over the edge.

Suddenly, it was like the world was spinning in slow motion. The man plummeting off the wooden platform, falling, falling, falling. His screams muffled by the cloth around his mouth. Then, all too soon, he made contact with the water with a loud splash. 

He sank quickly, devoured by the ocean’s waters within the blink of an eye. Your young, distraught face watched as a few bubbles rose to the surface. Then nothing. All that remained of the man’s existence, all there was to give proof that he had ever even been there, were a few ripples in the water.

That was it.

You were frozen in shock. How–what–why? Your brain could barely string together a comprehensive sentence. All you were sure of was the feeling inside you. You couldn’t quite put it into words, could barely even understand it. But it made your tail ache to move, made you feel as if you simply couldn’t stay in one place any longer.

You dove beneath the surface, frantically swimming towards the direction where you saw the man go under. You kept looking around, searching, but to no avail. You decided to dive deeper, swimming lower and lower until the water around you was near pitch-black. You were growing more and more panicked by the second, because every second you wasted was another second the man grew closer to death.

Finally, you caught a glimpse of movement out of the corner of your eye. Hope flaring, you darted towards it, the figure becoming clearer the closer you got.

It was him.

You reached out and grabbed him by the collar of his shirt to prevent him from sinking farther. His eyes were shut and he wasn’t breathing, but you could still hear a heartbeat. There was still time left.

Wrapping your arms around him, you started the difficult journey back to land. Thankfully, you knew of a small island not too far from here. Swimming with the added weight of a fully grown man was incredibly difficult, especially for a young mermaid, but you persisted. After all, this was his life on the line.

You swam as hard as fast as you could, and thankfully, by some blessing from the heavens, found a warm water current going the direction you were. You let it carry you, the rushing stream multiplying your efforts. Finally, after what seemed like hours but must have only been a couple of minutes, you reached the island.

Letting the wave wash you up on shore, you settled the man down on the soft sand the first chance you got. You rolled him to his front, which was quite the endeavor itself. His heartbeat had grown more shallow, but it was still there. There was still hope.

Using the skills your mother had taught you, you started to nurse the man back to health using your melodic voice. Ever since you were young, she had explained to you the gift bestowed upon mermaids, the power of healing through song. She taught you to sing before you could walk, and it was the one thing that you were sure you could do right.

As you sang your strange and melodious tune, it finally occurred to you that you were breaking the most sacred of rules. Not only were you interacting with a stranger, you were coaxing him back to life. Like mother, like daughter, you thought. I suppose healing strangers who were drowning at sea runs in my blood.

The only caveat to your healing powers is that it takes quite some time to have its full effects. You don’t know how long you sat on the beach, but it had been quite some time. You probably would have been there for much longer had it not been for the boom voice that sounded behind you, waking you from your trance of song.

“Well, I’ll be. If it isn’t a mermaid.”

You practically jumped out of your fins as you turned around, startled beyond words. There, towering above you, was the evil pirate captain you saw earlier. He was even younger than you had previously thought. In fact, he couldn’t be much older than you. You wondered for a fleeting moment how a kid like that could command an entire ship full of grown—and scary-looking—men, but decided you have bigger matters at hand to worry about.

A few members of his crew lurked behind the captain, and you could see a small lifeboat docked to the ground near the coastline. Further beyond that, his ship swayed in the ocean waves, dark against the bright horizon.

You followed the pirate’s gaze down to your tail, which was still out. You silently cursed yourself for forgetting to transform back into your human form, being too distracted by saving the man to pay attention to your own safety.

You wanted to yell at the cruel pirate for trying to kill this man. No matter who he was, what he had done, he didn’t deserve to die. At least not like that. But the words got caught in your throat, so while a war raged inside your mind, you were completely quiet on the outside, simply staring up at the man with wide doe eyes.

“You have a lovely voice,” the man said, with a tone that you wouldn’t quite imagine a killer using. He must have overheard me sing earlier, you thought to yourself. “Tell me, little mermaid, who taught you to sing?”

“M-my mother,” you replied weakly, your voice far more meager and small than you wanted it to be. You were still staring up at him, afraid of what he’d do to you.

