#feels like a very fun and interesting character for him to play

[mootmuse]

Legitimately this is exactly how this scene went. And instead of doing the stuff I should be I ended up rambling about that. Here goes:

I managed a rewatch recently and as genuinely funny as it is to talk about, this scene was kind of chilling. Like the way Crozier just Turned as soon as someone who would/could stand up to him walked in. (Or someone who - like Jopson - he associates with feeling good and having his addiction fed.) Like the way he was in one moment like 'oh of course you're right it's dangerous to send the men outside' when Blanky stood up to him, and in the very next moment once Blanky wasn't around to see, coldly ordering Little outside again. And the contrast with how he treated someone (Jopson) who was never in a position to have to tell him 'I don't have any whiskey for you'. Genuinely excellent illustration of how far he'd spiralled to and how bad it'd got.

Like the show doesn't spend any extra time hammering anything into your head, but the way Crozier was at that point lying to the people around him based on whether he could push them around, and how that was all centered around the goal of getting more to drink was very much there.

I also think Little and Crozier's earlier dynamic here is interesting in terms of how people under that kind of stress interact with different personalities. There's more than just this at play but, even without it coming up in terms of words or actions, in the way Little and Jopson both speak and carry themselves it's obvious that one is a much stronger personality than the other, and someone in the mindset Crozier was in then is going to respond to that instinctively.

Also, while I do think rank and class were at play there - if Jopson was the type of person to tell Crozier anything he didn't want to hear just then I think he might have been on thinner ice than Blanky was, because Crozier's so used to him being a servant and perfectly obedient in everything. But Blanky did very much get away with pushing back a little bit, and Blanky is lower in rank and class than Crozier is too. According to Wikipedia historical-Little (and so probably his fictional counterpart) is a first lieutenant, which I assume (knowing nothing about any kind of military) makes him the man on the spot when the Captain wants to give a direct order, so that's probably a big part of why he becomes the target of Crozier's addiction-feeding at that point, but the show I think makes a good case that personality is a part of it as well.

The only thing that gets me is when people act like this is Crozier and Little's ENTIRE dynamic. Like with a lot of Crozier's early show behavior that often gets taken for his entire default personality this side of him came out in specific circumstances for specific reasons, and changing those circumstances changes Crozier's behavior and dynamic with the other characters, like Little. Crozier's not soulbonded besties with Little the way he is with Jopson, but when it comes down to it all these guys are just Adventure Coworkers who signed up to bunk together for a few years. His relationship with Jopson is weirder than his relationship with Little, which reads to me as a very normal one; when it comes down to it Crozier is ultimately just Little's boss (although interestingly the script does note I think at the promoting Jopson scene that at that point Little sees Crozier as an admirable person, so- a boss that Little maybe looks up to).

I'm not getting at anything, I just think it's all pretty interesting, the way the show handled this part of things, and I needed something fun to do.

edward i need you to walk a mile in the freezing cold to bring me more liquor. yes it is so cold you could literally die. chop chop. JOPSONNN YAY how are you my sweetiepie sparkle jumprope queen. i will never let anything happen to you. my perfect baby boy. EDWARD where the FUCK is my whiskey

[lux-the-witch]

I'm starting to see guesses for C4 classes, and I want to make mine before getting too influenced. Strap in !

Ok so I don't know if it's confirmed yet wether they'll be playing in Daggerheart (DH) or DnD, but since I'm more familiar with DnD i'll elaborate on that and put my DH take in parenthesis.

My C4 classes guesses :

Liam : Expressed loving spell casting, I think Druid, Warlock or Bard. Locking in Bard.

Laura : Maybe she'll return to a more fight-ish class after 2 Spellcasters ? I think she has a strong desire to be badass. So Monk. (I'm feeling Rogue in DH)

Marisha : I just want her to play a Barbarian so bad. I'll also put some bets on Blood Hunter. Let's say Barbarian. (Warrior in DH)

Travis : Maybe he'll return to a more dummy character because I think he likes that ? Or a very serious one after chetney ahah. I'd like to see him as a Wizard just cause he said it didn't inspire him, but prob more like fighter ? He also feels like one of the players more likely to choose the class needed for group harmony, although all of them could of course. So like cleric ? That would be very fun ! Let's say Cleric. (Seraph in DH)

Ashley : I think maybe she would wants to go full Rogue, or sorceress after Oppy. I'm leaning towards sorceress.

Sam : All we know is that Liam chooses it, so I'm more guessing on what Liam finds interesting for Sam to play than what Sam would've chosen. Prob Druid or Barbarian. Let's say Druid.

Taliesin : Impossible to know what he's cooking cause either way it won't be what you would expect. I'm feeling Bard or maybe Blood Hunter again. (Ranger in DH bc I feel like he liked having range).

Robbie : Yes I am manifesting. Hard to guess though. I'm going to go with Artificer based on vibes only. (Maybe Gardian in DH, I fell like that would suit him).

[grumfield]

i'm humbly begging for tips on how to plot/structure a long-fic 🙏😔

ok please do not take this as law whatever, because I have been told time and time again that my process is insane and very antithetical to a lot of creatives but that’s how I work on literally all of my long projects SO. neuroses be upon ye below the read more.

I’m a hardcore planner and don’t like to start things without clear direction. If I’m planning something long that isn’t a self contained story, this is how I visualize it. It’s sort of the way that weekly serialized TV works, probably because I went to film school and used to want to be a showrunner, so I approach it with the mindset that I am the showrunner of my own weekly serialized one man show

And then each “story” is broken down like this:

(Keep in mind the beats above are very metaphorical. Funhouse just means the key facets of their character are on full display, like evasiveness or whatever, and seeing how they interact with the overall physical events of the world. Bad guys isn’t always bad guys, it’s just the looming threat, like a deadline)

Now onto the actual process. This is through the lens of shippy fics so it’ll usually be using terms/goals within that context!

