#figurativ

[croque-melpomene]

Randskizzen | ein Gedicht

alles liegt auf dem Boden und das Bett wirkt entstellt jetzt, vereinsamt, die Wahrheit stirbt unter der Decke es war einmal, Verlust ist das erste Wort, Erlebnis holt es ein ich habe dich erlebt, mir fehlt die Geliebte die ich war ich habe beobachtet wie die Liebe aus deinen Augen verschwindet wie dein Körper nicht mehr zu meinem findet dieser Wohnung wurden die Knochen gebrochen ich bin…

[thebusylilbee]

mort aux multipropriétaires

[vawobefanart]

Roughest idea I’ve ever had:

Draco and Ron having some sort of orgy with their respective girlfriends (Hermione & Pansy/Astoria(idk)) and Harry (Probs the girls idea). And the girls are all over Harry, and Ron and Draco are just hanging around like:

Ron: thats not what I had in mind…

Draco: …

Draco: …….

Draco: do you wanna fuck me? /////

Ron: ……..

Ron: sure, why not. /////

Extremely rough sketch beneath cut

[carouselpony]

artwork by ty wilson

[podartists]

The Fountain, Villa Torlonia Frascati, Italy (1907) | John Singer Sargent (1856-1925)

[lifenconcepts]

Capricious of Memory - Aharon April

[fundgruber]

Beautiful feed juxtaposition by @nemfrog

[gorez]

Fernando Botero Angulo (April 19, 1932 – September 15, 2023) was a Colombian figurative artist and sculptor from the city of Medellín - Antioquia. His signature style, also known as "Boterism," depicts people and figures in large, exaggerated volume, which may represent political criticism or humor, depending on the piece. He was considered the most recognized and cited Latin American artist in his lifetime, his art can be found in highly visible places around the world, such as Park Avenue in New York City and Le Champs-Élysées in Paris, at different times. of history.

Self-described "the most Colombian of Colombian artists," Botero rose to national fame when he won first prize at the Salón de Artistas Colombianos in 1958. He began creating sculptures after moving to Paris in 1973, achieving international recognition with exhibitions throughout the world in the 1990s. His art is collected by many museums, corporations and important private collectors internationally. In 2012, he received the Lifetime Achievement Award in Contemporary Sculpture from the International Sculpture Center.

[peintre-stephane]

Virtual figurativ

translated from a @aubriestar poeme

i liked to play from her words ( from my personal english )

[spirou42]

Colours Of The Seashore: 29/32

"Colours Of The Seashore" ist der Versuch, die Farben der Küste einzufangen ohne dabei Figurativ zu werden.

"Colours Of The Seashore" is an attempt to capture the colours of the coast without becoming too figurative.

[schibborasso]

Bewegung Figurativ (ebby on tour)

[shyspider]

Even if eve doesn't raise kids, let's be real she is going to be surrounded by figurativ children with guns(and knifes).

If she didn't already have white hair she would have gotten it.

<3<3<3<3<3<3<3<3<3<3<3<3<3

Guns, knives, and science experiments.

[strigeart]

I was in an art collective in my early 20. We used to do an exhibition every couple of months. At the time, I was a very depressed abstractist, using art as a copy mechanism.

I reach abstract art because my teachers at art school used to do all this talking about original and real art and I was convinced that was the only way and figurativism, in all his forms, was bad. Differently of one can believe abstract art is not easy at all to do, and, yes, there's a message in all those colours and forms. In my case, it was an emotive discourse, a way to vent all my rage and desperation, my need to just stop to exist (yes, I was already in therapy, but it not always helped in those days). Anyway, one of my favourite things, in the exhibition opening days, was to grab a plate at the buffet (if you don't have a buffet, people don't come to your exhibition. Please take notes. This is my wise advice :p) and then stroll to the exhibition rooms with the other 3 abstract artists of the collective (we were the weirdos). We were friends, even if we were from different backgrounds and generations, principally because none of us take ourselves too seriously. We used to laugh about the self-importance aura with the "real artist" used to dress themselves. So, one of these days, with our paper plate full of sliced pizza, focaccia, and miny sandwiches, we were in an angle of the room where my paint was exposed. We were talking about politics when we heard some man enunciate pompous nonsense. We moved our attention to him and saw he was talking about my painting, whit fervour, for the benefit of some middle-aged and elegant ladies. We were fascinated about the nonsense he was improvising about my paint. He, very confidently, was speaking about "stolen childhood", "subversion of the imposed order" and other funny things when we desperately tried to don't chocs on our cokes. It was the most fun thing we ever experienced at an exhibition! This man trying to show how smart he was, not knowing the girl in the corner, coughing a piece of pizza in her hand, tears in her eyes, was the author of that very paint. So it started the joke. For every exhibition, at least one of my paintings was a joke (or a trap, if you like). The titles were literally like Joke297 or Trap 798. I was literally telling them, "Be careful!" Then, whit the usual plate of food, maybe even some chairs, me and my friends passed the hours of the opening day waiting for the next art expert.

frankly I think a lot more people would be open to postmodern art if we all stopped pretending you had to be very smart to understand it and start acknowledging that the starting point for deriving meaning from it is frequently ‘this is stupid bullshit’

[saphire-spark]

Dont Put pressure on me, im Like untempered glass

This is Not figurativ, im physicaly very brittel

[fundgruber]

(via Negro Arts Festival - P. Ramrakha - Google Arts & Culture)

Dakar 1966 in Life Magazine

Publication: https://books.google.de/books?id=IlYEAAAAMBAJ

[gorez]

Fernando Botero Angulo (19 de abril de 1932 – 15 de septiembre de 2023) fue un artista figurativo y escultor colombiano de la ciudad Medellín - Antioquia. Su estilo característico, también conocido como "Boterismo", representa personas y figuras en un volumen grande y exagerado, que puede representar crítica política o humor, según la pieza.  Fue considerado el artista latinoamericano más reconocido y citado en su vida, su arte se puede encontrar en lugares muy visibles alrededor del mundo, como Park Avenue en la ciudad de Nueva York y Le Champs-Élysées en París, en diferentes momentos de la historia.

Autodenominado "el más colombiano de los artistas colombianos", Botero saltó a la fama nacional cuando ganó el primer premio en el Salón de Artistas Colombianos en 1958. Comenzó a crear esculturas después de mudarse a París en 1973, logrando reconocimiento internacional con  exposiciones en todo el mundo en la década de 1990. Su arte está coleccionado por muchos museos, corporaciones y coleccionistas privados importantes a nivel internacional.  En 2012, recibió el Premio a la Trayectoria en Escultura Contemporánea del Centro Internacional de Escultura.