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Baby blue 🦋
#rottmnt#rise of the tmnt#rise of the teenage mutant ninja turtles#rottmnt leo#ashart#tmnt#tmnt leo#ashrender#fav✨️#favart
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I don’t have any extras just yet but here’s my persona for the new @favorvn! It’s really interesting and I haven’t found the other ending just yet!
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@pelagisio-algos
Sapien boy and neanderthal girl doze in the springtime, finally together again
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21 avril 1772 : mort de l’actrice de théâtre Justine Favart ➽ http://bit.ly/Justine-Favart Née d’un père musicien de la chapelle du roi et d’une mère cantatrice de la chapelle de Stanislas roi de Pologne, douée d’une figure charmante, de beaucoup de talent et de grâces, elle obtint de grands succès lorsqu’elle débuta à Paris, en 1744, sur le théâtre de l’Opéra-Comique sous le nom de Mlle Chantilly
#CeJourLà#21Avril#Favart#actrice#théâtre#artiste#art#histoire#france#history#passé#past#français#french#news#événement#newsfromthepast
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Red and blue make something
#I don't actually have anything to say abt this drawing IT JUST EXISTS AHAH#i liked drawing leo in the pink tho it was fun#nothin personal leo#but this is what u get for being my fav#ANYWAY hi to you guys :3c been a hot minute :3c#tmnt#rottmnt#rottmnt leo#rise of the tmnt#rise of the teenage mutant ninja turtles#rottmnt fanart#ashart#ashrender#favart
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François Hubert Drouais (French, 1727-1775) Portrait of a Lady, Said to be Madame Charles Simon Favart (Marie Justine Benoîte Duronceray, 1727-1772), 1757 The Metropolitan Museum of Art
#François Hubert Drouais#french art#1700s#portrait of a lady#portrait of a woman#madame charles simon favart#marie justine benoite duronceray#art#powdered hair#fine art#european art#classical art#europe#european#oil painting#fine arts#europa#mediterranean
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been going crazy about a sifloop art i saw since last night but im too much of a coward to reblog it to main. sad!
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H.[ugues] F. [avart] « Julien BLANC : Seule la vie... (N. R. F. Gallimard.), », Idées – Revue de la révolution nationale, Vichy, 1er octobre 1943, p. 64
https://julienblancromancier.wordpress.com/critiques/
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🌊✨️
#originally this was a redraw but I almost liked it better without the hands#SO yall get this version XDD#the version with the hands is on my Twitter tho so if yall wanna see it you can see it there 🥰✨️#rottmnt#rise of the teenage mutant ninja turtles#rise of the tmnt#rottmnt leo#ashart#i do still consider it a redraw tho. and i think ive really improved a lot from 2021 and 2022 hehe#tmnt#teenage mutant ninja turtles#ashrender#favart
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❱❱ Hank : they/he/metal/grunt/gore+
↳ DID Host + introject
`` putting the tired in retired "merc". ``
Neocities : Twitch : Commissions : Discord
❱❱ @bookmark-beast -> resources, useful shit, tutorials and etc
❱❱ @nexus-opsys -> collective blog
❱❱ @mercs-rose -> all sadie posting
this isnt a fandom blog. all drawings and cosplays of hank is not fanart, that is genuinely me.
Tags below for navigation
#.rbxl#.swf#.html#.bmp#.jpeg#.txt#@gruntmail.com#sadie.rose#fuckworld#hank\the_fridge#weedposting#-> extra misc tags ->#beautiful beast#hank\bookmark#hank\eyecandy#this rends flesh#hank\weaponry#📌#.favart#me
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Omg bestie 💕💗💗💖💞
BTW!! If you guys haven't heard of @wouldyoustayvn yet, go check it out, Z and Virgil makeout often (in my mind💕) I am personally very down bad for Virgil 🥵🥵🥵🥵🥵🥵
*twilrs hair* heeeeyyyy <3
ANYWAS YOU SHOULD GO CHECK OUT @favorvn !!! EPISODE 1 IS OUT!!
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I think this is fine to post — there's no lore or story behind this, just wanted to make something pretty ehe
This is a drawing of @daedelweiss 's rottmnt sona, Pastel 👀 he a sad lil guy sometimes, it's ok
#rottmnt#rise of the tmnt#rise of the teenage mutant ninja turtles#rottmnt sona#ashart#ashrender#favart
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"Joli mois de Mai, Rends-lui, rends-lui le coeur gai." - Charles Simon Favart
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Pastoral with a Bagpipe Player
Artist: François Boucher (French, 1703 - 1770)
Date: 1749
Medium: Oil on canvas
Collection: The Wallace Collection, London
Description
With its pendant, P482, the painting represents some Boucher’s most ambitious works in the pastoral mode. Boucher continued the pastoral, utopian mode of Watteau's Fêtes galantes, anchoring them more clearly in an idealised, Italian setting. By exchanging Watteau's contemporary Parisians with idealised shepherds and shepherdesses, Boucher further removed the scenes from a recognizable contemporary reality, transposing them into an entirely imaginary world. While Watteau produced cabinet-sized pictures, Boucher often employed the pastoral for large-scale room decorations, as is the case here.
The two pictures originally belonged to the Daniel-Charles Trudaine, who worked as governor of the Auvergne, before being put in charge of roads and bridges in France, a capacity in which he was responsible for extending and modernising the network considerably. From 1745 he instigated and supervised the production of a new street atlas of France. Trudaine hung the two paintings in the grand salon on the ground floor of his country house at Montigny–Lencoup near Fontainebleau.
The scene was inspired by the theatrical characters of the immensely popular pantomimes of Boucher's friend, Charles-Simon Favart. At the Opéra Comique, where Boucher was both set designer and a keen member of the audience, Favart’s musical dramas combined the Arcadian idealism and aristocratic sensibilities of pastoral poetry with the rustic, sentimental characters of popular theatre. The painting depicts the cousins Lisette and Babette with the little shepherd who wins his sweetheart’s affection and a crown of flowers by serenading her on the bagpipes.
#painting#pastoral scene#oil on canvas#fine art#theatrical characters#landscape#pastoral poetry#popular theatre#women#man#bagpipe#animals#distant city#cloudy horizon#costume#theatre characters#trees#foliage#french culture#francois boucher#french painter#french art#oil painting#the wallace collection#artwork#european art#18th century painting
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François-Hubert Drouais (1727-1775) "Portrait of a Woman, Said to be Madame Charles Simon Favart (Marie Justine Benoîte Duronceray, 1727–1772)" (1757) Oil on canvas Located in the Metropolitan Museum of Art, New York City, New York, United States In 1745 Mademoiselle Duronceray—the singer, dancer, and comedienne probably portrayed here—married Charles Simon Favart, the father of French comic opera. Among her best-known roles was that of the heroine in The Loves of Bastien and Bastienne, 1753, in which she inspired a revolution in theatrical costume by wearing authentic peasant dress. Drouais’s portrait of her seated at a harpsichord recalls traditional representations of Saint Cecilia, patron saint of music.
#paintings#art#artwork#genre painting#female portrait#françois hubert drouais#francois hubert drouais#oil on canvas#fine art#the metropolitan museum of art#the met#museum#art gallery#french artist#portrait of a woman#history#harpsichord#musical instruments#blue dress#dresses#clothing#clothes#1750s#mid 1700s#mid 18th century#a queue work of art
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