“The thesis” is the first thing I decide and with and when it comes to fic it’s often a ship. It’s just the overall goal or point of what you’re writing. If you’re writing a shippy fic, your thesis is “X and Y Character get together” and everything that happens within that thesis is ultimately in pursuit of them getting together and then their happily ever after. The complexity of what happens for that to come into fruition is up to you.

“Thing I want to have happen” is usually a progression of a romance beat or the development of the relationship. Awareness of feelings, kissing, sex, etc.

“The story” that happens is the set of circumstances that lead to those beats, and for longfic pacing, I find it best to have each of these be thematically self-contained narratives to push things along.

Here’s an example:

Joe is in love with Brad, and they are in high school. “Story 1” they are paired together for a school project, and by the end Joe realizes that he enjoys Brad’s company, and invites him to his party. “Story 2” is Brad getting ready for the party, working up the courage to go, and then they play spin the bottle. By the end, Brad realizes that he likes kissing Joe. “Story 3” Joe has been avoiding Brad because kissing made him feel weird, but then he finds out they’re rooming together on a school trip. After they spend time together, they mutually realize they like each other and want to date; and screw. Then they go to prom, happily ever after”.

You have 3 separate situations with 3 different developments in Joe and Brad’s relationship. This sort of idea can be expanded to galactic scale, because ultimately when it comes to anything about people, human drama is all relatively the same. I think the important thing for longfics, both for keeping yourself interested and others, is providing some closure for some threads while opening up new doors, and this is conducive to that.

As for the individual story structure, that’s just how I plot everything self contained, it’s Blake Snyder’s Save the Cat Beat Sheet. I like compared to other plotting structures specifically because of “Theme stated, Fun and Games/promise of the premise, midpoint, and dark night of the soul.” I find that each of these are really conducive to understanding how to propel a story forward when you’re stuck, which can happen often when working on big projects.

Theme stated is usually what the characters need to learn, stated by someone else. It’s less a motif present and more of an emotional goal that the protagonist isn’t emotionally aware of and is resistant to. In romance it’s usually “you need to open yourself up more” said by a friend. This is usually a good thing to keep in mind in each scene, because sometimes if you write yourself into a corner; you can fall back on this and try and work out what your character can do next. Is Joe antisocial and needs to learn to trust others? and you’re not sure where to take it? Have him try being avoidant to Brad during their partnership, and Brad push back against that. Additionally, a great way to add drama is to have characters fall back on their old ways/not ingest the lesson of the theme.

Fun and Games/Promise of the Premise: basically just shennanigans that happen based on what you’re setting out to do. If Brad and Joe are working together, it’s the moments that arise from that. Moments where they clash, or go to the library, or one of them skips out on doing the project. Anything that they could experience while working together, as well as the romance implications of that. Bad guys close in is an extension of this—usually a deadline is approaching.

Midpoint: when everything seems great. For example, say you don’t know where to take Brad from the Fun and Games, have them create a really good project! They’re finished working, and realize they enjoy each other.

Dark Night of the Soul: they lose the project, they fight, Brad doesnt show up for the final practice and Joe feels betrayed. Anything that sets them emotionally back to square one, and then something happens to rally them once again to finish their school project.

In a big project, the big emotional issues may not be fully resolved from this, but from a plot basis, it gives you an idea of how to keep plot-based emotional momentum that all works through the ultimate development of the the thesis.

The theme of each arc should be different as they start to learn new things, because rehashing the same material doesn’t keep that momentum you need. So, if Joe learns to open up in arc one, maybe arc 2 is about him examining what he actually wants out of relationships with others.

Fic is a great place to do this because there’s so much shit you can mine for each story arc, and is really rewarding to readers when you bring it into play. And if you run out of that, eventually you can mine older arcs you write and bring their content back into play too. When you do this it basically allows you to have infinite arcs and shit if you want which is fun, and how TV shows go on for ages, for better or for worse

Anyways hope this is as in any way helpful! This is just how I do it haha

[aousboom]

Happiness isn't complicated. Being free to do what you like, that's happiness.

JANG DONG-YOON as SONG YU-CHAN DAILY DOSE OF SUNSHINE (2023)

[true-blue-sonic]

Thanks for the tag!❤️

Silver! There's not a single thing about him that I don't love <3 I think he's got a great and interesting personality, an absolutely wondrous design, and I love the concept of psychic powers in general too. It's no surprise I gravitated towards him as hard as I did back in 2014!

Sonic himself! A real inspiration and a very remarkable, multifaceted character who's just incredibly effortlessly cool. I see anything related to him, and I become happy <3

Espio, for being a cool ninja who's also got a fun personality. He meshes very well with the rest of the Chaotix, and also for him I think he's got a really neat design!

Blaze!! My OG favourite character; she was my number 1 for a bit before it become Silver, haha. I think Sonic Rush has one of the best stories of any Sonic game out there, in part because of Blaze and the development she goes through. Also here: great personality and great appearance!

Infinite: my favourite villain. I wish that one day we'll get a game wherein he plays a central role again; I feel like there is so much more they can do with him still! Also he's got a great design, and a very neat voice actor on top ^-^

Tails, for being a floofy li'l guy who's also tremendously smart. I think that there could not have been a better foil for Sonic than what Tails is.

