#fd: 13 reasons why

[eddysocs]

Broken Hearted Lovers by Somme

Chosen Last by Sara Kays - 🌻

Drivers License by Olivia Rodrigo - 🌻

Easy by Alice Kristiansen

Healing by Oh Honey

I Will Remember You by Sarah McLachlan - 🌻

May I by Trading Yesterday

Mrs. All American by 5 Seconds Of Summer

Pocket Full Of Sunshine by Natasha Bedingfield

Steady Love by Song House, Matt Wilson

🌻 = Favorites

Forever Tag: @baubeautyandthegeek, @kmc1989, @curious-kittens-ocs, @fanficanatic-tw, @gcthvile, @immyowndefender, @savageoofchicken896

Harper Cassidy: @megandaisy9, @boobear729, @ghostsunderstoodmysoul, @freshmoneyalmondathlete

[mirensiart]

okay so the events of hyrule warriors happened before the chain got together in your au

which makes me wonder if wars and wind knows that time is mask and if not, does time sometimes get jealous seeing them be closer than they are with the rest of the chain? (like they're still really close with the rest of the chain and will kill for them but wars and wind are like Ride or Die)

Hehe oh well the reason why I like that headcanon is because it makes the wind+time relationship so funny and I love funny things lol

I've drawn it before, but yeah wind absolutely knows time is mask, hence why I always joke around with the big little bro + small big bro stuff

I just think it makes the dynamic hilarious lmao

But! I do think that maybe wars+wind didn't notice for A While that time = mask, so when they first travel together they see time's face tattoos and his armor and be like 🤔🤔🤔🤔🤔 cause they're so similar to mask's FD transformation

But like, there's no way this old man is mask right like wars + wind are only a couple years older post war of eras, mask should be a teenager now not an old man

I think time would like, have such a good time seeing wind have like this hero worship on him at first cause like LMAO IF ONLY U KNEW I'M UR LIL BROTHER LOL

Wind takes back all the things he said about time being cool and amazing when he finds out he's mask like he is not inflating his lil bro's ego no NOPE

I do think that maybe time gets a lil sad when he notices the others don't recognize him but then starts pranking them and it's after he pranks them both with a classic mask prank that wind+wars are like WAIT WHAT NO WAY?!

Anyway, I can't imagine time getting jealous in this scenario lol

[creators-club]

Here is a tag list of every fandom, including original work, that is features in the Creators' Club:

fd: 13RW (13 Reasons Why)

fd: atla (Avatar the Last Airbender)

fd: beetlejuice

fd: boy meets world

fd: castlevania

fd: dc

fd: dying light

fd: extraction

fd: final fantasy

fd: found

fd: gta (grand theft auto)

fd: hunger games

fd: kung fu panda

fd: little hope

fd: last of us

fd: madagascar

fd: marvel

fd: mota (masters of the air)

fd: naruto

fd: ncis

fd: one piece

fd: original world

fd: original writing (poems, etc)

fd: OUAT (Once Upon a Time)

fd: resident evil

fd: saints row

fd: silent hill

fd: sonic the hedgehog

fd: star wars

fd: supernatural

fd: teen wolf

fd: the talented mr. ripley

fd: vampire diaries

fd: white collar

fd: wicked

fd: wrestling

[artleaguemdcnorth]

Critique/ Line Assignment 5/13/24

I will go over this selection of assignments on Weds.

Here is the information for now .

Those of you that need to make changes to your work or improve them can have additional time tomorrow Tuesday to resubmit them to your blog.

Line assignment submissions:

A ( (A) quality work)

Bg

af

mb

(B) quality work

l(g)r

as

(C) quality work

fd

(C-/ D) Quality work

js

nv

B (A) quality work

bg

af

l(g)r

mb

(B) quality work

as

(C-/ D) quality work

js

fd

nv

C (A) quality work

bg

mb

L(G)R

(C-/ D) quality work

as

fd

nv

js

D ( A) quality work

bg

mb

L(G)R

AS

EL

(C) quality work

fd

(D) quality work

nv

Note:

We will review work on weds. For now, the work above is being graded on the following basis:

Craftmaship

Originality

Creativity

I am also reviewing your ability to follow directions and complete assignments with the purpose of creating an interesting and compelling composition.

