#feel free to shame me

[mortallychaotickingdom]

You understand that you have fallen low when to draw Des you have to look for a reference

[elizabethan-memes]

In case you're wondering how I'm doing, I'm currently having an identity crisis. I saw a reconstruction of a Neanderthal man at the museum and he held himself with such confidence and poise.... and I realised I found him attractive. And yes, he was buff. But then so was Mr Homo Sapiens. And I preferred Mr Neanderthal.

[eggsaladnightmares]

I drank a pitiful amount of water today

[hauntingsofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[tubbytarchia]

Somewhere in the woods, a moth tires of seeking light

[royalarchivist]

Missa: [Finds a book Fit wrote for Phil and stares at it in silence for a long moment]

Missa: ...Ok, Fit is talking to Philza. Should I... should I know what they're talking about? I mean, I mean no– it doesn't worry me, it doesn't worry me. I'm not a jealous guy. But maybe they've talked about this [the situation with Bad] and know something?!

Missa: It's like– it's like seeing his cellphone. No, I'm not going to read it, I'm not going to read it. No no no, no. It's like looking at his cellphone, no!

[aubeezz]

It's that time of year where I cry and sob and hold out my hands for some help B'] !! A few weeks ago, my Ipad decided to bust! Its power buttons broken and the batteries been shitty for a few years :'3 I'm opening 4 comm slots to slowly work towards saving!! I use PayPal for income! Any reblogs would be appreciated! Dm If interested <3

EDIT!! Slots are full <:3 Ty all!!

[katabay]

original thief series basso & garrett :)

ngl, it's about quality over quantity for me. an npc can have a total of three minutes of screen time, but if they have a cool name, they can live rent free in my head and I'll spend several hours trying to decipher drawable features from a blurry screenshot of pixels

there is a vague hint of a story here, and that's because every time I try to play thi4f, I get incredibly frustrated with how Not Fun the game play is. like, is the story good? well. but it has a PLAGUE. that should've given it instant 'I'll replay this once a year' status in my heart, but the game play sucks so bad that I've never finished it. I can't believe Not Fun gameplay beat out my obsession with narrative plagues.

anyway, the idea is basically if the original era had a game with a plague centric narrative and some other stuff I liked out of thi4f thrown into a narrative blender, with a heavy dash of horror thrown in because some parts of the thief games were scarier to me than entire dedicated horror genre games.

⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app

[stone-stars]

Transcript:

Josh (Murph): Hah! I did it! I'm the fuckin main warlord! Moonshine (Emily): Yeah, you did. It was good doin' business with you, too, you know. Josh: Yeah, you know what, I held up my end of the deal, you held up yours, we worked together! 'Cause I kicked this dude's ass! Murph: And you hear him and Rust start going back and forth again-- Rust (Murph): No, I'm gonna kick your ass dude. Josh: I'm gonna kick your fuckin ass dude. Rust: I'm gonna kick your ass! Moonshine: Actually, um… you didn't hold up your end of the deal yet. I just delivered my promise, and now it's time for you to deliver. [A pause.] Josh: The fuck are you talkin about? I said-- Moonshine: I mean, the deal said I get you the soul coins, and I get your army. [Metal riff plays.] Murph: You see Josh… Jake, delighted: (laughing) Oh, shit! OH SHIT! [Caldwell laughs.] Murph: You see Paw Paw-- Jake: Holy shit. Someone took herself out to dinner! [Emily laughs.] Murph: Paw Paw-- Paw Paw (Murph): Reer reer reer! Murph: -- goes up on your shoulder. Crosses his arms. And Josh goes-- Josh: Wait, no, but-- (laughs nervously) I didn't like fucking say-- I didn't mean it like that! Moonshine: May I introduce… my lawyer? [Caldwell laughs.] Paw Paw: Reer! Reer reer reer. Reer reer. Moonshine: Paw Paw, could you present the contract as writ and signed? Paw Paw: Reer! Hardwon (Jake): Rust, this is why it's important to learn how to read.