Eggman Nega! Perhaps a bold pick, but he intrigues me deeply as a villain XD I love the juxtaposition between him hating Eggman's guts for being a blemish on the Robotnik bloodline, while simultaneously blatantly using some of Eggman's greatest creations and just editing them a bit for his own gain. I pity him, truly.

Shadow: I think he's got a really intriguing and sobering backstory to his name, and I greatly enjoyed him in SxSG.

Amy <3 She's cute and always peppy and upbeat, and a well-written Amy is definitely a joy to look at!

Gold the Tenrec from the Archie comics: it's such a shame that we only got one story with her, because I would have loved to see more of it. Her design is amazingly done, imo!

Let's see, I'll tag... @xxlea-nardoxx, @icycm24, @stillafanofsonic, @one-half-guy, @hfevra, and anyone else who'd like to do it!🍀

Alright everypony, here's my top 10 favorite Sonic characters

Shadow

Rouge

Amy

Silver

Metal Sonic

Sonic

Eggman

Wave

Blaze

Knuckles

[xxplastic-cubexx]

i see your 'rivals!Charles had to kill his Erik' headcanon to present the idea that his Erik told him to do it bc he was infected with something/ possessed while rivals!Erik lost his Charles bc he took on whatever was infecting Erik at the cost of his own life and when rival!Charles finds out he could've saved his Erik that way... well..

oh so thatd be diabolical......

[sysig]

Go play pretend on your own (Patreon)

[bitegore]

# oh??? that also sounds so cool!!!!!, Ik for a fact that I'd play the hell out of smth like that, even tho I'm awful at combat, actually I think that'd only elevate the experience with the helplessness, anyway!!#that sounds like it'd do such a good feeling of unease and terror before the switch, and that switch would bring such an interesting crash of absolute panic down on the player when they're already in such high alert, jdgftsgbjdgduv, yeah very interesting very horrifying!!! (tags modified slightly to be a little easier to read)

Grabbing you. Talk about evil game design with me. Hi. You get it.

This is ofc one of my awful evil very-bad-no-good ocs, so I obviously know what her deal is, but the thing about the.

Well actually let me start at the beginning.

(also GOD DAMN this got wordy, so here's a cut.)

In its purely joke-level form, this started as a sort of mean-spirited jab at the spectre of the "I wish this game was in an alpine village rescuing my neighbors' cats" school of thought, which I was kind of unfairly conflating with Stardew Valley, which i was also unfairly conflating with Animal Crossing. At the time I was so sick I thought animating would be easier than drawing, so we're clear. I know those are three different games with only some vague crossover and not one coherent concept when I'm not sick, I promise, and also I don't even have anything against either of the actual games lmao. But conceptually, the idea was that - well, Erica has the demure pretty girl thing down, that's part of her character concept, that she looks like a demure pretty girl exactly as long as it takes for you to write her off as "not a threat" and then she kills you. So I was thinking to myself that it would be really funny to put Erica in a game that looked like a cozy resource management sim, and then just let her start wreaking havoc 3/4ths of the way through the game.

(That has been its own idea since forever - that most of my OCs work pretty okay as deuteragonists or primary villains, but Erica would be incapable of not coming off like a very boring side character until a late-game twist where she suddenly reveals herself to have been orchestrating all manner of problems and nursing some awful grudges behind a pleasant facade.)

Anyway the construction I came up with first was: resource management & character-driven dating sim, but then at some point, Erica starts killing characters and then she kills you and skips town. The only kind of combat system I like playing is the soulsborne-style kind that requires you to pay a lot of close attention to timing and spacing, so that's the kind of combat I was imagining. And. Well, like you said, I sure thought that it would be fun to play, actually, too.

So I settled on some mechanics.

The first part of the game is riffing very closely off games like Stardew Valley and Harvest Moon, where you have a farm, and you grow your crops and raise some animals, and then you take them into town and trade them for money and maybe points with some of the NPCs you get to interact with. You have an enemy set up - Erica's dad, petty nobility and autocrat of the town who no one likes - who will send saboteurs your way and try to price you out, but you can scare them off. There's a tutorial character (tall redhead with red sunglasses who doesn't talk much and spends most of the game writing in a notebook or making graphs; if you know my OCs you might have an idea who that is but don't worry about it!) who gives you the farm and all but demands you get into some sort of conflict with this petty noble, helps you set things up, and then generally goes about ignoring everyone and reading books while sitting around so you can click on him for tooltips if you want reminders of how the controls work. There's also a weird monster in the forest you keep hearing about and sometimes see the eyes of. Most if not all of the NPCs are neutral-to-friendly outside your established enemies, i keep going back and forth on if there should be any explicit Not-Affiliated-I-Just-Don't-Like-Outsiders characters but like there's enough going on and I want the players to get to at least the middle.

That's because, at some point about halfway through the "growing season", Erica's brother disappears off the face of the earth. The bad guy sends his cronies to run about town for a while asking the NPCs if they know anything, but the NPCs openly love you and kind of hate him, so you hear about it basically when he sends someone to your door with an apology and a letter asking you to look into it, because he cares more about his son than he does about keeping his economic stranglehold over the town or whatever. You can, like, turn this down, but if you don't, you get access to a second part of the game: PUZZLES!

(This is because the entire game is a puzzle, but we haven't gotten there yet. Kind of thing you're supposed to solve on the second playthrough.)