The rule I follow is this:

If you are not going to hang the work you made in your living room for a year for everyone to see, then you are not producing your best work.

I can see by the submissions, many of you are rushing the assignment or working without concern for the space the design lives in or following guidelines and rules according to the Principles.

Ask yourself the following:

How am I subdividing Space ?

What kind of balance am I using ?

How is my design showing variety and repetition?

How original is my work , am I coming up with easy solutions or thinking about creating an interesting design?

Am I making an engaging and interesting use of space? ( the space is within the 8x 10 parameter of the 9 x 12 paper)

Am I using the correct materials?

( These assignments are being done on Bristol paper within an 8x10 space on a 9 x12 Bristol paper and using either solid black ink or black acrylic paint.)

How much time am I spending on each assignment?

At the very least each assignment should be a total engagement time of 1.5 to 2 hours each.

Finally, I will allow students to resubmit for a better grade.

You can use the class time tomorrow to do so, add a link to this post once you are finished.

If your work is not listed here is due to one of several reasons:

a) You did not do the work

b) You completed work but using wrong materials or not following instructions.

3) You have no clue what we are doing and need additional directions.

( That is why I ask you if you have any questions at the end of the lecture!)

[arrthurpendragon]

Oh wow! So interesting! You're right it is dark, but her character has come a long way since her creation! Kudos to you!!!!

Since I've been mostly absent for a few months . . . (Since like Christmas)

Reblog this post and spill as many details as you want to about an OC (or OCs) to help me catch up!

[jonathankatwhatever]

Continuing on 16 Mar 2025. I have two bits to discuss at this moment. One is that I realized the obvious about my knee, that it’s partly frozen, which means breaking that apart should have substantial benefits because my shoulder is now in great condition. The other is that I use a locker with 4 numbers 0-9 in a grid. You set your combination, close it, spin it to scramble, so of course I play with grid arrangements. I finally decided to do the obvious, which is to make a grid count like I have always done with gs. That means counts of 1 along the szK to 3, with the Betweens set to 2. That embodies the splitting of paths to the End, which when you CR that is familiar. Then I looked at it and saw a 22 across a 13 and said oh, that makes sense. Including the from my head to yours. That’s truly brilliant of you.

The Barf Maker exercise definitely works. The mechanics are pretty easy to grasp: by using the weighted cables, the work expended to push the weights to the floor with the legs straight pushes higher up into the fold of the body because that effort travels up the body, and it will collect at a bend. This leads to some interesting thoughts, I think, because I’m drawn to the proofs by the Bernoullis and Newton that a cycloid describes the shortest, best path for an ideal object descending. I can see how it works in a drawing: the extra gs process versus the constant gs process. In the classic example, you can drop it straight, which is fast, but then you need to roll it across the ground, so the gsProcess, which is effort gets bigger and thus the progress is slower. A straight diagonal needs gsProcess to sustain it against the forces which otherwise are dropping it down. It really does get pretty easy to understand when you get what this is about. Here you have the assumption that this is in a gravitational field, and we know it points down in yK, so movement across in xK requires gsProcess.

In a standard illustration, you can see how the drop and roll path is slower, which means more gsProcess. What is that process? If you compare the curved path, which is the rotation around the Boundary which relates Start to End, which makes a circle and thus a cycloid, then you see it takes process to stay above where that Boundary goes.

Why is this so? Because the direction is down, meaning down in yK, so that describes the lower reach of a Thing, meaning literally as it drops down, and thus as it connects points on its Boundary going down.