“Your mother? Well, that��s quite interesting.” The captain raised his left hand to scratch at his chin, which is when you realized that it wasn’t a hand at all. Instead of a hand was a curved metal hook, with a sharp point gleaming at the end. So that must be the shiny thing I saw earlier, you thought.

“Oh, where are my manners?” laughed the pirate abruptly. “My name is Captain James Hook, leader of the Jolly Roger. And you are?”

You blinked, almost forgetting your own name. If it were a less tense moment than this, you would have laughed at the fact that his name is rather befitting for him. “Y/N,” you respond.

“Y/N…Now, where have I heard that name before?” He tapped his chin with his hook again.

“Sir, that’s the name of Princess Ariel’s daughter,” one of the big, meaty pirates behind him answered in a gruff voice.

“That’s right!” Hook exclaimed. “You’re the mermaid’s daughter. You know, rumor has it you’ll be joining me at Merlin’s Academy in the fall, is that right?”

For some reason, your voice seemed to not work anymore, so you settled for nodding. Join him? you pondered. You didn’t know that he was also a student at the school you were planning to attend.

Hook started pacing along the beach, arms crossed with his hooked hand extended, deep in thought. You watched him, fear growing by the second. A sly smirk spread across his face, which only served to fuel the flames of your worry. 

“You know, you directly defied my command by saving that man,” he started. Slowly. Deliberately. Choosing every word precisely and carefully, like a shark circling its prey. “Do you even know why I made him walk the plank?” You shook your head no, the panic in you reaching record heights.

“That man”—he vaguely gestures towards the unconscious body laying on the beach with his hook—“stole an entire week’s worth of rations from my ship. An entire week’s worth of food and rum for an entire crew. Had he gotten away with it, we likely would have starved to death out at sea. Does he seem so innocent now, little mermaid? So worth saving?”

Again, you shook your head no. Although you agreed he definitely wasn’t an innocent man, you still didn’t see making him walk the plank a justifiable punishment. Despite your thoughts, you kept your mouth shut. Angering the captain further was not going to do you any good.

“Now, if anyone else had done something like this, I wouldn’t hesitate to cut their head right off,” Hook said menacingly, and with a swish, unsheathed his sword once again. You flinched—hard—and scrambled to back away from him. 

Hook took note of this, and, sheathing his sword, crouched down to get on the same level as you. “But don’t worry, little mermaid. I won’t hurt you. You see, you’ve piqued my interest. Plus, it would do me no favors to have a little girl’s blood on my hands.”

You let out a breath you hadn’t even realized you were holding. So he’s not going to kill me, right?

“But, alas, you can’t leave unpunished, now, can you?” he added. Your eyes grew impossibly wider, your entire body shaking in fear. This was it. He was going to kill you, or do something equally worse.

“I demand”—you already felt a tear slip down your cheek—“that you write to me for the remainder of the summer.”

Wait, what?

“W-write?” you asked in disbelief. “As in…”

“Letters,” Hook finished for you. “Write me letters. I’ll give you the mailing address of the Jolly Roger. Write me everyday, and I’ll promise I’ll write you back whenever we dock. How does that sound?”

“O-okay,” you reply, still taken aback by the peculiar, and far more lenient than you’d expected, request. That was all you had to do? Write letters? As punishment for saving the life of someone he’d ordered to die? You must be dreaming.

“Oh, and,” Hook said, voice lowered as he leaned in close to you, until he was just a hair’s breadth away from your ear. You could feel his warm breath on your skin, his alluring scent of salty winds and something richer, deeper, filling your lungs. “I look forward to seeing you in the fall. Don’t forget me, my little mermaid.”

With that, he stood up, smoothing out the lines on his pants. “You wouldn’t happen to need a ride back home, would you, love?”

You shook your head no, too terrified of him changing his mind to spend another moment in his presence. You glanced back at the man lying behind you, still unconscious. “W-what about him? What will you do with him?” you managed to choke out, somehow finding your voice again.

Hook pondered this for a long minute, before finally answering, “He can live.” You let out a shaky breath. “But only because of you, little mermaid. And only this time. You go against my wishes again, and trust me, your punishment will be far more severe.”

And with that, he went back to his ship and sailed away.

You still muse about that day, thinking how different things would have been if you had changed just one little thing.