Anyway, Erica's brother is the first to die, but not the last. Next up is the post officer, so news can't leave town. Very scary. Then NPCs start dropping like flies but in an order that doesn't matter because I'm not introducing all of my cast here. But what you get to do is go to the scene of their (either last sighting or grisly murder), and there you get to get two pieces of "information" (old notes, 'this looks like zyx's handwriting', footprints that don't match a certain kind of shoe, etc) spelled out for you by clicking on the right items, and one puzzle you have to solve - like a cryptogram or figuring out what the code to a safe is with a note written over it - to get a third piece of information. You also get a list of 20 scenarios that might have happened, or a list of live NPCs you could blame for the murder. You have to match the right scenario to the right murder, and if you get it wrong, you only lose access to that scenario but it doesn't tell you what the correct one was, only that you were wrong, because I want to force you to do the other thing instead. Which is - if you think you know who did it, you can confront them. It'll only hurt your relationship a little, unless you're right about who it is, in which case Erica goes and does what you see above and then she KILLS YOU!!!!!!!! >:3

Well, not necessarily.

It's the kind of game where you're supposed to want to build up a relationship with the characters (so you care about them turning up dead and want to stop it from happening and all) so Erica is another character you can have conversations with, and stuff. She's actually positioned to be relatively important - she'll give you insider information if she likes you on her dad's business ventures, and she's romanceable! (But watch out.) This means that it would only be fair if I added a secret option where like.

Okay. Erica's deal is that she wants to look defanged, so that when she starts killing people, no one thinks it could possibly be her. So she watches her words, and she watches her mannerisms. Underneath that, she is a seething bloodthirsty person who hates almost everyone around her, has a ledger of slights a million incidences long she intends to repay tenfold in blood for everyone around her, and she also has the means to carry it out. What she doesn't have is a way to get away with it without someone pointing out that she did all this and it following her around. Which means: she is absolutely playing a particular role. But if you encourage her to get mean and bloodthirsty, she'll decide you like her mean and bloodthirsty because you are mean and bloodthirsty, which means... well, maybe you can be an accomplice and not a total 100% murder victim or nothing. So like. If you went the "man Erica your dad kinda sucks I think I want to kill him" route and didn't try to romance her!!!!!!!!!!!! then she'll invite you to go kill everyone in town with her actually. That's a different thing, this is long enough so I won't get into the mechanics of that one but it's a crowd rush (obviously) and designed to be a lot less Extremely Fuckhard.

But like, normalstyle, first she goes "wow omg that's such a hurtful thing to say! what's your problem :( my fucking brother is dead and you said i did it? what's WRONG with you? LOL SIKE yeah i did that shit and it was awesome. and im going to gut you like a fucking fish now" and then she hard-cut drags ydou into soulsborne-style boss combat.

She's got three phases! Uh... let me just copy-paste from my working document for this, actually, it's easier than describing it all casual. Please ignore the all-caps.

PHASE I: SPEED She is INVARIABLY FASTER THAN YOU. She has a small handful of common melee attacks that involve darting and lunging toward you. She has two less-common melee attacks where she comes close and stabs at you multiple times for combo damage, but does not block or defend herself, opening herself up to attack and knockback, which she is susceptible to. She has one rare melee where she feints and then hits you with the stick of her cane, dealing a mild bludgeoning damage but inflicting knockback, and then following up with her knife while you are dazed, dealing combo damage again. She has a dodge that triggers randomly. This phase lasts until her health is at 50%, and then the animation and then second phase is triggered. PHASE-CHANGE ANIMATION: MUH EPIC KNIFETOSS ERICA stops to inform you that she's kind of impressed, actually, she thought you'd be mincemeat by now. She then throws her knife aside, and switches her grip on her cane so that she can swing it like a bat. She does not have I-frames during this time, so she can straight up just be whacked at here. PHASE II: HAMMERTIME ERICA uses her cane as a WAR HAMMER (large, slow, blunt weapon) to deal HEAVY DAMAGE and DEBUFFS slowly. She is about half as fast as you. She has a most common melee attack that is just whacking you with her hammer. This STUNLOCKS you after a KNOCKBACK. She has a less common melee of sweeping you with the butt of her hammer, which deals KNOCKBACK, and then bringing the hammer down on you while you're stumbling in a twofer. This STUNLOCKS you. She has a least-common ranged attack that only triggers like, once per every fifteen minutes or something, where she just straight up kicks something off the ground in your direction. This is homing and cannot be dodged. It deals some minor damage but is mostly just a random thing to bother you with if you're playing ridiculously cautious. She has no dodge here. This phase lasts until her health reaches zero. PHASE-CHANGE ANIMATION: WELL NOW YOU'VE DONE IT ERICA gets annoyed and flings her hammer down, but before you can react, she is shapeshifting into her fox form. This one DOES have I-frames for coding reasons.

PHASE III: HEY GUESS WHAT IDIOT IM NOT A VAMPIRE AFTER ALL! ERICA turns into her FOX FORM, the STRANGE FOREST BEAST! This comes with a SECOND HEALTH BAR about the same size as the first, but ERICA's RESILIENCE is higher! She uses her FOX FORM as her weapon (unarmed melee is the fastest kind of weapon and she has teeth. which are basically blades). She has multiple hand grapples. She has multiple swats that deal KNOCKBACK (no stunlock). If you're really bad at dodging, she can pounce on you with both hands, which deals DEVASTATING DAMAGE, STUNLOCK, and KNOCKDOWN (not KNOCKBACK, which is a stumbling); this comes with a short period where she holds still, laughing, and you can attack her if you want. She has a mouth grapple that allows you to cheese her by utilizing the last couple seconds you have mobility to stab her through the mouth; this is very hard. The grapple deals DEVASTATING DAMAGE and inflicts BLOOD LOSS, a mechanic that only appears for this boss fight and saps your health. She can bite normalstyle, which deal HEAVY DAMAGE. She moves VERY QUICKLY because she moves at the regular speed she walks at but she is now about 5x the size of her usual sprite, which means she covers ground much faster - and she's FAST in her first phase. You have to know WHERE she's going by LEARNING HER ATTACKS or you are just FUCKED fucked. At the end of this phase, if you beat her, Erica laughs, and then collapses to the ground. WINNING the fight on the first run triggers an ANIMATION: Erica, laying down, says "Wow. I really underestimated you. You and I, we must be more alike than I thought. Fair's fair, I guess. Should've done my homework." Then she coughs and slumps. As soon as the camera is pointed away from her, there's a rustling sound, her laugh sounds, and when you turn back, she's just gone. WINNING the fight AFTER the first run triggers a different ANIMATION: ERICA, laying down, says "Ah... you've - oh, you've beaten me. Woe is me... took you long enough, but truly, I have been bested," and then she more dramatically coughs and slumps. As soon as the camera is pointed away from her, a voice line plays - she says "Sike! You don't have it in you!" and when you turn around, she's just gone.