Back to the Barf Maker. You don’t or shouldn’t feel the pressure of the weight as you get into a reasonable position, which one which is rational in enough layering related to the force needed that the effort minimizes. That means a deeper, tighter fold because that cuts off the gsProcess needed to do less, to work it toward that reasonable position. When the weight is released, you realize how hard you were working. And now your body is trained to move that far with weight, which makes it much easier to reach without weight because you can take away the extra gsProcess needed with the weight. It feels at times like a punch up into the area where the 3rd chakra locates, and that connects strongly to the 4th chakra, those being the solar plexus and heart ones.

It’s not difficult to see how the 3rd chakra relates to self-esteem and to radiance with power. I’m seeing it as a dual with the heart, which contracts to the core of the chest as part of the move, so the actual location is a Bip, meaning there’s a Triangular, which of course must be true because the chakra concept connects top to bottom, bottom to top, which is like an image of a magnetic field. We can of course describe that as the 0Space image of the standard SBE. So imagine a gs or an fD, which we’ve firmly connected.

I seriously think the little hat idea is about the best Thing ever. So to see it in the grid and as a specific metaphor communicating this material is one of the coolest feelings ever. Let’s see if it turns into something more, like we see 2 and 2 as 4, so when we add both Pathways we get the 4Square over the 1Square. That literally took as long as it took to type both that sentence with barely a quarter rest at the first comma.

And this is a great simple graphic to explain what we mean about perspectives adding. And that negating the other perspective is obvious to us at HC because the 4Square has a flip in it, and that extra gsProcess identifies itself. To visualize, take a 2+2 and then imagine you take the second 2, convert that into a 0, and then substitute another 2, which is a negative image of the actual 2. It’s a literal lesson in why lying is easy to spot from above.

And that shows why there is very little value in saying one taint matters, in holding Jews to a perfection standard, etc., because it’s been clear for a long time that you cross over a midpoint line, over that Irreducible line, the focus line, etc., and this is not the same as binary being used to ignore a perspective when we see that perspective, and thus the End which is tainted has the wrong value than expected from higher dimensional perspective.

How does this relate to the fastest descent cycloid having a center above the 2 connected points, meaning they are both on the Boundary? Remember, this is an idealized point sliding in an ideal way within a field exerting pressure which is down and at an angle because it is in motion. In other words, the cycloid idea proves our point about the construction of Ends and Boundary. Didn’t know that.

So now we have a specific mechanism built into the basic IC model, and this mechanism generates a 4Square when you don’t look at the progress of 1 going to 2 to 3. This fits then to the Bell inequality because you see the SBE and the Bhyp as roots of a 2Square. I think it’s nice to label both hypotenuses because they are different when constructing a 2Square, which means when dividing it into pieces as well, as long as the pieces make the 2Square. That’s why root2 appears and why it relates to probability within 1: that divides the probability into those pieces as the root fits to the 1Square. That last step is crucial but easy when you remember we translate up and down, so here we have iterative counting and that gsProcess counts probability and thus to 1 not to 2.

I need to eat something. I’m not able to eat that much with this body work. The long stretches pull up across the front, and the deep folds, which now actually do that, contract them.

[ocappreciation]

Hi, I hope all is well? :) I thought I'd introduce myself to the OC Community. :)

What name you like to go by / pronouns: Hey! My name is Megan and I go by She/Her. I am a 20+ year-old special needs writer from England.

Fandom(s) you create for and/or are interested in: Dying Light, 13 Reasons Why, Until Dawn, The Dark Pictures Anthology, Marvel and Vikings.

What other platforms you share your work on: I'm on Fanfiction.net, Wattpad and AO3.

What are you looking for within the OC Community: I'm hoping to meet some new friends.

How can you help others within the OC Community: I'm happy to read others' fanfics and leave reviews for them. I'm also happy to send questions about OCs and pairings.

[raging-violets]

Thanks @barbychan4ever for all of the reviews on my Riverdale fic!

