#feels like a cop out

[podcastwizard]

writer has idea for pirate novel but refuses to learn how boats work in any meaningful capacity to actually write it, 9 dead 13 injured

[direpunk]

filming friends

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[swordmaid]

brienne the blue 🌙🌞

[starry-bi-sky]

i think i'm hilarious -- aka i made blood blossom danny au memes

all of these come from my DpxDC prompt "i am pushing the batdad agenda--" and it's corresponding additions in the reblogs ksdjlf.

i am. rotating them in my head. forever and always. personally i think there should be more batdad aus in dpxdc, their dynamic could be neat. :)

[evie-doesnt-write]

I don’t know how to say this exactly but like… fandom and show are kinda weird about Mel and Ekko and it is very much rooted in racism

[gryffindraws]

i really did enjoy the 13th doctor HOWEVER, if i could change anything (other than chibnall's flmisy political messaging) i wouldve made yaz a social worker in training. it literally made no sense to make her a cop, especially when she was constantly comparing herself to the doctor, who is literally the opposite of a cop in every way. and if she had to start off as a cop, she should have resigned and pursued social work or something similar that matched her backstory as a trouble teen AND the doctor's pacifist ideology. the idea that she felt a renewed interest in becoming a cop was sp dumb. why the fuck did he make the doctor's companion a cop when they fucking hateeee people of authority. wwtdd? not be a fucking cop

[frostedpuffs]

i need adrienette to be closer than ever actually. they're both traumatized af i want them attached at the hip and a little obsessed w each other. i want them slightly unhealthy and codependent. they've been through so much shit together and now that they have each other i want them to sink their claws in and never let go

[ionlydrinkhotwater]

OK but I really love how unhinged Neil comes off in other people's POV cause looking back at the first three novels he was so damn weird

Take what happened in Colombia

Imagine what Andrew was thinking

Holy crap this binder WTF?!?! OK he's sus as hell I've gotta test him, I'm gonna mess with the tags when I refold his clothes but like...I doubt even he's THAT crazy

*Neil barges in and starts shouting in FRENCH*

OK so he IS that crazy (and French?!)

OK I'm gonna spike his drink and get some answers in a minute just gonna leave him with Aaron and Nicky for a sec while I satisfy my Gay panic this runaway has inspired in me with Roland and then I'll just...WTF DID HE JUST PAY A GUY TO KNOCK HIM OUT?!

OK I'm gonna pick up some breakfast and when I get back to the house I can interrogate the....OK ARE YOU FUCKING KIDDING ME THIS DUBIOUS TWINK CRAWLED OUT OF THE BATHROOM WINDOW?!

OK so he's not around let's get back to Palmetto he probably got a ride from one of the upperclassmen

OK he didn't...did he run away? I guess that makes some sens... OK wait he HITCHHIKED?! THE FUCK?!

OK THIS ASSHOLE SPEAKS GERMAN TOO?!

OK he's on the run from the mob...there are a lot of holes in this story but at this point I'm gonna take his word for it that he's isn't a danger to my people cause I don't have the energy to continue to pursue this anymore. This fucking guy is more unhinged than what I was prepared to deal with this weekend.

[citrusai]

taash said "they were doing it" and people ran with the interpretation of an npc that doesn't know solas or the history of the elvhenan even when bellara interjected and said, no, that's not right. that's not how it was for the elvhenan. they formed bonds before they had physical bodies. and people ran to doompost or create weird anti-solavellan shit even though mythal & solas refer to each other as old friends and when she releases him there is no tenderness or love in it. it is the act of unchaining a dog from his post, the stepping down of a general. but to each their own ig.

[ph-cutie]

top 10 reasons you should NEVER visit revachol

[moniqa24]

UTY ANNIVERSARY DAY 7: Favorite Ending

Tmw you realize that neither Clover or Flowey actually get what they want—

Both after the exact same thing for completely different reasons, actively going against each other, regardless of intention or awareness.

It took a while for me to really...get Clover and Flowey's dynamic. But bringing these three endings together really helps solidify it for me.

There are LAYERS. Like, this BARELY scratches the surface XD So, I wanted to pay homage to it. Here's to toxicity *cheers*

And a whole week's work of art done! This was a lot, but it was so fun? Like, I felt my art improving in such a short time fsr?? It felt so nice to just..contribute to something, and it's made me feel less shy on the internet (Day 1 had me so anxious istg—)

All of this to say is I'm glad I did this, happy I gave this game a chance and made so many fun memories along the way. Happy Anniversay, UTY <3

[jesuis-assez]

↠ Tim & Lucy ↳ 2x10 - The Dark Side

[iinryer]

can we fucking stop assigning “ableist” to characters for no fucking reason. jesus christ. not only is it extremely boring and cop-out storytelling to just make villains out of regular ass characters to create your conflict, it’s also fucking jarring and exhausting to have to be slapped with slurs and ableist microagressions towards a CHILD out of nowhere while reading an otherwise unrelated (and untagged for it!) fic. im not normally one to get this negative on main, but if im being honest? you guys are pissing me the fuck off

[uncanny-tranny]

Every time you think, "Oh, I don't have [x condition], I'm basically cured!" that is the devil talking. You aren't cured, you are likely going through periods of your symptoms waning. Don't cease whatever you're doing to help yourself, like medication, for instance, because it's likely you still have the conditions or symptoms, even if you aren't noticing them as frequently or severely.