So you see. She's kind of mean once the jig is up. She's not like that before this. But also like, even if you win you don't win. On account of this isn't the end.

Also if you don't guess that she's killing people, or you just fully ignore the entire mystery (you can get involved after the first invitation!), there's a different thing that happens. One day you come into town and everything is just on fire, and also Erica is covered in blood (see: above LOL) and holding a knife. my girl is killing people. no longer up for debate. When she sees you, unless you were doing the secret pro-murder route (which means you have to succeed at a conversation first and if you answer the wrong way she does still try to kill you) she just goes to try and kill you pretty much instantly. If you win at the conversation you get to kill everyone with her again. But either way, at the end of this one, there's still nothing to do, really. Except go home.

So you go home. Your tutorial guy is still there. He's still not talking to you. Your farm is just on fucking fire though. If you click on him, the usual tips menu is replaced with text that says something along the lines of "Tips: LOL".

There's a-- it's not a cutscene because you CAN technically interrupt by attacking them if you want, it's just a terrible plan because you'll aggro them both at once. But Erica shows up and it's basically a cutscene. She and your fucking tutorial guy (he's 'the redheaded man' on account of he never tells you a name lmfao) have a conversation that makes it very clear they were working together this entire time. Like, here's a piece of that exchange:

ERICA: You were right about schemes, turns out. ERICA: They're so rewarding to finish. THE REDHEADED MAN: Nothing like knocking down the dominos, huh? ERICA: Mm... I don't think I'd say dominos. It's too juicy. ERICA: Bringing a real mean plan into fruition. THE REDHEADED MAN: Fruit, huh. ERICA: You nurture it, watch it grow, and then when you taste it... ERICA: ...It's the sweetest thing in the world. THE REDHEAEDED MAN: You're wasted on murder. You could be a poet. ERICA: I'm multifaceted. I can do both.

Then at the end of this they agree that you're like, a perfect patsy, and fuck off to go travel the world now that someone else is going to stand accused of all their murders, since you're a stranger from out of town who showed up, openly had a conflict with the guy who ran the town, and then there were ~all those murders~. Anyway, roll credits!

Then like. There's a second thing I was thinking about and... well, honestly, almost definitely want to keep because it would be a little miserable otherwise. Which is that you can just swing a weapon at anyone at any time, but the game won't like, prompt that basically ever unless someone starts it. That's because unless you swing it at Erica or one of the enemy characters, nothing happens and they just go "[player name], what was that for? ow!" or something.

With one other exception. Which is the tutorial character, our late-game turncoat.

If you swing on THE REDHEADED MAN, he dodges and takes off his glasses. This triggers one of the only directly-triggerable voice lines. THE REDHEADED MAN: I assume that that was an accident. If you swing on THE REDHEADED MAN a second time, he dodges again and throws his hair out of his face. This triggers another voice line. THE REDHEADED MAN: What are you doing, [PLAYER]? If you swing on THE REDHEADED MAN a third time, you can actually hit him, revealing the health bar. It is fucking ridiculously huge (actually, the same amount of health as ERICA, but visible all on one bar). THE REDHEADED MAN: Are you fucking stupid, or are you smarter than I think you are? THE REDHEADED MAN: I guess we'll find out, hm? This will trigger the SECRET HAVEN FIGHT.

yeah okay that tells you his name, this is my oc Haven. in the actual story with him and Erica they DO work together to kill everyone in Erica's hometown, starting with her family but certainly not ending there; they don't quite do it like this though. Also of note is that this is the only character in the entire game who swears, because I think it's funny to have a marker on the game for profanity but it's for a route that only happens if you do something that the game doesn't tell you to do.

Anyway I haven't ironed all the mechanics of this fight out yet because I'm not sure how to make the character work while also making the fight, like... theoretically beatable. me when i have a character who likes to use mind control to tell people to hold still so he can disembowel them and then i need to make you fight them and have some way to win:

But that's what I got.

And i can't even lie. If this was a game someone else made and I could get through the resource management part without getting horribly bored I'd have such a good time with the rest of it. As long as I get the combat system right anyway.

also of note is that there's wolves who will steal your livestock and troublemakers who will steal your crops on top of the saboteurs and you can get in scuffles with them all if you want, also that there are ghost stories you can collect that are all actually about erica in her guise as The Scary Forest Monster Fox or haven/tutorial guy in weird costumes breaking into people's houses at night, there's a polyam grocer couple that wants you to be their third super badly and will bribe you for it, there is an anachronous lesbian biker gang, and you can get 'chaos jobs' that you can pick up that occasionally include 'break a window in xyz's house and we'll give you twenty bucks'. also that our tutorial guy can't be prompted to speak but, if you spend a lot of time around certain characters, has rare voice lines that trigger *eventually* that are like. mild catty insults except for erica. who he likes so he says something complimentary instead. I have a lot of things going on here.