[waterloou]

Libby Mason moodboard

Requested by @megandaisy9

Request a song and character and I’ll make a moodboard for ya. OCs included

[eddysocs]

The Tie That Binds Us — Chapter Fifteen (Trials And Tribulations)

Summary: Harper and Olivia face challenges as the trial begins, testing the bond they’ve built. As tensions rise, they find comfort in each other, and a little reassurance from a friend.

Word Count: 1,455

Tags: Some angst and some fluff

As March arrived, Harper was reminded of history class and the Ides of March. It felt apt for the two of them. Not so much that they were about to be repeatedly stabbed in the back as Caesar had, at least not in a literal sense, but with the trial mere days away, Harper knew there’d be a lot of hard times coming their way. Yet even before their relationship had taken on a more romantic nature, they still would have had one another to help endure this. Now, Harper hoped, with that extra layer between them, they’d get through this and come out the other side stronger.

On the first day of the trial, Olivia had left early, before Harper had even gotten out of bed, as she had awoken to an empty house, but she didn’t mind. It gave her time to clear her head and prepare herself for the day to come. She wanted to look nice, but not overly bright and cheery, as that certainly didn’t reflect her mood, nor that of the case they were bringing against her former school. So, she rifled around in her closet and reached for a black dress with a white collar and a stitched on sunflower belt. She didn’t wear it often, but for today it felt fitting, somber, yet hopeful.

As she looked over her choice in the mirror, she heard the front door open. Olivia was back. She went out to greet her, and saw her in a fitted blue dress, so unlike her usual style, yet that wasn’t the aspect of Olivia that truly gave her pause. It was her hair. She’d gotten it cut off. It even looked darker, though she didn’t think she’d actually had it dyed.

Olivia caught Harper staring at her, mouth slightly agape. "Hair holds memories," Olivia explained, as if she felt she had to justify her choice. "I thought now was as good a time as any to start fresh."

"You don’t have to explain yourself," Harper reasoned, getting over her initial surprise. "It’s different, but it’s nice. I just didn’t expect such a change, that’s all."

A momentary silence fell between them, before Olivia sighed. "Are you ready for today," she asked, stepping forward to adjust the collar of Harper's dress.

"I think so. Ready as I’ll ever be, I guess. What about you?"

Olivia shrugged, her hand still on Harper's collar. She looked like she was ready to cry, and no doubt that by the end of the day, they both will have done their fair share. "I’ll be okay," she finally said.

"We both will," Harper agreed. "Though I do have a question. It’s not exactly relevant, but should it come up…can I call you my girlfriend now? Not that I really talk to anyone but Tony. Maybe Clay. I just didn’t want to—"

Olivia squeezed her hand, causing her to pause. "Yes. You can call me your girlfriend if you’re comfortable with that. I don’t have to remind you what happened with your locker though, do I?"

"No, I know. I’m not planning on making a loudspeaker announcement on it, I just wanted to know what was appropriate."

Olivia cracked a smile, and Harper vowed to commit it to memory, because it may be the last one she gets for a while, maybe even until this all was over.

The courtroom was a dreary place. They could feel the weight of it's high ceilings as if they were crushing down on them, and the tension in the room before the trial had even begun was the furthest thing from comforting.

Harper sat beside Olivia, their hands joined at their sides, hidden from the prying eyes of lawyers, jurors, and Liberty High staff in attendance. As the trial commenced, the grip between them was tight, not just for comfort but for survival.

Each witness called to the stand added another layer of pain, another reminder of why they were here. Harper had watched Olivia hold herself together through it all, through the depositions, and the reopening of wounds that had barely begun to scab over. She admired her resilience, but she also saw the exhaustion pooling beneath her eyes, the weight of grief pressing into her shoulders.

As yet another Liberty High administrator fumbled through their excuses, Harper risked a glance at Olivia. Her jaw was tight, her lips pressed together as if she were physically holding back the rage that simmered just beneath the surface. Harper wanted to reach out, to press a kiss to Olivia's temple, to promise her that justice was coming, even if it felt like an impossibility. But she could only squeeze her hand tighter, hoping the gesture spoke for her.