You kept your promise of writing him letters, too afraid to know what would happen when you had to inevitably face him in the fall to break it. At first, they started out simple. Ordinary recounts of your day, your favorite things, what you liked to do. As the weeks passed, you started writing more personal letters. How you felt about certain things or certain people, including your parents. You never spoke a word of that fateful day to them, knowing that you’d be grounded for life and forbidden from swimming ever again if they caught even a whiff of the danger you had put yourself in. 

Hook kept his promise, too. He wrote you back, although it was far less frequent than your letters. Even though he kept his responses short and concise, you always ended up hearing his voice in your head as you read his notes. You soon found yourself checking your mailbox daily, even getting to know the mailman rather well. The rush of dopamine you got every time you opened it to find a letter awaiting you was unmatched; you would always run upstairs to your room, lock the door, and pour over the note. Reading every line, every word over and over again, committing them to memory. 

You don’t know why you enjoyed these little letters so much. Maybe it was the thrill of having a secret that no one else knew of, or the absence of your usual loneliness every time you were reminded that somewhere out there, across the seas, was someone awaiting your letters, reading them, and writing back to you. Whatever it was, your heart started to form an emotional attachment to him without you even realizing it. 

Unbeknownst to you, that had been his exact plan all along.

It’s safe to say that once you started school at Merlin Academy, Hook’s—or James’s, as he insisted on you calling him—grip on you only grew. Things started out pretty normal: light conversations in class and stolen looks exchanged across the hall, mostly initiated by him. After the first few weeks passed, things between you two only grew. Secret meetings during lunch hours, rendezvous after school, and small gifts exchanged between the two of you. From there, it became brushing your hands together whenever you passed by each other, soft pecks on the cheek or forehead where there were prying eyes, and more passionate kisses when the two of you finally found time to be alone.

Truth be told, you don’t really know what you two are now. Normally, you would consider two people that partake in such actions to be courting, and you kind of assume you are. But James has never said anything about a relationship to you, and in all honesty, you’re too afraid to ask him. You feel terribly confused at his intentions towards you; on the one hand, he approaches you every day without fail, even if you try to ignore him or when your schedules don’t match up. Somehow, he always finds a way. On the other hand, he never asked you to be his lover, never even vaguely mentioned anything of the sorts. So, you decided, with a heavy heart, to not be too confident and consider yourself his partner. And unfortunately, that meant that he wasn’t yours, either.

Really, you never meant to grow so involved with the bastard pirate that threatened to kill you on the beach that day. But for some strange reason, instead of treating you coldly like he did everyone else, especially the other hero kids, he was softer with you. Considerate, even. You had half-expected him to want nothing to do with you after your first few interactions, but he kept seeking you out. You often opened your locker to a note inside, or entered your dorm to find a letter slipped beneath the door.

Today was one of those days. You had gotten a note telling you to wait for him in your usual place in the evening, after classes. So here you are, waiting, staring at the water fountain in the courtyard. You’ve always been transfixed by the way the water spurts out the center and splashes all around. It seems that whenever you’re alone with your thoughts, they always end up back to that fateful day you met James, and everything that’s happened since.

“Wait for me long, my little mermaid?” a deep voice whispers in your ear from behind. You jump only a little, far more used to James sneaking up on you now than you used to be. For some reason, it seems he loves to startle you by wrapping his arms around your waist and pulling you in close from behind, or speaking softly in your ear.

You twirl around, a delighted expression on your face, although you try to mask it with a feigned annoyance. “And if I say I did?”

“Well then, I’d have to find a way to make it up to you then, wouldn’t I, darling?” he purrs, using his hook to spin you around in his arms so you’re face-to-face. His lips make his way to yours, pulling you in for a slow, sensual kiss. You wrap your arms around his neck, bringing his head closer to yours, not able to get enough of his touch. 

The feeling of his skin against yours ignites something in you, and you find your mouth opening to give him more access as a soft whimper escapes your lips. One hand reaches into his hair, tugging at it gently from the base of his head, while the other one trails down the front of his shirt.

James leans into you even further, your bodies flush against each other now, as he deepens the kiss. You find yourself leaning against the edge of the water fountain, the cool sprinkles providing a welcomed contrast to your heating-up bodies.

Once you’ve completely lost your breath, you pull away just slightly, a love-drunk smile on your face. “You had a request for me?” you whisper, panting, eyes full of adoration for the man you were interlocked with. 

