#feel free to come tell me if it doesn't!

[originalcontent]

I can't find art of my ship anywhere so I GUESS that means I have to make it myself, here are some doodles.

[justanotherwriter140]

Kung Fu Panda 4 - The Movie

The last really, really long discussion post (for now).

Major spoilers ahead!

This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.

Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.

I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.

I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.

With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.

I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.

Here are my main points:

The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.

Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.

Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.

The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.

The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.

I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.

The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.

With my main points established, I do believe it's ranting time. Strap in, folks.

Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.

The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.

The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.

Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.

I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.

For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.

That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.

Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!

The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.

As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.

Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.

I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.

As I stated in my first discussion post:

Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.

When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.

While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.

We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.

A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.

The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.

Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.

The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.

Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.

Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.

Now, onto the Chameleon!

The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.

Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.

Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.

An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:

I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.

While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.

The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.

It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.

Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.

I have to talk about the pacing. I have to. I'm sorry, bear with me.

To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.

KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.

A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.

As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.

In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.

"If you only do what you can do, you will never be more than you are now."

"I don't want to be anything more, I like who I am!"

In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.

Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.

With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.

Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.

In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.

I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.

Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.

KFP4 has its flaws and there are a lot of aspects that I dislike, but the I greatly admire and respect the hard work put into the film by those of the crew who put their efforts forward and tried their best to make it work. This does not at all excuse my issues with the movie, but it's worth saying.

As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good (even great!), but only given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).

Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.

Until next time!

[kyouka-supremacy]

Atsushi for the ask game.

ATSUSHI HERE WE GO THANK YOU FOR HEARING MY PRAYERS

Favorite thing about them: HIS SELFISHNESS. It's so so delicious to explore. Can you imagine a protagonist that saves others not out of simple good will, but because of egoistic self-preservation motives? It just feels counterintuitive for me lmao, and I found it quite messed up when I first watched the anime, but now it's so compelling to explore. His whole “everything I do is in order to gain the right to live” is crazy fashinating. Because lol, that's entirely nonsensical to me! There's no such thing as “gaining the right to live”; all humans, every person in the world is inherently deserving of life. All. No exception. So there's no level of “weak” or “worthless” that would make you lose that right. The fact that's it's a vision so distant and absurd from mine, idk, it just makes it very compelling to explore? “What if there was a little fucked up guy who believed the right to live had to be earned” just sounds like a very interesting premise.

Least favorite thing about them: When I first watched the anime, I think I found him low-key annoying? I just... Don't do very well with self-deprecating people and people who complain a lot in general, I usually suffer in silence and tend to (wrongly) assume others should do the same (this probably makes me sound pretty mean, I swear I try to be understanding irl). However, it doesn't bother me as much anymore, I simply think it's more of a distinctive trait of the character that makes him multilayered and unique. As of now, I can't think of anything I don't like about him if not the fact that I wish he'd rely on Dazai and others in general a little less. I know that has to do with his lack of self-worth, so maybe it makes sense,, but as of now he feels kind of stuck. I just wish we'd see him grow more on that front.

Favorite line:

There may be better ones, but I really like the delivery of this one.

brOTP: KYOUKA AND ATSUSHI they make me go insane. Already talked about this in the Kyouka post but just to reiterate: in my headcanon Kyouka really is the only person Atsushi feels genuine, selfless affection towards. It's very sweet. They're siblings. Kyouka's happiness is really important for Atsushi. They really do have that feeling of people who got out of an abusive environment learning what normality is supposed to be like together. I also really like how they compensate for what the other lacks, be it decisiveness and coolhead for Atsushi and empathy and positivity for Kyouka. Although plenty shipping them romantically, I really like platonic sskk and atsulucy as well.

OTP: I really like sskk eheh. I think they're neat. There's a thousand and one reasons why I find them pretty great. They're objectively the only reason why I got invested in bsd as well as the only thing that has me keep up with the franchise to this day. Right now, I feel like the one thing I really appreciate about them is how you can be the worst person in the universe and still somehow be loveable to someone. I think it's sweet. I also find it very fun and enterataining to explore their various soulmatism antics. They're both very complex and multilayered characters with something deeply wrong with how their minds work that makes them very fun to analyze both by their own and in the complexity of their relationship. Their collective story arc and canon relationship progression is extremely engaging and nice to follow, too. I love dazatsu and atsulucy as well!! Both were ships I wasn't particularly invested when I read the manga for the first time, but really grew in me in the last six months or so. I really dig akuatsulucy as well!!

nOTP: Nothing?