Outside the courthouse, the world didn't pause for their grief. Harper had known this would happen. From the moment their relationship became something more than a need for comfort, more than the occasional overnight visit, she knew people would have opinions. Olivia was older. Olivia was Hannah's mother. Olivia was still wrapped in a grief so thick that some people couldn't understand how she could find love, let alone with someone like Harper.

Luckily for Harper, she had Tony to unburden herself to. "I heard some girls whispering about us today," Harper told him, referring, of course, to her and Olivia, as she shoved her hands into her jacket pockets. "They were saying it's sick. That I must have some kind of 'mommy issues'."

"You do. I know your mother, but that’s not what this is. I can’t say I fully understand it, and you don’t need to hear it from me, but I know you’ve found something real. Olivia, she looks lighter than she has since I’ve known her, and you've found a confidence that used to be so unlike you. You’ve changed each other for the better, at least from my perspective."

She looked at him then, seeing the steady certainty in his eyes. Tony had always been the kind of friend who didn't waste words, who saw things as they were and called them out.

Tony hesitated before adding, "You good?"

Harper thought about the trial, about Olivia's exhaustion, about the way her former classmates' words had lingered longer than she wanted to admit. Then she thought about Olivia's hand in hers, the way they fit together despite everything, and nodded.

"I will be."

Tony nodded, satisfied with the answer. "Good. Cause I've got your back if you need me. Both of you."

A week later and it was the night before Olivia was slated to testify and Harper found her sitting at the kitchen table, staring at an untouched cup of tea.

"Can't sleep," Harper asked gently.

Olivia exhaled, shaking her head. "I can’t stop going over what I'll say."

Harper slid into the chair beside her, reaching out instinctively. Olivia let her take her hand, let her trace slow circles over her knuckles.

"You're not doing this alone," Harper reminded her.

Olivia let out a shaky breath, finally looking at her. "I know," she whispered.

"You need your rest. Have you even tried to go to bed?"

"Not yet," she admitted.

"Come on then. You can’t get any sleep if you’re not even trying." Harper got up and tugged lightly on Olivia's arm, a gentle gesture to get her to come along. Olivia looked like she might crash before Harper was able to walk her to her bedroom, but she was bound and determined to try, for the sake of Olivia's health if nothing else.

Finally, the trudge was made and Harper pulled back the covers to let Olivia in, folding them back over once she’d made herself comfortable. "Don’t go," Olivia muttered. It sounded like half a question and half a statement. They hadn’t shared a bed yet, but Harper wasn’t even considering that as she softly promised not to leave. Olivia needed her, so there she’d be.

As the days continued to roll on, the mental toll was wearing on them both. There had been no clear indications on what the verdict may be, and the stress of potentially losing their case and not seeing any sort of justice for Hannah had been hanging over their heads, until finally the day was here. March twenty third. The day their world came crashing down. The jury declared that the school was not responsible for Hannah's death, and Olivia broke down crying. Harper had ushered her out of the courthouse immediately, dodging several reporters gathered outside as she got Olivia to the car. She drove them home, balancing her concern for Olivia with keeping a watchful eye on the road. As for her own tears, well, they could come later.

🩶🩶🩶🩶🩶🩶🩶🩶🩶🩶🩶🩶

Chapter Fourteen <- 🩶 -> Chapter Sixteen

Forever Tag: @baubeautyandthegeek, @kmc1989, @curious-kittens-ocs, @fanficanatic-tw, @gcthvile, @immyowndefender

Harper Cassidy: @megandaisy9, @boobear729, @ghostsunderstoodmysoul, @freshmoneyalmondathlete

[arrthurpendragon]

❆ ❆ ❆ OC ❆ Ficmas ❆ #33 ❆ ❆ ❆

THE TIE THAT BINDS US by: @eddysocs

Harper Cassidy was Hannah's best friend, or so she thought. Now, mourning her death, she'll connect with the one person who can understand her grief and help her heal; Hannah's very own mother. Hannah is the tie that binds them to each other.