James breaks into a grin. A genuine one, not one of the smirks he flashes to uphold his patented suave demeanor. “Ah, yes, how could I forget, my love?”

He pulls further away to give you two enough room to breathe, yet keeping his good hand on the small of your back. “I was reminded today that it's been quite some time since I’ve heard your voice, my little mermaid.”

You give a little smile, deciding to mess with him a bit. “Whatever do you mean? You hear my voice every day. I mean, you’re even hearing it right now.”

James cocks his head to the side and raises a single eyebrow, clearly aware of your antics. “Your other voice, love.”

You giggle. “Fine, all right. Only for you,” you say, giving him a peck on the nose. 

You sit down on the ledge of the fountain, turning back to stare at the water again. Although it has been a long time since you stretched your tail and went for a swim, simply seeing the rushing water soothes you. It isn’t quite like being immersed in it, but it still gives you some semblance of comfort. 

You reach into the pool at the bottom, letting the cool water rush along your fingertips as you inhale a deep breath. Through your mermaid abilities, your voice twists into an otherworldly song, filling the space with a mellifluous sound. 

James takes a place on the ledge next to you, reaching into the water to hold your submerged hand. You don’t really feel it, too transfixed on the rushing waves. You don’t see the way James gazes at you, like you’re his entire world. The softness, the tenderness in his eyes, which he reserves for you only. He looks at you not as if you’re his sun, something too bright to ever stare directly at, something violent and explosive and harmful, but as if you’re his moon. 

As if you’re the figure he watches every night before he closes his eyes, and the one he wishes to see again when he wakes up. As if you’re the only thing he notices every time the darkness envelops him, your presence never falling off the pedestal he places it on in his mind. Never losing its worth. He looks at you, your soft glow and mesmerizing shimmer, as if you’re the only thing filling up the night sky. The stars and constellations pale in comparison to you, especially on your best nights, when you shine so magnificently. 

You are the moon, and he is the tide of the ocean, constantly being pulled in by you. Never being able to escape the grasp you have on him, the grasp you are so blissfully unaware of. He stares at you in awe and wonder, bathing in your gorgeous light, so close yet always so far away. Sitting all alone against the dark backdrop of the evening sky, waiting for him to come back to you. And without reason, you always disappear. Always leaving him wanting more, waiting till the moment he can bathe in your presence again. 

As you sing, the tide gets pulled in by the gravity of the moon. Your lyrical voice bounces off the stone walls, surrounding you both, just as the moonlight surrounds the waves on that mystical night. 

But the moonlight is only a reflection of the sun’s glow, is it not? When daylight comes, the moon will pull away from the waves, its absence in the sky all but forgotten in the sun’s presence. And as dawn breaks, so too will the pull between the moon and ocean. 

on to part 2! ->

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[cup-o-stars]

How to draw like you no borax

Good question!

I'd warn against following my process (at least if you want to learn), but I'll be honest and show you, lol. (Heads up: this is just how I do FAN art. When having fun, I generally care less about the fundamentals.)

1. I slap down super rough sketches, jotting lines/expressions like bullet points of my idea. Pretty much stick figures with just enough detail to remember who's who later. Not shown here, I also move, resize, and add details to express the intended composition if I'm planning something larger. You may notice a lot of curved lines / haphazard circles.

2. I refine the sketch by drawing it with more intention and build structure with slightly blockier shapes. If I'm really struggling with a pose, this is also where I'll find references or look at myself for bits and pieces to fill in the gaps. (When practicing, I would highly recommend using a reference from the start so all your limbs are an appropriate length and you don't need to say things like "that's passable" right before posting. If you're a perfectionist you'll leave that thought with the rough sketch.)

3. I'll decide around here whether or not to leave the sketch as is or commit to lineart (not likely). I guess I'd say I "shape the lines" here by going over some to add thickness/weight, and by adding basic sort-of-shading to break things up a little. Then I'll just fill in space if the page looks empty. (Usually this is where I incorporate the borax, but I hear baking soda works nicely if you're worried.)

4. Onto coloring. I don't feel confident enough to pretend I know what I'm doing here, lol. I just choose my base colors, imagine the general direction of the light source, then add minor gradients to the light and dark layers so they don't look flat. Then I just add some BS highlights and outline them. I've only recently found the motivation to properly practice coloring and just go with the flow tbh.