Random headcanon: He really likes reading. There's some real meta-analysis to be made here I actually had written this is probably not the right place to talk about, but in a work that's all about literature, he's the character who reads.

Unpopular opinion: He's the hardest character to write / characterize. That's why people should probably go easier on other fans when they mischaracterize him. He's just very multifaceted and genuinely hard to get. I keep seeing people being like “Stop babyfying Atsushi he's an independent adult!!” then turn around to say “he can't be shipped with Dazai because there's too much unbalance of power :// [somewhat implying Atsushi can't make free decisions for himself]”, or “Stop making of Atsushi a soft baby who never did wrong in his life!!!” then turn around to say “Atsushi is the happy puppy of the agency who gets treats and pats from everyone ^^ ” like. At least to me, a lot of people's arguments sound self-contradictory all the time; but that doesn't mean people should stop having fun and characterize the characters as they like! Just, let's stop being mean to each other and try to be a little more accepting towards others' takes, shall we? And yes that also includes letting people find Atsushi annoying if they find him annoying (although like, I've NEVER found anyone call Atsushi annoying ever, so really, what remote fandom spaces is everyone visiting? Why are you looking for clothes (good takes) at the soup store (Tik/tok I assume?) ).

Song i associate with them: Common World Domination by Pinocchio-P, HIBANA by DECO*27, Ghost Rule by DECO*27, so on and so forth.

Favorite picture of them:

Favourite panel from the manga:

Favourite illustration: Look, there's too many beautiful illustrations, I can't chose. Here's a very good one though.

Favourite illustration in the anime art style:

But also:

Favourite Mayoi card:

Send me a character?

[flowerakatsuka]

larry's tag about kurokara looking back on going around the summer festival together and realizing it was basically a date is making me chuckle bc it wouldn't be the only instance of kuroba inviting karamatsu out on what's essentially a date before they're a couple ( not even during that summer. )

[lilaccatholic]

how do i do it though. how do i let go of the bitterness and the hardness when they kept me "okay" for so long? does it come when i finally leave? can it ever?

[angorwhosebabyisthis]

[pericky; a look into ricky's head during their meeting.]

---

"I'm glad you came, I wasn't sure you would." The wine pours, the sound of it drowning out the missing word in that sentence: back.

Of course, is the response, and the part of Ricky that's spent twenty years tearing itself apart to understand why vibrates with relief. It doesn't matter anymore. Of course, of course, he thinks giddily along with the words. He never needed to wonder why Pericles wasn't coming back in the first place; he was always going to.

I'm happy you invited me, and of course he thinks again. A lifetime of pretending he wasn't always going to either falls away. However harsh and lonely the world has been, all's right with it again; and the shy voice of the boy inside him that he's tried so hard to kill says, so quietly, I missed you.

[katierosefun]

the line about logan roy not being able to fit a whole woman in his head being said from his own daughter is so. something about daughters and their fathers something about daughters who are their father’s child something about daughters who are daddy’s little favorite daddy’s little girl but the second they start having opinions and the second they start talking back, the father holds their daughter out with open hostility and suspicion, something about how only years later will the father occasionally go, do you remember? do you remember when we used to have good days, when you used to come to me with all your wonders and your worries, do you remember when we were stuck together like glue, what happened to that and the daughter just has to give her father a rueful smile as though she hasn’t been wondering why her father built up that wall in the first place as though she hadn’t been wondering since when did her father only ever said good morning to her brothers as though she hadn’t been wondering since when did her father only ever ask her brothers to accompany him to work and something about shiv roy saying my father couldn’t fit a whole woman in his head and something about shiv roy still crying the most when she learned that her father was dead something about how shiv roy called her father the world and yet something about how shiv roy still asks her father’s closest male confidants if he was really that bad, was my father still an okay guy when they all know the truth, they all know he wasn’t a good person, but shiv roy still remembers playing outside her father’s office just to get him to come out and shiv roy still remembers her father telling her to remember, slant of light and ugh ugh ugh ugh ugh fathers and their daughters daughters and their fathers or whatever

[fingertipsmp3]

Ughhhhhhh I hate writing and I hate not writing and I hate myself

[justablah56]

damn I miss playing wolves in my friend's back yard .... rb to play wolves with your mutuals in their back yard<3

[sunthroughtherust]

made a cohost account which means i am severely over thinking usernames again and how nothing i have ever called myself online has fit me

[blizzardsuplex]

Zack - how’s it goin’? I’m sure it’s going well. Y’know, I’ve had a few days to think, and...I acted pretty irrational on Friday.