READ AT FFN + AO3

Tag: @ocappreciationtag  ❆ @gritsandbrits  ❆ @booty-boggins   ❆ @trashcankitty12 ❆ @darksideofparis  ❆ @raith-way  ❆ @anotherunreadblog ❆ @vivis-ghost-wife   ❆  @fandomdancer​  ❆  @hoqwaarts  ❆  @zoeliemyers  ❆  @darknightfrombeyond

[occommunity]

A 13 Reasons Why/Dying Light OC Fic Poster for @megandaisy9

[bravelittleflower]

oc Halloween challenge - October 5 - Disney Princess AU!

Danielle Baker as Princess Ana of Arendelle

@foxesandmagic

[jonathankatwhatever]

It’s 22 May 2024. It’s been a weird morning so far. Woke up feeling no connection at all. Began wondering where you are, what you might be doing. Then I see a post about the Cantor set. I know what that is, but I decided to look at it anyway. This is a challenge to my beliefs. You see, the construction method of removing the open sets is the literal opposite of the construction from higher dimensions into the real line. In fact, the idea behind the generalized Cantor set, meaning that you can do the same thing with any definition between 0 and 1, meaning along a 1-0Segment, all that means you construct any version of the reals you want. And that’s usually taken to mean that if you remove the 5ths or whatever, that you keep removing the 5ths, that you can’t layer to make some other pattern, meaning some transcendental.

There was a Metaphoric Bundle in that last line. It included the idea that any artificially random selection will have a pattern. All within 1. Which gets back to CM100, for some reason.

Why? Damn the torpedoes! Full speed ahead!

100 is the gs of 10 which is the construction of SBE3+1 and the construction of Halving/Doubling, meaning 2. Okay, so we have 2*3 is SBE2 and the next prime or 1gs in prime form is 5, which is SBE+1. I remember doing this years ago. So we have the mimicry of form in SBE+1 and SBE3+1.

Another is the 7’s that touch at 50:50, which I type instead of CM50 because they aren’t necessarily the same things. That 7 translates into Hexagonal counting, and in particular the full count of a Hexagon in one sense being 13 to 14, where the count is 6, verify to 7 (or other way round which is 26), and again other way round to 14, thus fully identifying the central bT and thus one side of the fD over which 2 Things invert. Hello.

That’s a model of an interior End relating over the external 1-0Segment to another, using the rotating mirror image. This models why the Informational Limit exists, but I don’t know if I can say it. The idea is that we have a bT and we have this 1-0Segment which relates to another End in another Hexagon, meaning a second Thing, with all the gsSpace created Between them when we take that 1-0Segment and look at it, when we realize that it comes into existence using the above methods. If that isn’t clear, I mean the idea of removing open sets. Open sets are the 0Space to the 1Space endpoints. That’s why you can construct dense and nowhere dense sets: layering of gs process within that 1-0Segment.

Remember, this models at scale, so this means any interaction. This is then why context matters, why fCM matters, why 50:50 matters and thus why it appears in our sensibility as a coin flip. Powerful stuff.

So we have this 1-0Segment which relates to another Thing, another End, and we have a Hexagon attached. This 1-0Segment occurs within a bT, which counts 3, so we know the count must reach 3 at the 1Space counting level. The argument then is that the difference between the observed limit and 3 is due to the fact that this Hexagon is attached.

The mental image is of a V emitting as close as evenly as possible, and the Ends of the 1-0Segment thus being able to read one or the other as leading, thus enabling continuity over the bT, which means it aligns along the Shard axis, which is the orthogonal along which this process operates. I’m trying to say this is the ideal image of the actual messy pathways, the 1Space which relates all Pathways. I guess that is a big deal.