You may notice that Nami's forearm is too long, her hand looks like a pancake and Chopper has no joints! My kind sibling explained to me once that my anatomy is poor, but cohesive enough that nothing stands out too bad, lol. That's why it is important to use references!! And if you're me, practice all parts of anatomy at the same time with full bodies so that even when you're at a loss, your hands aren't that much better than your feet.

All in all, to draw like me, just have a very hedonistic approach to art, ha. Draw what you want, avoid getting burnt out on any single piece (sometimes that happens when you try to perfect drawings one at a time), and follow my personal motto:

Make fun, not masterpieces.

Idk how helpful this was, but there you have it!

[deegeemin]

❄️✨❄️REMINDER THAT IDW SONIC WINTER JAM IS OUT!!! ❄️✨❄️

I'd love to talk about some neato things I got to draw in the comic! Spoiler warning for some contents below! If you haven't read anything yet, come back after reading the comic!

Let's start off with the cover thumbnails! I was more inclined to do A since it wouldn't spoil the big surprise Orbot and Cubot had in store! Otherwise I probably would've gone with B or D! It has that bombastic party sort of feel that I think would've been super fitting!

Here, Eggman is temporarily staying at one of his many bases throughout the world after the collapse of his Eggperial city! This base is inspired by Industria from Future Boy Conan and a bit of Eggmanland!

He also sure loves his chicken and fries!

A little beachside balcony in Green hill! I felt like we generally don't get structures there as much so I thought it'd be a nice addition!

The design on the floor is the stage from the JP Sonic X intro! It gets covered up by snow after but still neat to include!

Look at this magnificent cast of characters! I wanted to use the poses that each pair had when they were first seen together! I'd considered giving Big his winning animation pose from SA1 but alas no space haha!

Cubot's taped on eye brow gag was one I suggested and it's a reference to the same gag from FLCL!

Lil sonic team logo Iasmin asked for! Sonic sure knows to appreciate himself! Good on him.

And here's a sonic 3 wreath and the SA2 lock on reticle from the mechs!

Amy and cream's spread of delicious looking food beautifully rendered by the coloring god Reggie! I wanted to include all their items from the Official Sonic the Hedgehog Cookbook! So if you want to make them yourself, YOU CAN! (except for uhh the experiment on another panel. you guys can figure out what's in that yourselves haha)

Also made sure to list all the pages you can find the recipes!

This is one of my fav gags that Iasmin wrote in!! Can you all guess what this is meant to vaguely resemble?

Quick round of character refs from Eggman's screen going in order from left to right! [Conductor's wife and Conductor, Barry and Gadget, Early Conductor design, Early Barry design (his outside eye markings are white tho), My uh Sonicsona lol]

Mecha Sonic mark 3? Yep Iasmin wanted him to be there and so there he shall be!! Hopefully we get to see him again!

I remember seeing the story Iasmin made and it really felt like it could be something you'd see in a sonic anime episode if it were made nowadays. I drew the comic with some influence from Sonic X because of that. I think the most telling detail fans might notice is the constant 3 spines for Sonic.

but YEAH another absolutely wonderful comic I got to work on! See ya'll on another issue!

[vaguely-concerned]

imagining that while rook is gone, about a week and a half or so in, there's one night where lucanis suddenly appears unannounced in illario's room in the way he has of doing that and which could scare anyone else to death on its own, but of all people in the world illario is the most inclined to only find it mildly annoying to look up from his bad boy Brooding and also facemask-equivalent beauty routine (can't be tragically denied even being doomed by the narrative if you ain't cute) to find his cousin -- now first talon of the crows at least in name -- suddenly staring at him intently and expressionlessly from a few meters away. and when illario (half-jokingly, half-seriously, all-yearningly because crows live bad) is like 'ah so is this finally it are you here to kill me' even with no vengeful purple glow in evidence lucanis just snorts scathingly to show all the seriousness with which he still takes that idea and illario has to wistfully be like 'no, I thought not. so to what do I owe the honour, then, first talon. I figured you'd be pretty busy out there by now'.