Roderick Strong’s Valentine’s poem  from Roderick Strong sends a Valentine’s Day message to Zack Sabre Jr.

[fionnaskyborn]

there's something to be said about the very specific feeling of frailty you feel when you come face to face with just how little you've experienced. twenty-odd years on planet earth and you haven't really watched all that many movies. an unlived life facing an uncertain future. i do not know where to point the finger of blame because i live untethered from my past, floating in the present with no clear point of reference no clear definition of who i am or what happened to me and how i turned out the way i am (fucking. can you guess why five is my favorite game. insert that one lyric from that one modest mouse song.) but you're still here, and you can still learn, and you can catch up, but it still feels like you're a pitiful little nobody looking for excuses trying to explain why you're still new to the whole being alive thing. i've got a good head on my shoulders, though, for all that's worth, so i think i might be fine.

in other news, i watched scarface tonight. it was certainly a movie. don't really understand how the movie made it big, but it did have some damn good music. i mean, i don't know. i'm still learning about the world i live in. maybe it really is as much of a masterpiece as people make it out to be and i'm too dumb to see the reason why it's considered a classic. maybe i'm right. i can't tell at the moment. it's kind of a beggars can't be choosers situation - if you ain't watched that many movies, then you can't really be a good judge of quality. but, oh, well. it's one more movie watched. it's a win because i watched a movie. and i'll watch more movies.

[solidsnakepenis]

You never expect to miss what you do.

[crittertalez]

As a system with a lot of nonhuman and alterhuman members (hence our system name) our alterhumanity often affects our daily life and make many of us want to nest, or make us be able to make nonhuman noises, or even have individual scents. And as embarrassing as it is to admit to more "normal" people, it can affect sex lives as well, including some members going into heats or ruts or whatever equivalent they have. Which would all sound like a perfect mix-match of things to get us into the misceverse! But there feels like there's just this significant barrier between us and that community

That being just how heavily it focuses on people's sexes and ascribing certain personalities or dynamics or behaviors or what have you to being a certain sex or having certain sex characteristics. Even when it comes to people making it more explicitly queer there's still an expectation to believe that, say, it is "typical" for a certain sex to be more submissive and calm while another is more aggressive and territorial. And, even more notably, it's seen as fun and interesting, quirky even, new, for this to be treated as a fact of life. The idea that one sex could instead do the actions typically associated with another is queer and known to be unusual (even if the person is describing it as a Good and Interesting thing, they're still enforcing the idea that certain actions typically belong to another sex)

Which.. Is just Sexism 2! "Women cook and clean and are more quiet, demure, submissive and Men protect the territory and what is theirs (which includes their wives, being treated as possessions), they're sex-driven and aggressive" 2. "Women nurture and Men protect" 2. We want to go into animal care, we spend much of our time researching animal dynamics and behaviors for fun. But even if nonhumans & alterhumans often do not see themselves as human, we are still all people, and the idea that ascribing certain personalities/behaviors/traits/etc to certain sexes is okay and fun as long as they aren't human sexes is.. Blegh.

I don't quite like being kicked in the head even when the kicker has a paw instead of a human foot. Something being seen as "natural" or a part of being a nonhuman animal does not automatically make it good

We've had this issue with omegaverse as a concept in general as well, especially when it comes to the versions that focus solely on men. Obviously the point is to explore secondary sexes and not the primary ones, but if you were to replace "omega" with female (and yes, that word specifically, so you understand what I mean) and "alpha" with male suddenly the problem becomes a lot more clear with ascribing submissiveness and nurturing behavior to one sex and aggressiveness, domination, and protectiveness to another

Adding a third sex or even sexes that have a mixture of traits assigned to them doesn't necessarily get rid of this discomfort, as there's still the fact of the matter that sexes are getting assigned typical personality traits. Not to mention that within the community there's an expectation to say what your sex is, and to see the idea of others being able to instantly tell what sex you are as hot and fun. Even with queer labels existing to make the idea more expansive and inclusive there's just something that feels.. Off. About how inherent to the community the idea of certain sexes coming with certain personality traits and behaviors is. I'm not much of a fan of bioessentialism even when it has a coat of nonhuman paint over it