Dont worry about it!

Stardew Valley-inspired Erica animation, drawn sometime in January while I was sick as a dog. This took ages, and all because I wanted to animate the bloodstains moving properly. The framerate isn't even quite right lol.

[amelikos]

What's you all favorite trio in Horizons? Could be a group of three characters tied narratively, or a trio that is more straightforward and established as friends, etc.

Mine is the trio of Liko, Friede, and Amethio.

[danielnelsen]

so if you romance and ascend astarion you can kick him in the balls when he tries to turn you and it’s just very funny, he’s so pissy about it. so much for the most powerful vampire of all time or whatever, he stamps around like a toddler and then leaves forever

[darabeatha]

/ I've noticed that at this point I'm not even writing on any blog anymore, I just come and yell about some blorbo and leave. Rinse and repeat my lieges

[designernishiki]

I feel like I liked yakuza 5 a lot more than most people for some reason

[astrxealis]

fun fact please know my arc with sephiroth is literally enemies to maybe-lovers 👍

[lenaswritingandstuff]

Dating the Slytherin boys (+ Harry) ▪ HEADCANONS

Requested: No

Characters: Mattheo Riddle, Tom Riddle, Theodore Nott, Draco Malfoy, Blaise Zabini, Regulus Black, Harry Potter (+ y/n)

Warnings: NSFW mentions, English is not my first language

A/N: I'm not sure I like this but here we go. However I have to say I like Regulus' one so I might turn his version into a one shot one day (when uni won't be killing me slowly). This will include also the pre-dating/flirting stage as well. SORRY FOR THE TYPOS. Comments and feedback are always appreciated. Enjoy! ^^

Tag list: @helendeath @im-jesus

Tag list for this story: @anawritez-posts @pumpkinchee @alwayslatetothefandoms

Mattheo Riddle:

His feelings for you probably confused him at first 

If he falls first, he either won’t let you know or will do everything to get your attention (‘Hey, y/n, come sit here, the seat is free!”, “y/n, do you mind helping me with the homework for Snape? I can’t bloody do it”, “How about we go to Hogsmeade, just you and me?”, “you look beautiful, y/n”)

Your love for him always calms him when he gets anxious or when he’s upset, especially after his father comes back

Will tell you things he never told anyone

Would rather spend time with you than with his friends

Is terrified something will happen to you because of his father 

VERY jealous, but trusts you

Despite easily getting angry, he can’t get mad at you. Even during arguments 

LOVES sleeping in your arms or when you just hold him

He's crazy about your body

Loves showering with you, and we both know how it often ends

HOT, passionate sex

Will randomly eat you out without expecting anything in return (doesn't mind if you return the favor, though)

100% calls you "baby" or "love" all the time

Doesn’t care about what anyone thinks of him as long as you love him

Your love makes him feel lighter and stronger

You're his whole world

Feels bad when he hears someone criticize you for dating him 

Always makes sure you don’t overwork yourself, and makes sure you get enough sleep, water and food, and comforts you when you're anxious

Holds your hands when he's anxious or stressed

Will listen to anything you have to say 

Crazy about your perfume

Theodore Nott:

Struggles to express his love or feelings in general, at least in the beginning 

Has never done serious relationships before, and it may cause some trouble in your relationship, as you end up believing he doesn’t care about you

It causes many fights, and the last one will be the first time he says ‘I love you’

Always goes to you for comfort 

Loves sleeping with you in his arms, or cuddling, and with time he can’t sleep without you

Loves watching you sleep 

Loves having you on his lap

Always gets you great gifts (even randomly)

“Well, it thought it was pretty, and…it reminded me of you.”

Will fight any guy who is rude to you or acts like a creep 

Very jealous (trusts you, doesn’t trust others)

Doesn’t mind PDA at all, will gladly hold your hand or kiss you in public

Always has a hand on your waist or his arm around your shoulders 

Very supportive in everything you do, even when he doesn’t understand it/isn’t really interested in it

Isn’t very good with comforting people (mostly because he's not used to it), but will hold you and listen to you as long as you need, can even give you advice/reassurance 

Every compliment/'I love you' you say melts his heart and means much more to him than he shows, same goes for anything you do for him

Loves doing fun things, even if it’s just throwing snowballs at each other during winter (which ends in loving kisses, just savouring the joy of being together)  

Love getting in a pool with you and playing "childish" games during summer

Any form of intimacy means A LOT to him 

He's used to hooks up and "fucking" but it takes him a bit of time to have sex with you (despite being crazy about you and your body) because you mean everything to him and with you it's really making love instead of just "fucking"

The first time is loving and slow yet passionnate (eye contact at all times, hands holding, desperate kisses from him), and it gets a bit rougher and passionate the next times (but aftercare, which he isn't used to, is always on point and keeps getting better)

Is secretly very insecure, and is terrified you will leave him (especially for another “better” guy) 

Craves your touch and your love but won’t admit it

His boggart is probably you being dead alongside his mother

Will tell you sweets things in Italian

Very clingy in private - and also in public with time

With you he learns to be happier and discovers a happier side of himself he didn't know he had

Loves you much more than he actually shows at first 

Will often say you're all he has (and means it)

But with time, you have no reason to doubt his love and he’s the perfect boyfriend

Blaise Zabini:

Probably will court you like the gentleman he is

He doesn’t trust people easily and might be a little distant (while always polite and kind) in the early stages of your relationship 