and lucanis doesn't say anything at all, just stands there silently for a while and then sits down in a corner of the room with his back against the wall and buries his face in his hands. you have to understand how crucial it is for my vision here that they Do Not talk about it. they never talk about it, not in that moment and not later. illario doesn't have the first idea what 'it' could even be, once he's asked 'is it -- caterina? did something happen to...' (feeling suddenly and absurdly as much like a little boy again as lucanis just had before covering his face) and gotten the slightest headshake in response, nothing else he tries to ask even gets a reaction.

everything is all fucked up and nothing is ever going to be like it used to and the fact that this is where lucanis thought to go about whatever has happened to make his eyes look like that is ludicrous on so many levels and in so many ways. but I do think illario eventually sighs and at least sits down on the floor next to him, leaving a bigger distance between them than he might have once both in self-defense and out of something like consideration. 'I'd ask if you'd like to talk about it, but of course I know you. you never do'. (even with everything else that has happened, illario still knows lucanis better than almost anyone in the world. few things could have convinced him that maybe it really is his cousin in there still quite like this prolonged and complete lack of communication lol.) in the silence they fail to keep each other company in the same way they have for years, but maybe they can at least be honest about it now.

and then when lucanis gets to his feet like this entire very strange silent last half hour never happened to brush dust from his clothes and say he has to go... what can illario really do but go 'sure. great talk, as always. happy to be of service' from the floor as he watches his cousin disappear again into the night. I imagine illario wearing some sort of opulent bath robe or something through this whole thing by the way I think that's an important detail to get in there

[disasterman-snz]

Dating Sim Demo!

Hello everyone!

Merry Christmas! I come bearing a gift... or well, a part of an upcoming gift haha.

I've been working on developing a snz-centric dating sim! And I'm very excited with how things are finally coming together.

With it being the holidays, and me having some time off work, I've finally been able to take all the art, writing, and voice acting I've been working on to create a functioning draft of the first scene of the game!

It's very short at the moment, but there's a lot more to come!

That said, I'd love feedback! (And even some suggestions, although keep in mind the amound of work that goes into writing, drawing assets, voice acting, and coding, and adjust expectations accordingly lol... this is my very strange hobby after all!)

*NOTE: I know mobile support was a big issue on my last game (it's unfortunately an issue I can't really fix atm). This game WILL have mobile support. It technically will run on a mobile device now, but the text is really hard to read because it isn't loading my custom ui elements for some reason. I'm going to figure out a solution of some sorts before the full release of the game :)

Please feel free to message me or send in asks with any feedback, bugs, suggestions, etc. I hope everyone enjoys <3

[andhumanslovedstories]

chapter eleven of what feels like the most soap opera ass fic I've ever written and then just a bunch of thoughts about writing it, which contains vague spoilers for my plans:

The inception of the fic basically went like this:

haha lol i'd be fun if sqq got real mad at the state of education

what would need to happen in this fic that doesn't happen in canon to motivate him to do something about it

oh shit he didn't unlock OOC so he has to figure out how to be his coddling indulgent self (which he's in denial about) while also being shen jiu

But the thing that really made the story get so much bigger in scope was when I was reading a fic with yqy coming clean to sj, and sj being like, "GASP. I forgive you." And I was "I simply do not believe that this is how it would happen." And I would have moved on with my life, but then I thought, "but like how would it happen." And more importantly, how could this conversation happen within the canon timeline but still involve Shen Jiu, the person this information affects.

The OOC idea and the need for Shen Jiu to be present in this fight scene came together to be like "what if sqq got sj's memories so he could rules-lawyer his characterization more accurately, and ends up being furious on sj's behalf?"

(This, btw, is why I knew I had to get much fonder of YQY and get a much better understanding of his character. When a pillar of your fic idea is a character getting ripped into for his choices, it is sooooooo easy to for it to come off as the author yelling their personal opinions or for it to be completely flat character bashing. Neither are interesting to read or write! Hence the crash-course in YQY appreciation, so now he gets his own emotional arc too. Everyone gets a goddamn plotline.)

Meanwhile I was also thinking about the implications of downloading another person's life into your head. If you have their memories and their body, are you them? What makes you not them? I didn't know! I sort of just kept writing and posting with the assumption that I'd figure something out, which I've finally nailed down btw. That's a relief! Also kinda the fun of WIPs where you're building the railroad track as you're on the train. I end up fanficing my own fanfic. Once stuff is posted, that's the canon, and I look at it and think, "if this was a book I was reading, what is the way I would extrapolate what's there to make a new but coherent story?"