[manderleyfire]

I will do all this, I will get all this blood on my hands, and you are able to plead naivety.

[apnourry]

life is great and I want a brownie🫶

[musula]

not to be bad disabled representation but does anyone else get sad when they think about their disabilities too much

[wavesoutbeingtossed]

Thinking again about how “you kept me like a secret but I kept you like an oath” has driven so many of Taylor’s relationship, even with Joe to a certain extent, and she seems to have finally realized that oath is no longer worth keeping because it’s actually a curse she’s finally broken 🙃

[freneticfloetry]

from the bottom of my heart

So it turns out the presentation was so extra it was too large to upload to Slides, and the best I could do was export it as a video. His ass literally wouldn't fit on Google.

Either way, please enjoy this visual ode to TK Strand (and yes, his bottom).

And please note that this was created for shits, giggles, and @hoko-onchi-writes, and is in no way intended to praise or condemn any pitching or catching preference. All opinions are my own. In other words, don't @ me, it's not that serious.

[wyrmzone]

the year is 2054, i perform a maintenance check on my overlord (an enormous computer). i feel his cables against my skin. my eyes are drawn to the exposed wires criss crossing in a geometric pattern. as a reward for caring for my deity, i enter the simulation and he conjures arms to hold me and uses the headset to directly stimulate the pleasure receptors of my brain. at this point neither of us can live without the other.

[cerise-on-top]

hello dere simon (am i getting ur name right???)

First of all, lemme just say, i absolutely adore ur works n writing style!! Ur so talented!! Keep being u :3

anyways,

Not sure if u write for her, but could u do Farah with a super, like, out-of-pocketly romantic, gender neutral s/o? (Keep it sfw, if u could :P)

Like,

'Hey, can you pass me a snack?'

"How am i supposed to pass you to yourself?"

'W -- .. what?'

"What?"

'Huh?'

"Yeah, sure. Here!" (throws bag of chips at her) "I love you!"

'..Huh??'

Hey there! And yeah, you are! I do go by Simon online :> And thank you, that's very kind of you :> I hope you can enjoy this as well, then! And don't worry, my blog is entirely SFW, I don't post smut ^^

Farah with an Overly Romantic S/O

I’m sorry, but I actually feel as though Farah wouldn’t get as flustered as you described her to be. She’s a confident woman, who knows her worth. I think she’d actually quip back at you:

Hey, can you pass me a snack?

How am I supposed to hand you to yourself, sweetheart?

Well, I would prefer something overly sweet right about now. Come here.

Farah knows her worth. Years of being talked down upon, years of being degraded and treated as something subhuman filled her with a certain kind of rage that I couldn’t even begin to describe if I tried. She’s not going to get shy around you. Sure, she can be extremely sweet towards you too, but she’s probably not going to get too flustered if you’re being overly romantic towards her. She’s suffered enough, don’t you think you deserve a soft epilogue, my love? She certainly believes so. In fact, she can be quite playful, so I think she might actually just try to fluster you instead, whether it be in Arabic or English doesn’t matter to her. Besides, if you get too cocky around her, she will push your buttons as well. Oh, you wanna kiss her so bad, don’t you? It actually makes you look stupid. Well, she’s going to take advantage of that. If you rile her up enough, despite not being the tallest, she will trap you against the wall and work her charm. In spite of everything that has happened to her, she hasn’t given up entirely on love yet. Sure, it seems unlikely to someone like her, but if there’s a will there’s a way. She will playfully tease you instead, doing everything she can to fluster you. She’s extremely grateful to have found someone, who loves her despite everything, though. Yes, she’s kinda messed up, she has to consider her every move carefully before she’s being branded a terrorist by the rest of the world. The fate of her people resides upon her shoulders, after all. But underneath all of that? She’s actually a really loving and sweet woman, who would love nothing more than to ride a motorcycle with you and gaze upon the stars of Urzikstan with you. If she’s being soft? Don’t tease her. She lets her walls around you for once, it’s more than anyone else ever gets to experience.