But with time he becomes very warm and smiles a lot

Always kisses the top of your hand or your forehead 

Doesn’t do much PDA except for holding hands and kisses on your forehead

However in private he’ll 100% cuddle you and hold you

Dates in parks or restaurants  

Get you flowers at least once a month

Will always defend you against others 

One of his love languages is acts of service

Lorenzo Berkshire:

You either were friends before dating or he fell in love with you at first sight, there is no in between

Takes you on fun dates (arcade, funfair, theme parks) 

Can be shy at the beginning, which will make it a bit hard for him to talk about how he feels about you

Movie nights where you two eats lots of snacks and sweets while cuddling 

Always smiles when you enter a room

So supportive 

Loves when you're on his lap

He has no problem with PDA

Quickly willing to meet your family if you agree

He’s a great listener and mostly gives good advices 

Loves taking naps with you 

Always makes you sure you get enough sleep, water and food

Won’t let you get yourself into dangerous situations

Loves to go anywhere with you, no matter the activity and even if he just follows you around 

Many pet names

If you're Muggleborn or grew up among Muggles, he will totally ask you questions about the muggle world

Passionnate sex, will get rough if he hasn't seen you in a long time or if it's angry sex after he got jealous

His aftercare is the best, and he's always thankful you trust him enough to have that form of intimacy with him

Draco Malfoy:

Won’t flirt at first with you but keeps wanting your attention

Tries to seduce you with expensive gifts, and is a bit taken aback when you say it doesn’t work

Continues to get you gifts, but will make sure they match your interests/tastes, and keeps expensive gifts for your birthdays and Christmas (even though he’d like to get them all year for you) 

At first he doesn't show any weakness in your presence

With you he’ll learn patience and to focus of more positive things, and also to stand up to his father

Takes you on dates every chance he gets

Will ditch his friends to spend time with you

Probably makes Crabbe and Goyle carry your bags or do things for you

So proud to be dating you, it might even make him more arrogant

Gets grumpy when jealous but after a kiss on the cheek he’s back to his normal self 

Will invite you to his home and write you nearly every day during holidays

Hates it when Harry or any Gryffindor boy tries to talk to you

Surprisingly has no problem with PDA

Loves when you come to see him play during Quidditch matches

Tom Riddle:

Oh boy

It started with him admiring/watching you from afar, for a reason he can’t understand

SUPER confused by what he feels for you and why

Will probably try to get closer to you through homework or through books if he sees you read one

Will know everything about you, and will secretly follow you, saving you if you’re in danger with you never knowing who saved you

Crazy about your perfume, so much so that it makes him steal one of your clothes just to be able to smell it anytime he wants

After a while, he’ll spend most of his time with you without ever admitting he likes it

Will probably let you know his feelings for you after he cast a spell on a guy for being a creep with you 

Won’t let another man touch you

Will ask Mattheo for advice to be better or to make you fall in love with him

Will do your homework without hesitation, even if he pretends that he hates it, and will leave explanations so you understand his answers/his work

No PDA except for holding hands or your hand under his arm, but will make sure to stay close to you at all times 

Is a surprisingly good listener 

VERY jealous, but surprisingly isn’t mad or suspicious at you

“Did you enjoy having his attention? Do you wish for me to show you how my attention is better?” 

He doesn't stress over homework or stuff like that, so he finds it ridiculous when you do (learns with time to be more understanding)

Will let flowers in your room with a note on it

Pretends to not care about the gifts you get him for his birthday or Christmas but it actually means so much to him as no one ever got him any gifts before 

Nothing the others say about him gets to him, but he gets angry when he hears someone say that you deserve better than him

As book!Tom who grew up in an orphanage: he's secretly insecure about his background and the fact that he’s poor, and thinks you deserve better 

As Voldemort: Might be torn between continuing his goals for power or spending a simple life with you; is aware you’ll leave him if he gets on a darker path 

As Voldemort’s son: would do everything to protect you from his father, and if he’s forced to get the Dark Mark, he will makes sure you don’t know 

Possessive kisses 

Would hurt anyone who does you wrong

Borrows money from Draco to take you on dates or to get you gifts, as he feels like you deserve the nicest things, even though you keep telling him his mere presence is enough

May feel a little bit guilty that he can’t properly show you his love like “normal” boyfriends do 

Won’t admit it but considers you the only good thing in his life, and if he ever lost you he’d get on a dark path

Won’t cuddle at first, but if you wake up first you’ll find him sleeping close to you, with at least one of his hands touching you

Always notices when you don’t eat, sleep or drink enough

You’re the first (and only) person he will feel romantic love for

He has a bit of sexual experience before, but with you it's completely different - once you guys have sex for the first time, he becomes obsessed with your body and how it makes him feel

Loves fingering you

"You like it, dove?"

Even if you guys don’t work out, he won’t ever be with somebody else 

Would ask your parents for you hand in marriage, but honestly it's just out of politeness, the only answer that matters to him is yours

Regulus Black:

Like Blaise, he was raised the old fashioned way

Acts coldly towards everyone except you, his tone and eyes gets warmer and kinder when talking/looking at you, and you’re the only person he’ll smile at

You were his best (and only) friend and he has been in love with you for years

He hides his feelings very well, but one day you start dating someone else (thinking Regulus doesn’t share your feelings) but he can’t bear it and confesses his feelings

Always defends you

He’ll take you on restaurants or picnics dates, always bringing flowers

Mostly fine with PDA (holding hands, hands on your waist)

Thinks he’s very lucky to have you

Probably already starts thinking of marrying you during your last year at Hogwarts 

A bit jealous, but can’t stand it when Sirius tries to talk to you

Will gladly do your homework with/for you

Loves it when you sleep in each other’s arms, loves feeling you close

Loves it when you call him “Reggie” (only you is allowed to)