[bisclavret]

what SICKO wrote the last scenes between gwaine and merlin is what i want to know. because even lancelot's last episode with merlin - which had to have been intentionally gay-coded since it's obvious the man is grappling with his feelings for merlin morphing from platonic to explicitly romantic - is still subtext because he doesn't have the tools to healthily express his feelings so he goes for the biggest romantic gesture he can think of: sacrificing his life to save a loved one. the writers also make sure to root this gesture back to gwen by adding a scene where she's inadvertently asking him to make that sacrifice first, so although it's very obvious that it's more for merlin than for gwen that lancelot dies for, she is there to add some plausible deniability, thus keeping his sexuality within the realms of subtext.

i don't want to delve too deeply into arthur's last scenes with merlin as there is both so much to unpack about what they mean to each other and there is also somehow nothing left to say that hasn't been said before. my point is just that there's so much at stake that if the viewer doesn't want to deal with the romantic subtext between them they can hang onto the 38 other dynamics merlin and arthur have represented to each other that the writers spent 5 years plastering on top of the gay subtext. basically, while the romance feels textual emotionally-speaking, it isn't "canon".

i don't mean to say that any relationship is better than another (even though i obviously have a preference) but that in gwaine's final scenes with merlin there's just no subtext anymore. his becomes the most explicit expression of romantic love towards merlin, and therefore the most explicit acknowledgment of homosexual love and the existence of queer people on the show:

it starts out with merlin suggesting that gwaine saved a girl from the saxons and then looked after her because he has a more than platonic interest in her, and they show us that merlin is right - gwaine and the girl eira slept together - even as gwaine half-heartedly denies any interest (which, why even deny it? merlin saw them holding hands! unless the lie is part of the point). then in that very same scene and directly after this exchange, merlin needs rescuing from the saxons, calls after gwaine, and gwaine performs the exact same role for him that he performed for eira: he saves him from the saxons and looks after him (for as long as merlin lets him).

the parallel between merlin and eira with such quick cause and effect (it literally all happens within the same minute) is where the shift from subtext to text becomes undeniable. yes, there have been other moments on the show where a character's affections towards two different genders are beat-for-beat the same, but, again, there has always been plausible deniability. in this case the parallel is meant to be taken at face value: the core point of it is to show us how gwaine expresses his attraction.

then, the dialogue they chose to bookend this scene with takes it a few steps further by functioning as a textual love confession to merlin himself: the scene opens with gwaine thanking merlin for everything he did for eira, and merlin saying that there is no need to thank him as it was the least he could do. a minute later, after merlin thanks gwaine for protecting him from the saxons as both merlin and the show just concluded gwaine did for eira for romantic reasons (even as he denied it by outright lying), gwaine parrots what merlin said when gwaine thanked him: no need to thank me, merlin, it's the least i could do.

but this comes off as the opposite of dismissive: in fact, this echoing of merlin's words is meant to jolt both merlin and the audience. by saying this right after saving merlin from the saxons, gwaine has now intentionally pointed merlin's attention towards the explicitly romantic parallel between himself and eira. gwaine is directly implying he just did for merlin what merlin correctly deduced he did for a woman because he desired her sexually and romantically, and he is using merlin's own words to challenge him into seeing past the initial flimsy lie that there is nothing between them. and what's behind the lie, of course, is that gwaine has done all of this and more because he desires merlin sexually and romantically. the camera even lingers on merlin, allowing him and the viewer to absorb what just happened. that for as long as we have known gwaine, his motivations have always boiled down to "i want to be there for merlin". and now both the audience and merlin finally know for sure what was motivating him the entire time.

what's more, by using merlin's own dismissive words, gwaine also implicates merlin's penchant for repression and denial and never allowing himself to be given credit where it's due. this unfortunately never properly gets dismantled on the show, but this moment shows that gwaine knows merlin well enough to know that he goes above and beyond for people, and that merlin's reasons for this ring as false to gwaine's ears as gwaine's reasons for saving damsels do to merlin. it also bittersweetly implies that gwaine has accepted that these are the platonic, repressed terms on which he can have a relationship with merlin. but i think the way in which he explicitly points all of this out to merlin is meant to imply that he isn't entirely happy about having to accept that. or, to circle back to eira, that merlin seems to be cheering for him to enter a heterosexual relationship when gwaine would clearly rather be with him.

what's additionally interesting to me about this is that this is one of the only scenes on this show that touch on same gender attraction that isn't using magic as a metaphor - because merlin doesn't have magic at the moment, yes, but also because gwaine is the more active character in this sequence, and he's an adventure hero, so he simply fights the bad guy to protect the person he loves. there is no metaphor to wrap this in, so he just gets to explicitly state his bisexuality. in the next scene, the very last one he and merlin share, it all becomes about magic again, which is both representative of merlin's sexuality and the show's "plausible deniability" approach to gay-coding, and so neither gwaine or merlin are permitted to acknowledge it. also, and this is for another post altogether, but all things point to "gwaine knew". not least because he gets to come out as queer without the complications of the magic-as-gay-metaphor which in turn emboldens him to ask merlin for the truth as directly as the metaphor-suffocated narrative will allow it.

tldr gwaine textually and canonically expresses and then confesses his feelings to merlin in a shockingly well-written and layered scene which makes gwaine the most explicitly queer character on bbc merlin and it's entirely because he exists outside the magic-as-gay-metaphor plot while loving someone who embodies that entire metaphor and it's crazy to me that we don't talk about this more. once again i ask what SICKO wrote this and where were they for the entire rest of this fucking show

tldrtldr at least gwaine is bi. its like i always say. at least gwaine is bi. at the end of the day. gwaine is bi. dont cry ok? gwaine is bi. at the end of the day. gwaine is bi. when all else fails. gwaine is bi. we'll always have. gwaine is bi