That's why my outline becomes pretty useless after a while. The big picture doesn't change too much--I know roughly where all the major characters are going to be emotionally by the end of the story--but I discover the path I'm going to take there. Which usually means adding stuff. Liu Qingge wasn't going to get a POV, and now every chapter I'm like "fuck am I building a throuple". Ming Fan will have waaaay more a story line than I originally conceived. Early on, I was like "eh I'm not going to go too far into the brothel stuff," and can you guess what is going to be coming up prominently in the next few chapters? God help me.

Actually, there's only one major part of the outline that I cut: Shang Qinghua. He was originally very prominent early on, but turns out having the literal Word of God in a story about slowly discovering backstory is difficult to reconcile. So sadly, he doesn't get a real role. If you're curious, the original plan for him was that SQQ would realize he's a transmigrator much earlier in the canon, but the System would be like [shen jiu would not tell shang qinghua he is a transmigrator. ooc] which would lead to this series of SQQ trying to figure out how he can communicate around this. SQQ at a peak meeting being like, "do you think these DEMONS are PROUD of having made their WAY to us IMMORTALS?" while SQH is like, "AM I HAVING A STROKE?"

What's some other stuff about this fic? I've got a lot of thoughts bottled up, in part because I'm kinda snobby tbh in how I post. I'm like "*pushes glasses up my nose* the author's takes on the story should not be unavoidably present when reading the text" so I don't like to use ao3's author's notes. It's ridiculous and not a standard I hold anyone else too, but whenever I find myself wanting to address something in the notes, I know I must feel insecure about that part of the story. So either fix it or don't draw attention to it. But this is fine, you have to come here for this. This is DVD commentary.

My favorite part of writing this fic has been balancing Shen Jiu's character. As I'm fleshing out his sad backstory, I've been wary of essentially woobifying him. Reducing him to just someone who greatly suffered is so boring and flat. He NEEDS to suck. Or more accurately, he needs to be a very imperfect victim. Exasperating at his mildest, despicable at his worst. (Truthfully, I do think I can and should make him worse. Luckily this story is nothing but flashbacks to him at his worst so there's plenty of opportunities.)

This whole mental breakdown section has been an interesting balancing act because it's explicitly about how bad Shen Jiu's life was and now how bad Shen Qingqiu's is. It's the point at which I had to decide how torturous his time at the Qiu manor had been (me and Shen Qingqiu really discovered that together). On a scale of 1 to 10 with 10 being the absolute worst saddest brutalist ideas I had for this era in his life, I'd say I settled on about a 7. Most of it is backstage in my head, but once I locked that down, I could start figuring out how much was bleeding through.

Anyway, it's been fun writing the angstfest of the last few chapters, but oh my god am I ready for a tone shift. There's usually jokes in my works, even the saddest bits, but jokes relieve tension which is the opposite of what I was going for. I didn't want any humor in the YQY conversation, then you have to keep not joking for a while to get the point across. There's still a lot of planned emotional shit, but I'm happy to not be wallowing for a while.

AND GOD AS MY WITNESS THIS STORY WILL NOT BE LONGER THAN 20 CHAPTERS. MAYBE IT'LL EVEN BE LESS!! IT IS DEFINITELY NOT GOING TO BE A WHOLE CANON REWRITE. PROBABLY!! IF TIANLANG JUN HAS ANY SIGNIFICANT SCREEN TIME, PLEASE KNOW THAT I HAVE FAILED.

[keeps-ache]

ooo that's minty babyyy

[thebirdandhersong]

💛

hey will be off tumblr for the rest of the week - things are Happening again and my head feels ready to explode.........would really appreciate prayer again. I'm constantly feeling like I'm on the brink of something (I don't KNOW what) terrible and I need to figure things out without before my body really DOES decide to shut down from the stress and the strange depressive dread that has been very difficult to shake this month. I would like to not feel like crying or throwing up at certain points in the day and also would like to not be so exhausted in the heart and mind area so that I can actually deal with these things. Especially since finals are looming ahead