My concentration has been understanding 420, because the +1 to 419 is delicious. That’s 6*7. I have pictured that using gs, adding a row or column and saying this 6*7 represents any of these states. And it’s the count around a Hexagon but multiplicative. I’ve had a tough time visualizing that, but the idea is that you state a Hexagon 6 times to identify that it is that Hexagon. Easy way is to rotate the labels each time. But then what does the 7th iteration do? The best we did before was saying this states the Hexagon to its completeness, meaning that rotation of another turn preserves the prior 6 states within that last twist. I’m seeing something. That means we encode any twisting run of 6, true SBE2, give that a twist and it locks like the opposite of twisting a bottle cap open.

That means the communicative process in this step of 419+1 to 420 lines up meaning within a Hexagon by sending it through SBE2 and locking it, and magnifying it by 10. This relates the bT level of SBE to the SBE2 level to the SBE3 level within the same process because mag10 is SBE3+1. If you see what I see, that means a lot of meanings are available within any packet, which is true in physical terms when you think about what momentum is, especially for a particle with no rest mass. We know photons carry information. This is how it encodes into the photon. And we see in that how the communicative process works. It has to be there because all relationships between 2 Things are 1-0-1.

Oh, I need to mention there that stating 1-0-1 generates I//I. It’s that low or high level. (It’s 2 mints in 1.) We can thus state that I//I can be reproduced within the Cantor set. That is, the Cantor set is constructed using exclusion as the method, and exclusion of defined open sets in particular. Open versus closed at each step requires I//I, generates I//I. Is I//I. It truly generalizes. I was far too rigid in my thinking about I//I being a method to realize that it’s the method used to divide infinities. In religious terms, when God parted the heavens and made the firmament, this is the tool used.

That’s the 420 as of now. The 18 is times 419, and that now works because Attachment Theory has developed a ton since we last did this work. It’s literally SBE3 on each side of the bT, each of the legs of the V. And +1.

The part that remains mysterious is the 200,000. What is the purpose? What is the porpoise, Dorcas? I think that’s it, in that joke. That what comes from the Hexagonal processing needs to Attach and it does that by being available in multiple Attachment forms or ways. Like the signals mean different things in different contexts. Stop may mean wait for reply, could be internal or external, could be minor or significant. Information coming in needs to Attach through that +1, which we can map to the 1-0Segment so this gives the Attachment more room, more potential to Attach. This is a version of very old work, which is interesting if only because I had so much doubt about it before.

This makes clear that it isn’t what one sees, because perceptions are guaranteed to be unique even when similar, but how one interprets at a higher level. Thus my concept of the Jew test, which is embodied by the shockingly simple point that when Israel does better, when Jews do better, the idea is to emulate them so you do better yourselves, and not to look for ways in which Israel, in which Jews fail to be perfect. If you can’t see the basic logical error you make about Jews, then you can’t be saved.

Back to CM100. The concept organizes across scales. That 50:50 becomes more fine-grained as you look. It’s not just to the quantum level of ambiguity, but in the sense that locality doesn’t End. Like rules involving video review identify not just issues with whether you can tell or not, which is an obvious 50:50, but also whether the rule extends to this exact circumstance. Since exact circumstance is mathematically not going to repeat, you never hit the End of your inquiries. You’ll never be able to define an absolute this is or is not a catch because the rules extend, while you can tell if a ball is over the line to the limit of whatever you use to measure.

That’s the general importance and idea of fCM. And it’s also behind a lot of D-structure. As far as I can tell, only D-structure describes the fullness and the finiteness of our existences as tangible and intangible Things.

[bravelittleflower]

I love it!!😍😍😍

danielle baker: to hurt is as human as to breathe. 

a very belated birthday gift to @iceandwaterfairytail ! hope you like it, babe!!

[ocappreciation]

ocappreciation + secret santa  🎅

↳  to @barbychan4ever → from:  @missjanuarylily

❄️ Vada Lisbon → Looking Too Closely ❄️