(Also, the wolf studies that alpha/omega/beta as concepts were derived from are extremely inaccurate studies that don't have basis in real life and we honestly wish that the idea of alpha males would die out already so people stop thinking it's a real thing. It hasn't been pleasant to run into in any iteration, whether in zoology, incel culture, or alterhuman communities)

[le-velo-pour-dru]

I have the hardest time in the world ever balancing my needs versus the needs of other people, but I think I've been letting too much slide in terms of not being paid attention to or listened to

[fumiliar]

self-restraint is one thing kento prides on. he is a good man, or at least he tries to be. his eyes landed on your flailing figure, pinching his nose bridge to prepare himself. you, gojo, kento and shoko went out for drinks to celebrate the fact you 4 were still alive.

your mind was blank, you had no self-control, it was like the shame centre in your brain got turned off.

"oh my god!" you squealed in excitement. "my favourite song!" you stumbled off your bar stool, going to stand up on the table, gojo supporting your brave act.

kento acted quick. right when your foot landed on the table, you were pulled back by an immeasurable amount of strength, your back landing on someone's muscular chest.

"how drunk are you?" a gruff voice spoke right beside your ear, sending shivers through your whole body. your senses were already heightened, but at this moment, you could feel everything. you could hear the fastening rhythm of your heart, along with the steady rhythm of another's.

"earth to y/n~," satoru's singsong voice echoed through your empty head.

"yea, sorry," you shook your head, turning around to see kento's disapproving look. his hand keeping a deathly grip on your wrist, ensuring you were always close to him, in case you'd do something embarrassing, or at least that's what he tells himself.

"y/n, i'll bring you ho-"

"don'tt, you're such a party pooper nanamin! we were just getting started," the blue eyed man whined, he looked like he was about to start a tantrum.

"yeah, let's just wrap it up, i wanna go home," shoko agreed with kento, getting ready to leave. "i'll leave y/n to you, gojo, come." satoru following shoko like a sad puppy.

"let's go home," kento used his free hand to pack up your stuff, double checking if you took anything out of your purse.

"you're so hot when you take care of me," you freely complimented kento, his ears slowly turning beet red.

"i like you kento, you know that right?" you kept talking, kento's face slowly turning a darker shade of red. "why are you so red? are you having a fever?" you used your free hand to feel his forehead, even in your drunken state, you still worried about his health.

"no...y/n. i'm fine," he put your bag on your shoulder as he led you out of the establishment.

"ow....my feet hurt ken," you pouted looking down at your heels.

restrain yourself kento. restrain. was the only thing he could think off as he looked back at you. he didn't want to take advantage of your drunken self. he knelt down as he took of your heels, you bracing yourself on his back. he slowly took your hand of his back, putting down your heels on the ground to take off his blazer.

"up," his back facing you as he knelt down. you weren't going to waste a chance getting piggy backed. instantly, your arms slid around his neck as your legs trapped his torso. kento stood up, picking up your heels and adjusting his hold on you.

"comfy?" you nodded against his neck. "take this, and wrap it around your waist," he handed you his blazer. you instantly listened, wrapping the blazer around your waist, making sure you don't flash anyone along your way home.

"ken, you're so good to me," you mumbled, nibbling on his neck, eliciting a groan out of the man.

"you're such a tease," kento chuckled, smiling to himself at his current predicament.

"we're not even dating....hft," you sighed. kento let out a hearty laugh at your dissatisfaction.

"why do you want us to date?" kento asked making you even more disappointed.

"what woman doesn't want stability!" this time you were annoyed. you straightening your back, not leaning on kento's anymore. kento was still joyful, instead of responding to your annoyance, he loosened his grip on your legs, your instincts kicked in, quickly wrapping your hands around his neck once more to ensure your safety.

"were you about to drop me??" panic was evident in your tone, but kento was still amused. "answer me!" your hand hitting on his chest.

"y/n," kento sternly called out your name, abruptly stopping your abuse on his chest. "we're married love, isn't that the epitome of stability? why would i regress our relationship to just boyfriend and girlfriend?"

"huh?..." you were confused for a second, quickly looking at your hand. and there it was, glistening in the moonlight, your wedding ring. "oh.."

kento couldn't help but tease your drunken self, his self-restraint always wavering when it came to you. the prim and proper man turning playful in your presence, he just couldn't help it. he continued his walk home, occasionally giggling at your forgetful nature.

"i hope you don't forget this moment," kento muttered under his breath, knowing full well you would have no memory of this event, only a pounding headache to remind you of yesterday's events.