Will literally do everything you ask him to

You’re everything to him

Can’t stay away from you for long

Will get worried if you’re five minutes late

Always calls you “sweetheart” or “love”/”my love” 

Slow, romantic sex most of the time but sometimes he needs to be rougher

Thanks to you he’ll feel lighter and he will become kinder

You’ll even make him change his views on blood purity and stand up to his parents, and with time he gets closer to Sirius thanks to that (and you) 

If that doesn’t change and he still joins Voldemort, he’ll leave you a letter before going to the cavern, saying how much he loves you and how much you mean to him

Harry Potter:

Don’t expect any pet names from him, but he might create a nickname with your name (like he calls Ginny ‘Gin’ in the Cursed Child) 

His love languages are fierce protectiveness, loyalty and a patience he didn’t knew he had

Has no problem with PDA because he doesn’t care about what other people think  

Loves cuddles

Rarely gets mad at you, and feels guilty when he does

Mostly gets mad at you when you hurt yourself (for example during Quidditch) but it's also because he was scared for you

Hot kisses in private

Will be jealous if he sees you with another guy 

He’s passionate in a lot of things he does, and it includes you and everything you do

Will fiercely defend you again anyone, can even throw hands

Gets FURIOUS when Umbridge hurts you during detention, and will cuddle you for hours and do everything he can to make the pain disappear

Knows people are mean to you during fifth year because you're dating him and he hates it

During that year the only peace he feels is when he's holding you or when you sleep in his arms (it's also the only time he doesn't get nightmares)

Very supportive 

Loves getting you gifts 

You make him feel SO happy, he’ll just keep smiling for no reason 

Gets more and more clingy with time

Always write to you during the holidays (you always invite him to come to your house)

I'm not sure about sex while you guys are at Hogwarts but he 100% feels lust for you, there will definitely be hot making sessions when you guys are alone in a dark corner of the castle and it often ends up with you against the wall with your legs around his waist while he kisses your neck and caresses your legs

However sometimes he just can't stop himself and will eat you out (even maybe finger you at the same time), and will be proud when you come

Any act of service you do for him means a lot

You're always worried about him when he's at the Dursleys but he reassures you that he's fine

Comes to you in the middle of the night if he has a nightmare and generally comes to you for comfort or to rant 

Needs you more than ever after Voldemort comes back and after Sirius’ death 

Misses you like crazy during his quest for Horcruxes, and he can’t bear the thought of something happening to you 

Might struggle to show it, but he knows and is thankful of how patient and comprehensive you are with him, and that makes him want to be the best boyfriend he can be

Terrified Voldemort might hurt/kill you

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[aclowndoll]

Imagine female Yuu having to cross dress to avoid unnecessary trouble at NRC and Idia finds out through Ortho. Because I can see Ortho finding out if Yuu ever got a minor injury and he was around to play nurse, knowing him he’d do a quick full body scan and find a very high amount of estrogen in her system.

And he blabs to Idia because he’s a snitch who doesn’t keep anything from his brother; if you tell a secret to him, you’re basically telling it to them.

Once Idia finds out, his mind INSTANTLY goes to those otome games and fanfics and gacha life videos about a girl in all boys school. He always thought those were just fun fantasies, but upon seeing that exact scenario happening in real life he becomes curious.

Prior to this, Idia probably wouldn’t think much about Yuu. To him, she was just the odd magicless guy his brother would occasionally run into; the most interesting thing about her was her cat, in his eyes. But now that he knows about her secret, he becomes heavily invested in her school life, he wants to see how this is going to turn out.

He doesn’t exactly stalk Yuu, it’s not like he’s putting cameras in Ramshackle or listening devices in her bag, it’s more like he just pays extra close attention to her when he has the chance, such as during joint classes and lunch. And since Ortho and her are on amicable terms, he encourages Ortho to spill any gossip he learns when around her.

To Idia’s surprise and delight, things end up matching up almost perfectly with what he’s come to expect from these kinds of plots. The ones close to Yuu, who seem to be privy to her secret from what he’s gathered, are all either falling in love or have already been in love. They’re extra protective of her, they’re affectionate and soft with her, and they get jealous when she gives too much of her attention to any one of them.

Idia knows about the overblot incidents, so of course he’d see the pattern in who starts getting closer. Every time someone overblots, Yuu will be there to help and both the overblotter and some other select people in their dorm will begin to fall. It’s a classic pattern.

At this point, Idia would simply see himself as an observer peeking in on this story and, therefore, he can’t be affected by Yuu. He’s not a love target in her story, he’s a side character.

It doesn’t matter that he’s occasionally run in with Yuu and each time he has she’s been a true friend to an introvert like him by making his anxious ass feel comfortable. It doesn’t matter because he’s aware of what’s happening and thus he can’t be affected.

But then he also overblots, and just like before she was there to help pick up the pieces. After that they ended up talking and Idia gets to know more about Yuu, more than he could learn by just observing.

Before long, he’s actually looking forward to seeing her again, to nerding out about his favorite anime’s with her in person because she’s always such a good listener. He’s looking at his manga and game collections and thinking about what she would like.

Idia doesn’t even realize his hearts been skipping beats when she’s around until one day when he’s in class and she walks in. Like a dog hearing their owner walk through the front door, his gaze shoots up and instantly that class gets fifty times more bearable with her around.

…And then he looks around and every other “main character” has had the same reaction.

Which means that he’s also a captured love target, just like them…

Oh how the turn tables for a dating sim loving nerd like himself

[rubys-domain]

finally got kazuha in the alt. i forgot it was july already so the stardust shop reset. probably wouldn't have made it otherwise. he came home at exactly 75 pity