#feltpen

[bashibuzuk]

[bruneburg]

uhhhhhh

[sansypenser]

Clothaire & Alfred a la playa

Feutres à alcool sur bristol A4

[armand-brac-artist]

Punk drawings no2

[baheuldey]

Dans l'Aître Saint-Maclou, 2024, feutre sur papier, 29,7 × 21 cm

[imnotamused]

[sossolf]

Tresor, the bartender of the clan :]

[artistkaila17]

[neotechcreationsblog]

[zhxk5h0csx]

[bashibuzuk]

[fashionfotorecccluse]

“I’m NOT a genius, but an open mind DID provide me with an opportunity!”

[arainmorn-art]

Franny-boo and her big little brother Edgey is clearly used to it. In their dynamic Miles's emotional stability just shines through, he is her rock, he has a wide warm chest for her to cry into, I love it.

When I was playing AA2, oh gee, how much I disliked Franziska because she was violent and rude towards my himbo babies Phoenix and Gumshoe. I even was pissed that the Judge is so spineless he could not stop this little girl to whip people in the courtroom! But... ungh. Of course I was touched when she cried in front of Miles. And in AA3 I got warmer feelings for her. And in AAI she was adorable. And when she met Debest in AAI2, oh, oh, it was so satysfing when she whipped him x) And when you think a bit longer about her backstory, that she's lost her dad, almost lost her brother, tried to fulfil unrealistic expectations of being a personified perfection most of her life...

So... yeah. I almost like this little dominatrix :D What I've used: • craft paper sketchbook • acrylic markers: white, blue metallic, golden • water-based markers or felt-pens • pencil, black and white pens, ballpoint pen, calligraphy liners • a tiny bit of digital touch (the one with Edgey is coloured digitally) Oh man, it was such a mess on my fingers to mix white and metallic blue acrylic markers on her hair. And altogether trying to paint the skin with waterbased feltpens over white acrylic, baaaaaaaaa, was a pain. I've drawn unnatural skin colours for Undertale and Steven Universe characters like this before, but now I'm figuring how to use the same technique with real skin tones. I love craft paper, but man, it's tricky! The last sketch with Edgey was digitally painted though, as I've almost ruined the lineart with not dry enough acrylic on the same spread sheet, aaaa. Plus there're too many little detailes to easily mess it up with white marker x)

And I've enjoyed drawing Franziska too much. I object. She is still a rude little beast. You will not grow in me, Franziska. I will resist your tsundere charms.

But it was fun.

[psikonauti]

Kurt Joseph Haas (Swiss, b. 1935)

Portrait, 1995

Watercolor and feltpen on paper

[baheuldey]

Des cornes dans les yeux, 2024, feutre sur papier, 29,7 × 21 cm

[artofbalto]

hans bacher, production designer, on color and snow in Balto:

"the problem was the color in Balto. about 80% of the movie took place in the snow. if you are not careful you end up with a lot of white and some dull blueish colors, the atmosphere becomes cold and the audience starts freezing. that’s what steven spielberg was afraid of – the audience would not be able to develop warm feelings towards the characters.

I had painted my designs like usual in those days with feltpen and a bit of gouache, in a small size, 21 x 11 cm. the final backgrounds were usually painted in gouache. but with the soft blends in the snow areas that seemed to be impossible. so we decided – let’s try to paint it in oil. they had done it in Bambi, why not try it as well. Colin Stimpson, the art director, was a brilliant oil painter, so were a few others in the background team. it took some weeks to train everybody. lots of test paintings were done, some of them little masterpieces. for the final backgrounds nearly all of the snow scenes were painted in oil, as well as some of the interiors with soft blends. all other less problematic interiors were painted traditionally in gouache."

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Balto (1995) was the first animated feature film since Disney's Bambi (1942) to use primarily oil paint for backgrounds.